#more so than what we see in this post about a fantasy show

[the-clock-of-the-time-dragon]

Man, for someone who keeps invoking media literacy, you sure seem to be struggling with accurately addressing the points that I've been making.

1) He is good at lying to people about who he is, all while being able to make himself likable 2) He is secretly unhappy and has been thinking about the day with the Lion Cub a lot

Here's part of where I think we fundamentally disagree: I don't think he's much of a liar tbh. He doesn't care enough to lie. If anything, he seems almost incapable of it at times. He has coping mechanisms — namely: telling himself (and others) that even though life is pointless, that's actually awesome because you can do whatever you want and not have to worry about anything — and one could, I suppose, argue that he's lying to himself in that sense? But he does clearly WANT to believe it, and acts accordingly. True, Elphaba sees discontent within him and assumes he must be hiding some inner depth (because how can he possibly be unhappy if he's empty inside?? selfish and shallow people don't feel bad about stuff or help others!), but I think his later actions actually show how shallowness can sometimes have its own kind of depth, and selfishness can have its own kind of beneficence. I'm aware this isn't intuitive or prima facie stuff — that's why I posted an analysis about it.

I think it’s a much more plausible headcanon that he has always been working as a double agent than your headcanon that he’s decided instead to randomly embrace being a fascist.

Honey, here's the thing: contrary to what you suggest, mine is not a headcanon in this case. At all. He became a fascist soldier. All ulterior motives (speculative or not) aside: that is simply what he did. It's text. I never said he "embraced" it in the sense that he liked it. It's directly stated that he doesn't like his situation. But that didn't stop him from quite literally choosing to be in that situation. Sucking up whatever other feelings he has and doing it anyway.

Maybe it’s hard to “reconcile the compassionate boy we saw in the woods with a fascist commander” because he isn’t one?

Except he literally is. That is what he became. Your insistence that he worked his way through the ranks of a fascist military without ever doing any of the actions that make someone fascist is beyond belief. Like obviously I understand that your contention here is that he didn't "become" a fascist on an ideological level. He just went through the motions without internalizing or identifying with the fascists' ideas. But I'm afraid plenty of German (or hell, Confederate) soldiers were "just fighting for their loved ones" and "didn't actually believe in all that stuff": but they fought anyway. And they fought on the wrong side, and did the things that came to define what we think of when we talk about their regimes. You are doing exercises in idealization. Becoming a fascist is as much (or more) about physically carrying out the acts of fascism as it is about adhering to what it proposes. Rejecting the latter does not erase the former.

Maybe if you “read by sheer text; on the actions and statements on the page” you’d realise that his actions in act one don’t make sense in act two if you read him as part of the regime?

He. Is. Part. Of. The. Regime. You don't get to say he was somehow set apart on some abstract level from the force that he commanded. Good Lord.

My point about the challenge of reconciling Fiyero between Act I and Act II was not "wow, this doesn't make sense, he must have changed so drastically!!!" I literally explained my point. He hardly changed at all — and that's interesting. The ways in which he did change are equally interesting — because they aren't positive, contrary to what one may usually expect from a character arc of a male lead in a fantasy story. In most such stories the male lead confronts his flaws and he either overcomes them or makes peace with them. Fiyero does neither — which is completely in character and honestly a perfect and natural evolution from where he began — and from a writing perspective I absolutely love it, lol

Oh sorry, Fiyero should have just gone down to the resistance job shop and got a top post there!

I know this is tongue-in-cheek, but the fact your unironic insinuation underneath it appears to be that... *checks notes* rebellions do not have job openings for charismatic men of action...??? Where were you going with this??? lol

The resistance that, as far as we know, basically doesn’t exist, as it doesn’t seem like Elphaba has got much help either (we know there’s rebel Animals that shelter her, but she’s also at the point where she tries to beg her father for help and seriously considers just giving up and joining the Wizard).

Hon... has it occurred to you that by the time we get to Act II... the rebels are fringe and weak because they've been repressed for years by the forces Fiyero volunteered in? Like, we are TOLD that there are rebels. That's a fact. We know that one of the primary activities of the Gale Force is violent repression against Animals. Come on. You're good at extrapolation. Put two and two together here.

But in all seriousness: no movement? Start one then. If it's really that deep. Sounds like a skill issue to me.

Someone has to do this job, if it’s not Fiyero it’s someone a lot worse. We know Fiyero has compassion for Animals, we know Fiyero wants to protect Elphaba (we literally see him doing so three times in act 2). If Fiyero places himself in command, however grim it might be, he now has some degree of control over Oz’s army and how much damage they can do to the Animals and Elphaba.

The damage has been done though. On his watch. To some extent on his ORDERS even. The Animals are all but erased from Oz. Elphaba is so deep in hiding that Fiyero, with all the resources at his command, hunting her desperately, still turns up nothing every time. "Someone has to do this job", when the job is fascism, is not a defense. In fact, "I was just doing my job" is a very well-known and infamously horrible non-defense particular to this exact context. It'd be a better overall argument if him being captain instead of someone else had actually made some objective difference to the end results, but we don't see that. Like I guess you could really stretch things and credit Fiyero for there still being a small holdout of rebel Animals around at all?? Like maybe if he hadn't been there, they'd have been dealt with a bit more aggressively or something? But that seems like a pretty meager end to try and justify his means.

It wasn’t planned that he’d meet her in the throne room, no, but it certainly was planned, by putting himself as the head of the search for the Witch, that if she was found in a dangerous situation he could get her out of it. He manages to get all his guards away and for her to escape safely, he couldn’t have done this if he’d been in any other position.

And he couldn't have achieved anything comparable in ANY other way besides doing fascism? Really?

Imagine, if you will, an alternate scenario: Fiyero doesn't join the Gale Force, and instead joins with the rebellion. Elphaba finds him. They're working together to save Animals again, like old times. They do stuff together and they have each other's backs if either one is caught in a tough spot. Fiyero never gets engaged to Glinda. Is that not a MUCH less convoluted, far more sensible plan? The fact that all explanations for why Fiyero chose anything OTHER than that seem to boil down to weird borderline fascist apologia, is how I know my points are valid.

you told me him being in the Gale Force achieved nothing, it saved Elphaba’s life and allowed the ending to happen.

The logic here is just... Okay. Hon. If he. Had chosen. Something else. The sequence. Of events. Would be. Radically different. And Elphaba. Would not. Have been. In the. Situation that. You give. Him credit. For saving. Her from. At all.

If you joined the Mafia "to protect your family", and then your cousin follows you into a meeting one day and almost gets shot, but you stepped in and stopped it, that doesn't somehow mean things went according to your plan; you only "protected" them from a scenario they would never otherwise have been in had it not been for you, lol

Even her sad verse in Thank Goodness imply she joined because she wanted it (and only later found out it wasn’t quite how she planned).

And y'know a very particular way it wasn't like how she'd planned? She didn't plan on getting it as part of her abuse. Being showered with nice things is a well-known abuse tactic, because it's enticing and allows the abuser to insinuate that their victim was consenting and enthusiastic about what happened to them. There's more to it, absolutely — Glinda is perhaps the most complicated character in the show — but the fact you insist on victim-blaming over and over is... wow.

No one was going to imprison her,

The guards physically detained her and Elphaba had to break the laws of fucking physics to get them to let go, wtf are you talking about, lmfao

there’s literally no reason at all to enslave her,

Except that she's the closest person in the world to their new Public Enemy #1, and can be leveraged in about a million different ways in their favor. Glinda has intel. Elphaba might have been tempted to try and come back and get her. She's a perfect bargaining chip in case Elphaba got too aggressive too: the Witch might back off if Glinda's life were threatened. And, as the Wizard quickly discovers: Glinda is really likable and sociable and boosts morale wherever she goes. So they made her theirs, and dulled her pain by trying to appease and cater to her in every superficial way available. This is Abuse 101, hon.

But ok, let’s take your “enslavement” fantasy scenario. Fiyero is literally the next candidate for Morrible to “enslave”, she knows he and Elphaba were at least tentative friends, she might even have realised he was also absent after the day with the Lion Cub, he’s dating Glinda and his royal connections and fame and likeability make him a useful asset. If Morrible really is blackmailing people to join her on trumped up charges, it would be very easy for her to either use the Lion Cub situation to blackmail into it, or threaten to hurt Glinda if he does not.

"Fantasy"... jfc dude, lol

Fiyero wasn't literally in the palace in the clutches of the guards as a perceived accomplice to the Witch at the end of Act I. The situations are apples and oranges.

Tbh as far as we know, Fiyero didn't really know a ton about Elphaba to begin with; certainly no specific useful intel. There's no reason to think Morrible ever put two and two together vis-à-vis the cub — a slacker student like Fiyero being absent from class isn't weird. And even if for some reason she did get suspicious enough to press the matter, there's so little she'd have to go off of that he could literally just say he ducked out when the whole class started spasming, and that's pretty much that. And yeah sure he's "dating" Glinda, and may under the right circumstances be manipulable if she got threatened: but let's not forget this is also the dude who abandoned her the very first chance he got, and then pointed a gun at her as a bluff without a second thought. He doesn't care enough about Glinda for that to be really leverageable, and it's not like Morrible wouldn't know that: his unenthusiastic response at their engagement announcement would tell her, if nothing else had by that point.

But then... Fiyero didn't ever need to be coerced to become what he became. He volunteered. Glinda was caught in the attic and knew a certain regime-delegitimizing, worldview-shattering secret — I fail to see how there is any scenario you can seriously propose in which the Wizard letting her go with that knowledge, with her closeness to Elphaba, etc., could even be halfway tenable from the Wizard's perspective. It actually defies belief that you can misread her situation as badly as you are.

This is headcanon.

Nah. He literally sang two separates songs about it. Dancing Through Life's whole thing is "nihilism rocks because you can just do stuff and never worry about it", and his part in So Long As You're Mine has him going "I don't care about anything except acting on our desires in this fleeting moment". I don't need to headcanon anything to simply point out that those sentiments are neither deep nor considerate (and, as I have said: don't have to be), lol

This is canon: he pointed a gun at the Wizard to help Elphaba escape. He had to escape too.

He spent years specifically trying to find her, with the heavily implied desire to run away with her. And what did he do the second he saw her? Ran away with her. Say she hadn't been in danger: say she was either undiscovered, or was reconciled with the Wizard. Do you think — based on your own version of him, double agent headcanon and all — that he would have been content NOT to leave there with her then? That after years of searching, he would just let her fly out of there and leave him behind again? Did we watch the same show?? At this point your take on him is even more reactive and thoughtless than mine, if you think his character would allow him to not only deny his passion for her but also to stay in a situation he regards as meaningless and insufferable. As I said to begin with: he can be protective of her AND do so shallowly and selfishly. Reread my original post if you need a refresher on what makes his attachment to her shallow and selfish; and friendly reminder that my saying these things is not a diss, I'm a fan of Genuinely Self-Absorbed, Deeply Shallow Fiyero.

“He doesn't think about the potential consequences of abandoning Glinda; for never cared about either his own safety or hers,” I’m sorry, are you really blaming Glinda telling Morrible and the Wizard to spread a rumour about hurting Nessa on Fiyero? Talk about fucking victim blaming.

Genuinely baffled as to your thought process here — I never said one word about what you're referring to, I was literally just pointing out that Fiyero didn't remotely consider that his fiancée could potentially catch some flak for his unexpected treason, or that leaving her totally alone with her abusers could worsen her situation (as we actually do see by the time of March of the Witch Hunters, where Morrible is far more directly and openly cruel to her than she was when Fiyero was there). This should be familiar to anyone who's seen abusers behave differently when other people are around, but flip a switch as soon as they have their victim all to themselves.

Not the Elphaba faking her own death plan! That must have taken days as the scarecrow. And careful manoeuvring of everything involved!

Cute, but you do realize you're agreeing with my point, right? Unless you're NOT being sarcastic, in which case... Okay. Fiyero did not plan the Melting. We aren't told how far in advance Elphaba planned the Melting, or what degree of input Fiyero had in it (hard to coordinate beforehand considering she was in a whole different part of Oz than he was, he was with Dorothy at the time, and, y'know... she only just learned that the Scarecrow was him MOMENTS before the Melting) but the pieces were all there and so simple that he could intuitively figure out basically what she was trying to pull off. Secret passage. Fire. Water. Rumor. Literally all he had to do was play along with the stage she'd set. It doesn't exactly take a Doctor of Thinkology.

Well I have happy news for you! He no longer has a hollow existence! That’s literally what act two is trying to tell us! Elphaba: Fiyero, you frightened me. I thought, I though you might have changed. Fiyero: I have... changed. * You’ve got me seeing through different eyes Somehow I’ve fallen under your spell and somehow I’m feeling it’s up that I fell

I hate to burst you bubble... but he hasn't changed for the better. I already said that. He still has a hollow existence — he tells us just how hollow it is in Thank Goodness — he just looks to Elphie as his one and only solace. I've elaborated on some of the layers behind it, but basically I argue that he chose Elphaba as his object of desire precisely because that is what she represents to him, in its purest form. Desire. She's "the one that got away"; the one he can't find; can't reach. The only thing in his meaningless life that's unavailable — and therefore tantalizing. She's the only one who doesn't swoon over him or get caught up in his carefree dissociative escapism. She's the one with a sexual tension so palpable but so frustratingly unresolved (until As Long As You're Mine ofc). She's the only challenge in his life that isn't an ineffable internal conflict between his id and superego: and in fact soothes that conflict because she stimulates them both.

[Wicked Act II spoilers]

[edited for tone and clarity of purpose, apologies for initial crudeness and frustration]

Okay, obviously I'm biased, but I'm gonna need the Fiyeraba shippers to please set a lot of your people straight about some things. I've seen way too many people trying to say that Glinda is just a selfish bimbo and that Fiyero is a virtuous and selfless figure more worthy of Elphaba's love. I'll set aside for now the idea of "worthiness" in this context. But let's start off with Fiyero joining the Wizard. Hoo boy...

Yes, he was initially somewhat less tolerant of the propaganda against Elphaba than Glinda was; yes, he was secretly trying to find her so he could run away with her or whatever. But honey: those facts DO NOT fully absolve his actions as the Wizard's top officer, or selfish recklessness throughout Act II. I see so many popular threads and posts romanticizing and whitewashing with "oh but he didn't REALLY join the Wizard, he just pretended so he could try to get to Elphie! It's all for love, and he sacrificed everything for her!" As if the literal captain of the literally fascist forces responsible for the oppression of Animals wasn't equally responsible for said oppression?? Hello? Fiyero really didn't think of seeking out Elphaba in ANY other way that DIDN'T involve becoming *checks notes*... the trusted leader of the troops committing all the abuses she's fighting against in the first place???? Like it's cool and all that he helped with Brrr, and it's all well and good that he planned on betraying the Wizard as soon as he found Elphaba (which took literal years, so I guess we're left to assume he was prepared to just keep doing fascism indefinitely if she didn't show up????), but uh... it's kind of concerning to how eager some of you are to make excuses for this dude volunteering as the head of the Ozian Gestapo??? smdh

He didn't accomplish anything from it either, by the way — like yeah, we get it, he did everything he did whilst silently fantasizing about running away with the Witch he was being paid to hunt. Fine. But I can't be the only one who doesn't buy that as an actual excuse???? Like, guys: nobody forced him to join the fascist army — even with crazy ulterior motives. He wasn't coerced into it; it wasn't his only choice or anything. Searching for Elphaba did not somehow compel him to go and volunteer to follow (or to give!) orders in the name of the dictator who was trying to have her assassinated the entire time. He could have just not done all that. (Genuinely so curious how the second film plans on covering that material tbh)

Glinda made several questionable decisions that can be (and have been) debated, but she is still very unambiguously a victim. Her position in the Wizard's regime was foisted upon her. There are things we can discuss, but I find that many folks need reminding that Glinda would undoubtedly have been disposed of (or worse) if she failed to make herself useful. I mean hell: she wasn't even supposed to meet the Wizard in the first place — she was only there because of Elphie. If she'd tried to resist, it would have immediately gotten her labeled the Witch's accomplice. As soon as she'd chosen not to get on the broom, her fate was out of her hands, and all available options were varying degrees of horrible.

That's not the case with Fiyero. He went to the Wizard all on his own; no one ever cornered or forced him into it. Thinking Animals are people, and having a crush on Elphaba, simply did not stop him from carrying out the regime's orders — for years. It's not clear exactly how long he's been captain at the start of Act II, but the clear implication is that he's been a soldier for most of the time skip. I've seen Fiyeraba accounts with headcanons about him acting as a double agent, secretly doing stuff to help Animals — and that's a great idea, it would indeed serve to make a lot of his actions way more palatable — but until we actually get to SEE some of that (maybe they'll add it for the movie version of Act II; we'll have to see), there is nothing in the story to suggest that. He certainly didn't do a damn thing for all those Animals who were enslaved and caged in the Wizard's palace — and we don't see a single other Animal outside of there in Act II, so as far as we know Fiyero has participated over those years in the near-total removal of Animals from Ozian society. In the name of "finding Elphaba". Not fighting for her cause. Just finding HER. For HIMSELF.

It's fine to have a ship you like, obviously — and there is genuinely a lot to like about Fiyeraba, I don't dislike the idea of them as a couple or as friends — but come on guys: please stop those out there idealizing Fiyero as somehow a clear "morally-superior" alternative to Glinda, lol. The dude had power, access, and opportunities, for years, that he could have wielded in any number of really selfless, revolutionary ways. He didn't. And I propose (apparently controversially): he simply didn't want to. And that — at the end of the day — is (much as some would like to deny it) true to his character. He always WANTED to be self-absorbed and shallow, and all his actions are consistent with that. Elphaba saw depth and discontentment in him, yes: but (and I cannot stress this enough) when given the chance, he channeled that in the wrong direction. He didn't confront that and become a better person — for the most part he just displaced and projected it onto Elphaba as an object of obsession, and put on an even thicker pretense than before.

All his actions — regardless of the complexity he has deep down — are those of a man who never gives one fuck about anything or anyone, except (kinda sorta) Elphaba. But even then: at no time does the care he has for her seem to extend to caring about any of her wants or needs outside of sexual validation from him, or how she might feel about his actions, or indeed the impacts of those actions upon her, her cause, or anyone or anything else. I don't think it should be all that controversial to say: he doesn't think through the wider repercussions of anything he does — thoughtlessness is just one of his core character traits. He doesn't think ahead or see meaning in anything outside of what can temporarily excite him, in the moment. I think people place a little too much weight on Elphaba clocking him with regard to his internal pain, and seem to expect (understandably of course) that she is not only right, but moreover that he will grow from that in a positive direction, based on her influence.

But he doesn't. If anything, we get a surprising inverse: he pretty much proves her wrong. Not to say he didn't have hidden depth and all that, like she said: but his hypothetical heart of gold proves not to really amount to much in practice. He doesn't grow out of his shallowness and his self-centeredness: he grows into it in a way that he hadn't quite yet in school. Where once he was only masking an internal listlessness, after he's been cracked open by Elphaba he decides to be genuinely self-absorbed and deeply shallow, not just coasting by. He performs in new ways — as a soldier, eventually as a "fiancé", etc. — but by Act II we meet a Fiyero who has staked the last remaining shred of humanity in him on the vain pursuit of the only object of his desire that has ever been unavailable to him, and firmly chosen to say to hell with everyone and everything else.

When put to the test, Fiyero sacrifices Glinda, the Animals, and all else that Elphaba actually cared about, to pursue his own unresolved crush from college. Mostly to get in her pants, really — as harsh as I'm sure that sounds. But let me be frank: that is literally all he ever accomplishes in the show. He gives her dick one time, and one of his castles, and that's it. That's the culmination of his years trying to find her — years in which he actively worked as one of the stormtroopers (or even the one commanding them) committing untold crimes against Animalkind (who, again, it seems have been all but erased from Oz by Act II): y'know, the very crimes Elphaba sacrificed her life to try and stop????? He spent the most important time of his life — of his own free will — being a fascist soldier, but he "did it for her" somehow, so according to some, it's perfectly fine. Heroic, even. Yikes??

But let's make something very clear (since my original version of this post caught a lot of flak, including slurs and other rudeness):

I like Fiyero. I find his role extremely interesting (I could do a whole dissertation on him, but I'm especially a fan of the way his proving Elphaba's assessment of him wrong presents a fascinating parallel and contrast with Glinda, which I think is lost on a lot of people). But PLEASE stop with all the misguided Glinda slander and idealization of Fiyero. By all means, thirst! But don't give me all this bullshit about him deserving Elphaba more, or being super deep, or being really principled or noble or whatever else. He does have layers, and quite intriguing ones, but his insides are straw — he isn't meant to have some deep, overwrought emotional core or motivations; he has passions that he acts upon when given the chance. That's it. And that's fine. Actually kind of refreshing in a story rooted in simple children's fantasy but rife with intensely complicated personalities. Fiyero makes it his mission to represent denial of depth and embrace of raw, spontaneous desire — and I for one love that, and wish others appreciated it.

And in all seriousness, shipping wars aside: by the end of the story, it's Glinda who is ultimately vindicated, and has — for all her faults — made the necessary choices to fulfill Elphaba's wishes, bring down the regime, etc. And all that despite herself. She's miserable: not just because of the mistakes she made, but because of her correct moves as well. Fiyero is simply not — and could never be — that person. And that's okay! Like I said: I am not anti-Fiyero. Fiyero's willingness to throw it all away for the sake of sheer, overriding passion is a huge part of what people like about him, of course — and it's an obvious factor in the attraction between him and Elphaba, because she has her own flavor of that impulse as well — but I'd actually argue that it's not romantic, it's his fatal flaw. And thematically that's fantastic! But I just don't believe that it somehow means he "deserves Elphaba more" because he "gave up his life for her" or whatever. In part because NOBODY truly "deserves" Elphie tbh, not 100% (and I question anybody who claims otherwise), but ultimately because I don't accept the idea that his fleeting acts of passion make up for all the shit leading up to them (or even proceeding after them tbh). At least Glinda managed to do what Elphaba always wanted in the end — but I would die on this hill even if Gelphie didn't exist.

You don't have to agree with my analysis of Fiyero and his choices, relationships, etc. — that's fine. What isn't fine is trying to portray Glinda as some kind of spineless traitor whore for the Wizard and Fiyero as a conscientious hero who earned Elphie through self-sacrifice. That's just not the story that was written. It's WAY messier and more interesting than that.

[bloodpen-to-paper]

How The Owl House Dealt with Its Villain: The Retribution of Choosing Yourself

There are many layers to what Belos represents, but I believe his overall reason for being part of this journey is to be the antagonist. Seriously, that's what it is. His role is to be the big bad that the heroes struggle against... except, what does that mean exactly? Because if there's anything to take away from Belos' role in the finale, its that his place is far more deeply rooted than just wanting power and blowing up the Isles; he represents more than just a physical struggle against the protagonists, specifically Luz. What Belos truly is in the story is an internal struggle that Luz has to deal with. One that she must recognize and grow from. And if Belos' death is anything to go by, she most certainly did.

I think its interesting how Belos' death played out. Firstly, the way it physically happened; watching Raine, Eda and King kill him felt downplayed for me since they just kind of stomped him like they were stomping a weed and not a living person, but its Disney so I didn't expect them to get too graphic (bummer for us morbidly fascinated folks). It was all very tame since Belos' blood at that point was more of a muddy sludge, and the camera didn't really show Belos' final moments since his face is obscured entirely. However, the highlight comes with Luz's involvement. Belos is dying to the acid rain and Luz just... watches. Belos reaches out to her, begs her for help, and she steps back and doesn't say a word. She stares with no remorse as the others crush him to death. The scene, despite censoring, was quite dark, and what shocked me the most was not only that a kid's show on Disney actually went through with saying "yeah let's kill the villain straight up" with no redemption/imprisonment/'something else entirely kills them that's not the protagonist' plot twist, but that the one to let him die was Luz. That Luz watched him die while the other protags actually get to kill him directly. So lets talk about why Dana and the crew decided to pull that move, and what it implies for not only the messaging of The Owl House, but for Luz as a character.

Watching and Dreaming held a very central theme of addressing the moral dilemmas around seeking retribution. Often when someone seeks revenge, especially for themselves, they will face backlash. The idea of getting justice for yourself is still greatly debated in fear that it will lead to people taking it too far, or "becoming just as bad" as the one who hurt them. The Owl House took a very bold stance in favor of retribution; specifically, the murder of a tyrant. Yup, a kid's show is openly supporting the idea of murdering dictators. You'd think that this stance wouldn't be so hotly contested, but you'd be surprised with how far 'pacifism by any means' has taken root to support the idea that anyone can be redeemed, thus we should never kill even the worst of people.

That idea is exactly what Belos tries using against Luz. He claims that letting him die, which can be an indirect form of killing, would make Luz a murderer just as bad as him, as any other monster who takes lives. Luz even questions herself when she's in the presence of King's father, asking if she's truly in the right for fighting Belos and secretly hoping the Collector would kill him during the battle. That's when we have this key piece of dialogue from the Titan; the only dialogue to outright give a response to the questions around retribution. The Titan tells Luz, "hey, I can relate. I was willing to do anything to keep my kid safe, but I attacked the wrong person; dragged the Collector down here for nothing…". He's aware that Luz is afraid of making a mistake, of making the wrong move, and he assures her that he understands her urge to want someone dead to protect her loved ones, while also revealing his own mistakes in life so she knows that a good person is capable of having such thoughts and fumbling through such choices. After all, if an all power god like the Titan can make mistakes and still come out good, surely someone like Luz can. He states Belos' motivations, and how wicked they are in comparison to what Luz is doing. He even laughs when Luz asks if she's as bad as Belos, because the idea is so absurd to him.

"You assume Belos' goal comes from a genuine place."

Belos' doesn't, but Luz's does. And that's the difference. Actions are caused by motivations, and whereas some rash decisions made with well intentions can result in negative outcomes, your well intent makes you capable of growing from it and becoming better. Luz worried about being a hero, but what she needed to focus on was allowing herself to be a person. Belos wasn't deserving of her forgiveness, nor that of the Boiling Isles. A hero would have saved him, sure, because maybe there was a chance he could have been redeemed, but that was not Luz's responsibility to ensure. And she is not a villain for that, she's just a person.

Once we see the true meaning behind Luz's and the Titan's conversation, her actions in the final part of the fight no longer feel so sudden, but are now made crystal clear. As Belos lays dying, he desperately tries to appeal to Luz; "we're human; we're better than this!" And Luz says nothing. She doesn't cower away, but she doesn't help him; she simply watches in silence, not giving him anything more than she already has. This action sent a very powerful message, that letting him die did not make her the same as him; she can be better in the way she chooses, not in the way she's been taught by her environment to be. Eda's response of "well we ain't!" also feels very pointed. Eda is acknowledging that a better person would help Belos, that being compassionate in that way isn't a bad thing, but its also not bad to not accept that path and help the one who hurt you. What this scene conveys is that if someone becomes deplorable in their actions, you're not a bad person for doing what they've pushed you to do (the Boiling Isles folks killing Belos as a result of him terrorizing them). By seeking that sort of justice towards those who could be considered genuinely evil, you're not as good as you could be, but you're not evil like they are; you just are. The Owl House pushed very hard for this idea of moral greyness and I'm very impressed that yet again a kid's show is going to such lengths when it could've just jailed the villain and called it a day.

As for Luz's personal development, her helping Belos like she's tried doing for so many people is the turning point in her no longer grappling with her identity, but accepting that she has changed. She accepts that Belos is a life she is not willing to save, and I feel like that works very well for her character as showing a consequence of the mental health struggles she suffered from caused by Belos, particularly her feelings on having accidentally helped him get to where he was. Luz sort of casts aside this attitude of pure optimism that she had in the beginning as she comes to understand that's just not how the world work sometimes, and she's been through too much to try and uphold it. Its very depressing to watch from our little ball of energy and sunshine, but it shows a grounded realism from Luz that signifies the turning point in her learning to accept what has happened and who she has become.

Resorting to similar methods as bad people doesn't automatically make you as bad as them, especially when considering why you're using those methods versus why they are. This is the point that Dana is making; Luz wasn't willing to save Belos, and she had every justifiable reason for doing so. Eda, Raine and King killed him without hesitation, with their actions being painted as far more justified than Belos' because the motive does matter. Luz and the people of the Isles fought for themselves, their families and homes to take down the systematic oppressor who ruined their lives for so long. Belos hurt and killed innocent people because of his own prejudice and need to feel like some kind of god. The two are not the same, and the show makes it very clear that while pacifism and redemption are good things to want and fight for, you are not a villain for choosing otherwise. By choosing yourself, by drawing a hard line between when to be forgiving and when to seek retribution, by knowing what you're fighting for and why, you can never truly be evil. A hero, maybe not. But not everyone has to be.

[blackvahana]

i am really never going to understand why people post "shifting antis dni" in the astral projection tag. "here practice that constantly gets appropriated by us and used as a weird justification for a new set of beliefs that aren't really based in the same reality you work with, and that also gets completely misunderstood by our community because we don't care to understand what you do and just pretend we know it's what we do like christians saying other religions worship the christian god, have a post! Also dni if you don't like our practice that has nothing to do with the one whose tag we just shoved this into"

if you're not astral projecting don't put shit in the ap tag. if you don't even know the difference between AP and RS I dont think your opinion holds enough weight to counter the pushback against flooding a separate practice's tag with "if you dont like the practice I'm talking about in your tags dni"

[acid-ixx]

oooh so did we divorce Bruce, or is this an infidelity type of situation?

a loving family, an unpalatable desire: first meeting (unofficial)

— related post !

a/n: a tad bit nsfw. if this sounds messy, spare me. i'm running on like 4 hours of sleep and the will of a thirsty man in front of an oasis. i told yall im going insane for this plotline. ofc a&a still has my heart but I also love to occasionally write for smth else in the sidelines. send in more asks yall hehe.

reblogs and interactions are encouraged and appreciated.

definitely an infidelity type of situation, anon! you see, the affair was caused by all mere coincidence. you were to attend with bruce in one of lex luthor's extravagant show of a gala, hold his arm for a brief moment when you walk out of the limousine, only to be abandoned right in the middle of the enormous room.

of course, the right reaction was to be pissed, to badmouth the very man who decided to court and entertain others in front of you; but you chose to stay silent, biting back choked tears by stumbling over the buffet table, only to be met with stupid, overbearing paparazzi and journalists.

so when clark kent rushes in to save you from stuttering over the dozens of microphones and cameras shoved right in your face, granting them access to your pathetic sobs— it's only right that your first reaction was to lean against his body, dismissing the hushed, harsh gossips of journalists.

it was at a time where you're not aware of his identity of superman. well, bruce barely permits you to enter the batcave, only if you stubbornly pester alfred does he let you, only to kick you, his darling spouse right out the moment you step on the cold, hard floors of the lair.

so it's not... a bad thing, right? your husband had a child with another woman, raised him as his own, didn't even bother to notify you with his infidelity— so is it your fault if you slowly start to fall for a man who promises you the world? who actually has the ability to give you the world in the palm of your hands? whose kid lets you pamper him without any fight?

sure, he's coping with... the loss of his previous wife but you're such a perfect spouse, so undeniably attractive, captivating in the hearts of many. your distant eyes, the way you bite the inside of your cheeks, the way your body sways back and forth as if begging for someone, your husband, to provide you a pillar of support in the suffocating heat of paparazzi.

he could be that pillar, could be your support.

when he first came up to you, his intentions weren't to obtain gossip about the oh-so silent spouse of bruce wayne. he didn't even want to acknowledge your marital status, palms already taking your wrist just so he could lead you off to somewhere quieter.

"it's an interview," he whispers an excuse to your reddened ears. but the buzz of his breath, the warmth, the caged arm on your waist tells you it's more than that.

but you don't fight back, you'd rather be anywhere than be the spotlight of a media that eats you up, makes you doubt your marriage even more.

so you're grateful that someone came to your rescue.

this would be the first time you ever saw someone as a savior, and it's not superman, no. it's clark kent, your resident, widowed, journalist.

and for clark's case, you warm his bed better than anything else. you allow clark this sense of respite, a break from heroic activities. allow him to be human, just as he allows you to play your fantasies of being a house spouse; you're perfect for each other.

to hell with useless marriage papers that don't even give bruce a sense of obligation to act as your husband, right? what can it do, when you're absolutely smitten with the current life you're living?

the first stages of your infidelity with clark is confusing, but very much welcomed into your already hectic life.

firstly, you convince yourself, it was all mere 'emotional cheating'. you began texting clark, he does too. an occasional greeting in messages, a passing congratulation for something, then the next it was good morning messages, 'have you eaten breakfast yet?, 'how'd the appointment go?'.

you don't know when it started, when your feelings started, when you began an intimate to romantic relationship with the man— all you knew was that the moment he revealed his superhero identity was the moment he decided to bed you for the night, the moment you grant the man, now your partner, access to every part of your depraved body, made him make you beg for more, giving him all the time in the world to kiss your imperfections, to fondle sensitive parts long untouched, to leave lovebites deeper and darker than the ones you caught bruce with.

you can't help it, he's unknowingly handsome, especially when he invites you over to his ma and pa's farm the next day, pretending to not notice the way your eyes hungrily flit over his topless body, sweat and budding pecs encased in a muscled form. over the course of dinner, you kept biting your lips, warm cheeks at the implications that clark merely wanted to sit next to you just so he could handfeed you, something about him being prideful that you'd definitely enjoy this week's harvest... but his fingers circling your thighs just seems to get you brain all haywired.

yet you stay, and continue visiting for long hours either way, enjoying the man's attention.

you know it's wrong, he knows it's wrong. but the way his son, jon looks at you like you mean the world, the way he's slowly starting to heal the longer you stay over at his place makes clark want to... what's the word? ah, he wants to turn you into his loving trophy spouse. all you need to do is provide jon with all the support in the world.

as for bruce... well, him and his family can deal with your absence for the first few months. but when the lingering feeling of emptiness becomes too much, when bruce no longer feels the worried gazes, or when dick can't hear anymore laughter in one of the supposed 'barren' rooms, or when tim's security systems tracked a missing device, one now in a completely different city.

that's when they start to yearn for someone they purposely let go

[foldingfittedsheets]

We had the most egregiously evil little pony horse when I was growing up. I know everyone says that. Ponies are one of the animals that truly understand how to commit crimes but she was really deeply atrocious. One time she tried to murder me. Her name was Fancy.

I feel I should slightly explain here. See, my parents bought two acres with a house and a barn and pasturage and went “We’re farmers now!” They had absolutely no idea what they were doing. And at a certain point along that journey my mom got her hands on a horse. Technically she was half pony half horse so she was this weird middle size.

Fancy belonged to a friend of hers and he showed her how to saddle Fancy. And that was it. That was all we knew about this horse. So my mom brings her home and saddles her and we decide to go for a ride on this new creature in our lives. But Fancy, being the savvy bitch she was, was far too canny for our dumb asses.

Her maiden ride went to my older brother and ended rather abruptly when the saddle slid completely sideways and my brother toppled off her, miraculously unharmed but unwilling to ever try again. This made me like Fancy somewhat, because I hated my brother.

Those familiar with horse trickery would have caught her ruse but Fancy had deliberately held her breath to make the saddle seem tight enough. But in stride she let the breath out, the saddle loosened, and my brother came toppling down. She planned that fuckup.

I was a bit more game, being a dedicated horse girl. I wanted to succeed where my loathsome brother had failed. Keep in mind: none of us had ever ridden. We had no idea what we were doing, and in the only defense I’ll ever make of that hoofed demon it was probably not pleasant to have a human flopping on her back like a sack of potatoes. But I paraded around in a circle until she scraped my leg against a fence post. I lasted longer than my brother but had to admit riding an animal radiating malice at you is not comfortable.

We didn’t really ride Fancy much after that. She was a decorative aspect to the fields. Sometimes I’d sit on her bare back while she was eating. Every so often she’d buck me off for assuming familiarity with her.

But Fany's coup de grâce took several months. Most of the pasturage had electric fence running along it to keep the livestock from testing the fences or getting a taste for freedom. My parents were constantly moving fence posts and reallocating land to different purposes which is how one of the major gates ended up with electric fence running over top. During a move the wire got left up from the last border and now it was strung over what should have been an open passage.

I was taking a ride on Fancy, living in a fantasy that I had any idea what I was doing. My mom was out working in the yard, and as she passed through she left the gate open, forgetting the wire hazard. You know who didn't forget?

Fancy.

She beelined for the open gate and I realized a second too late what her plan was. I hauled back on the reins with all my strength but she powered through, charging at the wire. If I'd caught on sooner I could have tipped forward and probably cleared it.

It was roughly chest height. But she was too savvy, keeping a slow pace right up until the passage, and I didn't have time to react. The thought of getting electrocuted sent me down into a terrified backward limbo, desperately trying to flatten myself along her back.

Her assassination almost worked. But instead of beheading me the wire caught under my chin, pressing back into my neck like a garrote. The only good news was that the wire wasn't live, but I was still in terrible danger. I squealed and wiggled and managed to twist my neck enough that the wire scraped over my face instead of pressing deeper. Once we were through Fancy stopped and turned to regard me, disappointed that her murder had failed. My neck was bleeding but my head remained attached.

My mother was absolutely terrified and I was pretty shaken myself. We unsaddled Fancy for the last time, as full on attempts on my life were a bit more than I was willing to bear for the sake of pretending to be a fantasy hero on an epic journey. My neck still has a faint scar from her homicidal tendencies.

Fancy got to remain a decorative horse for many years after that, free of our attempts to ride her. Her last torment was when my mother decided to try to breed her to achieve an animal that was less interested in murder.

But Fancy, true to form, brutally attacked the stallion sent to service her, even when hopped up on horny hormones. There would be no foals from Fancy, and her saga ended when we sold her to another unlucky soul.

[hazbin-writings-and-musings]

Lucifer Morningstar x Reader Smutty Headcanons

I promised on this LM x Reader post things would get spicy soon, so here we are, coming so far from my first post! Just the first of probably many more smutty Lucifer posts, because we all know this man fucks and we all want a piece.

Warnings: SMUT

- This man legitimately loves everything about eating pussy. He loves performing it, he loves bragging about how well he performs it, he loves giving tips because he believes in respecting the craft, and he loves putting down anyone too entitled to provide what he sees as this most enjoyable of services for one's partner. You don't even have to ask him to go down on you, it'll be one of the first things he offers, and he'll regularly ask if you're interested in letting off a little steam. Having the ability to extend and shapeshift his tongue into having an opposable forked tip makes him capable of techniques beyond your wildest fantasies, and whether you like to receive from above or below, he's equally down to have you seated on his face or laying back to enjoy yourself.

- He's not poorly or overly endowed for a man of his size, but he's also quite literally the one who originally proved that size doesn't matter in the slightest, and he's had thousands of years to perfect those original techniques. From position to tempo, he's mastered everything he needs to hit the G-spot with impeccable accuracy, and his hands will be quite busy seeking out where you most enjoy attention as he rides you with the power and virility of an untamed stallion. All this combined results in a mind blowing time for you, every time, and he's got the stamina to answer all of your repeated requests for another round.

- Nevermind the magic he can work with his tongue or his dick, the King of Hell is also a wizard with his fingers. He's even got a carpal tunnel roller just to keep his dexterity in top shape for when his skills are needed. Finding your clit is effortless for him, and he'll show it all the love he thinks you deserve, responding eagerly to your feedback in the moment and putting his mouth to use on your neck as he does so. Whether you want him inside, outside or both at the same time, he's happy to provide, and he'll gladly push his wrists to the limit if it leaves you properly satisfied.

- If you offer to be the one servicing him, he'll happily accept, and you'll quickly find his mannerisms shift quite considerably when he's on the receiving end. He starts out confident, offering banter to match your own, but as soon as your mouth gets to work, his demeanor changes. A grin becomes an open mouthed moan, his hands tenderly take hold of you to ground himself, and witty quips turn to soft and needy sighs. The more heated things get, the more he loses himself, but it's a great way for you to gauge how well you're performing. Growls and an appearance of his horns are a sign he's really having a good time, especially considering he's always got steam to blow off. Particularly rough days will result in him losing all control by climax; fully extended wings and horns, an unfurled tail he wraps about you, hair disheveled and clinging to a fine layer of sweat, and more than a few reality bending bursts of power surging around the both of you. It's his favorite way to end the day on a good note. He'll pull his fingers from your hair as he breathlessly apologizes for the show, but the both of you know watching him go feral is part of the fun.

- The afterglow is peak cuddle time for him, and he'll be in no hurry to get dressed if there's somewhere either of you needs to be, so more than a few of his duties will end up delayed thanks to post-coital bliss. All six wings will seek you out for a fluffy embrace, and if the two of you are at all winded, the otherworldly softness of Archangel feathers might make staying awake quite impossible. Should you have some energy to spare though, he'll want to actively enjoy the snuggle. Hearing you breathe, feeling his skin against yours, and engaging in pillow talk just make him the happiest little guy. Such moments really allow him to let his guard down, and you might hear him speak with a softness and hopefulness that rarely leaves the bedroom, but he's just as interested in listening as he is in talking. Don't be too surprised if he drifts off with his head in your boobs though.

[jobean12-blog]

Everything You Want

Pairing: Bucky Barnes x female reader (Mob!Bucky AU)

Word Count: 1,344

Summary: There's no one you trust more than your husband and he always knows exactly what you want.

Author's Note: Just because I love the idea of being in such a trusting and loving relationship that you can have this kind of fun (whether it's a fantasy or not). Also, we know I love a soft mob!Bucky who will do anything for his girl- even 'give up' control (or let her think he is hehe) Thank you all so much for reading! Much love always! ❤️❤️❤️Dvider by the lovely @firefly-graphics Thank you Daisy! 🥰

Warnings: It's fun and flirty and there's tension and softness, ora-l (m rec), some light dirty talk.

“Where do you think you’re goin’ dressed like that doll face?”

You startle with a yelp and drop your earring, scowling at your husband.

“Buck!”

The muscles in his throat work as he grazes you with a head-to-toe perusal and saunters closer. His splayed hand smooths down your back as he bends to pick up the fallen jewelry. You reach out for it but he pulls it away and takes your chin between his fingers, turning your head so he can put the earring on himself.

“You didn’t answer my question doll.”

“Out with the girls. You know that.”

He spins you around and tugs you against his chest, humming low in his throat when you slide your hands down his chest.

“You need to change.”

Your mouth falls open in shock and you practically shout, “I absolutely DO NOT!”

His lips twitch with a smile and he backs you toward the dresser, pinning you in place with his body.

“I can’t come with you tonight. I have business to address.”

“I know. And you’re not invited anyway. It’s girls night.”

You try to cross your arms over your chest but he presses closer and prevents any further movement.

His stare is dangerous but you lift your chin and stare right back.

“You just love to drive me crazy; don’t you doll?”

“I have no idea what you’re talking about.”

“Mm,” he purrs, dipping his head, his lips hovering just above yours as his fingers trail down the side of your throat.

Your eyes close and your fingers tighten in the expensive fabric of his shirt. His stubbled jaw scrapes along your neck and his hands continue their slow worship of all your exposed skin. His kiss is possessive and his lips linger until you’re hot and bothered and wanting nothing more than him.

“Behave,” he whispers along the shell of your ear.

With one last soft kiss he winks at you and steps away, turning to walk toward his office and call Steve.

You let out an exhale and smooth your hands over your clothing, setting your shoulders back before you head for the door.

“I thought it was girls night,” Steve chuckles from behind Bucky as they approach the door.

“It is,” Bucky answers.

The bouncer sees Bucky and immediately moves over to hold the door open, nodding as he and Steve bypass the line of people waiting to get in.

“She’s gonna be mad Boss.”

“No she’s not. This is exactly what she wants.”

Loud music and laughter greet them when they walk inside.

Bucky glances back at Steve with a satisfied smirk before motioning to the bar. With a simple tilt of recognition Steve takes his post, his eyes constantly scanning the surroundings.

It’s still early, the bar isn’t yet filled to capacity but it’s busy. Several people are already dancing and Bucky does a double take.

There you are, a drink in hand, dancing with your friends in the middle of the floor. As he moves closer, he notices that your skin is slightly dewy from exertion and your dress is clinging to your curves as you move your hips to the rhythm of the music.

He would stand there and keep watching but he isn’t the only one enjoying the show. When one random guy elbows his buddy and gestures in your direction, Bucky’s feet are moving purposefully toward you before the other men even get up from their table.

As he gets closer, you look up as if sensing him and when your eyes scan his face, your lips part slightly before sweeping over the rest of him. With a lick of your lips you watch and wait.

He crooks his finger at you and you sway toward him, wrapping your arms around his neck and stretching yourself flush against his body.

Letting your attention fall to his mouth, your fingers trace over his shoulders and down his chest, toying with the open collar of his shirt.

“You’re not supposed to be here,” you tell him then kiss the exposed skin near his neck.

Your lips trace a path higher and graze along his scruffy jaw, ending where your mouths meet. He kisses you hungrily and when you moan in your throat he reluctantly pulls away.

“Well, I happen to own the place,” he says with a smirk.

“Yeah, yeah…” you trail off. “You own just about…”

He cuts off the rest of your thought with a kiss and you melt closer, pressing all your softness against him.

Your fingers slip between the strained buttons of his shirt and when you feel his muscles tense under your touch you smile against his lips.

“I was behaving…just so you know.”

“Oh I do know doll. But I also know you’ve been waiting for me to show up and I never like to disappoint my wife.”

Your eyes sparkle and using his shoulders for leverage, you lean up and whisper in his ear.

“Bucky, take me somewhere private. Where you can rip these panties off and fuck me hard.”

“Fuck,” he hisses as his hands drop to your hips and he hauls you into him, letting you feel the affect of your words. “Are you out of your damn mind saying something like that to me in public baby doll? It’s all I can do right now not to bend you over the bar and fuck you senseless with everyone watching. Maybe it would teach you to be more careful with that mouth.”

Your teeth dig into your bottom lip and you look up at him through your lashes.

“My mouth knows exactly how…”

Before your words are fully spoken, he starts dragging you across the dance floor, heading in the direction of the office at the back end of the bar.

He pulls you through a door into a dark, empty hallway, the only light illuminating the corridor emanating from the exit sign at the other end. The music is muffled and all you can focus on is your mingled heavy breathing.

“On your knees doll.”

Every cell in your body hums with needy anticipation and you fall to your knees without a single hesitation.

Your hands meet in a tangle as you both struggle to unbuckle his belt and lower the zipper of his dress pants. You devour the sight of him so hard and ready.

He braces one hand above you on the wall, the other gripping the back of your head and urging you forward. At the last second, just before your tongue makes contact, he stops you.

“Uh huh doll face. First, you finish what you were going to say. Your mouth knows exactly how…what?

You look up from your position at his feet and grip the base of his cock.

“My mouth knows exactly how you like it.”

You flick your tongue out and lick the tip, making him groan. He guides himself between you lips and you moan at the smooth feel of him on your tongue. Your hand strokes in time with your mouth, faster and faster until you feel him start to tremble.

“Baby doll, stop. Now. Fuck, please stop.”

You exult in his loss of composure and ignore his request, unable to get enough of having your powerful and possessive husband falling apart for you. You swirl your tongue around the tip, then suck it hard, distantly hearing his metal fist connecting with the wall.

He drags you to your feet and pushes you back against the hard wall.

“Spread those thighs wide for me,” he growls.

His hand reaches beneath your dress and rips at the thin material of your panties and all the while you focus on his flushed face and the desperation you see there.

“Wait.”

You say the word in a whispered rush and he stills.

“Doll,” he warns through clenched teeth.

“Taste me first.”

He groans out a curse and kneels at your feet, hiking one of your legs over his shoulder before grabbing your hips and eagerly burying his face between your legs.

@randomfandompenguin @goldylions @blackwidownat2814 @kmc1989 @hiddles-rose @buckysdollforlife @lizette50

[jjoongiesbetter]

✎ᝰ. mon's ateez fic recommendations (part 1)!

mdni!

│hi there! i haven't read much lately so the first part came across as a bit shorter than i expected but the next ones will surely be longer!

— as a writer myself, i just wanted to take a moment to thank all the authors for sharing such incredible writing, your hard work is truly appreciated! thank you for sharing your writing with us! ♡

──────── ♡⸝⸝

⤷ kim hongjoong x reader

♡┆ugh, as if by @ennysbookstore; the whole mini-series is just amazing and i enjoyed each part a lot! once i started i couldn't stop reading! loved how well hongjoong was written! the build-up of the first part was top-notch! and the character development... i should thank the author on my knees for writing this masterpiece. one of the best authors out there! definitely will read again!

♡┆swapped by @daisykihannie; the prompt is just so fun and interesting, one of the most creative ones i stumbled across! i haven't read something like this before. enjoyed it very very much!

♡┆punching bag by @mulloey; i must admit it was so just so undeniably hot, angry hongjoong and also so well-written! you will find me re-reading it an unholy amount of times.

♡┆clumsy hearts, steady love by @edenesth; WHAT IF I TELL YOU I CRIED? i already commented on this one on my main but im going to repeat myself! incredibly written, hongjoong suits the concept so well, my heart hurt a bit while reading but it's hongjoong, of course, i forgive him. somehow still very cute.

⤷ jeong yunho x reader

♡┆active recovery by @k-hotchoisan; y'all so i was always so shy about commenting on smut but tbh don't we all read it? author killed it yet again! got me hot, bothered and i am starting to consider a gym subscription!

♡┆the drill by @byuntrash101; look i know this one was posted last year, and i am so mad for not reading it sooner😭 i loved the storyline, wooyoung as a side character was just so funny, yunho without rizz altered my brain chemistry. i can't lie i was thinking about this fic for days after i read it! it's the perfect blend of fun and smut.

♡┆private lessons by @bombuni; i must admit i love professor yunho and it is always a pleasure finding and reading such fics, especially when it's as good as this one! (would love to see a part two one day)

♡┆muffled by @desirehorizon; the plot!!! the writing!!! the smut!!! and it was funny too!!! what more can i want? perfect!! imma say it once again but i enjoyed every word of this fic!!! can't wait to read more from the author!

⤷ song mingi x reader

♡┆still your biggest fan by @byuntrash101; good god it was just so incredibly hot, we need to appreciate the idea because it surely is creative! who doesn't just love teasing mingi? let's agree that we all do.

♡┆sour candy by @0097linersb; loved the idea🙂‍↕️ needy mingi is my favorite mingi, it was very very hot. you better find the time and read it!

⤷ choi jongho x reader

♡┆minor nuisance by @everyonewooeverywhere; i tell you they are in love love! trust me, you definitely need to read this one! jongho was just so sweet, a great fluff/smut combo and now i need jongho in my life even more :(

♡┆freestyle lap by @bro-atz; we all should know by now that bro is just simply one of the best when it comes to smut and they never, never disappoint. i definitely needed to read this one after i saw that pool jongho pics. if you haven't read it yet, what are you even doing?

♡┆falling and sleeping by @seonghwaddict; it was posted earlier this year but i just had to include it :( it was just utterly cute, jongho is adorable. well-written, and melted my poor heart.

multiple members:

⤷ choi jongho x kang yeosang x reader

♡┆the post show high by @bombuni; i must shamelessly admit while reading it i felt like the author somehow got into my brain and just picked one of my fantasies, hope it's not tmi. so saying i loved it it's an understatement! one of my favorite authors for real!

pairings:

⤷ kim hongjoong x jeong yunho (hohong)

ao3 ♡┆darling, you will bury me (before i bury you) by SunshineAndRayne; cute cute cute! i loved every letter of it, yunho is so whipped and i am living for it!

ao3 ♡┆waiting for you by marspacz; i absolutely loved this one so much! my heart needed this, had me smiling the entire time i was reading! and then the shotgun scene—damn, that was hot!

[felassan]

Dragon Age: The Veilguard info compilation Post 3

[Part 1] [Part 2] Post is under a cut due to length.

There is a lot of information coming out right now about DA:TV from many different sources. This post is just an effort to compile as much as I can in one place, in case that helps anyone. Sources for where the information came from have been included. Where I am linking to a social media user’s post, the person is either a dev, a Dragon Age community council member or other person who has had a sneak peek at and played the game. nb, this post is more of a ‘info that came out in snippets from articles and social media posts’ collection rather than a 'regurgitating the information on the official website or writing out what happened in the trailer/gameplay reveal’ post. The post is broken down into headings on various topics. A few points are repeated under multiple headings where relevant. Where I am speculating without a source, I have clearly demarcated this. if you notice any mistakes in this post, please tell me.

Character Creation

All armor and clothing options will scale and mesh to any body type [source]

The character creator has lots of sliders for body parts and overall shape, none of which are tied to the voice or pronouns (she/her, he/him, or they/them) that you choose [source]

"Epler took special care to show off the extensive curly and textured hair options in the game, including several versions of braids and locs, noting that increasing these options in particular was very important to the team" [source]

You can change your character’s physical appearance at any time during the game, but not their class or backstory [source]

"Each individual class has some variability, too; even the mage class has some up-close-and-personal attacks, since a mage player character could still conceivably have an assassin backstory and would therefore need to have some attacks to accommodate that sort of career path" [source]

" "We’ve spent a lot of time thinking about skin tone,” Corinne said. The character we made, a Black elf, seemed to glow in the bluish light of a nighttime scene, and under bright sunlight, I could see the richness of his color. Corinne: "We want to make sure that skin tone is reflected authentically" " [source]

" “We have dozens and dozens of hair types,” she said. “And they’re fully affected by physics.” The quality and variety of choices I saw delighted me. The rows of bouncy, luxurious-looking hair of all curl types and textures (and yes, the annoyingly ubiquitous “Killmonger cut” was among the options, what can you do?) brought the biggest smile to my face in the hour I spent with Busche and The Veilguard." [source]

Story and lore

NPCs will remember when you chuck a shopkeeper through a plate-glass window [source]

" The game’s story sees Solas intact a plot that will result in the deaths of thousands. When his justification that “people die, it’s what they do,” falls on deaf ears, you and your merry band of misfits have to stop him " [source]

" “Early in the demo and in the trailer, you’re in a part of the world you’ve never been in – Tevinter,” Epler tells me. “Tevinter is known for being a place of high magic; visually, it’s different. Obviously in Origins you’re in Ferelden, which was grubby, muddy, and very visually different and distinct. That said, it’s the first hour of the game, so we’re only seeing the prologue. As you go deeper, you’ll find that the game can be just as bloody and just as grim as Dragon Age Origins, 2, and Inquisition. For us, it’s that feeling of contrast. You get moments of higher fantasy magic coming back to the world through Solas’ ritual, but also things get pretty grim, and things get pretty dark in some spaces for sure.” " [source]

"Snappy dialogue" [source]

The game is really about each of the companions [source]

Narrative narrative narrative! [source]

The Shadow Dragons are an underground resistance that engages in guerrilla warfare against the corrupt mage rulers of the Tevinter Imperium [source]

"Varric has created the group called the Veilguards, recruiting a veritable group of weirdos to pursue Solas, who’s carved a path through the magical empire of Tevinter" [source]

"There’s intrigue to the game’s tale already, with Varric hoping he can convince Solas to stop his plan of tearing open the Veil: a wish by the dwarf to save a dear friend. There’s a fascinating relationship that's already being set up, Varric and Solas as opposing narrative forces, with your character, Rook, pulled between them" [source]

"There’s extra context to flesh out dialogue, with short descriptions that help give a vague idea of how things play out. The example we were shown was Rook trying to take down a gang leader inside a bar. We could choose to defuse the situation with either words or weapons, but the catch is you don’t know how effective those approaches will be" [source]

" Busche explained that the team wanted to give players a game where locations were imbued with just as much personality as the characters. “That meant making contrast from the areas that are dark and decaying to the areas that are illuminated with magic,” Busche said " [source]

" “This is a part of the world where magic has been embraced,” Busche said. “It is a society of mages and magic in this world is inherently colorful. So whether we’re seeing them use magic for everyday purposes like signage or using them as spells, that color really comes through.” " [source]

We will visit the Necropolis of Nevarra [source]

Gameplay, presentation, performance etc

There are dozens of abilities and spells [source]

The game has an easy mode [source]

There is a setting where your character can't die in battle [source]

"The Rogue class in our demo had a bow with recharging arrows for ranged attacks, and dual blades that could unleash a furious flurry of instantaneous blows" [source]

[☕ found this post or blog interesting or useful? my ko-fi is here if you feel inclined. thank you 🙏]

[neil-gaiman]

Hi Neil.

I know you are flooded with asks and this somehow became extremely long. Too long. “Why am I suddenly telling this poor man my life story?” too long. “I think I’d rather he work on the GO3 script than read this wild beast” too long. “He’s going to think you’re criminally dangerously insane” too long. If you never get to it, I’m good with never seeing a response from you. Maybe it’s better that way? Maybe an anon would have been nice here. But, it’s 2024, so I say “we ball.” It’s a privilege to be able to send this to you at all. You get a lot to this effect and I hope they give you good feels, so maybe what’s the harm, yeah? Because this is not an ask. This is a thank you letter.

First, thanks for reblogging my therapist post, I hope it amused you. I nearly sent you “How am i supposed to explain this to my therapist?!” But refrained. At that time.

So, therapy. What is therapy really? Well…

Things have been really rotten for as long as I can remember. Bad health, bad doctors, bad relationships, bad coping mechanisms, bad all kinds of things. (Yeah, bad is a weak and unhelpful word, my therapist reminds me, but we’re doing this.)

Well, things got even more really really rotten and BAD these last few years. Health declined further, coping mechanisms declined further and more intensely, packed up my life, applied for disability, moved back in with my parents across the country.

Then 4 years ago last week I watched my fiance die of a sudden heart attack. I was 29. Two years later my best friend died. Then last summer I sauntered vaguely into a cancer scare. Not long before an operation my cat who has been my companion through so much garbage died as well. I’m not entirely in the clear on the cancer scare front. All my attempts at going back to work, volunteering, going to grad school - they collapsed on me because I couldn’t get through this STUFF.

(Sometimes when I talk about this, when I tell people, I think “they are going to think you are a raging pathological liar.” Because I’m not sure I would believe someone if they told me all of this happened to them. In such a short time period. All before they were 35. And hell if that hasn’t been isolating. You know how it sounds? Lonely. And it is.)

I did the hypervigilant and sensation/experience chasing stage of PTSD. It got me in a lot of trouble in all kinds of ways. I had to do a lot of medical and psych advocating because things kept getting worse. That was exhausting. Then that peaked. I went into the thick of the “I feel absolutely nothing” stage for a long time. I didn’t feel fatigue or hunger or thirst. Not people, feelings, a reason. Not hope.

But of course, like seems be for a lot of us, I somehow found Good Omens at just the right time. I was a very “I’m so cool and intellectual I mostly consume non-fiction media” person for too long. Like, what? How is that even a real thing? And it wasn’t real. It was just part of this curated autism mask that I don’t think anyone really bought anyway.

I think I got to a point where I’d just had too much reality. I needed fantasy. I didn’t realize I always needed it. But I denied myself for too many odd and painful reasons. Maybe I thought it was an escape I didn’t deserve.

But as it turns out, it wasn’t an escape. I watched both seasons last fall, and then this light came on. I watched it again and again.

I came to tumblr because I needed more. I found this fandom. I stepped into this beautiful world of fanart and fanfiction and brain flexing meta writing and a sense of community and wonder that you and Terry created - that everyone involved in the show inflated - exploded in the right way - like fireworks if fireworks were some kind of autocatalytic reaction - a self perpetuating force.

It’s not a “saved my life” feeling. Not a “getting my life back” feeling. It’s been a “maybe it’s time for you to have the life you’ve always been denied - that you’ve denied yourself” feeling.

I’m creating. I’m not “great” yet. Not terribly “good” at all. Maybe “behind” as far as the “proper” timeline for starting. I know there isn’t one, not really, but boy does that society machine make ya feel like there is. And sure, I started and stopped a lot in the past. But the second it got hard I always gave up. I felt like if I didn’t get it “right” to begin with, then I just didn’t have it in me at all. But for once I’m really in it. I’m writing and trying to draw things that look less like fever dream five year old drawings. (Not that there’s anything wrong with those, is there? 🙃) I’m eating better. I’m sleeping better. I reach out to old friends more. I’ve made new friends who share this love of Good Omens.

My therapist has been floored by the change in me. After that first funny mini flop, he has been so encouraging about it. I saw him this week and I said “Maybe this is helping me get prepared to start living again. Maybe it’s a springboard.” And he honest to god said “But You ARE living. This is YOU LIVING. Why does it have to be a springboard? Why do you have to turn this into ‘work?’ Just let yourself have this for once in your life.”

But there were two more added elements that made it all work. And I can’t help but think this whole brainrot thing wouldn’t have happened without them. So many things just happened all at just the right time - a proper coincidence.

In all of the madness of the last few years I finally got the memo that I'm autistic. i figured I was for a while. But it finally sunk in for me and my docs and my people. So I’d been working on unpacking that. Grieving the life that could have been entirely different, shedding the mask. I let myself hyperfixate openly instead of hiding it and hating myself for “spiralling” or “obsessing” like others -!like ‘I’ always punished myself for before we knew that it was a trait and not a personality flaw.

Then over the last few months my therapist and I started trying this new exercise. One session he stopped me and said “in the last 20 minutes you have responded to what I’ve said with 9 ‘I knows.’” My response to that? “Ugh, I know.” So we started this “I know” swear jar type situation. Really, I’ve been afraid of not knowing. I couldn’t let myself “not know.” Because it meant I was “dumb.” I was just drowning for so long in guilt and self loathing for the “I knew better and screwed up anyway.” Or “I should’ve known better - I should know that by now.”

As it turns out, there’s a lot of things I don’t know. That I didn’t know. Things I will never know. And refusing to admit all of that kept me from learning a damn thing. Kept me from asking questions. Kept me from trying new things because it was scary to do something new - something unknown - and I "knew" how it would all turn out anyway. Kept me from connecting with people because it was painful or embarrassing when they knew things I didn’t and it seemed like I already should have. Kept me from getting better at making art, music, writing. Kept me from forgiving myself. Kept me from growing. And kept me from moving forward. Maybe not on. I don’t know if we ever “move on” from things. But we can move forward as we carry them. And as we do, the weight gets less. We’re able to carry it better. But only if we can admit that we don’t know how. Only if we don’t treat ourselves like this is something we do know or should know and we’re just failing because we’re less than. Not good enough. Not strong enough. Not deserving. We have to be able to say “I don’t know how to do this.” And then we can start looking for the answers. We can ask. We can learn.

I thought about the apple. Being able to tell the difference between good and evil. Aziraphale’s years and years of watching what he “knows” to be true be proven wrong. Crowley’s need to ask questions…

The simple and enormous gift of “Knowledge.” The “Knowledge” of the difference between Good and Evil. The “Knowledge” that can only be gained by realizing, accepting, admitting that there are things we don’t know. Asking the questions. Sometimes we get answers we don’t like. Sometimes the consequences of asking hurt us. And unless you want to stay in that painful place that painful knowledge got you, well, you’ve got to let yourself learn how to get out.

So all of this good? I never expected this. I never thought I deserved it. Joy and belonging and this sense that “Yeah, maybe things can get better. Maybe things can be good.” Because I said those things, not truly believing them, to the people I thought needed to hear it. But it couldn’t save them. It was hollow. The proof for us wasn’t really in our orbit or on our radar at the time. And now they’re gone.

People always say “it’s never too late.”

One of the people I lost said “it’s later than you think.”

I jokingly would respond “it’s already too late.”

It was for him in the end. For them. For some people I guess it really is. But maybe a lot of the “too late” people are there because they think “they know” that things will never be good for them. So they stop looking, they stop asking, stop finding. And eventually they just stop.

Then there came Crowley’s “It’s always too late.” The first time I heard it I thought “For sure, Crowley-cakes, I KNOW.”

But then…I just needed to rewatch the whole thing. And lines like that…familiar things…familiar themes…I was suddenly identifying with these characters. I suddenly saw myself. And the realization hit - I connected with something! Something new. And I FELT THAT. And that tiny little crack that made in the wall was just enough to start breaking it down. Yeah, when you start letting yourself feel after not feeling for so long, opening up to the good feelings means opening up to feelings and then the bad ones come out too. But when there IS good … it helps you balance. You can deal with the bad a little better because you’ve got the good thing to lean against when it gets too much. And now you’ve got feelings. You’ve got good and bad. You’ve got sticky foggy grey. You’ve got life.

Whew.

So, TLDR, thank you. From the bottom of my slowly healing heart, thank you.

And to sign off with some shits and giggles… I couldn’t find this in existence as a sticker so I had to custom order. Perhaps this will spread misery and panic among the humans of my city - or at least a malignant and creepy sense of unease.

Or maybe they’ll say “wtf” and go home and google it and they’ll fall into the Good Omens hole they never knew they needed too.

Thank you for this. I never quite know what to say to messages like this apart from I am really glad that it helps. (It becomes the weird extra piece that I worry about when writing season 3 -- hoping that it will be that thing again. Not just a story, but something that helps people feel and helps with healing and helps with love.)

[euphoria-looney]

Hold Me, Console Me, And then I’ll Leave Without a Trace, No One Noticed by The Marias

Before we start this has many ideas for authors and some are specific, so if you notice “Hey that looks like what idea I put into my post” PLEASE TELL ME, I would love to give you credit, bc I probably would have never made this without it!

and greatgooglymoogly (my friend, I don't discriminate against other greatgogglymoogly's) if you see this scroll, admire how aesthetic this post is and scroll./j

(This has a mother!darling and a daughter!darling, and they are separate from the reader- unless you decide they aren’t 😍😍)

gn!reader (if I accidentally make them seem too feminine, I’m sorry 😞)

So Much More.

Pt. 1 Pt.2

All my life, I held onto this thin piece of thread called hope. It started off as a rope, almost strangled myself with it, but as time went on and as it started dwindling down, it started snapping.

So, now, the only thing that kept this “rope” connected was a thin piece of thread, too bad, it broke. Due to people who were honestly victims.

Bruce Wayne.

Everyone knows him, who cares if you love him, who cares if you hate him, I mean eat the rich, and who cares if you don’t care about him. To me, he’s a good-for-nothing sperm donor who was also my landlord.

My dear mother, (M/N) (L/N). What a diva she was. She gave me everything and so much more. She embraced me in such comfort that I could feel myself slipping when it disappeared from right under me.

Gotham City is one of the many crime-raided cities there is in the world, anything could go wrong.

Luckily for momma, she died through a natural death, unluckily for me, she was my everything. I mean really, a child no older than 4 frantically searching for something, anything. Desperation creeping in, dialing an emergency call, with terrible service and small fat fingers that didn’t even know how to operate such a stupid telephone that only worked if you used it at an angle.

May my dearest momma lay in a field of flowers, sunlight kissing her skin, that was the fantasy she told me she’d love to take me to. Something Gotham City could only be reached if there was no such thing as heroes, villains, or vigilantes.

If it wasn’t for my appearance I’d would had gone to an orphanage, th officer or whatever he was, Gorgan? Gordon? Doesn’t matter, he called him someone.

a man who seemed so formal and elegant showed up, he would be my father figure, for the time I would spend in the manor. Since, it just so happens I had a 100 percent match with a certain millionaire, billionaire. The man that showed up was none other than my light in the dim, depressing place.

Alfred, the butler for the Bruce Wayne.

Ecstatic, I was, that’s when the rope appeared, my thoughts ran rapid.

Do I have siblings? How many? How’s my dad?

Questions after question, answered with… I hope you’re hungry for…

nothing 😐-

Alfred had answered all my questions, of course I met them all… eventually,

Richard, other wise known as “Dick”

He tried to give the impression to the family as a caring big brother. Well, not to me obviously. When he first met me, his first words were “Who’s the kid?”

“Who’s the kid?” Dick asked

“This is your new sibling, [name] Wayne”

He was there, for y’know that one second, moving on Tim.

Tim

I’ve never held a conversation with him, he breezed past me.

Jason.

BFFs, before he died, then came back to life, then shut me out.

Barbara, Cassandra, and Stephanie

Was my idol, but they stuck their head up so high that they didn’t notice me. Making her nothing more than a second thought in my head.

Duke

Sweet kid, from what I've seen in the shadows.

Damian

He really, broke me in, hell if anyone’s impacted me, it’s him.

degrading me like I was a bug infestation.

Then he stopped, saying “I don’t have time to waste on you.”

Are you kidding me?

I did everything and more for the attention of my family.

Sports? You name it. I probably did it.

Instruments? Do you even know how many medals I've won?

Singing and dance are challenging but that doesn't mean I'm not perfect to the T.

But nothing worked, it's funny you'd think, with how pathetic I am, especially with all these attempts that idiotic thin thread would've already snapped.

No.

Do you know what made it snap? [M/D] and [D/D]. (The second D- stands for darling)

The pair were everyone's obsession.

[M/D], Bruce Wayne's one true love, if this hasn't been obvious my mother was a fling/rebound of Mr. Wayne. [M/D], beautiful, kind, and the object in the family's eyes. It's quite sad if anything, she's like a caged bird.

[D/D], younger than Damian.

Oh, I haven't given you the age scale from oldest to youngest.

Dick and Barbara are the same age, being the oldest

Jason

Tim, Stephanie, and Cassandra

Me

Duke

Damian

[D/D]

Out of these many children. Three are blood-related with Bruce Wayne, Me, Damian, and [D/D].

I'm getting off track.

[D/D], adored, so small you'd want to keep her in your pocket.

One thing was clear about these two. They were everything to the Wayne family.

That's when the string broke.

They came probably by force and hated the very thing I wanted, attention, and love.

I wish I could say I hate them, as they were parallel to me and my mother.

My mother, who was the other woman.

My mother, who never held a grudge.

My mother, who died in a cold, dark room.

My mother, who could never see what type of person I am today.

But I couldn't hate them. I can't. They were the only other ones who gave me that family bond that wanted for so long.

It didn't help that they seemed to deem me to be the favorite. [M/D] loved to be my 'mother' and in her eyes, I was her favorite child, of course behind [D/D] since I was normal compared to them.

[D/D] If I'm near her, maybe grabbing a snack while the family is having 'family game night' she'd somehow spot me, giving that puppy-eyed look, pulling me to join them.

I would, if it's not for the way I would feel these eyes boring on me.

'Why do you have to be here, why are you ruining the moment, who are you?'

I'd pull my hand away, shaking my head, patting her hair, before making it back to the dim, dark hallway, so empty, that you could hear each echo of the step.

As I sit here complaining, at least today's, the day. I'm officially 18.

That's right. 18 years of age and everything I just wrote down has been a recap of my life.

This is my 14th journal. For each year that I've been in the manor, I had a journal, that captured each year of my life, from my emo phase to my popular phase, and now here, the year I graduate, the year that I officially move out.

My first journal was a composition journal, Alfred had no idea what I would like, everyone else was busy according to him, he gave me this journal and told me to write everything I felt, and nobody would ever see it. It's stained definitely. My first-ever entry was: "I wish I got a pet to keep me company, at least that would be better than this stupid silence."

Okay, so maybe there were a lot of spelling mistakes. I don't need to write it down. Even trying to decipher that whole sentence was hard. Not the point I would lose interest every few months before coming back to it. Then it became a hobby. It's very important to me.

I graduated yesterday, too bad nobody was there. Alfred was too busy to come to celebrate it, since graduations are long and take a while, his job came first before anything. Today is my birthday, it's a joke if anything. The day before my graduation is my birthday. I bought this journal yesterday as a little celebration gift and to me in general to celebrate my birthday.

That should be all for my entry.

Yours truly,

[Name] [Last Name]

-

Standing up I glance at my bookshelf filled with different genres of books, split into non-fiction and fiction. Journals filled with information from books, facts that mattered, and scenes that hit me deeply.

Junk journals, bullet journals, and the sheld that mattered the most to me.

My personal journals. 15 journals including the one that I was holding my hand.

A knock broke my thoughts, I slipped the journal I had in my hand onto the shelf before opening the door.

"Happy birthday, young master. I made a cupcake batch for you. Even an edible candle." He held cupcakes to me arranged so delicately with a candle on the center cupcake.

I'm going to miss him so much when I leave. So much so that I didn't even notice the tears slipping from my eyes.

"Oh dear, young master, I'm so sorry that I missed your graduation yesterday, and of course, the others wanted to be there- they were-"

"No, it's not that Alfred- Thank you so much, for everything." I engulfed him in a hug. Something I hadn't done since I was a child.

He held me and consoled me before leaving as it seemed [D/D] had adopted another feral animal or something like that.

I smiled and nodded at him when he apologized for having to go, shaking my head in understanding.

I looked over everything in my room. I would leave everything behind, including my journals. Even the newly bought one. If I was going to leave. I wanted to at least have something that showed.

I existed.

I would leave without a trace that I had left in the first place. And even leaving all these books here, I'm sure you couldn't even tell this would be a room without the bed, just some library with random entries from this random room.

Like a coward, I'll leave a letter for Alfred. For him, and only him.

With that, I bid the manor goodbye. With whatever presents I had anyway.

Also if this is cringy, just let me be delusional and believe that I ate this shit up.

Kind of new to how to format on Tumblr, and how to make posts pretty.

Anyway I wrote this with Grammarly so if you see any mistakes with the writing, I say "boo"

Hoped you enjoyed, bc I'm brewing up the next part... and also how to make a masterlist and all that jazz.

[elodieunderglass]

I'm not as familiar with LOTR as you are, so I wondered if you could tell me if my wild theory is completely off-base.

No one knows where the Hobbits came from, except that at some point they diverged from the line of men. No one knows much about the Entwives' appearance, but we do know that they fucked off a long time ago.

Could the Entwives have been dryad-ish and hooked up with the hobbits' ancestors and so be the foremothers of the hobbits?

Ah I think I saw that post! The concept has a lot of charm, and when the Tolkien estate loses its corpse-grip on the property in 2050 or so, I think you should write it and sell it 😤 I’ve definitely read some good takes on entwives in fanfiction that both leaned into canon and moved away, and I think that sounds like good fun to explore. A common theme in the fandom is playing with Yavanna, the Green Lady, being the mother or patron of hobbits. This isn’t canonical, but she’s a “green goddess” archetype and is married to Mahal/Aulë, the father of dwarves, which shippers often leverage to their advantage. You could do something quite charming there with Yavanna if you wanted to. We also know that Entwives loved gardens and orchards rather than forests.

Some things I would explore with this include:

what is going on with all these consistent ideas of people, races, women disappearing. We know that a lot of it is how Tolkien processed an almost OCD-like Catholic framing of “the fallen world is getting worse and can never be repaired”, war experiences, romanticism and other stuff stewing in his old man head. What are some ways you could show what’s stewing in your head? What does “people disappearing” mean to you? and why is it especially healing that they disappeared in order to make new families?

I think “they disappeared from their old kin and made new kin” is an interesting and weird thing worth wondering about!

- this would possibly make hobbits a more recent race than is implied. What does that mean to you?

- why are hobbits teeny tiny?

A very good starting point, that Terry Pratchett used a lot, is taking some grand statement in fantasy fiction, and making it reflect a different political reality. “Most dwarves are girls actually.” “Wizards parody academia, but, like, FOR REAL.”

I personally have a different take because of my own political feelings and framings! I have a lot of complex feelings about Tolkien chickening out of hobbits. For various political reasons I personally have to take the stance that they are fully human, fully indigenous, and have their own native language. and that their disappearance is less “teehee we lost them” or “O, the Catholic guilt of the Fallen World, how far we have fallen from the light of the two trees God’s sinless light” and a lot more “oh yeah I’ve seen THAT pattern before.”

If you have a political sort of lens on, someone telling you “yeah… hobbits came from nowhere 🤭 and then disappeared 🤷‍♀️ sad!” is a story that can also invite the response of “OHhhhh you wanted their LAND real bad, huh.” Like, we know what that means, right.

It’s a political stance for me. Hobbits have to be close enough to us to touch, and we have to be able to face that, and the fact that 5,000 media properties will chew on tolkienelves and sell them to you before even admitting to the 🤭 just makes it even more of a 🤨. To me.

…But I have literally just been elbow deep in my own demented fanfic thing that involves inventing a language just to swear in, to enable my standing on a box shouting HOBBITS OUGHT TO RESIST GOING EXTINCT ACTUALLY, based entirely on, I think, spite. Why do multiple authors publish orc football games (Terry Pratchett) and orc coffeeshops (Legends and Lattes guy) and do every damned thing with every bit of Tolkien’s corpse but refuse to look directly at hobbits. I am feral over this and wrote 59k words so far to damage and harm my friends

In conclusion I see a great story shape there about kindred and I think you should explore it and it should be about evolutionary biology and women and divorce and nobody being wrong.

And if anyone argues you with some podcast boy “well actually”, just bite them and do more character work and sit on their heads

[tryslora]

Disability in fiction

This was a tough post to write. 

I saw a post about disability rep, and I kept thinking about it, and wanted to share my own takes on the topic. 

I thought about it for days, trying to figure out how to word it. Then after drafting it, I stuck it in a file for a couple of weeks, trying to decide if I could even post it. This is not a topic that can be boiled down to a simple yes/no kind of answer.

Let’s start with two examples.

1 - I have a short story I started writing (it wants to grow up to be longer, so it’s waiting for time) where my original concept was to write about an older woman who is short and has major chronic pain, and I wanted to dig into fantasy reasons why this pain exists, but at the same time, have her be able to kick ass despite being exhausted and dealing with excruciatingly painful issues.

2 - I once drafted a portal fantasy storyline wherein a young man was transported into a fantasy world, and when he was given a horse to ride, he approached it very warily. He was encouraged to mount, did so, and sat there and exclaimed in shock, “My brain isn’t exploding with snot!” because his allergies hadn’t come with him into the body he had in the fantasy world.

Both stories were designed to be fun, a bit light, maybe even cozy.

So.

In one case, the disabled character remains disabled and kicks ass anyway. And in the other case, the character is magically “healed” and no longer has debilitating allergies that had wrecked his way of life.

This is the difficult part to express: I think both storylines are valid.

Bear with me while I dig into this.

First and foremost: I completely agree that we need more representation in all forms of fiction, especially when it comes to disabled people being able to live their lives. Characters with missing limbs, or non-neurotypical brains, or anxiety & depression, or hearing issues, or sight problems, or chronic pain, or… or… you get the idea. We need all of it, and we need it to not need to be magically healed in order for a story to be considered happy and cozy. Disabled people can be happy, too.

I’m all in for this, and I wouldn’t write the stories I do if I weren’t.

However, there are also moments where I am so exhausted by my body and by everything I deal with inside of it where I do wish for that magical ability to forget that my pain exists. Or for the ability to actually process information in a straight line, or make decisions without writing a hundred lists and accomplishing nothing from them. Or to be able to lie down in a field of grass without regretting it for days while I drip snot and fight sinus-pain-induced migraines.

Sometimes I want to imagine that my life is different.

And that is one of the joys of writing. I can choose to write a story where people like me or the people I know are the heroes/heroines exactly as they are, different abilities and all. Or I can choose to write a story where the problems magically resolve.

Both can be cozy, sweet, and adorable. I can give the character with chronic pain the ability to kick ass, take names, and have a sweet reunion with her ex-girlfriend. I can show all the ways that my disabilities may define how I handle my life differently than someone else, but do not define what I can and cannot do.

But I can also daydream about a life where it’s different, the same way I can daydream about having wings, or being able to teleport. For me, imagining a day with no pain is the same as a day where I can walk through walls. It is absolutely a fantasy, and about as likely to happen.

Here’s the thing: It’s okay to be angry to see what looks like disability being erased. It’s okay to wonder why the author did that, why they magically healed someone instead of letting them be who they were. But at the same time, maybe ask why, and what point of view it’s coming from. Or look a little deeper into the story and how the resolution occurs, and the effect it does have on the character (I suspect that were I to suddenly have a day of no pain, I’d be intensely reckless, given what an idiot I am while IN pain, y’know? And WOW would I regret that later…).

And for authors, think about what you’re writing. WHY is this particular event (keeping disability, erasing it, whichever or both) happening, because the reader will take note of it. They may see things that weren’t intended, but are there as unintentional biases.

Make conscious decisions for why things happen.

Someday I want to get back to both of those examples from the start of this post; I still like both concepts. But I’ll be writing them for very different reasons, and both will be healing my soul in different ways. Different kinds of daydreams. And again, I think that’s valid, too.

[leighsartworks216]

You Have A Type, Don't You?

Astarion x gn!Tav/Reader

Based on this post

I wrote this instead of doing any of the work I need to do! I'm gonna go do that now lol

Warnings: innuendos, minor references to sex, the barest hints of jealousy

Word Count: 1,601

Masterlist

AO3

Tag List Form

Your pencil scratched across the paper, drawing Astarion over and over again on a single page. This wasn’t anything surprising; you drew all of your companions. Gale, Wyll, Karlach, Shadowheart, Lae’zel - they all had pages of their own, but it was usually only one drawing. Some had even posed for it. It was just a way to relax, and their faces always lit up when you showed them, even if they tried not to show it.

Everyone needed a break from fighting and exploring day in day out, so you decided one more day here wouldn’t hurt. As such, you’ve spent the better half of the day just drawing. At first it was little doodles of Scratch, but then you realized you hadn’t drawn the vampire spawn yet.

Most of the expressions you captured came from memory. You’d occasionally sneak a glance for quick reference, pretending to stretch or get distracted by some birds. But at some point, he’d disappeared from camp. You just assumed he’d gone off hunting.

That assumption was proved quite wrong when a voice tsked over your shoulder, almost directly in your ear.

Startling away from the sound, you whipped around to see Astarion crouched down. He wore a self-satisfied smirk and settled down into a full sit on the ground.

“It seems someone is infatuated,” he teased. “So who is it? Someone we saved from peril, perhaps?”

Oh. Right. It had completely slipped your mind.

You cleared your throat as your cheeks warmed and smiled. “Y-Yeah, something like that.”

He chuckled. “Come on, darling, there’s nothing to be shy about. Spare none of the juicy details. What’s he like?”

“He’s, well,” you stammer, “he’s interesting.”

He scoffed. “That’s hardly juicy or a detail. Or is he just another pretty face?” He leaned forward, trying to get a better look at your drawings. You wanted to pull them away and hide them, but why? All the others had drawings done of them, and you loved showing it off when they were done. Why was this any different?

“No, he’s a lot more than that,” you admit quietly. You weren’t good at lying - usually Astarion took the lead any time you had to - but maybe if you didn’t tell a complete lie… “He’s funny, charming. His laugh lights up my world. He’s had a rough go of it, but he doesn’t like it to show.”

“He must like you if you know,” he hummed. Your heart leapt into your throat as he pointed to the pin pricks drawn on the neck. “Is he a vampire, too?” He chuckled, but it sounded strained. “You have a type, don’t you?”

You scoffed even as warmth flooded to your cheeks. “No! I do not have a type.”

“No, of course not,” he played along. “Certainly not for creatures of the night who bite into that pretty little neck of yours.” Despite his smile, there was a tension in his eyes. “I don’t mind, dear. I’d be more than happy to scrounge around some nights so you may indulge your new lover.”

You shook your head. “You don’t have to do that, Astarion,” you assured. “He’s not… We’re not together.”

“No?” You shook your head again. He opened his mouth to give you advice or console you, but you cut him off. It was better to end this fantasy now, before it began to hurt too much.

“It doesn’t matter. Besides, you shouldn’t be sneaking around so you can look over my shoulder. I could have been drawing something terrible.”

He laughed. “All the more reason to risk a peek. You’re so good, it would be nice to know you can be tempted.” Then he scowled. “Unless it’s something terribly dull. You deserve much more than missionary.”

If your cheeks weren’t already blazing hot…

“In any case, I was only wondering when you’d draw my portrait. You seemed more than happy to provide the others with a likeness. And…” He looked past you, seemingly far away. “I haven’t seen myself in two centuries. One gets curious, especially when you’re as vain as me.”

If he heard your heart start racing, he didn’t comment on it. Drawing him would make him realize it wasn’t some other vampire crush you were drawing. But, it had been a while since your adventure began, and you’d drawn everyone else. You swallowed down your anxiety. “Yeah! Of course! Did you wanna pose, or anything?”

He blinked and suddenly he was back in the present. A sly smirk covered up whatever emotions could be lingering on his face. “If your little vampire friend doesn’t get too jealous. I would actually like if you could draw me just,” he paused, “smiling. It would be nice to know what everyone else sees. Make sure I’m not off-putting, you know how it is.”

Once he was sitting comfortably, you turned to a fresh page and began drawing. The paper was hidden from his view, but he watched as your hand, wrist, and arm all moved in tandem like a clock’s gears to create an image. Your eyes moved between the sketch and him multiple times. Sometimes you’d glance up and draw for almost a minute. Then other times you kept going back and forth, constantly checking for reference.

Watching you work was fascinating. All your surroundings faded away. Karlach being her usual loud self, Wyll dancing, Gale cooking, Lae’zel sharpening weapons - nothing could turn your attention from him. He almost felt subconscious with the intensity of it. Your eyes studied him, taking in every single feature, and translated it to your journal. What did you see when you looked at him, he wondered. What did the world see? It had been so long, he couldn’t even remember his face. All he knew was he was attractive.

With a final few marks, brushed away to blend them into the rest, you looked down at your masterpiece. You were so caught up in the drawing you forgot why you were hesitant before, but now that Astarion stared at you from two different angles, your anxiety came back full force. There was no way out of this.

“All done, dear?”

You smiled shakily up at him and turned the journal around. His face scrunched up in confusion. When he met your eyes, he was decidedly unamused. “Darling, if you’re going to draw your fleeting fancy, don’t trick me first. I know it’s hard to see past the depraved bloodlust, but we don’t all look alike, you know.”

“No, Astarion, it’s not- I-”

While you fought to find words, Karlach picked up the slack. Cupping her hands around her mouth, she shouted across the camp, “IT’S YOU, FANGS!”

Dread washed over you. You closed your eyes. If a merciful god was going to kill you and rid you of this embarrassment, now would be the time. A bolt of lightning, perhaps. You’d even welcome decapitation.

You risked a glance when you felt your book being tugged carefully from your hands. His eyes were wide, mouth slightly open as he tried to comprehend what the fuck had just happened. Gods, now he was going to leave camp. You buried your face in your hands. He was going to pack everything up and leave before the sun even touched the horizon. And you’d never see him again. Maybe you’d go find Cazador yourself, just to kill the bastard.

“All these drawings… are me? Darling?”

You inhaled deeply and lowered your hands, but you couldn’t bear looking at him. He could stab you with his dagger and you’d apologize to him for it all. Hell, you’d let him drink you dry if it meant leaving this all behind you. “You’re very pretty,” you admitted quietly. “I didn’t know how to ask, and just- You can rip the pages out, burn them, whatever makes you feel better. And if you leave, I won’t blame you or chase after you or-”

“I’m not upset.” Your head never shot up so fast. “Well, a little. You’re not subtle when you stare, you know. I thought you were just uncomfortable being around a vampire, but this…” He turned back to the portrait you’d just finished. “This is really what I look like?”

You swallowed away a small portion of the shame. At least he wasn’t running away. “As best as I can capture you, anyway. Y-You’ve got these sharp eyes, and your hair curls around your ears, and you get little wrinkles around your eyes and mouth when you laugh - and I just like drawing you.”

The page flipped over again. The page of expressions, capturing everything you described. When he smiled full and bright his fangs were on full display, accented by the laugh lines on either side of his mouth. And the puncture wounds on his neck…

“Ah, so when I said you had a type…” He chuckled, but it didn’t hold as much warmth as usual.

“Your laugh does light up my world,” you admit. His red eyes were on you in an instant, flickering over your whole face. “Just, for the record.”

He glanced at the drawings once more, contemplative. Then, he held the book back out to you. “I wouldn’t be… opposed to trying this. Whatever this is.”

You reached out to take it, but he pulled it away. “But, no more sneaking glances across camp when you want to draw me. I would be delighted to model for you again, in any pose your sweet heart can concoct.” He held the book out again. “Deal?”

You grabbed onto the book, finally relaxing as you smiled. “Deal.”

---

Tag List:

@satelliteapotheosis @hypopxia @mjmygd @flsalazar @thedevilssinner @marina-and-the-memes @softempest @rebeccasship @pinkishredlemonade @faeoran

[bengiyo]

Ben's Big BL Blurb 3: Blue Canvas of Youthful Days Blew It, But I Still Recommend It

I finished Blue Canvas of Youthful Days today, and I don’t like where we left off with this show. Let’s get into that, and then check in on some of the other shows I’m watching.

Blue Canvas of Youthful Days Didn’t Give the Audience Catharsis

I don’t begrudge the show going for a happy ending, given how so many other BLs from their home country end with sudden traumatic turns. However, I don’t feel like we got catharsis from the ending at all. I struggle to full articulate my frustration here, but I think I just really wanted an ending akin to Weekend (2011) or Gameboys 2 (2022).

I think these two were in a position where they were unable to be together now, and I think they should have ended on a separation. When Cairo and Gav had to separate at the end of Gameboys, it was the correct choice. They were still building their lives, and Gav wasn’t doing well on his on. Similarly, Blue Canvas established a scenario whereby Qi Lu did not have the power to stop his father from harming Qin Xiao. Likewise, Qin Xiao couldn’t keep the local gang from beating Qi Lu.

I would have preferred they have the boys confront that they were hiding things from each other, and how they both failed to protect each other from the horrors. I am disappointed that we didn’t get a poignant goodbye from them as they accept that they can’t be together right now. I wouldn’t have minded so much a blurb at the end of the show with the pitch for a season 2 that they didn’t get to film (though @thisonelikesaliens commentary makes even what they wrote dour). We didn’t confront the issue with the dad at all, and we didn’t deal with Qin Xiao losing all he’d worked for.

Genuinely, I would have been okay with them getting a tag at the end of the show with them seeing each other on the street again and sharing a meaningful look. However, we never saw them face the music of their double noble idiocy, and that sucks. It especially sucks because we had Let Free The Curse of Taekwondo this year, and so we saw the consequences of this. We could have had these two railing against the world and promising to see each other again. The tag at the end of the reuse of the fantasy sequence feels tacked on and unearned. That kinda sucks more.

Final Verdict: 8, Recommended With Reservations. I really liked most of this show, and I think they wrote some phenomenal characters until the finale here. Like @lurkingshan I ended up not pleased with this ending. I am disappointed in the lack of resolution about the withholding, and I think they needed to face the separation and goodbye. However, I really liked the cast, and I respect the team that worked so hard to get this to us.

On to the rest of the show, presented in no particular order…starting with the worst. I’ll put in parentheses what episode number I’m on as of this post.

Haunted Hearts is Boring (5/7)

Magic, mah friend! Your show is boring. I do not know why these boys won’t kiss, and at this point I feel like I don’t care anymore. They’re introducing yet another ghost next week and I just am so disinvested. I try so hard every time to support Oxin Films and Regal Entertainment, but they make it so fucking hard. Holy shit. There’s only so far the boys being cute can carry a thin concept like this.

City of Stars is Better Than I Expected (2/12)

I am catching up on this show. The acting isn’t great, but I’m really enjoying a lot of what’s happening here. I will report back when I finish.

See Your Love is Fun But Kinda Weird (7/13)

The visuals are great in this show, and the leads are filling in the aesthetic gap left behind by Jimmy and Tommy in a way that really works for me. There’s been way too many pratfalls in the last two episodes. We are at 1.5 pratfalls per episode at this point. The side couple is absolutely ridiculous. I’m having fun.

Caged Again is Becoming a Favorite (4/10)

Junior is the best protagonist of the year. I’m obsessed with this penguin boy. I love the way this show uses its supernatural elements to drive its storytelling forward, even if I think the plot got a little silly in episode 4. The friend group dynamics are so fun, and I haven’t enjoyed a group of Thai boys this much since Knock Knock, Boys! (no surprise, two of them are in this show, too).

Your Sky is a Weekly Delight (3/12)

The 2gether rewrite show is great, and I will be reading no commentary to the contrary. These boys are so great, and they are one of the best couples of the year. This show is doing fake dating in a way that’s just so excellent, because it’s real dating! The boys are genuinely trying to get know each other so they can pretend to be a better fake couple. This is so close to being excellent meta commentary about dating in the digital age, and how so much of dating for the current generation is about how others perceive the validity of your relationship. It’s actually so fun to watch a show where the characters are doing all the things you’re supposed to do when you’re trying to build something with someone, but one of them doesn’t fully understand what they’ve gotten into. This show is great, and I love it.

Love in the Air: Koi no Yokan is so Slick (5/10)

If there’s one thing a Japanese drama is going to get right it’s trauma! This show delivered on Kai’s horrors in a way that was so visceral that I needed to pause and catch a breath. I remain obsessed with the casting of Nagatsuma Reo as Kai, because he’s taller than Suzuki Asahi sometimes. I really love that they didn’t give us the BL height difference trope, and I like that they didn’t style Kai in a way to make him look more feminine. There’s a egalitarian physical balance between Fuma and Kai that I find extremely refreshing, considering the massive class, wealth, and suffering gap between the two characters. It’s no surprise that we’ve had a dearth of gifs of their sex scene, considering it doesn’t play to the kind of asymmetric aesthetics that folks seem enjoy in their pairings.

As always, the Rei and Kai friendship remains one of the best parts of this story, and I like the way this version of Sky talks to this version of Rain about the queer stuff. He feels like he’s being careful with his friend, and not just ghosting him on important conversations about his friend’s sexual awakening (one of my major gripes with the original Thai adaptation).

Our Youth is Taking Over My Brain (4/11)

I have not moved on from the “Infect me” line, and I am still obsessed with the plausible deniability of the “no homo” that Hirukawa relies upon as he continues to pursue Minase. Now that Minase has reached his breaking point, I’m so looking forward to seeing where we go next. We’re due for a major separation, and I’m ready for a Japanese BL to not fuck up a second chance romance attempt this time. Perhaps adapting Korean work could the solution?

Spare Me Your Mercy is a Welcome Return to the Sammon Feeling I Enjoy (1/10)

I just really love when Sammon shows feel like the mystery matters more than the romance, and this feels like it’s in the correct space. I loved the initial setup, and the potential for there to be multiple murderers. I really hope that they start killing younger people in this show, because they said there were only 40 palliative care patients, and we downed three of them in the first episode. I’m so happy to see JJ again, and Tor looks great. I am looking forward to the weekly watch and theorizing with this show. Most importantly, I’m looking forward to the complex meditation on euthanasia, which this story feels like it’s taking seriously.

Love is Like a Poison Finally has Given Us a BL Battle Couple Again (11/12)

We haven’t had a BL battle couple in what feels like forever. I love that this show continues to reward us for believing in Haruto and Shiba. Haruto’s dad is the absolute worst, and I really want him to lose. I love Shiba, and I love that the show continues to give him some of the visual tropes of a legal drama (like the pan up near the end). I’m in love with this show, and it’s going to be one of my favorites of the year, I’m sure.

Fragrance You Inherit Hurts Me Because Everyone is Doing The Right Thing (4/8)

This show is actually so painful sometimes, because no one is doing anything wrong. Everyone is being as emotionally honest as they can be with everyone they speak to about all of the things that are going on. There’s absolutely nothing wrong with Sakura choosing to let go of her lingering crush on Mone now that they’re both moms and their kids are dating. Besides, we presume that Mone is still married! The conversation with On-chan makes me think that Mone misunderstood the relationship Sakura had with him in college (My man is ace but not aro! We love to see it).

I just really love that everyone is trying to do right by everyone around them, and I think all of the things that remain unspoken in this show have been withheld for completely valid reasons. There are no villains in this story, and that makes it even harder to watch really kind people treat each other politely in every scene. I’m just feeling a quiet scream in me the entire time I watch a good son by a thoughtful gift for his loving mother with the help of his supportive and lovely girlfriend, as he prepares a surprise from the old friend who clearly still cares about her friend and the unrequited/unexpressed feelings between them. This show is incredible. Go watch it right now. Thank you again to @isaksbestpillow.

Conclusion

That’s more shows than I’ve been watching in a while. It’s nice to have some Thai shows back in my rotation that I’m actually enjoying. I really want the Chinese to now fuck up their endings, but it seems like 2024 will not be that year. I’ll try to check in with the end of Love is Like a Poison when the Netflix release schedule completes so folks can binge it then. In the mean time, let me know what you’re enjoying, and what else I should consider picking up.

[transbookoftheday]

Trans Horror Podcasts

My post about trans horror books last year was much more popular than I expected, and since I've recently fallen in love with fiction podcasts and audio dramas, I thought I'd make a post about trans horror podcasts as well.

If you like trans horror, please give these a try - especially if you enjoy listening to audiobooks!

Hello From The Hallowoods:

Come walk between the black pines! In this award-winning queer fiction podcast, an eldritch narrator follows the increasingly connected residents of the forest at the end of the world. It's a bittersweet story that explores queer identity, horror genre tropes, and finding hope in humanity's last moments.

Hello From The Hallowoods is my absolute favorite podcast! If you only listen to one podcast from this list, please make it this one - it's so beautifully written and super queer! Also: season 4 starts today!

Trans main characters include:

our nonbinary eye-affiliated podcast host

a nonbinary "Frankenstein's creature"

a transmasc ghost

a genderfluid storm witch

a trans woman who can visit other people's dreams

multiple characters using neopronouns

Camp Here & There:

Good morning, campers! Camp Here & There is a weekly horror comedy podcast tuned in to the loudspeakers of a small midwestern sleepaway camp plagued by supernatural terrors and natural disasters. Sydney Sargent, resident camp nurse, cheerfully reports on all the terror we must face with a big smile. Let’s hope there’s nothing weird about that!

Sydney is a trans man.

Dos: After You:

Things have changed. Deck has fallen in love with someone who isn't human, and leaves a hungry house behind to see him again. Will he be waiting for you? The world has changed… but what about him? Dos: After You is a queer urban fantasy/horror audiodrama available in both English & Spanish

Deck is a trans man.

Jar of Rebuke:

Follow Dr. Jared Hel's journey as he works to re-discover his forgotten past and finds his place within the small Indiana farm town of Wichton and the cryptozoological organization he works for called 'The Enclosure'. These audio journals, and other recordings, dive deep into Midwestern US cryptids and folklore while also telling a mystery about identity, queerness, neurodivergence, and community.

Jared is nonbinary.

Spirit Box Radio:

Spirit Box Radio is an award winning, horror audio drama podcast about a radio show for enthusiasts of all things arcane. Follow Sam Enfield a former postboy with no experience in the arcane arts, who finds themselves forced to take over running the show, following the disappearance of the previous host. Sam soon discovers there are more than ghosts haunting the show, and finds himself amidst a mystery which threatens everything he knows about the world beyond his tiny basement broadcast studio, and maybe even himself.

Sam is a trans man.

The Silt Verses:

Carpenter and Faulkner, two worshippers of an outlawed god, travel up the length of their deity’s great black river, searching for holy revelations amongst the reeds and the wetlands. As their pilgrimage lengthens and the river’s mysteries deepen, the two acolytes find themselves under threat from a police manhunt, but also come into conflict with the weirder gods that have flourished in these forgotten rural territories. This is a world where divine intervention takes place through prayer-markings scratched into stumping-posts, and offerings are left squirming to die in the flats of the delta. This is a world of ritual, and hidden language, and sacrifice. This is folk horror, and fantasy, and a dark road trip into the depths of unusual faith.

Faulkner is a trans man and Paige is a trans woman.

The Magnus Protocol:

The Magnus Archives 2: The Magnus Protocol is the prequel/sequel/”sidequel” to the internationally renowned Magnus Archives podcast. The Magnus Institute was an organisation dedicated to academic research into the esoteric and the paranormal, based out of Manchester, England. It burned to the ground in 1999. There were no survivors. Now, almost 25 years later, Alice and Sam, a pair of low-level civil service workers at the underfunded Office of Incident Assessment and Response, have stumbled across its legacy. A legacy that will put them in grave danger. If this intrigues you then it is our pleasure to welcome you to the Office of Incident, Assessment and Response. Make sure you pick up your badge at desk and report to your line manager before sitting down. Oh and stay away from I.T., seriously.

Alice is a trans woman.