#more like ranting lol

[alitgblog]

sooooo does MC contractually have to be antagonized by one character every volume?

Like we start with Sofia and then Tristan comes in, then they get dumped BUT we get Dean in Casa, and then once we get out of Casa we have Ava, and then once Ava chills out Tristan comes back FOR NO REASON and even worse than before when he at least got MC dumped and stirs up drama he's annoying but this time he's just annoying and then LEAVES? Let me kick his ass or smth first. Then movie night has Dean as a host?? tf get him out of here? And then when he leaves Ava gets aggro again because Leo was interested in MC briefly?

is Sofia hosting the finale???

[bixels]

The final TF2 issue really got to me. Spoilers, but it’s the reveal that all of this suffering and murder and war over gravel and shitty land was for nothing but senseless, bottomless hatred. That the administrator can’t even remember where this revenge plot started as she flashes through different false memories of her parents’ deaths. There was never a tragic backstory or justification, only terrible people doing despicable things. And despite how crass and stupid and unserious TF2 is, the story subverts every expectation by showing the survivors and inheritors willingly breaking the cycle. Ms. Pauling lies to the administrator and chooses not to save her, and finally lets her die. (Hurts even more if you read into the subtext that Ms. Pauling is in love with the administrator.) She lets the final cache of Australium go and walks away from the burden and legacy of a century-old bloodfeud. Hale lets Gray’s daughter go and live her life freely. Spy is the first to arrive at Scout’s house and meet his big family, finally takes off his mask, and helps with the kids. Even Merasmus exhaustedly makes peace with himself and Soldier and chooses not to curse him or something. There’s nothing to finish, no promises to keep, and no one to avenge. The only thing to do is break the cycle and walk away.

It feels odd how happy and warm everything is, but it feels so right and earned. These bloodthirsty, awful, violent men were expendable cogs in a machine of endless violence, and they found a way out. It’s a genuinely great message about letting go the past that burdens you and finding the will and a way to hit the bricks, change, and be happy. Maybe they don’t technically deserve happiness, but they’ve got it nonetheless, and they’re not gonna let it go to waste. They’re still all crazy and violent, but on their own terms now and with people who love them! Smiles.

[marsipain]

Norwegian Mikus :)

Left is Miku as a russ and right is Miku in a bunad!

[hajihiko]

💕

[ashes-in-a-jar]

I haven't thought much about Jonathan Sims for long enough that I kinda feel like I've started thinking about him a little more divorced of the emotional attachment I might have had once. Because I just saw a post lamenting his slow descent into inhumanity and losing his identity, becoming the archivist rather than Jonathan Sims, losing his friends, his house, everything he loves.

But is that true? That put upon head archivist persona he had in the beginning, was that really him? The way I see it, real life has already leached him of any identity he might have had, he didn't really have friends, Tim and Sasha clearly weren't, as we saw in their season 5 recording. He chose to make them his subordinates over beib friends, pushed away Georgie, he became so desperate for approval that he agreed to take a job he clearly has no idea how to do, let his stress over it isolate him from everyone around him, had a desperate need to assert himself in the beginning of every recording as 'head archivist of the Magnus institute london'. Forget about even having a home, he often slept in his office for heaven's sake.

The way I see it, this story is about him finding himself, finding the perfect place for himself in this already doomed world that was already strangling him and everyone around him. He became the Archivist, no longer needing to connect himself to some godforsaken capitalistic institute to identify himself. found his role, he enjoyed its power, even admitted to it. He found love. He found purpose in trying to save the world. In the end he was surrounded with the friends he made along the way (as friendly as they could be under the circumstances). He was finally allowed to make real choices, have true responsibility over himself and not be some tired corporate worker, part of a tired pointless system. Sure his choices weren't that great, and getting there was through outside manipulation and his own ignorance and he had to suffer immensely and pay an awful price of what we like to call his "humanity" but he Became and found what we all look for - his calling.

"It's still me" he says in the last episode. Because he is. He lost nothing and gained everything. Even dying in his lover's arms.

Forget about being human. In the end Jon achieves apotheosis and truly becomes Jonathan Sims

[nonbinary-vents]

This has been an absolutely horrible couple weeks for the Jewish and Israeli community, so I want to throw in at least a tiny bit of hope in here. Amina Hassouna, the Bedouin girl who was severely hurt in Iran’s missile attacks, has been recovering well and seems to be in good condition! She is described as being ‘fully conscious’ and ‘communicating and smiling’. Two bomb shelters have been placed in Al-Fura, the town that she and her family are from, as well.

[xx-sketchy-xx]

*grumble grumble* my photos are being annoying

LOOK AT THE COOL DUDES, I feel like Jax would try and make Wally commit as many crimes as possible with his eye eating powers

[lilianade-comics]

I know most fans have a positive opinion of this episode, and that's totally fine, but D-Stabilized is a TERRIBLE sequel to Kindred Spirits and it raises my blood pressure an unhealthy degree just thinking about it. (Valerie obviously excluded from my ire), It's the dullest thematic follow up possible. It does nothing with the halfas narratively that KS didn't already do and just repeats character beats while simultaneously making them worse, it doubles down on Dani's victim status with the high cost of the most egregious character assassination Vlad ever suffered and whatever characterization SHE could have had if the writers weren't hellbent on making the worst possible decisions with them, it deus ex machina-ed away Dani's destabilization which wasn't earned & felt pointless because it's not like they were going to keep her around at the end, AND it had the sheer gall, the unmitigated AUDACITY to be Valerie's ONLY season 3 appearance.

[birbykirb]

The girls, my wives

I’ve been reading too many fics about these two, atp Ik more about them from ao3 than the damn comics. I rlly like the dynamics ppl give the two esp when prowls made out to be more cold/calculated, and Jazz super competent despite acting aloof sometimes

That being said if anyone has any rlly good recs totally give me a linkkk 😋

I have some messier doodles of the two, like notes on how I hc doorwings to work with his tac net shit and my hcs of their full designs, but I’ll probably refine those before I post them lol

[formerprincewille]

Something that really sets Wille and Simon apart from other queer ships is that when we say their love language is physical touch, IT REALLY IS PHYSICAL TOUCH. And I’m not speaking of just sex. Over the course of the show, the amount of touching between them is astronomical. And that’s really something rarely seen in queer media. There may be moments here or there, but often times there’s a lack of physical contact unless it’s for “the plot”. Wille and Simon feel like a real couple in the way they’re always physically reaching out for each other.

[alitgblog]

ok so i haven't played the new episodes but based on what I've seen on social media:

FUSEBOX why don't you understand half of the fun of stick or twist is the fallout and the drama that comes with people facing the consequences of their actions? why dump the all the girls so fast???

part of it is just a lazy writing/coding thing for sure bc clearly they want to center it around MC so its just easier to cut out everyone irrelevant. and like I understand other people were upset s2 that you had to deal with drama that wasn't yours but I wouldn't mind having my MC listen in on gossip that like Estelle has had a change of heart in casa and now wants to fight Uma for Alex and then MC would advise Uma what to do. or SOMETHING.

they clearly understand the first half of why casa amor is fun, because the first three volumes were interesting and even the casa episodes last season were mostly exciting building up to an awful recoupling ceremony but like yikes to drop the ball again??

[ganondoodle]

got this reblog on one of my posts were i talked about being anxious about the future of the zelda series after totk and-

i even went back and unblocked them just to check my own post and check twice what they meant exactly- but i still dont know how they got to these conclusions

i never said i 'want a good uwu ganondorf' (bc that would mean hes aligned with hyrule bc thats how goodness works!!!!11!1!!!), i also dont think of any of the zeldas as 'whores' (seriously, where did that come from?? neither me nor the addition of someone agreeing with me said anything like that??? did they think bc the addition called tloz misogynistic means we think zelda is a whore????? huh???)

its also funny how they say they want zelda to stay a simple fairytale rather than have 'people like me' bc .. one point i talked about in the og post was how the evil arab thing VS good white people media likes to do so much is so normalized here that its simply seen as a simple harmless fairytale trope instead of a big underlying issue in general media and the writers might not even realize it (which is worse) bc the most 'generic' appeal is to people who dont think of it as a problem in the first place, because it is so normalized

(huh, i wonder about what kind of person that part was about .. hmmmm)

(ALSO funny they mention princess hilda as nuanced villain ... like ... wow they are so nuanced about purple haired people!!- like guess why we want a nuanced/less badly/less flat written ganondorf and what he, in particular, has not in common with other villains! its not his hair color! .... or was that point supposed to mean .. look we have one female character that is a villain, its not misogynistic! idk honestly)

(and the classic, "you just call it this/dont like it bc its not what you wanted !!!!!!!2!"1!112!!")

also funny how its 'never gonna be progressive enough' like asking for the franchise to maybe put a little more thought and nuance into their white divine right vs evil desert man simulator instead of making it worse is already asking too much

(i dont know what the last point has to do with anything??)

(also yes totk is racist, like most if not all of the franchise and a alot of other media as well, shocker- you can still like it though, i and plenty of other people are still fans of it, we just wish they did a little more with their stuff and maybe not make the racism problem WORSE)

(also yes the hyrule monarchy is also evil :))) )

(and also not so secretly so either :)) )

[poetglasses]

In Defense of Jacks in ACFTL

I do have spoilers, so this is your warning not to venture further if you haven't finished reading.

First off, I love how the story was told and how it ended. Could we have gotten more of the other characters? Yes. Did we really need to? Maybe, but I certainly didn't mind the absence. I didn't think we needed to address every character that we've met. We saw Castor and Lala, and I was happy about it, but I was strictly here for Evajacks story, and that's what I got.

I think Eva and Jacks had character development in this novel.

Eva isn't as trusting and hopeful as she was in the previous two books, and I was happy about it! Girl was getting murder attempted on her, and her husband is a narcissistic, manipulative psychopath. The only people she could trust were 1) being kept away from her or 2) avoiding her because they thought they were doing the best thing for her if they did so *cough* jacks

Jacks watched the girl he loved die! He blamed himself for what happened to Eva, and then continued staying away because he felt guilty and thought he was keeping her safe in doing so. He didn't know Apollo took Eva's memories away. He was too busy making sure Castor didn't go within 10 feet of Eva because Castor did attack Jacks after he went back in time to save her! He was still around Eva, he was just hiding in the shadows or out in the balcony peering through the windows. He genuinely thought Apollo was the better choice for Eva because at least Apollo hadn't done anything to her (as far as he knew).

Jacks apologized to her under the phoenix tree, saying that when he went back in time, he thought the stones would have taken something from him, not Eva, or are we all ignoring that because of that beautiful love confession Eva gave? He wanted our girl to live! When Eva met Castor in the Cursed Forest, Jacks literally put a knife through his best friend's chest in fear of having a repeat of the first timeline! Castor wasn't even doing anything, he was just trying to have a conversation with her.

Jacks was the tortured lover we all knew him to be. He wasn't Jacks, Prince of Hearts, with a trail of deadly kisses in search of true love in this novel. He was Jacks of the Hollow, a man who loved his girl so much he wanted her to live instead of dying at his kiss. We all know how badly Eva wanted to kiss him, and we all know Jacks can hear her thoughts. Can we blame him for staying away? He literally said that if she died again, he could not bring her back. The idea of that was terrifying to him. He already used the stones, and going to Honora would have the possibility of turning her into a vampire, maybe worse.

Jacks felt different in this novel because he finally admitted how much he loves Eva. We've seen him do so many things for her throughout the series. Was he holding back in the other two books? I'd argue not really, but he certainly wasn't going to let her be with him. He didn't want to admit he was in love with her. Dude literally held her like a grudge in the first novel, a secret in the second novel, and then a promise in the third. The hints were there for us. He would literally do anything for her. He just didn't want to admit to himself he loved her because if he allowed himself to there was the possibility that she could die.

Does Eva die in this book? No, thank god. But don't act like you read their kiss scene and didn't fucking break a little when Jacks went "No! Not again".

[s-p-r-i-n-g-t-i-m-e]

mayhaps this is a hot take but I truly dislike “Loid gets murderous and overprotective of Anya dating Damian” content

like. there are sm reasons I dislike it

first off, just fundamentally, I hate that trope. I think parents being protective of children in general is cute, and even maybe protective against their partners to an extent, but it rlly feeds into the Western (esp American) notion of parents owning their children. it gets even grosser when it’s the dad and his daughter, it’s just a branch of ‘women and their purity having to be guarded until they’re properly married’ sexism

secondly, if this is pre-reveal (either Damian comes over/talks to Anya in front of Loid and it’s p obvious he has a crush, so Loid, of course, course notices, OR somehow, post-canon yet not revealed, they get together), Loid would absolutely use that to advance Operation Strix lol

obviously Loid is NOT a bad or uncaring father, he is absolutely not that, BUT he does also very vehemently care about achieving world peace thru his spy work, AND ANYA UNDERSTANDS AND EVEN AGREES WITH THIS (to the highest extent she can as a child, at least). he would never partake in extensive manipulation that’d harm Anya emotionally (or even Damian tbh, his whole goal is to create a world where no children have to cry) but he would DEFINITELY encourage their relationship in order to eventually, somehow get to Desmond the ghoul-eyed freak

thirdly, even if this is POST-reveal, I still don’t think Loid would be unreasonable. sure, he may apprehensive due to Damian’s family and more concrete examples of Anya growing up (MAYBE bc honestly I think Loid would be ecstatic with every milestone in Anya’s life considering how genuinely supportive and proud of her that he is) BUT. but

he, again, not only wants to create a world where no children have to cry, so he clearly values the youth and their quality of life, but ALSO KNOWS abt how shitty Damian’s father is. personally, I think he’d be GLAD that Damian has a safe place to come to, with ppl who’ll support him (unconsciously, bc Loid is very oblivious to his own emotions lmao)

anyways, tldr; the “Loid being super hostile to Damian dating Anya” trope is tired and sucks and we should move onto appreciating a trope that honours the CORE of sxf, more found family, where Damian joins the Forgers, even before he and Anya potentially marry (even before they date if possible tbh)

[honeyspotpie]

This is so random and I'm unsure if it was acknowledged on here before but... We all know Paeden is named after the irl Patreon member Paeden Bennetts and that they supported the Patreon pretty regularly so they also suggested an item in s1e11.5 and Anthony (as Shinji) credited them and added the jokey throwaway line "Oh it's just a really common name here in the Forgotten Realms" what CAN imply that Paeden Bennetts can be viewed as a sort of "placeholder" name in Faerun in the vain of John Doe (or a common white guy name with no deep meaning like Joe McDonald or something lol) so when Barry and Willy created Paeden (aka the body for Frank) they gave him the most cookie-cutter, run of the mill name to not give him the privilege of an identity after rejecting them and their deal. It was definitely unintentional bc this probably happened before they decided on the homunculus twist BUT EXTREMELY COOL NONETHELESS THINGS REALLY WORKED OUT IN THEIR FAVOR^^ nicely adds another layer to his character imo

[dovesick]

mothman in the glittering night