#more like ranting lol

[alitgblog]

ok so i haven't played the new episodes but based on what I've seen on social media:

FUSEBOX why don't you understand half of the fun of stick or twist is the fallout and the drama that comes with people facing the consequences of their actions? why dump the all the girls so fast???

part of it is just a lazy writing/coding thing for sure bc clearly they want to center it around MC so its just easier to cut out everyone irrelevant. and like I understand other people were upset s2 that you had to deal with drama that wasn't yours but I wouldn't mind having my MC listen in on gossip that like Estelle has had a change of heart in casa and now wants to fight Uma for Alex and then MC would advise Uma what to do. or SOMETHING.

they clearly understand the first half of why casa amor is fun, because the first three volumes were interesting and even the casa episodes last season were mostly exciting building up to an awful recoupling ceremony but like yikes to drop the ball again??

[marsipain]

Norwegian Mikus :)

Left is Miku as a russ and right is Miku in a bunad!

[hajihiko]

💕

[ashes-in-a-jar]

I haven't thought much about Jonathan Sims for long enough that I kinda feel like I've started thinking about him a little more divorced of the emotional attachment I might have had once. Because I just saw a post lamenting his slow descent into inhumanity and losing his identity, becoming the archivist rather than Jonathan Sims, losing his friends, his house, everything he loves.

But is that true? That put upon head archivist persona he had in the beginning, was that really him? The way I see it, real life has already leached him of any identity he might have had, he didn't really have friends, Tim and Sasha clearly weren't, as we saw in their season 5 recording. He chose to make them his subordinates over beib friends, pushed away Georgie, he became so desperate for approval that he agreed to take a job he clearly has no idea how to do, let his stress over it isolate him from everyone around him, had a desperate need to assert himself in the beginning of every recording as 'head archivist of the Magnus institute london'. Forget about even having a home, he often slept in his office for heaven's sake.

The way I see it, this story is about him finding himself, finding the perfect place for himself in this already doomed world that was already strangling him and everyone around him. He became the Archivist, no longer needing to connect himself to some godforsaken capitalistic institute to identify himself. found his role, he enjoyed its power, even admitted to it. He found love. He found purpose in trying to save the world. In the end he was surrounded with the friends he made along the way (as friendly as they could be under the circumstances). He was finally allowed to make real choices, have true responsibility over himself and not be some tired corporate worker, part of a tired pointless system. Sure his choices weren't that great, and getting there was through outside manipulation and his own ignorance and he had to suffer immensely and pay an awful price of what we like to call his "humanity" but he Became and found what we all look for - his calling.

"It's still me" he says in the last episode. Because he is. He lost nothing and gained everything. Even dying in his lover's arms.

Forget about being human. In the end Jon achieves apotheosis and truly becomes Jonathan Sims

[nonbinary-vents]

This has been an absolutely horrible couple weeks for the Jewish and Israeli community, so I want to throw in at least a tiny bit of hope in here. Amina Hassouna, the Bedouin girl who was severely hurt in Iran’s missile attacks, has been recovering well and seems to be in good condition! She is described as being ‘fully conscious’ and ‘communicating and smiling’. Two bomb shelters have been placed in Al-Fura, the town that she and her family are from, as well.

[xx-sketchy-xx]

*grumble grumble* my photos are being annoying

LOOK AT THE COOL DUDES, I feel like Jax would try and make Wally commit as many crimes as possible with his eye eating powers

[lilianade-comics]

I know most fans have a positive opinion of this episode, and that's totally fine, but D-Stabilized is a TERRIBLE sequel to Kindred Spirits and it raises my blood pressure an unhealthy degree just thinking about it. (Valerie obviously excluded from my ire), It's the dullest thematic follow up possible. It does nothing with the halfas narratively that KS didn't already do and just repeats character beats while simultaneously making them worse, it doubles down on Dani's victim status with the high cost of the most egregious character assassination Vlad ever suffered and whatever characterization SHE could have had if the writers weren't hellbent on making the worst possible decisions with them, it deus ex machina-ed away Dani's destabilization which wasn't earned & felt pointless because it's not like they were going to keep her around at the end, AND it had the sheer gall, the unmitigated AUDACITY to be Valerie's ONLY season 3 appearance.

[birbykirb]

The girls, my wives

I’ve been reading too many fics about these two, atp Ik more about them from ao3 than the damn comics. I rlly like the dynamics ppl give the two esp when prowls made out to be more cold/calculated, and Jazz super competent despite acting aloof sometimes

That being said if anyone has any rlly good recs totally give me a linkkk 😋

I have some messier doodles of the two, like notes on how I hc doorwings to work with his tac net shit and my hcs of their full designs, but I’ll probably refine those before I post them lol

[formerprincewille]

Something that really sets Wille and Simon apart from other queer ships is that when we say their love language is physical touch, IT REALLY IS PHYSICAL TOUCH. And I’m not speaking of just sex. Over the course of the show, the amount of touching between them is astronomical. And that’s really something rarely seen in queer media. There may be moments here or there, but often times there’s a lack of physical contact unless it’s for “the plot”. Wille and Simon feel like a real couple in the way they’re always physically reaching out for each other.

[ganondoodle]

got this reblog on one of my posts were i talked about being anxious about the future of the zelda series after totk and-

i even went back and unblocked them just to check my own post and check twice what they meant exactly- but i still dont know how they got to these conclusions

i never said i 'want a good uwu ganondorf' (bc that would mean hes aligned with hyrule bc thats how goodness works!!!!11!1!!!), i also dont think of any of the zeldas as 'whores' (seriously, where did that come from?? neither me nor the addition of someone agreeing with me said anything like that??? did they think bc the addition called tloz misogynistic means we think zelda is a whore????? huh???)

its also funny how they say they want zelda to stay a simple fairytale rather than have 'people like me' bc .. one point i talked about in the og post was how the evil arab thing VS good white people media likes to do so much is so normalized here that its simply seen as a simple harmless fairytale trope instead of a big underlying issue in general media and the writers might not even realize it (which is worse) bc the most 'generic' appeal is to people who dont think of it as a problem in the first place, because it is so normalized

(huh, i wonder about what kind of person that part was about .. hmmmm)

(ALSO funny they mention princess hilda as nuanced villain ... like ... wow they are so nuanced about purple haired people!!- like guess why we want a nuanced/less badly/less flat written ganondorf and what he, in particular, has not in common with other villains! its not his hair color! .... or was that point supposed to mean .. look we have one female character that is a villain, its not misogynistic! idk honestly)

(and the classic, "you just call it this/dont like it bc its not what you wanted !!!!!!!2!"1!112!!")

also funny how its 'never gonna be progressive enough' like asking for the franchise to maybe put a little more thought and nuance into their white divine right vs evil desert man simulator instead of making it worse is already asking too much

(i dont know what the last point has to do with anything??)

(also yes totk is racist, like most if not all of the franchise and a alot of other media as well, shocker- you can still like it though, i and plenty of other people are still fans of it, we just wish they did a little more with their stuff and maybe not make the racism problem WORSE)

(also yes the hyrule monarchy is also evil :))) )

(and also not so secretly so either :)) )

[poetglasses]

In Defense of Jacks in ACFTL

I do have spoilers, so this is your warning not to venture further if you haven't finished reading.

First off, I love how the story was told and how it ended. Could we have gotten more of the other characters? Yes. Did we really need to? Maybe, but I certainly didn't mind the absence. I didn't think we needed to address every character that we've met. We saw Castor and Lala, and I was happy about it, but I was strictly here for Evajacks story, and that's what I got.

I think Eva and Jacks had character development in this novel.

Eva isn't as trusting and hopeful as she was in the previous two books, and I was happy about it! Girl was getting murder attempted on her, and her husband is a narcissistic, manipulative psychopath. The only people she could trust were 1) being kept away from her or 2) avoiding her because they thought they were doing the best thing for her if they did so *cough* jacks

Jacks watched the girl he loved die! He blamed himself for what happened to Eva, and then continued staying away because he felt guilty and thought he was keeping her safe in doing so. He didn't know Apollo took Eva's memories away. He was too busy making sure Castor didn't go within 10 feet of Eva because Castor did attack Jacks after he went back in time to save her! He was still around Eva, he was just hiding in the shadows or out in the balcony peering through the windows. He genuinely thought Apollo was the better choice for Eva because at least Apollo hadn't done anything to her (as far as he knew).

Jacks apologized to her under the phoenix tree, saying that when he went back in time, he thought the stones would have taken something from him, not Eva, or are we all ignoring that because of that beautiful love confession Eva gave? He wanted our girl to live! When Eva met Castor in the Cursed Forest, Jacks literally put a knife through his best friend's chest in fear of having a repeat of the first timeline! Castor wasn't even doing anything, he was just trying to have a conversation with her.

Jacks was the tortured lover we all knew him to be. He wasn't Jacks, Prince of Hearts, with a trail of deadly kisses in search of true love in this novel. He was Jacks of the Hollow, a man who loved his girl so much he wanted her to live instead of dying at his kiss. We all know how badly Eva wanted to kiss him, and we all know Jacks can hear her thoughts. Can we blame him for staying away? He literally said that if she died again, he could not bring her back. The idea of that was terrifying to him. He already used the stones, and going to Honora would have the possibility of turning her into a vampire, maybe worse.

Jacks felt different in this novel because he finally admitted how much he loves Eva. We've seen him do so many things for her throughout the series. Was he holding back in the other two books? I'd argue not really, but he certainly wasn't going to let her be with him. He didn't want to admit he was in love with her. Dude literally held her like a grudge in the first novel, a secret in the second novel, and then a promise in the third. The hints were there for us. He would literally do anything for her. He just didn't want to admit to himself he loved her because if he allowed himself to there was the possibility that she could die.

Does Eva die in this book? No, thank god. But don't act like you read their kiss scene and didn't fucking break a little when Jacks went "No! Not again".

[s-p-r-i-n-g-t-i-m-e]

mayhaps this is a hot take but I truly dislike “Loid gets murderous and overprotective of Anya dating Damian” content

like. there are sm reasons I dislike it

first off, just fundamentally, I hate that trope. I think parents being protective of children in general is cute, and even maybe protective against their partners to an extent, but it rlly feeds into the Western (esp American) notion of parents owning their children. it gets even grosser when it’s the dad and his daughter, it’s just a branch of ‘women and their purity having to be guarded until they’re properly married’ sexism

secondly, if this is pre-reveal (either Damian comes over/talks to Anya in front of Loid and it’s p obvious he has a crush, so Loid, of course, course notices, OR somehow, post-canon yet not revealed, they get together), Loid would absolutely use that to advance Operation Strix lol

obviously Loid is NOT a bad or uncaring father, he is absolutely not that, BUT he does also very vehemently care about achieving world peace thru his spy work, AND ANYA UNDERSTANDS AND EVEN AGREES WITH THIS (to the highest extent she can as a child, at least). he would never partake in extensive manipulation that’d harm Anya emotionally (or even Damian tbh, his whole goal is to create a world where no children have to cry) but he would DEFINITELY encourage their relationship in order to eventually, somehow get to Desmond the ghoul-eyed freak

thirdly, even if this is POST-reveal, I still don’t think Loid would be unreasonable. sure, he may apprehensive due to Damian’s family and more concrete examples of Anya growing up (MAYBE bc honestly I think Loid would be ecstatic with every milestone in Anya’s life considering how genuinely supportive and proud of her that he is) BUT. but

he, again, not only wants to create a world where no children have to cry, so he clearly values the youth and their quality of life, but ALSO KNOWS abt how shitty Damian’s father is. personally, I think he’d be GLAD that Damian has a safe place to come to, with ppl who’ll support him (unconsciously, bc Loid is very oblivious to his own emotions lmao)

anyways, tldr; the “Loid being super hostile to Damian dating Anya” trope is tired and sucks and we should move onto appreciating a trope that honours the CORE of sxf, more found family, where Damian joins the Forgers, even before he and Anya potentially marry (even before they date if possible tbh)

[honeyspotpie]

This is so random and I'm unsure if it was acknowledged on here before but... We all know Paeden is named after the irl Patreon member Paeden Bennetts and that they supported the Patreon pretty regularly so they also suggested an item in s1e11.5 and Anthony (as Shinji) credited them and added the jokey throwaway line "Oh it's just a really common name here in the Forgotten Realms" what CAN imply that Paeden Bennetts can be viewed as a sort of "placeholder" name in Faerun in the vain of John Doe (or a common white guy name with no deep meaning like Joe McDonald or something lol) so when Barry and Willy created Paeden (aka the body for Frank) they gave him the most cookie-cutter, run of the mill name to not give him the privilege of an identity after rejecting them and their deal. It was definitely unintentional bc this probably happened before they decided on the homunculus twist BUT EXTREMELY COOL NONETHELESS THINGS REALLY WORKED OUT IN THEIR FAVOR^^ nicely adds another layer to his character imo

[dovesick]

mothman in the glittering night

[williamvapespeare]

oops i wrote a Payneland first kiss ft. the aftermath of a probably horrible case, Charles being a little bit hysterical, and Edwin being a gentle little bitch Charles is happy to see him. He really, really is. He’s so chuffed it feels like his whole body is fizzing with energy and his head is pounding with something that might be pain or might be relief. And his grip on Edwin’s shoulders is only half meant to keep himself upright. It’s also because Edwin is properly, actually here in front of him, as solid as anything gets beneath Charles’ fingers these days. 

He doesn’t think he’s stopped grinning since Edwin hauled him upright. 

“Edwin,” he says, and can’t quite piece together anything better than, “you bloody genius!” 

And then Charles surges forward and kisses him. He’s aiming for Edwin’s cheek but he’s a little giddy and his eyesight is still a bit blurry and he ends up with his lips pressed to the corner of Edwin’s mouth. 

He feels more than he sees when Edwin startles at the contact, but doesn’t think he has it in him right now to pull back for a talk or a scolding or, god forbid, a lecture on impetuous behaviour. So, he tightens his hands around Edwin’s shoulders and tugs him in a little ways, until their foreheads are pressed together. Edwin blinks a few times and Charles feels his eyelashes flutter against his own cheek. 

“You did it!”. He can hardly believe the words as he speaks them and he keeps kind of laughing in little bursts of uncontrollable giggles. “I thought I was going to - that you were - I can’t even really -” 

Edwin, who has been relaxing against him by careful degrees, finally jolts into action and brings an arm up around Charles’ shoulders. 

“It’s alright,” he says, which Charles thinks is pretty thick for someone as smart as Edwin because of course he’s alright! Edwin just single-handedly swooped in and saved the day and dredged Charles up from the bottom of a literal and metaphorical hole and now he’s got his arm around Charles, close enough that each of his unnecessary breaths stirs the curls around Charles’ ear. He’s a lot fucking more than alright. 

Edwin’s hand starts to rub little circles between his shoulder blades. It feels nice.

“Mate,” he tries again. “You are…” but he doesn’t quite know what Edwin is other than the most important person in the world and, anyway, he can’t finish the sentence because Edwin cuts him off in a tone that Charles still thinks is far too serious for the situation. 

“Charles, you seem a touch, well.” A slight pause. “For lack of a better word, hysterical.” 

Is he hysterical? Charles doesn’t think so, but then again he’s never been great at thinking things through properly at the best of times. 

“Also, I must ask.” Charles’s eyes are only centimeters away from Edwin’s, and he watches Edwin squeeze his close. Eyelashes flutter together. “Did you mean to kiss me?”  

Charles blinks once.

“Uh,” he says. “Yeah, mate.” 

The hand on his back tightens, fingers gripping the fabric of his polo and that feels pretty good too, like Edwin is clinging to him with all the same desperation swirling up inside Charles. Like maybe he’s something solid even when he feels as insubstantial as ghosts can get. 

“Well,” Edwin says, finally, with a posh little sniff like he’s right fucking pleased with himself. “That is good to know.” 

Charles collapses against him, eventually, when he finally starts breathing steadier and the heavy weight of exhaustion settles over his shoulders. When the giddy adrenaline leaves him feeling a little more cracked open than he’d like. Edwin just gathers him close with the same possessive gesture as his hand. 

There’s a soft brush of lips against his temple. He smiles into the collar of Edwin’s coat and lets himself drift, warm and soft and held together

[maerhiya]

in regards to the constant dismissal of his aroace identity, i hate it when alastor 'fans' say and use the excuse: "he's fictional, he won't get offended."

like, you're right, but it can and will offend us.

when you see yourself being represented on screen, of course you'd feel enthusiastic about it — representation allows individuals to see themselves reflected in the media they consume, validating their identities and experiences. but when so many people take that representation and decide to disregard and discard it, it is so fucking frustrating. we finally have another character to be part of the tiny amount of representation we have, but then people don't even care about how much it means to us? like yeah, alastor won't get offended because he's not real, but it frustrates and annoys us. do you realize that it's also technically invalidating the aroace community? that you're invalidating our feelings? imagine feeling like you're finally being seen because your orientation is finally being represented in media, and people just decide to blatantly ignore, discard, and invalidate it.

media has such a powerful influence on real life, representation being a prevalent factor of it. there are numerous posts that dictate how people went to watch a movie/show or read a book just because a character depicts their identity in it — obviously, being represented is an incredibly uplifting and validating experience.

which is why seeing an aroace character in a popular show is so meaningful to us because we live in a world where romance and sex are literally everywhere and prioritized above all else. (and it's pretty obvious that alastor's on the repulsed end of the spectrum, but even if he wasn't, at least make an effort to acknowledge his sexuality instead of continuing to portray him as allo; aroace folks can be in relationships but it's not going to be the same thing with allos' experiences.)

any and every representation matters, but why does that seem to stop at people under the aroace spectrum? like y'all can't even let us appreciate the scraps of representation we have. we barely have any, so are we really that dramatic for being upset at how people easily disregard and dismiss our identities that are being depicted on screen just like that? is it truly wrong of us to want to defend and maintain the little representation we have?