#more hat variety!!!
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mssoapart · 3 months ago
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Genderswap of 2023 cast with a little bit of redesign
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cloudcastor · 4 months ago
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icarus
this’ll be a print for upcoming cons >:)
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astral-schools · 1 year ago
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proper ref now that orion finally has a permanent fit :] some fun facts below the cut
he's ambidexterous!
while Millie is the pet he brings to fights and such, he also has a whole collection of pet octopuses who stay at home
no seriously there's zero relation to grandmother raven, his wings were a gift from artemis. he needs to spend time around stars to be able to fly-- if he spends too long indoors/underground or in a world with permanent cloud cover they're basically useless
his freckles glow :]
sometimes he does artemis's job when she's busy with beastmoon, and uses his brush to paint the night sky
in terms of biological age, he's the oldest of my wizards! technically not immortal but he does age MUCH slower than the average human.
he keeps his hood/mask down most of the time, only putting it up when he's going to be flying for a long time. it gets cold up there!
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lunarharp · 1 year ago
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hi
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hattiestgal · 8 months ago
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top 5... types of fox
EASY
1. Arctic Fox
2. Bat Earred Fox
3. Tibetan Sand Fox
4. Silver Red Fox
5. FENNEC BAYBEEEE
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fishymedic · 15 days ago
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I'm being emotional about Steb & the bridge to Zaun again
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butteredfrogs · 1 year ago
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*clears throat* WE NEED MORE FROG THEMED ACCESSORIES IN THE SIMS 4.
thank you for coming to my ted talk
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blujayonthewing · 7 months ago
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I spend a lot of time trying to figure out the best way to diffuse direct sunlight on a sketchbook for a guy who never even actually does any outdoor sketching anymore
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baylardo · 2 years ago
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thankful for the weird friendship nourishment in this book 🛐🛐🛐🛐 something the beyer books substantially Lacked
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tpwrtrmnky · 5 months ago
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hindsight
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[ID: A two-panel comic with crudely drawn stick figures.
Panel 1: The lime green person is talking to the leaf green person and the moss green person.
Lime: "I... have a confession to make."
Leaf: "Go ahead."
Lime: "I want to rewatch the Wizard Child movies."
Leaf: "Didn't the wizard author get incredibly chromophobic?"
Lime: "Yeah I just... It's nostalgia you know? They meant a lot to me when I was a kid."
Panel 2: The three are on the couch.
Lime: "All right, let's go."
Leaf: "It's so weird how the wizard author just turned chromophobic though. Like I remember this series being pretty good for its time. It'll be weird seeing their work contrasting with their views now."
Moss: "I'm just glad we got the movies for free through normal and legal means. Heh."
End ID.]
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[ID 2: Scenes from three Wizard Child movies.
Wizard Child and the Simplistic Morality: A slightly round child with a propeller hat is talking to a child with no hat.
Round child: "I am so fucking fat and greedy I am textually shown to be fat because I am greedy and also evil."
Hatless child: "You are to infer my moral purity from juxtaposition with this fat child. Woe is me for our shared parent has deprived me of a propeller hat."
Wizard Child and the Goodness of Wealth: An adult wizard is talking to the child, who now has a wizard hat.
Wizard Adult: "Wizard child you are secretly extremely rich."
Wizard Child: "I will form biases regarding the bankers all being triangular for some reason!"
Wizard Adult: "Your wealth is deserved because your true parent was Good and therefore you are also Good."
Wizard Child: "Now we should acquire consumer goods. Buy consumer goods!"
Wizard Child and the Dark Family History: A blue-grey horse person is talking to the wizard child.
Blue-grey: "No, wizard child. You don't understand. I am one of the good ones, because unlike the bad ones I don't try to spread my curse that makes you a blue-grey horselike creature to others!"
Wizard child: "Wow uncle blue-grey you are one of the good ones! I forgive you for being a horse because I am so good I would even forgive horses. I sure hope you don't conspicuously get killed off later in this movie!"
End ID 2.]
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[ID 3: Oh hell no there are even more of these.
Wizard Youth and the Tokenistic Relationship Dynamics: A square headed wizard youth is talking to the former wizard child, now a wizard youth.
Square Wizard Youth: "Wizard child, as the only person with a square head in this entire series it is my duty to inform you that you are the savior of all people with square heads, too. Let us build a one-sided relationship that only furthers your character development, after which I will immediately lose all plot relevance."
Wizard Youth: "I will do this because I am a maturing wizard youth and need disposable relationships that don't threaten the endgame!"
Wizard Youth and the Escalation of Stakes: The Dark Wizard, a sort of grey-green person with a cloak, is pointing at Wizard Youth.
Dark Wizard: "Wizard Youth, I have returned!"
Wizard Youth: "Dark Wizard! Why are you green now?"
Dark Wizard: "Evil magic made me green! I am green with envy towards all who are good!"
Wizard Youth: "I will not engage with how you are clearly based on fascist ideologies and yet this narrative plays into fascist aesthetic sensibilities!"
Wizard Youth and the Post-Hoc Revelations: The Wizard Youth is leaning over their Wizard Mentor, who is laying in a pool of blood.
Wizard Youth: "Wizard Mentor no! You can't die!"
Wizard Mentor: "It is fine, wizard youth. My death will further your character development into a wizard adult. Also, I was secretly a very very dark purple this entire time. I never brought it up so I could retain narrative approval.
End ID 3.]
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[ID 4: Wizard Adult and the Overdue Conclusion. Three panels. I am sorry.
Panel 1: The dark wizard is dueling the Wizard Adult with magic beams.
Dark Wizard: "Evil green beam!"
Wizard Adult: "Good red beam! Despite the enormous variety of magic in this series this is what our final battle looks like!"
Panel 2: Wizard Adult stands victorious over the dark wizard, who is dying on the ground.
Wizard Adult: "In the end, dark wizard, you were defeated because I am morally superior to you."
Dark Wizard: "I was a product of systemic failures. There will be someone like me again someday!"
Panel 3: Zoom in on wizard adult, who says:
"Not if I can help it. Because I am going to be a wizard cop now. The moral of this story is that all systemic issues can be solved by finding a bad guy to beat."
End ID 4.]
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[ID 5: Four panels.
Panel 1: Return to the green trio on their couch, watching the TV say "The End." All are are silent.
Panel 2: They are sitting on the couch. Moss is looking at their phone.
Lime: "Yeah so there were maybe a few signs we missed because we were children."
Leaf: "Yeah. A few. Some."
Panel 3: Continue conversation.
Lime: "So what did you think, Moss?"
Panel 4: Zoom in on Moss, who says: "I've been zoned out on my phone since the second movie. They lost me at the magic stuff. Wizards aren't real."
End ID 5.]
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ratspider · 10 months ago
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i hate that thing i do where i prioritize drawing/painting/sculpture above like every other form of art. like if i fill a sketchbook that's more of an accomplishment than this cool hat i made. maybe the equivalent to that is crafting an entire outfit down to making the pattern myself. or filling a box with Stuff I Sewed. idk, i think drawing is just valued so so so much online and i watch all those sketchbook tours and i'm like Wow! these people are so motivated and these sketchbooks are so cool and filled with personality and just. so dense with creativity and I Wish I Could Do That but i already do. i just don't do the 'one sketchbook a month' thing. i have The Yearning but not the drive to draw that much and i need to just value what i'm already doing that's easy for me to do right now.
#i (and i think a lot of other people) are definitely not meant to stick to one thing their entire lives#and ESPECIALLY not one artistic style. it PISSES me off when kids are like 'how do i Find My Art Style??'#it's like. when you find a label and you try to fit yourself into that label instead of doing self exploration and finding a label that fit#YOU. or just doing away with labels entirely#it doesn't piss me off in a Kids These Days kinda way but in a Don't You Know It's A Trap kinda way#humans crave variety!! fuck#dude you don't have to stick to one thing forever. branch out!! hold my hand. come with me. i will show you#sketchbook tutorials are so. inspirational to me. like they make me feel good. it feels good to look at peoples' art and it's a bonus#that it's such a personal thing they're sharing. but they're all the same and they also make me feel endlessly hopelss#so i avoid them like the plague. i think my problem is that i hate art school and being told what to do with my art#guidance with a specific thing you're working on is one thing but so much of it is like 'you need to develop these skills to do art good'#and like. you really don't. if that's boring and you hate it and it makes you wanna die then don't do it#fuck around with ms paint and 'perfect your craft' on there and like#find people who like your art and whose are you like and collaborate because community is a part of it also#make a quilt. follow a pattern. make your own fucked up pattern and then realize there's an easier way to make a pattern#do. mud sculptures. buy some dollar store clay.#don't spend more than you have to on art supplies. use a mouse to draw for goodness sake it's so freeing#i'm mad about nothing if you couldn't tell. i'm very sleepy and i want to make art but i don't have the energy#gonna make another hat later
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scarlethyena · 1 year ago
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Men's fashion in the west has severely gone downhill since the 1700s, with the exception of the 1970s when it spiked back up in quality again.
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falconarr0w · 1 year ago
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Bought a hat for my upcoming trip yesterday & it fit without having to adjust it!!! Looks like it was meant to be 😊😊
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chromatophorium · 3 months ago
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I'm kinda glad past won, in terms of what aesthetics we're going to get from the next game. The thing that made me choose team future in the end was its potential to be turned into a cool themed outfit for my player character, cuz there really isn't that much past/historic looking gear and weapons. Okay, there's some retro stuff and a handful of things that evoke feelings of times passed, but not enough so that I could find my favorite or things that worked well together.
There is so many opportunity for fun and stylish gear, weapons and architecture with a past aesthetic!
I doubt past winning will do too much.
Marie winning probably just would have swapped marie and callie, and the story would have been the same.
Order winning would have made the idols look different and maybe take place in a different setting, but alterna and the story would have been the exact same, maybe deep cut wouldnt have been bandits but unfortunately their story presence wasnt that much in the first place. Side order would have changed the most
Nintendo has been saying splatoon 3 is the end of a story arc. i HIGHLY doubt squid sisters are going to be central to another story because past won. they're not going to be the main idols again or whatever. i think we're gonna get some nice nostalgia themed stuff or maybe traditional architecture and clothing and that's about it.
I would love a story taking place in the great turf war though
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lunarharp · 1 year ago
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i collated recent domesticcore orufrey together for no reason ^_^
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badgertracksart · 1 year ago
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Portfolio advice, from a lead who hires Concept Artists
(This was originally a twitter thread I wrote before the site self imolated, hense it's strange structure.) I wrote this after a weekend of portfolio reviews - 1. Like a maths exam, please please show your working. I want to see thumbs options, mid options and of course a final design.
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2. Arrange your portfolio, I don't want to bounce about between subject matter and pipeline. Your portfolio's narrative should be as strong as your work... 3. Please make worlds that excite the viewer, make them want to go in and explore them, explain to them the interesting parts of the town, or the way the character's hat unfolds. How will this draw the viewer in? 4. As I've said before the majority of your project work is explanatory not mood, make sure your portfolio contains explanatory work. Explained here -
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5. A lot of beautiful post apocolyptic paintings, , but 80% of realistic games and film, we just give the environment artists photo ref, they are capable artists in their own right. Different work in stylised where you do need to create rules for how things can be translated. 6. Production art contains call out sheets, material references and flat graphics. This doesn't have to be your final image, but it should support it.
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7. Design characters on a swatch(es) of the environment they will be viewed in. Not on white. I make swatch backgrounds from screenshots, it avoids assumptions that damage readability. 8. Reverse of this, put people in your environments, show me the scale.
9. It's not a deal breaker for a review, but if you intend to get a job, please show me your work on a screen larger than a smartphone (print outs probably the cheapest option with the best battery life). 10. Please have your contact details clearly visible, and by that I mean email address, I will not pass your social media contact on, I cannot input your form into my tracking system. EMAIL ADDRESS emblazoned and bake it in, sometimes recruiters do funky stuff to pdfs
11. Your portfolio will never feel done, not to you anyway. You will have learnt from your latest pieces and want to apply it to older work. But we know art is a journey. Send your portfolio anyway. I've been in the industry 10+ years and my portfolio is still not 'finished'. 12. If you are applying to an environment centric Concept Art position then please vary your times of day! Golden hour is cool but show me some happy sunny days, looming overcast days, what about at night? Vary your weather too! Sunny snowy day? Rainy Spring day? Stormy night?
13. If you are applying for a character centric Concept Art role then please ensure your portfolio shows a variety of body types and ethnicities. 14. Designing characters for games? Please show back views and feet (!) Many potfolios contain only front views. This is a problem because:
You haven't shown you are considering the design from all angles.
In many games rear view is the main view.
Stop cropping feet.
15. If you are entry / graduating and looking at Portfolios to compare content and standard of yr own work too, look at hired grad/junior artists as opposed to seniors Seniors and leads often have old or personal work in their portfolio which isnt representative of the day job. 16a. Show clearly the intended use case for your Concept Art. Mention the game type in the description. Are these player character designs for a 3rd person adventure game? Then more back views please. Bonus points for diagetic ways of showing health / equipment / role etc.
16b. Are these designs for an FPS? Then really the player view of the gun needs to sell the player style/ choices, in an FPS your weapons are almost your character. Are these world designs? What's the view distance? For an RTS your shapes need to read from above & a distance. 16c. The lack of clarification means I am judging the design in isolation, which both harms the design (you might be considering the backview of a char as the main adventure character.) Or an NPC, their waist up expressions may be important for conveying exposition and mechanics.
16d. Concept art is not separate from gameplay, great concept art serves the game team before it is a good illustration.
17. Play games. A variety of games. Think about them. IMO to be a good concept artist you need to understand the common language & references used by your peers. Also understand the principles and common language your audience are used to. FPS design rules are v.diff from RTS.
18. There are many skills that are needed in concept art, please show them. For example: Graphic design - logos, liveries, typographic use etc. VFX concepts - Abilities, Ambience, motion concepts. Architectural knowledge - How buildings are built! & more but I'm out of space :O
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