#more characters will be tagged as the story goes on
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zarvasace · 2 days ago
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Pathfinder Chain 2.0
Masterpost
In which the LU boys are interpreted as having lived their lives and adventures in Golarion, as seen in Pathfinder 2e. Post/Mid-Godsrain. Will include art (mostly for character designs) and fic (specifically Febuwhump 2025.)
For some context in case you are unaware: Pathfinder is similar to Dungeons & Dragons, in which characters have numbers and you roll dice. It is generally played with a group of people each with their own character, but here I'm giving them all the numbers and using them as a basis for fic. It is a high-magic setting built on a foundation of Tolkien-inspired fantasy.
First appearance: Jan 8, 2025
Tag: #pathfinder chain (old designs use this tag, as well)
Previous Pathfinder Chain post, with old art.
This post will update as we go. I don't have all the art done yet but plan to before February. I'm working on formulating some sort of framing device and backstories so I'm able to fill as many Febuwhump prompts with this AU as possible—and perhaps some other ideas, depending on how this goes!
My previous Pathfinder Chain was made attempting to model the existing characters in the game as closely as possible, so we saw a lot of rangers and fighters and really only the one spellcaster (two, if we're counting Shadow.) These new character sheets have a different philosophy in mind, one that attempts to put the characters in the existing Pathfinder world and mesh their stories and gods with the lore. By that logic, there are more spellcasters, and I'm attempting to exaggerate the high-magic kitchen-sink god-bothered fantasy feel with these designs and stories. I'm very happy with them so far!! I'm planning to talk about the designs here, mostly, and reveal story details in fics.
In the update from 1.0 to 2.0, some of my decisions about ancestry and class changed, but plenty stayed the same. I've actually created character sheets this time, however, so I'm very excited to talk at length about those. :) For anyone interested in learning more about my choices, asks are open, and so is 2e.aonprd.com, the free, licensed online database of Pathfinder rules. I’m using Free Archetype and they’re all level 5.
Without further ado, may I happily present my second-version Pathfinder Chain, to be updated as I complete details and show you all the art that I'm working on!—
Four
Hyrule (art complete)
Legend
Sky
Time - human changeling, feybound, warrior muse bard, chronoskimmer
Twilight (art complete)
Warriors
Wild - human duskwalker, amnesiac, dragon instinct barbarian, wandering chef
Wind
All boys have been statted, and the ones marked "(art complete)" are likely to come out sooner, as time and inspiration allows.
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creativecuteness · 1 year ago
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Just a little Fic I'm working on
This is a sneak peek for a fanfiction that I'm posting this Friday. Inspired by Island of the slaughter AU by @Evaee-ry on both Tumblr and Tiktok.
The fresh ocean breeze left a salty taste in her mouth and nostrils as the bow rocked to and fro. She stared at her reflection in the clear blue water with purpose, with the cloudless sky, orbiting sea gals, and cool breeze it was a perfect summer day. Perfect for swimming, fishing, and cold creamy treats but it wasn’t perfect to her in fact; the last thirty days couldn’t have been more stressful.
She glanced at her associate out of the corner of her eye. The sun always had a way of hitting his handsome features just right his short black hair, subtle beard, and brown eyes. He was wearing a white T-shirt with a teal green one over it, dark shoes, and brown khakis. his sorry excuse for a signature outfit.
To many Christopher McLean was the Canadian equivalent of a Hollywood icon, he has appeared in countless movies, was a host for serval radio shows, podcasts, and reality tv shows (Put a pin in for that last one) And he was handsome to boot especially when the light hits him just right. But to her it wasn’t endearing as much as it was annoying.
Dakota Natalie (Age 16) knew full well that Chris’s nice guy act was nothing more than that. His quote-on-quote acts of selflessness was just a way to paint himself as a humble chivalrous not your average celebrity kind of guy. But below the surface the countless fangirls and mutual respect were the many ways he stroked his own ego. In actuality Chris was an egomaniac, narcissistic, and overall insufferable and any brave fool who tried to call him out on it would be fired on the spot and taken to court for ludicrous charges. Only a fool would work for Chirs and sadly Dakota, their captain manning the boat, and two junior high schoolers were those fools.
She turned herself fully to get a better look at Chris as he smoked his cigarette, he truly had no care in the world and that just added to the young girl’s disgust. How could he be so nonchalant about this? Were his staff and actors just that disposable to him? Or maybe he was starting to feel an ounce of regret and couldn’t risk showing that vulnerability. Dakota liked to think it was the second option but the logical side of her knew what was going on in his twisted brain.
Chris lowed his cigarette and puffed out smoke all of which hitting the brunette square in the face making her start hacking as she fanned the air as the smoke stung her eyes and lungs.
“Ugh, yet another reason why I shouldn’t start smoking.”  She prayed; the repulsive stench wouldn’t linger on her clothes. A brown skinned girl with purple hair in a braid handed her some water which she gladly drank. Once her coughing fit ended, she gave Chis the best death glare she could muster.
“Watch were you’re blowing that stuff are you trying to kill me too.” She spat, a small part of her wanting to throw the tv host overboard.
“Hey, I gave you a warning, but you were so lost in my beauty I guess you didn’t hear me.” He remarked teasingly, even in her observation she didn’t see his lips moving once he hadn’t said anything to her, and he knew she knew that. Barely anything gets past her.
“Pfft as if.” She scuffed crossing her arms and leaning back on the railing, “I’m just seeing if you regret leaving twenty-two teenagers on a deserted island while you left to save your own hide.”
Chris’s featured softened for once letting his ego deflate as he gave his assistant an affectionate pat on the head. She had the urge to push it away but moments like this were rare and far between, so she let it slide (Just this once.)
“Look, as much as I hate admitting my wrong doings you have a point.” He sighed, taking another drag from his cigarette this time blowing in the direction of the wind (And out of her face.) “I shouldn’t have left those kids on the island with a crazy killer.” He spoke, “It’s just seeing Ezekiel’s head and severed body parts I panicked. I didn’t know what to do, what was I supposed to do?”
“Uh, bring them with you!” She snapped banging her fist on the metal railing, startling their other two helpers who were playing Go Fish using a barrel as a makeshift table, “Call authorities and let them handle the rest! But no, you had to selfishly leave giving those kids no way out and all of which could be dead thanks to you. How do we tell their parents they’ll sue you from here to Timbuktu, your reputation will be ruined, and you have yourself to blame for this McLean!” She yelled, giving him another hateful glare.
Chris had to hand it to her, just like Hearther her looks could kill, and it left him regretting waiting this long to rescue them.
A Hispanic teenager with short brown hair watched the scene unfold, he thanked his lucky stars he wasn’t chosen for the show. As Chris and Dakota argued back and forth on the morality of their situation; he eyed the purple haired girl and motioned her to invite Dakota to play with them.
She nodded in understanding not wanting this short-term alliance to be the end of them before their search even began. “Hey Dakota!” She spoke waving to her, “Why don’t you play with us? We need a third player to even the playing ground.”
Dakota thought for a moment, giving a small glance at Chris wondering if he had any final words on their conversation, but figured it’d be better to just end it now. “Fine deal me in.” She agreed, not giving the former host a second glance as she joined the two acquaintances, her expression still stormy and didn’t even make small talk. The only time she did was to ask for a card.
When you realize there's another Dakota in Total Drama and need to specify this is a completely different character and by that, I mean this is my main OC. Fully chapter will be out on ao3, fanfiction.net, and Tumblr Friday February 2nd.
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poorly-drawn-mdzs · 8 months ago
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License to Kitty.
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heymacy · 10 months ago
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IAN GALLAGHER + his journey with bipolar disorder
╰┈➤ “At times, being bipolar can be an all-consuming challenge, requiring a lot of stamina and even more courage, so if you’re living with this illness and functioning at all, it’s something to be proud of, not ashamed of." - Carrie Fisher
#happy world bipolar day to all my bp babies#(more thoughts at the end of the tags)#shameless#shamelessnet#shamelessedit#ian gallagher#cameron monaghan#*macygifs#bipolar disorder#hello pals how are we doin#i made this gif set in july of 2023 and never posted it because 1) i was terrified to share it and potentially see Bad Takes in the tags#and 2) because my hyperfixation was waning. and while both of those things are still mostly true (the fixation comes and goes)#i feel like it's really important to share as ian's bipolar storyline was not only so vital to his character it was a bit of representation#that isn't often given to the disorder and those (like myself) who live with it every single day#world bipolar day is a day where we can both celebrate ourselves and our resilience and also raise awareness of the reality of the disorder#which is both terrifying and beautiful at its core. this disease is not a death sentence or a sentence to an unfulfilled and miserable life#while there are challenges galore when it comes to balancing life with this disorder it IS possible to live a full and productive life#and i think it's really important to have representation of that in media - and while shameless dropped the ball on a LOT of storylines#over the years THIS is the one they really fucking nailed and i am incredibly grateful#i first started watching shameless while in the midst of a major depressive episode and i was later (finally) diagnosed during an extended#hypo/manic episode - this show and ian's storyline got me through so much and made me feel so seen and validated in my struggles#world bipolar day is also vincent van gogh's birthday (happy birthday buddy) who was posthumously diagnosed with bipolar disorder#and who experienced both depressive and hypo/manic episodes during his lifetime (and was regularly institutionalized)#it takes a lot of help and support to keep us going. it takes the support of our family and friends and *most* of all#it takes patience and kindness and understanding - which is so so so easy to give if you are willing to love and listen#so please. be willing. listen to our stories. be patient with us. show us love without conditions. support us in any way you can.#we are worth it#i promise#anyway. that's really all i wanted to say. happy world bipolar day to those who celebrate (me) and may all of us living with this disorder#go on to live happy fulfilling beautiful magical lives
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The world if people stopped applying their understanding of "conservatism" and "religion/christianity" through a very modern, deeply American view onto Death Note (a manga from the Early-mid 2000s which is very much set in the cultural and societal context of early-mid 2000s Japan and all that entails):
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#death note#fandom wank#i just be ramblin#listen I get it there's christian imagery#it's not bad to go over what that entails and whatnot. fun even#but beyond some potential parallels and symbols you have to understand that this is a japanese story set in japan in the early-mid 2000s#(and later an imagined 'future' from there)#you are not understanding the story if you're placing the characters on a political spectrum of beliefs based on what conservatism looks#like to you#you're superimposing your personal modern experiences and your country's societal/cultural state onto Death Note and it's characters and#calling it 'a reading'#I genuinely don't know how many more times I can endure people acting like Soichiro Yagami and Teru Mikami have the exact same set of#beliefs and religion and standards as a Southern USA republican/ultra conservative super christian#Or hell. People assuming that Light Yagami can't ever be relatable because someone like Light looks to them like a teacher's wet dream of a#perfect student who is always working hard and studying#when the truth is that while Light is the top student in Japan at one point‚ everything he is doing is within the realm of expectation for#'good' Japanese students. Not exceptional or supernatural or beyond dedicated. Good.#This is a manga where the time period and the setting and society at the time are deeply important#And you will never hope to have an understanding by forcing it to conform to what 'normal' society looks like to you#relating to character's experiences can go beyond relating and end up in territory where you're superimposing your experiences onto their#fictional reality and calling it canon#edit (because people put some good tags on this post): even though I was kind of vague about it this also goes for assuming that#christianity is the only possible religion any characters could be into#the options aren't either athiesm or christianity. there are other big religions in Japan#and in the same way Christianity colors American society and experiences even for people who have never practiced‚ so goes the way society#and people's general beliefs are influenced by Japan's major religions#the person in the tags who mentioned Shinto gets a cookie
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greatgoddyke · 22 days ago
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time to make your choice only you can be the one
#undescribed#bonk.png#ggg#great god grove#great god grove spoilers#ggg spoilers#<- bc of king n hand gesturing stuff for the au this one gets the spoiler tag#caption is a line from legend of everfree from eg movie of the same name bc its now linked to ggg for me bc of brainrot#first au stuff i dont like have anything really planned out n also dont really plan on doing anything with this beyond doodles#settled on inspekta being a horse bc i want him capochin patty n king to all be earth ponies bc of like permanent having it ingrained from#being an mlp fan as a kid that earth ponies are seen as less special bc they cant use magic or fly n that fits for story similarities#bc inspekta n capochin hating on patty for projection reasons AND inspekta's replacement anxiety n envy of king who in the au#is the only other earth pony lined up to become an alicorn (bc again being specifically an fim fan since i was a kid ingrained in with fanon#that ponies that become alicorns are almost exclusively pegasus or unicorn bc of earth ponies not having as clear of a connection to magic)#in my mind patty is the main character like the bizzyboys are also main characters but its like how the mane six are the main six but#twilight is the MAIN main character its like that n then godpoke is her sidekick (like spike ig but like mysterious stranger style <- idk#what i mean by this) she gets to be the protag bc the type of character godpoke is in the game n how im fitting them to be in the au doesnt#really work for a protag role while patty can be more readily slotted into mlp protag shes the only bizzyboy who cares about solving in the#game (as shown in hobbyhoo) n i like her so she gets to be the protag v-v inspekta is still doing the whole like shit from the game just in#a different way bc of mlp related restrictions n tone differences. the episode where luna goes to nightmare night after being freshly reform#ed walked so milldread section could run however cobigail's deal does run closer to that episode that to the game counterpart but like witho#ut cob having been banished for a thousand years theres no rift in the au bc its. mlp so sort of vague direction is related to the tree of#harmony n like maybe thats how inspekta powers up for the two parter transformation. a thought i had for a workaround for how inspekta keeps#king isolated was maybe turning king to stone n hiding her in plain sight but while that would slide in mlp (they turn a child to stone in t#he series finale apparently??) it leaves a bad taste in my mouth from the ggg angle so probably gonna do something else#art comments both inspekta n cobigail's pony names are taken from ponies i already had inspekta's comes from a different mlpied thing#n cobigail's comes from a fankid (spelled like kandi corn tho bc fankid's a rave girlie) the rest of the gods get to keep their names aside#from maybe bauhauzzo (whos role is undecided) huzzle n click clack arent ponies bc i felt it suited them more huzzle gets to be discordesc#bc i think its fun if like this versions god of chaos wasnt evil BUT that angle is used as slander against huzzle by inspekta#n click clack's a breezy bc small n bratty (we will be ignoring that breezies are mortal if i remember right bc thats not relevant)
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lauraneedstochill · 2 years ago
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My first choice (part 1/2)
summary: Aemond thinks you are way too good to be Aegon’s best friend. But you are enough for the one-eyed prince to fall in love with. pairing: Aemond Targaryen and F!Reader words: ~ 5500 warnings: friends to lovers, slow burn (with very obvious mutual pining), angst, Aegon is a sad boy (but ends up being a pretty good wingman!) author’s note: this is inspired by “Little women” and Amy March in particular. I took the liberty to rewrite some plot lines because to me Aemond is nothing like Laurie (Aegon is ;) and I hate love triangles so we are not having any of that sorry. it’s a bit of a roller coaster so I divided it into 2 parts: the first one explains Aemond’s feelings, the second one is about hers. ✨ part 2
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Part 1. How could you be so blind. Aegon knows he’s supposed to be relieved — he never wanted the crown and now that Rhaenyra is the Queen and a feast is arranged in her honor, he should be celebrating. And he may have been hitting the wine way too hard for the past couple of hours, but he can’t pretend to be happy, and he gave up trying to force a smile. It’s ridiculous that he is upset over this, and yet he can’t help but feel horribly useless. The prince drinks one cup after another until the room starts spinning and he can’t even sit straight — and then he suddenly finds himself propped against the wall, sliding under the table instead of sitting at it. Aegon catches a few judgemental glances but at this point, he couldn’t care less. There is only one person whose judgment he is afraid of — and it’s not long before he’s greeted with a displeased remark:
“When I asked you not to swoop too low, I couldn’t imagine you would literally lay on the floor.”
He looks up — and here you are, staring down at him, not even trying to cover up your disappointment. At any other time, Aegon would’ve at least tried to sober up, but today he’s disappointed in himself, too, so he doesn’t make an effort. Instead, he reaches out an arm to you with a lax smile.
“Would you like to join me?”
“I didn’t get the invitation to this pity party so I will pass,” your tone suggests you are not in the mood for jesting. “Now that you’ve succeeded in making a fool out of yourself, would you mind getting upright?”
“I think I like it here,” he retorts, shamelessly staring at the legs of the maids passing by. 
“You like wallowing in misery for all to see?” you huff. “Aegon, get up.”
He fakes a whine. “My legs gave out, I’m afraid!” 
“You would need to drink all the wine in the castle for that to happen, and I doubt you managed to do that,” you roll your eyes, taking a step toward him — but pause upon hearing a voice behind your back:
“You underestimate my brother.”
Aemond has a habit of sneaking up on people which often startles you yet right now you are too angry at Aegon to be bothered. You throw Aemond a glare over your shoulder but your eyes soften when you see the apologetic look on his face. It’s not the first time that the two of you find yourself in this situation — throughout the years you learned to work as a team: you bring Aegon back to his senses while Aemond helps to physically bring him to the nearest flat surface. You have never asked him for help — and yet he’s always there.
Aemond is about to lean down to help his brother up — you stop the one-eyed prince with your hand, your palm inches away from his chest. Anyone else would’ve thought twice before standing in his way but you don’t hesitate.
“He is perfectly capable to get up on his own,” you reject Aemond’s attempt, your eyes fixed on Aegon. “He can hold onto the wall shall he feel unable to stay on his two feet.”
There is something in your gaze that makes Aegon uncomfortable, piercing him to the bone. You are never downright mean or rude but with just a few words you can easily unmask his feigned recklessness. The prince stands up, tottering and feeling a little light-headed.
“Are you happy, now when I’m in the standing position?”
“If you cared about anyone else's feelings but your own, you wouldn’t be in this position,” you scold him while Aemond takes his brother under the arm to guide him out. Aegon tries to grab another cup of wine but you slap his hand.
“Do you ever get ashamed of yourself?” you hiss at him.
“Let me think... No, why would I?” he sounds sarcastic.
“You should be,” you whisper scream at him. “You can find nothing to do but dawdle and make a mockery of yourself!”
Aemond feels his brother shuddering at your words, and he tightens his hold on Aegon.
“Well, what else am I to do,” his voice is bitter. “Since I am not an heir and serve no purpose to the realm nor do I have any taste for duty.”
You slow your pace, and a sigh leaves your mouth.
“I feel sorry for you, Aegon, I do. I only wish you’d bear it better,” you reach out to stroke his arm but the prince bristles.
“You don’t have to feel sorry for me. Your duty is to marry, and we will see how that goes,” he mutters before he can stop himself — and regrets it the very next second when you swiftly turn to him.
“At least I would be respected if I couldn’t be loved,” your tone hushed but sharp.
Aegon stops dead in his tracks, his wide eyes meeting yours. You moved away from the crowd into the hall, and it becomes silent. And then his lower lip quivers.
“But I thought that you loved me,” Aegon whimpers, his assumed nonchalance instantly gone.
“Oh, Aegon, how much did you have to drink?” you come to his side, lending him a shoulder to cry on. While he’s aggressively sniffling, you look at Aemond and quietly mouth “How many cups?”
“Way more than usual,” he gives you a wan smile, and you groan at his answer, taking Aegon by the arm.
“Alright, you can lean on me. But don’t get handsy or I will push you down the stairs,” your remark earns a weak laugh from the older prince, and the three of you head toward his chambers.
Aegon doesn’t talk much but his mood softens and you exchange a few jokes before finally reaching his room.
“I can take it from here,” Aemond suggests but his brother eagerly protests.
“No, I want to be tucked into bed! And definitely not by you,” he sticks out his tongue, and you chuckle at his whim.
“Aemond, I can handle him.” 
The one-eyed prince shoots you a knowing glance and holds the door open for you and Aegon to walk in. You slowly move to his bed, making sure he doesn’t stumble on his way — and then, with a sudden boost of energy, the prince flops down on the fluffy blankets, letting out a satisfied moan. You hold back a giggle and wait for him to crawl under the covers.
“Should I call for the maid to help you undress?”
“No, I am way too comfortable like this,” he pulls the blanket up to his chin, and you sit on the edge of the bed.
“I am sorry for the way I behaved,” he reveals, frowning. “I did not mean to, truly.”
“Aegon, you know I’m not the one you should apologize to,” you take his hand in yours, and he squeezes it with childish eagerness. “You left Helaena all alone. And you promised me you would make an effort.”
“I know, I know,” he yawns. “I was doing better until today, I swear, you should ask her,” his speech becomes incoherent as he is already too drowsy to talk, his cheeks flushed from the wine and the heat of the blankets. As you stand up to leave, Aegon mumbles:
“I fetched you a book... the one you were looking for,” he sloppily points to his table by the window before dozing off.
There is only one book so it’s easy to find — and when you do, you can barely contain a sound of surprise: it’s the complete history of Westeros, heavy and hardcover, decorated with gilding. You glance at Aegon but he looks fast asleep so you cautiously get out of his chambers.
If you were to turn around, you would’ve noticed that he kept an eye on you with a grin on his face.
When you walk out, you see Aemond still standing there, his gaze landing on the book and then immediately on you. It takes you a minute to figure it out and then you smile at him:
“Even though I appreciate the gesture, it is hard to imagine Aegon in the library.”
“He asked me to help him find the book you wanted. I did,” the prince explains as if it isn’t that big of a deal. But to you, it is — although you think he only did it out of politeness.
“Thank you, Aemond,” you enthusiastically turn your attention to the book, flipping through the pages in awe. He watches you, feeling the warmth in his chest at the sight of your joy.
“You know that you bring out the best in him?” Aemond says in a low voice, and your heart skips a beat at his comment. You are thankful for the dim lighting that makes your heated cheeks less obvious.
“You overestimate my influence,” you say, then dither before admitting, “I’m afraid I was too hard on him today.”
“Someone has to do it,” Aemond objects, and there’s something in his tone — sincere and soft, that makes you look at him again. At this moment, away from the prying eyes and the pressure of everyone’s expectations, you can see the side of him that people rarely get acquainted with.
“I think you are doing a pretty good job, too,” you tell the prince, finding his presence ever so calming. You could never understand why would anyone call Aemond intimidating when he’s been nothing but kind to you ever since you two met. Whenever you have a chance to be alone with him, his company always brings you comfort, and that feeling is so rare, you want to chase it.
But then you remind yourself of the harsh reality, and your smile falters.
“I’m sorry you had to get involved,” you look down at the book. “I wouldn’t want to distract you.” 
“You need to elaborate on that,” Aemond says uncomprehendingly.
“I’ve heard that you were courting lady Baratheon,” you explain casually, avoiding his gaze.
He hesitates before answering.
“Well, I only plan to,” the prince clarifies. “If she accepts my advances.”
“It would be silly of her not to,” you blurt out and, while you can’t see it, Aemond gives you a quizzical look.
“She may have her reasons —” 
“I can’t come up with a single one,” you tell him with so much confidence, Aemond’s heart flutters at your words but you continue without a second thought. “You are intelligent, good-hearted, handsome — and a really skilled swordsman. Not to mention you have the biggest dragon in the realm, which does sound like a reasonable perk.”
The prince is glad that you’re too preoccupied with the book to see his stunned expression. It’s not just the fact that you compliment him so easily — but also the way you do it. When other people try to, they usually start with Vhagar as if the old grumpy creature is the main good thing about Aemond. But you only bring up the dragon at the very end and in passing, instead keeping the focus on the prince. He is silent for a moment, letting your words sink into his memory.
And then Aemond persuades himself that you only said it out of politeness.
You notice his lack of response — and you are about to question it when a maid comes to you in haste:
“Lady Y/N, your presence is needed. Your father is looking for you.”
“Better not keep him waiting,” the prince encourages you with a grin. “If he finds Aegon, he might hug him to death.”
You playfully elbow him and turn to follow the maid but then stop to say. “Please make sure your brother stays in bed.”
“Will do,” Aemond looks at you walking away, clutching the book to your chest as if it's the most precious thing in the world.
To this day, it is truly a mystery to him how Aegon managed to befriend someone like you. You met the Targaryen brothers when your family was invited to one of the royal feasts. You were ten-and-three, the middle one of three sisters. Your oldest — Elaesa — has been the center of attention, beautiful and graceful, but while everyone’s eyes were on her, you looked a little bit disoriented. It was the first feast that you’ve attended, and maybe you got too agitated or overwhelmed — or both — but soon you ended up lost in the castle, and somehow ripped the hem of your dress in the process.
Aemond was the one to find you. The prince has never been keen on taking part in celebrations, often sneaking away from all the noise. That’s when he saw you — fussing with the dress, your sobs echoing through the hall.
“Are you hurt?” he rushed to your side, and you looked up at him with blubbered eyes.
“Why do you have so many halls? You should hand out maps so people can find their way back,” despite being clearly upset, you sounded unusually serious, and Aemond fought back a smile.
“I can help you find your parents without a map,” he suggested, and for a second it seemed to lighten your mood but then your pout worsened.
“I cannot go back,” you gestured at the dress. “I am in such trouble!” you whined, the tears threatening to spill out of your eyes. 
Truth be told, Aemond didn’t have much experience with ladies back then nor did he know a thing about dresses but your distress seemed so genuine he couldn’t leave you be.
“It is not that bad,” he pointed at the ripped material. “I can ask our seamstress to take a look.”
You studied his face for a second, then glanced back at the dress — surprisingly, that was all it took for you to stop crying, and no other coaxing was needed. You wiped your nose and fixed your hairdo, smoothing the damaged hem the best you could.
“I’d appreciate it if you help me find my way back,” you said, your face seemingly more relaxed.
Getting you to talk was pretty easy, and Aemond shortly discovered how open-minded and outspoken you were, using your quick thinking to compensate for your timid personality. When you returned to the hall of the Iron Throne, he was reluctant to let you go but promised to come back with the seamstress. The task only took him about ten minutes, but when he did reappear, you were not alone — Aegon was standing next to you, making you laugh so hard, it looked like you forgot about the dress already. Aemond didn’t mean to interrupt as he suddenly felt very out of place, uninvited in his own home, so he abandoned the idea of helping you and just left.
At first, he thought you fell for Aegon’s flirtatious charms but soon learned that, as much as you did like his brother’s humor, his charms had no effect on you. On the contrary, you often chided him for hitting on young girls and openly condemned his affection for wine. Your honesty set you apart from all the ladies Aegon was surrounded with — and that was the reason he came to enjoy your company as much as he did. Despite the three years age gap, you were the one who told him the truth, no matter how ugly it might’ve been, but you did so without prejudice or any ill intentions. You would usually follow your critique with advice or a solution of some sort to keep the prince away from unnecessary trouble. That is why you were on friendly terms with Helaena, too, and your influence was also welcomed by Alicent, the then Queen. She liked that you were straightforward with your remarks and often said that you were wise beyond your years. Although, as much as Aemond agreed with it, he suspected there was a reason you had to grow up early.
It happened the same year you met — your older sister, with all her grace and beauty, ran away from home to elope with some unworthy beggar. Your mother was inconsolable for at least a week, saying that Elaesa brought shame upon her family. Your father, the kind man that he is, forgave his daughter fairly quickly and tried his best to restore peace. And yet, you came to realize that Elaesa’s vagary did cast a shadow over your House. Your youngest sister, Alyna, was a fragile little thing, frequently sick and tacit — which left you to be the one representing your family in the eyes of society.
Within a few years, there wasn’t a thing you weren’t good at: lords lined up to have a dance with you, ladies admired how well-spoken you were and shared a laugh at your florid sarcasm, and you learned to embroider, to ride a horse, to walk exquisitely dressed and with impeccable posture. But while for everyone else it was a reason to compliment you, Aemond saw the underlying cause of your diligence — the corrosive desire to prove one’s worth which was something he learned to live with as well. And which led him to think he understood you better than anyone.
More often than not he found himself watching you as if he had the need to make sure you weren’t in harm’s way. Helping you with Aegon was a part of that routine but it also gave him a chance to be alone with you. You talked about everything and nothing in particular, and he would catch glimpses of you — the real you, shy and emotional at times, but still understanding and perceptive. He cherished every opportunity to steal you away from the never-ending chattering, from lords ogling at you, from Jason Lannister whose interest in your company should’ve been concerning. Aemond has gotten so used to observing you, so enthralled with your covert conversations, he didn’t realize that a particular feeling was creeping up on him. But there was one person who turned out to be more observant than Aemond has been. Aegon was the mere reason why his brother ended up at your door a few days later. Aemond’s been to your place a couple of times and he promptly memorized the way to the farthest room of the house — the one you used to paint in. It was the only thing you truly allowed yourself to enjoy, an unexpected talent of yours which you soon perfected, too, except it wasn’t meant for the others to marvel at but plainly for you to keep your head occupied, to have some quiet time.
He walks in when you are already painting the finishing touches. When you turn to greet him, you stop mid-sentence, seeing that it’s Aemond instead of his brother who you were waiting for.
“He overslept,” the younger prince shrugs. “It isn’t a bothersome task to come pick up the portrait of my nephews.”
You point in the direction of the painting with the brush in your hand. Aemond admires your work — as he always does — while you try to shake off your confusion. There is another reason you did not expect to see Aemond today. You tarry with voicing your concern but eventually glance at him with empathy.
“I was sorry to hear about lady Baratheon’s decision.”
“I was not,” he’s quick to retort.
“I cannot imagine agreeing to marry a Stark,” you say, dipping a brush in a jar of water.
“Is it the cold weather?” Aemond grins knowingly.
“Yes! Gods, just thinking about it makes me feel uneasy. All the layers you have to wear to keep yourself warm, barely being able to move, getting no sunlight...,” you ramble, making sure to wet all the brushes before lining them up on the table.
“Some say they’ve got quite a beautiful scenery,” Aemond tries to object although he knows his argument doesn’t stand a chance.
“I wouldn’t be able to enjoy that,” you huff. “How am I to capture the beauty if my paint freezes?”
He only hums in agreement, watching you busy yourself with your supplies. You go through the brushes, delicately cleaning the bristles with a cloth. Your fingers carefully take one brush after the other, and Aemond silently admires your love for neatness and order.
“You are staring,” you say without turning to him.
“Where do you want me to look at?”
“Aemond, you are in a room full of art!” you chuckle lightly. “Surely, enough options to land your eye on.”
The prince lets his gaze go around the place, and it takes him about a minute to quickly examine all the paintings. And then he inevitably looks at you again. Aemond thinks he likes this view the most.
“When do you begin your next great work of art?” he asks, hoping to distract you. 
You halt movement, then force out glumly:
“Never.”
“What do you mean?” he’s taken by surprise.
“I’ve come to realize that I’d never be a genius,” you reluctantly explain. “So I’m giving up all my foolish artistic hopes.”
“You cannot be serious. You have so much talent and —”
“Talent isn’t genius!” you throw up your hands in defeat, and he can sense your frustration from a distance. “I may be talented in other things, but when it comes to painting, I want to be great or nothing. And I am only of middling talent,” you scoop up the brushes, give them a quick look and place in another jar to dry.
Aemond wants to argue, he really does — but he also knows better than to try and persuade you when you are like this: firmly standing your ground, exuding nothing but stubbornness. In any other situation, he would’ve found it endearing but it’s upsetting to see you downplaying your brilliance.
“Hm, may I at least ask your last portrait to be of me?”
You instantly turn to him, taken aback. Throughout the years you’ve known him, he clearly expressed that he did not like being painted, and you only could make a quick sketch or two, at best, when he wasn’t paying attention.
“Alright,” the long-awaited opportunity makes you smile. “Next time I come for breakfast, I will drag you into the garden to pose for me,” you give him a pointed look, and Aemond humbly nods.
Your smile grows wider but you try to tone it down, afraid to spook him, and focus on wiping the nearest table.
“What are you going to do with your life in the meantime?” he changes the subject.
“Polish up my other skills and become an ornament to society,” you sigh, putting the cloth away.
There’s a brief pause before he says, his voice a bit strained:
“Here is where Jason Lannister comes in, I suppose?”
You say yes but the answer comes a little bit too fast, and Aemond notices that the topic makes you uncomfortable.
“But you are yet to be betrothed to him,” he clarifies, gaze fixed on you.
“I will be if he proposes,” your eyes meet his, and you are sure that there’s a shadow of disapproval on his face that only spurs your stubbornness. You fully turn to the prince to say: “I always knew I had to marry well, I do not feel ashamed of that.”
But Aemond isn’t looking for a fight — he swiftly corrects himself:
“There is nothing to be ashamed of. As long as...” — he can barely bring himself to say it — “As long as you love him.”
For the reason unknown to Aemond, his statement brings a bleak smile to your face.
“I believe we can have some power over who we love,” you object, lowering your gaze for a second as you start absentmindedly twisting the ring on your finger.
“I think the poets would disagree,” he chuckles, trying to defuse the unexpected tension. 
But when you look up at him, your glare is as obdurate as ever.
“Well, I am not a poet, I am just a woman,” you rebut crisply. “And as a woman, I have no illusions about my prospects which do not include me earning a living to support my family. And my parent’s fortune has its limits as I’ve come to learn. Hence why, if I want to have children — I do — and be able to provide them with everything they wish for, I must rely on my husband,” that last word is pronounced with disappointment. “So don’t stand here and tell me that marriage isn’t an economic proposition, because it is. It may not be for you but it certainly is for me.”
Had he not known you, Aemond would’ve been very impressed — with how blunt and witty you are, you are very good at delivering speeches. But as he’s standing in front of you, watching your face, he senses that your determination is akin to despair. Aemond thinks he might take a chance at arguing with you, after all — but you’re both startled by a knock on the door:
“Lady Y/N, Ser Lannister just arrived.”
You look baffled for a second, your confidence crumbling.
“Why would he — I, I didn’t expect him today,” you mumble, almost ashamed of his arrival.
Yet you pull yourself together faster than Aemond can come up with a reason for you to stay. You remove your apron and quickly examine your dress, then move to put on a cape.
“Did I miss any paint stains?” you ask Aemond in a haste.
“No,” he looks over the flowing material of your neat dress, your hair knotted up high — and then, “...Wait!”
You stop abruptly while he grabs a clean cloth.
“There is something on your cheek,” he says as you both step toward each other — and in the next second you are suddenly standing too close. 
You turn to him and shyly shut your eyes, taking a deep breath. Aemond is frozen for a moment but then carefully wipes away a slight smudge of green from under your cheekbone. His hand unwillingly lingers as he examines the delicate features of your face. You open your eyes, looking at the prince questingly. His facial expression is unreadable but it makes you wish you didn’t have to go.
You brush away that silly thought and stand back, fixing your cape.
“How do I look? Do I look alright?”
“You look beautiful,” Aemond says with no hesitation, taking you in — with your cheeks a bit flushed, lip parted and eyes shining. “You are beautiful.”
You seem a bit bewildered at his words but then a smile grows on your face — and in a blink of an eye, you’re gone. The prince is left standing there, staring at the spot where you were just now. The room suddenly feels so empty without you — and so does his heart.
The realization strikes Aemond like lightning: he wants to be the one you come to, at all times. The one holding your hand, watching you paint, or read, or dance — watching you do whatever your heart desires. Because his only desire is to be with you. That thought puts down roots deep into his chest, and he doesn’t know how to pluck it out.
Nor does he want to. It’s all he can think about for the duration of the week, until you come to the castle — with canvas and supplies, not hiding your excitement. He almost forgot about his promise but follows you into the garden without objection. You sense a slight change in Aemond’s behavior, him being more quiet than usual, but decide not to push the prince so he won’t reconsider.
“I will start with a sketch and then we will go from there. Alright?” 
He just hums in response while looking at you but you are unaware of the meaning behind his gaze.
“Take any pose you like, I don’t want you to feel uncomfortable,” you suggest with a half-smile, knowing full well he will probably remain standing.
And he does, arms clasped behind his back, his eye never leaving your face. You immerse in the process too quickly to be bothered, the piece of charcoal in your hand sliding over the paper, leaving lines and shadows. Drawing Aemond is an effortless task, and you can only enjoy how easy it is to sketch the sharp contours of his face and his lean body. The simplicity can also be explained by the fact that you've already memorized all the details by heart: the curves of his cheekbones and his lips, the flow of his silver hair, the shape and cut of his eye.
When you are finally satisfied, you can’t tell if it’s been an hour or three, and the prince, as it seems, hasn’t moved a muscle. At this point, Aemond’s demeanor does worry you yet you blame it on his nervousness.
“Want to take a look?” you hand him a few sketches. “Mind you, I’m not finished so please don’t judge too harshly —”
“I could never,” his hand brushes yours when he takes the drawings.
Aemond has seen your works before but it’s a whole new experience when he’s the one being portrayed. He almost doesn’t recognize himself — you didn’t miss a single feature of his yet somehow this version of him looks too beautiful to be real. He is at a loss for words until he spots that there's another drawing hidden underneath. It’s a sketch of him sitting, both arms on the table, his face looks like he’s deep in his thoughts.
“When did you do this one?”
“After the coronation,” the memory makes you smile. “Made my poor father lug around with charcoal in his pockets while he was trying to keep up the conversation with Ser Lannister.”
It was the day you got introduced to Jason. You were supposed to be by his side, with your charming smile and polite talks, yet you spend your time drawing Aemond. He can imagine your gaze focused on the piece of paper, the way you must’ve been looking at him to capture every detail and movement — all of that without him asking to, without him even noticing. There is so much care in that act, he is unexpectedly moved by it.
The words leave his mouth before he can think them over:
“Don’t marry him.”
His request makes your hands tremble, and you drop the piece of charcoal, slowly looking up at Aemond, the smile disappearing from your face. He did not mean that, you must’ve misunderstood.
“...What?”
Aemond turns to you, looking you straight in the eyes.
“Don’t marry him,” he repeats, helplessly and desperately.
“Why?” you ask in disbelief, suddenly having trouble breathing. The only reason you can think of sounds delusional, close to impossible. You wait for him to come up with some clever explanation — instead, he comes closer to you, his gaze so warm it makes your cheeks burn.
“You know why,” Aemond says and his hand gently lands on yours. You look down at it, perplexed, your mouth opening and closing, heart rate speeding up.
He keeps his eye on your face as he waits for your reply. You are not repulsed nor angry — which is supposed to be a good sign — but the reaction he gets is actually worse than that. Because when you finally glance at him, you look hurt.
“No,” you yank away your hand as if his touch stung. “No, Aemond, you are being mean, stop it,” you take a step back, your eyes glossy and lips tight. The look you give causes him physical pain — while you are trying your best to fight back the tears.
His intelligence clearly fails him because Aemond has no clue what’s going on. He feels like there is a deeper meaning to your words but he does not get it.
“Why am I being mean?” he asks incredulously as you slowly continue putting more distance between you two.
You don’t even realize you are doing it — it’s almost an urge to not be in his presence, for the first time ever. The weight of his words feels suffocating and merciless. How easy it is for him to toy with your emotions, you think, and that cruelty of his — as you see it — wounds you so deeply, he might as well put a torch to your heart.
“I have felt like everyone’s second choice my entire life,” you bemoan, not being able to keep your agony bottled up any longer. “In everything, no matter how hard I’ve worked to be better. I thought you out of all people would understand that,” you sound raspy, trying to swallow the lump in your throat.
“So I will not be the person you settle for just because your first marriage proposal was turned down,” only when your voice shudders, Aemond finally understands how wrongfully you interpreted his intentions.
But you are out of his reach already — at least ten feet away from him, and the distance separates you like a giant chasm.
“No, I won’t. I can’t,” you are hurting so much, your feelings spill out like blood from a wound. “I can’t do it. Not when I have spent years loving you.”
His breathing hitches as your confession pierces through his chest — and he is left speechless, deafened by it. The moment slips through his fingers with unforgiving pace: you were standing so close only a minute ago — and now you are turning your back to him, rushing away. The last thing he sees is how broken you look, your shoulders slumped and eyes brimming with tears. 
Aemond stands, shocked and paralyzed until it’s too late — the garden is silent with your absence and the only evidence of you being there is your supplies scattered on the ground. Your words are ringing in his head, his heart heavy with a dreadful feeling.
He was afraid he would never have you — but he actually could have.
If only he wasn’t so blind.
➡ Part 2
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yes, this is me blabbing again: I’ve watched this movie an embarrassing amount of times, and I’ve wanted to write a fic based on it for a few months. I did rephrase a couple of quotes but still tried my best to do the story justice. my apologies for the angst — just so you know, it was painful to write. also, will I ever stop using friends to lovers trope? only time will tell! (I probably won’t, though) I know there is a very heartwarming fic by aemonds-war-crime that was also based on “Little women” and it’s only fair that I link it as well!
tagging @greenowlfactif because you asked 💙 comments and opinions are VERY welcomed! 🥺 🎨 my masterlist English is not my first language, so feel free to message me if you spot any major mistakes!
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millidew · 8 months ago
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rip lucy and mina you would’ve loved farcille. rip marcille you would’ve loved westenray (falin lost interest and fell asleep before finishing the book)
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twinstxrs · 7 months ago
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thinking about kageyama’s “it’s the setter’s job to break the wall in front of the spiker” in reference to how kenma sponsoring hinata while he’s in brazil and onwards is effectively doing that on a financial level. once a setter always a setter.
#could talk about how the narrative purpose of every setter (at least in hinata’s story) reflects the idea of breaking a wall in front of him#for hours i think#i want to do a full manga read to fully think about that but#atsumu & hinata’s feeling that he needs kageyama. kenma & just the financial logistics of being able to go to brazil. oikawa & homesickness#obviously there’s more going on w/ all the characters but like. those 3 & kageyama (obviously) all have at least one big thing they help-#hinata overcome. kageyama has so many of these moments w/ hinata i’d have to rewatch & list them all but yea.#akaashi is also this but for bokuto. (bokuto is this for akaashi as well)#(& if we’re talking setters & spikers obviously hinata is that for kageyama. Obviously. they’re soulmates)#i know this is lowkey just me analyzing the concept of support which a team sport series is inevitably filled to the brim with#but with a lot of what i consider to be hinata’s big character moments… it’s always setters man. & that feels deeply intentional.#& takeda obviously but he’s the coach. that is his Narrative Purpose#i wonder if there’s something strong to be said about main characters positions within the team & their strongest overall narrative purposes#like ‘libero’ meaning free in italian & nishinoya & freedom being his Whole Thing. he goes to karasuno bc he likes the uniform!!#i’m curious if i took every character & took their position if i’d find a list of commonalities between their narrative purposes. idk!#but yea anyways i dislike dumbing down hinata’s relationships w/ his setters as like ‘omg setter harem’ as anything other than a light joke#but hinata & setters is such a big deal. almost all my favorite hinata dynamics are with setters i think & that’s bc of that importance#if anyone read this rant in the tags thank you for your time lol. happy birthday hinata i love you forever#haikyuu!!#haikyuu#haikyū!!#hinata shouyou#hinata shoyo#kozume kenma
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astrolotte · 1 year ago
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Thinking of writing a fic where Wiggly calls Nibbly the "least evil Lord in Black" (a canonical fact about him fyi), and Nibbly responds by deciding to supposedly 'prove him right' by sabotaging his latest apocalypse and working with the humans. Just to fuck with him. As brothers do.
No clue if anyone would even be interested in it but I'm highly considering it. Maybe I'll see where this goes.
edit: turns out people are very interested in this, so I've started writing it! if you're intrigued enough here's the ao3 link: https://archiveofourown.org/works/51812965
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moeblob · 5 months ago
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OC again gomen ... (her name is Yuma)
#my characters#she was (shocking to no one) a side character in a plot from forever ago and while i fleshed out her bg a LOT#she never got her own actual story ? the plot she was in had a lot of characters so her and her best friend myo were like... cameos#in other character arcs rip to she having her own#basically she had light powers and had a kind of whispy clear happy look (top)#and then the big bad guy corrupted her and she got dark powers#so myo and her start to think she is sick and then big bad shows up and tells myo that if he wants to help yuma - hed help#so he manipulates the two into working for the bad guys who id like to point out! think they're the good guys#so yuma keeps having cloudy and foggy memories and nightmares and she doesnt understand whats going on with her#and she tells myo who hasnt clued in yet and he tells her shes fine and shes too nice to do what she feels guilty for#and then after its all kinda said and done and the big bad dies the corruption disappears bc he was the one causing it#and at that point myo knows the horrible things hes kind of helped yuma do and the actual things yuma has done#and he goes to rem who a lot of people avoid since rem has mind reading and memory manipulation powers#and he asks if rem can help yuma forget everything bad#and rem - who is the unfortunate right hand of the big bad who feels so much guilt for everything he has done -#asks him if its what yuma wants cause it isnt his place to change it without her consent as well#bc rem was actually the one that yuma interacted with most outside of myo#but as far as actual plots and arcs rem was more important ? common? idk ? as a focus#so despite yuma having a lot of established background and drama she never had her own ... thing#but as the dark corruption gets to her she loses the clear stream vibes and is like an oozing oil spill#and it kinda festers into her becoming like an eldritch monster type being from the grief and guilt her conscious has#while polluted by darkness sooooo#she just kinda becomes a monster in the background of the plot its fine she gets better#and that was storytime in the tags bye
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cokalee · 4 months ago
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Honey coloured eyes
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somerandomcockroach · 6 months ago
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@keferon OKAY BUT LISTEN YEAH I would loved if it was just fun ehehehe and sassy flirting with the demon no one sees pfffht, literally summoned a demon just to flirt with, and I guess it could have been going for a long time, just little strips with their funny adventures and then plot can go to the fact that he wants to give him a body and Shockwave would agree or that they just stay the way they are and just hang out like this together (Alo I remember that you wanted to put Ratchet (I keep writing Ratched instead of Ratchet buuuh) and Drift in it as another demon and their summoner thing whghweghgwe but I like how you made two separate stories for them that happen at the same time, okay I am actually PRETTY MUCH invested in this story, I like a lot how it goes and gets tangled and how mixes up with idw ideas and other stuff a lot)
BUT NOW that you changed it that way, you made a few more things that reader might be interested a lot in, like that promise he made and you mentioning that he will regret it, how their relationship progressively develops, plus the fact that Blurr was a frivolous slob gifted with dark magic AND how the tables turn upside dow and he get consequences for what he did in the most unpredictable way for him and how he surely changes in his behaviour, getting more and more concerned about his promise and maybe truly loving someone for the first time in his life and wanting to change something. And then figuring out that that same demon actually was a person before, someone he knew, someone respectable, kind, shiny, absolut sun of a person, who died (I am still on my knees waiting to know how exactly he died...) miserably to the point that he absolutely can't stand his life as a demon and NOT EVEN being able to kill himself!!! And Blurr was a pupil in his school, he saw him, he gifted him an ability to make his magic work for him, gave the freedom to live among everyone to all who was poisoned with this dark magic. OH WAITA HGSDHAG the thing that beastformers can't walk among transformers and the fact that dark spellers also could not, and how these events happen at a close times, OKAY so dark spellers got their kind of freedom thanks to Senator Shockwave (OH MY GOD what if Orion can see Shockwave and will recognise him right away COUGH) BUT I am wondering if beastformers will get some kind of an official declaration or some kind of school to be educated in and I wonder if Deadlock/Drift (I think after leaving he will change his name from the last episode...) will volunteer to be a teacher t be something more, or he will just end up with Ratchet wandering around the world, or maybe there will be a whole damn revolution where all monoformers and beastformers leaded by Drift go against the system, and maybe these events happen at the same time as a Senator Shockwave fighting for the rights of gifted... Okay I'm getting carried a little bit ahsghag excuse me... OH I GOT carried away A LOT I wanted to get back to the point that Blurr, now figuring out the past of Shocwave, dealing with all the events, dealing with what he has done and find a way to free them, at the same time STILL having adventures and fun since I'm sure he can be a good mood lifter to moody Shockwave and even see him in a really good mood since he is... well, not just a demon made of hatred but the wonderful kind of person in his previous life... (okay being carried away but what if Orion might declare the freedom to beastformers (AJHGAJHSDJAH OH MY GOD I IMAGINED JAZZ AS A PANDA HAVING A ROMAN WITH PROWL AND PROWL NOT KNOWING ABOUT IT OKAY SORRY) after seeing what it lead to after Senator Shockwave. And maybe Ratchet will be able to get his sign back freely after revolution will be successful or he will be forever blind just to be free and safe with his husband OKAY LISTEN I think it is obvious that I really like the thing you do....
#I mean I will repeat one hundred more time that fanfics are really hard for me to read... I just can't concentrate on that for a long time#if they are not VERY good.. usually it is much easier for me to read real books#So I know little about characters slowly reading idw and I can't just jump on plenty of fics and just look at them from afar#But such little comic... yeah#the characters in them are understandable for me you put emotion in them and growth that I can easily read on and just observing things#also it is much easier for me to see a ready pictures to jump on something to animate and it goes so smoothly that I still wonder how you d#it and I am absolutely not okay about this fact pfffht#Aaaaah why am I saying all that... where from I started and where I was leading to...#I THINK I JUST WILL SAY AGAIN THAT I LIKE THIS AU WHEEEEEEEZE#Also rewatched your tags under First Aid and... I forgot the name *cough* you can see how good I am with names VORTEZ! Fixed ehfghasghagfe#And yeah ahsghdgahg... I can't read such fics. I like when I see that characters can stand for themselves and it isn't an abuse....#I mean it is okay to show the hell they go through BUT only if from both sides#I didn't read ShockBlurr fics but from what I've been hearing from you both... I wouldn't like it#So I'm happy I come across your version of them and I LIKE IT#And I LIKE the First Aid pair with Vortex if I see a good version of them#I mean in idw he is *muah* put him in a blender but I don't see a good way of using his perks and First Aid's perks good together#They both are maniacs PFFFFHT so yeah... fics disappoint me and I barely read them even if to get better at understanding characters#So I'm happy about what you do since I am very slow at getting into stories like transformers even if I like it
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poorly-drawn-mdzs · 1 year ago
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Bestie Deficiency
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#a-qing#xue yang#xiao xingchen#Xue yang is cold because cold blooded creatures can't generate their own body heat#I am skipping over drawing the stories they tell due to the fact this arc is already really dragging#but I think they are very key in understanding the yi-city characters#Even if they are stories that really bring down the slumber party vibes A-Qing was hoping for.#I mentioned some of my thoughts in the tags of no. 76 but to continue on a bit more#I think xxc and xue yangs stories inversely mirror each other on the meaning of sacrifice and what it means to 'deserve' something#to xue yang he has only ever sacrificed - therefore he is in his right to 'deserve' what he wants. And he wants everything.#xxc leaves song lan thinking its the best course of action to atone but my god. No it wasn't. Poor communication crown actually goes to xxc#but it's what xxc he feels he deserves - continued sacrifice to atone. He wants to want nothing.#both are very stuck in the past in ways that are not actually accounting for their actions#It's easy to look at xue yang and go 'dang you need to get over your childhood trauma'#but that very much ignores that fact that we - real human beings - define so much by our childhood pains.#Growth is having to come to terms with it and trying to move past it...and not everyone is ready for that.#I have a lot of thoughts on that matter but I'll let it be for now.#Anyways. Amiguito appears to be one of those words whos meaning change depending on speaker and contextual factors#So as far as I can tell it slides around on the scale on romantic and platonic. Which works for this dynamic. I think.#Native Spanish speakers I am so sorry.
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superloves4 · 10 months ago
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Something that compels me so much about Maglor/Luthien is that if you change Beren with Maglor, the quest for the silmaril becomes so much more juicy
Because, yeah, on one hand it's still a suicide quest designated to either make Maglor give up Luthien or die in the process of the quest, thus freeing Luthien.
But on the other hand, this is Maglor's family treasure he is asking as bride price (which also makes it an actually accurate as a bride price is supposed to be something the groom's family already has yk), Thingol is asking Maglor to give him the whole reason the Feanorians even left Aman in the first place, the thing Feanor died trying to re-take, the reason he has been fighting for years.
Not to mention that depending on how you decide to read the oath, Thingol is asking him to not only curse himself but his entire family for Luthien, asking him if a life with Luthien is worth eternal damnation.
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bayetea · 1 month ago
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seeing non-black people critique rick's portrayal of black characters is interesting sometimes. only like 30% of the critiques I see make any sense to me to be honest
#“rick made carter be an elvis presley fan that's fucked up!” is a real thing I just read#do you think black people can't enjoy elvis even though he appropriated black culture for personal gain#boy you would not like what I have to tell you about eminem. or kpop. or anything else bc black culture has been#appropriated by like everyone forever. are black people not allowed to enjoy iggy or ariana or billie or [the list goes on]#I myself am not biracial but I /mostly/ like carter and sadie (specifically carter who isn't white-passing) as black representation#the part where carter feels indignant that he has to hold himself to a higher standard because the world is harsher on black boys#did genuinely resonate with me when I first read that part as a child and it still does to this day#can we talk about how rick knows nothing about black hair instead#or how hazel is from the jim crow era and seems to not have one single thought about race in the modern era#or hazel's horror over the amazons keeping slaves but “no they're not slaves they just like it that way 🥰”#my problems with hazel are not at all about stereotypes I just don't buy her as an authentic portrayal of a black girl from the 1930s#don't get me started on beckendorf. does every black character need to die a violent horrible death rick#anyways this isn't intended to make anyone feel bad but we need more meaningful nuance in critiques beyond “hey that's a stereotype! bad!”#if you can't discern and communicate WHY it's bad then you're not saying anything of substance#is it a caricature? is it uninformed/underresearched? are all the characters from that group being represented in that way?#is the stereotype itself a degradation of that group? is it being played for laughs? is the character a one-dimensional stereotype?#what can we glean about the biases of the author/narrative and their worldview through their portrayal of certain groups in the text?#a big part of literary analysis and critique is not only pointing out The Thing. you need to also say something about The Thing#like if you have a black character say they like hiphop then sure it's a “stereotype”. but lots of black people do like hiphop#it's an important part of black american culture and portraying that in media isn't racist by default#and in fact lots of poc keep parts of themselves quiet for fear of being perceived as a “stereotype” when we shouldn't have to do that#BUT if you're doing it like jonah wizard was written in the 39 clues then that's where we've got a problem bc wtf was that rick#that was so racist oh my god I was like 11 years old reading that 😭 and then he had the white mc poke fun at him for being a gangster#and him being a “gangsta” was always played for laughs throughout the story#not being pro-rick here as I'm a big fan of critical riordan reading just being pro-thoughtful critiques because some of you guys actually#sound a wee bit ignorant when saying things like what was mentioned in the first tag#baye.txt#pjo hoo toa#rr crit#<- tagging that just for. well the tags basically
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