#might try experimenting with color palettes such as this!!

[so-i-macedup-abit]

[squoobest]

artfight week 1 - nebula

a collection of attacks i really like! these were super fun to do ^^

characters (in order of images)

sally - @lilygeb

flutter - @stuffedsand

ayaka (ft. daichi) - @st4rryshy

sheldon - @aguacatemole

[itsalwaysdark]

i think itis funny in the past when i would list my interests as if i post abt them i donot post abt the shit im into rly Mainly bc im not rly Into Into anything anymore i occasionally watch or read or play something but i dont do fandom stuff rly much.... just sometimes i get brainworms

[meanbossart]

Do you have any advice for people looking to learn how to do color like you? I've been drawing for nearly 13 years but I've never been good with color and feel like my pieces always look rather over blended or that I can't pick good color pallettes.

Just to preface: coloring was fairly new to me just up until recently. I've always done color here and there but it was never my favorite (I very much felt like I had the same problem you're describing) and for a long time my style was largely based around grayscale because of it. When I started doing BG3 art it kind of felt like a necessity to learn, though, since its such a colorful game. So, take my advice with a grain of salt!

My biggest struggle with color was that the style I wanted to do never seemed to match my lineart. I eventually realized that was because my style itself wasn't done with color in mind at all - like I mentioned above, I mostly did grayscale and let the linework carry the art entirely. This also skewed the way I distributed my efforts; I would get really exact and over-detail things with the lineart like I was used to doing, and then felt like I also had to overdo the coloring as well, because the slightly "rougher" rendering I was striving for didn't seem to match the style.

The solution I arrived at was changing the way I approach lineart entirely, purposefully making it sketchier and less "exact", not letting myself be boggled down with details. In this way, I feel like I have far more freedom in how I apply colors and approach the rendering. It has also been extremely beneficial to learn how to push simplification (both in regards to lines AND color) as far as I can before the art stops looking good to me, and that has allowed me to backtrack into more detail again while feeling far more in control of their application. The more you breach out and experiment, the more ways you will have to approach your work when you feel as if you've hit a wall.

Obviously, I don't know if any of this applies to you 😅 but it's info that's been super valuable for me to realize.

Something else that might help is hunting down for tools that don't let you be precise - staying away from sharp liners and brushes and picking stuff that looks more graphical.

Also, not letting yourself zoom into your work too much so you're forced to achieve the shapes you're trying to achieve with rougher strokes and lines, and hence avoiding overworking small details that will ultimately get lost in the final picture anyway.

And assuming you have a good grasp on the basics - put a cap on your rendering time. Try drawing as fast as possible so you're forced to look for alternative solutions for making stuff look good without spending days on it. (I do NOT suggest doing this regularly if you're just starting off learning things like anatomy and perspective though; take your time!)

As for color palettes - I feel like I have a horrible eye for color LOL so I can't offer much wisdom there. I will often be adjusting hues and depth well into the finalization of the piece and ultimately just throw my hands up and say GOOD ENOUGH before sending it off. Taking breaks from looking at the screen so you can take it in with slightly fresher eyes tends to help me, though.

[eobe]

And here he is – Captain Vaughn 🤩

Captain Rex didn’t feel like being Commander, but this is how we got Captain Vaughn, showing his loyalty and kindness only within moments in the 332nd company for Ahsoka (s7e9), so he's one of the underrated clones which would have deserved more sceentime *sigh* ♥️

We never got to see his face, so there’s so much space for head canons, isn’t it? 🥰 His look in this piece is inspired by this gorgeous look (<-) designed by @lonewolflupe 🫶 

I also want to share some process magic while I was working on Captain Vaughn, so ramble incoming 😁 Take a seat and have a caf ☕️ 

It’s always the eyes when I draw. They just lead the main energy of the character and that influences the face. So I sketched line after line and his face got clearer… with some unforeseen vibes! Since I’m not that fixed to templates anymore, there can be more variation, no matter how much I try to catch the right copy paste clone-face angles... or even colors 🤯 

Have a closer look into unusual clone eyes, oh yes 👀

Lupe and I were chatting about his lighter look with freckles in her artwork (a bit Tech color palette with golden and copper tones) and I told her that I don’t know why, but I feel like some heterochromia in his eyes 😀 So his eyes are like this now – not planned and unforeseen, like it is often when art takes over ✨

I really don’t know what the Kaminoans were doing during the cloning process 😂 but we got some varied clones – for example ‚icy eyes‘ Edge from the Tango company, or the blue eyed drunk one meeting Fives in front of the 79s (I named him ‚Blues‘ hehe 😜).

Without guiding my lines along a template, doing everything out of my mind, sometimes I might get either feeling like crooked fingers or odd sight, but this can be the point where the true art magic begins, because I’m not in charge anymore. I can only shrug and surrender to the flow and I love it 🥰

So I don’t know when it happened, but look at him… 👀 WHY does he look a bit like Echo? AND Rex? And there’s something soft in his eyes what reminds me of Kix, too? And it just fits his calm and loyal character!

For Commander Wolffe for example it could never be this face and it would never happen in the drawing process like that, it wouldn’t fit, but… I’m rambling – I could never point to the lines or the moment where things like this happen. Yeah, they’re all clones and share the same face, but faces do shape after their thoughts, experiences and their lives – more frowning or more smiling 😀

Oh, I love this. Not really being in charge while drawing, but achieving so much more without being under the illusion of the concept of control what is we’re all be taught… holy force I’m really rambling and diving

Sorry not sorry, art is my passion I guess and art is my healing thing, too 🤩 I’m proud of you, if you read all this! Enjoy 🫶 

My personal ALT text mission (1 additional ALT text for a previous artwork with each new art posting!):

Captain Gregor's faces part 1 one of my oldest clone drawings, what an improving process since then, I barely can't believe it 🤩

Taglist: @eclec-tech @bixlasagna @returnofthepineapple @sunshinesdaydream @covert1ntrovert @general-ida-raven @vrycurious @dystopicjumpsuit @chaicilatte @groguandthebadbatch @justanotherdikutsimp @ladylucksrogue

[luckyofthelawnvariety]

I've finished Etho's s7 hermitcraft so guess who's back with a slightly updated/slightly consolidated list of things about ethoslab I have noticed! or just enjoy!

(the previous list)

I have no idea when he learned to noteblock. I don't know if he knows. he knows how to noteblock tho. he's really good at it.

on that note, did you know that there is not a single piece of non-noteblock music in etho's s7 after the first episode? there might not even be any in the first episode. every single timelapse or montage is set to noteblock music

(he sang along to parts of his paper planes noteblock cover too. he was going shopping. I was entirely too delighted)

(also, there is some like...sitcom music theme that I don't know what show it's from. it's bothering me that I don't know. what you need to know is that throughout his s7 etho uses said sitcom theme as the transition before Shenanigans With Fellow Hermits clips play. his life is a sitcom. yes it is the noteblock version.)

I think that etho desperately needs minigames for enrichment. if he's not playing one he's working on one. he needs them and he will let them completely consume his life

the etho decked out 1 runs are hilarious, partially because it's funny to see him play it and realize how absolutely insane decked out 2 is, and how much of a madlad tango is. etho is still the same menace with great luck and skills. I had forgotten about the hole to the void in the middle out decked out 1 tho, that was a fun reminder

etho could make a career out of translating classic type games into minecraft. he kind of has, but it's a pattern.

he also keeps coming up with new games that are minecraft only and is good at figuring out how to balance them well.

again, king of minigames. he will in fact analyze them as much as possible. he caught on to the pattern of impulse's whack a mole game in like...2 rounds? maybe 3? he's good at pattern recognition and will put it to good use no matter the minigame

etho, I cannot stress this enough, is a little shit and enjoys being such. free glass is obviously an iconic moment, but I had forgotten about him scamming scar out of diamonds for "information" about the resistance, or about sneak-e-e's business model (you can't tax what you can't find!), or about how he kept being extremely ridiculous with beef in regards to record shop payments...the list goes on

etho is also very competitive. I mentioned this in the last list, but man...he joins like every single competition he can. he wants to win. he's not like, a sore loser, but he likes to win, and he'll get a little upset if he doesn't.

etho and beef have clearly known each other a long time and ngl I miss their interactions a bit. let them bother each other a bit more please. I want to see them trying to kill each other in ridiculous ways again please. or doing minigames together. they're so silly.

kind of similar, but etho loves getting a rise out of people and it is the best thing ever actually. it's fun watching him use dirty tricks to beat bdubs to sleeping for a prize. it's perfect actually.

that being said, I still really like when etho is just on his own working on stuff too. s7 has a lot of moments where etho will go "I'm gonna use this block palette!" and I will think "bro that's ugly" and then he will make an extremely cohesive build that I want to live in out of it. I think a good way to describe it is that for example bdubs is really good at detailed builds with texture and not much color, and a very realistic twist to them. etho is not afraid to use color at all, and embraces how the colors can work together or contrast. it's fascinating to watch and I love it.

he is also a redstone genius. I feel I am starting to understand how some things with redstone work. could I design something myself? absolutely not but I could work from a tutorial and not feel completely lost on why I have to use a dispenser and not a dropper now.

I think s7 etho is really experimenting a lot with style and how he wants to do things. he does a few more elaborate intros, for example, that are very planned out, but he also does a lot of the classic "hello everybody this is etho and welcome back to hermitcraft!" it's fun and it works, but I honestly feel he might be more confident in some ways now in s10, which is nice to see.

(side note—I think etho has some trouble with tone sometimes, where he really wants to make sure everyone's having a good time, but also he really wants to tease people. this works well with like Beef, who he's known a while, but especially in people he's known less he's quick to catch on if they take what he's saying too seriously, and clarify that he is teasing. it's nice to see tbh, just the clarity even with his audience)

speaking of llamas, I had not realized how recent some really big updates were. bamboo and pandas were new at the start of s7. the nether update came like halfway through?? I was more in the casual build side of mcyt at the time but man...I didn't realize how crazy that is to think about.

just...the way that etho visualizes builds is great. not just like, leaving space for farms, but filling in the spaces with a lot of details that make sense but also work with the space to cover anything it needs to AND to connect with the rest of the base. the sightlines thing is something I see a lot of other builders using but etho really uses them a lot in the Monstrosity in order to keep it from being Too Much as you walk through.

really just...he wants to have fun, and he wants to learn, and he wants to experiment and figure things out. if he can mess with some friends when he does it, that's a great bonus, yknow?

man. what a guy.

[crystallizsch]

“Oh? *I* get to be in charge of our lovely Princes? Hehe. I graciously accept the challenge.”

[SR] Yuusha Tala -> GROOOOVY!! Glimmering Soirée (fan event by @starry-night-rose)

Groooovy!!: Hehe. If you want to dance with me, you’re gonna have to keep up with me first.

Set Home: Yeah, yeah… I know I’m just a glorified attendant and I don’t really have any say over the Princes... Look, just let me have this.

Home Idle 1: Helping Deuce act like a Prince has been really hilarious. But credit where credit is due, seeing him try his best is really charming.

Home Idle 2: Wow. Somehow Azul became less insufferable after being trained as a Prince. ….Wait. Nevermind. He’s still the same.

Home Idle 3: Kalim and Hornton seem to be a natural at this. I guess I should have expected that. It’s really nice to see them shine.

Home Idle - Login: Has anyone seen Grim? I swear I saw him lurking around here somewhere…

Home Idle - Groovy: I could go for "Belle of the Ball" if I really wanted to, especially since I'm the one who helped take care of everything after all. But alas, why would you vote for the magicless prefect..? Wait, unless.….

Home Tap 1: Where did I put that ghost camera? I was just holding it just a while ago… Huh? It’s around my neck? Well, that’s embarrassing. Oh stop laughing at me, will ya?

Home Tap 2: The others say I’m like a different person when I go into "manager" mode. …And they say it either like a compliment or an insult so I’m getting mixed messages.

Home Tap 3: Ugh. This cape is cool and all but people keep getting caught by it. So annoying.

Home Tap 4: Would I compete in being the Belle of the Ball if I wasn't taking care of the Princes? Depends. Would you vote for me? ~ ♡ …What do you mean you’ll give me a "pity" vote.

Home Tap 5: No, I’m not staring "longingly" at that band! …But hypothetically, do you think they’d let me play an instrument with them?

Home Tap - Groovy: Oh, wow. Crazy that they totally just left this violin here. Hmmm…..

notes:

i had fun with the voice lines aaah but it might have some changes when i’m done with the groovy (and i’ll properly put her in an actual card template)

also slight lore drop from one of the voice lines: yuusha has experience hosting formal parties pre-twst. basically she just locks in (a bit too heavily) when she has hosting duties.

(some of the voice lines also foreshadow the groovy 👀)

anyways i was just messing around a lot with the outfit design and the colors hgsdfjds

i tried my best making her purple color scheme agree with the limited color palette and i think it worked out??? idk idk--

also the cape was supposed to have patterns similar to the ceremonial robes so as to label her as someone from nrc.

i wanted to include a LOT more ruffles too but i had no patience for lining all of that 🤧

(bonus sketches/concepts below)

at first i based off her suit on hans frozen but then (because of pinterest giving me ideas) i realized i wanted a more fun outfit and so here i am-

(also help me i meant to have the voice lines to be just talking to anyone but it just hit me that it sounds like she’s talking to jamil 💀 girl they just can’t leave me alone they live in my head 24/7 rent-free)

[divine-crows]

🎨✨️Art Magic✨️🎨

Uses, Forms of it, and Why I Think Everyone Should Try it at Least Once.

Foreword

Right before the COVID-19 pandemic hit, I had been trying and failing to rekindle my flame for magic work. No matter what I tried to do I just couldn't get back into my studies and I was reaching a point where I was convinced I lost my spark and was doomed to live an empty life. Then it all changed when a YouTube Channel challenged how I thought about everything: Molly Roberts. That's when I was opened to the possibility of art magic, and I'll now share my love of it with anyone willing to read on.

What Is Art Magic?

A means to utilize art for spellwork, raising magical energy, or for exploring your magical subconscious. It encapsulates multiple different types of art and is generally not confined by conventional expectation (unless that's what you prefer).

You can utilize art magic by. . .

Using traditional art methods

Digital art methods

Collages

Music composition

Jewelry making

Embroidery

And much more!

How do I know if Art Magic is Suitable for Me?

There isn't a specific thing that'll indicate this form of magic is perfect for you, however I have some anecdotes from my personal experience as both a witch, and a regular artist that form a sort of idea on what could denote this being perfect for you!

First off, craving freedom from personal restraints was a big factor that pushed me towards blending my craft with my passion for art. If you want to run from the monotony of life, if you feel trapped by the social construction of boxes, or if you simply want to challenge your own mental restraints... then this idea might resonate with you.

Challenging yourself with a new form of magic, similarly, can also be a good enough reason to try. I'm the type of person who loves to constantly learn new things and I unfortunately get bored really quickly if I can't get new source materials. Using Art Magic has proven a fun challenge for me that allows me to explore a lot more topics you can't just open a book to find.

For those that may not be able to safely perform a lot of traditional style spells, this form of magic provides a discreet way to practice witchcraft. Most people wouldn't really question someone if they picked up the hobby of making art, and even if they did there's plenty of reasonable excuses out there.

How you prefer your spells to manifest themselves can also affect if this journey is a good idea or not. I find that Art Magic is really good when it comes to subtle spellwork that is more longform (though depending on how you construct them you can definitely create a spell that's the opposite).

Catalog aspects of your magical journey. Imagine a grimoire filled with pages of drawings, each one telling a story of something you experienced or learned as a witch. This especially may be more beneficial for visual learners.

You could use it as a means of meditation, sometimes art can be calming and it can open the door to your mind (so-to-speak). Especially if you're like me and struggle with staying completely still while trying to clear your mind, this may be helpful for you.

Trying to better understand archetypes, deities, types of entities, or even your own self can also be a big part of this. I've used art magic as a way to embody the "energy" of something before so I could better understand it. Especially when you're trying to seek knowledge that isn't often written on, it can provide a great way to explore more.

How Can I perform an Art Spell?

I have a step-by-step process that can give you some insight on how you may approach it:

1) Think of the intention you want. I like to close my eyes and meditate on it for about a minute then I write down if my mind wandered to any specific imagery or ideas.

2) Think of visual symbolism and colors that can help you capture the mood you want. Perhaps you need a warm color palette to invoke positive feelings, or maybe there are specific objects or animals you can include on the composition that represent something.

3) If you feel it fits your composition, you can include sigils, symbols of significance, and include shapes that have certain associations. It doesn't even have to be obvious either. You can use a circular composition to convey something endless for example, or a triangular composition to show priority over something.

4) In general follow what your heart tells you. This is a little cliche, but ultimately follow what seems best to you. Art isn't about boxing yourself in and my guidelines are just general ideas for anyone who's lost!

Why do I think that everyone should try it at least once?

From my experiences as a witch, I find that a lot of paths to be followed are quite rigid. By no means am I implying that a rigid structure is bad-- it creates a foundation from which we can work upon. I myself am exploring rigid, 'traditional' (for lack of a better term) ways of working magic. Art magic pushes you out of your comfort zone in a safe way. It makes you consider how you associate things. It makes you create new sigils and makes you research new symbols you previously wouldn't have used.

So next time you're lost on a spell, or you've lost your way in your Craft and you don't know what to do, think about maybe giving Art Magic a try. I hope my guide was a helpful starting point for anyone interested in the topic!

[silentcryracha]

❍ ‗ Making art with Hyunjin ‗ ❍

Pairing : Hyunjin x f reader

Summary : chapter four of a cute standalone miniseries. It's what it says in the title

Genre/ Warnings : scenario/imagine/headcanon, drabble, fluff, suggestive but no smut, unserious but helpful Hyunjin, it's cute idk

Word count : 635 words

A/n : none

ps: There could be grammar errors. Do NOT repost on other socials. Leave feedback if you feel like it, otherwise enjoy! ♡︎

masterlist

series masterpost

.・。.・゜✭・.・✫・゜・。.

Hyunjin loves art, yes, but he loves you more. Don't even try to not make things about you if you're around because you'll be unsuccessful.

"Okay mr. Picasso draw an apple for me"

Five minutes later he'd be handing you the sketchbook, a pencil sketch picturing YOU holding an apple.

"This is ridiculous" you whisper, lowkey speechless. Hyunjin would pout, looking genuinely sad for a moment.

"You don't like it?" and of course you'd throw yourself at him covering him with kisses and praises all over his face.

He's just extra talented and in love! It's not his fault!

He'd be so happy to either learn from you or teach you, if you asked. Like oh my gosh imagine if he had an actual artist as a partner? He'd be so in awe and interested in each and every step of the process.

He would a hundred percent ask you to teach him, whatever the technique. He'd just be so excited to spend time with you regardless <3

Same thing if the roles were reversed and he was the teacher! He'd be very honored if asked him to teach you, probably because even though he's crazy good he wouldn't consider himself a professional artist.

You'd just end you having so much fun together. I feel like Hyunjin would shower you with praises and encouragement.

"That looks so good already, baby."

"It's...missing an arm and hair"

And he'd just respond "It's his business not yours" in the cutest most unserious tone.

"Hyune, come here a sec" you call out and whatever he was doing, he'd walk over.

"I don't think the sketch is bad but something is off. Is it the colors?" he listens, giving you a sweet kiss on the head, then focusing on the painting.

"I think the purple is a bit bright, try adding some black. I know you usually shouldn't but I don't think it's a drop is gonna hurt." he answers softly, picking up the acrylic and then mixing.

He picks up the brush and skillfully covers up the previous color, smiling to himself in satisfaction afterwards.

"See? Now the palette is more balanced." he gives you another kiss because, well yes.

"Yes it does! Colors do make such a difference. Thank you, honey"

It doesn't always need to be a learning experience though! Sometimes you just want to have a laugh or make a mess and then then make out covered in paint like it's not that serious.

It would happen specifically when someone got stressed working on a piece, and maybe it just sucked and wanted to throw it away, so might as well transform it into a whole abstract piece and get a laugh out of it. Mood lifted!

You and Hyunjin were just chilling, sitting together on the couch late at night, a whole storm outside. He turns to you, saying:

"Do you want to play a game?" you look up at him.

"Okay, Jigsaw. What were you thinking?"

He stands up, walking around the living room to pick up two sketchbooks, some pencils and spare pastels. Then comes back to hand you one.

"We pick something in the room -in our line of view- to draw, then we each have three chances to guess it right." you bite your lip, smiling.

"Okay. And what if we don't guess right?" he shrugs, a smirk struggling not to appear on his plump lips.

"Then one piece of clothing, of choice, comes off." he replies, "Each. time." you pout, feigning innocence.

"But...it's quite cold. Will we not be cold?"

"Well then let's hope we lose fast, so we can warm each other up." he winks and you giggle like an idiot, because of course that's where he was going.

"Bet"

And the rest is history <3

.・。.・゜✭・.・✫・゜・。.

[aventurineswife]

Heellpp I'm thinking about Aventurine buying every makeup product the reader wants (cause she's interested in makeup not because she's insecure) and everytime he buys her a new set of makeup she has to see how beautiful the shade is but of course on his pretty cheeks and lips (not because she puts makeup on him, cause she kisses him but the idea of putting makeup on his face is also pretty cute and funny)

HOPE YOU READ THIS REQUEST I LOVE YOU BYYEEE

Kiss the Colours onto Me

Summary: Aventurine loves spoiling you with new makeup products, delighting in watching you try each shade. But today, you decide to test the makeup on him instead—by applying a bit of blush and lipstick to his face through playful kisses.

Tags: Aventurine x Reader, Fluff, Suggestive Themes, Playful Romance, Makeup Bonding, Light Humor, Kissing.

Warnings: Suggestive themes, Mild intimacy (kissing).

A/N: THANK YOU ANON FOR MAKING SUCH A CUTE REQUEST!! I LOVE IT AND LOVE YOU TOO <33 HOPE YOU LOVE THIS!!

The quiet murmur of your favorite perfume and Aventurine’s cologne filled the room, mingling in a delicate balance. It was a late afternoon ritual—one Aventurine had turned into a lavish affair, much to your amusement. He seemed to enjoy filling your vanity with makeup, every bit as much as you loved experimenting with it.

But today, his eyes—those intense magenta and cyan hues framed by his golden glasses—held a glint of mischief as he handed you another sleek black-and-gold bag. Inside, you found another new palette, a collection of lip colors and blushes in hues so exquisite you nearly swooned on the spot.

“You spoil me.” you murmured, leaning against his arm. Aventurine laughed softly, his arm wrapping around your shoulders to draw you close.

“Only fair to treat beauty with beauty.” he replied, an elegant smirk playing across his lips. His fingers lifted your chin gently, turning you to face him. “Though I must say, I have an interest in seeing the results myself.”

There was something in the way he spoke, the way his eyes sparked with anticipation as you opened each new compact and tested each shade. But you noticed his gaze drifting toward your lips, his playful demeanor telling you he might have plans of his own for this “testing” session.

With a grin, you picked out a shade—an iridescent blush that would surely look stunning on your own cheeks. But… what was the harm in experimenting? Especially when Aventurine himself seemed the perfect canvas.

You brushed a hint of the blush onto your finger and, in one smooth motion, pressed it against his cheek. His eyes widened in surprise, but he didn’t pull away. Instead, he lifted his chin, lips twitching into a smirk as he watched you through his lashes.

“Beautiful color...” you murmured, brushing your thumb along his cheek in slow, gentle strokes. The subtle hue contrasted against his skin, and for a moment, you forgot you were supposed to be teasing him. He really did look good.

“Enjoying yourself, are we?” he chuckled, clearly amused by your enthusiasm. But before you could reply, his hands found your waist, pulling you closer.

“Aventurine—” you laughed, feeling his nose brush against yours. “What are you doing?”

“Making sure I get my share.” he murmured, his voice a low purr. And then, before you could blink, his lips found yours in a slow, tantalizing kiss that stole the breath right out of your lungs. The remnants of your chosen lipstick tinged his lips as he pulled back, his thumb brushing against the corner of your mouth with a fondness that left your heart racing.

You looked at his face, admiring the shades on his skin, and he chuckled, clearly aware of his effect on you. “Well, I’m waiting. Surely you wouldn’t let me walk around uneven.” he teased.

Giggling, you picked up the lipstick and, leaning closer, applied just a hint more to the side of his mouth with a quick peck. Aventurine's grin grew, and he glanced at himself in the nearby mirror, clearly amused. “You know,” he murmured, “I could get used to this… as long as you’re my artist.”

In that moment, he pulled you close again, his fingers tracing along your arm as his lips hovered near your ear. “Consider it our little ritual.” he whispered.

[agarthanguide]

Very much love your take on the new looks for Orym and Ashton! I saw a bit of your post about how Liam and Tal give feedback... would you be willing to share any information about how the back-and-forth process works between you and the actors as you work on their stuff? (I just love hearing HOW the awesome happens, not just the end results.)

Yeah okay. Lemme think, here. Alright let's so this as a numbered list-

1- Actor sends description of character. This is pretty broadly interpreted, in my experience. It's something between a brief paragraph, an annotated pdf, and multiple pinterest boards.

2- I send back a Pitch. This has taken multiple forms in the past, but it's generally settled into a few pages, that kinda go- a- Poses and Vibe Sketches- This includes little portraits, attitude poses, a couple sketches showing extreme dynamism or movement. I try to suggest outfits and weapons or accessories, here, but I don't spend a lot of time fleshing it out. b- Outfit Poses- usually on a turnaround or one fairly lowkey pose. I try to include 3 or 4 serious attempts at outfits and maybe a couple of backs, if it's important. c- Color- I usually just pick an outfit at random and try to give it a few different palettes. If the actor is absolutely sure what the palette is, or if it's a character I've worked with before, I might just make one palette and briefly color each of the outfit sketches from b in that palette d- Accessories, Weapons, Other Important Stuff- if the character is carrying around like a book or a bird or a really specific weapon, I try to address that in its own space, though sketches for all of those things may exist on other pages. This has been known to be very pretty or a bit boring.

3- There is some form of back and forth between me and the actors (and a producer, who are all lovely and don't step in on creative things but are always working against a schedule and need to know how things are going. I just want to be clear that every producer at CR is a secret angel who eats deadlines and shits magic and every one of them totally Gets It. They are all One Of Us). The back and forth is always individual and based on the actor but it can be- a- Actor picks from menu, usually via complex "circling" system (also all sketches are numbered, so they can just ref numbers). b- Actor sort of picks from menu, while moderating and adding further references. c- Actor just sends a bunch more shit and I narrow stuff down based upon what they seem to be getting at.

4- There's this bit of finding what the pose is gonna be, marking in all the necessary accessories, getting that last email about adding a scar, can we add a necklace? etc. What you are left with is something that the Producers call "pre-final." If it hasn't already been with the modelers and painters this whole time, this is when the modelers and painters get the design and start their magic.

5- I go away into a cave for a time period of quiet reflection with my Gods. I refer to this period as "rendering." I cannot be reached by the reason of man and spend a lot of time bitching to my friends while I try to figure out why shading a cape is suddenly the most difficult thing I've ever dealt with in my life.

6- Done!

[dn-imagines-in-2023]

DATE NIGHT

Light

Is pretty open to whatever you want to do. If you ask him to choose, he'll go with the classic dinner at a nice restaurant and maybe go to a museum or something.

He's a very good conversationalist. He loves to learn so he's very easy to talk to; he remembers details.

'Oh, they hate this color, I better pick a different tie.'

If you're doing something fun, he'll have a good time. But he's not a fan of the 'lay around on the couch' kind of dates, they make him feel unproductive.

L

He LOVES the lay around on the couch type of dates. They're a good safe option for him when it's not safe for him to be in public.

When it is safe for him to be in public he's completely shameless. All of his habits and quirks are out on display for the whole world to see and he does not care if he gets judged for it.

So if you can't handle the secondhand embarrassment of your boyfriend having his bare feet out for free, you're going to have a bad time.

If you do go out, he likes quieter, more private dates. A library, a park, places that aren't too crowded or chaotic.

Cafes and bakeries are always a win for obvious reasons.

Misa

She really goes all out. You have to schedule your dates with her, because they can be like 6 hours long.

She's a big fan of classic romantic dates. The 'dinner and a move' kind of thing.

I think she would absolutely love to take you to a masquerade. A chance to experiment with fashion and dance with you all night? She'd be all over it.

She would also like shopping dates. She loves to pick out clothes she thinks would look good on you and will let you pick out things for her too.

Takes lots of cute pictures through the night and displays her favorites in her room.

Mello *NSFW mentioned*

He’ll only go on dates with you on his off time- work always comes first. He has to beat Near by any means necessary, that means his love life comes second to that. In another world where everything was resolved neatly, he would likely be more willing to engage in romance.

Mello loves an adrenaline rush. His favorite dates are always a little risky and you always end up sweaty and out of breath (in a good way.) 

I imagine he would like taking you out for drinks and going dancing- probably to raves rather than nightclubs. 

The dark is a nice excuse to hold your hand- so you don’t get separated of course. 

When you’re so exhausted and dizzy you can’t see straight, he’ll call you both a cab and you’ll do everything short of have sex in the back of it.

The real fun starts when you both get upstairs ;)

Matt

Matt loves relaxed stay-at-home dates. You hop on multiplayer on a really relaxing game like stardew valley or minecraft and just lay in a snuggly pile of blankets together. 

I think he would also like dates where you make something together- trying a new recipe, or making an art project. It might not turn out great - he doesn’t have a sophisticated palette or a lot of artistic skill, but he would have a lot of fun.

He doesn’t mind going out once in a while, but he doesn’t like dressing up. He hates wearing ties. He’ll do it occasionally for your sake, but it’s not his favorite.

Near

He doesn’t really do specifically set out *dates*. You both just… end up in each others company.

It’s never a case of ‘Let’s set aside this Saturday at 7 for a date night.’ Usually, you just end up in his room while he’s working, you distract him, and you two end up spending the next six hours talking.

I imagine he would like that type of date, where you sit and have a really, really good conversation for hours and hours.

Especially since you’re one of the only people in the world who can really keep up with him.

He might bring out something for you two to work on together, some of his toys, puzzles, models, etc.

He likes meticulous, detail oriented work. Introduce him to knitting/crochet and you two can sit and knit together for hours. (embroidery would also work for this.)

Matsuda

Silly goofy guy.

He likes new experiences, he’s willing to try just about anything once. So if you have a really wild date idea, he’s probably down with it.

If he’s the one to come up with the date, he tries to put some thought into it and make it personal to you. But he has trouble coming up with new ideas so he tends to stick to what he knows - you two have a dedicated date night restaurant you both like.

I have no idea why, but I imagine he would love live theater? Like specifically musicals. Take him to see Hairspray, he’ll have the time of his life.

[cripplecharacters]

Hi! Do you have some ideas in regards to facial differences and fun/cool make-up?

I'm planning to re-design a character, and was planning to give her a port wine stain during the redesign; she's also the type of character who'd really enjoy fun/cool make-up, like stuff that incorporates rhinestones or wild eyeliner shapes. I feel like she might enjoy incorporating her port wine stain into the make-up, but I'm drawing a blank as to how she might do that, and all google gives me is how to cover them, which is the exact opposite of what I and the character want. Are there any resources you could point me to? Or am I missing something that'd make it distasteful to put so much attention on her FD, even positive attention, since I don't have one? (I'll definitely try to have some more characters with FDs who are just, like, neutral about them/don't draw attention to them through make-up like that, but the character in question is one of the main characters so I want her design done before focusing on the more minor characters)

Hi!

I will preface this by saying that I'm a guy with close to zero experience or knowledge about make-up, if I misuse any basic terms or am ignorant about it, I apologize!

The idea of a character incorporating their birthmark into make-up is really fun! I definitely don't think it would be distasteful. I can easily imagine an influencer with a facial difference deciding to do something like this!

Some of the cool things she could do;

She could make it stand out more, rather than less - maybe make the color pop; make it more brightly red (or purple, or any other color hers is)?

Coordinate colors! Matching the color of her birthmark with her lipstick, or eyeshadow, or anything else. Or fun palettes; maybe a sunset gradient that incorporates the port wine stain's color?

Make fun shapes with it! If she has PWS spots, she could maybe turn them into stars, or if the whole thing is visible enough, maybe she could make it into a heart?

Adding rhinestones actually sounds awesome! It probably depends on where on her face it is, but maybe she could frame the stones to go around it, or point towards it?

She can of course wear regular make-up that doesn't put any additional attention to her PWS, there's no issue with that. Just don't make her cover it (but you know that!).

Personally, the rhinestone idea sounds the most exciting to me! There's something high fashion, or maybe even royal-esque about it that characters with facial differences don't really normally get. I would love to see that.

I think that, assuming your character has internet access, the lack of resources is an issue you could bring up in the story. A "why do I have to do everything myself, there's only so many ideas I can think of!" or "no, Unspecified Search Engine, not how to hide it- oh my god, why is it so useless" kind of scenario when she can't find anything new to do when she's out of ideas or hitting the artblock. I've been there when trying to find tutorials on drawing people with facial differences. This is how being a disabled artist kinda is.

all google gives me is how to cover them, which is the exact opposite of what I [...] want

And well, sounds like you got a lick of that facial difference experience ;-) (winky face). Now, imagine if incorporating FDs into art was popular and this wasn't an issue- okay, I probably made this point in too many posts now, but if your body of work ever gets published/popular, it could have an effect on things like this! I love seeing facial differences shown as something to be proud of and not to hide. I also enjoy that you mentioned additional side characters with FD. Thank you!

mod Sasza

[beyondthebloodsugar]

Take Control: Managing Elevated Blood Sugar Levels with Diabetes

Living with diabetes can feel like riding a roller coaster. Sometimes you're up, and other times, you're just trying to hold on. Elevated blood sugar levels can lead to complications, but managing them doesn’t have to be overwhelming. Let’s break it down into simple steps that make sense.

Understanding Elevated Blood Sugar Levels

When you eat, your body breaks down food into glucose, which is the fuel your cells need. Insulin, a hormone produced by the pancreas, helps move that glucose into your cells. In diabetes, this system doesn’t work quite like it should. This can leave too much sugar lingering in your bloodstream. Think of it like a traffic jam; instead of flowing smoothly, everything's backed up and causing problems.

Recognizing the Signs

Ever felt unusually thirsty or tired? Maybe you've noticed frequent trips to the bathroom? Those can all be signs your blood sugar is too high. Other signals might include blurred vision or headaches. Paying attention to your body is key. It's like having a built-in alarm system; you just need to know how to listen.

Smart Eating Habits

Your diet plays a significant role in managing your blood sugar. Focus on whole foods that nourish your body. Think fruits, veggies, lean proteins, and whole grains. Picture your plate as a colorful palette. The more colors you have, the more nutrients you’re getting! Try to balance your meals with carbs, proteins, and fats to keep your blood sugar steady.

Regular Exercise: Your Secret Weapon

Let’s talk about exercise – it’s not just for fitness buffs or sports enthusiasts. Moving your body helps your cells use insulin more effectively. Just 30 minutes of walking, biking, or dancing can be a game changer. Think of exercise like a key; it opens the door for glucose to enter your cells. Plus, it lifts your mood and boosts your energy levels.

Monitoring Your Blood Sugar

Keeping an eye on your blood sugar numbers is crucial. Regular testing gives you a clear picture of how your food choices and activities impact your levels. Over time, you’ll start to notice patterns. Maybe you find out a certain snack pushes your numbers up. This knowledge is empowering, like having a roadmap in your back pocket.

Managing Stress: The Silent Saboteur

Stress can sneak in and cause your blood sugar to spike. It’s like an unexpected guest that makes everything chaotic. Stress triggers your body to release hormones that can raise blood sugar. Finding outlets like deep breathing, yoga, or even enjoying a hobby can help keep your stress in check. Think of these activities as a calm oasis amid a busy desert.

The Importance of Medication

Sometimes, lifestyle changes aren’t enough on their own. If your doctor has prescribed medication, it’s essential to take it as directed. Medications can help bridge the gap between what your body needs and what it can produce. Think of medication as a protective shield, safeguarding you from potential complications.

Building a Support System

You're not alone on this journey. Building a support system is vital. This can include friends, family, or join local support groups. Talking about your experience helps lighten the load. It’s like having a team behind you at a big game, cheering you on every step of the way.

Conclusion: Your Path Forward

Managing elevated blood sugar levels with diabetes doesn’t have to feel daunting. By learning about your body, making smart food choices, staying active, and seeking support, you can take significant steps towards better health. Remember, each small change adds up, and you have the power to shape your journey. Embrace this path and take control of your health today!

[weksey]

Whats your art process??? Its so lovely and appealing and the colors are so perfect im really curious how you do all of it. Ik its kinda hard for most people to describe their process and thinking and stuff but itd be awesome to see just a speed paint if description is hard!! i love ur stuffs its so nice…

thank you! to be honest i have a completely insane process that involves a lot of trial and error. unless you are a potential employer looking to hire - in which case disregard the previous, my process is 100% intentional, consistent, and i definitely know what i'm doing at all times.

i will try my best to explain!

i usually have a good sense of what i want the final piece to communicate, so my initial scribble is just to get the rhythm down.

readability > accuracy here. i'll usually sketch a few thumbnails because redraws cost basically nothing at this stage.

then i'll follow it up with a colour sketch, to crack down on palette and composition. sometimes it's quick, but other times i can spend a while experimenting lol. this is easily the part that can take longest just because of how much i redraw and move things around.

i like bold colours and restricting my palette for a graphic look (like maybe 4 main colours) - i pretty much just choose colours on instinct (unless, again, you are an employer reading this, in which case that was a lie and my choices are definitely informed by robust colour theory).

when i'm happy with that, i'll redraw the whole thing properly. this is just blocking shapes over my sketch at 10% opacity, and painting details on top. i like drawing whole silhouettes on a single layer, to help keep my shapes strong and legible.

sometimes i'll split things into a few parts for ease of editing, but will keep them in large chunks for the above reason (it also helps because i dislike having to switch layers all the time).

then it's just a matter of finessing! this is my favourite part because i get to switch my brain off and watch panel shows in the background.

that's it, really! sometimes i might add a bit of texture at the end. if you like, this is a really lovely resource: link

hopefully this answered your question, or at least was somewhat interesting! thank you for the kind words <3 i'm always flattered when people are curious about my process, even though i feel just as clueless about it sometimes (employers - you didn't hear that)

[eggsandmasks]

Ok so...

Good day, again CC fandom.

I've been analyzing my blorbo(Diego)'s design for quite some time, and I've begun to notice something. This may be a bit of a stretch, but hear me out...

I've learned through a friend, some research, and experience that art has direction. This basically means the way the art directs your eyes to look at certain things. This can be done through stuff like composition, color, perspective, and more.

Turns out it can also be done with character design. It's a little different, since this is character and not an entire illustration, but it's still possible. The most common ways I've seen direction in character design are through color, and through special accessories, clothing, or parts of their body (a prosthetic arm, or a giant gem that sits in the center of their body for instance).

More specifically, I want to talk about how color is used to direct a viewer's eyes, and how Diego del Lobo utilizes it.

First of all, before I go into detail, I just love how his design can both blend into and stick out from the various environments that we find him in. It really adds to his mysteriousness and it serves a practical purpose too since it allows him to sneak around in he dark without getting spotted.

Now onto the topic at hand!

The moment you see him, the first thing you're probably gonna look at is his face. Now, I'd be lying if I said he looked like your everyday gentleman. In fact, he's way more than that, if the game he's from is anything go by.

But let's say you don't see his face right away. Maybe you look at his chest or the center of his sprite. You might just be looking in between his grey vest and white shirt but pretty soon, you'll see a little of his neck above his shirt and that immediately leads you to uncovering the rest of him. What if you're not looking at him directly, but rather to his side or above his hat?

This is where background colors come into play. I've already stated that his design can make him both blend in and stand out with what he's standing against, but I want to focus on the former idea. If you're looking at him in the dark, his black jacket and hat blend in pretty well with the surrounding darkness. Then, your eyes begin to draw onto his grey vest, as it stands out slightly more. Afterwards, you gravitate towards his white shirt, because it stands out the most in his attire, before finally landing on his face.

But what if he's standing against a bright background? Again, he immediately draws the viewer's attention because of how his attire has little to no color compared to the environment besides black and white.

You know what else is fascinating? How his design, particularly his face, appears to "trap" the viewer. To make things a little simpler, the fact that his face is the only part of his design that has color makes it stand out, but once you've seen it, it takes a while for you to leave it. I'll admit, while his attractiveness is a key part to this, I think it's also because of the colors around it.

He has tan skin, and shoulder-length brown hair that frames his face in an almost mesmerizing manner. When you zoom out and try to look at he rest of his design, you'll just be surrounded by borders of black, white and gray in the form of his clothes. This works especially well if you're looking at him on the home/loading screen.

Right away, he is made distinct from the rest of the cast. Other than his seductive look at he camera and his position on the far left, what makes him different from the others is his color palette, consisting of blacks, whites and grays everywhere but his skin and face. Because of this, it draws your attention to the areas with more color and saturation, and you'll soon come to find that you're slowly being moved towards his face, and you can't resist he pull. Once you're locked on his face, it takes a while to leave.

If you try to move anywhere else, like say, above his head, you'll still be able to see his eyes. The sides of his head? The slight contrast between his skin and hair creates border, so you go back. Below his chin? The white shirt will keep you from going further down.

In conclusion, Diego's design is based on getting the player to look at him immediately, especially his face. His tan skin contrasts with the black-and-white palette of his clothes, so once you see him, you gravitate towards his face. Additionally, his face is also surrounded by contrasting colors, so you're basically locked on him.

------

To all who have bravely continued reading until this point, thank you. This was just a thought/theory of mine I wanted to ramble about once I noticed it.

Or I might just be overanalyzing this a bit too much...

Anyways, what are your thoughts? Any comments and theories would be greatly appreciated!