#midnight tragedy my love

[mascotheres]

I love Midnight Tragedy and Moonflower

[razztazzel]

Themm… AAUGGHAAHJ

I love Razzle being sassy I need more sassy mean Razzle even though he���s probably the happiest nicest supportive guy alive

[waterfrontcomplex]

love-struck

[soloyaice]

EVERYONE KISS YOUR CRUSH NOW

SHRIMPTEA 🦐☕ (Teagan x Shrimpo)

Teagan: Cmon Shrimpy,Just one kiss

Shrimpo : Fine,I still hate(love) you

REFLECTIVE DETECTIVE🔎🪞 (Rodger x Glisten)

Glisten: Hehe Old time's for doing this

Rodger: yeah,come here

Midnight Tragedy🎭🌙 (or Drama) (Astro x Razzle and Dazzle)

Razzle:On count to three,Well surprised him ok dazzle?

Dazzle: ..Sure..I'm ready

Razzle: 1,2,3!

Astro:! You guys...*Flustered*

FlowerBox 🎵🌼 (Dandy x Boxten)

Boxten: You wanna kiss to make you comfortable Dandy?

Dandy:..That will be nice..Sure

Fluffy Cake 🫂🍰🤎(Goob x Cosmo)

Goob: Hug and Kiss time!

Cosmo: heh Ok,Here your dessert!

[Note:These all my Fv Ships,I'm a multi-Shipper so yeah,Don't hate me]

Full Page: ft.Sunspot from Fortnite

[withthewindinherfootsteps]

Wei Wuxian and Narrative Agency – Part One

For Xiantober Day One: Genius… albeit stretching the prompt so it refers to MXTX and MDZS itself, but at the end of the day it’s still about WWX – so no harm done!

(Part Two | Part Three | Full version on AO3)

The narrative is a very active player in MDZS’ story. How it presents information, what it chooses to show and omit, often reflects important facets of its themes and characters – Nie Huaisang, for instance, is so good at hiding behind his mask that not even the narrative can hold him accountable; the present day’s storyline as a murder mystery and the slow reveal of information about the past both prompt the reader to think critically about the truth of events, when the importance of thinking critically is an important theme; and the dangers not thinking critically (and instead basing conclusions on rumours without much evidence) are shown by tricking unquestioning readers into the very same trap the cultivation world falls into, as the information given by the title, summary and in-universe rumours – which contradicts how we see actually Wei Wuxian act – turns out to be false.

But nowhere do I love this trait more than in its treatment of Wei Wuxian – and, more specifically, in its way of emphasising his agency. We’re not just told how much his active choices define his character, and we’re not just shown this in-universe through his personality, worldview and the events he causes. I’d argue that this aspect goes a step further, and shapes the structure of the out-of-universe narrative as well.

There are two main ways this happens: one, in how the aspects of Wei Wuxian’s life that are shown and hidden directly tell us what’s important about his character (which is good writing but isn’t necessarily tied to this shaping of the narrative), which is what we’ll explore today; and two, how what’s shown and hidden reflects what Wei Wuxian himself prefers to dwell on, resulting in the narrative respecting his own thoughts and feelings on matters (which very much is tied to it). We’ll explore this at a later date.

But as for now – let’s explore my favourite aspect of MDZS.

(Here, narrative agency will be considered the ability of a character to meaningfully influence their events and the story they’re in.)

Tragedy, Circumstance, Choice

If we simply look at Wei Wuxian’s backstory in a vacuum, it seems almost typically tragic. His  parents died in circumstances beyond his control, he was left alone as a child with nobody to care for him, he was forced to grow up fending for himself on the streets, he was faced with abuse when he finally was taken in… as with all typical woobies, everything simply happened to him, and none of it was good. It’s just another example of the lack of agency being used for sympathy points, right?

…Except there’s one problem with that idea. We don’t actually see any of this.

It would’ve been easy to start the flashbacks during these times. We’re telling the story of Wei Wuxian in (largely) chronological order, and these are likely important experiences for him! But instead of starting in his street days, or evenat the moment Jiang Fengmian took him in*, we start at the lectures in the Cloud Recesses. That’s not even something mentioned in, and therefore something that’s able to disprove, the rumours at the start of the novel. So why is this the case? 

Well, there are multiple reasons – the main one being that MDZS is also Lan Wangji’s (and Wangxian’s) story, and having the flashbacks open with their first meeting is very satisfying. But I want to focus on something else.

This period doesn’t have to be shown, because what happens to Wei Wuxian, especially out of his control, isn’t what’s important about his character.

We’re not even at Lotus Pier here, where Wei Wuxian certainly has more agency than he would’ve had as a young child, but where the harm caused by Madame Yu is still completely out of his control. Here, he has agency! Though there are consequences, he is free to act, and what happens to him is a result of those actions and not of circumstance. Yes, he gets punished more than others who also take those same actions (due to classism); yes, it’s not his choice to be picked on by Lan Qiren in class (yet look how he responds, twisting the situation to his advantage and ending up tricking Lan Qiren into letting him leave, which is what he wanted to do. He is not at all helpless here!); yes, these choices have been influenced by his learned mindset from Madame Yu that punishment is arbitrary and will happen anyway, so you may as well do what you want regardless. But there is cause-and-effect here. It’s not circumstantial tragedy.

Therefore, instead of our first impression of past!Wei Wuxian being that of an unfortunate woobie, it’s of someone who has the freedom, ability and will to choose and act (and that’s after these initial tragic events have taken place). This is compounded by the fact that before we see any of his backstory, we get a similar impression of him in the present day.

If the purpose of his tragic past was to earn him sympathy points, to make us pity him due to how much he was influenced by events out of his control, this would’ve been a terrible way of going about it… and it’s this that betrays the true reason for its existence. Because now, the flashbacks instead show us how little these tragedies define who he is! From the very start, Wei Wuxian isn’t someone defined by circumstances out of his control, but rather by who he is as a person and by what choices he makes in the present day (which is both a mindset in-universe, and a nice little out-of-universe detail that lines up! Because out-of-universe, this means he’s not defined by sympathy points from a backstory, but rather by his great character writing… aka, by who he is as a person and what choices he makes). And this refusal to be defined by tragedy is a conscious choice on his part, too – but we’ll explore that more later. 

The important thing is that this idea of Wei Wuxian isn’t because of what exists in his past, it’s because of what parts of his past are shown to us (as well as what he chooses to do, with agency, in the present). 

Now, if this relationship between what’s displayed and what’s omitted was just a one-time thing, I might’ve considered it a cool detail or a nice way to establish a character, but not something the narrative is actively focusing on. But it’s a pattern that continues throughout the flashbacks. What, arguably, are the two other most important times in Wei Wuxian’s life where he doesn’t have enough agency to meaningfully influence his circumstances? His three months in the Burial Mounds (before escaping – he managed to assume some control of the circumstances but not enough to substantially reduce his suffering in his time there), and his loss and death during the First Siege. And we’re not shown either of them! We skip to when Wei Wuxian has emerged from the Burial Mounds and is torturing the Wens, or we skip to the present day – both times he has agency once more, because, again, what he’s like without it doesn’t matter enough to be shown. 

Furthermore, I’d argue this does actually contrast the other tragic events we see in Wei Wuxian’s later life. Things do go horribly wrong, but it’s either due to choices he knows the consequences of (see: rescuing the Wen Remnants in the first place), or instances where he still has some ability to act in the situation and influence it within the limitations. If he’d had no ability to influence circumstances at Qiongqi path, he would have died in the ambush; if he’d been unable to do that at Nightless City, he would’ve died then, too (of course Lan Wangji helped him escape as well). The attention drawn to him losing control of his actions in both instances is very interesting, but intentional or not, it’s still his actions influencing the plot. And that influence happens to be detrimental. The very ability to act and influence, at a base level,  is not taken away (though, of course, that doesn’t make these events any less tragic).

So, so far, the narrative seems to be telling us that the ability to act and choose is key to Wei Wuxian’s character. And it’s doing it through omitting his moments without agency in favour of instead showing us his moments with it. 

Let’s see if this is echoed in the text itself before we go further – because even with this pattern, nothing would end up mattering if Wei Wuxian’s agency wasn’t actually that important to the story itself. But thankfully it is, and that first impression we get of Wei Wuxian in the Cloud Recesses turns out to very much be accurate! Though there are defining circumstances out of his control that occur, such as the massacre of Lotus Pier, the majority of the important events of his life are due to his own choices. He didn’t happen to be forced to cease traditional cultivation and solely use guidao, didn’t happen to lose his Golden Core in a fight with Wen Zhuliu or due to some force in the Burial Mounds, it was his own choice to give it and his spiritual powers away. He didn’t tragically happen to get targeted by the cultivation world, it was a result of him acting on his morals and protecting the Wen remnants (a choice which he was fully aware of the implications of). He isn’t a protagonist to whom things simply occur, and that activeness and agency is my favourite thing about him. 

That’s not to say that the times Wei Wuxian doesn’t have agency, or feels like he doesn’t have any, don’t exist at all, either – but they are rare enough to have attention directly drawn to them in his internal narration:

Or else what could he do? He could do nothing. He was powerless. Lotus Pier had been destroyed, both Jiang FengMian and Madam Yu were gone, and Jiang Cheng had disappeared as well. He was the only one left, alone, with not even a sword in his hands. He didn’t know anything, he couldn’t do anything! For the first time, he discovered how little his power was. In front of something as large as the QishanWen Sect, it was the same as a mantis trying to stop a chariot. - Chapter 59, EXR translation

(And even in this circumstance, note that he still does force himself to act – to carry on searching for Jiang Cheng, to place his faith in Wen Ning – and does accomplish his goal (albeit with the help of others)! So even in dire situations, he isn’t simply passive. This is actually also the case with his time in the Burial Mounds, almost certainly the First Siege, and even his days on the streets as well (Chapter 20: he did actively fight with dogs to get food despite their danger and his growing fear of them, rather than just waiting and hoping to somehow receive some more). He can’t influence or immediately influence his circumstances, but that doesn’t stop him from trying.)

Overall, although they do influence him, Wei Wuxian is very much who he is in spite of his circumstances, not because of them. We’re shown the importance of his agency both in-universe by the major impacts his choices have on himself and the plot, as well as by narrative presentation – important periods where he lacks the ability to meaningfully influence anything are often mentioned but not directly shown, which suggests that such moments and circumstances aren’t as important to understanding Wei Wuxian’s character as moments where he does have this agency are. And I’d argue this works very well. Depending on the version of the story you consume, you may end up having different interpretations as to how much circumstances were at play nearer the end of his life – but nobody comes out of MDZS thinking about Wei Wuxian, the poor bearer of yet another generically tragic backstory.

(Part Two | Part Three | Full version on AO3)

—

*We are shown this moment in more detail in Chapter 23… but even then, it’s through the framing of Wei Wuxian remembering Jiang Yanli’s narration, not through a flashback proper or even him remembering the experience itself!

[ifyougoillfollow]

you know, we talk a lot about characters and/or relationships (of all kinds) being 'doomed by the narrative' around here, and how haunting and gut-wrenching that can be, especially when it so often takes the form of death and destruction and tragedy.

and we should keep doing that, obviously. death and destruction and tragedy kick total ass.

however. can we please spare a thought for the clowns trapped in that same (burning) room?

after all, what is a comic relief character if not doomed by the narrative to always act like a buffoon despite any and all circumstances, all for the sake of relieving narrative tension?

how must it feel, to have everyone around you dropping dead, losing limbs, losing loved ones, and otherwise being on the receiving end of unending torment - and all you can do is stand there and prattle off another zinger at your allotted time?

and what if you lose a loved one yourself, o jester mine? what if - hear me out - you lose multiple loved ones? what if it never ends? what will you do then?

well, if you're lucky, you'll get to mourn for all five of the seconds you're allowed to before the size thirty shoes go back on and the narrative moves on to other, more plot-central characters.

if you're not - well. it's a good thing clown makeup is waterproof, isn't it?

anyway, shout out to all my comedy kings out there doomed to play perpetual funnyman to their more plot-central counterparts despite being in undeniably comparable pain. you may be doomed by the narrative, but you are beloved by me <3

[doomdoomofdoom]

god fucking damn you mike flanagan and your profound horror series making me feel things about life and love

[midnightshade]

“I think there are people that help you become the person that you end up being, and you can be grateful for them even if they were never meant to be in your life forever.”

[hot-cherri]

[sundial-bee-scribbles]

what if it was a real onion growing out of her head 🤔

bonus: an iku based off red onions b/c those are the only ones i personally eat lmfao

[chibishortdeath]

I redrew something from 2022 :3! Yippie, now you guys get to see the old one and the new one next to each other heck yeah.

I’m gonna rant like absolutely bonkers length about Simon’s Quest and the endings and story under a cut for anyone interested:

The original version (the last image) had this like long rant about how I see the endings of the game, but it wasn’t as comprehensive cause I was still kinda new to things and well instagram character limit lol.

The endings of the game are a really really cool topic to me because of how ominous and vague they all are. They’re all left pretty open! But I’ve always gotten some sinking dread even when getting the fastest “red sky” ending. The game really sets up the ending with a lot of empty areas and suspense beforehand, especially with the still present but now more pressing clock still ticking ya know, and the final battle is kinda just there, but it ends off all this tense build up with

A eulogy. One definitely written for Simon too. In every ending.

The first ending (grey sky) is really vague, just a general statement that “Simon you will always be remembered for your bravery and courage” and that “Peace and serenity have been restored to Transylvania and the people are free of Dracula’s curse”. Which is really odd for what would be assumed to be a “bad ending”. This generally sounds like a pretty good outcome and it’s primarily the same in the Japanese version just slightly worded differently. Heck, it’s not even stated in the text outright if he died. But the visuals, oh man. Dreary greyscale and Simon doesn’t even appear on screen in front of Dracula’s grave. Did Dracula even get reburried? It’s some really bleak imagery compared to the otherwise pretty unsuspecting text.

And second ending (blue sky) is very interesting. Simon appears on screen with some nice bright generally cheery colors, but the text deliberately mentions his death in both versions. The English version however says something the Japanese version doesn’t: it says the curse wasn’t broken. The original text says “until a young man to fight against evils like him comes again to this world, Transylvanians will keep praying forever.” Which I guess you could assume means that something went wrong and the curse still exists, but it could also be taken as a general “there’s no cool badass vampire hunter guy to kill any other general threats, so we hope another one comes along”. So, again, it’s so extremely vague.

So far the first and the second don’t really have all that much different as far as implications go: Simon beat Dracula but he died.

So what about the third ending (red sky)? Would it shock you if I said there’s not much difference from the text of the first ending? It’s essentially just another eulogy text with nice things to say about him. It says “Simmon Belmont put an eternal period to the legend of Dracula” (yes the Japanese version says Simmon lol it happens), which is something we know isn’t true because well more games got made later. Also because Dracula’s hand pops out of the ground afterwards! Which is hard to say the meaning of, is it just a teaser like “to be continued” or is it actually meaning that Dracula wasn’t put down properly and will be back really soon? Because that still is in line with things since yeah Drac did kinda sorta come back early in Harmony of Dissonance. Anyway— But it’s just another way of saying “he killed Dracula” and probably “he ended the curse”. The last section is just “his blood and sweat have penetrated into the ground of Transylvania and will bring us full-blown flowers with happiness in next spring”. Which is, again, just a really pretty, poetic way of saying “we’re never gonna forget this guy”. And again, this ending never outright says if he lives or dies!

Which is so!!!!! Weird!!!!!!!!!!! Why have multiple endings in a game if they’re all so vague that they’re almost completely interchangeable and can all be argued to be the ending of the game? You could genuinely make an argument for each of the endings being the canon ending and it would affect essentially nothing. They’re so vague to the point that a lot of people assume that they were mixed up at some point in development, which I find unlikely coming from the dev team of the guy said to want his games to be a cinematic experience. But it’s so strange! Why!?!?!

But I think that this vagueness and sense of idk how to put it— um ya know when something builds something up to get you all excited and convinced it’ll go one way and then it pulls the rug out from under you? Like when it’s set up to where it feels like the protagonist is finally going to get something and then it just doesn’t happen completely unceremoniously? Like a hope crushing twist?

Idk what I mean is, to me, it feels completely intentional. It feels to me like the game is just ramping up the tension and the suspense and the dread just to cut it off with vague, bittersweet endings that just seem to imply sad things and don’t sit right. It’s like as if the game wants you to get the first ending, see that it’s really gloomy, try to figure out the game more and get the second ending, see that that one outright says he’s dead, then try to get something better only to run into another awkward seemingly negative ending and a realization that you can’t do anything about it.

And I was thinking about this again a bit ago and realized that it really fits with the rest of Simon’s story. Simon kinda has this general “hero goes to save the day” plot in the first one with some slight mention of Christopher before him and the fact that this is a clan and a repeating 100 year Dracula cycle right? But things go wrong and he gets cursed and presumably either struggles to figure out what to do or just puts it off for like 6 ish years. Add the general vibes of “will I ever be as good as my ancestors?” and repeating themes of being alone and then compare that with Dracula’s Curse that comes out not long later and this game is suddenly the most “power of friendship” “seeing the good in people” “together we can overcome this” kind of story in the whole series and it hit me: Simon feels like a subversion of the lone hero trope. Like this super uplifting, unlikely band of heroes story coming out right after the solitude if it were personified as a 1600s vampire hunter story feels so so so so important to me. And then The Adventure and Belmont’s Revenge come out and what are they about? Christopher goes into the castle alone and something goes wrong! And I’ve noticed how other Belmonts and protagonists in later games get companions or friends or helpers or somebody else, and oh boy does that make how alone Simon is that much more noticeable.

It just all comes together in a messed up way. I really feel like Simon dies in all of these endings. And I didn’t even get into weird symbolism discussion lol—

And maybe this is just me looking too hard into an old game from a modern used to stories in games being detailed perspective, but idk man, I love the Simon’s Quest because it never fails to baffle me. Honestly so much of Simon’s Quest genuinely haunts me (affectionate), like I’ll just be sitting around and think of another possible answer to something and it’ll end up just as vague and full of holes as any other speculation, it’s wild. This game will have you sitting around looking for answers only to consistently run into dead ends with sad or nonexistent implications. I hope any of this makes sense, this game drives me insane I love it debating replaying and overthinking it again hmmmmmmm—

[ruminate88]

After I got away from Andrew and got married, I found it beyond difficult not to have intrusive or sexual thoughts about him. It made NO sense at the time. I was trying to hold it in and act natural with my new husband like, honeymoon is over. I’ve blocked Andrew’s number. I’m not even googling Andrew and yet he’s alllllll I freakin think about and when I try to focus on my husband and build this relationship with him, it’s nothing but Andrew on the brain. 😵‍💫😵‍💫😵‍💫

Quickly I’m disconnected and think it’s my husband. I think he’s pushed me away but he accuses me of pushing HIM away. 🧐 Oh wow. I knew my husband had to threaten Andrew to leave me alone and he said Andrew looked like he was about to cry 😳😳 what does that even mean?? Why would Andrew cry??? After a summer of gaslighting me and hurting me beyond words. Consistently breaking my heart…. Why should HE cry? I was the one crying and shaking so hard he totally crushed me to pieces 💔💔

NOW it’s covid and when Florida stayed open, a lot of us took a trip there. I’m in this condo on the beach with my husband, some family and friends, and I’m getting dressed for dinner and as I’m looking in the mirror, fixing my hair, that was the first time my eyes opened and I saw that I was getting bald in one spot!’ HOW did I not see it before? I’ve looked back at older pictures. I was already going bald before Covid but my hair lady said Covid was stressing everybody out and making people lose hair, but I believe I was already losing hair because stress over Andrew and Cody.

I ran to my husband though and yelled out “ I’m losing hair!!!! Oh my gosh am I sick? Something wrong with me?” The whole time feeling disconnected and I can’t stop fantasizing about Andrew in the back of my head and I just can’t make sense of anything in my life. I’m trying to move on and be a good wife and I’m just frustrated because my husband is there and I can’t even hardly feel him or connect with him the way that I want to…. like, I’m I’m literally forcing it so hard ….

my husband also took me on my dream vacation because we saved so much money during Covid getting those two checks in the mail from the government and it was my dream vacation 😮😮😮 so I should’ve been the happiest person in the world and I wanted to be so badly and I wanted to be happy and I wanted to love and enjoy my husband but still, I feel very disconnected and I feel like he is not letting me connect to him, but it’s not him. He’s literally taking me on my fave vacation. He spent his hard-working money to give me that and I tried to be so grateful and I tried to make it a fun time , but deep inside of me I’m feeling so bad I can’t explain why !!! 😳😩

The first video I ever saw about emotional abuse, wow, I was able to ruminate and I was able to recall everything that happened with Andrew that I guess I was trying to ignore or I just couldn’t remember it. I don’t know still some things that I can’t remember conversations I had are still fuzzy cuz they were hurtful conversations!!! times when I’m begging him to pay me attention and he’s promising me that he wants to be with me but he’s just “busy with school” he keeps abandoning me, ignoring me, I so feel bad and he’s making me feel stressed out because he says that he’s so stressed out with school …. And some how he takes it out on me. “I’m not helping”. He keeps saying I’m making it all worse when I all I wanted was to love him so much….

The more that I learn about emotional abuse, the more it hurts my feelings and upsets me. And I think that’s why I feel so “indifferent“ these days. I mean, can’t change the past, I forgive my exes. I don’t want anything from them and I don’t want them to pay or owe me anything but they still keep hurting my feelings just thinking about them constantly and I just don’t understand it but I know it happens to people. I know that it’s life, trauma and I feel awful for them, but I feel awful for myself too. I’m trying NOT to beat myself up, but I always do. I always feel guilty when I talk about them because it makes me feel like I’m not getting over them or giving them grace , I want a peaceful life and I feel like my life is way more calm than it ever was but also feeling indifferent. Makes me feel like eh, just wanna sit here and chill and be left alone. No one bother me please please just no one bother me. I don’t wanna upset anyone else.

I can’t get comfortable enough to talk to my husband about everything going on inside of me, but I don’t want him to be upset or stressed. I just want him to calm down and just let it be!!!! he stresses over our money and that makes me feel bad because it makes me think of how Andrew was so stressed and nothing I did or said made him happy or made him wanna treat me good OR make him love me back. Andrew was always going to hurt me and abuse me, no matter what! that’s why I had to block his number without even knowing it was abuse back then, I knew that he was mistreating me. And I am beyond an apology from him now, I’m not expecting him to come and apologize… I wouldn’t even believe it if he did, I don’t know how to make it all better. I know it’s all over and in the past and I know by keeping Andrew‘s number blocked that he can’t continue to bother me so much, but he still does bother me in the back of my mind because I always think of his face and I wanna see his face so bad in real life. The moment I walk out of my house, I’m searching for him and I don’t know why because I don’t have anything to say to his face without falling apart! 🫣🫣❤️‍🩹❤️‍🩹❤️‍🩹❤️‍🩹

IF Andrew was standing before me right now. I would be a total mess and I would probably fall on my face and just sob…. I don’t hate him but I know he can never love me back so I feel like loving him IS for nothing and that sucks.

[thedeadthree]

amavet and s*hadowheart mirroring each other how he wishes he could forget his losses and she forgot hers the wanting to forget vs wanting to remember oh my god oh my god

[magenta-somethings]

guess who finally read #100 of superboy (1994)

[fantasticalleigh]

crying over midnight mass again nbd just another day

i wrote this fucking essay out in the tags and i'm too tired to retype it all so i'm dumping it here:

i'm literally that seinfeld meme rn with jerry and george

'you're crying over a movie?'

'alright. the traumatic religious themes and the powerful acceptance of death and forgiveness and the corruption of faith got to me'

the story of a man damning the people he was trying to save got to me

the story of a man so haunted and worn down by his own past and future that he chose death in spite of eternal life got to me

and there's so much more T-T

'remember you are dust and to dust you shall return' and i'm sitting here sobbing

ngl the first time i ever watched it i was so hyped bc i was already a big fan of the haunting of hill house

and on the first episode it was so tonally different and when i saw it was HEAVILY revolving around religion i almost noped out

glad i didn't tho bc imo it's a masterpiece

the ending scene...the hymn...the final line...gorgeous

[hawkinsbnbg]

Today, Mike had woken up on the wrong side of his bed so he was especially vicious as he ranted about anything he found irritating about Steve.

He hadn't even reached the midpoint when Dustin decided to rip him a new one. Which, yeah, was fair because he didn't usually do Steve that dirty. But his bad mood had taken over and he found himself arguing with Dustin.

"It's not like you don't gripe about him every day," Mike retorted heatedly. "In fact, you are the one making fun of him the most out of everybody here," he gestured widely at the others (Lucas cringed, Will looked guilty, Max and Erica high-fived each other, El nodded calmly, Eddie just gave him a little wave).

"That's because I'm his brother," Dustin said matter-of-factly while adopting Steve's signature mom pose. "But who are you? You're just his ex's brother. Without Nancy, you're just a random kid to him."

(Eddie, Max, and Erica looked at each other with the same smirk. "Oh, that burns."

Lucas just sighed helplessly as Will and El watched on in amusement.)

Mike's nostril flared indignantly. He would never ever admit this, but while he thought Steve was lame and an idiot sometimes, he respected Steve plenty. Not enough to admire, but enough to fight Dustin for him.

"So what? I know him longer than you," Mike fired back. "I have more M&M's and 3 Musketeers from him than you do, I played baseball with him every weekend, and I also watched Star Wars with him."

"You do understand what ex means, right?" Dustin narrowed his eyes at him. "Nancy's his ex-girlfriend, ergo you're his ex-something, ergo you need to stop living in the past. You know why? Because I," Dustin pointed at himself smugly, "am his favorite now. I'm the present and the future. His shotgun, his house, his pool, his snack cupboard will forever be mine, thank you very much."

And just like that, all hell broke loose.

Because not even Will was willing to accept that bullshit. Steve never had a favorite, okay? As their babysitter, he wasn't allowed to.

"What the fuck are you fighting for?" Mike glared at Erica who was (impressively) making Dustin wail like Mew on the floor.

"Steve still owes me a lifetime of free ice cream, duh," she looked at him like he was an idiot. "Stop talking shit and come help me."

A wise man once said: "Enemy's enemies are friends."

So it only took Mike a second to give her a hand.

———

"Why didn't you stop them?" Steve asked in exasperation, thinking about the fistfight that would've taken place in the Wheelers' basement had he not interfered on time.

"'Cause the more they eliminate among themselves," Eddie leaned in closer and whispered conspiratorially, "the less I gotta fight to keep you."

"But I'm their babysitter," Steve pushed him away with a finger on the forehead. "And you're supposed to make it easier for me, not harder."

"Sweetheart," Eddie grabbed his wrist and nuzzled his nose into it, "Just say the word and I'll make something harder for you right now."

"You're incorrigible," Steve rolled his eyes, but his pretty smile had betrayed his mood.

"Yeah, all because of you, baby," Eddie pressed his lips on the back of Steve's hand. "O prithee, my princess, give me the remedy."

"What if I don't have any?" Steve raised his brow.

"You do, darlin'," Eddie pulled him close and cradled his face. "My tonic is right here," a kiss on his forehead. "My joys," on his eyelids. "My happiness," on his his nose and then his mouth, "my love."

Later, when they cuddled in bed, sweet and tender after loving each other til midnight, he would tell Eddie there was no need to ask for him in the first place.

Because he had been Eddie's boy since the day the battle vest was draped on him.

It seemed Steve did have a favorite, after all.

Except, it was none of his kids.

Truly a tragedy.