#micks

[chemickie]

im sick of being alone. i want to drag someone down into the same pit i've been trapped within, its not fucking fair is it? that i'd be stuck down here alone. no. i'll bring someone down here with me. drag them down to my level. for once i won't be alone.

[gendernutralghost]

every gay friend group has: the repressed academic, the ska loving "brawn", the formerly mean girl psychic, the match making anime fan, the astrology lover, the lesbian butcher/reluctant big sister, the sexy cat with nine lives, the walrus who runs a magic shop and the local witch who wants to kill everyone

[sweetlikesunflowersandhoney]

videocall with my girls 🥰

[aprofessionalwithoutstandards]

i think its verrry weird how you started posting nsfw posts and reblogging porn the minute you turned 18 idk

I hate to be the one to tell you this but I have been actively extremely horny since I hit puberty when I was like twelve years old. Human development does not work like "absolutely zero impure thoughts until you reach the designated legal sex age, where you have until 25 to finally learn what a boob is, and then 25+ you're allowed to have consensual sex 😊 because 19-25-year-olds are basically minors". I also can tell that the underlying idea in this ask is that I, and anyone who begins posting nsfw when they turn 18, was somehow "groomed" into it, when the fact of the matter is that I have been very naturally gay horny for years and waited until I was 18 to explicitly post about it because THAT'S how you keep yourself safe. You don't pretend to be a delicate sexless angel with the mind of a five-year-old who's never heard what sex is just because you're seventeen. I am a human being with sexual thoughts and I'm now a legal adult who is allowed to post about them. Realize that there is a difference between external adults "waiting until she's 18" and someone waiting until they themselves are 18 so they can go out and buy porn, which they've wanted to buy for years.

This is an extremely reductive, reactionary, infantilizing, and conservative way to speak to me. Don't even pretend you have progressive sexual politics if you think like this. Fuck yourself I'm so serious. No one ever speak to me this way again

[finalatomicbuster]

Tom Katt and Caesar for [2] Magazine (May/June 2003) Photography by Mick Hicks

[twixnmix]

Marsha Hunt, mother of Mick Jagger's eldest child, photographed by Ron Howard in London, 1970.

[biracy]

Anti-poly sentiment and biphobia do definitely stem from a lot of the same ideological places, all of which are either direct reinforcements of or sociocultural remnants of heteropatriarchy, of the historical precedent of men literally owning their wives. This has evolved and shifted gender dynamics, but the core of it remains the same. The suggestion that their partner may be bisexual is "threatening" to these kinds of controlling, possessive people because it suggests that their partner may be attracted to people who are not them, or who are not "like" them, superficially (i.e. of the same gender). There is a long-running expectation for bisexual people to eventually "settle down" - i.e., become monogamous and cease identifying as bisexual. Why would you keep identifying as bisexual when you're with me? Because you want to cheat on me? And anti-poly sentiment carries the same idea - "my partner belongs to me, my partner can never look at anyone else, if I even had to think about my partner having sex with someone who is not me I would kill them and then myself" is exactly the same as the rhetoric deployed by controlling, biphobic partners to bisexual people. I don't even want to do the "well polyamory isn't for everyone! Monogamists are super valid too!!" thing because quite honestly, I think you NEED to be able to grapple with the reality that it is extremely unrealistic to expect your partner to only ever be attracted to you, and that you have been fed the lie that a "healthy relationship" means expecting two people to fulfill all of each other's romantic, sexual, and emotional needs for their entire lives by a patriarchal society. I genuinely think more people need to think about polyamory in the way I think more people should think about bisexuality - accept that it might happen, accept that it isn't a slight against you if your partner is bi or poly, accept that you will not and SHOULD NOT be the center of your partner's universe for the rest of your life, and if you can't accept these things I really don't think you're emotionally mature enough for a long-term relationship at all.

(and of course not all bisexuals are polyamorous and not all polyamorists are bisexual but I am both and it's my post. so.)

[asidian]

A little heartbroken by the news, not going to lie.

But I'm going to keep creating for this fandom, because the characters have made a place in my heart, and I suspect they'll stay there for a good long while. This show and the fandom have been such a joy to partake in during a really rough time in my life, and I appreciate that more than I can say. I appreciate all of you who make the fandom what it is, too.

I guess in the end, Season 2 gets to be whatever we make it. So you know what? Let's all share our Season 2s. Nobody's going to stop us or tell us we're wrong.

So here we go. The Season 2 in my heart, in no particular order:

Desire shows up and puts Charles Rowland through the absolute wringer. He is losing his entire mind, he wants Edwin so bad. This boy has 17 different crises and finally a realization that he has been head over heels for some decades and he is just an idiot, actually

Payneland confession and a first kiss

They get Niko back from the Neitherlands. She's some flavor of undead, and she is having a grand old time, actually

Jenny sets up a butcher shop in London and goes on a date that doesn't try to kill her. With the Night Nurse

Crystal has a corruption arc with David buried in her soul-tree soil and at first they don't realize what's going on, but in the end the boys find a way to go into her heart-space and help her resolve the problem

The boys dance on-screen with some of those skeleton choreography dances

Mick mysteriously also has a shop in London. It straddles time-space and also realms. The characters are all ????? but no one ever figures out wtf is going on with that

Tragic Mick saves the day like a big damn hero with a bazooka like in the comics

The Cat King is around, generally being his trickster self, causing problems for funsies. He dies again and comes back as a fluffy white cat with glam white fur clothes

Charles gets kidnapped somewhere and Edwin has to go and save him. It's very dramatic and parallels S1 Ep7

Monty makes a showing in crow form. He has so many cute bird mannerisms. He gets fluffy in the London cold

The boys return to St. Hilarion's. They find their respective remains and come to terms with their deaths. They decide that, however tragic their deaths were, it led them to the only place they'd want to be: together

Crystal and Niko lay the boys to rest side by side, under the same headstone

[arthursfuckinghat]

"Saw a deer today, it stopped right in front of me.

Maybe it was a trick of the light or the way it moved,

But for a moment, I swear it was you.

I won't say I miss you, I've said that too many times,

But you're still my brother.

My brother under the same endless sky."

[verstappen-cult]

GETTING CAUGHT MAKING OUT WITH THE BOYS | F1 GRID

INTRODUCING THE BOYS. lando norris. charles leclerc. oscar piastri. max verstappen. alex albon. daniel ricciardo. mick schumacher. logan sargeant. BONUS. . . lance stroll.

★ — LANDO NORRIS (4)

it stared with a couple of innocent kisses in lando’s driver room before the race. you don’t usually engage in that kind of behavior at least until after a race, but lando was feeling a little under the weather and while you were only trying to comfort him, he had other plans. and, well, if that makes him feel better you won’t deny him a little bit of fun. now, you’re straddling your boyfriend’s thighs, it’s hot and you want to rip your top and his fireproofs off, and lando, as always, is one step ahead of you. his hands slip under your shirt, the pad of his fingers softly caressing your skin as his lips find the pulse point on your neck. you don’t know if the whimper you hear belongs to you or lando, the only thing you know is that the race can wait a few minutes.

“lando it’s time to g–” you don’t hear the end of the sentence because lando’s race engineer it’s too stunned to finish speaking. you’re quick to jump off of your boyfriend’s lap, but you’ve been caught and it’s impossible to deny what you were doing, there’s evidence on yours and lando’s face. the man just laughs and closes the door, saying something about keeping his head clear of any distraction.

★ — CHARLES LECLERC (16)

you were just trying to help charles clean his shirt after you spilled your drink on top of him. but he was so close to you, his breath tickling your cheek and sending a shiver down your spine, and it just happened. the kiss was shy at first, both of you uncertain of what you were doing. but then you were being lifted up by charles and sat down on the sink, legs immediately parting to make room for him. you didn’t care that you were in dani’s guest bathroom and anyone could walk in on you, you also didn’t care when charles’ hands found your thighs, squeezing the soft flesh while his mouth kept the assault in yours, neither did you care when those same hands lifted your dress up, up and up until you could clearly feel the effect your kisses were making on him.

you were ready to ask charles to do something when the door opened startling you both. charles stepped away and you jumped off the sink, trying to brush your hair and looked presentable to the owner of the house who was now looking at you, surprise written all over his face before bursting out laughing. “guys! you won’t believe this!” it only took a panicked looked between you and charles for the boy to sprint down the hallway to try and shut his friend up.

★ — OSCAR PIASTRI (81)

you don’t know if australia has something in the air or if being in oscar’s childhood bedroom is making you feel a certain way. but the second the door closes, you’re leading him to the bed. oscar is a little uncertain at first and looks like he’s about to say something, but the words die in his throat the moment your lips find his. he doesn’t wait a minute in taking control, and lays you down on the bed, his body on top of yours. then your impromptu kissing session it’s not enough, you need to feel him closer, you want his hands everywhere.

“would you like some lemonade?” it’s too late for you to pretend to be doing something else than being in an intense making out session when oscar’s mom, the woman you’ve just met that same day, opens the door. when she sees the scene, she quickly closes her eyes, hiding behind her hands. it would make you laugh if it were any other situation. oscar doesn’t move but looks like a deer caught in the headlights. “i did not see a thing!” you would pretty much prefer for the earth to swallow you whole than to face the woman again.

★ — MAX VERSTAPPEN (33/1)

it’s not max’s fault that you look so, so good in that damn dress that all he wants is to rip it off of you. if the FIA gala wasn’t so important—it’s not. not for him, at least—he would get out of there immediately. instead, he has to settle with crowding you against a wall in a secluded corner of the building when he finally has some time for you. he can barely keep his hands to himself, and is touching you even before you can feel his lips against yours. max whispers sweet nothings as his lips go from your mouth to your neck and then up again, making you feel dizzy. he lifts your dress up around your thighs, and you allow him access in a heartbeat, not caring about anything but how addicting his kisses are.

“ejem,” a cough makes max pull away, and doesn’t hesitate on shielding your body with his, giving you enough time to fix up your clothes. “we’re next.” christian horner tries to look at anywhere but you, and you don’t know if you’re supposed to laugh or feel ashamed. both, probably. max dismisses him with a simple nod of his head, and once you’re alone, max goes back to what he was doing before. you still have a few minutes to spare, he says.

★ — ALEX ALBON (23)

you were having the time of your life choosing an outfit for a party next week, your boyfriend waiting for you just outside the changing room; you actually were focused on trying to zip up a beautiful black dress you had chosen when the door opened, revealing alex with a mischievous smile on his face. as quick as he opened it, he closed it behind him. you didn’t question him, it’s definitely not the first time he’s done something like this, so, you, more than happy, welcomed him with open arms and a set of pink and plump lips. and alex is immediately swiping his tongue across your bottom lip and kissing your properly—kissing you so slow while gently cupping your face, trying to take as much as he wants from you, and you’re ready to give it to him freely.

“is someone there?” a girl’s voice startles you both, but before you can think of hiding alex or saying something—not that you can with your boyfriend’s mouth against yours—she’s opening the door. neither you nor alex know what to do other than to stay very still and very quiet, as if that would make the girl forget what she saw.

★ — DANIEL RICCIARDO (3)

you told daniel that hiding in the airplane bathroom to make out wasn’t a good idea, but you still got up and went voluntarily when he gave you the signal. waiting for him to knock was torture, you were pretty sure you were going to get caught. but when you opened the door and your boyfriend pulled you in to finally kiss you, you forgot about everything. the way daniel kisses should be illegal—how he lets you take the lead until your kisses become sloppy and your head feels dizzy and you can’t keep up with it because it feels so good. then he takes control, gripping your waist with such force it’ll leave marks; the mere thought makes you weak in the knees.

“open up! you can’t do that in here.” a huge knock on the door makes you pull away, but daniel doesn’t let you go, chasing after you until you give up and kiss him again. this time the kisses are more intense and the tiny bathroom it’s too warm and you’re wearing too many clothes. the person behind the door is forgotten the moment daniel gets so close that you become one. you’re already in trouble, so, it’s doesn’t matter if you stay a few more minutes in there.

★ — MICK SCHUMACHER (47)

kissing at clubs is not something you would’ve done in the past, not even when lights are so low and no one cares what the person next to you is doing. but ever since you started dating mick, there are a lot of things you’ve already done that you never thought you would do. and making out in a corner of the club with mick pressing against the window, his body molding into yours just in the right spots is definitely one of them. mick is practically knocking the air out of your lungs with the way he’s kissing you, and you have to hold onto his shoulders afraid of melting to the ground. you don’t know where you are, and you really don’t care as long as mick keeps kissing you like that, so you don’t push him away when you feel his hand making its way up your thigh, getting closer to where you need him the most.

but then you hear people laughing. mick pulls away first, groaning for being interrupted, but then you look around and you’re right next to the bathroom from where a group of girls are walking out. you feel all the blood in your body rushing to your face, they look amused but you want to disappear. you hide your face in your boyfriend’s chest and don’t look up until mick is the one lifting your chin up to kiss you. this time he takes your hand while saying something about going home to finish what you started.

★ — LOGAN SARGEANT (2)

it’s childish. and all of you are adults. you definitely should not be playing truth or dare in a party like thirteen years old. however, you don’t say anything when oscar dares you to spend seven minutes in the closet with logan. it’s true you both have been dancing around each other for a while now, what you didn’t know it’s that it was so obvious for everyone around you too. the cheering from your friends dies down when the door closes and you and logan are alone. you look into each other’s eyes for a minute, pure silence in the secluded space, then logan glances down at your lips and you suck in a sharp breath when you realize he’s asking for permission. your eyelashes flutter as you take a step closer, and he wraps his arms around your waist without a trace of hesitation. you’re gasping into his mouth the next second, his lips warm and soft. his fingers brush along your jaw and, in that moment, you decide this won’t be the last time you’re gonna be tasting his lips, you want to do it every hour of every day.

but then the door opens and you immediately pull away as if you’ve been burned. there are a lot of eyes looking between you and logan for a moment before someone shouts “fucking finally!” and everyone’s laughing and cheering. when you look at logan again, he has a lopsided grin plastered on his face.

★ — LANCE STROLL (18)

lance made sure you two were alone in his parent’s house before taking you in his arms and sitting on the couch. he smiles at you with the same bright and pretty smile that stole your heart one time two years ago as you run your hands through lance’s hair, down his neck and over his shoulders, letting them rest on his chest. lance grabs onto your waist and meets your lips halfway, all his body relaxing immediately. he kisses you so softly but determined, licking into your mouth when you give him access, like it’s his last day on earth and he needs you to keep breathing, surviving. you let his hands roam freely over your body and you can feel your heart pounding so hard, almost as if it’s gonna jump out of your chest and you can’t do anything about it. when your boyfriend’s hands graze your lower back for a second before grabbing your arse, a tiny mewl escapes you.

and as you’re about to grind down, “oh my god!” lance’s sister screams in surprise. you both look at her, more embarrassed than afraid. you know your cheeks and ears are as pink as the shirt you’re wearing, and you feel like your skin is actually burning. ”well, i guess we had the same thought.” she says stepping aside, her boyfriend coming into view with a shy smile on his face.

requested by @biancathecool. . . The boys (individually) Nd fem!reader getting caught making out, with the driver having thier hands shoved down their gfs pants or up their shirt 🫠❤️ Alsin if you could please add lance in this one.

© VERSTAPPEN-CULT ⎯ do not repost, translate, plagiarise or claim any of my works as your own.

[stark-lord]

Dead Boy Detectives (2024)

1.02 — The Case of the Dandelion Shrine

1.04 — The Case of the Lighthouse Leapers

[brokenxmachine]

Mädchen Amick and Sparks. SLEEPWALKERS (1992) dir. Mick Garris

[moresandmanstuff]

[turnipoddity]

cleaning up after performance,,,

[n1ckelpistol]

killer solo

[deconstructthesoup]

One thing I absolutely adore about Dead Boy Detectives is the immaculate costume design. Specifically, how it perfectly encapsulates who the characters are, both as a whole and who they are in the moment.

From the very first scene of the show, we know immediately that Edwin is a bookish, somewhat stuffy guy from the Edwardian era who attended a boarding school, and Charles is a punk from the 1980's who's most likely the wildcard between the two of them, just going off of the way that they're dressed. Both of them have distinct color schemes and different styles, but the general shape of their outfits is actually relatively similar---both of them have collared shirts (Edwin's dress shirt, Charles's polo), something over those shirts (Edwin's vest, Charles's suspenders), a jacket of some kind (Edwin's suit jacket, Charles's flannel thing), a longer overcoat (Edwin's traveling coat, Charles's peacoat), something around the neck (Edwin's bowtie, Charles's necklace), slacks, and nice shoes. They're distinct, yet matching, two clearly defined separate characters yet part of a set.

Edwin's prim, proper, buttoned-up personality lends itself to the way he dresses throughout the season---in the first episode, he only dresses down when he's in the office with Charles, aka his safe place and his safe person, and he doesn't really dress down like that again for a good long while after getting stuck in Port Townsend (though, if my memory serves me correctly, he does take off the suit jacket while watching TV with Niko). But in episode six, he's changed up his usual look for a cozier, casual-looking sweater and a little bit of collarbone, and in episode seven... well, he's in his nightclothes, and he's about as open, raw, and vulnerable as you can get. Edwin's color scheme is also predominately blue, which lines up nicely with his logical and practical, yet deeply sad and closed off personality, and the only time he really wears anything other than his normal blue-and-brown outfit (willingly, that is) is when he's in that green sweater in episode six. And, uh... all I can say is that it's quite telling how blue and green---or, well, teal---are the main colors of the gay/mlm flag.

Charles, by contrast, dresses down a lot, and that makes a lot of sense when you consider the fact that unlike Edwin, he feels comfortable pretty much anywhere. On any given episode, he goes from wearing his peacoat to just wearing his flannel to ditching the flannel to not even wearing the freaking polo---though, again, the latter is something that only happens when he's in the office with Edwin. Safe space, safe person. And, well, plenty of people have analyzed Charles's polo shirt going from red to burgundy to black over the course of the series, and there being a little bit of red under the collar of his coat that's only visible when Edwin fixes it, and then it goes back to burgundy, and then it's red again when Edwin's out of Hell... for good reason! It's color symbolism at its finest! Not to mention, the red and black not only perfectly contrasts Edwin's color scheme, but it also lines up with Charles's personality---he's a rebel, he's hotheaded, he's bold and brash and loud... and yes, he's angry, but he's also so, so loving.

When we first meet Crystal after she loses her memories, her outfit choices feel very deliberate. They're stylish and vaguely trendy, they're arty and a little bit witchy---pretty fitting for a psychic who's also a showbiz kid, even if she doesn't know that last part. But all of her clothes appear thrifted, or at the very least vintage, and the patterns and the general vibe all feel natural and comforting. Her makeup's always fairly simple, her hair's either down or up in a couple of cute space buns... overall, this Crystal looks like the kind of person who'd make you tea when you're in a bad mood, who'll listen when you just need to vent, and who may not always know the right thing to say but will understand what you're going through. But when we see her in the flashbacks, her clothing's flashy and prioritizes high-end trends over comfort, she's either got her hair up or has it straightened, and she not only has dramatic makeup, but acrylics. This is a girl who talks shit about you behind your back, who's bitter and cynical and wants everyone to feel the same way, who makes up for the lack of love and stability in her life via material things. It's also worth noting that Crystal's color scheme has a lot of purple, which is a color that connects to wealth and luxury, but also creativity and magic---which, yeah, fits her two conflicting sides pretty damn well.

You cannot talk about Niko Sasaki without talking about her outfits, and the meaning behind each of them has already been talked about at length. However, one thing that really stands out to me is that the reason they're so iconic isn't just because of the monochrome color schemes, but because they're out there. They're weird, they're eclectic, they're a little mismatched in style sometimes, and they're so unapologetically her. Niko wears heart-shaped sunglasses, unironically. Everything about the way she dresses speaks to how, even though she's a recovering shut-in who initially doesn't want to be perceived, she's still very sure of who she is.

Jenny's design, like Charles and Edwin's, is a design that gives you the key information you need the minute she first appears onscreen. The dark makeup, the silver jewelry, the leather apron, and the hairstyle all point to a person who's tough, doesn't take anyone's shit, and has long since given up on caring what other people think---in other words, she's a badass. But the butterfly tattoo hints at a softer side, a side that we see time and time again throughout the series as she shows that she cares about Crystal and Niko, and even the boys... eventually. Also, Jenny's design is perhaps one of the most clearly queer-coded in the series, to the point where her being a confirmed lesbian is pretty much a no-brainer.

Esther's design oozes camp, from top to bottom. The fluffy coat, the bustier, the boots and the cane and the everything, speak to a woman who's kept with the times and yet has seen it all. There's really not a lot I can fully say about her design, other than what Charles has already said: "She looks like a witch... like, kind of a sexy witch, who smokes a lot." (Or maybe I'm just tired and running out of steam at this point, idk, I love Esther's design and I can't really put it into words.) It's also pretty fitting that her color scheme has a lot of yellow in it---after all, she's always striving for more, so what better color for her than the color of gold?

Everything about the Night Nurse's design speaks to a woman who follows rules and discipline above all else, from the pantsuit to the pinned-up hairstyles to the tie to the heels. She's also the most muted out of the main cast in terms of color, dressing mostly in browns, dull greens, and duller browns---and while I don't have a lot to go into detail about there, I feel like that's kind of a symbol of her narrow-minded and bureaucratic worldview.

And the animal characters... Jesus Christ, I fully forget that they're all being played by human actors. Tragic Mick dresses like a man who's always spent his life by the sea, layered denim and all, and it's never a stretch to see this sad, bushy-bearded, baggy-clothed fisherman and imagine him as a walrus lounging on a beach. Monty, at first glance, seems to only wear black, which would be perfectly fitting for a crow, but when he's in better lighting, you see that he dresses in layers of red and blue, calling to how he envies Charles and Edwin and clearly longs for something more---and this might just be me, but I think that even though his outfits seem fairly normal at first glance, they feel kind of like a costume for Monty more than anything else, like he's trying to emulate a teenager that he's seen on TV more than someone in real life.

The Cat King fits this just as well, with all of his outfits aligning perfectly with whatever his cat form is at the time---when he's a fluffy ginger, it's always sequins and fur coats and clothing pieces that are specifically designed to take up space and call attention, and when he's a black shorthair, it's sleek styles and shiny leather and pieces that are designed to cut an intimidating yet more subtle figure. And while I could go into detail about all of those, what really stands out to me is how clearly queer everything is---more than Jenny's alt lesbian attire, more than Esther's campy coat and corset. From the very first scene he's in, he's wearing a skirt, and it looks natural. Nothing about the way the Cat King presents himself is exaggerated, nothing about the way he dresses is played for laughs---he's flamboyant and feminine and flirty, and he looks so fucking hot while he does it. It's gorgeous.

So... yeah, uh, all the awards for the Dead Boy Detectives costume designers!