#mick hicks

[finalatomicbuster]

Tom Katt and Caesar for [2] Magazine (May/June 2003) Photography by Mick Hicks

[oldcountrybear1955]

Men Magazine October 1998 - Dean Phoenix - Photographed by Mick Hicks

[russellsppttemplates]

I'm with you all the way (Mick Schumacher)

Baby Aurora is ready to make her entrance to the world

Note: english is not my first language. this is another long piece that I hope you enjoy (I've had this one planned for a bit and I'm so happy I'm finally publishing it)! Also, of you're looking for more pieces of dad!Mick, I also have some pieces on my masterlist where they become a family of four and some other moments too! (You can read the latest one here!)

Thank you so much to everyone who likes and reblogs, your feedback is appreciated 🤍 and I'm taking requests so if you have any ideas or concepts you want to share, feel free to do so as I'll try to get to them the best I can!

my masterlist

Tw: pregnancy and childbirth

Your night routine, especially when Mick was home, had turned into a ritual that he would not do without. Like so, you were laying on the bed already, having done your skincare and brushed your teeth, your loose pyjama top resting just under your boobs while Mick also got ready.

Grabbing the bottle of bump oil, he dosed the right amount on this hands and spread the product on your skin, "you know, today was the last day at the factory before winter break, and everyone was hoping you'd pay them a visit as soon as it was possible. And you got some gifts too, we now have a few team onesies for you, and they also said they would get a pair of headphones ready for when you attend your first race", he smiled kissing the skin above your belly button, "I'm sure that's going to be an eventful day", you chipped in. This routine had been pretty early on and it always allowed Mick to feel closer to his babygirl. He would usually tell her all about his day, random thoughts he had and discussions you would have about certain topics, "did you feel okay today?", he asked, laying his head near your bump but looking up at you, "yes, I mean, at this stage there's always a degree of discomfort, but I've been okay. Spent most of the day changing a few things around and I also cooked a big batch of food to put in the freezer", you added, brushing his blond hairs with your fingers.

You think you managed to sleep about four hours until you were woken up from the pain on your hips and your lower back. They were once than cramps but still tolerable, yet they were keeping you from sleeping all way through the night. They became a lot more frequent, around forty minutes between each of them, leaving you like you were standing on a tightrope: you'd be woken up from the pressure, it would relieve and you'd do your best to fall asleep, only to be woken up by the pressure again and repeat the cycle.

By the time morning rolled around, Mick woke up at his regular hour, turning to face you, "good morning, liebling", he croaked out, his hand landing on your bump with soft strokes, "morning, my love", you yawned, "I did not sleep all that well, I think I might cut out of watching you work out today", you apologised, "it's okay. Take sometime to rest, yeah?", he cuddled you for a little, "but what happened?".

Appreciating the way his body heat was feeling against your skin, you snuggled further into him, fingers tracing shapes on his chest, "I have this pressure on my hips and lower back, I don't even know if they're contractions. In my head, it makes sense that I would feel those in my belly, right? Because of how the baby is coming out? I don't know, I just know I barely slept", you pouted, feeling Mick's lips on your forehead, "maybe it's just some Braxton-Hick contractions", he mumbled, moving his hand to soothe the areas you had complained about.

When you got up to use the toilet in hopes of going back to bed when you noticed some blood, making you finish your business and meet Mick in the home gym, "I thought you were going to sleep? Are you alright?", he wondered, not expecting to see you there, "I had a tiny bit of blood on my underwear and I have just texted my OB about it, maybe it is my mucous plug? And those were in fact real contractions, so maybe there's that", you told him, "but I feel fine, like any other day, Rora has kicked and everything, no now we just wait", you finished, grabbing a comfy chair you had in the gym for the purpose of sitting while your husband worked out. A lovely view, one might had.

"What did she say?", Mick questioned as he set the weight back on the stand, having heard the notification on your phone going off, "she is advising that we go to the hospital to get checked out, and that she'll call me later", you read, setting your phone down, "so maybe after this, we have breakfast and then you pack the rest of your things?", you suggested, earning a nod from Mick, "I can finish now, there's no need to-", your husband began tidying up, "no need for that. I'm feeling fine, genuinely. And, besides, you were just going to do some squats, right? Mama wants to see that", you giggled, tapping his butt when he walked past you, shaking his head from side to side at your comment.

Despite the initial hurry Mick felt, you were able to do things like you normally would, commenting many times how you actually felt pretty okay and if you should really go to the emergency room, "better be safe than sorry, liebling", Mick offered as he finished putting the last things on his hospital bag, "I'm packed, do you need me to get you anything from upstairs?", he asked one last time before he went upstairs to get the phone chargers.

When you go the hospital, you went straight to the CTG room where they would monitor the contractions and the baby's heartrate, talking to Mick and every healthcare professional that walked in time to time just to check that everything was okay, "is it painful?", your husband asked, "a little bit of pain comes whenever I feel the pressure, but other than that, it's the same as any day", you explained, squeezing his hand that was holding yours.

When the doctor on call looked at the paper that was coming out of the machine, she decided to do an observational exam, "your cervix is still in a posterior position, and it's closed still. You are in early labour, yes, and you did very well in coming here today, but this is going to take a few days. You've only had two contractions while you were here as well. So maybe next week something should occur", she smiled.

"Is there anything we can do now?", Mick asked, a little bit more relieved that everything was fine, "just take this time to rest", she offered, bidding you goodbye as you, too, made your way back home.

Back home, you and Mick spent the afternoon in the sofa, only getting up when you needed the bathroom or when you wanted to eat or drink water, Angie cuddled up next to you. While the pain remained at the same tolerable level, it was around dinner time that you began to feel it around every 20 minutes.

The night had proven to be even harder. If you had only slept a little bit the previous night, tonight you couldn't sleep at all. The contractions were coming along every four to ten minutes, and the pain had increased significantly. You went to sleep at ten at night, given your tiredness, and now three hours later, you were past the point of not wanting to bother Mick, "Mick, my love, wake up please", you called, shaking his body softly and firmly at the same time, seeing him open his eyes, "what's wrong?", he croaked out, "I can't sleep because the pain just got a lot lot worse, and I don't think I can be here. And I'm probably in labour", you muttered between another contraction, "let's go then", he said, getting up and helping you up too, putting on something a little more decent other than pyjama shorts and a sleeping gown for you.

The bags had ready been in the car from your trip this morning, making Mick only grab the chargers and head out with you, "Angie, mama is going to the hospital, and by the looks of it, your sister will be home soon", you held the dog's snout on your hands before kissing her, almost noticing weariness in her eyes, after all, her humans were not usually up at this time of the day. "Shall we go then?", Mick asked, guiding you to the car after petting the dog's head.

Driving to the hospital was fine, your body recoiling a little bit whenever you felt another contraction, "we're nearly there, liebling", your husband conforted, his hand squeezing yours on top of your thigh. Sensing his worry, you looked to calm him down a little, "Hey,", you squeezed him hand back , "So far everything is good, and we're finally gonna meet this little lady. So until we have to, let's not worry, okay?", you finished as he parked near the entrance of the hospital, "I can walk from here".

Mick flashed you his dashing smile, leaving his side and going around the car to help you out once he put on the backpack and slung the other bag over his shoulder, "Let's go then", he said, somehow managing to lock the car and support your lower back, along with the bags, along to the door.

Your midwife, Caroline, was already waiting for you at the entrance, "I was just going to ask if you needed help, but you look like you're just fine!", the older women exclaimed once she saw Mick, "perks of being an athete, I guess", he chuckled nervously, "where do we sign in?", he asked once he sat you in one of the wheelchairs as comfortable as you could be.

"Hi liebling, how are you handling it?", he asked as soon as he walked inside the room after filling in all the paperwork, seeing you already in a hospital gown and your OB typing things on her iPad, "I'm good, they're getting stronger, but I'm handling it, I think", you smiled, happy to have him back with you. "Hi, everyone. Sorry, I just came in and didn't even greet everyone", he blushed, "That's okay, don't worry. Like I said to Y/N, she is 4 fingers dilated, so this little one is coming out today", she smiled, "if you need anything, please call someone, okay?", she said before herself and the rest of the team eventually left you two in the room.

"I hate seeing you like this", Mick mumbled against your skin, kissing your sweaty forehead, "it's part of the job, but yes, if there was a way I could give you some of this discomfort, I would give you since you're offering", you said back, chuckling a little before groaning at another contraction, opening your eyes when it finished when you noticed two yoga balls, "I want to go on the ball, I want to try it", you pointed, your husband promptly helping you to do so and grabbing the second one so he could sit and be at your eye level, "I love you, Y/N", he said once he got comfortable, holding your hands in his as you rocked your hips from side to side, "I love you too, so much, Mick. We're finally going to meet our babygirl", you said, "we are, my love. And it's all because of you", he recognised, gulping when he saw you bracing yourself for another contraction, "it took the two of us to do the deed", you attempted to pull a smile out of him, failing by a small margin as only the corners of his lips lifted up and smiled a tight lipped one, "yet you're the one-", he attempted but you shushed him, "None of that. You're being amazing, and I would like some kisses and I don't fancy them if they're not from you", you smirked, seeing him smile a genuine one this time.

Later, you wanted to move to the bed as the tiredness began washing over your body. If this was what happened after two sleepless night, the newborn phase was going to be interesting to go through.

"Here, careful, I'll call someone, yes?", Mick said, the crease between his eyebrows back on his handsome face. The room door opened and Caroline walked in, "how are we doing, Y/N?", she asked softly, approaching you, "I'm okay-ish, they're picking up now, like a lot", you mentioned, "Mick was just about to call someone", you yelped.

"It's 5 am, so you could be going along well. Let me check you, please", she urged, helping you scoot down down on the bed, "okay, you're about 8 to 9 fingers dilated, good job Y/N!".

"You're doing so well, liebling", he mumbled against your skin, "I'm going to check with the OB, but looking how this is going, you should expect to be wheeled into the birthing room in an hour or so", she smiled, typing the new informations on her iPad before leaving you two.

You opened your arms, your husband taking the hint immediately and sitting on the edge of the be, one leg next to your while the other supported him on the floor, his hands soothing your pains around your hips and back area, "does your bump hurt?", he asked as he scattered a few kissed everywhere he could reach, "I don't think I can tell apart the areas where it hurts, it's just my whole torso", you said and immediately regretted it, sensing his tension grow at his helplessness, "but your hands are doing a good job at distracting me, and I appreciate that a lot", you soothed him, hopefully, the feel of his fingers and his scent calming your own body despite everything that was going on.

Between shared affections, words of encouragement and even a video call from Corinna, the time came for you to be wheeled into the birthing room, doctors and nurses ready to.

Your body was urging you to push and you complied. Holding Mick's hand, he helped your support your torso when your strenght was giving out, "C'mon, Y/N, you're doing an incredible job!", Caroline urged you while Mick mumbled into your ear, "a few more pushes and Aurora will be here with us", he encouraged, "you're doing so well, my love, I'm amazed at you".

It took you three big pushes until your baby girl was out in the world. Leaning back against the pillow, you felt Mick kiss the side of your head until your senses focused on the new noise, a high pitch scream from your daughter, "she's here, Y/N, congratulations mama and papa", Caroline said as she placed the baby on your chest.

A head full of blond hair, the softest of chubby cheeks ever and eyes wide open just taking in the world around her, quietly calming down as soon as she felt your skin on her. You briefly looked at Mick and, like you, tears were running down his face as he kept caressing your shoulders and whispering praises and "thank you"s on your ear, his finger coming up to touch his daughter's soft cheek.

"Look at her, she's so tiny", you whispered, kissing the top of her head and looking at your husband again, kissing his lips chastely while the medical team waited for you to deliver the placenta, checking if everything was going like it was supposed to.

After a few minutes of admiring her, Caroline approached you, "you're all set, Y/N, everything looks good and it should heal nicely. Now, we need to take this little lady to check everything with her, okay?", she asked as one of the nurses held out her arms, making your extend your own so she could grab her.

Mick looked at you like you hung the moon and the stars just for him on a regular basis, but at that moment, it was more than that. You gave him the start of his own family, a little girl who had captured his heart the moment you told him you were expecting and new opportunities to form memories.

"I love you so much. Thank you for not letting me give up", you whispered and you kissed his hand that was caressing your cheek and brushing the hairs out of your eyes, "You've made me a father, there's, again, no words to thank you for that".

Seeing your husband holding the baby your love created really was a whole thing. Hormones were flying around since you had given birth, and now back in the room, watchinh your husband being the most attentive ever to your little girl was the last drop. While Caroline checked your vitals and made sure everything was healing nicely, you couldn't stop looking at Mick walking around with Aurora tucked into his chest, his hands holding her against him while he spoke soflty, "and after Opa Michael, there's Oma Corinna, she has been so excited since she knew you were coming, she's going to be enamoured of you, I just know it. I think she's making her way here, actually", he smiled as he turned to you, seeinh you nod, "they're going to spoil you so much, little one", he said before placing a kiss on top of his daughter's head.

"Do you want to do some skin to skin with her? Babies enjoy it a lot, especially when they're this young", Caroline pointed out.

There, that was the last straw, "sure!", Mick said enthusiastically, settling the baby on your chest so he could take his shirt off, "there we go", Caroline helped him place his hands around her small body. And that was a sight you would happily watch all day, every single day, making you grab your phone so you could save the moment forever, "you're both very enamoured with your little one, as expected, so I'm going to leave you. Call if you need anything", Caroline excused herself.

"You know, I'm very happy that she's here safe and sound, but I'm also very happy that my body is preventing me from having another kid right away because right now it sounds great, even though my rational self also knows it would be crazy, doable, but crazy", you mused, looking at Mick and seeing him watch you, "and as I was saying, because mama seems to have forgotten that there are little ears in the room, me and mama are sure to love on you any moment of your life, that is a promise we've made long ago and that we intend to keep forever", he gulped, looking back at you to kiss your forehead, "rest up a little bit, liebling, me and Rora are going to catch up".

[scoutsbabygirl]

the butcher of badwater; (yandere) sniper x reader [part 2]

part 1: https://www.tumblr.com/scoutsbabygirl/751123357519560704/the-butcher-of-badwater-yandere-sniper-x-reader?source=share

"why the hell did you do that!?"

cautiously, on your hands and feet flat on the ground you backed up, lifting your ass off the ground. you always knew something was wrong with him (honestly, you brushed it off the isolation, loneliness of being adopted to even speculating he had some degree of autism) but this was something you could never imagine him doing. well, he was a killer but you didn't think he would kill his coworkers. rabbits, deer and other creatures around didn't count either as you knew he was an outdoorsy type of man and hunting game was his specialty.

"i don't like the way he looks at you." he stood up without warning and sharply turned his front to you. you only saw his back before. his face and aviators were covered in blood, his entire front look like he bought the clothes a crimson red and not a baby blue colour. "i don't like the way he talks to you" he eyebrows narrowed indicating he was concentration. you could see jeremy's body just behind him but you didn't dare to look. "i don't like how he tries to flirt with you." he scratched the back of his head with his right hand. he was acting like nothing out of the ordinary just occurred and more importantly that a body was laid close enough that he could bend down and touch his lifeless skin. "so i figured he'll learn from his mistakes".

there was an uncomfortable silence that washed over you. you were stunned, speechless.

blindly, he threw the bloody and bent kurki to the side. it hit a rock as the clang rang out into the air. you cringed at the loud noise. he was weaponless, at least. you were grateful for that. he walked a bit to get closer to you then crouching down to meet your eye level despite being a few inches taller than you. it felt weirdly intimate- not in a sexual way but one that may have provided you comfort if given much different circumstances.

"he never caused me any problems though?" you spoke quietly, your voice was breathy and sounded like you had just run a mile long marathon without any breaks nor water. "we were just friends?" your eyes wandered from his face, to his stubble covered chin to the grey rocks behind him realizing you had just used the past tense to describe one of your best friends.

he removed his sunglasses with both of his hands. "see, the question in your voice is what worries me." pausing, he attempted removed the blood and other innards from his glasses with his blue sleeve. "i don't think you would dare to betray me." there was hick in his voice. he looked down at you with a straight face, he was challenging you. he knew this scared you. he knew he scared you. normally, he would hate feeling this way but the anger overtook him. he wasn't that friendly bloke that talked a bit too much about the surrounding floral and fauna and starting campfires with sticks and mirrors but rather a cold blooder butcher. "i think he would try to sway you away from me, whether it be by early morning jogs or stargazing with him outside at night. i've seen it all."

your jaw went slack. in disbelief. you had an inkling that he was romantically interested in you but not to this extent he was acting obsessed. sure, jeremy would try his cheesy pickup lines that resulted in the both of you going quiet then laughing or the mindless hand touches but there wasn't anything direct. you thought of him like the brother you never had growing up as a little kid.

"why does this all matter to you, mick?" your eyebrows furrowed. you had so many questions but you didn't want to tick him off even more and cause harm to yourself.

"are you fucking re-" he pinched the bridge of his nose, sighing, catching his words. "jesus christ" he mumbled under his breath. he looked down at his midwestern styles shoes and your dusty white sneakers his eyes bouncing back and forth. "listen- i'm gonna stand up and walk to my van. i'm then going to grab my white washrag and douse it in chloroform. i'm then going to track you down and knock you out with it then drag you back to my van. i'm tired of worrying about these other fuckers taking you away, so i'm taking you away from them."

"what?" you blurted as your heartbeat speed up after every word in a struggle to comprehend what exactly he was trying to say. you watched as his left hand reached from something in his khaki pants, slowly taking out a swiss pocket knife. he flicked the pocket knife out of the red covering. mick studied the silver knife glimmering off the sunrays. you looked at the knife and looked back at him, unsure what to focus on. they were both weapons to some extent and that thought left you on the edge and anxious.

without speaking his whipped the small knife up to your jugular vein protruding out of your neck. you knew that if you moved it would tear open the skin and you would bleed out right there on the ground.

you repeated "okay" over and over again half trying to ground yourself and half in an attempt to convince him to remove the knife from touching your delicate skin. you knew he had the power to cut through you like a hot knife in butter. he laid the flat part of the knife on your neck which caused a shiver to travel up your spine leaving you to shake lightly for half a second.

"listen to me", his mouth was against your ear. "i want you to listen to everything i have to say", his voice was dark and gravelly which reminded you of how sandpaper sounds when rubbing the material against each other. "i have the knife against your throat and i want you to follow me to my van." the hairs on your neck stood up. "i don't wanna use it on you and i don't wanna waste my chloroform." he sat on his haunches with both of his legs on either side of your torso. this didn't allow you to run away nor escape.

you knew right then you had to follow all of his orders and instructions otherwise you knew you wouldn't make it out alive.

[ruthytwoshakes]

Howdy everyone!! I got super inspired by @a-scary-lack-of-common-sense class swap au and wanted to try my hand at it!

I really love these designs!! If people like them too I’ll make some full refs and make some more content with them. I probably will anyway because I have so many ideas.

Under the keep reading I added wayyy too much description if you’re interested. You are interested you will read I’m using my evil mind magic to make you want to read

(I’ll address them by their names to make it less confusing btw. Pyro and Spy are called Demonan and Soldier though. I’ll name them one day probably)

For Medic and Heavy I kinda swapped their backstories and personalities. Misha is an only child who comes from a family of, fucked up to say the least, doctors. He lost his medical license for stealing the entirety of a patient’s skin. Misha is much more of a hardass with a superiority complex. Cold and callous. He takes himself and his work very seriously,, thinks he is very scary. The other mercs don’t really give a shit, which infuriates him to no end. He cares about his teammates! somewhere deep down inside ,, like really far down. Probably. Really attached to his tools, names them like how the original Heavy names his guns. He’s pretty fluent with English.

Ludwig is much more silly and caring. He’s the youngest sibling out of his 3 sisters, and took this job because he feels obligated to pay back his family for protecting him and helping him go through college. He’s not sadistic per se, more just, really loves the blood, guts, and carnage of war, and has a very morbid curiosity. He often accompanies the Medic when he's doing operations, if he's not already the patient himself. Misha adores how fascinated he is by all of it, and gladly answers and questions he may have. Very loud and extroverted,, his laughs can be heard from miles away. He kinda scares the other mercs, but he’s trying his best to tone it down. He has a horde of pigeons that just ,, follow him around. He doesn’t really know where they came from. His favorite is named Euripides. He’s intermediate at English.

For Sniper and Scout I kinda kept their backstories the same, they just had different personalities and life circumstances that led to them taking their respective jobs. Jeremy is the older brother of 7 little sisters. His mother had him when she was 16 and going through college, leading Jeremy to have to grow up fast. He and his mom have always had to pick up odd jobs to help pay the bills. One of Jeremy’s bosses took him out onto a shooting range one day and noticed he was a natural. He encouraged him to take up predator/invasive species control to help pay the bills and helped him get started, Jeremy eventually saved up enough to move to the northwest. As he got more skilled, some shady people took note and offered him some more,,, lucrative opportunities. He’s a hick with a slight Boston accent, making him all the more awkward. Pretty introverted, the only friends he's ever had is his little siblings. He’s quick-witted when he wants to be, but usually stays quiet. He seems pretty cold tough, but will change really quickly around little kids. Drinks way too many energy drinks to compensate for his insomnia.

Mick is an only child and basically the Australian version of Scout. Which is a terrifying concept!! he scares me. He’s a pretty extroverted guy, but was still bullied for his scrawny appearance and a lack of mustache hairs when he was little, so he devoted himself to becoming the best track runner in Australia. Also he couldn’t win a fight against anyone and he tended to piss off a lot of people, so running was a necessity. He doesn’t have any siblings, but he has a lot of older friends who treat him like a little brother. He likes to paint in his free time. Took the job to help support his parents and to explore the world, or just New Mexico. Annoying jock bastard. He wears those tank tops with the holes at the sides that just go all the way down,, not even a shirt at that point. Still throws piss at people because I think its really fucking funny.

Nobody quite knows where Soldier came from, not even herself. All she knows is that she’s a General, and a damn good one at that. Although his team would like to suggest otherwise. She’s loud and erratic, missing quite a few cogs in her brain. Not lead poisoned like the original soldier, I’m leaning towards a lobotomy that really melted his brain, soupe de cerveau or somethinf. Even though she lost her mind, she kept her great commanding skills and leads the team in attacks. He can be found planning and strategizing for the next round, or hanging out with the other team’s Demo. A bit silly, a bit goofy. Comically patriotic like the original Soldier. Parleys-tu Français, DO YOU SPEAK FRRRENCH ??? Non tu ne le fais pas, you don’t? FUCK YOU

Tavish and pyros personalities are a kinda combined? I just took little bits from both of them and squashed them together. Tavish is a pyromaniac hailing from Scotland. There’s rumors that he was the cause of the fire storm that rained down on Scotland for about a week, but he’s never confirmed or denied this. His voice isn’t all that muffled, his Scottish dialect is just so thick that nobody can understand him, except for Ms Pauling and Engineer like usual. Tavish can be pretty unstable and hyperactive, but an overall happy-go-lucky guy. Drinks responsibly most of the time! Still depressed! Lots of Molotov cocktails. His favorite animal is the Pegasus, and his life's goal is to find and tame one some day.

Dell is the same personality wise, just more like spy. So a bit more stuck up lol. He also shares the same care that the original spy shows for his team, as long as it benefits him along the way. Dell comes from a long family line of Spy’s that all worked for the Mann brothers, they stole Australium for them and kept them safe from other entity's that wanted to have control over the Australium too. His goggles have all that super cool spy stuff in them, night vision, cameras, a radio. Jane helped him add some new features as of late, . I'm not sure how to incorporate Dell's fascination with trans-humanism into this Dell quite yet. Maybe something to do with his senses? Name’s Spy. Spy Gaming.

Jane is pretty much the same silly little guy,, but now with 11 phds! And he’s not lead poisoned anymore! Nobody’s quite sure where Jane comes from, every time he’s asked he always changes up his backstory. He tends to slack off more than the original soldier, "A good hard-working American always knows when to take breaks!" He's also built a variety of raccoon-themed machines that get into mischief around the base. He and the Pyro are good buddies! He likes reading their stories, and gently encouraging them to write more. He's pretty strict when it comes to safety, and will come down hard on his teammates for messing around. THAT IS NOT OSHA APPROVED HEAD-WEAR MAGGOT!

Demoman is more like Tavish backstory-wise in this. They’re a midwesterner with way too much free time who blew up their family’s corn field by accident when they were little, oh and their parents. Their bio family crawled out from the remains of the farm and took them in after they proved themselves, even with their lack of tentacles and wings. (yeah their parents are the Great Old Ones, cthulhu guys, for sillies :3 ) They still like to do creative stuff (but adult-ified because adults are insecure about having fun for some reason.) like adult coloring books, or oil painting, or having adult tea parties. Demoland is a book that they're writing, and will TOTALLY 100% work on this weekend. They hate eye contact and have never been seen without their bombsuit on, except for Scout, but he can comprehend these otherworldy horrors perfectly fine so idk maybe you have a skill issue or something.

Heavy is Medic

Medic is Heavy

Sniper is Scout

Scout is Sniper

Spy is Soldier

Demoman is Pyro

Engineer is Spy

Soldier is Engineer

Pyro is Demoman

notes: I was thinking of making Dell Jeremy's father, but I didn't want to change up Jeremy's facial features too much, so Spy remains. Mick has that neck-mic thingy that soap from COD has because I was scrolling through soapghost on pintrest help. Soldier wasn't actually a general, I was thinking he was just somebody who knew too much. But after she got the lobotomy, I'm thinking she did something similar to soldier and tried to get into the military, and failed. Ludwig is the biggest on the team, with Misha having a more agile body type. Still a bear!! Just a bit smaller. This art is a bit old because I've been working on this since MAY?!?!??? ough. Maybe I'll swap some side characters as well! Pauling with Bidwell, Saxton with Helen, if ya want you could give me some suggestions 👁 👁 This is all Merasmus's fault some how, babygirl messes up the timeline for the sillies, the funny haha even. I love her <3333 Also sorry if the info for Jeremy is incorrect, I just thought it would be neat idk a whole lot about hunting.

[whatevergreen]

“You Can Have Fun Too” poster, created by Mick Hicks for SFAF, 1984

"In 1984, Rick Crane, director of the (San Francisco AIDS Foundation) at the time, hired famed local photographer Mick Hicks to photograph two men for a safe-sex poster to be put in the city’s gay bars, baths, and other locations. Hicks worked for virtually all the LGBTQ newspapers in the Bay Area and had spent a year and a half photographing people with AIDS, chronicling their struggle with the disease. He quickly accepted the commission.

At the same time, a young Black man named Robert Gray, a native San Franciscan raised in the Bayview Hunter’s Point area of the city, and a proud sixth-generation descendant of the Georgetown 272 (a group of 272 African slaves who were sold, in 1838 by the Jesuit priests who ran George University to keep the school afloat), was rather well known in the Castro and Tenderloin areas. “I had started meeting and dating guys in my junior year in high school,” he told me. “I went to high school four or five blocks from the Castro. I would find my way up through the bar scene during that time, sneaking into gay bars and discos.” Of course, he realized that AIDS was rampant through the city.

One day, as 24-year-old Robert wandered down Castro Street, a man approached him and asked if he would pose for a photo for a safe-sex poster for San Francisco AIDS Foundation. “The gentleman advised me that a young photographer named Mick Hicks was looking for two subjects, one Black male and one white male, for the poster. Having seen so many of my personal friends succumb to this deadly virus, I felt it was something I needed to do to help stop the spread of this horrific disease. I asked myself, ‘Why not?’ With AIDS affecting so many of my gay brothers and sisters, I felt it was my responsibility to do something to contribute to AIDS awareness and prevention. I needed to take action, whatever I could do to be a voice of action and help my community.” He agreed on the spot to do the poster.

“You Can Have Fun (and be safe too)” read the final poster. The image that Hicks created featured Robert, shot from the back, embracing a white model (Hicks’ partner Nick Cuccia), his white arm and bubble-butt standing out prominently against Robert’s skin. Even the Chronicle columnist Herb Caen took notice of the photo. The sex-positive message of the poster advocated “mutual masturbation,” “erotic massage,” “imagination and fantasies,” and “limiting social drugs.” The poster portrayed and promoted gay sex as normal, expected behavior, and emphasized the pleasure that could be had while still protecting oneself against transmission of the virus. The poster caused a huge sensation and started appearing in gay bars, discos, and bathhouses from San Francisco to New York. Mr. Gray told me, “As the young kids would say today, ‘it went viral,’ no pun intended!”

(Castro, San Francisco postcard, 1984)

Regrettably, the poster also launched a two-pronged backlash, one prong based in religious prudery, the other in racism.

By asserting that gay sex could be both fun and safe, the poster was the first to portray gay sex as normal, healthy, and fun. Even before AIDS, gay sex had been viewed as aberrant, “unnatural.” As an offshoot of that prejudice, AIDS was thought by many as a visitation of the wrath of God on immoral men who were violating God’s law. How many times did we hear in the early 1980s, “At least AIDS is killing all the right people”? The poster’s sex-positive message was condemned as an affront to decency and family values.

Even more lamentably, the poster inadvertently shone a light on the racial animus within San Francisco’s gay community. As Rick Crane told the Bay Area Reporter in 2014, “Gays as a group were considered second-class citizens and, ironically, gays themselves were treating gay blacks the same way — as second-class citizens.” Although racial tensions had eased somewhat from the flashpoints of the ‘60s and ‘70s, there was still a clear racial divide in the bars in the Castro. The Pendulum was the Castro’s only gay bar where black men and white men went comfortably to meet; the other Castro bars catered primarily to whites. The Trap, located in the Tenderloin district, also catered to interracial couples. Thus, some of the bars and other establishments refused to display the poster, deeming it “unacceptable.” Regarding the response to the poster, Gray said, “I would go into bars, and I would hear the chatter amongst people about the poster. I heard some really positive things, but also some really negative, racially motivated things.

(Below: "Thyrell And Chris Outside The Pendulum Bar SF", 1986 by Jim James aka Photojimsf)

“At the time that I did the poster,” he continued, “I had no idea that it would be so controversial. Honestly, had I known this upfront, I might not have done it. But looking back on it now, I would do it again because it was the right thing to do.” But still, he laments, “Who would have thought that a photo would open my eyes to the racism within the gay community? We are so much more alike as a people than different. One would think we could get along better and come together for a cause greater than us individually. Being a proud Black gay man, I must fight harder than most for myself and for those who come after me.”

These days, Robert Gray is still that proud Black gay man who changed the face of safe-sex advocacy. Sixty-two years old now, nearly forty years since he posed for the SFAF poster, he is semi-retired and lives in Vallejo, California. He is now a widower, having lost his partner of 42 years (his husband since 2013). He remains quite proud of the poster to this day, even if that pride is somewhat tempered by what he considers a lack of recognition for his work. “I thought over time I would see the poster in the gay pride parades or that I would be given some special honor from major players in the movement, like GLAAD. There is still a lot of racism in the gay community.”

Adapted from a February 18, 2022 article by Hank Trout:

https://www.sfaf.org/collections/status/why-did-a-safe-sex-poster-spark-controversy-in-1984/

[cosmicanger]

Tom Katt and Caesar for [2] Magazine (May/June 2003)

Photography by Mick Hicks

[sodalitefully]

Duff & Slash vs. The World – a selection of quotes:

"One night Slash and I went out to the Rainbow, a restaurant next to the Roxy on Sunset that was famous as a rock-and-roll hangout. They gave us a booth. This was a new level of deference. A booth! At the Rainbow! As we proceeded to get blasted, a really big, drunk guy wandered over to our table. Though he looked like an overgrown hick, he was in fact the guitar player from a band considered quite big just then — much bigger than Guns. He addressed himself to Slash:

'N*****s shouldn’t wear tattoos,' he said.

What? Was this his idea of a joke or something?

He wasn’t laughing.

I stood up.

'What the fuck did you say to my friend?'

'You heard me. N*****s shouldn’t wear tattoos.'

I slugged the guy. Then I slugged him again. And again. He reminded me of the bullies back in Seattle, the meatheads who beat up punks in packs, who called everyone f*****s. I’m not sure how many times I hit him—I just completely lost it—but he went down. I found out later that three of his ribs had broken."

It's So Easy: And Other Lies, by Duff McKagan (2011)

"D: [Goes into a long incoherent rant about a fight he got into at a club on New Year’s Eve] … and the guy was bigger than I was, but I just went CAH-BOOOM! And… his eyes crossed, like you see in the cartoons, like that? And he went down. And then everybody dragged him back and dragged me back, but they were dragging him past me and I fucking biffed him three more times in the head! They said I broke his jaw…

S: Nasty [Suicide – former Hanoi Rocks guitarist] stuck his arm in through the crowd and got one in there too!

D: So we go through this shit all the time, people trying to fuck with us. I was telling you earlier, if anybody fucks with my homeboy here, Slash, – and it’s happened before, like if a big guy was gonna hit him – I’ve stepped right in front of him.

S: Sure, and I can hide in the crook of his knee…

D: I beat up a guy for him once. And he’d do that for me.

S: But not to sound stupid, because we’re starting to sound stupid…"

Last of the Giants: The True Story of Guns N' Roses, by Mick Wall (2016)

"Slash: [Sam Kinison and I] got into a really big fight. It was real violent, and Duff punched him out, the cops were involved, too, and it was a big deal.

Stern: Who won the fight though? Who could beat up who? I bet you could take Sam in two seconds.

Slash: Well, no. He actually – I don’t want to... Duff punched him out. He gave him a black eye. But, before that, he was sitting on me. And I had no way of getting out, because he had my elbows pinned down. I couldn’t get my arms up, you know?

Stern: How did he get you down on the floor?

Slash: He jumped me from the blue and just landed on my chest. I was gonna be dead. He was choking me. I was history. I was, like, sitting there going, 'I’m going out this way? I can't believe I’m gonna go out this way.'

He just showed up at my hotel room one night. I didn’t even – you know, a knock on the door and, like, it’s Sam, and I’m like, 'Okay.'

And so he got on my case about all this stuff, and he called me a dickhead. And I got pissed off and I jumped off the bed, and I didn’t expect him to react the way he did. And I turned my back – you know, I turned around for a second – and he just jumped on me.

He got me by the throat and my arms were underneath his knees. And I was like, 'Oh, this is it. I’m going out.'

Robin: And then Duff came to the rescue.

Slash: Then Duff woke up in the other room.

Stern: Hey, you owe Duff, man. I’ll tell you, that’s kind of funny, too. And leave it to Sam to jump Slash from behind. I mean, that is a low blow. That’s not right.

Slash: I was just this little guy with no clothes on. I mean, cuz I was in bed when he came."

The Howard Stern Show (April 30, 1992) (edited)

Additional details, related quotes, & discussion:

The first quote is from Duff's autobiography, obviously. The "big, drunk guy" in question was Chris Holmes of the band W.A.S.P. Slash's autobio (2007) recounts the incident somewhat differently:

"One time at the Rainbow I got into a fight with Chris Holmes from W.A.S.P. Duff overheard Chris saying that n*****s shouldn’t play guitar. He didn’t say it to me, but it was obviously about me. As I remember, Duff told me about it later and the next time I saw Chris I went up to confront him and he took off running. Aside from insulting me, it’s one of the more ridiculous and untrue things a musician, of all people, could ever possibly say."

Aside from the obvious discrepancies in their versions of events (pretty much par the course for rocker autobios... Chris Holmes has shared his own take as well and rest assured it's very different), it's interesting to compare how they described their responses. Slash glosses over the fight entirely, he almost makes it sound like he was going to "confront" Holmes by giving him a lecture on the history of rock music – the last sentence is by far the most emotionally charged.

Duff's account is just shy of a brag, his sense of righteousness is evident.  Fighting is a significant theme in his book, Duff chronicles his journey from scrapping with school bullies, to drunkenly picking fights, to discovering martial arts in sobriety:

"Those beatings were also probably a factor in why later I would see red every time I perceived a wrong done to me or someone close to me and would fight at the drop of a dime. Justifiably or not, I saw myself as the protector, and the street-fighting skills I was forced to learn while getting my ass kicked as a teenager meant that I was not reluctant to perform that role with my fists."

"From then on, I wanted to kill anyone who crossed me at any club or concert. In my mind I was still fighting for righteous reasons—not just to hurt people but to protect, to make bullies stop doing bad things. But it’s pretty clear in retrospect that I was taking out aggression about the situation with the band. I would find offense in the stupidest little things and then I’d just flip and go street."

Slurs aren't a trivial offense, but we can see how Duff's protectiveness has been both a strength and weakness at times. In this scenario, Slash is "someone close," and Duff is eager to assume the role of his protector.

-

The second passage is in excerpt from an unaired interview (1990) transcribed in Mick Wall's biography of GNR, a secondary source. (That is, the more recent biography he wrote about GNR, not the one that supposedly earned him a scathing mention in UYI II's Get In The Ring.)

Anyway, Duff was a little less eloquent in 1990, but the pride he takes in standing up for himself and his friends is consistent.  He mentions a time he defended Slash against an aggressor, and I wonder if the incident with Chris Holmes is the one he's referring to.  Whether it was the same event or a different one, Duff's statements in this interview are certainly in line with the behavior he described in his book.

Slash's sarcastic comment made me laugh – I couldn't say for certain if he meant it in good (or self-deprecating) humor, or if he was getting a little miffed by the way Duff was characterizing him as someone who needs defending. I also included his last line because it seemed to me like he was trying to change the subject – while Duff could have happily gone on, perhaps Slash was conscious of playing into the dumb drunk rocker stereotype, something both of them have a history of struggling against. He’s also conspicuously not jumping at the chance to chime in and tell the world what he’ll do if anyone tries to mess with them.

-

The third excerpt might call for a little more context: Sam Kinison was a comedian and a friend of Slash's who passed away shortly before this interview. Earlier in the interview, Slash described how he was supposed to make a guest appearance in one of his shows, and Kinison didn't take it well when he had to cancel. 

This incident was never talked about much — as far as I know Duff never publicly shared his version of events — but another guest (comedian Andrew Dice Clay) on the Stern show recounted a phone call with Duff about the incident prior to Slash's interview:

"So, he's choking him to death, and the girl that Duff is with wakes Duff up, and she goes, 'I'm not sure, but I think somebody's killing Slash.'"

I wonder if the girl was the same one who was with him in Duff's chat with Howard Stern from around the same time. Slash said it happened in San Francisco, Clay said it happened at the Chateau Marmont in L.A., and Duff didn't specify, but I wouldn't put money on the accuracy of that detail in any of their accounts.

Anyway, this excerpt is a little different than the other two.  It has less to do with Duff's protector complex — instead we can examine the way that Slash talks about a fight, where in the previous examples he tended to dodge the subject.

I edited the excerpt for readability (and I made pretty significant cuts, so click the link above if you want the full picture), but this was an interesting conversation all around.  It's a bit awkward, because while Slash and Stern are ostensibly sharing memories of their mutual friend, Kinison is clearly the antagonist in Slash's story.  Slash didn't really react much to Howard Stern's enthusiastic assertions that Slash could take Kinison in a fair fight, and while he made a point of explaining that he was caught off guard, he seems pretty content to tell the story as it was: he got his ass kicked.

The way Slash talks about himself ("just a little guy with no clothes on"!) leads me to believe that his comment about "[hiding] in the crook of [Duff's] knee" in the Wall interview was meant as a self-deprecating joke.  He seems comfortable characterizing himself as harmless and nonaggressive, perhaps even uncomfortable with the idea of playing up his prowess.

Slash doesn't mention too many altercations in his book, but he does describe one friendly brawl with Nikki Sixx:

“[...] but I do remember doing what I always liked to do when I was drunk—wrestle some guy who was much bigger than me. In this case it was Nikki, whom I tackled, bar stool and all, out of nowhere. Nikki is pretty tall, and at that time he was pretty heavy, too, so he ended up turning it around: he slammed me on my back and sat on me.”

He goes on to explain how he passed out and woke up to find that he'd "dislocated four vertebrae in his back" and, to add insult to injury, he got teabagged by Tommy Lee.

Obviously we're working with a small sample size here, but like with Duff, we're starting to get a consistent picture.  Slash's tales of getting into fights are distinctly lacking a certain rock-n-roll bravado. His accounts aren't very serous, he comes across as terrible in a physical fight and he doesn't seem to care.

All of this isn't necessarily to say that Slash didn't get in fights – just because he doesn't like talking about it, doesn't mean it didn't happen.  But he's also made it pretty clear that he doesn't consider himself a violent person.

“I hate violence. At our shows, people hit each other and throw things, and I don’t know why. I love the energy of it, but everyone needs to be considerate of those around them, and that usually doesn’t happen.”

I don't have a source for that quote, so take it with a grain of salt if you choose.  Either way, you get the picture.  Slash is an image-conscious guy, yes, but he's not overly into fighting (or arguing, or yelling... but that's another set of quotes) and he doesn't try to pretend to be.  It's not an image he's actively trying to project (perhaps one he's trying to avoid?) — but in some ways it's one he was labeled with anyway, thanks to GNR's reputation.

-

Clearly I have a lot of thoughts on this, but I'm going to put a pin in it here because honestly, I think it would be pretty presumptuous to try to make too strong of a claim about the personalities of two real people that I don’t know based on just a handful of quotes (from questionably reliable narrators...). All I’m trying to do here is show a pattern, and to point out the contrast between the respective ways that Slash and Duff view/talk about physical conflict.

When Duff talks about fighting, it's important to him: he fought to deal with his emotions, he fought to protect the people he cares about, and he fought to get sober. When Slash talks about fighting, he laughs, makes a self-deprecating comment, and brushes it off. Duff wants to project that he’s more than capable of defending himself and others, Slash prefers to distance himself from the topic. It's interesting to see this juxtaposition in their relationship, and the way it translates into Duff acting protective of Slash.

-

Alright, thanks to those of you who stuck with me this far, lol. Feel free to let me know your thoughts, and of course keep in mind that this is just my take on the subject!

[runthepockets]

Jared verified list of men with tman swag:

Eminem

Dr. Dre

Randal Graves (Clerks)

Q-Tip

Eazy-E

Everyone in Wutang Clan

Linkara

Daron Malakian (System of a Down)

Chef Hicks (Apocalypse Now)

Jesse Pinkman, Badger, & Skinny Pete (Breaking Bad)

Mike Ehrmantraut (Breaking Bad)

The Narrator (Fight Club)

Budd (Kill Bill)

Harvey Milk

Kendrick Lamar

Ice Cube

Seth Rogen

Earl Sweatshirt

Jason Segal

Devin Townsend (Strapping Young Lad)

Jamey Jasta (Hatebreed)

Buddy Durress (Good Time)

George Costanza (Seinfeld)

Jerry Seinfeld (the character)

Trey Azagthoth (Morbid Angel)

Frenchie (The Boys)

Carmen Berzatto (The Bear)

Pádraic Súilleabháin (The Banshees of Inisherin)

Asuma Sarutobi (Naruto)

Kishibe (Chainsaw Man)

Ace (Paid in Full)

Mick Harris (Napalm Death)

Biggie Smalls

Tupac

Simon (Gurren Lagann)

Miles (Guns Akimbo)

Obito Uchiha (Naruto)

Professor Stein (Soul Eater)

This dude (Witch Vomit)

[moralchampion]

Love the title of life is not always a highway ... please tell me more about it lmao

I think that is like the best title for a fic I have and will ever come up with and I will gladly tell you more.

Like almost everything I write, it is a Jaume/Adrian fic (I just really love them, I'm sorry, lmao), and as the title suggests, it is a retelling of Cars. We've got Adrian as Lightning and Jaume as Sally. Then there's Raul as Mack (ironic lol) and Tatsuki as Chick Hicks (aka the parallel of him & Adrian competing for the blue seat). We have Jorge Lorenzo as Doc Hudson, which makes Dani the sherrif (old married couple much). I forgot who I casted for The King, but it's between Vale, Marc & Mick Doohan lmao.

Anyways, Raul & Adrian are on their way to Adrian's decider race of the season, but on the way there, Raul ends up forgetting Adrian at a gas station in fuckass nowhere because he thought he was asleep in the back of the motorhome and doesn't notice until like a WHILE later. Meanwhile, Adrian has gone on a journey to find the next town, where he ends up accidentally destroying a fence (cause how do I make a human destroy a road?) and is kept there until he fixes it. There he meets Jaume and may just fall in love. Lmao

[gravemushrooms]

Tag ppl you wanna know betteeer

Tagged by: @missmassacre

Last song: not songs per se but: Ryuji Takeuchi / Essential Memories EP Part III / Sonoran District; Orbital / In Sides / Dŵr Budr (this has some singing but it's nonsense backwards words); Polygon Window / Surfing on Sine Waves / Polygon Window (it's Aphex Twin, also featured on Warp Records Artificial Intelligence)

Favorite color: i end up back at pink-purple but you'd never know from looking at me

Currently watching:

antiquities/religion MythVision Podcast (mostly critical studies of ancient christianity or related topics) Crecganford (a lot of proto-indo-european th.) Religion for Breakfast Gnostic Informant ESOTERICA (Dr. Justin Sledge) James Tabor Ancient Architects History for GRANITE World of Antiquity Archaeology Now Antiquity for All Crowhag Ancient Americas Jackson Crawford (Old Norse) Lady of the Library Let's Talk Religion toldinstone Simon Roper (English language over time + other topics) Sally Pointer (neolithic fibers + textiles)

experimental archaeology Primitive Technology (with subtitles) Roland Warzecha scholagladiatoria (Matt Easton) Tod's Workshop Malcolm P.L.

urbanism Not Just Bikes Stewart Hicks CityNerd Kirsten Dirksen (not really urbanism but houses, permaculture, DIY)

technology Asianometry

skepticism potholer54 (climate) Mick West AronRa (anti-creationism)

crank bigfoot Bob Gymlan i like to watch a lot of weird crank stuff but this is maybe the only one i think other people could find entertaining

self-actualization (?) Bitsii in Inaka

video game industry Timothy Cain

half a-press memes pannenkoek2012

Last movie: director's cut of The Little Shop of Horrors that has the apocalyptic ending. apparently i haven't really watched a movie since 2019

Currently reading: @eyeofpsyche recommended some books about Jung (Jung - The Key Ideas by Ruth Snowden and The Essential Jung by John Beebe but lately i've been swamped with work + school. earlier this year i was reading Big Dead Place because Antarctica is strange and miserable and Malleus Maleficarum to better understand a Euro-medieval/early modern notion of the supernatural. i skimmed through a bunch of Ekirch's At Day's Close - Night in Times Past for a course over the summer

Sweet/spicy/savory: food isn't really a thing for me. ask me when i have more money

Relationship status: the person i talk to the most online is someone that i don't even use words with

Current obsessions: i had a week where i was looking at weird things to do with Windows 3 and trying out linux distros in a virtual machine

Last googled: i was trying to find a magazine cover from the early/mid 90s that depicted a man wearing unusual shoes in a photo-realistic style and it was intended to illustrate how developments in digital image manipulation had made the notion of "the camera never lies" obsolete

Currently working on: lab report busywork for a microbio course, or i spent nearly all day setting up a biochemistry lab which involved making a lot of 1% solutions of a variety of amino acids

anyone that follows me that wants to do this feel free to have a go at it

[therecordchanger62279]

THE HALLOWEEN MASTER PLAYLIST

Halloween is my favorite holiday, and listening to some spooky music and watching horror films is mandatory if you’re really going to get into the spirit of the thing. (I eat candy, and dress like a hobo year-round, so that part of it was a given.) So I thought I’d post a master playlist of seasonal music a few weeks early in case any of you wanted to put something together for your own enjoyment, or maybe a Halloween party you might be planning.

Thinking outside the box (or coffin, if you prefer) I managed to do it without using Monster Mash or The Purple People Eater. But, there are roughly a hundred titles here, and I promise you if you turn down the lights, and close your eyes when you begin listening to it, you’ll have turned every light in the house back on, and double-locked every door.

Happy haunting.

Halloween Theme (Main Title) – John Carpenter

Alison Gross – Steeleye Span

Black Magic Woman – Santana

Black Sabbath – Black Sabbath

Bloodletting (The Vampire Song) – Concrete Blonde

Black Night – Deep Purple

Dancing With Mr. D. – Rolling Stones

(Don’t Fear) The Reaper – Blue Oyster Cult

The Ghost – Fleetwood Mac

Jekyll and Hyde – Renaissance

Knife Edge – Emerson, Lake & Palmer

L’America – The Doors

Rainbow Demon – Uriah Heep

Runnin’ With The Devil – Van Halen

Witchy Woman – The Eagles

Welcome To My Nightmare – Alice Cooper

Witch’s Promise – Jethro Tull

Tubular Bells (Opening Theme) – Mike Oldfield

Bad Moon Rising – Creedence Clearwater Revival

Burn – Deep Purple

The Creature From The Black Lagoon – Dave Edmunds

Frankenstein – Edgar Winter Group

Ghost Town – The Specials

Headless Cross – Black Sabbath

Hungry Wolf – X

Marquee Moon – Television

Moon Over Bourbon Street – Sting

Rhiannon – Fleetwood Mac

Scary Monsters (and Super Creeps) – David Bowie

The Super-Natural – John Mayall & The Bluesbreakers

Voodoo Child (Slight Return) – Jimi Hendrix Experience

Werewolves of London – Warren Zevon

The Wizard – Black Sabbath

The Witch Queen of New Orleans – Redbone

Dark Shadows Theme/Collinwood - Robert Cobert Orchestra

The Shadow Knows – Link Wray & His Wraymen

Billy The Monster – The Deviants

I Want Candy – The Strangeloves

Spooky – Classics IV

Crimson Witch – The Moving Sidewalks

Psychotic Reaction – Count Five

She Lives (In A Time of Her Own) – 13th Floor Elevators

Fire Poem – The Crazy World of Arthur Brown

Fire – The Crazy World of Arthur Brown

The Witch – The Sonics

Tombstone Shadow – Creedence Clearwater Revival

Sympathy For The Devil – Rolling Stones

Children of the Grave - Black Sabbath

Jack The Ripper / The Black Widow - Link Wray

Mr. Crowley / Bark At The Moon - Ozzy Osbourne

Riders On The Storm - The Doors

Lock Up The Wolves - Dio

Distant Ghost - Del Shannon

Might Just Take Your Life - Deep Purple

There's No Way Out of Here / Murder - David Gilmour

I'd Swear There Was Somebody Here - David Crosby

We Are The Dead - David Bowie

I Scare Myself - Dan Hicks & His Hot Licks

Run Through The Jungle - Creedence Clearwater Revival

Prelude-Nightmare - The Crazy World of Arthur Brown

Don't Put No Headstone On My Grave - Charlie Rich

I'm Your Witchdoctor - Chants R&B

Sway - Carla Olson & Mick Taylor

Evil - Cactus

The Jezebel Spirit - Brian Eno & David Byrne

Black Night - Bob Seger

Man In The Long Black Coat / The Wicked Messenger - Bob Dylan

I Love The Night / Hot Rails To Hell - Blue Oyster Cult

Sabbath Bloody Sabbath / Electric Funeral / Lady Evil / The Devil Cried / Devil and Daughter / Evil Eye - Black Sabbath

Black Cat Moan - Beck, Bogert & Appice

Red Temple Prayer (Two Headed Dog) - The Barracudas

Devil In My Car - The B 52's

Devil's Answer - Atomic Rooster

Sign of the Gypsy Queen - April Wine

The Four Horsemen - Aphrodite's Child

Black Hearted Woman - Allman Brothers Band

I Put A Spell On You / Little Demon - Screamin' Jay Hawkins

Evil Ways - Santana

Evil Hearted You - The Yardbirds

Evil Woman - Doobie Brothers

Evil Woman - Spooky Tooth

Evil - Edgar Broughton Band

Black Cadillac - Joyce Green

Black Angel's Death Song - Velvet Underground

Angel of Death / Raining Blood / Silent Scream / Spill The Blood / Hell Awaits / Death's Head - Slayer

[nicklloydnow]

“What is it about King’s writing that appeals to so many people? Clearly, King’s readers — many of whom seem to get hooked on him when they are adolescents — don’t care that the sentences he writes or the scenes he constructs are dull. There must be something in the narrative arc, or in the nature of King’s characters, that these readers can’t resist. My sense is that King appeals to the aggrieved adolescent, or the aggrieved nerdy adolescent, or the aggrieved nerdy adult, who believes that people can be divided into bad and good (the latter would, of course, include the aggrieved adolescent or adult), a reader who would rather not consider the proposition that we are all, each of us, nice good people awash in problems and entirely capable of evil. King coddles his readers, all nice, good, ordinary, likeable people (just like the heroes of his books), though this doesn’t completely explain why these readers are so tolerant of the bloat in these novels, why they will let King go on for a couple hundred pages about some matter that has no vital connection to the subject of the book.

(…)

Why, I wondered again, do some people in the literary business regard this extremely successful writer of genre fiction as a first-rate writer of literary fiction, a “major” contributor to American literary culture? How is it possible that a novel as bloated and mediocre as 11/22/63 is can be deemed by the New York Times Book Review as one of the five best books of fiction of the year? Do we fear being labeled “elitist” or “liberal” if we don’t reward commercial success in other ways (as if an enormous advance and a river of royalties are not reward enough)? Or do we believe that commercial success on the King scale signifies, almost by definition, quality, the way a 20,000 square-foot house supposedly signifies to passersby that the owners must be important?

(…)

By bestowing rewards on writing that is not all that good, has not the literary establishment lowered standards and pushed even further to the margins writing that is actually good and beautiful? If you ask me whether it is worth your while to read Stephen King instead of (or even in addition to) scores of other better contemporary writers you may have never read (and should hurry up and read before you die), I would say no, unless you are maybe fifteen and have made it clear to your teachers and everybody else that you aren’t going to touch that literary “David Copperfield kind of crap” with a ten-foot pole.”

“Director Daphné Baiwir gathers these guys — more than 20, it’s a convocation — and clips from their handiwork to build a monument to King’s importance. Few of these testimonies address King’s literary quality, only his cultural impact (from Cujo and Stand by Me to Needful Things, which spawned the non-King streaming series Stranger Things). Baiwir correctly begins with irony: King’s literary reputation comes from movie adaptations. “It all started with Carrie,” says Mick Garris (the TV adept who directed small-screen versions of Bag of Bones, Desperation, Sleepwalkers, The Stand, and The Shining). “The book was not well known until [Brian] De Palma’s movie came out. The movie blew me away. It was so great.” Frank Darabont concurs: “It was the movie that really brought a lot of attention to Steve’s work.”

(…)

King’s popularity straddles both film and literature and has done so for a long time. (Scott Hicks raves, “He’s like the Charles Dickens of the 20th and 21st century.”) This could be the basis for a good argument in favor of democratic art — folklore made by Maine’s most famous author — although Baiwir’s opening sequence foolishly imitates a film set in “King world,” where backwoods eccentrics drink “American Grain” whiskey, referring, I guess, to William Carlos Williams’s In the American Grain. It’s a stretch, and Baiwir’s strained pretense eventually snaps. No one at the convocation remembers Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, William Faulkner, or Flannery O’Connor. Instead, the most worshipful filmmakers indulge King’s own real-world politics — especially when paying tribute to The Dead Zone and Children of the Corn.

Encomiums start with “he loved common people, folksy people, he’s got that down pat.” They go on: “He doesn’t condescend to middle America, and I think that’s very important. In many ways he’s a man of the people.” But they fall for King’s junkiness: Ignoring how the warring duo of Misery resembles a feminist-revenge version of Robert Aldrich’s mature, complex What Ever Happened to Baby Jane? It gets worse when The Dead Zone appeals to their current political paranoia: “Nations go insane.” They equate King’s anti-religious fantasies (It, The Stand) to George Romero’s racial zombie allegory in Night of the Living Dead. The fanboys make typical Hollywood-liberal partisan analogies, decrying Donald Trump’s populism, then hysterically anoint King as a political visionary: “Like Bob Dylan, [he] is a dreamer of America. He contains the entirety of it and sort of dreams in the language of the chaos of America.” Garris warns, “When you apply fear — paranoia, aggression happens. The veneer of civilization gets ripped away very quickly.” He praises The Stand as “a counter myth to the Rapture.” Tod Williams crowns King “prophet of the apocalypse.”

It’s silly, yet appalling, that schlockmeister King, always threatening to be taken seriously, should be seriously regarded by unserious, unthinking people. King on Screen platforms naïve fanboys who embellish their own childish superstitions.”

[goalhofer]

Top 10 NHL PIM leaders by draft: 1967

10: Larry Mick; 13th overall, Minnesota (0) 9: Elgin McCann; 8th overall, Montreal (0) 8: Ken Hicks; 3rd overall, California (0) 7: Bob Dickson; 6th overall, New York Rangers (0) 6: Wayne Cheesman; 4th overall, Minnesota (0) 5: Meehan Bonnar; 10th overall, Boston (0) 4: Ron Barkwell; 9th overall, Detroit (0) 3: Al Karlander; 17th overall, Detroit (70) 2: Serge Bernier; 5th overall, Philadelphia (234) 1: J. Bob Kelly; 16th overall, Toronto (727)

[priokskfm]

MIX OF The DAY! Listen UP! - Funk and Beyond Radio Show (Aug.01.2023) by Anatoly Ice Listen every Friday from 21 till 22 (Moscow time) Jazz FM (radiojazzfm.ru) Subscribe in iTunes: https://ift.tt/Kj9Rz82 for more details please visit beyondfunk.ru 1. Otto Sieben - Sailing Dreams 2. Ray Davies Mandate of the Month 3. Polish National Radio Symphony Orchestra - Why Do You Say Goodbye 4. Micke Vickers - Tour of Industry 5. Gail & Charlie Davis - Thoughtful 6. Alan Parker - Slow Progress 7. Harold Fisher - Low Profile 8. Kink Gong - Ji 9. Alec Gould-Hip Strings 10. Derek Austin - Reflections In The Rain 11. Alan Parker - Slow Drifter 12. Johnny Hawksworth - Rhythm Maker 13. Gong - Mandrake 14. Keith Mansfield & John Cameron - Liquid Sunshine 15. Brian Bennett - Hip Joint 16. Simon Park - Stoned Out 17. Paradox - Backing Track No. 30 18. Black Rob - Get Involved 19. Clive Hicks - Think Twice 20. Walter Murphy - Hocus Pokus Listen here: https://ift.tt/3Ums574 | www.priokskfm.online | https://ift.tt/hD9awuI

[barkercast]

404: Commentary Classics – Sleepwalkers

Edit, to celebrate Mother’s Day, we’re bringing back this commentary classic from 2018, and giving it a proper podcast number.

Thanks for joining us on the Clive Barker Podcast. Our episode today was an audio commentary on the 1992 Mick Garris / Stephen King movie, Sleepwalkers.

Show Notes

4/10/1992 Mick Garris

Written By Steven King

Mick Garris on SLEEPWALKERS

BoxOfficeMojo’s Information about Sleepwalkers:

(Estimated Budget USD $15M)

Runtime: 1 hrs. 29 min.

Total Lifetime Grosses: Domestic $30,524,763

Opening Weekend $10,017,354

Widest Release: 1,914 theaters

http://tvtropes.org/pmwiki/pmwiki.php/Film/Sleepwalkers

http://www.thennowmovielocations.com/2016/03/sleepwalkers.html

https://www.snopes.com/critters/wild/catsuck.asp

https://getleashedmag.com/2016/07/15/say-what-fact-or-fiction/

https://twitter.com/madchenamick/status/725831759749771264

http://www.imcdb.org/movie_105428-Sleepwalkers.html

The house of the Sleepwalkers is the same one used on the television series The Waltons(1971)

Jenny Hicks, (name on grave) was the assistant to Mick Garris.

https://en.wikipedia.org/wiki/Final_girl

Billboard’s 1992 Top Video Rentals list for Sleepwalkers: #11 (just above White Men Can’t Jump)

And this podcast, having no beginning, will have no end.

The Clive Barker Podcast (or @Barkercast) is an independent  editorial fan site and podcast that is not affiliated with or under contract by Clive Barker or Seraphim Films.  This is a labor of love by the fans, for the fans.

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