#me when the villain characters are villains

[stupidcanofpeaches]

this is actually making me think so many things about their relationship. like this is probably what it was like in calmer times. jimmy's manipulative and extremely dependent on curly, almost obsessed with him, both hating and idolizing him as this sort of perfect figure, almost christ-like in just how kind and good of a man he is - in jimmy's mind, curly readily offers himself as a villain just so that jimmy can be a hero (also more of a side-comment but i find it really neat how jimmy's perspective poisons all character interpretations - his conflicted yet adoring view of curly is most likely the main reason why some of the fandom also view curly in this sort of white or black morality system, where a lot of people also make him out to be this mister perfect guy who did everything he could and fell victim to jimmy's scheme, when curly is definitely not innocent and played a huge part in what happened on tulpar - they view him as entirely good, just like jimmy, instead of a flawed, average man with his own issues. anyway.)

it's established that they are good friends - best friends, even, going off of curly's behaviour, have been for years. which means that jimmy had years to normalize his behaviour to curly - to foster and nurture this sort of acceptance and depedence. like with many abusive relationships, it probably started small and then just grew over time - and curly's far too kind, far too accepting, and was all too receptive to jimmy's many issues and abrasive nature. so it probably went from those small things that curly felt he owed jimmy for and then escalated until the connection was established and was impossible to sever.

it's a similar sort of dynamic to emotionally slash mentally abusive relationships where the partner suffers but is so used to it it's easier to close their eyes because this is normal - oh he's just tired, he didn't really mean that, he just has some anger issues, it's not that bad. curly is an enabler - that much is true. curly is not a good man. he's not a paragon of virtue. he allowed this to happen. but i would also argue that he became an enabler because jimmy lovingly molded him into one over the years.

i think that at some point it also became a sunk cost fallacy issue - curly genuinely believes in jimmy, that he can help him, that he can fix him, because they've been good friends for so long and curly cannot give up on him after all this time. there were also probably times when jimmy did do something good and nice for him in return - like that thing with the cake that jimmy made for him, along with curly's other friends, so the relationship did not feel as one-sided as it probably was. anyway i think that jimmy is manipulative and abusive to curly as well, just on a scale that was smaller and more constant, persistent, to the point where both of them normalized it with jimmy's nudging into the direction he wanted it to go. their flaws fit together perfectly and it was bad and normal until it was too late.

hell, not to be a jimmy apologist (derogatory), but it's entirely possible that jimmy wasn't even doing that consciously and purposefully - while he is manipulative and self-centered to a horrendous degree, he's also not exactly an impeccable master manipulator or a complete narcissist the way he's sometimes painted as. the only one out of the crew he's really able to fool, besides curly who was exposed to him for years, is daisuke - who's young and naive and of course he trusts the authority figure that's higher in rank when jimmy pushes the right lever. jimmy's pathetic and self-serving and he feels small and curly is just way too nice and is conviniently always right next to him - and seems willing to take whatever jimmy hurls at him, all because they're friends.

additionally, look at how curly basically ignores jimmy's remark about how annoyed it makes him feel when people keep saying how great curly is - makes me think it's far from the first time jimmy made a disparaging comment like that. one could even interpret the way curly bonelessly accepts the things jimmy does, without ever really pushing back hard - only ever attempting to defend himself at the birthday party after jimmy's outburst - as curly being at the very least apprehensive or fearful of what an angry jimmy might do. because curly knows that jimmy is unstable - so maybe him never really doing anything even after learning the magnitude of what happened to anya isn't just him trying to keep up appearances and placing jimmy above anya or protecting jimmy because jimmy is his friend. i think that it's entirely possible that curly's passivity is him attempting to appease jimmy, as is typical for someone on the recieving end of an abusive relationship.

just to reiterate, this does not excuse curly. he's not this great, perfect nice guy or a perfect victim. he did not deserve to suffer the way he did but he is the one who ultimately caused the tragedy by his inaction. he failed anya, most of all, and the rest of the crew miserably. but i do think that an abusive dynamic between him and jimmy would explain a lot about his passivity.

Uhh what funny do I write here like haha

[melanated-writersblock]

⋆˙⟡♡₊˚⊹.Lunch Rush.⊹˚₊♡⟡˙⋆

[CEO!Husband!Yunho x BlackFem!Exec!Reader]

‧₊˚ ☁️⋅♡𓂃 ࣪ ִֶָ☾. Where you and Yunho wanted to start trying for a baby, and with a long lunch break in your schedules, you decide to pay him a visit to try your hand at conception.

content: car sex, semi-public sex, thigh riding, cloth-ripping, piv, unprotected sex (wrap it up irl pls), cowgirl, doggy, full fledged backshots, like 2 creampies?

word count: 3.4k

a/n: This fic cost me 5 FUCKING DOLLARS TO MAKE?!?!?! I had to pay to use a fake text generator, so if any of you have a site or app that I can make fake text messages FOR FREE then PLEASE let me know😭. This was self indulgent but I wanna dedicate this fic to all my fellow Hotteoks🫶🏾 And the bitches that fantasize about getting nutted in and getting it poppin’ in the back of the parking lot (in theory of course)! WwaBRiM (if you can’t tell from the fact the reader is rocking soft locs😛)

‧₊˚✩. ˚. ♡ ☁︎

To this day…you and Yunho’s BIGGEST regret in your relationship…is and ALWAYS WILL BE….agreeing to go to the christening of your friends’ 6-month old baby boy.

Everything was beautiful. The ceremony, the cathedral, the way the baby nestled into Yunho’s arms so naturally, and reached out to play with your bangles with such curiosity and wonder. It altered both of your brain chemistries, and you weren’t sure if it was for the better or not.

Your friends didn’t help either, saying things like “Parenthood would look so good on you two!” and “I can’t wait for your baby shower invitations.”.

How could they…….

After you pushed your meetings back to later in the week. After Yunho gave his team a free day when they could’ve been in the office perfecting the play-through on his new game before its release. Two very busy people with very busy work schedules, and you carved out time to come support your friends and their son, and they pay you back with…….

BABY FEVER?!?!

You and Yunho planned your futures out to a T. Go to university, get your respective degrees, join a company that you interned with, work your way up, become the boss, get married, honeymoon in The Maldives and spend your paid vacation days in The Swiss Alps.

Starting a family was definitely in there somewhere, but everything fell in line so well that it got lost. You’re at the top of your games…Yunho, figuratively and literally, with his gaming company being the best in the country and all…and you became the creative director for a top cosmetic brand. It really was all good. But it was lacking. And you both felt it. Ever since that christening.

You felt it every time one of your work partners went on maternity and paternity leave. Every time there were children in the offices on ‘Bring Your Kids to Work Day’. Every time Yunho saw posts or videos of kids around the world dressing up as characters he helped create. Every time your homegirls would send you milestones of their babies taking their first walk, or biting into a lemon for the first time. You two worked hard and accomplished everything you wanted to, everything except starting a family. It resonated for days after that christening.

For Weeks.

Months, even.

The energy around the house shifted. Yunho would steal glances at you as you did the simplest of routines, imagining your belly being round as you sip your favorite tea in the kitchen, waddling from room to room barefoot and pregnant. And you’d watch attentively as he’d play his video games, envisioning a child full of joy as he teaches them how to defeat their first villain. After a while it got to a point where neither of you would hide it. It became all too real, too wanted. And why not? What was stopping you two?

Everything was green lit once you and Yunho put it into the atmosphere and finally discussed it. You both were just about ready to start baby proofing the house and nothing even happened yet, becoming more proactive than you already were. Tracking apps were monitored, routines were tweaked, and everything seemed to be doable…but your work schedules…your jobs were the biggest obstacle. Just when could you slip away for a bit to see each other? When would be the right time to make a ba-

“Hey, I’m picking up my kid so we can go to lunch. I’ll be back in 2 hours!”

Your Editor in Chief pops their head in your office briefly before heading down the hall to the elevator, snapping you out of your rambling thoughts.

…………..Lunch Break.

‧₊˚ ☁️⋅♡𓂃 ࣪ ִֶָ☾. ‧₊˚ ☁️⋅♡𓂃 ࣪ ִֶָ☾. ‧₊˚ ☁️⋅♡𓂃 ࣪ ִֶָ☾.

‧₊˚ ☁️⋅♡𓂃 ࣪ ִֶָ☾. ‧₊˚ ☁️⋅♡𓂃 ࣪ ִֶָ☾. ‧₊˚ ☁️⋅♡𓂃 ࣪ ִֶָ☾.

You reverse your sedan into the space next to him before hoping out and swishing towards the driver’s door, knocking softy. Your ears perk up at the sound of r&b playing and a silent laugh escapes you. The dark windows of the door lower, revealing Yunho in the driver’s seat, fully reclined with the top buttons of his shirt undone and the silver crucifix you adorned him with for your anniversary gleaming.

“For a second I thought you were backing out on me.” He smiles at you, his voice deeper than usual, evidence of a brief stolen nap. “Traffic was hell, I would’ve been here in half the time otherwise.” The door unlocks and you climb in, grazing over Yunho’s body as he adjusts the driver’s seat sitting up slightly, he grabs ahold of you to help you straddle him and closes the door back behind you. And like clockwork, you lean in, beginning your onslaught of abuse on his lips.

Snaking your hands into Yunho’s hair, he moans, deepening the kiss, his tongue dancing ever so eloquently with yours. “I missed you.” He says breathlessly between kisses, “You saw me this morning before I left boo!” You tease him, fixing his glasses back up the bridge of his nose that slid down in the midst of your passion, “That’s too long.” He pokes his lips out, and you console him with light pecks to ease his playful angst. “You’re so needy, you know that right?” “And you love me for it.”

Yunho starts to undo his shirt more, a sinister smile on the corner of his lips as he looks you over. “Come here,” You lean into him, your hand placed against his bare chest, the rock on your wedding band a flashy contrast to his skin. “Lift up for me baby.” You lift off of Yunho for a second as he helps you readjust yourself, now straddling one of his thighs. The pinstriped black skirt you wore for work today riding up your thighs. You let out a huff, immediately feeling the pressure of Yunho’s toned thigh on your bundle of nerves. Your black tights and panties not serving as any sort of buffer to the sensations. Your pussy lips spread apart feeling the course texture of his slacks. You let out a staggering sigh, reality finally setting in what you were about to do. “That’s right, you’re gonna ride me and come all over my thigh, and thennn~” Yunho begins to rock your hips back and forth on his thigh. You lurch forward, your right hand immediately planting on the interior wall of the Rover, “Damn, feels good right?” “Yeah, yes it does. Fuck.”

You place your other hand on his shoulder, stealing support as you rock onto him quicker, a few front strands of your freshly done soft locs coming undone from the high pony you put them in this morning, to his delight. Yunho enjoyed the sight of you working yourself on him, he loved how neat you looked before you climbed in the suv with him, and is obsessed with the thought of how disheveled and fucked out you’re gonna look when he’s done and you climb back out. Fuck, it’s all he’s thought about since you mentioned it in the texts. He couldn’t wait to get his hands on you, to touch you, to feel you, to fuck you, to ruin you, to caress you, to make love to you, to put a baby in you……finally.

You watch Yunho as he closes his eyes, deep in thought, mindlessly guiding your hips against him, as if he’s immediately feeling all of the pleasure that you are in that moment. You begin to rock against him quicker, an impending climax moments away. Yunho opens his eyes, watching you as your moans get louder, less polite, more shameless. You lean your head forward trying to compose yourself as much as you possibly can in this situation, and he smiles at the sight. “I’m close………..fuck, I’m close.” Your hand now caresses his face as you lean your head on his shoulder, hunching him like a bitch in heat. “You’re close?” “Yeahhhh~” “Fuck, you’re gonna come all over my thigh like that?” “Yeah!” “Yeahhh, just like that?” “Yes! Yes! Just like that!” Yunho bounces his leg softly as you continue to rake against it, riding out your high as a warm dampness spreads on his designer slacks. He moans at the feeling, damn near coming untouched just from witnessing your pleaser unfold before him.

You steady your panting for air. Embarrassed, you pat at the wet spot you left on your husband, “I did not expect that I-“ “I did, you’re ovulating.” Yunho caresses your cheeks fully heated with shame, and kisses you, laughing into the kiss. “I don’t think you understand how hot that was, don’t apologize my love.” He gestures to the passenger seat, helping you off of him and guiding you there to sit tight and catch yourself for a second. He then leans the drivers seat back fully again, stepping over it to sit in the spacious middle seat. He unbuttons his shirt the rest of the way before removing his glasses, tossing them somewhere far in the back seats. He holds one of his hands out to you, patting his thigh sharply with his other, ordering your immediate presence.

You crawl over the front armrest and take Yunho’s hand as he helps you towards him. You start to kneel down in front of him and he stops you, “Nooo no, no, none of that today.” “But I really want to.” “I knowww, and you do it so well, but we’re kind of on a fixed schedule.” Yunho gestures behind you to the time on the soft glowing screen on the dashboard. You sigh in agreement, “I wanted to get you ready too.” “Oh babe,” He begins to undue his belt buckle and pants, his fully hard cock slapping against his lower abdomen as he slides his pants down lower freeing him. “Does it look like I need to get ready?” Your mouth waters, his cock glistening as precum trails down the tip, and you moan at the sight. “Oh my God.” He laughs at your eager demeanor, “Come here baby,” he pats his thighs again signaling you to straddle him once more, your legs on either side of him cushioned by the materials used to adorn the luxury car seats.

Yunho hikes your skirt up higher, sliding his hands underneath to trail down your sheer-tights-clad inner thighs and up to your panties. Your breaths were short, shallow, hesitant. You closed your eyes as Yunho felt you up, getting you worked up again in the process, unbeknownst to himself, or was this all part of his plan? “These weren’t too pricey, right?” He pinches at your tights, “No they weren’t, why?”

****rrrr-rrrrrr-rrrrrrriiiiippp!****

You gasp as you feel the force from Yunho ripping your tights right down the middle, smacking his shoulder. “They weren’t pricey but they were my favorite!” “Shhh, I’ll buy you 10 more.” You lean your head on his shoulder, pouting…until you feel his slender hands move your panties to the side. Your breath begins to get shallow again, feeling his warm tip slide up and down your wet folds. You moan involuntarily, “Awww, come on baby I haven’t even put it in yet.” “I knowww, I don’t know what’s wrong with me today.” “I do,” You feel him slowly push into you, leaning your head back as you cry out. “This cunt was just waaaiting to get fucked, because today is a little different than the other days,” He picks up his pace, fucking up into you steady but firm, “Today your pussy is a little bit more needy for me,” the recoil of your ass sending vibrations through your lower body as Yunho’s movements are relentless. “Today you’re gonna let me get you pregnant.”

And there it was. Your brain immediately shuts off. “I’m gonna fuck you so good, and so hard-” “Unnnnhhhhhooohhhh my Godddddd!” “Yeahhhhh, yeah let me hear you baby,” You grip the disheveled collar of Yunho’s shirt, completely at his mercy, taking what he gives you. “I’m gonna cum all in this pretty fucking cunt and get you pregnant, I’m gonna make you a Mommy.” “Yunho Please! Pleaseee~” “Please what my love?” Yunho lifts your chin up to meet his gaze, your dark brown eyes staring several miles into his own, communicating beyond a frequency that sound couldn’t even capture in that moment, and he understood every bit of it…but figured it would be fulfilling just to hear it fall from your lips, “Pleaseeee? What.” “Please make me a Mommy~” In seconds, he snakes an arm around your waist, pulling you flush against his chest as he drills into you. “Ahhhhhh!!!!” The sound of your screams, bounce off the interior of the car, and you pray that the seats absorb it all.

“Yesss, yes! Let me hear you Mama. Fuckkkk let me hear you!” “Fuckkkk!” “Uh huhhh~ Fuck! You sound so good taking my dick like this! Ughhhh~” You both were a mess, fully enraptured in pleasure and no longer prisoners to time. You place your forehead against Yunho’s now eye to eye as he continues to lean into you with force, your breathing syncing with his, both chasing your highs. “You’re gonna cum, aren’t you.” He asks you with dark eyes, almost as if it wasn’t a request. Suddenly you’re whimpering against his lips, “Yeah you are gonna cum, you’re close, so close for me.” “I’m-“ “I’m gonna-“ He mocks, imitating your whines, “You’re gonna what, cream around me and take this cum like a good little wife?” All you could do was gasp at his sharp remarks, “You’re gonna cum for me like a good little wife? Hm?” “Yeah!” “Yeah? You’re gonna take my fucking cum like a good fucking wife?” “Yes! Yes! Ye- Yes! Yes! Yes!” You gush around him, repeating your words like a mantra against his ear. He returns the favor, “Good Girl” replaying in his surprisingly vulgar vocabulary as he finishes inside of you. You collapse against him for some time. Aligning your heaving chest with his as you both come down. Clammy from the altercation. You swivel around some assuming it may help with the progress, and he moans a little.

“What are you doing?” Yunho laughs at you endearingly, watching you be an unintentional menace. “I don’t know I just thought it might do something.” You giggle some, lifting off of his softening length with your combined messes drooling out of you and down your inner thighs. Yunho takes it all in, shaking his head in amazement at the fucked out state of you. Just as he imagined it, better than he imagined, even. Staring him down, you study his body language, how he looks subtly exhausted but not TOO drained. Almost as if on a bodily timer, your temperature starts to rise again, “You’re plotting.” you narrow your eyes at him. Sucking in a sharp breath between teeth, Yunho helps you up, only to place you over the front armrest.

You squirm as your stomach and breasts make contact with the cold leather. “See I KNEW you were plotting!” “Oh hush, don’t act like you’re not excited.” Yunho makes light work of your tights, pulling off and discarding what was left of it, and sliding your panties off of one of your legs in order to spread them further apart. Your breathing catches at the gust of air that hits your pussy. Yunho’s cock inches away as he works his hand over it. He reaches his hand around holding it out to your mouth, “Spit.”, and you oblige him. He continues to work himself hard again, one hand bunching your business skirt up your waist, exposing your bare ass. His hand slides down to caress it, before landing a harsh smack, resorting back to soothing over the stinging spot. All marks undetectable on your brown skin, he lands a few more smacks on both cheeks, knowing he’ll be safe. You jolt and whine at the barrage of sharp pain and he leans down to pepper the side of your face in kisses, rubbing your attacked spots to soothe the pain.

“Don’t forget to breathe my love.” You didn’t realize you weren’t until he mentioned it, immediately offloading a heavy breath. Yunho clicks his tongue as he braces one hand on your shoulder to hold you in place, fiddling with the bunched up hem of your skirt. Your body stiffens as you feel him use his fingers to collect your cum and push it back into your pussy. You shudder in pleasure, still recovering from your last high, not too far from another if touched too much. You feel him shift behind you again as his cock teases its way past your entrance one more time. “Mmm, You wore this skirt on purpose Mama?” He glides into you with ease, bottoming out effortlessly, and you sink into the armrest, your moan resembling that of a pornstar’s. “You knew you were gonna see me to get this pretty pussy filled, Hmm?” Yunho immediately picks up the pace, keeping his hand firm on your shoulder, guiding you back onto him. “Ooooohhhhh~” “Yeahhhh? You wore this skirt because you knew you were gonna get knocked up with my babies? Huh?” Yunho’s words started to slur as they turned into shameless moans, “Yeahhh~ keep moaning for me, it’s just us here, keep going, I wanna hear youuu~” even he started sounding pornstar-like, it was music to your already ringing ears.

He began to pound into you with fervor, your tits now hanging over the armrest, bouncing violently as you grip the seating of the driver’s and passengers seat to avoid going headfirst into the dashboard. “Oh fuckkkk I’m gonna cum again, shit- shit- shittttt~” Yunho plants a foot on the flooring of the suv to steady himself as he leans flush against your back, engulfing you. “Yes, yes, yessss~ come inside of me pleaseeee~” Your final plea sends him over the edge, ultimately setting off a chain reaction that makes you cum around him all over again.

You shudder with each thrust as he slows his pace gradually before coming to a complete stop, staying in the same position as he bear hugs you from behind over the dashboard. You laugh to yourselves as you match your breathing once more, an exercise you both had been doing since the start of everything. Thank God workers at Yunho’s job actually took advantage of leaving the facility for lunch, or else your windows definitely would’ve been knocked on. Sure, the 5% tint helps, but you’re sure the car rocking would’ve given enough away.

Yunho peels himself off of you and helps you up, sitting you down next to him in the middle seats. You lay your head on his shoulders, the both of you visibly fucked out, his shirt open and hanging off of one shoulder with a button or two missing, crucifix chain crooked yet still sitting proudly on his chest, even after such a sinful act, your soft locs fully down, and splayed along and running down the side of Yunho’s torso, your skirt and his pants still undone, your blouse surprisingly still somewhat presentable. You both sit in solitude and enjoyment of each other for a little while. Yunho looks down at you lovingly, watching as you pull your phone out to do something. “Are you doing what I think you’re doing?” “Letting the Editor in Chief know that I’ll be out of the office for the rest of the day? Noo, I couldn’t possibly…” “Oh well that’s a shame…” You look at your husband, waiting, “Because I told the team to take the rest of the day off.” THAT’S why the deck looked so lifeless. “I can’t believe you set me up!” He peppers your face in kisses one last time.

“Alright, let’s get out of here, we defiantly need to change. We’re celebrating tonight.” “Tonight? Forrrrr?” “For theeee…..you know…..” Yunho gestures towards himself then your stomach, and you grin knowingly. “The lunch rush?” “Exactlyyy, the lunch rush.” He says before pulling you in for one last kiss. Yunho helps fix up your appearance before assisting you out of the Range Rover and back into your car. Kissing you for the last time yet again. “I’ll be right behind you.” He starts back to his vehicle, looking over to you, “Oh, feel free to put me in your schedule whenever you have an hour or two for lunch. Just to make sure it takes.” Yunho winks at you, getting back in the car as you both leave work for the day.

‧₊˚✩. ˚. ♡ ☁︎ If you liked what you read, please let me know, it gives me hope. Comments and Reblogs are always appreciated ‧₊˚✩. ˚. ♡ ☁︎

[captainofthetidesbreath]

I will say, at the end of the day, I am very fond of Illario Dellamorte, despite it all. Yes, he managed to make every single POSSIBLE bad decision one can make, then figured out how to make a few more that nobody else would've thought possible. Yes, he was increasingly sloppy and incredibly stupid about it all. Yes, a lot of his frustration and rage is incredibly misdirected. Yes, I said before the game came out that I support him having a villain era, and I still do because it's fun and I love mess and drama—as much as he stresses me out and makes me want to strangle him because Jesus Fucking Christ.

Still, I think I like the idea of forgiving him. For me, there's something interesting in how he doesn't kill Caterina, in how he didn't ask for what happened to Lucanis and seems genuinely angry—wrong as he is to direct it at Lucanis—that the control that Lucanis so highly prized was taken from him rather than dying at his best, in how he can engineer Lucanis's death but experience a grief that still feels harrowingly genuine at the wake, in how he clearly is grasping at any possible advantage and is carelessly choosing his allies not because he believes in their goals or ideals but because he's desperately power-hungry and ambitious and no more. In how, if he is forgiven, Lucanis is impressed he almost got away with it, in how Illario goes to help the Crows in Minrathous in that last gambit.

He's a mess, and he's selfish and ambitious and vicious and contradictory. But, I have a soft spot for characters like him and relationships like his and Lucanis's, y'know? Forgiving him and forcing him to work out his life after he's burned nearly every bridge he has is just really interesting to me, especially given how Lucanis is still full of hope and affection for him alongside the hurt. How do you rebuild after all that, you don't even have the devil-may-care breezy mask anymore because everyone knows better now. Figure out where he fits now in his cousin's life, because I do think—at the end of the day—the affection and relief is still there from both sides, under it all. Deeply buried possibly, for Illario, but there.

I think there's enough pieces here to suggest that he and Lucanis have a chance to actually figure it out, and to suggest that Illario might actually get his shit together and be willing to given opportunity, time, and patience. It's also a messy choice (and a huge risk), but I do personally like the idea of forgiving him. I like the messy, insane, dramatic narrative of it. He has potential, as Lucanis himself notes. I would love to see if he can rise to it, now that he's gotten all of this out of his system.

Or, at least forgive him because there's something funny about that and I want to see what else he does if given the chance. It'll probably also be a mess, but I'd love to see what messes he gets up to when he's not plotting against the person closest to him in the world. It'll be fun! But, sincerely, I do think he can get his shit together, and I hope and believe he wants to. It's the more interesting and fun story to me, for both him and Lucanis, personally speaking.

[wilcze-kudly]

Something I've always loved about atla is how it handled scars, particularly Zuko's facial scar and Aang's lightning scar.

I've probably spoken before about how, as a burn victim with a ton of skin grafts on my legs, torso and hand, Zuko really was the first character "like me" that I saw on TV. It was, as you can guess, quite a momentous moment for kid me. Which is probably why I'm so disheartened on the live action show shrinking and toning down Zuko's scar significantly.

Too often scars, especially burn scars are seen as gore or body horror and too graphic to be seen on TV that isn't horror or related genres. And often scars, especially facial scars are reserved purely for villains and are used as a signifier for 'evil'. A trope that you'll find is still alive and kicking even today even in big franchises.

And while Zuko does reinforce this trope to some extent, I think it was subverted enough for it to have irs own merit. Atla also steers away from the scars=evil narrative, by having a lot of "good" characters have scars too like Bato and Song. This helps destigmatise scars as a whole, making Zuko's 'scarred villany' seem like a more individual case.

In Atla, scars are more the trademark of victims rather than villains and this rings true for Zuko too.

Zuko is a victim of the Fire Nation in the sense that the Fire Nation's values of war, strength and honour facilitated Ozai's abuse of him, particularly the scarring.

Zuko's scarring does follow a very established trope of a son being scarred by a father, which is surprisingly prevalent, especially with burn victims. Seriously I collect these men like pokemon. This tropiness isn't a bad thing, since I think it leads to us very quickly sympathising with him. I certainly did, since his experience mirrors my own.

The scene of Zuko's scarring is also particularly special, due to it being rather unique, because it isn't quick or an action scene, nor is it shown as an overly gory horror scene, despite it being, well, horrific.

It's... tasteful. Or at least, as tasteful as the scene of a child getting scarred by their father can be, I suppose. It doesn't linger on the violence, but also doesn't sugarcoat it. The scene of Zuko's scarring, and the events leading up to it also give us a good exposition to his better qualities, like his compassion, and a good explanation for why these qualities stay buried.

I can understand why some people in the fandom believe that Zuko's scar symbolises his 'worse side', but I actually believe its the opposite. Very often, when a character has a 'split down the middle' type of scar, their scarred side represents their worse half, like with Two Face from DC.

Because Zuko's scar doesn't symbolise his allegiance to the Fire Nation, it symbolises the fact that he failed to live up to the Fire Nation's standards. It's a physical reminder of the time Zuko actively defied the Fire Nation's standards and mindset.

We get a lot of nods to Zuko's scar aymbolising disgrace and failure to uphold ehat the Fire Nation expected of him. It's literally a physical blemish upon his 'honour'.

This is especially noticeable when Zuko's appearance is contrasted with Ozai, who exists as sort of the human stand in for the Fire Nation's imperialism. For most of the show, we are not shown any of Ozai's features, his face being obscured by shadow or out of frame.

We finally see Ozai's face, it's when Zuko is seeing hik for the first time in years. And Ozai looks so similar to Zuko. An unblemished, perfect, complete Zuko, so to speak. In Zuko's fever dream, where we see an unscarred Fire Lord version of Zuko, he looks exactly how I imagine a younger Ozai would look. I also love that Zuko's adult design seems to lean into this similarity.

Furthermore, Zuko's scar is used time and time again as a way he connects with victims of the Fire Nation. People who don't know him, like Song and Jet, assume him to be another victim of the Fire Nation, citing his scar as the reason why. Which is half true, Zuko is a victim of the Fire Nation, just not in the way they think.

Jet: I think Lee would make a good Freedom Fighter. He's just trying to find his way in the world, like us. Smellerbee: You don't know anything about him, Jet. Jet: I know he didn't get that scar from a waterbender.

One person who doesn't connect to Zuko over his burn scar is Katara. I love the scene of Katara and Zuko in the crystal catacombs. It's a profound scene and one that always makes me a bit emotional, especially in the wider context of atla, a subject I've touched on in this post.

However, the handling of Zuko's scar in this scene is especially dear to my heart. I strongly remember that, when Katara offered to heal Zuko's scar, I actually got scared and upset. I was terrified of Zuko's scar being erased, of the connection I felt to him snuffed out and one of the best parts of his characterisation being erased.

But that's not what happened, and the scene is amazing on that front and all others.

We learn that Katara asscociates Zuko's face with the Fire Nation, which makes sense, since he's been kinda clingy for the entire 1st season. Katara denies it having to do with anything with Zuko's scar.

Katara: It's just that for so long now, whenever I would imagine the face of the enemy, it was your face. Zuko: My face? I see. [He touches his scar.] Katara: No, no, that's-that's not what I mean.

The Katara lover in me believes her. As a a member of the Sothern Water Tribe, she probably has seen many burn victims. And her pursuing healing would also probably lead her down the route of normalising and understanding burn scars.

However, I would not be surprised or disconcerted if the scar did have something with Katara perceiving him as a villain. After all, to a lot of people, scars and "ugliness" denote moral ugliness. The very obvious fire asscociation probably doesn't help someone traumatised by the Fire Nation too. It is a sad fact of life that even those who know better subconsciously react to people with scars and other "deformities" with disgust and distrust.

We also see Zuko explicitly give us the rundown of his previously unspoken struggle with feeling like his scar is defining him as a person.

Zuko: It's okay. I used to think this scar marked me. The mark of the banished prince, cursed to chase the Avatar forever. But lately, I've realized I'm free to determine my own destiny, even if I'll never be free of my mark.

This is something I can relate to as someone with prominent scarring and I'm sure we all sometimes feel defined by things outside of our control. Sometimes It's hard to seperate your identity from your appearance. And it's even harder to seperate yourself from events that influenced you so harshly.

As I previously highlighted, Zuko's scar relates strongly to his failure to adhere to the Fire Nation's ideals and conventions, his failure to be the perfect prince of the nation. And while to us, that is a good thing, to Zuko, at least at first, that is a very, very bad thing.

To Zuko, the scar is a symbol of his flaws, and a just, if not harsh punishment for his percieved transgression. He sees it as a brand, denoting his mistake and shame. He sees it as the physical manifestation of what his banishment and scorn from Ozai means.

It's only when he begins growing as a person away from the Fire Nation's influnece, that he starts to realise that the scar is just a scar. It holds no power over him. And while he relapses for a moment, "demystifying" his scar allows him to do the same to the event of his scarring. It allows him to look back at that moment and not see righteous discipline, but rather see it for what it was and go "hey wait a minute that was actually fucked up.". Which allows him to look at The Fire Nation's conquest of the world and go "hey this is also fucked up.", when the lessons he's learnt in the Earth kingdom finally click.

I believe this is why we see Zuko almost purely from the side of his scar in the scene where he confronts Ozai, especially when it's contrasted with Ozai's unscarred eyes.

Zuko's scar, like many scars in fiction, symbolises imperfection. But rather than an "objective" imperfection, as most fictional scars do, Zuko's scar symbolises his imperfection through the skewed and biased eyes of the Fire Nation. It's a nice subversion of the trope that usually encourages us to equate beauty with goodness and ugliness with evil.

Side note, I know I've been using the terms "ugly" and "ugliness" to talk about scars. I just wanted to note that I don't think scars automatically mean someone isn't attractive/scarred people are ugly. But in a lot of media, scars are seen as gross and ugly, which is why I've been using these terms.

I like that Zuko defies this trope by being drawn as very attractive with his scar, and even being seen as desireable in canon.

Even though it does loop back to the 'attractive=good' symbolism, I don't think it totally invalidates the story Zuko's scar is telling. Plus it WAS an ego boost to child year old me who thought no one whould ever love me bcs I looked like a burnt chicken nugget. So I'll let it slide.

I love Zuko's scar, and I love how it seamlessly fit into the story, while also subverting tropes and invalidating stigmas towards scarred people. It's probably one of my favourite, if not very personal aspects of the character.

I do however, also want to analyse and go over Aang's scar from Azula's lightning and I plan to go over it at a later date, since this post is getting a bit long and overwhelming.

Toodles!

[austenpoppy]

That's really not how I read it. First, Dick is one of the characters - in general and in the Batfamily - who spends the most time obsessing over the morality of his actions, over the no-killing rule, over the way he can control his emotions so that he doesn't use uneccessary violence, and continuously lectures people on that. Obviously this started with Kory in New Teen Titans, and this was one of the main reasons he was so reluctant to date her early on. And we have numerous examples of Dick having the same conversation with other people : Helena, Tad Ryerstad, Tarantula, Babs herself, without counting the villains (there are several examples of Dick teaming-up with a villain and repeating to them they have to do things his way or the team-up's over, like Dick did with Deathstroke in Titans 1999).

I do not understand how you can look at a guy like that and think he'd kill for the greater good/he's not as convinced about the no-killing rule as Bruce is/it's just a matter of control for him. It's actually the plot of an arc of Justice League Task Force, where Dick replaces Batman on a mission with Aquaman, Martian Manhunter, Wally and Gipsy (yes I know), when they were tasked with the destruction of a terrible weapon used by rebels in a dictatorship. At one point Dick is told by the UN liaison he should be the one taking out the dictator, and while the dictator run toward the weapon Dick tries to aim at him but can't bring himself to kill him. It is revealed Dick was chosen for this specifically because the liaison knew he was the one member of the team who wouldn't kill, and he knew the dictator would take himself out with the weapon.

Dick is Mr "That's not the way we do things" and "This isn't the way".

Did he want to hurt the Joker badly ? Yes. He went to see the Joker to get revenge, but there's not enough evidence to suggest he went there with the intention of killing him. Your evidence is that 1) Dick expressed, grieving and full of rage, that he wanted to kill the Joker, 2) he punched Dinah when she tried to prevent him from confronting the Joker, 3) he meant serious business when he went there and wasn't quipping.

For the first point, I don't understand why people look at grief and rage-fuelled moments when Dick said he wanted someone dead and take it as face value, as if this truly represented what Dick wanted - Dick. Dick's had those kinds of moments all the time. As early as New Teen Titans, he told Kommand'r that he wanted to rip her from limb to limb after it appeared she'd killed Kory, for example. He threatened multiple people to hurt them badly or even kill them if they'd done something to Tim. He dreamed of killing Blockbuster after what he did. Many other characters have done the same thing.

And you can't look at this one picture of Dick dragging his hand down his face saying he knows killing the Joker isn't the way and not tell me he hasn't calmed down slightly after the rage-fuelled moment he just had and isn't agreeing with Babs that killing the Joker isn't the way to deal with him.

Why is that important ? That shows Dick's still somewhat in control - he isn't in a muderous haze.

So why would Dinah try to prevent him from confronting the Joker ? And why would Dick punch her ?

Dinah wanted to prevent him from going because why wouldn't she ? She knew Dick was grieving and full of righteous rage and was going there to harm the Joker (again not necessarily kill him). Of course she would try to reason with him, to stop him. A vigilante going to see a person who's killed their loved ones and hurt them while being full of rage can only mean bad things.

And Dick did want to hurt the Joker, so of course he wasn't going to let someone stop him. Yet he still took the time to apologize to Dinah - does that sound like someone going to commit first-degree murder ? Or are we implying Dick's a boy-scout even when he's on a killing spree ?

Then he went into the church. Of course he was serious. Dick stops quipping whenever the stakes become higher in general, and he's downright chilly/intense when he's that angry. Even his speak bubbles reflected that when he sent Blockbuster's armies in the hospital.

But even then, for some reason people forget this guy was there :

The guy's entire power is to bring out the hate and loathing in everyone around him - so a form of mind manipulation if not mind control - he used that power to cause murders, and you're telling me this didn't have any influence over the situation ? Having him there was intentional, on the writer's and maybe the Joker's part.

But to me, this kind of panel is evidence enough Dick didn't come to the church with the intention of killing the Joker :

Dick didn't really want to kill the Joker, and that's embodied by the fact that the Joker said he didn't "want it enough" while dodging a punch from Dick and landing one of his own.

If Dick'd really come here to kill the Joker, he wouldn't have wasted time landing a few kicks and a few punches that couldn't truly kill him but sent the Joker flying. He wouldn't have wasted time asking the Joker "All the deaths ! All the pain ! When is enough enough, Joker ?". He wouldn't have let the Joker land his own punches. He certainly wouldn't have stopped right in the middle of the killing spree.

If Dick had wanted the Joker's death when he came into the church, he would've landed a killing blow right away and it would've been over in seconds.

The Joker knew that if he wanted Dick to lose control, he'd have to goad him further (by stopping while the Joker was on his knees, Dick was maybe already calming down slightly !), so that's why he brought up Jason. That's when Dick lost control and started pummelling the Joker. It was quick, relentless, and that's when the Joker's heart stopped.

Tim's apparent death caused Dick to want to hurt the Joker terribly and that's why he came to the church. The mention of Jason is the moment Dick lost control and actually started pummelling the Joker to death, though again there was Mr "My power literally incites others to riot and murder others" rejoicing in the corner.

One last thing : Dick never said he'd murdered the Joker or called himself a murderer - he made a reference to the rage he'd felt when he killed the Joker during the Vesper Fairchild affair, but he never said he'd gone in the church planning on killing the Joker. In many ways, I think that's why Blockbuster's death hit him even harder : even though he was on the verge of a panic attack when he stepped aside and was emotionally exhausted, this to him must have felt more of a conscious decision and thus a murder than was the case for Joker. And this time Dick did call it murder, and declared himself complicit in the murder of Blockbuster.

Otherwise, it wouldn't make sense that Dick was only self-flagellating a little when he thought the Joker was dead (before he was revived) but went into a full-blown panic attack after Blockbuster died, saying he'd failed Bruce and was poisonous.

There's an escalation in the level of reaction that doesn't make sense if Dick "killing" Joker was a premeditated murder and not an accident (partially caused by mind manipulation).

It's only because the narrative treats it as a big deal that it is one - that, and Dick getting depressed and full of self-loathing after. Meanwhile, Tim killed Lady Shiva while he was on Amarilla (in a smilar rage-fuelled moment), revived her, and later said she owed him her life (the little rascal lmao), and nobody bats an eye.

I've heard that Nightwing killed the joker in one of the comics? Possibly caused by Jason Todd's death? Can you shed light onto this?

Sure thing! SO, the infamous moment you are talking about is in Joker: Last Laugh #6. Dick does indeed kill the Joker, his heart stops. You’ve probably seen this moment on posts as an example of Dick’s legendary temper (rightly so, there is definitely a lot of rage involved here) but I think because of the emphasis on Dick’s emotionality, people really downplay how premeditated it all was. Dick hears that Tim is dead because of Joker’s schemes, and he decides to kill the Joker. Full stop. 

Barbara tries to talk him out of it and Canary tries to stop him, but Nightwing knocks Canary out and goes off on his own. Barbara and Batman know that Nightwing is going to kill the Joker, and both try to stop him. Seeing him walk to where the Joker is, a man on a mission, zero quips/flips, really hammered it home that he was genuinely planning on taking Joker out for good. 

So yeah, this wasn’t just beating Joker up and going a little too far in his anger, this was premeditated, first-degree murder. It is probably the only time Nightwing has ever gone after someone with the intent to kill. And it is very personal too...Nightwing didn’t have a gun or anything to take Joker out quickly from a distance. Beating Joker to death with his bare hands was drawn out. It was up close and vicious. 

Now, this is my opinion on things, so take it as you will, but this is one of the reasons why I feel like Dick’s guilt about this incident was less about him killing the Joker and more about the way he did it. See, this was not taking Joker out solely for the greater good--if it was, Nightwing certainly wouldn’t have killed him in the way he did. He went after the Joker in a rage to get revenge, and that scared him. Add that to the fact that he felt he’d let Batman down by killing and “let the Joker win” and presto. Full blown guilt complex. But that’s definitely debatable. Anyway, about his motivations. 

Explicitly, he killed the Joker because he thought that Joker had killed Tim. I’d say that Tim’s death was the final straw for Dick. He was tired of seeing the Joker hurt those he loved. When Barbara is shot by the Joker, Dick refers to waiting by her hospital bed as “the darkest days of my life since my parents death.” And when Jason dies Dick explicitly says he wants the Joker dead: 

Nightwing (1996) #62

So, it’s not like Dick’s desire for Joker’s death is coming out of nowhere. He’d held himself back, but Tim dies and he’s had enough. I think that Dick killed the Joker for all the family members that had been hurt, but Jason does have a special significance. In particular, there’s this moment after Dick beats the Joker to the point where he is incapacitated where Dick pauses. For a second, he isn’t sure if he is going to follow through with it. And then the Joker mentions Jason and Dick finishes it. 

From that point on, there is no hesitation about what he is doing. Tim has to physically pull Dick away from the Joker’s corpse to get him to stop. We have a lovely few moments where the Joker is dead:

Before Batman comes in and revives Joker (and gives him mouth to mouth...yuck). Nightwing walks away in guilt, and Batman lets him go saying that “he has to face what he’s done.” Nightwing holes himself up in his apartment, staring at pictures of Barbara before her accident, and of Jason. 

And that is the whole sad story. 

[dogtoling]

General life- and blog update , since I assume at least a few people might have been wondering where I've been and what i've been up to recently. I obviously haven't been posting or drawing much this year in general. This will probably be an important post if you care about stuff on this blog, and I already rambled on Sheezy, but that site isn't very populated yet and it's also very good at hiding journals so let's just ramble again...

The summary of this post if you hate reading: I'm heavily considering just stepping away from Splatoon. That decision obviously would affect this blog (mostly, my OCs, which is kinda most of the blog at this point). I don't think the blog itself will go anywhere, and I'll probably use it for something in the future... alternatively i'll cherry pick stuff from here into an archive for people who like the worldbuilding.

Longer post under cut:

So what have I been up to this year? The answer is quite simple: NOTHING. Like, actually absolutely nothing. Aside from Art Fight, this has probably been one of my worst art output years of all time, which is really frustrating. That's between my horrendous mental health and depression chasms this year and a complete lack of both focus and inspiration (which can also get chalked down to the depression to a degree, yeah). So the very real reason to why there hasn't been much activity on this blog this year is because I just haven't Done Anything in general.

Now because I know there will be a few people who think "that's fine! you shouldn't judge yourself based on productivity!" you're right! I also agree. However the issue for me specifically is that most (if not all) the time I spend NOT drawing or creating, I spend sitting around wishing I could start drawing or creating, because that is like the 1 thing that keeps me sane on this freaking earth. Unfortunately coming up with OC scenarios in my head doesn't really result in output I can feel fulfilled by in any form as much as I wish it did, lol.

Now; The Issue. It doesn't take a genius to see that if you spend 9 months trying to finish like a dozen OC pages that you COULD do in a week or 2 if you wanted to, then there's probably more than just the problem of executive dysfunction (even though that's at least 60% of it for sure). Obviously my other major problem is that I live by imaginary rules and structures that make sense, but aren't actually useful at ALL in reality and are more than a hindrance if anything (the mental to do-list in my head that says i can't do X until I've done Y doesn't do very much if task Y takes 10 months and I also don't want to do it, and it also has no structured ending).

How does this tie into stepping away from Splatoon, you may ask. Well, the issue is that I have foreseeably fallen out of love with the series. Which isn't exactly news lol. Currently, I'm not even sure i will get the next game, if and when the time comes. Yes, the loss of interest is also expected, given that Splatoon 3 has ended and every fandom has this kind of downtime and lukewarm in-between-titles period. But the truth is that modern Splatoon (almost 10 years old!!!!) is tangibly different from the way the series was back when I fell in love with it. That was Splatoon 1, and while the series has improved in a lot of aspects and is thriving, it's grown in a direction that I just don't really like. Splatoon 3 had the most freaking horrendous, immersion breaking story mode they could've done, then they followed it up with a DLC story that was pretty cool but also compounded a lot of my fears about the series' future and played into every single thing i do not want Splatoon stories to be - fully character focused, random fucking villain, mundane event that's unrealistically world-threatening just because a kids video game needs a scary climax even though it's immersion breaking AGAIN, the whole thing taking place in cyberspace and thus offering basically no worldbuilding even though there is SO MUCH WORLD. I COULD GO ON.

The gist of it is that nowadays, rather than playing Splatoon and being inspired and excited at what comes next, I mostly find myself dreading what dumbass plot they will do next to throw a wrench in the otherwise good stuff. And when that's like THE main approach I have to what's supposed to be my favorite series, it is HARROWING. I can't even really blame the game for this; the story is NOT its selling point, the developers probably do their best to get the bits to us that they really want to tell, and at the end of the day the game is unfortunately a product. Worldbuilding for Splatoon is fun to a point. It's less fun when in order to actually write or create something coherent, instead of filling in the blanks, the blanks are 90% of the freaking thing. At that point you're just better off making something of your own instead of being anchored onto an IP that gives more problems than answers and occasionally shoots you with like a machine gun. Working in the realm of Splatoon is frustrating because more often than not, the questions I have ARE NOT MINE TO ANSWER, and the likelihood that the specific-ass questions I need answers to will ever be actually addressed is really low.

Tying this back to my OCs. Obviously I love my OCs more than I love myself which admittedly isn't that high of a bar but you get the point. The problem is that I spend a lot of time mulling over worldbuilding that, again, frankly isn't mine to do. Because if I want it to be Splatoon, then it should be mostly accurate to how Splatoon is! But the problem with that is that there's really not THAT MUCH worldbuilding in the series that you can work with, and most of the core game mechanics are just abstract enough that it's actually horrendous to try and come up with workarounds and ways for things to make sense that don't require just constructing a full knockoff version mirror dimension of the game and saying fuck everything that's in place here because Inkopolis Plaza literally has no roads in or out of there and I have no fucking idea how that's allowed when your only option is to jump the fence (or, nowadays, take the train which also isnt connected to a street as far as I remember). Between the face value issue and the lack of REALLY IMPORTANT worldbuilding, like - I will always come back to this - THE INK TANK'S FUNCTION 10 YEARS DOWN THE LINE - there's a goddamn ocean of plot holes and things that end up being obstacles to creativity rather than inspiration. I feel like I'm pretty solidly at the point (and have been for a while) where hanging onto Splatoon is really only contributing to creativity block and frustration with lack of freedom and the ability to actually do things.

So I guess those are my reasonings that I've put together just sitting here for the time being. The TL;DR is that I wish I could just do stuff without Splatoon's canon getting in the way, which is a really stupid problem to have if you're making Splatoon OCs. I feel this frustration extremely strongly every time I have to work with actual bigger aspects of the world; we still don't have an Inkopolis map, we don't know what the world around Inkopolis looks like, we don't know what the wilderness is like aside from Just Normal Forest and Desert and very few snippets as to what modern wildlife MIGHT be, I still don't know how the fuck the Inklings teleport to the goddamn arctic ocean to play a turf war at Shipshape Cargo co. These are all actually really important things if you're trying to establish a setting in any kind of storytelling that's outside of immediate city bounds (and even there, you need to know the layout of the city and its important areas). Also a fucking mutant bear and a baby salmon and a squid not wearing suitable gear went to space and fought on a rocket in space. These are some things that would give me peace of mind to not have to deal with in my own writing, probably.

So where do we go from here? Unsure. I haven't really made a decision on this front yet, though right now I'm leaning more towards actually going ahead with trying to do my own thing. That will result in obvious design and setting changes for my OCs whenever I get around to it. This blog probably won't go anywhere (again, unless I impulse delete it during a mood swing like i've almost done on like three separate occasions this year), but it will probably get less use, and I will probably end up making a new blog to post about whatever I end up doing once I get to a point where it feels like it makes sense. There's a chance that I will delete this blog and put all the interesting stuff on an archive blog for the people who are here just for the worldbuilding. My actual true passion for a long time now hasn't even been Splatoon anymore, it's just been cephalopods. I'm kind of done having Splatoon get in the way of the cephalopods, as thankful as I am that it introduced me to them...

If you read this to the end heres a treat for you = 🍪

[rootspiral]

AGATHA ALL ALONG DEEP DIVE: episode 1 part 1

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2])

IT'S TIME TO REWATCH AGATHA ALL ALONG, WITCHES! And as usual, spoilers below.

episode 1, Seekest Thou The Road

Wanda is dead (no she ain't). As a result, her spell is weakened and Agatha has changed from her nosy neighbor character to detective Agnes (or caught the true crime bug, as Herb will put it.)

Stinky grimy Agnes, so serious and depressed. As soon as she appears onscreen she's humming the Ballad.

Detective Agnes has just been recalled to action after being off duty for a while. She was punished for "punching a suspect", which is code for going after Wanda. Agnes points out that now the suspect is a convicted felon, i.e. that she was right after all and Wanda is dangerous and evil. "I can't be right and wrong" she says. "Yes, you can" says Herb, because both Agatha and Wanda are villain and victim. And lol at the police tape symbolizing Herb's fence. You know the poor guy is in his garden looking down at Agnes in her Bonher family tshirt, wondering what the hell is going on.

oh that's a seriously good shot

Agatha looks heartbroken when she sees Wanda's body, doesn't she? She looks so sorry.

Herb (the real Herb behind the illusion) confirms that Agatha is acting different than usual.

THIRD TIME SHE DISCREETLY DRIES HER TEARS

There is nothing funny about Detective Agnes. Or rather, it's funny to watch her because she's so intense, but we laugh at her, she's not being a clown on purpose like Agatha usually is. And Agatha right now is in a lot of pain, even more than usual having completely lost her agency. This character so unkempt, so sad, so doggedly searching for answers, is more true to Agatha's real self than what she usually lets people see. Deep down she's just a tragic lesbian wet rat.

Somebody called in to have the body found, and I think that somebody was Rio. Why would the body be next to the water otherwise? It's like the River of Life laid her gently where Agatha could find her. In other words, Wanda's death brought her to Agatha. I'm curious about these woods too, we know they don't actually exist as this is all in Agatha's head, but where did the idea come from? Are these the woods where she killed the Salemites? Where she gave birth to Nicky? Or where she buried him?

Agatha's victims from the finale flashing throughout the opening. Wherever it may bend, I'll see you at the end.

"based on the danish series WANDAVISDYEN" never fails to destroy me. and it's so clever too, it's like they're telling first time watchers that yes, this seems like a grim detective show, but you clever audiences know that things are not as they seem and this is a parody, right?? this is not serious at all, it's funny! Laugh! Except. It's not funny. It's not funny at all. And you're going to realize only when it's too late. It's the same thing they do with Sharon/Mrs. Hart, they lure you in with laughs only to hit you with heartbreak. This show is not a comedy at all. It's at its very core a senseless tragedy.

Sarah/Dottie lives next door too, was Agatha talking to her through a window, or does the library desk symbolize another fence? This poor woman, hasn't she suffered enough? But they all more or less try to help Agnes, that's sweet. Has anyone from SWORD or whomever dropped in to talk to them, did the Avengers just decide to leave Agatha there? Did Monica (or Ralph) even explain to the poor people of Westview that she's a witch, or do they just think she's a random neighbor who couldn't be saved from Wanda's Hex?

THE MAILMAN CONTINUES BEING SUSPICIOUS. Is Agatha putting words in his mouth, or was he (the "messanger") sent by someone to warn her about the Darkhold being destroyed???

her FACE when she sees Rio

and the way Rio just stares and stares. When you rewatch this scene knowing that this is the first time she gets to see Agatha in centuries... and she has to be cool and she has to be gentle. I think it's deliberate that they put Phil/Harold/Ross Geller in here, because he's one of the funniest people in Westview and it's suggesting a first time viewer to read this scene as a comedy. Except it's a cosmic tale of tragedy and heartbreak, but you're not supposed to notice yet, even if it's right there under your nose.

Stop being such a lone wolf, Agnes. Or rather, stop being such a sad and lonely covenless witch, Agatha.

Rio laughs her delighted little laugh, licks her lips, looks out the window for a moment as if overwhelmed, then goes back looking at Agatha and basically devouring her with her eyes. ("te veo.") (thank you for my life aubrey plaza.) Agatha stares daggers back, but her body language stars getting defensive. She feels very vulnerable.

Yep, defensive. And wistful.

She is doing her job, like always. But she's also going above and beyond. There is technically no need for her to wake Agatha up, but here she is, dropping gentle clues, guiding her with such patience and care.

"If you wanna be in control you can be" is said in such a kind tone, but it's also sexy?? I think Rio really likes for Agatha to take control, in a lot of ways. Her body language is the opposite of what Agatha is doing too.

Oh noes she's making herself so small now. She's like, intrigued and angry and happy and scared to see Rio. They're both being so tentative!! And she doesn't actually know who Rio is because she's under the damn spell, so her body language and feelings are pure instinct. They come from somewhere very very true and deep. (and LOL that mug says "get a clue")

Is this who you are now, Agatha? the intense but lonely detective? she's genuinely interested, because Rio investigates Agatha just as Agatha investigates everybody else. Rio simply cannot get enough of her. and she keeps talking with this gentle, warm, understated tone.

Gains personal space. Keeps staring and staring.

oh now we're leaning. they do this every scene they are together, they keep getting closer and closer even if they don't mean to, like magnets.

Agatha literally bolts to the door and tells her to leave. Rio's presence is so overwhelming in so many different and complicated ways, and she doesn't even understand why that is at the moment. Kathryn Hahn is playing this perfectly straight (no pun intended), there is genuine pain in her voice.

"Te veo", which is not "see you," but I see you, I'm always looking for you, I'm always watching. And I finally see you, after all this time.

Oh, honey.

I'm running out of space again, but I promise I'll continue this tomorrow. Thank you for all the notes you guys, I was not expecting so many! I'm doing this mostly to amuse myself, but it's nice to know that the brainrot is collective 🙃🙃🙃

go to the next entry

[gaywarcriminals]

On Mouthwashing, Qijiu, cruel characters, and the role of discomfort in blorbo analysis. 

I recently watched a playthrough and some video essays about the indie horror game Mouthwashing (spoilers ahead). For those not familiar, the game follows a man named Jimmy in a crashed spaceship where he reveals himself to be an unreliable narrator and fucked up in a variety of ways as the game progresses. 

Although I’m not immersed in the fandom and thus have a limited sample size, I noticed that people treat him as nearly inhuman. He’s the sole bad actor, a terrible monster destined to hurt everyone. I find this deeply ironic considering the game’s themes of responsibility and accountability: isn’t this kind of dehumanization absolving him of his responsibility to act decently?

It’s also strange to me, because the game goes at lengths to show Jimmy has an enabler. Captain Curly is Jimmy’s friend and boss who is made aware of Jimmy’s erratic and violent behavior multiple times, chooses to do nothing, and ultimately makes possible many deaths through his inaction. Aside from Jimmy’s public outbursts, there are even scenes with a specific member of their crew expressing how unsafe she feels around Jimmy. Despite this, a decent portion of the fandom sees Curly as nothing more than one of Jimmy’s victims, which is curious to me when placed in contrast with Yue Qingyuan and Shen Jiu.

Yeah yeah I’m blorbo-brained, but I think there’s a lot of points for comparison between Qijiu and Jimmy & Curly, at least in terms of their dynamic and social roles. Jimmy and Shen Jiu are both antisocial assholes with an unhealthy fixation on the generally well liked and affable guy just above them on the totem poll. They’re both convinced their superior is looking down on them, and resent the power he has (SJ less so, he has a lot of other reasons to resent YQY). They both use what power they do have to abuse those below them. Curly and YQY, for their parts, are shown to be explicitly aware of most if not all of their friend’s worrying/dangerous behavior, but do nothing meaningful to stop it. 

If they’re so similar, then why in the case of Mouthwashing is Curly often absolved of his complicity in the face of Jimmy’s overwhelmingly awful actions, whereas in the Scum Villain fandom, it’s just as common to see people pin all of SJ’s actions on YQY and vice versa?

Now, there’s a couple obvious reasons for this. For one, Mouthwashing is a horror game and Jimmy very effectively makes himself the antagonist, which lends itself to the interpretation of him as a the monster afflicting the other characters. For another, Jimmy sexually abused a shipmate, which is a particularly despicable crime (although so, I would argue, is child abuse). There’s also the fact that Curly is very physically robbed of agency for most of the game’s runtime, which might make it harder to see his power and agency before that point, but perhaps the most important difference is that to fans, Jimmy is deeply unlikable, and Shen Jiu is not. 

Personally, I think the reason a lot of people make Jimmy out to be a monster and Shen Jiu to be tragically misunderstood is simple: it can be uncomfortable to like a bad person. 

I don’t think there should be any shame in liking characters who are fucked up people that do horrible things, but I think it chafes at some sensibility within many of us, learned or innate, when we feel such deep emotional connection to a character who’s actions we would normally morally condemn. 

I’ve definitely observed that in some parts of the Shen Jiu fandom– it's the kind of sentiment that leads to discounting his canonical actions in favor of fanon. I’ve never found those fanons very compelling because I have never had any discomfort with Shen Jiu’s canonical actions— in fact, him being a despicable if pitiable mess is what drew me to him (I’m typically quite the fucked-up-evil-guy liker). For once, though, I find myself on the other side of this discomfort with Yue Qingyuan. 

I was thinking today about how one of the earliest things YQY says to SY!SQQ— his 9th line in the novel— was telling SQQ that LBH is strung up in the woodshed, where SQQ always leaves him after beating him. It implies not just that YQY knows about this singular punishment, but that this is an extended pattern of behavior. To me, YQY seems uncomfortable with the situation, but he does nothing to stop LBH from being abused aside from telling SQQ to “be less hard on him”, even though he’s the only person in the sect above SQQ, and potentially the only one with the authority to stop him. 

If Yue Qingyuan knew, did Luo Binghe know the sect leader had found out? Did Luo Binghe know he had been abandoned to his fate?

Like Curly, I think that Yue Qingyuan’s most unforgivable fault as a character was enabling Shen Jiu’s abuse of Luo Binghe and potentially other disciples. I think YQY’s motivations made sense, and I understand the choices he made, but when I think about it for too long I can feel a deep pit in my stomach grow. 

Why does YQY’s arguably lesser crime of enabling SJ bother me so much more than SJ’s own direct actions? Perhaps because I still want to see Yue Qingyuan as a good person, whereas Shen Jiu has already declared himself evil. Maybe I’ve been a little bit caught up in our unreliable narrator’s point of view. 

Fascinatingly, despite his adoration for Luo Binghe, Shen Yuan cum Shen Qingqiu never (to my recollection at least), blames Yue Qingyuan for SJ’s actions. Instead, he sees YQY as one of SJ’s victims— someone that SJ as good as killed, even if it was LBH’s orders that loosed the arrows. 

Shen Qingqiu has a tendency to, for lack of a better term, woobify his favs, and although LBH is by far the most frequent recipient of this treatment, I’d argue that YQY actually receives it more consistently. This is partially because he’s relegated to friendly NPC whereas poor Binghe is the Big Scary Protagonist, but the only time in the whole novel I can think of SQQ seeing YQY as a person capable of harm and fucking up is after YQY’s confession where SQQ puts it together with SJ’s flashbacks, but even then, SQQ sees him more as a cautionary tale for him and Binghe than someone who’s hurt others. Given this narrative bias, I’m honestly surprised* that more of the fandom isn’t simping for YQY too.

Ultimately, I think this discomfort is normal and worthwhile– something to lean into rather than away from. I’d even say it's necessary, should we ever hope to be more media literate than Peerless Cucumber.

*well, I’m not, but that’s a whole piece of fandom history better left untouched

[ashbeneviento]

Hey so ✨rant time✨ about the village fandom (again, sorry y’all)

This post will contain dark themes so TW:R*pe, Dubious consent, kinks such as somno under the ***

*****************************************************

It’s totally fine to not be into CNC, or related kinks such as somno or DC. It’s totally fine to not want to read about them either! HOWEVER

What is not fine is to pretend that properly tagged fics are out there to get you. You see the tag, you move on. You aren’t exposed to it unless you CLICK. TO. READ. THEM. It’s not fine to proclaim that we are doing a disservice to the characters by writing them in such ways. It’s also not a disservice to actual victims to enjoy, or even write about said themes. Most of the people who write these fics, if not all, are victims themselves. Most of the people who enjoy reading these fics are also victims. I am one of those people! It is not only a healthy outlet for me, it’s also just.. normal? To have these kinks. (Also sometimes the story includes it purely for plot purposes and isn’t always the main theme for the story)

Keep in mind that these are villains who torture and canonically murder innocent people. They are mutants, creatures, monsters..that alone is “taboo” if you find them attractive. They aren’t sunshine and rainbows, y’all. They are going to do dark, villainous things because they are dark and villainous. I enjoy the soft, fluffy and sweet HC’s too. And when I want to read those I purposely search for those tags. You have tools to work around your triggers. Tag blocking, muted words, filtered searches that will take you to your destination. If you happen to see tags that you don’t vibe with, it is your responsibility to scroll. What we aren’t going to do is try and dictate what “safe media” is because that leads down a very slippery slope of censorship.

And I get it! I used to feel the same way. This isn’t me being like “the real world doesn’t have trigger warnings” because it absolutely does. What matters is what you do with them, though. You cannot prepare yourself for them happening out of your control, no…and it sucks when media doesn’t properly inform you of its content, but it’s your responsibility to practice online safety as well. Tags are a great example of putting it into practice.

It’s just kinda off to be surprised that a fandom for a horror game that includes really evil characters.. writes them as evil? We all experience our traumas differently and there’s no right or wrong way unless you are purposefully hurting others. Hopefully this doesn’t come across as mean but I genuinely hope my message gets through.

Thank you and good time zone to you all

[leresq]

Finally watched Deadpool and Wolverine. First of all I was not coming into this with high hopes because even though everyone was talking about how good this movie is I've never found the Deadpool movies funny. To me they're just different variations of "You haven't seen this in an Iron Man movie" stretched into two now three feature length films. But honestly I liked it at the end.

- Why are Logan's ears and one of his eyes not decayed when no other part of his body is intact? Why does he have a beard on his jawbone?

- I'll bite, the Bye Bye Bye is a fun idea. The wintery forest setting is cool.

- I can't enjoy that opening fight scene because it's not how anything works. You don't get bludgeoned with a dull object, have your body armour completely give way, and have a pint of blood splash out. I understand the whole point of Deadpool is that it's over the top, but this is just so overly gratuitous it's insane. I feel like Marvel Studios felt like they had to make it so unrealistically violent to try and separate it from the mainline MCU to get the people who have Deadpool funko pops to guffaw in the theatre. It's "You haven't seen this in an Iron Man movie" with zero words spoken. Honestly incredible.

- The CGI is better than it's been recently but it's still noticeably bad

- Peter Parker's Iron Man mask is on the desk in the background! How did that even get there.

- Why is Tony's ARC reactor on the table, I thought that was pushed into the river at the funeral

- The timeline is just so incredibly fucked. I still don't understand how the X Men timeline reboot works, or how Logan fits into it; if Logan dying means Deadpool's universe collapses, that implies the Logan movie is in the X Men reboot franchise, but Patrick Stewart is in that and James McAvoy plays him in the reboot making me think it's a one off... Augh my head...

- Something looks up with John Favraeu. I don't know if his wearing a wig is supposed to be obvious, I don't know if he's just under a lot of makeup or it's CGI, it's just weird.

- Deadpool is never going to be an Avenger because Marvel Studios would rather execute everyone working for them than give up the licencing deals from making PG13 movies, and Deadpool wouldn't feel the same in a PG13 movie.

- I think any brand would let Ryan Reynolds walk all over them in muddy boots, for some reason he gets the pass to slander anyone he wants to and he gets paid by the companies to do it.

- 'I don't have a lot of v*ginal sex' 🤨 that has numerous connotations. Also can we not do sex jokes in front of 12 year olds

- I was not expecting a Deadpool movie to contain any hints of character development because the previous two instalments seemed to be hellbent on making sure I understood nothing of emotional value would ever be allowed to appear without being undercut by a sex joke.

- "I've never been a natural bottom" 🤨🤨 I thought Poolverine was just the average two male leads naturally gets shipped together thing but no they're sowing the fields

- If that Thor crying over Deadpool never comes back I will say something about it

- If they didn't want me to know Paradox was going to be a villain why would they make him British

- The 'Suck it Fox' cut to nothing being there is the only time I will accept something raising more questions than answering them at this level as funny

- "Your tailor is a predator" caught me so off guard I started coughing

- Wow I wasn't expecting them to pull the Paradox is actually evil card not even a third into the movie. Honestly a good subversion of expectations.

- How is Deadpool's universe going to evaporate in 74 hours, I thought time doesn't exist at the TVA?

- Are they going to explain why Deadpool's suit can just fix itself now. It used to keep its holes.

- Finally, I think the first time we ever hear Deadpool is from Canada in the movies! I wonder if Ryan Reynolds only wanted to play him in the first place because they're both Canadian...

- "You two gonna fuck or fight?" 🤨🤨🤨

- I actually understood the Honey Badger reference

- the FF floating platform thingy is another reference I'm surprised I got

- The Human Torch CGI is actually really cool

- "Not all of you was asleep" after waking up on his shoulder 🤨🤨🤨🤨

- Too many cameos in Cassandra's little alcove so I'm not even going to bother looking for them all

- I'm not sure if Johnny Storm's death was supposed to be played for laughs or just shock value, either way I'm not laughing I loved those movies ;(

- How does Cassandra know she's Xavier's sister if she was sent to the Void before she could walk?

- Wolvie being nice to Johnny post mortem is cool

- Nicepool having a stronger Canadian accent is a good joke, and Deadpool looking on in disgust as Nicepool talks about his dog's 'G-spot' is good. At least that's not played off as just a normal thing to say even if it is a joke

- "I identify as a feminist" could easily be misconstrued as an 'anti-woke' joke but all of the jokes of a similar calibre in this movie seem to be made ironically. Example: Nicepool is a creep

- "Where's your mask" and Nicepool points to his face actually implying his nice guy attitude is a facade for being a shitty person is actually really good

- Why is Nicepool's car surrounded by untrampled corn, how did it get there? Who grew the corn?

- Deadpool includes Colossus in his world 🥺

- Wolverine is nothing if not an excellent shit talker, and it's actually very out of character for Deadpool to actually get affected by insults

- I wish The Greatest Showman soundtrack was incorporated for more than just a third of a second

- 'Close up magic' ant man reference?

- 'There's only ever gonna be one Blade' about that...

- I think that's Apocalypse's throne in Cassandra's room? Or Thanos's

- I never thought about how both Cassandra and Xavier's powers radiate from their heads until the Juggernaut helmet scene

- Finally some real actual genuine character development that's not thrown away for a joke!!! The best part of the movie to me was Cassandra's redemptio-. Oh. Nevermind. Anyway I like it better than if it were just shoved away for a joke then she died

- Deadpool waiting for the 'extras' to clear was, to me, a good indication that he's a hero now. Caring about civilians is #1 on my makes you a good guy requirements

- "You smell something?" "Yeah you" 🤨🤨🤨🤨🤨

- And there it is. Nicepool's death is probably the most predictable death I've ever seen on film.

- Eastside Pharmacy?! Agatha All Along reference???

- Wolverine's helmet looks like a rubber playground ball

- Will Marvel Jesus come back in three days however?

- Staring at Hugh's abs? Same, but 🤨🤨🤨🤨🤨🤨

- That hand holding ending was actually impressive, I wasn't sure what was going to happen and it actually kicked ass

- Is the guy with the mug who stared at Deadpool in the beginning Marvel's first gay character

- The introducing Logan to Blind Al is so unbelievably 'the parents meeting the boyfriend' I could die there's no fucking way that wasn't on purpose

[latimeria-fell-from-heaven]

and cut along the dotted line he did :((

Cut along the dotted line

[fullofwoe5321]

It's impressive how people continue insisting in label Tyler as a cold manipulative guy who never cared for Wednesday.

You guys really have to force this narrative! But with me, this is not gonna happen!

We have SCENES where he genuinely smiles alone after talking to her or something like that.

Oh but he said he liked killing... Have you ever watched the show? Have you ever realized he was possessed by the Hyde when he said that? Have you ever realized he was on the verge of crying after the revelation? We don't know the dimension of his corruption or his Hyde, but on the show it's said that the Hyde  becomes the willing instrument of whatever nefarious agenda this new master might propose.

OH let me save you some time, Wednesday was not furious because he killed some people (AND PLEASE, he didn't kill Eugene on purpose because he was Wednesday's friend) or he was the monster. She was furious because she was outsmarted and betrayed by Tyler. The only person she opened her black little heart and he was the one who stomped it. He was the monster under her nose and she underestimated him. That's why he humiliated her with that monologue in the police station. He knew she was very competitive and the only way to hurt her was bringing that fact in to her face. By the way, ABSOLUTE CINEMA! Praises to Hunter.

At the end, Wednesday understood very well what happened during the monologue about how Laurel manipulated and enslaved Tyler. And then we found out he was tortured, drugged, abused, groomed and corrupted in order to unlock the Hyde. So I fail to see him as the real villain.

Oh but he hated Wednesday and wanted to kill her! Excuse-me but Wednesday is not an angel: she almost killed 2 normies tossing piranhas in the pool, she said she would go further in the pranking against Xavier LOL she was about to hammer Tyler's knee if his father didn't interrupt her! And he possibly was ordered to kill any outcast before see her in the woods after Goody healed her.

Did Tyler hate her? You guys make me laugh! He hated her so much he wanted to kiss his nemesis! He hated so much he learned how to prepare that happy birthday coffee in one week! He hated her really bad that he prepared a date he knew she would like. What kind of hate is this? He saved at least 2 times as the monster and the first time was his free decision. He didn't know about her being an important key (!) to laurel´s plan.

I'm not saying here that he didn't manipulate her or lied to her. I know what he did. But he was forced to do those things! Do you really want to believe he wanted to lie for her? They really liked each other's company. It's not difficult to find the hints about how they are comfortable with each other. He loves her personality and she loves he likes her despite her personality! Isn't that obvious? They are not toxic as people keeping saying, but they were envolved in a toxic situation.

I'm really tired of people wishing Tyler's death on Twitter because they believe he is threat for Enid and the Wenclair ship. But let me save you more time because I'm genererous today: it's not gonna happen! Tyler is a main character. He is not gonna die. Wednesday has some sort of connection with him and we will find out what it is on S2. Besides that, the Hydes lore begins now. We have so much to learn and see! Let's wait.

That's it. Regards.

P.S.: I'm thinking about translating this text and transform into a thread on Twitter to bring more hate to my life from anti Tylers.

[shadowmonsterrealms]

I don’t think people realize how much an impact that Bruce Wayne has on DC.

The amount of times I’ve seen Bruce impress any power bionic character always gets me. Cause it reminds those characters (Flash, Superman, Greenlantern, Wonder Woman) that they don’t get chosen to be heroes, or that their abilities make them be specific for a hero. Because a human man decided to be a hero, a man who can easily throw these hero’s under the bus if he WANTED to. He analyzes their weakness, their strengths, their abilities, and he cna easily kill these characters if he WANTS to. But he never does.

Because, he knows the feeling of being powerless, he knows that he’s no better than the villain that killed his parents. which led to him to become a hero. He wants to be able to be hero for those villains around him as well. He wants to be the hero that he needed at such helpless time when his parents were taken from him, and to never let that pain happen to other people who were like him.(probably repeated myself, but oh well)

He’s shown to give mercy to villains. Becuse he knows that they’re much like him. Expect for the fact that they choose a darker path, while Bruce still is battling this demons of possibly snapping. But he never does, he lets them become better. To get help for them.

As an additional, even without the mask. Bruce Wayne has shown to be an amazing person in the spotlight. He does fundraisers (which his parents were practically known for), giving out money to improve Gotham without crime fighting. Which he still nonless. He cares about the city which is known to be cruel and unforgiving, but he knows that there’s goodness in the city.

That’s why it’s always chilling when Batman decided to be a villain in other comics. It means he snapped, he gave up on saving villains, he gave up on trying to help Gotham. And that went down with the Batman not being Batman anymore.

Batman will forever be my favorite DC superhero

[bibibbon]

eveyone calling dabi touya after the reveal is making me wanna claw my eyes out because HOW IS EVERYONE MISSING THE POINT SO FUCKING BADLY

THE POINT IS THAT HE ISN’T TOUYA AND HE NEVER WILL BE AGAIN BECAUSE TOUYA IS DEAD

dabi was created from the ashes of touya and that’s literally the whole point

he can never BE touya again because of the things he’s done and the small issue that touya is legally dead

AND WHAT MAKES YOU THINK HE WANTS TO BE TOUYA AGAIN??????

he wants NOTHING to do with the todoroki’s and tries to actively distance himself from his family

ik he is so fucking pissed in the afterlife because everyone is calling him touya when he’s not touya he’s DABI

same with shigaraki. this one is definitely an unpopular opinion but people calling him tenko just feels so wrong to me

i just hate it when people think that just bc it’s technically their real names is means is *their name*

like sure my legal name is my legal name but *my name* is caleb

anyway i just wanna scream sometimes

You bring a very interesting point!!

This is something I haven't really realised, but now that you mentioned it and now that I am looking back at various different posts, I can tell how different people sometimes use dabi and touya interchangeably and yeah actually it makes sense why you're mad about it.

A core part of Dabi's character is that he is no longer Touya. Touya died the minute he went back to his old home, and everyone forgot about him, and nothing changed. The greif and emotions that young touya held to try and appease to his father burned away turning touya into ashes and that's how dabi was born.

Yes, the phoenix imagery with Dabi is strong. The death of touya, where touya turns into ashes and dabi is born from those ashes, is something so slept on by the fandom!!

People using dabi and touya interchangeably is like someone using jink and powder interchangeably. The plot for both mha and arcane has made it clear that those characters are two different people.

Jink isn't powder, and powder isn't jink. They might be the same person genetically speaking, but they aren't the same when it comes to character and personality.

The same thing goes for dabi and shigaraki. However, the plot of Mha does make it an integral part of Dabi's character it literally focuses and says it directly on chapter 350!!

Dabi, like you said, will never be touya, and touya will never be dabi. I have noticed that even when it comes to me writing my analysis, I have never really used dabi and touya interchangeably. When it comes to me talking about touya, I talk about touya, and when I talk about dabi, I talk about dabi (this doesn't make sense, but I have no way of fully explaining it tbh)

Shigaraki is a bit more complicated and a bit of a grey area. Yes, he also has the same thing as both dabi and jink, yet it's not made or focused to be an integral part of his character. I personally blame the writing for that instead.

With shigarakis character, it's kind of the opposite of jink and dabi. What I mean is that the narrative kind of goes out of its way to make it clear that shigaraki will always be tenko even if he tries to reject that. This can be seen with izuku seeing tenko or during shigaraki's fight with afo and mirio he mentions HIS backstory with HIS friends.

As much as shigaraki may try to reject it, he is tenko, and in the end, he acknowledges that. He dies as both tenko and as the leader of the leauge of villains.

[popironrye]

Ngl, fans who hate on the Frog brothers give me the ick.

Everybody got their favorite characters, and if you just don't care for them as characters. That's fine! But to actively hate them, especially for the sin of being the vampire hunters in a vampire movie.

I am a certified lost boys simp, but they are vampires. On screen killers and the movies villains. They weren't getting out of the movie with a happy ending. The whole point of the movie was to have these cool vampire monsters do their vampire thing, and then be killed off in the coolest practical deaths I've ever seen. As much as I kin Michael and could never hate my sweetheart Star, the movie was carried by the big personalities of Grandpa, Sam, and the Frog brothers.

Fun fact, I never realized how prevalent this was until I was reading a lost boys x reader fic, where the reader is the sister of Michael and Sam (an idea I actually really like) but I hesitated when the author was very reliant on the canon events of the movie and was basically rewriting the movie with the reader thrown in (a trope in fanfiction I'm not a fan of). Went in and completely abandoned the fic after the writer got to the scene when everyone is in the cave and they flat out killed off Edgar. The reader stops him and then David tells the reader to feed off Edgar's corpse. Actually made me feel sick and I never went back. No hate to the writer in question, but I didn't like it.

the lost boys fandom needs to explain something to me because either this makes no sense to anyone or im just stupid as

but why, out of my many days of being a lost boys fan, why do so many people hate on the frog brothers??

most of their defences are "they killed the lost boys!!" and "the lost boys were just kids!!", and dont get me wrong, i love the lost boys they are all my wives, but the frog brothers are like.. what? 14-16???

and plus, idk what kind of lost boys they are watching but edgar killed one of the them, which was marko, and then they injured paul before he got taken out by nanook, dwayne was killed by sam, and david was killed by micheal, so why are they pinning it on the frog brothers???

whenever im on ao3 i feel like a mother defending her children in court for being framed

LIKE????

ALAN, EDGAR GET BEHIND ME.

[constantfragmentation]

It's bugging me...

The inconsistencies and a lack of detail and continuity in S2. S1 was all about the tiniest details.

Don't get me wrong, the animation is gorgeous, BUT --

The underwater scene is where Jinx lets Silco go.

He was RIDDLED with bullets. Yet, not a mark on him?

Why is his damaged eye closed? I thought he didn't have an eyelid. Artistically, I think having his lifeless eyes glazed over would have been more dramatic, considering it's Silco. Nah, he just sinks like Jack to the depths of the Titanic.

How deep IS the Pilt River?? I'm assuming that's where she 'buried' him.

The whole first act is so damn rushed.

No one seems to wonder what happened to Silco? He was only the main person holding the Underground together by the strands of his pomade hair. His death is a BIG deal, yet it's glossed over. No one questioned any of it???

Sevika is just, okay, let's move on like it's another day (granted, Zaunites are probably predisposed to be like that, but that doesn't make for good storytelling if you're not letting the audience in on anything), and chatting it up with Jinx as if they just bonded. I didn't feel that happen. I like that they low-key ripped into him post mortem, because that feels natural but what got them in that room together DOESN'T.

I want to know how these characters FEEL. You got that in spades during S1. But S2 is just expecting you to assume or they would attempt to take the time to use what would be great writing and evolving these characters.

Caitlin is hurting, I get it. But she went full Commando Psycho mode. Girl, everyone has lost parents, siblings, etc... She doesn't even flinch when Vi tells her Enforcers killed BOTH her parents. She's lost a beloved sister... but Cait is affronted when Vi shirks from becoming an Enforcer. Let's just forget what PIltover did to Zaun for generations and to LOADS of people.

Vi? Oh girl. What happened to you?

Jinx is a bit better but not much. I don't buy Silco's death was a zap to the brain to chill her out a bit. She's still my Chaos Queen but unless there is something to explain some shit in the following episodes, I'm going to be really ticked at the lack of care in characterizations with who are the supposed leads in this story.

Jesus Viktor. That's it. That's all I got.

Well, I did LOL when he woke up and gave Jayce the "bye Felicia" in 2.2 seconds.

We don't get to know what Ekko is thinking since all this shit went down? As far as he knows, Jinx is dead and to learn to she bombed Piltover?

The music videos substituting for the plot are REALLY bugging me. It's lazy writing. The music was used well in S1 to ENHANCE the scene (well, except for giving Imagine Dragons an animated cameo). Here, it's used as exposition, but it's not nearly good enough.

Useless characters and side-characters. Poorly executed plot devices. Uninteresting plot devices and trying to use the S1 parallels for characterizations.

S1 took time to introduce and flesh out these characters, even the side-characters.

We only had Vander for 3 episodes but he was a HUGE character. Marcus, Mylo, Claggor, Benzo, Grayson, Finn.... all were interesting and played an important part.

Jayce continues to be blah. So I'm not bothered.

Ambessa looks to be the new villain but it's not hitting with me. Plus, there's zero foreshadowing on some stuff in her arc that would have been useful last season.

I like Mel but I'm waiting to see what happens with her.

Hermydingding going all Mission Impossible. Just stop. Does he not give two furry fucks about what happened to his fellow councilmembers and Piltover?

I feel like RIot is trying to shove way too much into one season and sacrificing good story-telling to do it.

I miss the details.

So far, I'm really underwhelmed with this season.