#me when the villain characters are villains

[atalana]

and everyone always uses the hitbox excuse like so many fantasy games don't make many different sized races and that's fine

or like games where you have beefier races so their male models can be fat but the female model is always just more boob

and then there's people going 'oh but not every game can accomodate for more than one body type' and okay, i accept that. make fat your only body type. why are extremely skinny or extremely muscular the only 'default' bodies

i really wish i knew more about game design so i could be the person to make a game with a singular protagonist who is also fat

actually now that i'm thinking about it. every single video game that lets you costumize characters but doesn't let you be fat is extremely revealing to the fact that most people can't imagine fat as something a person would want to be. there's other examples but like, fuck, i can't even choose to be fat in imaginary spaces. My size isn't accommodated for because they couldn't imagine a player who wants to be anything other than skinny.

Like, you see it right. How media shapes people's beliefs, and people construct beliefs into the things they create? If all you can ever choose to be in a game is one of two body shapes, and you have to physically alter the game to be anything bigger, like. "why would i imagine a world with you in it."

[sarascamander]

So I've finished the first episode of BBC Sherlock and... I watched it while giggling and kicking my feet like it was a bloody romcom instead of a murder mystery. This is not even an exaggeration 💀.

- Sherlock and John were literally so cute, I was rooting for them since day one. Their scenes together are literally the best and again, adorable. It really feels like watching a rom com with so many people assuming they're a couple.

- just an observation (definitely not staring at his lips) but Sherlock has the most perfect cupid bow I've ever seen.

- the ending is when Sherlock realized it was John who shot the villain — I WAS GIGGLING AND SQUEALING. it was so cute, I'm sorry. And the fact that John actually did that.

- Sherlock is such a little shit I LOVE HIM and his pure hatred for Anderson gets me laughing every time.

- Sherlock and John chasing after a cab and giggling together after like teenagers after their first kiss. Guys, they're so in love.

- John is so adorable, I didn't expect him to shoot someone and not regret it in the slightest (I mean it was hinted that he liked the violence but seeing it is different) but honestly, king behavior.

- the ending where John found out about Mycroft was HILARIOUS. I was laughing my ass off because I really thought that he was Moriarty/ any villain instead. My reaction was literally like John's and it was pure comedy, I love it.

There are so many thoughts but it all boils down to this. Just know that I love it SO MUCH. It's humorous, suspenseful, and I LOVE the main characters.

[izziessogay]

y'all I'm so mad with you Jayvik shippers. I get it, it was gay, I thought they were super fruity in season 1 already as well, but please have a critical thought. their arc in act 3 coopted the ENTIRE story including their storyline (referencing the last post I reblogged here): arcane is about classist oppression, Viktor got to suffer it firsthand as a Zaunite on Topside. this never was about an evil god, or the arcane, Zaun has been in shit since forever as far as I'm concerned. Viktor only started ascending to evil godhood in act 2 of this season. to make him or his delusion out as the real evil that needs to be combatted in order to fix everything is batshit. the villain isn't Viktor or Ambessa or Silco or Mel or Singed or whoever IT'S PILTOVER AS A SYSTEM. and I thought we were all agreeing on this already, but so many of you saw the poor gay Zaunite who just wanted to help turn evil and gobbled it up. Piltover got away without any blame, since Viktor wasn't even one of their people. Besides, I cannot be the only one who thinks that this all is incredibly out of character for Viktor and needed more explanation.

and don't get me wrong, the jayvik scene looked amazing and if my two faves astrally conected through divine bleach and tones while being existential about their relationship I'd also jump, trust me, I've watched she ra. and I can't even say I'd like it to be different, but it is taking up too much importance. it could've been a catalyst to unite Zaun and Piltover through a common cause and get them to work some systematic issues out, it could have been anything but this. none of Piltovers crimes were addressed, Zaun is still in poverty and the only systematic change that happened was one (1) Zaunite being allowed in the council, which really means nothing, because the council decides by vote and there is like seven Topside council members.

I'm very much disappointed by a show who I thought was really in synch with today's systematic issues up until now (and I'm mad at all you jayvik people for clogging up the tag, when there is so much to discuss) and that doesn't even take into account that they made the mentally ill character that most unstable and suicidal people relate to A LOT kill herself??

[girlfantasy777]

The Maddie stuff makes me soo mad.... they had right there a truly interesting cop character. Her introduction scene is her saying to vi that she's "one of the good enforcers" (even tho people keep misinterpreting it when it's clearly not about zaunites). She could have been a really interesting exploration of all those cops and soldiers who say they want to "change the system from the inside" and how they're deeply flawed in that logic. But instead she's just made into a villain so the main characters can get together and everybody can clap. Like this is just sad I really thought this show would deliver more nuance after season 1 set things up.

Also the fandom reaction is really gross. Everybody is calling her a whore and bitch and it's 1000% just misogyny at this point and it grosses me out.

Riot had a chance to make her a compelling character but instead they took the cliche route of making her the temporary love interest who is (conveniently) revealed to be evil at the last minute and betrayed Cait so the main ship can continue as endgame without any issue.

-also I never understood why she's the only one getting all the hate for sleeping with Cait? they're acting like Cait isn't a grown woman with free will who CHOOSE to have sex with Maddie. It takes two to tango but what the hell, sure. let's put all the hate to Maddie❤️

[dangermousie]

I was chatting about this with a mutual and it made me want to expand this because I've been thinking about this for a bit on and off.

I think the disconnect/arguments between people who watch/read books/shows/movies etc, label things as green flag/red flag and complain when there are "problematic" characters or "dynamics" - both in terms of the narratives and people who enjoy these narratives being targets and people who like me love some intense/fucked up/weird stuff is because these two groups of people approach fiction in two fundamentally different and incompatible ways.

The former view it as a sort of aspirational content or self-insert - they want to watch/read about people/lives/situations they would enjoy being in/with in real life. It's sort of a self-insert wish fulfillment, the way other people watch youtube channels about traveling the world or cooking or home decorating - you imagine yourself in this.

And I think this is where the disconnect comes in - because a decent chunk of them assume everyone else uses fiction for the same reason so if you enjoy e.g., watching a dysfunctional relationship or a bad dude/lady or some world set up that is nuts it's because you think this is all great in real world and that you want to be (or be with) with a problematic partner/in problematic situation and you think it's morally worthwhile.

To that former "aspirational" type of fiction consumer, fiction taste = morality.

But the disconnect is that for that latter "we like fucked up/dark/problematic/intense/whatever" group it's not really about aspiration or self-insert. People didn't love Hannibal because they secretly long to run off and cook humans in a stew. The fans of 2ha don't really want to kidnap their hot teacher and keep them as a sex slave in a palace. Harem dramas aren't popular because women are dying to poison and frame others to get to sleep with a fat old powerful megalomaniac. Most of consumers of mafia romances don't really think it's a great idea in real life to be taken against your will by a hot killer with abs who can't control himself around you and is great at forcing you into orgasms against your will.

That latter group (among which I find myself) likes all that stuff precisely because it's nothing they have or want to have in real life. It's a safe way to explore fantasies that would not be great in real life (I assure you most people who have noncon fantasies don't want to be raped in real life; also in real life no most people don't want to bang a buff but super murdery villain; fiction is a safe place in a way) but also to explore situations and interactions and characters you would never want to in real life from the safety of the page/screen. To use a very easy example - think of the large audience of action movies. I am pretty sure most fans of action franchises don't want to be in car crashes/insane chases/explosions/etc. Any more than roller coaster enthusiasts want to actually be thrown upside down for real or horror movie fans want to either chase someone with an axe or be chased with one. I myself love really intense situations in fiction, ones that push characters to their limits and sometimes beyond, but I cannot imagine anything less pleasant to go through in real life.

Unlike with the self-insert group, this is actually the very opposite. It's like a game of what-if, a glimpse into an alien world fascinating precisely because of its difference with my life. An exploration of aspects of life/relationships that one could never safely or happily do in one's life but are interesting at a safe fictional remove.

This is getting repetitive so I am going to stop but I really do wish more people would understand that enjoying X in fiction does not mean enjoying X in real life (or approving of X in general.) I mean, I love period epics but you'd pry antibiotics and rule of law out of my cold dead hands.

The moral panic over fiction reminds me both the old "video games make you into killers" panic of a few decades ago and the much older belief that reading novels would wreck morals of society especially by those weak women since the novels' (lack of) morality would warp them. Most people have brains and use them and can distinguish between fiction and reality. I wish people would accept that.

P.S. A corollary is conflation of morality/quality/enjoyment. By that I mean I wish more people would accept that moral message, quality, and enjoyment of work are all three separate things. You don't need to prove that some fictional piece is immoral and/or badly made to justify you not enjoying it. It can be well done and just not for you. And conversely, you do not need to prove a work having societal value or being high quality to justify enjoying it. It's fiction. Just enjoy it or don't.

[karabell]

Color Theory in Cinderella Boy

There’s some silly stuff happening with colors, and in this probably brainrot post, I will be using my art brain to over analyze the heck outta this (for those who are interested, though I find it fascinating!)

**This post includes a scene from todays new ep (53), so make sure you read that first!**

So, I first stumbled upon this discovery sorta by accident. I use Clip Studio Paint for my artwork, and I often end up with an average to 30-50 layers per drawing, and thankfully Clip Studio has an option to color-code your layers to make things more manageable.

For my CB drawings, I defaulted to using green for Chase, purple for Buddy, and blue for Deacon. It made sense to me, because of the casts ‘default’ outfits feature these colors:

We can also see these colors in some book outfits:

Chase’s green outfit in We Need to Talk About Buddy, Deacons shirt in Beach Boys, and the blue accents in All That Glitters

What I noticed though, was that these aren’t the only colors they are seen in, and in fact, out of all the other colors, two in particular stand out

Specifically, pink for Chase, and orange for Deacon

Something to note is that these colors are nearly perfect complementary colors to each other. Even Prunella seems to have this theme, with her red hair and green shirt.

Now, it is generally good for character design for outfits to have good complementary colors to make them stand out, but me thinks that Punko went even further with this.

The thing is, Buddy really only has purple in his color scheme (unless out count every shade of gray and black).

We see him in some other colors, but mainly it’s purple:

Like, a lot of purple.

(Other examples include Toffee Break, Beach boys, Sick Day, etc)

Pretty much all but two of Buddy’s ten outfits have included some element of purple.

But then again, up until recently, he’s only been a villain. A foil to Chase. The black and purple suited him, for a while, because he was only ‘evil’. (This also leads me to believe that future Ex Libris members will also wear black in their outfits to fit on theme. In Dreams by Day, a presumably Ex Libris worker is wearing a black shirt).

But now? It’s Buddy’s story too. He is becoming a protagonist. And that means getting a new color, possibly one that compliments purple.

And what color flowers bloomed when Chase saved him?

Yellow.

This is leading me to believe that Buddy will have a major character shift at the end of season 1 / beginning of season 2, where yellow is included in his outfit colors. And maybe, S2 will feature Buddy’s story more as he becomes a protagonist ‘,:3

TL;DR: Colors are important to CB characters, and Buddy is gonna be a protagonist soon.

I’ve actually been forming this theory of mine since like, the beginning of October, and the amount of serotonin that filled my brain when I saw those flowers, and seeing that my theories may be true could literally flood a city.

Thank u for reading :D

[respectthepetty]

GMMTV 2025 - Hot Tops and One Bottom

GMMTV offered up ONE straight show, and even though I'm salty that I didn't get Midnight Museum 2 and despite the current state of the world, I have never been happier to be alive at this exact moment that I'm living in. GMMTV really cemented that it is Disney BL, and said FUCK THEM HETEROS!

As usual, I'm listing what shows I'm most excited to see from GMMTV's annual unveiling, but in order to be fair to the other shows, I will not consider one of the shows in the rankings because I am a Jaidee fan first, and a human second:

Dare You to Death

My boys are giving me ~Murder, Manipulate, Make-Out, and MAYHEM~ so I'm already seated, sat, and sitted. I've always thought Joong should play a character who was insincere and a bit crazy, and Dunk should lean into his haughtiness (emphasis on HOT), so even though all these other shows look great, they aren't JoongDunk trying to solve a murder while trying to not murder each other, and it would be unfair of me to hold that against everyone else. I was going to take whatever I was getting from them, but THIS?! Sorry, to everyone else, but y'all never stood a chance.

#1a - Memoir of Rati

Moment of honesty - Inn and Great are fine as fuck. They are already attractive to begin with, so to put them in a historical drama, of course, I'm going to eat it up. This is a serious piece about political and social tensions which I have no doubts they will carry into getting some awards for it. I was getting worried that these two weren't going to have another show together next year, but not only did GMMTV give them one of the meatier plots, the series also has Aou and Boom in it with an amazing story as well, so this was easily my top choice.

Or at least it was my top choice until . . .

#1b - Ticket to Heaven

Religious trauma aligned with Catholicism is my special brand of queer angst, so this series already has me all the way fucked up. Fourth is such a phenomenal actor and Gemini always acts his ass off, so I know they will have me in a fetal position every single episode clutching my rosary and praying for God's mercy since I'm already in my feelings about this. The heathens in the room better read up on some biblical references because if you thought I was doing too much over a cross necklace in Let Free the Curse of Taekwondo and the praying in The Warp Effect, I Saw You in My Dreams, and Marahuyo Project, block me now because that was only the tip of the religious iceberg.

#2 - Cat for Cash

Although I'm a vegetarian, I'm a Disney villain who strongly dislikes animals, yet even I was happy to see First getting advice from cats on how to make coffee and how to win over Khao. This is the FirstKhao romance we have been waiting for! It looks soft and sincere, and even though the plot involves hearing cats, First as the worst debt collector and Khao as a grieving sad boy are their most realistic characters they have ever played. The series also looks like it's going to make me cry, so thank goodness Satang showed up to make sure I would be emotional about every show GMMTV gives me next year.

#3 - That Summer

On the topic of Satang, I'm shocked that I clicked with this trailer. I was ready to write this off as a Hallmark series due to its plot about a prince with amnesia falling in love with a commoner until the trailer revealed that he doesn't have amnesia, and the commoner knows he is a prince. The trailer situated the problem will come from their class differences plus Mond is kissing a homie (in secret), and since I just asked for more series with sad wet boys on the beach, this show goes at the top for GMMTV delivering me something I didn't know I wanted but a show I definitely needed.

#4 - A Dog and a Plane

Tay and New got me by the throat in 2019 and 2024 with Dark Blue Kiss and Peaceful Property, and even when I wanted to be mad at Cherry Magic, I couldn't because these men always sell the hell out of a ship even when they shouldn't. I'm a Jaidee fan first, and a human second, but I'll throw on some polar bear and whale jammies any day to join the Polcas because Tay and New have not disappointed me once in their joint shows or individual shows. So here I am, super duper excited to see New play a GAY flight attendant (a stereotype I love to see) whose man is trying to screw Pun only for Tay to take the hush money yet still catch feelings AND FLIGHTS! Marc's there too, so it's time I was served openly gay men who are trying to join the mile-high club since it's been over a decade since I got Pedro Almodóvar's I'm So Excited.

#5 - My Romance Scammer

I support marriage equality, but I do not believe in the institution of marriage, so I'm thrilled that GMMTV decided to throw me some gay divorce the same year gay marriage was legalized! Next, I'm getting the odd ball couple of Ohm and Fluke with Fluke being a dummy who falls for the first man who is nice to him, only for Marc to think he has a great relationship with Junior, BUT IT'S ALL A SCAM! I will probably end up defending this show with my life because this is the romcom romcoN I deserve!

Side Quest - Tarot Card Series

The theme for this year's announcement was "Riding the Wave" but it should have been "Wheel of Fortune" because there were a lot of shows about destiny and changing the future, so I'm going to rank those in a quick sub-category:

1) My Magic Prophecy

This is the dynamic I want to see from Jimmy and Sea. Jimmy IS a doctor, so getting a clean-cut smarmy version of him will pair so well with muscular Sea being a jerk. I was going to make a quirky comment about how they can now see the future as a reference to Last Twilight, but I'm still salty about that show, so I'll just be happy for them and THIS show.

2) Head 2 Head

I'm excited for the Only Boo kids because I think they should've gotten the My Love Mix-Up remake since I think they do well with being complete opposites that make perfect sense being together. This is also how I found out that Surf from I Saw You in My Dream is now with GMMTV.

So although it was awkward to realize GMMTV had acquired another BL boy under my chismosa nose (am I slipping?), it's nice to see the company staying on brand as Disney BL in its attempt to capture all the Pokemon Avengers BL Boys.

3) Wu

Since I've been watching High School Frenemy through my dash, I know plenty of people will be ecstatic to see Nani and Sky play soulmates, again (because High School Fremeny is gay af!), but I'm showing up because I got the red bracelets of destiny tying the boys together!

The trailers this year were surprisingly lax on the colors, so I'm taking what I can get how I get it. Bring me the RED STRING OF FATE!

4) MU-TE-LUV

This is Club Sapan Fine with a different name so it's going to be campy and messy. But do I think GMMTV will handle fems well? No. Am I pressed about it? Also, no. Because I actually watch AND enjoy Club Sapan Fine, so if GMMTV wants to try its hand at wild wacky camp in an anthology-style series, I'm down to clown, at least for the queer episodes that is.

5) Melody of Secrets

This was originally going to be number three on my Tops List, but as the trailer continued, I got more confused. Then, Force's face blurred and it looked like he got snatched by a demon, so I got scared. Like real scared. I don't eff with los espookys, so I'll be watching this show with the lights on and my Care Bear squad to protect me.

Honorable Mentions

I watch ALL GMMTV queer shows (and even the ones that only I think are queer), so I'll still enjoy something about these shows, but they were just lacking that special razzle dazzle:

Burnout Syndrome

Director Nuchy. Gun in black lipstick. Gun being a sex worker. Off being an asshole. Thor. Poly(?). This should have been my Holy Grail, but I can't believe the show will give me a proper love conflict when OffGun are a branded pair. Also, Nuchy gave me ToddBlack, who I will NEVER be over, so even though I know she can and will give me *THE* toxic couple to root for above all other toxicitos, unless these two are about to drown each other in that bathtub and play Olympic-levels of mind games with each other, I'm reserving my excitement until it airs.

Me and Thee

A soap-opera loving mafioso. Pond in suits with slicked-back hair. Phuwin being beautiful. Santa looking delicious. Est back in his Naughty Babe assistant mode. Perth. COLORS! Just like Burnout Syndrome, on paper it looks like something I would devour, but a third of that trailer was Pond and Phuwin in a bathtub, and in my Michelle Visage voice, "stop relying on that body" even if that's the biggest reason I'll be showing up to watch.

Whale Store

Milk licked cat food off of Love's finger, and I fear this might be too lesbian for me. I don't kink shame, and I'm always down to eat a girl out go down, but cat food? Really, sis? On top of that, this felt like a JittiRain series with Love's character clearly hiding something that is going to hurt Milk's character, then the side couple was crying and making everything awkward. I support the lesbians. I support queer rights AND wrongs. I'll be repeating this even as I'm watching it.

Boys in Love

GMMTV was smart putting all the new kids in a show with Papang x Podd as the little older romance crumbs to keep us satisfied for the time being, but that's also why I'm being petty. If this is the stepping stone for Papang and Podd to be leads for GMMTV 2026, then I'll take what I can get, but I feel like Oliver Twist asking for more porridge, when I should already be getting a damn buffet!

Love You Teacher

This show almost had me in the first half. Sam's character was giving me everything. The premise was solid. Perth was an already gay man in a long-term relationship with his boyfriend. Things were going well even with the accident. Then, the show brought on the real plot --- seven-year-olds. Jesús Cristo. It was a lovely time up until then, and now, just like the cat food, I'm realizing new things about myself and my boundaries on a random Tuesday morning, and I don't like it.

Girl Rules

This is the female version of Only Friends saran wrapped in women's empowerment. No me gusta pero lo voy a ver because I support queer wrongs even when they are oh-so-very wrong.

The Love of Siam: The Musical

What. The. Fuck. But also, sign me up!

Dishonorable Mention - Only Friends 2: Dream On

I've reached new heights in my pettiness because this show is in Petty Prison before it even airs. My blog is a living record of how badly I wanted Minx Mix and Flirty Fluke in the first season of Only Friends. It was the only thing I could think about; then, I ended up hating the first season, so I counted my blessings that Minx Mix only showed up for two whole seconds and Flirty Fluke was nowhere in sight. And now this has happened. This is a lesson in "be careful what you wish for" because I have never been more upset that I finally got what I wanted. Unless the show gives Boston his cake and lets him eat it to, I'm not watching it. Not Minx Mix, Flirty Fluke, or Ohm's body could convince me to do this a second time.

[judesmoonbeauty]

My Thoughts & Spoilers On Jude's Route

This will contain detailed major route spoilers. If you do not want to be spoiled, please move on because I will not be filtering my review. Also, not all spoilers and details are being shared. This is intentional. Bear in mind this is written prior to my thoroughly translating his route, so the translation may have some adjustments to this information.

So, I really LOVED it!! It's a very good storyline. Am I biased? Yes. However, whether you're romantically interested in Jude or not, I feel like you'll like in route in general. I do highly recommend reading his and Ellis' Past Records before his route if you can. His route does bring up clips from PR, but it's very minimal and there's a lot of context and extra details in PR that you don't get in this MS. I did my best with this, but my thoughts are still every where, so if it doesn't make sense. My bad.

Tropes: Enemies to Lovers....of sorts?, Slow-burn. Key Side Villain Characters: Ellis, Nica, Victor New Side Characters For His Route: Theodore, Gilbert Murphy, Oswald Simmons Love Language: Physical Touch (I'd just like to say that I called this.) Who Falls in love first: Kate First Kiss: Kate Kisses Jude First Snu-Snu: Chapter 24 Both Premium ends Jude's Fate Tragic End: He will die bearing a grudge against/hating the world. Route CW: Violence, Smoking, CA, Neglect, Mentions of a child's death. Jude's Age: 28-30. Jude's Heritage: Irish-British Jude's Curse: 13th Fairy (An endless cycle of hatred) Jude's Fated End: To die with a hatred/resentment against the world.

Plot: In a nutshell, Kate is trying to find one good thing to like about Jude prior to her term of FTK (fairytale keeper) ending, as per their first promise made together. If she finds one, Jude must fulfill any one request she has. Amidst working for both Crown and Raven, Kate tries to come into her own in terms of standing as Jude's equal, seeing the world as he does, and essentially saving him from not only own his death wish, but from being framed for treason against their country.

My thoughts: Jude's route is very lively, it's got a healthy amount of funny moments, action packed moments, and it's quite wholesome overall. However, it still retains some darkness in the sense of his past, and the fact that he's literally on this tightrope of life and death.

Kate: She is not afraid of voicing her thoughts and feelings, or speaking sarcastically to Jude. I almost died when I read that she stuck her tongue out at him LOL. There's this scene where Ellis tells her she's thinking out loud when she doesn't realize it, so she apologizes. A few minutes later after she greets Theodore, she sees Jude behind him:

Kate: ....And thanks for your hard work too, Jude. Jude: Can ya please stop greet me so sourly? Makes me wanna vomit my mornin' tea. Kate: I wonder if I'm under a curse that'll kill me if I don't say something sarcastically...

So, she is very courageous and gutsy, but she also thinks things through. There are times where she wants to act because she loves Jude and wants to be there for him, but she also knows not to act rashly because her movements can hurt him and Crown, so she opts to bide her time instead.

Out of all of her versions, I think she is the one who gets the most frustrated, the most angry, and laughs the most at certain situations such as getting locked in the office with Jude. She is very optimistic and kind, but not saintly kind.

She is a fighter. She learns self-defense and how to use a gun, a lot this takes place off screen, but she does develop this over time. Which is nice because it's more realistic.

Jude & Kate Relationship: Starts off very rough, and I say it's an enemies to lovers trope, but no one actually hates the other person, they simply don't get a long and it has that vibe. Jude is trying to kick her out of Crown, and Kate is trying to find something she likes about him.

Overall, they bicker and banter a lot. It's cute because in MLE Kate says, "If I say one thing, he has 10 things to say", and in BLE Jude says, "If I say one thing, she's got 10 things to say." They're adorable together.

One scene I loved was when Jude is being attacked by a group of thugs in his office after closing hours, and Kate barges in with her gun. She yells at the men to stop what they're doing, and then she tells Jude to step away from them. And so, Jude and Kate are having this full blown conversation as they're surrounded by these thugs as to why she is at his office, who's fault it is, etc, etc. And when the head thug starts to complain, both Jude and Kate say, "Shut up!" at the same time. This seems like it actually becomes a thing for them, they say it in MLE as well.

Were they childhood friends? No. That was an AU thing only, and a clever misdirection from Cybird. I think key take aways from Dark IF and Prison IF are that they made promises to each other, and that Kate tries to return to little Jude in Prison IF. Additionally, it does hint that two children were involved in Jude's past, just the other wasn't Kate, it's his sister. While some may be disappointed by this, I loved that it turned out this way, it surprised me.

Love Language: Physical. Touch. Lemme say it again. Physical Touch. While their relationship is a slow burn, it's not without it's tension along the way, and the pay off is hella worth in my opinion. I just knew that Jude was going to tear into her, and he does.

But more importantly, Jude touches Kate a lot especially before missions. For example, in BLE just before Kate goes undercover at a criminal organization that is using Raven products, she and Jude are in his office reviewing the plans, and while he does this, he touches her bare skin, kiss or bite her, and then after the mission he'll make love to her. Why? Because Kate made another promise to Jude earlier in the route that she would never die before him, so he doesn't have to suffering loss ever again. So, prior to any missions, he'll touch her up to a certain point like a promise she won't die, and then finish once she returns safely. I can't...he's so damn precious.

They love each other very very much, but Jude doesn't like saying the words. "I love you." Not because he's a tsun, but because they're easily said. So, he'll convey his love to Kate with words like, "I'm taking you to hell with me." If you read his side stories, he'll tell you just how much he loves her, and he admits that there is no other woman in the world that he could ever love like her.

Important Side Characters: Theodore: 21 y/o and he works in the sales department at Raven. Every one calls him Theo, even Kate. It seems that he's worked for Jude for a long time as well. He's very personable, and chatty, and he gets nervous about things like when the president forgets his custom fountain pen as he's on his way to business meetings. He even says to Kate and Jude that Kate is his type, and everyone is like.....um what? I'm really happy that Theodore isn't a traitor. I like him. I thought Cybird would use him the way that contract worker in Jude's first story event would be used. But no, he's just a loyal young man who cares about his job. I hope to see him again.

Oswald Simmons: He is the doctor who treated Jude and his sister after Jude memorized an entire medical textbook in a week. After Jude's sister was sold off, Jude ran to Oswald and asked that if he put Jude through school, let him lodge with him and provide him food, then Jude would pay him back with interest. Oswald agrees and in time, Jude does pay him back with interest. Oswald treats everyone equally, and he finds Jude's intelligence and ability to memorize things amusing. While he does not offer to take Jude in of his own initiative, Oswald does have a soft spot for Jude, as he tries to gift Jude a new pocket watch upon graduation and the success of his new company. He even tries to dissuade Jude from seeking revenge that will only force Jude into be lonely. In the route, he tells Kate to relay a message to Jude, that if he ever gets into a pinch to comeback and he'll give Jude a run for his money. To this day, Oswald still has the watch that Jude refused to take.

I honestly, hope that they reunite one day. Jude doesn't wish Oswald any ill-will (though he calls him a weirdo), and he wished Oswald a long life when he said goodbye.

Gilbert Murphy: He is a high-ranking officer of the British military who colludes with the Privy Council and a criminal organization to frame Jude treason and building military weapons. However, Gilbert truly does think that Jude is going to the moon for monetary purposes. While he is being an asshole for framing my beloved, his motives are to protect the people from potential weapons that can be created with Jude's research. Still, it's sullying Jude's innocent and pure motives. Still, he testifies in Jude's favor and takes the blame of the dead privy council member, as his own form of justice for trying to frame Jude due to his becoming blinded by his obsession to protect his country.

The other villains: Ellis: Ellis is Jude's right hand so he is heavily involved with the plot, especially in MLE. We know about Ellis.

Nica: Darius asks him to investigate Jude, so he does. Twice, he offers information to Jude that he's gathered after he lets him know he's aware of what he's building.. The first time, he tells him that a part from the criminal organization Jude has already been dealing with, the British military want his plans too. And wouldn't it be something if they teamed up to get Jude's research. He asks if he can snatch the robin away from Jude, but Jude says she doesn't belong to him, and no matter whom she dated she belongs to herself.

Nica leaves the bar after getting scolded by Jude, but prior to that, he tells Jude that the robin is in the most danger because she's around him. A few chapters later, Nica appears again and tells Jude that his assumptions based on the previous information given have come true, and because he didn't let go (of Kate), he's letting her know the facts. After he explains the situation to her, he tries to whisk her away on a date, but Kate declines. While Nica is a "playboy", it seems that he does care for Kate's well-being.....I am letting my current knowledge of his past events, and bond stories influence me by saying this.

At any rate, at the end of BLE, Darius asks Nica why he follows his orders so complicitly, and Nica says it's because he's on the winning side, and to him, Darius will be or is the winner. Darius is satisfied with this, and when he leaves Nica looks at his palm and says that he will be the happiest someday. It's already been established that becoming the happiest person is important to him, but this has now been reinforced.

Victor: Lore crumbs are very little, but what we do know is that when Kate asks him if he is angry, he tells her that he's forgotten loneliness a long time ago.

Further, when he approaches Jude and asks if Jude is hiding something from him and Crown, he tells Jude he has the means to help him. Jude asks if Victor isn't the one hiding something, and remarks that's why Harrison hates him so much because he knows he is lying. Victor simply smiles and stays silent. Upon leaving his study, Victor does tell Jude no matter what, he doesn't want their freedom disturbed and those are his true feelings.

Further, Victor later tells Kate in the BLE that when Jude says he abuses his power, Jude wasn't lying about that. Later in chapter 24, all of Crown are gathered together in front of her Majesty the Queen for a very important meeting. Victor speaks saying that they wish to grant Kate the position of fairytale keeper permanently, and when Jude finds out, he leaves angrily. In the middle of all this, the Queen never utters a word.

I don't think we learn anything new that we weren't aware of before with Victor to be honest, unless I missed something while reading. But, it's nice to know that we should see something big for his route. We better for how under wraps his lore is kept.

Jude's age: He can't be any older than 30 because in his Past Records he definitively says that he is five years old. In the MS, Oswald states the events he recounted to Roger and Kate took place over 20 years ago. Kate reason's that if it was 20 years ago then Jude had to be under the age of 10. I think he's 28-30.

Jude's Curse: Jude's curse was born when his heart was completely broken, and he vowed to get revenge on those who made him and his sister suffer. It's manifestation was described as a black flame of hatred in his heart. Essentially, Jude has entered a vicious cycle of hatred that never really ceases. Jude fuels this cycle by acting in a way where people want to get revenge on him, and a part of that is because he want's to die.

Jude's Fated End: Jude is fated to die bearing a grudge/resentment/hatred against the world. Jude himself says that his death will not be an honest one. Some have made comments that his fated end is a bit underwhelming, but I am pleased that Cybird left Disney alone, and stuck with Grimm's ending for the 13th fairy. I love it because no one knows what the fairy was thinking or what happened to it, it just simply disappears. This is something that is mentioned quite a bit in Jude's route.

In the MS there is a beautiful chapter with all of Crown gathered for a fireworks beach day, and while Jude is looking at the fireworks, Kate is looking at him. She thinks he is like a firework, beautiful, dangerous if you get too close, and then simply gone.

In BLE, Kate watches a Sleeping Beauty play hosted by local town children where she is staying and even though she knows that the outcome of the fairy is unknown, she is hoping for a different outcome. When the kids stick to the fairytale, it's then she realizes that Jude too - while still stuck in his cycle of hatred - will die. He will never know happiness, and disappear like the burnt body of cigarette smoke, like a firework in the sky.

In chapter 18ish, while Jude is being held captive and being tortured by the British military for information on Crown, he laughs self-mockingly and says that this is the perfect fit for him to die bearing resentment/grudge against the world.

Is Kate Trying to find a way to break the curse? No. Unlike Alfons and Roger's route, Kate is willing to accept Jude's fate, stay by him, make him happy and be his reason to live. That is her sole purpose, to make sure he doesn't die. Kate is obsessed with keeping him anchored to the world no matter the cost, and she even mentions to Victor that even though no fated ends have ever been avoided, that doesn't necessarily mean they are tragic.

Is Jude happy by the end of the route: Yes. Though he won't admit it out loud being the tsun tsun that he is, Jude's first glimpse of happiness occured when he told Kate about his dream and she didn't laugh at him. By the time he puts her to sleep and leaves her behind, he tells her that being genuinely liked wasn't so bad. And of course, Ellis asks if he can kill Jude in his BLE epilogue because it's obvious that he's happy......Jude tells him he can go die, and Ellis is like okay okay. FR though E, I need you to calm TF down.

The depth of his love for her is so great that he tells her that if she ever tries to run from him, she should just kill him. The reason is because she is his only happiness - she is the moon that he's been trying to reach for so long. He'd have no reason to live if she left him.....

Hmmm, here are some of my favorite parts in his route:

He tries so hard to protect Kate, from throwing her out of a window when a house is on fire and telling her she died in that fire so she wouldn't have to return to Crown, to lying to her and accusing her of making a 10,000 £ mistake and firing her from Raven, and other things.

I love that he even assigned people to watch her secretly after he's left her behind in a seaside town, with the intention of doing so for a long time since she is known throughout London for said involvement with Jude. He says things like, if she can live a calm, normal life, then that's enough for me. So, he's resigned to love her from afar.

He does everything in his power to protect even Crown from getting involved with his research so they aren’t crushed and hated by the privy council or others, even undergoing brutal torture.

Jude promises to make Kate the happiest he can before they go to hell, and there are many, many more things he does to endear me even more to him. I nearly cried when he introduced Kate to his sister at her grave he had made for her, saying she (his unnamed sister), was the only family he had left.

Even though he knows his dream of going to the moon is going to be difficult, he is more determined than ever to achieve it, because he's got two promises to keep.

Ultimately, we have our teasing Jude and Kate kicking ass together, and loving each other until their ends come.

Ugh, I'm gonna make myself cry. Well, this is it in a nutshell. Sorry for rambling!

[donutwatches]

MHA 3.7 - What a Twist! - part 1/2

Not his bandaged arms making Deku look like he's about to break out into a Naruto run.

Shoji had it on lock, but he didn't know that we are suddenly in a Naruto episode, and the villains know the substitution jutsu.

At least it looks like Tokoyami is taking a peaceful little nap in his bubble. Bakugo looks like he might be having an existential crisis on his knees like that though. He's been turned into a tiny ball of minty bubblegum, how humiliating.

My jaw dropped when I was watching this, I could not believe Aoyama came through! I didn't know he had it in him.

Wow, what an a**hole. I love his character design. He looks like a fresh out of hot topic zombie.

I know this is a serious dramatic moment, but do you SEE how massive Dabi's fingers are on his throat! ...ahem...anyway. I can't believe they actually kidnapped him and got away.

Why did I tear up? I love how this quote could be read as him being rude and prideful like usual on paper, but the voice actor poured some soft emotions into it.

911, somebody call the doctor. The way Deku must be in so much physical pain from the beating he has taken, but it's this that sends him over the edge screaming on the floor.

Next part is coming soon!

Masterlist

TAGLIST

@sylv-e-on @hyperfixations-and-cringe @call-me-copycat

@noonthemoon @setfiretotheshadows @jessiedead

@champion-prism @bicheetopuff @granny-griffin

@blackaquokat

[riddlers-roulette]

Probably a bit of a hot take, and definitely petty fandom salt, but i’ve come to notice that in recent years, with most fandom spaces becoming puritanical in their efforts to ice out anything that can be labeled toxic, or anything that just doesn't fit the fandom’s prevalent opinions on a situation or character–a phenomenon that has only been exacerbated by TikTok and the overuse of “therapy-speak”--there seems to be a general lack of nuance and/or sense of media literacy in most vocal fandom spaces when it comes to a story that is not just black and white.

Arcane is one of the most recent example of this, with (arcane s2 spoilers ahead) characters caitlyn and vi being discussed pretty heavily with the terms like “domestic abuse” and “abuser apologism” particularly when it comes to caitlyn’s act of jabbing her rifle at vi’s side before walking away, leaving vi anguished. Now, i’m not saying domestic abuse is not real–i’m just saying, that in this instance, I don't believe that the act was domestic violence, nor do i believe that any of the parties that make up CaitVi are abusers.

Arcane itself is a complex story with heart shattering situations that the characters find themselves in constantly, often putting them at odds with their morals, the morals of their environment, and the morals of the audience. Do I think caitlyn was right to jab her rifle at vi? No. But we as an audience can tell that neither does Caitlyn herself. Neither does Vi. But when Caitlyn did so, it was when she was under immense emotional duress, her mother’s killer getting away, and she was blocked from taking vengeance by the person she trusted the most. When she said the horrible things she did, she was hurting and angry and lashing out–she was punching the walls like a woman gone. And why is it that we can offer characters like Jinx the grace to absolve her of her crimes due to her own psychotic breaks, but not other characters to their own actions done in moments of their own breakdowns? Vi punching Powder, for instance. An act that had Vi villainized by the fandom for a long time. 

Which brings me to another point–absolution. It is one the extremes characters tend to fall into when it comes to fandom, with the other extreme being amplification. A character’s sins tend to be glossed over, or explained away so that the character in question becomes an unquestionable angel and champion of justice, or, in other cases, tend to be overly exaggerated, making the character out to be the worst of the worst, the lowest of the low. Rarely is there an in-between, with multifaceted characters complete with riveting backstory and motivations and complicated characteristics inevitably losing a little of what makes them, them, all in the pursuit of woobification, gratuitous groveling from other characters, and victimization; it’s an apology fantasy on steroids. In other cases, and often, connected cases, if one character is getting the baby treatment then chances are that another is getting the villain treatment, becoming a sort of caricature of themselves. Motives and environmental factors and politics are all thrown out the window, and all that’s left is cartoonish, flat, oft one-dimensional portrayals. 

Arcane’s Silco is an example of the former, with the singular trait of caring for Jinx becoming twisted and emphasized until he is nigh unrecognizable. His harmful actions towards the undercity are erased and he is lifted up instead as something other than he was. He is transformed from the fascinatingly flawed, human depiction to something bland and uncanny. He is just a Poor Sad Betrayed Meow Meow who is also a Good Dad. But it’s okay because he also does crimes! Except wait, those crimes are also sanitized and cutesy, or horrific and without reason or logic. He has lost what makes him, him.

And for the other half of the coin, the unnecessary villainization, we have Jayce! Jayce was hated upon widely, especially after the release of Season 1, and his struggles were erased.

(and yes, there were struggles. Jayce was more privileged than those from the Undercity, that is unquestionable, but he was not as privileged as the other Council members or even most of his peers. He had the fortune of a patron, but that was something that had to be earned, and he could always risk losing. He was from a House, yes, but it was also a minor one, and he would have labored in his factories alongside other workers–he wasn’t a crazy wealthy guy. He staked his entire life on his research that he was actually going to take his own life when his dream was taken from him. His dream wasn’t to generate wealth by unlocking the arcane, but rather, it was to put these tools in the hands of the common man too. One of his first act as councilors was to immediately try to root out corruption. He was able bodied and from Piltover, and so, had more privilege than Viktor (who is my favorite arcane character) that is undeniable. But Jayce did have struggles, he wasn’t taken seriously by the Council due to his own status and had to go through them initially when it came to his own HexTech. Jayce had struggles,but Jayce is a POC and Viktor is a white boy, so Jayce’s problems are gonna be minimized by fandom but that’s a whole other issue–)

And yet, three years ago, the Jayce hate was at a total high, with every action of his being dramatized so as to make Viktor’s pain far more excruciating. 

I’ve derailed a little! The point of this post was to point out the “therapy speak” in fandom that often comes at the cost of lifting one character up and bashing the other, all while skipping over the context and nuance for the gray situations the characters found themselves in. All this to say–with fandom’s recent behaviors when it comes to relationships in fandom, it really makes you wonder if people have forgotten that relationships aren’t easy and actually require constant work and effort. That relationships change and evolve and grow with each obstacle that comes one’s way, and that sometimes things get rough, but that love is being able to understand and empathize with one’s partners–that not everything is black and white and that not every mistake is irredeemable.

edit: also, don’t really care enough to argue with ppl on this point in the notes. it’s tired and repetitive and half the time it’s like arguing with a brick wall. if this gets out of hand I will start deleting and/or restricting replies

[raven-at-the-writing-desk]

okey am curious miss raven, but what do you think about vil's uncharacteristic "KYAA" screaming from chapters 6 and 7 bc i was torn between concern and laughter

The context, for those who aren't aware: Vil happily squeals at the end of book 6 after Malleus restores his youth. Then, in book 7, Vil screams in terror as he falls from the sky (courtesy of Silver's UM). So we get to see what Vil's like when he's genuinely super excited as well as what he's like when he's afraid of something quite mundane.

I’m personally not a fan of Vil (I do not like celebrity characters), but I liked that we got a glimpse of his vulnerable side. It's such a contrast to how cool and put-together he usually is for the public and lets us know that he, too, is human.

In a way, that's sort of sad... Because of Vil's career as a child star, he has to maintain his image and be composed in all that he does. He has to be guarded to keep up with the pressure of the entertainment industry and act a certain way to keep up with the expectations of the public and his peers, who are constantly judging him. And now that the media has branded him as this mature, wicked beauty, it's hard for him to really be seen as something different. Someone gallant, like the heroes he wishes he could play. Someone cute and innocent-looking, like his long-time rival Neige. In the end, Vil is stuck with his assigned role and can't really deviate from it or risk harm to his reputation, since his audience might perceive that as a "mismatch". The regular Vil always gives off these powerful vibes, creating the impression that you're beneath him, that he's untouchable. But what his "kyaaa"-ing shows us is that he's a regular person too. He can be unbearably happy. He can be fearful and experience motion sickness. This is the Vil behind the lights, the cameras, the makeup. The Vil that he wishes others would see and give a chance to, rather than the villain they want to see.

... Anyway, that was a lot of words for me to say “I thought it was cute and very different from the usual Vil!” 🤡

[urdreamydoodles]

Bat-Villains x Reader

One of the underlings hit you and your partner finds out

Characters: Joker, Harley Quinn, Poison Ivy, Bane, Scarecrow, Two-Face, The Riddler & The Penguin

The Joker

- You entered your shared bedroom cautiously, hoping to go unnoticed, but the Joker’s eyes were sharp even in the dim light. He noticed the bruise on your cheek and the busted lip instantly, his grin freezing into something far more sinister. “Well, well, what have we here?” he asked, voice low and dangerous.

- When you hesitated to answer, his patience snapped like a frayed wire. He grabbed your chin, tilting your face to inspect the damage. “Who?” he growled, his voice now devoid of its usual playful lilt. “Tell me who dared to mark my favorite little masterpiece.”

- You confessed reluctantly, explaining that one of the underlings had attacked you out of jealousy. The Joker’s laugh started low, bubbling up into a maniacal crescendo. “Jealousy!” he howled, clapping his hands together. “Oh, how precious! They thought they could touch what’s mine and walk away unscathed?”

- Without another word, he stormed out of the room, dragging you along by the wrist. His carnival of chaos always followed him, and tonight, you were part of the show. He found the culprit lounging smugly in the lounge, and his grin returned, wide and predatory. “Congratulations!” he declared, clapping the underling on the back. “You’ve just earned a starring role… in pain!”

- The Joker’s retribution was theatrical and brutal. He pulled out his knife, twirling it playfully as he toyed with the terrified underling. “You know,” he mused, “I always say jealousy is such an ugly emotion. Let’s see how you feel with no emotions at all!” His laughter filled the room as the blade gleamed.

- When it was over, he returned to you, his suit now spattered with blood. He wiped your lip with surprising tenderness, his head tilting as he studied you. “All better now, sugarplum,” he crooned, his mood swinging back to twisted affection. “No one gets to hurt you except me.”

- He spent the rest of the night doting on you in his own chaotic way, cracking jokes and reenacting the “punishment” for your amusement. Beneath the madness, though, his possessiveness was clear. “You’re mine, dollface,” he murmured, running a hand through your hair. “Anyone who forgets that ends up as a punchline.”

Harleen Quinzel aka. Harley Quinn

- Harley’s bubbly energy was unmistakable as you entered the room, but her expression quickly soured when she noticed your injuries. “Oh, puddin’, who did this to ya?” she asked, her voice filled with concern and a dangerous edge.

- When you told her about the jealous underling, Harley’s smile twisted into something sharp and feral. “Oh, sweetheart,” she cooed, gently cupping your face. “Don’t worry. I’ll take care’a this little problem for ya.” Her tone was deceptively sweet, but her eyes burned with fury.

- She marched straight out, her mallet slung over her shoulder, humming a jaunty tune. You followed hesitantly, watching as she cornered the offender. “Hey there, sugar,” she said with faux friendliness, her mallet swinging lazily in her hand. “I hear you’ve been pickin’ fights with my honeybun.”

- The underling stammered excuses, but Harley was already circling like a predator. “Aww, don’t be shy!” she chirped. “Let’s play a game. It’s called Whack-a-Traitor!” With a gleeful laugh, she brought the mallet down with terrifying force.

- The scene was as brutal as it was efficient. Harley danced around her victim with chaotic grace, each swing of her mallet punctuated by a giggle. “Nobody messes with my baby!” she declared, her voice ringing with conviction.

- When it was over, she bounced back to you, wiping a smudge of blood from her cheek. “All done!” she announced cheerfully, throwing her arms around you. “Nobody’s ever gonna mess with ya again, puddin’. Not while I’m around.”

- That night, she pampered you like royalty, insisting on patching up your lip herself. Between stolen kisses and her playful jokes, you couldn’t help but feel safe despite the carnage. “You an’ me against the world, sweetie,” she said softly, her blue eyes sparkling. “And don’t you forget it.”

Pamela Isley aka. Poison Ivy

- Ivy was lounging gracefully among her plants when you entered, but her serene expression darkened the moment she saw your injuries. “Who did this to you?” she asked, her voice low and venomous, like the hiss of a cobra.

- You hesitated, but her sharp green eyes left no room for evasion. When you finally explained, Ivy’s composure cracked, revealing a wrath that felt as ancient as the earth itself. “They dared to harm you?” she murmured, her voice trembling with fury. “They’ll regret ever drawing breath.”

- Rising gracefully, Ivy summoned her vines with a flick of her wrist. “Come,” she said, her tone commanding. “We have work to do.” You followed as the plants parted for her, their movements strangely menacing. Her connection to nature seemed almost alive with her anger.

- She confronted the underling in her usual calm yet intimidating way, her vines coiling menacingly around them. “You thought you could harm my partner and get away with it?” she asked, her voice dripping with disdain. “Foolish. Very foolish.”

- Ivy’s punishment was swift and merciless. The vines tightened around the underling, their cries muffled as the plants did her bidding. She stood over them, her expression cold. “The earth will reclaim you,” she said simply, turning away as the vines dragged them into the shadows.

- When she returned to you, her anger softened into tenderness. She cupped your face gently, her fingers cool against your skin. “No one will hurt you again,” she promised, her voice like a soothing lullaby. “Not while I have the power to protect you.”

- That night, she surrounded you with the comforting scent of her plants, their soothing presence lulling you to sleep. “You’re mine, my love,” she whispered, stroking your hair. “And anyone who dares harm you will answer to the wrath of Mother Nature herself.”

Bane

- Bane’s sharp eyes immediately noticed your injuries when you stepped into the room. His jaw tightened, and his fists clenched as he asked, “Who dared to harm you?” His voice was calm but carried an unmistakable undercurrent of rage.

- When you told him it was one of his own men, his composure shattered. “One of mine?” he repeated, his voice filled with disbelief and anger. “They will pay for this insult.” He rose to his full, imposing height, his presence radiating fury and power.

- Without hesitation, Bane marched out to find the offender. His movements were purposeful, each step echoing with the promise of retribution. You followed at a safe distance, knowing better than to intervene when he was like this.

- He confronted the underling with cold precision, his voice like a growl. “You struck someone under my protection,” he said, towering over them. “That is a grave mistake.” The underling tried to plead, but Bane was unmoved.

- The punishment was swift and brutal. Bane’s strength was terrifying, and he used it to devastating effect. Each blow was delivered with calculated precision, his fury controlled but unrelenting. When it was over, he stood over the lifeless body, his breathing steady. “Let this be a warning to anyone who dares to harm what is mine,” he declared.

- Returning to you, Bane’s demeanor shifted. He knelt before you, his hands surprisingly gentle as he inspected your injuries. “I have dealt with the matter,” he said simply, his voice softening. “No one will harm you again.”

- That night, he stayed close to you, his protective nature evident in every gesture. “You are precious to me,” he murmured, his deep voice filled with sincerity. “And I will always ensure your safety, no matter the cost.”

- Jonathan was engrossed in his latest experiment when you entered the room, your face bruised and lip split. His sharp gaze immediately noticed, and his expression hardened. “What happened?” he demanded, his voice cold and clinical but with a hint of concern beneath.

Jonathan Crane aka. Scarecrow

- You hesitated under his calculating stare, but there was no avoiding his interrogation. When you explained it was one of his underlings acting out of jealousy, his lips curled into a dark smile. “Jealousy. Such a fascinating emotion,” he mused. “I’ll ensure they experience fear instead—true fear.”

- He stood, his movements deliberate as he grabbed his iconic mask and canisters of fear toxin. “Wait here,” he instructed, his tone brooking no argument. “I’ll deal with this… interruption to my work.” Though his voice was calm, his anger simmered beneath the surface.

- Finding the culprit, Jonathan wasted no time in delivering his unique brand of justice. The room filled with his chilling laughter as he released the fear toxin, watching as the underling crumbled into terror. “You dared to touch them?” he hissed. “Let’s see how brave you feel when your worst nightmares come to life.”

- He took his time, ensuring the punishment was both psychological and physical. Each scream seemed to satisfy him more, his clinical fascination mingling with his wrath. When he returned to you, he looked calmer, almost serene, as if purging his anger through their suffering.

- Jonathan knelt before you, his touch surprisingly gentle as he wiped a trickle of blood from your lip. “No one will hurt you again,” he said, his voice soft but resolute. “You’re mine to protect, and I’ll make sure everyone knows the consequences of crossing that line.”

- That night, he stayed close, his rare displays of affection manifesting in small ways—checking on your injuries, brewing you tea, and offering you a book from his collection. “You ground me,” he murmured as you drifted off. “And I won’t let anyone take you away.”

- Harvey noticed your injuries the moment you entered the room. His dual nature became evident as one side of him looked worried while the other seemed immediately enraged. “What the hell happened?” he demanded, his voice a mix of care and fury.

Harvey Dent aka. Two-Face

- You hesitated, but under his intense gaze, you confessed it was one of his underlings who had attacked you. “They thought I didn’t belong,” you admitted. Harvey’s good side frowned deeply, but his scarred side twisted into a snarl. “They thought they could hurt you and get away with it?”

- Reaching into his pocket, Harvey pulled out his coin, flipping it with a practiced motion. “Heads, I scare them. Tails…” His scarred side grinned maliciously. “I get creative.” When it landed tails, he stood abruptly. “Stay here,” he ordered, his tone leaving no room for argument.

- Harvey confronted the underling with all the unpredictability of his dual nature. His voice oscillated between cold reason and raw anger. “You dared lay a hand on them?” he growled. “Let’s see how you like answering to me.” His punishment was brutal, his scarred side reveling in it while his good side rationalized it as necessary.

- The room was eerily silent when he returned, his hands still shaking with residual anger. He pulled you into his arms carefully, his good side apologizing softly while his scarred side muttered curses against the world. “No one touches what’s mine,” he said, his voice firm.

- That night, he remained close, torn between his need to protect you and the guilt over his violent reaction. “I’m sorry you had to see that,” he said quietly. “But I won’t let anyone hurt you again. Not while I’m still standing.”

- His duality showed in his care—one side tender, ensuring your comfort, while the other vowed vengeance against anyone who dared cross you again. “You’re the only thing keeping me balanced,” he admitted. “I’ll destroy anyone who tries to take that away.”

- Edward’s sharp intellect didn’t miss a thing, so the moment you walked in with a bruised cheek and busted lip, he froze. His smirk vanished, replaced with a calculating frown. “What happened to you?” he asked, his voice deceptively calm.

Edward Nygma aka. The Riddler

- You explained reluctantly, telling him one of his underlings had lashed out in jealousy. Edward’s eyes darkened, and a dangerous grin spread across his face. “Jealousy,” he repeated, tapping his temple. “What an irrational emotion. Let’s see how rational they feel after I’m done with them.”

- His mind was already working overtime as he led you to his chair. “Sit,” he ordered, placing a blanket over your shoulders. “I’ll handle this.” He left the room with his signature cane in hand, his steps brisk and purposeful.

- Edward confronted the underling with all the flair and intellect he was known for. “Riddle me this,” he began, his tone venomous. “What happens to someone foolish enough to harm the one person I care about?” When the underling stammered, Edward struck with his cane. “Wrong answer!”

- He played with his victim like a cat with a mouse, his riddles cruel and his strikes precise. “Your jealousy was misplaced,” he sneered, leaning in close. “They’re mine, and you? You’re just another irrelevant piece on my board.”

- Returning to you, Edward’s mood shifted. He knelt by your side, his hands uncharacteristically gentle as he inspected your injuries. “You’re far too brilliant to be dealing with idiots like that,” he said softly, brushing a strand of hair from your face.

- That night, he pampered you with little puzzles and brainteasers, his way of distracting you from the pain. “You’re my equal,” he murmured, his voice unusually tender. “And I won’t let anyone disrupt the perfection we’ve built.”

- Oswald’s beady eyes immediately honed in on your injuries when you walked in. He set down his glass of brandy with deliberate care, his voice deceptively calm as he asked, “Who did this to you, darling?”

Oswald Cobblepot aka. The Penguin

- When you told him it was one of his own men, Oswald’s face twisted into a mask of rage. “One of my employees?” he hissed, gripping his umbrella tightly. “I’ll make an example of them they won’t forget—assuming they live to remember it.”

- Oswald marched out of the room, his umbrella clicking against the floor with each step. His subordinates scattered like rats at the sight of his fury, knowing better than to cross him when he was in such a mood.

- Finding the culprit, Oswald wasted no time. “You dared to harm someone under my protection?” he snarled, his voice carrying through the room. He used his umbrella with precision, the concealed blade flashing as he delivered his ruthless punishment.

- When it was over, he returned to you, smoothing his suit and regaining his composure. “It’s done,” he said simply, pouring you a glass of your favorite drink. “No one will ever harm you again, not while I have the power to stop it.”

- That night, he lavished you with attention, his usually cold demeanor melting into rare warmth. “You mean more to me than all the wealth in Gotham,” he admitted, his voice low. “And I protect what’s mine. Always.”

- Oswald’s actions spoke louder than words as he ensured you were comfortable and safe. “You’re my diamond,” he said softly, his fingers brushing against yours. “And anyone foolish enough to harm you will be crushed under the weight of my wrath.”

[missshinazugawa]

I normally don't post anything about controversial subjects, but this time as one of the member in Love and Deepspace community, I wanted to speak up about this horrible issues going on currently.

I've been in the LnD community for a while, from February 2024 till now, it is sad that CN server is spreading hate about Sylus just because they think Sylus 'plagarized' Zayne. While in reality, I know damn well they most of them came back to the game BECAUSE OF SYLUS

Be fucking for real, no ML has been plagarizing any ML. I'm Malaysian Chinese, even me myself felt so embarassed for yall CHINESE PLAYERS to spread hate about one of our beloved. Imagine how devastated Sylus will be if he's real and when he knows this.

Fuck yall mean Sylus doesn't deserve to be famous because he was released late?? This is something that an uneducated people sounds like. I don't see yall hating on Caleb? Cuz tell me why yall want your ADOPTIVE BROTHER to be one of your love interest, its fucking weird. Not to be racist, but yall Chinese glorify that indirect sibling relationship as romance so much.

I will stand for Sylus bcuz he loves us just as much CN Sylus fans loves him. Imagine it's your fave ML, Zayne, Rafayel, Xavier getting hatred, would you guys want that? Seriously isn't Confucius our ancestors? What did he taught us? Yall should be ashame. TRULY AND REALLY, REALLY AND TRULY ASHAMED.

Sylus is the fucking reason LnD blows up. Yes, before he was released, we thought he is the villain in the storyline, but as we play through the game, we do realized he's actually a sweetheart, he is our beloved. But no, yall clearly wanna headcanon him as a red flag, he's a bad guy, he doesn't love MC. Excuse me, are we playing the same game?

It is clear, as we play the game, our first impression on different LIs is different, Sylus looks like he's a bad guy, a villain that likes forced love but actually someone who will do anything to us, no forcing us.

Zayne looks cold outside, but deep down he cared for MC so much, he's willing to love us in every single universe no matter Astra cursed him to not love us. He's warm inside.

Rafayel carefree and often bratty and petulant personality on the surface, but when he's with MC, his beloved, he can be childlish, whiny and all pouty.

Xavier looks like an honest boy, a golden retriever,acts clueless but he's the most possesive LI ever.

From all of this, didn't we already know, or obviously know that all LI have something beyond the surface? Don't villainize any of them for fuck sake. Pls use the brain.

No one is forcing anyone consume other's content, if you love Zayne, then look at Zayne's content, but if you love Sylus too, you as a Zayne main can go look at Sylus's content too, IT IS THAT SIMPLE.

Sylus didn't ruin us, as a Zayne main before, I can assure you, he didnt ruin me. It's just that I prefer Sylus because he is my type, I love his reassurance on Mc's insecurities, I wish I have someone like Sylus beside me, I still love Zayne regardless. It's called OTOME GAME for a REASON.

Please don't give up on defending our beloved as Sylus's fans. We love him and seems like we are the only one that knows him deeply.

If you're a player in LnD, we should stand together, no matter which character we love.

fuck CN antis

Humans doesnt want each other to enjoy A GAME in peace clearly speaks about how childlish we are as mankind. I don't see yall fighting for women's right that much since yall CN people likes Trump.

The post in the ss is from X user @sub_textually

[luci-in-trenchcoats]

The Villain’s Protector (Part 3) - Closer

Summary: The reader's in a bad spot when she's cornered by three infected intruders. But when the danger passes, she and Ben need to decide if they really can live together or if they'd be better off on their own...

Masterlist

Pairing: Soldier Boy x reader

Word Count: 3,700ish

Warnings: language, violence, life-threatening situations, death (minor characters), mentions of past torture

A/N: Happy Thanksgiving this week! Please enjoy Ben being an asshole/also his hilarious attempts at making up for it...

________

“Oh my god!” Both men spun their heads towards the back door, giving you a chance to make a break for it. You had to deal with the woman but at least you had a chance against her. In three large steps you were in front of her, ducking down to miss her punch. You kicked her knee, the woman shrieking and falling, giving you a chance to kick her back and shove her into your bedroom. You dove into the one across the hall, slamming the door shut behind you. Ben’s suit was draped over the back of a chair, his gun still in it’s holster.

Fuck it. 

You abandoned barricading the door, barely getting across the room before it flew open, all three of them standing there. The gun was in your hand within a second, finger squeezing the trigger blindly. You hit one of them, the other two shouting behind him. You jumped to the right to avoid the woman, getting a few more rounds off. She went down when a blur slammed into you. You crashed back against a window, falling through it and straight onto the back deck. Something sharp was in your back and your hand was empty, eyes blearily opening as the red streaked man stood over you with the shears.

“You could have been one of us, bitch.” He opened the blades and drove them downwards, straight for your torso. 

With a swift breeze, he was gone. You blinked rapidly, Soldier Boy standing over you, staring off to the side of the yard. Every muscle ached but you managed to look, spotting the man impaled on the shears about two hundred feet away in the grass. Strong hands turned your head, Ben’s face almost…worried? 

You blinked, reaching up to grab his wrist, his eyes wide.

“You have glass all over. You need-”

“Are you wearing fucking oven mitts?” You smiled, Ben staring at where your hand rested on the pink things. “Pink oven mitts?”

“Shut your mouth,” he said, pouting when you sat upright with a groan. He ripped them off, kneeling beside you with a grimace. “Uh. How true is that whole can’t die thing?”

“That’s actually really smart,” you said, nodding to the mitts. “If they can’t touch your skin, maybe we can keep you safer. Keep us both-”

“Y/N!” He grabbed your shoulders, eye twitching. “Do not lose it on me. Will you die if I rip that giant shard of glass sticking out of your back out?”

You shook your head, already pulling pieces out of your legs and arms. He sighed, gripping the glass and pulling it out fast, your heart skipping a beat.

“Warn a girl,” you grit out, hands reaching for anything to grip onto through the pain which meant his shirt before you. 

“You’re bleeding a lot,” he said. Shaking, you buried your face in his neck, breathing hard. “Y/N-”

“Take the rest out.” He tore your ruined shirt and jacket off, cool air hitting your back. He didn’t speak as he pulled out the other large shards you felt there but he flinched when you jerked into him and yelped. 

Finally, you felt they were all gone, your head throbbing angrily but you knew it’d dissipate soon.

“I totally had that guy by the way,” you mumbled. Ben’s chest rumbled beneath you, his warm body lulling you into a calmness. “Was that a laugh, Benjamin?”

“You are something else.” With some effort, you leaned back, Ben grasping your chin and turning your face. “Shit, your cuts are healed already.”

“I’m just that special,” you said, trying to stand but falling straight against him when a sharp bolt of hot fire ran across your back.

“You heal fast but the pain-”

“Takes longer. I’ll be better in an hour.” You didn’t move from where he cradled your body against his, Ben’s body strangely relaxed. “Bet you’re happy. You got my shirt off.”

“You do have great tits,” he mumbled, tucking your head under his chin. You raised your eyebrows, gaze focused out on the lake. 

“Ben, there could be more people nearby. We should probably move somewhere-”

“In the eighties I hired a young couple to take care of this place. They had a baby at the time I think. Landscape. Cleaning. That’s why that woman and those men were here. I let them live here in exchange for upkeep and I forgot they were here. This was my fuck up.”

“It was an accident, Ben. I don’t blame you. I’m fine.”

“You don’t realize you screamed when I took those glass pieces out, do you? The only reason you were in there alone was because I pissed you off again. I fucking forgot. I bring out your fucking shell shock, I screw up and you’re shaking in pain because of it. That’s not what a man does.” You sighed, taking a deep breath.

“Soldier Boy, you are ridiculous.” You moved your head so you could face him, Ben’s jaw clenched. You let your head fall onto his shoulder, offering a smile. “I’ve known evil men. Shitty, evil men. But you? You put on pink oven mitts which I’m confident you’ve never worn anything that shade in your life for fear it would shrivel your dick up. Yet, you did it for me. Here you are, apologizing in your own, albeit half-assed, way and look at that. Your dick is still just as big as it was an hour ago.”

He pouted, turning to look at the waters of the lake, ignoring your attempts at getting him to acknowledge his idea of what a man was wasn’t the only one . “Why did you break me out of that CIA black site? The truth this time.”

You closed your eyes, turning your head back under his chin when sharp, stabbing pains started up in your abdomen again. You tried to bite back the whimpers that caught in your throat but a few slipped through, Ben squeezing you tighter, anchoring you.

“Because there’s nothing worse than being trapped, unable to die, only to spend every waking moment in pain. All you want it someone to rescue you. So that’s what I did,” you said quietly.

He hummed, shifting his arms around you, holding your body against his.

“Do you still think I only want to use you, Ben?” He was quiet, slow steady beats of his heart thrumming underneath you for a moment.

“I could be evil. People thought that about me once upon a time. It’s how I ended up in Russia.” You shrugged, Soldier Boy shifting beneath you, soon carrying you back inside bridal style. You poked open an eye, Ben watching you closely. “I was trapped for a reason. Give it five minutes and you’ll hate my guts again.”

“Why would I hate the boy that wears pink oven mitts for me?” you teased. He rolled his eyes so hard you swore they were going to pop out the back of his head. You let your eyelid fall shut, head lolling back until he adjusted you. “If you end up screwing me over, then fine, you’re a monster. But until otherwise, will Mr. Evil please get me into a bath tub?”

“Your generation is fucking insufferable,” he grumbled, walking across the deck, in through the back door.

“Yes, yes, whatever you say, Satan.”

“What did I say about shutting that fucking mouth?” 

“Ben.” You opened your eyes when a door creaked, Ben setting you down in a large claw foot tub a moment later. You tilted your head, his face a mixture of annoyance and wanting to get out of the room as fast as possible. 

“What?” he growled, turning the water on warm and slow for you, setting some towels down next to the tub. 

“Just wanted to say we had a whole conversation where we didn’t fight. I think you’re in serious danger of losing your asshole status if you keep this up.” He gave you his bitch face and dropped a bar of soap in your hands. “Admit it. You like this, being yourself again.”

“You are weak and pathetic and like all women, you need a man to save you and then complain about us in the same breath. I ain’t a fucking pussy so don’t get fucking comfortable with me thinking I’m like your fucking girlfriend. I give the orders, not you.” He stood up and slammed the door on his way out.

So much for that progress.

You and Ben kept your distance after that. You spent most of the day cleaning the blood off the walls and floor while Ben disposed of the three bodies in the nearby woods. It was dark by the time he returned, the house smelling of disinfectant.

He threw his boots on the ground and gave you a glare as you ate a bowl of beans at the dining room table. He stormed around the kitchen, narrowing his eyes at the pot on the stove and the empty bowl on the counter beside it.

“Beans? I’ve had fucking paste shoved down my gob for weeks and you make me fucking beans?” You finished off your dinner, leaning back in your seat with crossed arms. He puffed out his chest, pointing a finger. “Don’t you fucking start, bitch.”

“Does it make you feel like more of a man to yell at me? Maybe you even want to hit me. Fucking go for it. We both know I can take it.” You got up, getting in his face and throwing him off guard so much so he stumbled backwards. “You want me to think you’re a monster? Go ahead. Hurt me. Insult me. Prove me wrong. Show me just how awful you really are deep down and that there’s no shred of a soul left in there.”

“Shut the fuck up!” he shouted, towering over you, his face turning red. 

“Do it!” He growled, grabbing your arms, picking you straight off the ground.

“Look at me!” You were ready to kick him in the nuts when you noticed the red on his face was…bright. Too bright. Infected bright.

“Yeah, yeah. I’ll help you alright.” You put your hand to his face, Ben instantly dropping you, both of you falling to the ground. This felt different than before. There was no sharp pain from the redness your hand absorbed from his face. No, it was warmer, a slow burning sensation that built up and up and had you gritting your teeth.

He gasped and choked before rolling away, your body falling back on the hardwoods. You panted, staring at the wood beams crossing the ceiling when Ben crawled over, staring down.

“I got some of their blood on me earlier when I killed that guy. I think it got on my face,” he breathed out. You nodded, giving him a thumbs up. “It must act slower that way?”

“Depends. Am I a weak, pathetic bitch?” you said, Ben lowering his head. “Good. See, we’re all good.”

“You didn’t scream this time at least,” he said, helping you sit up against the cabinets. He sat back against the fridge behind him, both of you catching your breath. “Why?”

“The more a particular…injury happens to me, the recovery period from the pain shortens. You didn’t have the streaks in you fully or else you’d be dead so it wasn’t as bad this time.” He shook his head, running a hand through his brown strands. “What?”

“Your powers suck.”

“Not powers,” you sighed, Ben pursing his lips. “I swear. I’ve never taken compound V in my life.”

“Well then you must be a natural born supe. Is Reaper your dad or some shit?” 

“No,” you snapped. Ben held up his hands, giving you just enough of a pout to make you feel bad. He got up and scooped some beans into a bowl, glancing at you once. The floor creaked, your eyes drifting up to watch him settle down across from you, slurping up his dinner. “Why are you eating on the floor?”

“Jesus fucking Christ, woman,” he said with his mouth full and a roll of his eyes. “Can I eat my dinner where the fuck I want to?”

“Of course you can.” He made a face, pointing his spoon at you when you parted your lips. 

“I swear to God if the next words out of your mouth are to argue with me, you will not like the outcome,” he barked. You swallowed down your comment about how the chair and table would be more comfortable. If he wanted to sit his ass on the hard floor, fine, that was on him.

You closed your eyes and tucked your knees up to your chest, lowering your head to rest it against them. 

“You’re a pretty good liar. Most women are but you put them all to shame.” You frowned, lifting your head wearily. He stood, setting his empty bowl on the counter before squatting down right in front of you. Long fingers grasped your chin, turning your head left, then right. “Your jaw is clenched so hard you could snap a tree in half.”

“Fine. It hurts whenever I absorb that red matter stuff from you. There’s nothing either one of us can do about it so why does it matter if you know?” His grip on your chin tightened, just hard enough to make you wonder if he was considering killing you.

“Don’t fucking look at me like that.” Ben’s grip loosened, his thumb wiping away the wetness that’d gathered under your eye.

“Like what?” you whispered, intense green eyes boring straight through to your core. He leaned in closer, his breath hot.

“Like I’m going to hurt you.”

“This was a mistake. Just cover yourself up when you go out and you should be okay,” you said. You got to your feet and barely made it out of the kitchen when his hand landed on your shoulder, freezing you in place. “Forget about Reaper. You’re free Ben. Just live your life how you want to.”

“Why the hell are you trying to get out of here so badly all of a sudden?” 

You closed your eyes, clenching your fist when a wave of burning heat flooded your veins. “Why do you care if I stay?”

“I can drown.” You turned around, furrowing your brow. Ben raised his chin, nodding once. “I nearly did as a kid, out in that lake.”

You both looked out to the dark water, gazes slowly drifting back to one another. He sat down on the edge of the couch arm, running a hand through his hair. He smiled but it didn’t reach his eyes, head shaking as he glanced at a knot of wood in the floor near your feet.

“My father took me out in a rowboat to the middle of the lake when I was a boy. Maybe seven, eight? He threw me over the edge, told me to start swimming.” His eyes met yours, his smile faltering. “It wasn’t until I started to sink did he pluck me out. He was so…disappointed in me the whole way back to the dock. I was convinced he’d throw me out any second. I never told my mother what happened but somehow she knew. It was the only time I ever saw her argue back against him. She ended up showing me how to swim over the next week right where it’s shallow at the shore edge.”

“Why are you telling me this Ben?” you asked quietly. He shrugged.

“You can either be terrified that something more powerful than you will kill you and that fear makes you run from it. Or…you can be a man and face it, tell that thing it’s not more powerful. You learn to respect each other’s power and work together.”

“A lake doesn’t snap your neck in your sleep when it gets mad at you,” you whispered. He sighed, his jaw clenching slightly. “You just…you’re so mean to me that I couldn’t even tell you were infected until you were literally ready to pummel me and I saw the red streaks. Ben, I didn’t know you wouldn’t hurt me. I read the CIA’s file on you and god, you’ve hurt so many people Ben. People you supposedly cared about, loved even. How the hell am I not supposed to be terrified of you? Maybe I was wrong and we should just go our separate ways.”

You headed down the hall, pausing when you heard him walk up behind you.

“If you stay…I’ll give you whatever you want.”

“It’s the end of the world, Ben. Forget about Reaper. What could you possibly give me that’d make me okay with staying with you?” You glanced over your shoulder, Ben’s face strangely soft.

“My word.” He held out his hand, fighting back a frown when you narrowed your eyes at it. “I’m fucking trying here.”

“Not good enough.” You stormed into the bedroom, grabbing a duffel from the ground as he huffed. You started to shove some things inside when he cleared his throat.

“Please stay.” You poked your head out in the hallway, Ben gritting his teeth. 

“Did you say please?” you asked. He rolled his eyes. You stepped back out, crossing your arms. “Fine. I’ll stay.”

“Good-”

“If you drop the Solider Boy shit and act like Ben. Act like the kind of man you wished your father had been to your mother.” His face went white in shock, Ben’s jaw dropping open slightly. “See? That normal guy is still inside of you. You know it’s wrong to be a dickhead. You fucking know it’s wrong and you do it anyway. But you have to stop. You have to be better. Not perfect, just better. Or else I’m gone Ben and this world gets a lot harder for both of us.”

“I…will try if tell me one real thing about yourself, why you don’t die.” He stood his ground, lips pressed into a thin line. You looked away, leaning against the door jam.

“You know how…you know when you did the Compound V trials and all the other participants died except for you?” He nodded once, tilting his head. “That was because your genes are advantageous. Your genes could handle that…evolutionary leap.”

“Like a Punnet square.” You raised your eyebrows. “I’m not a moron.”

“Well, yes, sort of like that. Your gene mixture basically was special. My genes are also…special.” You frowned, Ben’s fingers reaching out to graze your cheek. Your eyes wandered up to meet his, his green eyes curious, guarded. You crossed your arms, looking past him. “My genes, eventually, would have allowed future generations from my bloodline to be natural supes. Millions of years down the line. It’s incredibly rare. Think of it like if your genes and mine were in a race, I’m starting a hundred million miles ahead of yours and we’re racing to the same point.”

“You would get there faster,” he said quietly. You nodded. 

“Reaper found out about my genes. He ended up, activating those special parts of my genes and transfused me with his blood when he did so. He didn’t know what would happen but it gave me the ability to not die, like him. It was all an experiment to him.”

“How’d he do that? Activate them?”

“Through eight years of torture.” Ben stared at you, his adam’s apple bobbing as he swallowed thickly. “Everything was forced on me, all because of my stupid fucking genes. Do you finally understand why I saved you?”

Ben nodded, letting you slip into your bedroom. You lay back on the old mattress, body in desperate need of sleep and rest. By the time you managed to get out of your jeans and under the covers, the door was cracking open. Ben was carrying something, a mug. Steam billowed from it as he set it down on the nightstand. Then he was leaving, nearly pulling the door shut behind him when he stopped.

“There are things I would say to you if I wouldn’t be a pussy for saying them.”

“Ben?” He looked over his shoulder, catching your smile as you sat up and took a sip of the hot tea. “That’s good enough for tonight. Thank you for the tea.”

He nodded, hesitating once more. “Drink that and then go the fuck to sleep. You look awful.”

“Goodnight to you too.” He grumbled and pulled the door shut, leaving it open a sliver to let in some light from the hall. You heard movement outside and heard a chair scrape along the wood floor. With you mug in hand, you tiptoed over, opening the door.

Ben was sat in a chair right outside your room, frowning when he saw you. “I thought I told you to sleep.”

“What are you doing?” He rolled his eyes.

“Just go to the fuck to sleep. We need to get a game plan together in the morning and you won’t be able to do that if you’re a zombie. Go before I make you.”

You took a sip of tea, offering him a tiny smile. “Try to get some sleep yourself at some point. It was a long day.”

“Y/N…” he warned. You took a big swig of tea and handed him the mug, Ben cautiously taking it.

“I think I’m starting to get you, Ben. You’re an acts of service kind of guy.” He stared at you like you had three heads and shook his own. “I’ll explain someday.”

“Alright, that’s it,” he stood, watching you scurry back to your bedroom. You plopped into bed, Ben pointing a finger at you before sitting back down. You tugged up the covers, putting your back to him as a wave of exhaustion hit you. 

You were just barely holding onto consciousness when something heavy draped over your body in the cool room. 

“She would have liked you,” he mumbled. You burrowed into your sheets, letting sleep overtake you.

That was until four am.

That’s when you woke up to screaming.

___________

A/N: Part 4 coming soon!

[chaifootsteps]

Any Vivzie design -ism you find the most annoying? Like for me personally I hate the way she keeps designing birds as 10% beak and 90% mouth. It worked for Stolas back when he was portrayed as a creepy villain but now it seems to be her default approach to her bird design and it’s so weird. Looks super repetitive and unappealing.

Second most annoying is when she tries to make her male characters wear skimpy clothing but they have flat asses lol. That Valentino bdsm gear in the playbill makes me cringe so much. His ass is out there but there’s nothing to see. Same reaction I had when Angel dust had his butt slapped and there was nothing there. How does Vivziepop find that attractive

Oh yeah, she absolutely sucks at asses. I also really hate the bowties that cover up the fact that she can't draw necks, because once you realize it, you can never unsee it.

[sometipsygnostalgic]

Animated Series ending tier list

Okay this is based on a discussion with @j4gm, kim and mifil the other day

These are all cartoons with the exception of Homestuck. I'll admit I don't get invested in a lot of TV shows, even animated shows, so this is limited to stuff I like. Maybe i forgot something but if i did it's probably not worth talking about.

Here's the list if you're interested in building your own.

So I'll go through each item one by one and explain. Yes, I did arrange them based on better (left) and worse (right) for each tier. I'll start from top to bottom so I have the most energy for the better show endings.

I'm rating them both in how they respect the stories of their show, and how entertaining/cohesive they are as a piece of media. To be honest, the former matters to me more than the latter, but some of the shows at the top of this list aren't even ones I particularly like, because their endings were just that well written.

Astonishing

Owl House. This show got better and better with each episode. I don't know, I was blown away by how bad it was at the start and how great it was at the end. And of every item on this list, this one's ending episode had the best pacing. There was lots of room to breathe, lots of reminders of the connections between various characters, and the villain was taken care of in a satisfying way. And we got a beautiful epilogue. The only reason Owl House is in the same tier as She-ra and Gravity Falls, instead of being its own category, is because I felt it had some shortcomings, particularly s3e2 focused on a bunch of characters nobody has ever had any reason to care for, and a lot of the cast don't reach the potential they could do because they lack focus, so I don't have as much emotional attachment to it as a lot of other shows listed here. Anyway here's my favourite moment:

2. She-Ra and the Princess of Power. This is my favourite show on this list because I think it's the most cohesive of the lot. Even though it has a rough start, and often follows cartoon logic, from the very beginning of She-ra to the end it focuses strongly on the same themes. The cycle of abuse and pain and that feeling you will need to earn love, you need to earn the right to exist. It does so with a wide cast of characters, but it's also very good at trimming down to a smaller cast when it needs more focus. There are a lot of good decisions to make sure it worked in the small runtime it had. The ending of she-ra is basically its entire final season. It's one long arc. It doesn't have any major weak spots like The Owl House's final season did, and it has more room to breathe, with 13 incredible episode of about 20 minutes each, more than twice the length. And it delivers on every single character. Every member of the cast gets a moment to shine across the season, yet it isn't so distracted as to pull attention away from Catra and Adora. What makes She-ra's ending a bit weaker than Owl House's is the pacing of the final episode. Heart part 1 and 2, while great, is absolutely rammed, and one of the weaker episodes of that season because of it. You don't get enough room to breathe, you don't get to soak in the characters' emotions quite as much as in the episode prior, Failsafe. But I would count Failsafe as part of the ending. So while season 5's finale isn't even the best finale of She-ra (s3 and s4 were harder hitting), the final season as a whole is incredibly strong. And it's a very entertaining piece of media too! Ugh. I love it.

Here's this powerful scene of Catra whispering and yet screaming to Adora to stay with her, even in the end.

3. Gravity Falls.

To be honest I'm not much of a Gravity Falls fan, so I don't have as much to say as I do about the other two shows, but this ending is highly regarded across the cartoon community. It works perfectly within the smaller scope of the show, bringing a wide, crazy calamity for the characters to work with.

My problem with Gravity falls is Mabel. Not that she's a bad character, but that they don't spend enough time making her a good one. And the ending reflects that - it shows her doing something very major, overturning the world, and that's interesting, but it keeps presenting Mabel's problems as rather shallow instead of focusing on her psychology and why she's making these mistakes. Meanwhile it spends a lot of time on Dipper and explaining and justifying his teenage boy mentality and it drived me crazy how much more of a main character Dipper is than Mabel. Because it's Mabel I relate more to. She's more like I was when I was 12. It's a teen boy's show for teen boys, so I don't like it as much as Owl House or Amphibia. Other than that the ending is a good time and I love the themes of family, I love that Dipper has such low self worth and is grappling with the idea of what manliness even is, facing misguided pressure from other relatives like Stan and Ford. And I love the relationship between Stan and Ford, the mistakes they made, and how Stan ultimately takes responsibility for being an obstructive little shit by removing his memory, taking Bill with him!

Yeah, perhaps this show's ending could've been further strengthened by Stan having his memory lost forever, or having a harder time regaining it. But it makes sense in the stakes of Gravity Falls, where the world resets after every episode even if there was a zombie invasion. I don't see them having Stan forget his great nephew/niece as the ending of the show.

And it has a nice scene with the characters driving off in the bus... Heartbreaking. I love that Stan and Ford go adventuring together afterwards. And I love the theme song.

Remaining rankings below - I think these three should be celebrated most. It's gonna be a shorter summary from here.

Genuinely Good

These are endings that blow you away, but do have a couple nooks and crannies stopping them from reaching the top tier. Another person's list might put them at the top.

Adventure Time Distant Lands: See what's crazy about Distant Lands is that anyone one of these episodes might be the best in the series if it was a different show, but Adventure Time is such a good show that the way Distant Lands is different stands out to me. Like, Together Again, you might think I'm crazy for not putting it above Owl House, but while it's a fantastic episode, really emotional, it's not even my favourite Distand Lands episode. That would be Obsidian which I felt was a more honest resolution to the characters of the show itself, showing the limitless future ahead of the cast instead of what TA did which was demonstrate that Finn really didn't go much further after the end of the show. I felt TA was very limiting in that sense, it contradicted the ending to Adventure Time, which had the strength of "the adventure never ends". Which means that growth never ends. Finn is supposed to be an ever changing character, but in Together Again, he's stagnant.

Other than that, it's absolutely top tier. But not good enough for me to call it the best of the best. Even if I think Finn's character writing was a downgrade, or harmed the main show, I think where DL and TA did better than Come Along With Me is it was actually coherent and had strong themes rather than being a mishmash of random parts of Adventure Time that they wanted to shove in before it was over. It was a better tv finale, one of the best and most emotional ever made, but it's hard to call it a better Adventure Time finale, because AT's legacy hinders on so much more. 2. OK KO: Let's be Heroes: This is a show that went under the radar. It was coming out at the same time as Steven Universe, which was far more popular. So I'll explain it to you: OK KO has two endings. KO has grappled with his alternate persona, TKO, for the entire show. In the first ending, TKO takes over, and starts fighting everyone in a giant tournament. He literally kills all the cast, while KO is struggling to regain control. KO's epiphany is that TKO is a part of himself he buried long ago. KO has always tried to be the sweetest kid possible, so all his rage and fire, all his strength, was neglected and buried. That became TKO. It's similar to the ending of Celeste. They fuse together, but KO is crying because he killed all his friends. So he makes a wish to the God of the Universe to give everyone a happy ending. Then you get a really nice ending montage of all the characters from OK KO having the time of their life. One interesting touch was Venomous, KO's bastard father, had very little to do with KO in this timeline. KO clearly wanted nothing to do with him. But Venomous is shown raising his adoptive daughter Fink and doing a fantastic job. The final episode of OK KO has KO seemingly stuck in time acceleration. Time is flying by, his friends are achieving their goals, leaving the town, way before he can begin to process what he's even doing here. Everything is going faster and faster and it's like he's jumping forward! He doesn't know what's going on!!! But when he explains his plight, he's told... This is normal. This is a normal part of growing up. What seems like time acceleration is just time passing by. Then the rest of the episode show KO going through his life in the same manner. A big gag of the show is KO is age 6-11. That's his age. It's the same as the target audience for OKKO. But you see him grow up. His twelth to fifteenth birthday... 18th to 24th birthday... 25th to 35th birthday... At the end, he's in charge of the Bodega, a full adult looking after runts just like Mr Gar did. I dunno, I felt this was a very meaningful way to end the show. Even if it's not the most emotionally heavy hitting series, even if it's way too short, it did something that stays in my mind to this day. Time goes by in such a flash that you don't notice it was there to begin with, so appreciate the good things life throws at you.

3. The Legend of Korra: The show Korra wasn't particularly great, if I was rating the media as a whole it would probably be at the very bottom of this list. Yes below Star and Homestuck and Kipo. It's not remarkable in the slightest and constantly fumbles.

However I was at the edge of my seat during the series finale in Season 4. I was excited by the conflict between Korra and Kuvira. I loved the metalbending battles. I loved Korra's actualisation, how Kuvira is a very good rival, how their whole conflict plays out with Korra demonstrating such an INSURMOUNTABLE LEVEL OF STRENGTH both in power and character to save Kuvira from her own mistake.

I love how Korra decides to take a break and leave with Asami into the spirit world through the portal she just opened. It was a nice relationship in a show that has so heavily fumbled its prior character dynamics.

And you can't forget how it felt watching this the first time. Afterwards, Bryke made a post on tumblr saying "Korrasami is Canon". You have to remember, this was long before Bubbline was anything more than subtext in two episodes. This was before Steven Universe's "Stronger than You". This was the first time two girls were confirmed to be in a relationship in a kid's cartoon in America. I was so happy. You have to understand Korrasami did a lot of good things and made a lot of the queer representation in these other items possible.

Did the job

These are endings that were OK. They were satisfying but they weren't anything special. They weren't the best episodes or seasons of the series they're from.

Avatar: The last Airbender: I will be honest this show is in a similar realm to She-ra wherein its whole final season is one big buildup to a couple of fast-pased episodes. And honestly its final episode might be better than She-ra's in a pacing sense? But... The simple part is I don't like Avatar as much. I didn't feel particularly strongly about most of these characters. It's a very competent tv finale, with strong scenes - the Agni Kai, and Katara's capture of Azula, are particular strong points. But it's quite long and there are a lot of scenes I don't feel much about, like Aang vs Ozai. Back in the day lots of people were unhappy Aang spared Ozai, and I get that it's not in character for him to just kill him, but it was the original "deus ex machina" for Aang to find a way to get out of it and get what he wanted. It isn't particularly interesting. And then Aang x Katara... I don't care. So yeah ATLA does the job. It's a great final season but I don't care for the finale itself and the characters. while great for the time - by far the EARLIEST show to release on this list - are more childish and cartoony than most. They don't have depth required to compete with more modern cartoons. You've only got maybe two outstanding characters in a tight story vs She-ra's one dozen in a looser story, and honestly I value character more than cohesion because that's what you remember. That's what makes you feel things. Anyone can make a story where things happen but what makes you care? Being a bit harsh here because a lot of people call this the greatest show of all time blah de blah and throw away everything all the other shows do better. But the ATLA finale isn't even in the top ten most interesting episodes of the series. This part went hard though (couldn't find a video of it alone):

Azula starts the scene dominating Katara, and then Katara turns the tables and restrains her using the very ice which fire is supposed to melt, which is mentally destroying for Azula. All she can do is scream and breathe fire when she is restrained, unable to let out all her rage and pain. And Katara spares a moment to witness this, looking troubled, before she runs off to Zuko, attempting to save his life.

2. Adventure Time original ending: Why is my favourite show of all time listed so far down? Why? Well it's because while that AT finale is emotional, hits a lot of themes, it's... a fucking mess. The first part is a war which has only been relevant for two episodes, the second part is a dream sequence which destroy any tension you might've had, and the rest is an unrelated battle against GOLB because we needed a real final boss.

It's a really bad tv finale. And it even does harm to my favourite character in the show, Princess Bubblegum, by making her seem irrational. She's someone who has had the entire series for us to get to know her, to see her biggest flaws and see her struggle to overcome them. So for her to fall back on them yet again, nearly fuck everyone over, with such little buildup and justification and literally throw a child tantrum when Finn interrupts it, it's an injustice to her. She deserved better than everyone thinking she's a fascist forever. The AT crew should have respected their own work on that character better instead of leaving her off like that.

But... even despite these issues, despite being so incoherent? It's a great Adventure Time ending. It makes perfect sense. Of COURSE it's anticlimactic! Of COURSE there's a ten minute dream sequence of crazy shit happening! Of course it's so sudden, things happen so quickly without much time spent to reflect on them! It's Adventure Time! This is what we're HERE for! And the emotional heart of the episode, it isn't really in the Great Gum War or the battle against Golb. It's in Shermie and Beth, and Future Ooo. The fact that the world will end again, but even then.. it's fine. Everything changes. Everything grows. Nothing can stay as it is forever, but letting it go might allow something new and beautiful to take its place.

It's in Jake trying to protect his home, freaking out, and BMO coming in... instead of being looked after, BMO decides to reassure jake, even in certain doom.

It's in Time Adventure. We may not be able to go home, turn back time, relive the past and return to how things were, but... you and I will always be back then.

3. Scavenger's Reign: I felt this show started stronger than it ended. The ending wasn't offensive but it wasn't good either. Honestly I don't have shit to say about the ending, other than that Barry is an annoying stereotype of an autistic character with no agency of his own and it breaks my heart. I liked how relentlessly bad Kris was and I liked Azi struggling to save the day. I liked how her character evolved from being straightfoward and pushing down Levi's curious, kind traits, to embracing those very things in her memory.... while maintaining the strength in adversity needed to challenge someone like Kris. The baby alien thing sure was there. I dunno, the earlier eps with those two hit harder than the ending. The worst part is the sequel bait. We are not getting a sequel. Why is there sequel bait? Seems like the crew were a bit too optimistic for a team of cartoonists working for HBO Max.

But the show as a whole is incredible and has left a strong impression. So, an inoffensive ending is completely fine. I like how everyone is still stranded because of Kris, who meanwhile is dehydrating to death in space because of the organic Levi invasion, and all the people they left behind are chilling in the alien wonderland, learning how to live comfortably.

4. Fionna and Cake: We're now moving into the endings I dislike for one reason or another. I liked Fionna and Cake's themes with Simon and Betty, how it showed a bit more from Betty's side, how obsessive she was with him and he didn't even know.

This does have a weakness though. It removes agency from Betty. It was her choice, in the finale, to sacrifice herself to become GOLB. She was chasing Simon over and over and over again, SHE was the obsessive mad scientist, and she finally achieved her goal at great cost even though could've given up at any time. It was a tragedy. But here it kinda shifts the blame on Simon, even though he was a victim of Betty's obsession. I'm not accusing it of victim blaming, more that I really liked that it was Betty making her own terrible mistakes. It added a lot of character and conviction to her. I don't think Fionna and Cake undermines this much. Kim was a lot more bothered. Besides the Simon plot, the rest is.. ok. It was very predictable Fionna would want to protect the boring, happy world she came from. It fits and it has heart. But it's not remarkable. The ending montage is... weird. Why is Jay and Little Destiny here? Why is Baby Finn here? What about their worlds? Won't they be missed? Did Farmworld Finn fucking die? And the big problem with Fionna and Cake is.. it's such a meanspirited show, even compared with Adventure Time. It relies on you finding tragic shit really funny, like BMO having a horrible gory deeath in jerry. When Fionna and Cake has desensitized me this much, it's hard to feel emotionally invested in this world anymore. It made mistakes by showing too many alternate universes and undermining the world of Adventure Time itself, and I have issues with how Marceline was completely absent from the series - AGAIN - despite allegedly being so important to Simon. It's an outright BAD Adventure Time ending!!! I do love the presentation of Casper and Nova, how it was revealed it wasn't Simon Petrikov but the little Fionna and Cake fan who was able to write the story that finally got through to him and made him realise he needed to stop holding betty back.

"You were a good experience, Simon. Goodbye."

Mistakes were Made

These are the endings that fumbled, disappointed people. They still have value in them but theyre largely disliked by the fanbases involved. I'll explain a bit of why.

1, Arcane: This one just ended last night and is the reason I'm making this post.

I explained a bit here and here, but the issue is: Arcane's a much better show than it has any right to be. It's a league of legends cartoon. But season 1 is so heavy hitting, a tight ship from start to end focusing on the dramas of Vi, Jinx, and the people around them. The main weakness of season 1 was Jayce, Viktor, and Mel. It would distract from the main story in order to focus on them, but wouldn't spend enough time making them compelling characters. Season 2 has this issue tenfold where it seems the scope of the season was so big that it had very limited time to have those amazing scenes from season 1. And there certainly some heavy hitters, like Ekko save-scumming his conversation with Jinx to find a way to stop her killing herself, or Caitlyn and Mel's battle with Ambessa, or Jayce and Viktor yetting themselves into arcane oblivion, but... the finale itself seems very disconnected from the rest of the series, having a generic big bad in Possessed Chaos God Viktor. It lacks any of the intrigue of the Piltover vs Zaun conflict that was so important from s1e1 all the way to s2e4, after which it was promptly discarded in favour of other distractions. And as a result, Jinx and Vi are left as side characters in the ending of their own series, with a lot of their internal struggles left behind. Instead of the tragedy of season 1's ending, we are left thinking of the tragedy of how much better the ending could've been if they had just one more season to give these characters justice.

The strongest episode of the season is probably episode 6. If you know, you know.

2. Ducktales: So if you were a casual viewer of Ducktales you probably had no issues with this one. It's a competent TV finale where stuff happens and all the characters get involved and there are emotional themes.

What's weird about this one, and why it's so far down, is because of Webby's role. Webby is a misfit because she's not a member of the Scrooge family. She's a wannabe. She wants to be part of them, part of the siblings, and she has more in common with Scrooge and Della's brilliance than the other three, but she will never have that blood relationship. Her own parents are dead too, so she has feelings about watching the triplets reunite with their mother.

But in season 3... Ot's like the Ducktales writers were told they only had one episode left to work with and just made something up, and what they decided to do was take the "found family" trope and say "actually it was real family the whole time because Webby was Scrooge's secret clone daughter".

It leaves a bad taste in my mouth. The show did such a good job before this point showing Webby's development as she gets loved and accepted into the family. But for her to have always secretly had that blood relationship undercuts it fully.

It also undercuts her relationship to her grandmother, who tries to move out of the picture as soon as the truth comes out. The show does have Webby embracing her gran to show theyre still family. But we already had this story told in a better way with Webby and Scrooge and the triplets.

The fact the finale has nothing to do with the rest of the season is also why it's so far down. The season 2 finale was pretty spectacular by comparison and had compelling scenes like Della freaking out over protecting her kids and "running to the moon" with them, recycling her trauma (yes a ducktales character has trauma).

If you're not bothered by it, it's an inoffensive, fun finale. But more obsessive Ducktales fans and Webby fans were quite upset, myself included.

3. Kipo and the age of Wonderbeasts

I can't remember much about how this show ended. Honestly that's part of the problem. The first season was far more intrigueing than anything that followed and the whole thing came out across 2020 and it was a forgettable experience despite Karen Fukuhara voicing the energetic Kipo.

What I do remember is being pissed off about some things. Like how a lot of the talking animals were turned into non-talking animals and that was how things ended for them, and no vaccine or anything was made. It pissed me off somehow? Please kipo fans tell me your feelings on this.

I also disliked the final villain. She's a lot like Kris from Scavenger's Reign but even more generic and disappointing.

I dunno, to me the finale represents the wasted potential of this show. How it takes place in a world that rivals Adventure Time's, but Netflix did away with it so quickly, releasing three entire seasons in one year and leaving it with a generic end.

The peak into everyone's futures is nice, but it's not intrigueing like with The Owl House or Adventure Time.

4. Steven Universe: What a hot mess of an ending that threw out so much potential for the wider Steven Universe world. The motivations of the main villains were narrowed down to "we have emotional problems". Steven Universe has a consistent issue where it has emotional scenes at the expense of characters and story.

But I rate this more highly than the SU Future ending, despite that one having perhaps more cohesive writing, because I felt that the SU end had some incredible scenes that carried the spirit of the show while SU Future constantly undermined the original series without providing enough value of its own.

In particular, the scene James Baxter animated of Steven and Steven. This was mind-blowing, it was the climax to the most important part of the story, the truth of Steven's identity and whether he was his own person.

In retrospect that scene brings more value to me than all the bad parts of SU... but SU had so many amazing characters. It's a tragedy that Steven was the only one of them that the show still loved by the end.

Hardest line:

She's GOOOOOOOOOOOOOOOOOOOONE!!!!

5. Amphibia: Season 3 was plagued by being worse than season 2. The opening episodes on Earth were kinda bad, just "Amphibia season 1 episodes but in a far more boring setting". I hated anything involving the secret agents.

The fact Kipo, Scavenger's Reign, and Amphibia all have corpo villains at the end, and the fact I didn't like any of those endings, shows to me that it's not a particularly great thing to add to a fantasy story.

The first sad part is "the magic is destroyed". A popular theme in Disney shows. Well, what happens here is Sasha, Anne, and Marcy lose their magic abilities, and they decide to stay on Earth and lose the ability to travel to Amphibia. It's not massively offensive but it's kind of played out and generic and it does the sad thing of separating the trio from their found family. What's controversial is the epilogue shows that Anne, Sasha, and Marcy stopped hanging out after the end. They just broke off from each other's lives, it was easy as that. It wasn't a lifelong friendship. They do reunite in the end but it's been like ten years. It undermines the emotional turmoil that was present across the whole show. What Matt Braly wanted to show is sometimes things happen. Despite how much you want to be best friends forever... you stop being close to people, you lose touch with them. But this isn't a story that makes much sense when the characters have been through so much together in a fantasy world. It's like Marcy's worst fears have come true, and while that's a point of growth for her, it's frustrating for the viewers who believed the endgame bonds between the characters were better than that.

[Edit: Other than that, a lot of characters weren't delivered in justice s3 with how they had been built up in season 2. Sasha is hardly present in season 3 and Marcy is genuinely not present at all, and when we watched it we really thought they were gonna do more with Marcy when she came back. Swim in that emotional trauma a little bit! But no she's fine even with her evil father figure gone. It could've been better, should've been because season 2 was so stellar.] And I wasn't a fan of how Anne was portrayed at the end. I don't like how these stories make their characters "grow up" in such a way that they come across as love-all hippies instead of having anything resembling their original personality. Where's her sass? Why is she so melancholic and only melancholic? But that's a personal problem I haven't seen many others talk about.

Other than that, it's a competent episode. But it's the ending to a weaker season compared to what came prior.

The cat in this drawing has been my discord icon since we watched it though.

What the Hell?

These are the endings that shat the bed. I hate them! Everyone else probably does too.

Steven Universe Future: Unlike the other endings of this section, I did feel like Rebecca Sugar was going somewhere with SU future. They had a specific goal in mind for what they wanted to do, and every episode reaches towards that goal in some way. That's why a lot of people think Steven Universe Future is better than the more disjointed, huge tv series that came prior. It had a set start middle and end and carried through those themes. Unfortunately, those themes suck. Yeah, it's great deconstructing the impact Steven Universe had on Steven as a character, showing the damage that was done to him, the ways he's been let down. In isolation, it's a great way to show how a difficult childhood can affect you in adulthood, in ways that you would have never expected. This is the value SU Future has. It also has good sections showing how some other characters have recovered, how Pearl for example is healing and far more social than she ever has been but still has a ways to go, and finally talks to someone about her feelings over Pink Diamond, the previous Pearl that served her. Volleyball is a great episode. Unfortunately it takes the wrong lessons from the mistakes of the show. Steven Universe really wanted us to fall in love with its many characters, but it spent so much time showing Garnet, Amethyst and Pearl's flaws, spent so much time showing them failing Steven, that they ultimately came across as incompetent and sidelined. This is an issue with the original show. Steven Universe Future: "You know what? You're right! That was bad!" Me: "So are you going to do those characters justice and show them having growth and being competent and caring for Steven?" Steven Universe Future: "No. We are going to show them BEING EVEN WORSE and COMPLETELY FAILING to connect with Steven!" Me: "... For the entire thing????" Steven Universe Future: "Yes. this is never fixed and Steven leaves the county because of it." Me: "What the fuck?" Even people who were really into the whole thing were taken aback that Steven's kaiju transformation, the manifestation of his deepest fears about himself, was resolved with a hug. Just like the major conflict in the original show. And instead of a meaningful denouement, the show skipped all the resolution and went to Steven running the fuck away in an episode that would've had equal emotional value if it was in season 1 episode 1, or a competely different series. It was cheap and easy to make a bittersweet ending of Steven leaving the city. And it made it feel like the tragedy of Steven's mental breakdown was more important than his healing. Like they couldn't make an interesting story of him getting better because they're incompetent writers. I did like the scene of Steven crying his eyes out after he detransformed. And a lot of scenes in Future did go hard. But the Crystal Gems deserved better. Hell, Jasper deserved better.

Hardest scene:

2. Star vs the forces of Evil: Hooo boy. In the animation community this is HERALDED as The Worst Ending. It is the flagship of disappointment.

It disappointed people who loved the magical world the show took place in. It disappointed people who wanted to see Star reach her potential. It disappointed every shipper of every ship, not that I ever cared for the romance dramas but they took a lot of screentime on the show to its detriment. It disappointed people who like to apply basic logic to the things they watch. What a disaster!

Okay so why is it so hated?

Well, Star had been on the decline for a while. It had a fantastic start to season 3, with a great big war for Mewnie where everyone had great character moments, Star died and came back to life and utterly annihilated the villain. Toffee was a great villain, by the way.

There had been a bit of romantic tension between Star and Marco and they both had crushes on each other but refused to ever admit it and Marco thought he was into some other girl, and Star let him go at the start of season 3 and started dating... her ex... this shitty guy called Tom... he's a good character but a terrible boyfriend who kind of suicide baits Star back into his life. And Star would become a terrible girlfriend. I dunno, people really thought that pairing would be endgame but it was clear to me it was just an artificial obstacle in the way of the inevitable Starco ship. Like Kelly. Who Marco dates for a whopping half an episode before they break up offscreen. Great?

Anyway the romance in this series is on the same tier as Korra, though it does try to build up its endgame pairing from the start.

But from season 3 onwards Marco felt more like a joke character. I don't know, they didn't treat him with much respect.

The thing that EVERYONE TALKS ABOUT with Star, oh god it's going to be the longest thing on this list, is Moon and Eclipsa and Mina and the atrocious decisions the characters made.

I'm going to bullet point it so it's vaguely readable:

Star's mother, Queen Moon, goes missing following the events of the start of s3 special.

Star learns that the throne was stolen from monster-fucker Eclipsa and wrongly given to her own family line so she gives the crown to Eclipsa, to great controversy. Eclipsa is a dark magic user who is 300 years old and she's pretty cool but the show takes a sharp turn from this point to being about a racial conflict - Monsters being discriminated against by Mewmans and how a lot of people want to keep it that way.

The council which was previously on the side of good really HATES this decisionn and is now portrayed as bad.

Conflict breaks out and people are against Eclipsa and her giant person-eating husband leading the kingdom.

People have their homes given back to the monsters that they were stolen from hundreds of years ago. It's a silly cartoon form of reparations but it is shown giving them hardship because they are made homeless. By the way nobody in history has been made homeless because of reparations.

These homeless or disgruntled mewmans find Moon, who has re-emerged and decided to stay away from the kingdom. They want their old queen back and side with her, and she thinks they need someone to represent them. She also hates Eclipsa for various reasons.

Moon decides the best way to deal with Eclipsa is to arm the biggest fascist monster-killing character in the world with an invincible undefeatable army of magic soldiers, and retake the kingdom and go to war against the side her own daughter is on.

Moon gets a surprised pikachu face when she realises she can't undo the spell she used to make this fascist evil super army.

Star decides the best way to resolve this is to delete all magic. Kill it. They go to the source of all magic and use a spell to kill everything there. Lots of reindeer die.

Then every magical thing in the universe gets deleted. Every single magic-born creature. The entire council is murdered. All of the creatures in Star's magic wand die. Countless portals to other worlds are closed down, meaning many of the characters can no longer go and see their friends anymore. This is directly shown, by the way - not just inferred.

Somehow, Ponyhead survives.

Then this is capped off by Marco and Star wanting to reunite... and in a scene that is supposed to be emotional, they cleave their universes together. Mewnie lands on top of Earth. Normal humans are screaming as they are chased around by giant creatures.

The story ends.

Yeah do I have to explain any more why this one was unpopular? It's the biggest fumble you can speak of.

My biggest issue is how dumb they had to make Moon in order to achieve this outcome.

But Starco is kind of cute, even if Marco wasn't half the character he used to be by the end.

3. Homestuck: Which ending do you want me to discuss? Act 6? The epilogues? Or HS^2?

Let's start with the main work, as that's what makes Homestuck qualify as an animation.

Act 6 was a vast disappointment because it sort of ended. We had so much talking for so long that we were hoping something cool would happen and then we got a flash where the characters hit each other with sticks. There were no stakes in Collide, not really.

Then we got the Frog flash. We watched a frog for 8 minutes.

Then that was it!

There were so many unanswered questions. What the hell happened to the final boss and the MAIN CAST, for example. We had learnt earlier in the story that in some point of the future, the main cast all get stuck in a little homestuck house which Vriska fires at Lord English. But we never learn when, we never learn if they're ok, we never learn if English is killed or what happens to Vriska. So for a long time there was this disturbing implication that the cast would all die not long after the series ended.

We had the Credits which were much better but further solidified this implication, and it had Terezi fly out into the void looking for Vriska forever, which made me sad and depressed but that was because of my personal involvement in the story really.

Act 6 is more of a "mistakes were made" ending, but it's the Epilogues and HS^2, and the actions of creator Andrew Hussie, which are why it's rock bottom here.

I don't want to give my breath to those items. Let's just say they were the most meanspirited, intentionally offensive, hostile, character-destroying sets of stories every done, created by people who accused every homestuck fan who didn't like them of being "not really trans" or "pedophile harborors" or "deserving to be lined up and shot" (real quote).

And then the fact Hussie fired his entire crew twice and blacklisted them if he ever had any suspicion they complained about his leadership or financial decisions anywhere.

And the fact the entire whatpumpkin team were left uncredited in the original release of Hiveswap Act 2 because Hussie didn't want to give them any credit because he wants his friends to be a hivemind.

I have so much hatred for what Homestuck became. It's tragic because this series was such a big part of my life for so long.

It's also tragic because the main work is a masterpiece. Even Act 7, despite the criticism, is Guzusuru's masterwork with how much effort went into the animation. How much heart went into each illustration the old Paradox Space team made.

So that's it. Homestuck is the one that is not just a little bit worse than Star. Leaps and bounds worse.

But that's it. I have a lot of opinions on endings because they can colour how you view the entire previous work.