#me this episode: well fuck

[wistfulwatcher]

The Watchful Eye | 1.06 "Save New York"

[bacchuschucklefuck]

they licensed his ass

my finished piece of the FWMS (official name definitely 100%) thing we started a few days ago! I had fun I hope folks had and/or continue to have fun with the sketch as well.

[existwound-moved]

showdown

[deelovesbooks]

ko-fi

[gunstellations]

In the world I love

_

In a different world

[vanitasmagoria]

metamorphosis. yes there's a man transforming into a literal monster and yes it's about sam's descent into demon blood freak monsterhood but to me, above all, it's the episode in which dean's controlling codependency takes a monstrous turn.

he's petty and he's jealous and he's violent and he hits sam for lying and he hits sam again for talking back and he's trashing the motel room and he's the image of an abuser. dean is threatening to leave sam and to hunt sam and they both know he's not going to do either (i can't escape you, you can't escape me). there's dark fury and despair and panic in dean's eyes because sam (in tears, bleeding, taking it) is becoming more than he can control.

sam says "this blood, it's not in you the way it's in me" and dean can't fucking stand it. he immediately tries to write himself into this, sam's not doing this alone. that's his brother, his blood, how dare he go there. their blood not being the same is the gravest, most personal insult to dean.

sam says "i'm not doing it for you" and "this is my choice" and dean cannot STAND IT. sam still craves autonomy and dean STILL. CAN'T. STAND. IT.

[deoidesign]

when your main characters start dating after years of writing so they finally get to be like this

[papanowo]

no amount of canon is going to stop me from believing the batch were delta squad fanboys when they were kids

[ricky-mortis]

Young man with potential…

[bestagons]

What Dan and Phil Text Each Other 4 + Familect (article)

[sammygender]

wrt prev post and sam’s original ‘fed demon blood by azazel as a baby’ arc like. actually that was the most insane thing to see depicted on my television especially when it seemed like no one else i knew or followed was talking about it. it felt so explicit and yet it was sooo deep in metaphor. she walked in on us. sammy, you’re my favourite. god it must be terrible to know something happened but that you’ll never be able to remember it or tell anyone about it. never be able to rip it out or scrub it clean. so azazel could get into my nursery and- bleed in my mouth? because i wasn’t clean. these trials - they’re purifying me. anyway. augh

[youngpettyqueen]

I know the decision to have Julian's parents have him augmented was made on the fly but imo its pretty obvious from early on that Julian has Family Issues because he avoids talking about his family like the plague and I think they should've incorporated this into the Julian and Sisko dynamic right from early on because I think it would've made for some really compelling stories and moments and could've set up a REALLY interesting Julian and Jake dynamic which they kinda started to do but never fully went for

[the-meme-monarch]

i think my only real complaint abt gravity falls is i don’t feel like i was made to Care about the the people on the cipher wheel and therefore wasn’t really. made to care about Whatever the ‘stand on the cipher wheel and hold hands’ plan was. like yeah they don’t even end up defeating bill with that anyway and that’s fine to me ! it’s really interesting to me that The Prophecy doesn’t come to pass. but i feel like they just didn’t set up those stakes. they showed the cipher wheel like Every episode for a flash after the intro. i feel like i was Supposed to care. they’re Telling us these characters are important but then they kinda just Weren’t. i just think it would’ve been nice to have had episodes centering each of the other people on it to solidify what their place on the wheel Means. these were supposed to be the people destined to see bill’s defeat. i’m not certain most of them even know his name. we could have had a wendy centric episode

[embezzlingjanitorclintmcelroy]

hey so. Trudy having this whole episode about the horror she felt when she realized she was pregnant about how a child would trap her for the rest of her life in an abusive relationship. And once she finally gets out of the relationship the kid is the bait he uses to pull her back into being abused. And the episode is released on the day that the US elects a president who almost certainly is going to ban abortion access. how are you guys doing???

[cherry-bomb-ships]

Ha-ha! I laugh at your pain! I make a sound of pleasure at your shortcomings! I do this because I am bad! I am evil! I am… Mojo Jojo!!!

[its-your-mind]

*deep breath in*

the fears 👏 have always 👏 been (in one way or another) 👏 parallel 👏 to 👏 desire 👏

let me explain.

so many of the statements given by actual avatars center around some sort of need that was met by their entity. Lots of them even had a positive relationship with the fear that drove them.

Jane Prentiss is an excellent example - the Corruption has always been about a form of toxic and possessive love, but she personally has a deep desire to be “fully consumed by what loves her,” and finds a perverse joy and relief at allowing herself to be a home

Jude Perry is another - she fucking loved watching people’s lives be utterly destroyed. The Desolation only offered her a power of destruction on a grander scale, and then gave her a more intense rush of joy as she did its work. When she tells Jon that he needs to feed the Eye before it feeds on him, it’s almost as an afterthought; she was happily feeding the Desolation long before it burned her into a new existence.

Simon Fairchild. Every time that old loose bag of bones wanders into the picture, he is having a fucking EXCELLENT time playing with the Vast. He loves showing people their own insignificance, and he loves luring them into situations where he can throw them into the void as he smiles and waves.

Peter Lukas (hell, the whole Lukas family (except Evan. RIP Evan.)) hated. people. all he wanted was for them all to go away, to leave him alone. The Lonely only fulfilled that desire.

Daisy, Trevor, and Julia, all devoted to hunting those things they deemed monstrous.

Melanie, holding tight to that bullet in her leg because on some level, she wanted it. It felt good, it felt right, it felt like it fit right alongside the anger and spite that drove her to success.

Annabelle Cane first encountered the Web when she was a child, running away from home in order to tug on her parents’ heartstrings in just the right way to have them wrapped around her little finger. Later on she volunteered to be the subject of an ESP study. Hell, she’s the one who dangled the “Is it really You that wants this?” question over Jon’s head in S4.

And that brings us to Jon, beloved Jarchivist, the Voice that Opened the Door. Ever since he was a child targeted by the Web, he was looking for answers. He joined the Magnus Institute’s Research Department looking for them, he stalked his coworkers in search for them, he broke into Gertrude’s flat and laptop out of desperation for them. And when he realized that all he had to do was Ask to get truthful answers to his questions? It was only natural for him to jump at that opportunity.

Elias told S3 Jon that he did want this, that he chose it, that at every crossroads he kept pushing onwards, and the inner turmoil that caused was one of the focal points for Jon’s character through the rest of the podcast.

There’s a certain line of thinking in many circles about the power of the Devil: he’s not able to create anything new. All he’s able to do is twist and warp that which was already present, making it something ugly and profane while still maintaining the facade of something desirable.

Jon didn’t choose the Eye. But he did wander into its realm of power, exhibiting exactly the qualities it was most capable of hijacking and warping to its own ends. Jon didn’t choose the Apocalypse. But Jonah picked at him little by little, pointing him towards each Fear individually. Jon didn’t want to release the Fears. But the Web tugged on his strings just so and laid a pretty trail for him to follow until he reached its desired conclusion.

Jon didn’t choose ultimate power, or omniscience, or even his own role as Head Archivist. But he said “yes” to the right (wrong?) orders and kept on pushing for the right (wrong?) answers. He wanted to succeed at the work he had been assigned. He wanted to protect his friends. He wanted to rescue them when they were lost. He wanted to prevent the apocalypse, to save the world. He wanted to know why he was still alive, when so many had died right in front of him.

The Great Wheel of Evil Color that is the Entities might not fit as neatly into categories in this universe - maybe there was no Robert Smirke trying to impose strict categories on emotional experiences, or maybe the ways they manifest in the world has turned on its head (goodness knows many of them have been showcased and blended in some very fun and new and horrifying ways so far) - but their fundamental foundations seem to be the same. Hell, in episode one we learned that there had been enough individual incidents to create a distinction between “dolls, watching” and “dolls, human skin.”

Smirke’s Fourteen isn’t going to be relevant as common parlance, RQ said that already, but I don’t think that means the Fears themselves (and their Dream Logic-based rules) are different - I think it means that the levels of understanding, language used, and personal connections among people “in the know” are going to be entirely unfamiliar