#me vs making accounts but never writing ...

[fischiee]

someone tell me why every yorkalina fic explains away the lighter thing as york being a smoker and carolina tries to convince him to stop by taking/being given his lighter...

you're really going to tell me the girl thats hardened by war at 24, has the world's most damaging relationship with her father, and has an addictive obsessive personality ISN'T a smoker like come on...

[frstprince]

[linkspooky]

PITY VS. EMPATHY

Jujutsu Kaisen Chapter 265 quickly surpassed Gojo's death chapter as my favorite chapter in the entire manga. It's a high point in both Yuji's character development and the Sukuna fight, a notion most of the fandom agrees with. That being said, it's once again time for me to take a stance contrary to most of the fandom opinion. I was going to make this post two weeks ago but I'm glad I waited, because this week's chapter helps me illustrate my point in the contrasting way Yuji treats Sukuna and Megumi.

As you can probably tell by the title, my hot take of the week is that what Yuji is showing Sukuna isn't true empathy. It's not atn attempt to understand Sukuna's worldview, but rather condescending pity from a place looking down on Sukuna, which is why it infuriates him so much. This is illustrated in Yuji's atual actions this chapter, which is to go at great length to show memories from his past to make Sukuna understand HIM and not the other way around.

Whereas, what Yuji shows Megumi is compassion, because he's not telling Megumi what to feel or imposing his own views on him but rather accepting the fact that Megumi might be suffering too much to keep living on.

I'll explain more under the cut:

Guanyin, Goddess of Mercy

Yuji is, not as far along in his character development as he might seem. I don't want to undervalue his growth, this chapter shows definite progress, and I understand why it would seem that this is the completion of his arc of being a cog in society because he straight up says people don't need roles, and it seems like the manga is quickly coming to a close.

However, sometimes characters words don't exactly match their actions. Sometimes characters aren't self aware. People often call characters multi-layered and complex, but what does that mean exactly? For me, a mutli-layered character is the embodiment of "people are never what they appear to be."

A story has multiple layers when you're not supposed to take everything the author says at face value. Every time you read a story, whether you are aware of it or not you engage in some level of personal interpretation. You're not supposed to automatically accept everything the author feeds you without question. Therefore characters are not exactly what they are stated to be, and good character writing allows room for interpretation for what is going on in a character's head beneath the surface.

In a jungian sense this would be the ice berg model of consciousness. There's the persona, or the ego, which is what the person presents to the world and the people around them. Their own-self conceived image. Then there's the part of the ice berg that submerged, which accounts for all of their internal mechanisms and facets of their personality they aren't aware of. This could range from anything to like, how trauma can affect people's actions without them realizing it, things they are in denial of and don't want to admit to themselves or just like someone who's bossy but not self-aware about that trait until someone else points it out for them.

Everyone's have that friend who you try to call them out on their bad behavior, but no matter how hard you try they just won't admit it. That alone illustrates there's a difference between self-perception, how we view ourselves, behavior - how we actually interact with the world, and pther people's perception of us. Somewhere in between these multiple points of view there exists a vague outline of a person, and personality, whatever "personality" means exactly.

To step away from Jung, in a character writing sense this means a good character's motivations, personality, and actions can be viewed from multiple angles. There is conflict between how Yuji views himself, his actual actions in the story, how other characters might view him, and how he's framed in the story. The first two, Yuji's self-assigned roles, and what his actual actions amount to is a conflict that's run over the entire story.

It starts from chapter three, where Yuji's answer for why he wants to become a sorcerer is that he wants to fulfill his grandfather's dying wish, and Yaga immediately says "Is that what you really believe, or are you just using your grandfather as an excuse?" The story shows us Yaga was right to point out the discord between Yuji's stated motivation and his actual desires because Yuji changes his answer.

This stated motivation, "To do something that only I can do", or have a role as another way of putting it is Yuji's central motivation for most of the manga. Of course as I said people have multiple layers, so he can also have multiple motivations. Yuji's desire to have a good death, him wanting to be surrounded by people when he dies, his belief that fulfilling his role as a sorcerer will save other people from curses, all of these things are equally true but that one desire to have a role to play in the grand scheme of things is at the center of it.

The role Yuji has chosen is to kill curses so people can have more natural deaths, and also to stop more victims of curses from piling up. He's also resolved from the start to die with Sukuna in his body, to also spare victims of curses Sukuna might attract, and also kill Sukuna for good.

Even these stated motions are challenged right away, and then again continually through the comic.

I'm not going to go over Yuji's entire arc here, but the fact that Yuji is someone constantly interrogated for his motivations and even punished in story for his altruism is a constant pattern in his character arc.

It extends deeper than just the fact that Yuji is a selfless person in a world where selfish people like Mei Mei, and Sukuna get ahead while people like Nanami die young. A world where it is in your best interest to stick out your neck for others.

For me a lot of the harsh consequences Yuji's conflict in the story also centers around the fact that he can never live up to the role that he has assigned himself. Not only is Yuji mistaken in his perception of himself, but the fandom in general is as well, because most people tend to take Yuji's stated desire to guide people to good deaths and save them at face value.

For example, people were excited to point out the Guanyin symbolism directly referenced this chapter, and also the significance of the seal for Yuji's domain.

There is much speculation, but it seems certain that this hand sign is an invocation of Ksitigarbha, a revered bodhisattva in East Asian Buddhism. Ksitigarbha is also known as Jizo Bodhisattva in Japan. His name can be translated as Earth Womb, Earth Matrix, and Earth Store. These translations evoke the image of a vessel, which seems relevant to Yuji's role as Sukuna's vessel.

While I agree the symbolism is well suited for Yuji's goals, someone who wished to guide people to a more peaceful death, and also the way Yuji opposes Sukuna right now determined to kill him who lingers in this world as a parasite for a thousand years finally back to the cycle of reincarnation. It even alligns with his desire to try and make Sukuna understand the value in one individual's life by showing him his memories. In that way Yuji is fitting the role of someone guiding others to enlightenment.

However, Yuji is not a bodhivista in the end. He is a normal teenage boy. In fact this is the crux of Yuji's character to me, he is a good kid, but he's not as good as he thinks he is. If anything this is what this chapter goes to great length to demonstrate, that Yuji despite being a science experiment to create the perfect vessel for Sukuna for Kenjaku's 1,000 year plan, had a normal childhood. All of the things Yuji says in this chapter are for the most parts the musing of a normal kid his age.

This isn't me criticizing Yuji. I'm just trying to state the message I believe Gege is getting across in this chapter. It's similiar to the conclusion Yuji himself comes to, the conclusion that the value in life lies in the memories you make on a day to day basis, even if you're not living a life full of adventure.

Yuji's conflict is that he pursues the role of a bodhisvatta, and he holds himself to the standard too of someone who exists to be a sorcerer because by doing his job as a sorcerer people will get saved as a result. However, Yuji as a person will always fall short of this ideal, because ideals by the nature of them being IDEAL and therefore not compatible with reality.

To use an example for another media, it doesn't matter how hard Shirou Emiya strives to save others, or how selfless he tries to be, he will always fall short because the ideal of saving absolutely everyone is impossible. However, in most versions of Fate's story Shirou absolutely refuses to compromise on this and in the future, Shirou will continue to strive towards the ideal of saving everyone until his inability to achieve that ideal and the number of people he's failed to save eventually breaks him.

So Yuji may genuinely hold onto an unbreakable ideal, but is his inability to let go of that ideal necessarily a good thing? His ideal might break but what about Yuji as a person? Yuji will in the end always fall short of that ideal because of his humanity, especially since Yuji is the most human character in the story and practically the only one with a normal background.

There's also as I stated above Yuji might not be aware himself of the ways he falls short of his ideal, because he has a flawed self perception. Yuji is getting closer with his revelation in this chapter of looking at reality instead of trying to have a role like a character in the story, but that doesn't mean he's finished (since the story's not finished) or he's become a fully realized character.

One of my favorite quotes from my favorite Yuji video helps describe the point I'm getting at with Yuji's lack of self awareness and the way he sometimes falls short of the savior he sees himself as.

By assigning himself the role as heroes, and the other characters as victims to be saved Yuji sort of condescends to the people he endeavors to save. I describe this as condescending because this way he doesn't see the people he saves as fully fleshed out human beings who are separate individuals from himself.

Yuji is alligned with Higuruma of all people, someone who shares Yuji's savior complex and becomes disillusioned because the people he decided of his own free will to protect as a defense attorney are not perfect victims.

Someone who becomes disillusioned when looking at flaws in other people, and also cannot deal with his own guilt when he too, becomes like the crimminals he once defended after becoming a murderer.

In fact Yuji sees himself in Higuruma's inability to live with his guilt, and only being able to see himself atoning with his death. Yet, despite Yuji seeing himself Yuji also seems uneasy with Higuruma being unable to see one other way forward in life.

Also, remember that Higuruma is a defense attorney. The whole point is he's supposed to defend crimminals even if he knows they did the crime and try to get them off their sentence and win the trial. Therefore at this moment Higuruma has failed to live up to his ideal.

There's another character Yuji is paralleled to constantly, who also shares Yuji's symbolism of being associated with a divine, and benevolent figure.

Geto's ears, his dressing as a monk in a Gojo-gesa, this official art all connect Geto to be Budha and yet it's quite obvious that Geto has failed entirely to live up to his role as the budha.

There's so much symbolism aligning Geto as a divine figure bringing salvation to others, and this corresponds to his original ideal as a sorcerer who belived that sorcerers had an obligation to use their powers to protect others, because in a just society the strong protect the weak.

Geto is an outsider who wasn't born into the Jujutsu World who entered in with an attitude different from most sorcerers by trying to become a sorcerer for altruistic reasons. However, Geto, like Higuruma grows disillusioned when he's confronted with the fact that the people he wants to save are flawed.

However, Geto's ideal was mistaken to begin with because much like Yuji, by distinctly separating people into the weak and the strong, he's separating them into two categories where the former is inherently inferior to the latter. Other people existed to be saved by Geto. He couldn't cope with the fact that the people he wanted to save were people and not victims.

So we finally circle back to chapter 265 where Yuji is attempting to relate to Sukuna and see some humanity in him... or is he?

Yuji shares the same flaw of both Geto, and Higuruma where he sees the people he wants to save as existing in a separate category than himself. So, is what Yuji is offering Sukuna understanding and an attempt to emotionally reach out to him, or is he attempting to show Sukuna the mercy of a conqueror.

Even if Yuji wins the battle and spares Sukuna's life in the end, it won't be Yuji's compassion or empathy that won him the fight. If Yuji wins against Sukuna it's simply because he's stronger. Yuji only feels confident trying to offer Sukuna in the first place because this time he's finally confident he's stronger. It's mercy, offered at a threat with the same time. Yuji, like Geto, is still separating people in categories of strong and weak, he's just showing mercy to someone he now considers weaker than him which is why Sukuna reacted the way he did.

As I said above, Sukuna begins by just assuming that Yuji had just let go of his anger, and was now trying to reach out to him on some other way. He calls him weak for being unable to keep hating his worst enemy, because in Sukuna's world view Yuji should keep hating him and wanting to defeat him with all his strength to the end. Sukuna mistakenly believes for a moment that Yuji is the kind of person who, cannot sustain his anger even towards his worst enemy.

It's when he realizes that Yuji is just showing him simple pity that he snaps. Yuji doesn't care for understanding Sukuna's worldview or seeing the humanity in him, in the same chapter he says he can't forgive people who act like lives are worthless.

To Yuji's credit he admits he doesn't really know which side of the fight is truly human, or whether or not he's right, he admits it's his own personal belief. A lot of Yuji's wisdom this chapter, I'd argue, comes from admitting the things he does not know, and acknowledging that there's no objective truth or "meaning" to the world. However, he still separates people into "good guys, and bad guys".

Yuji isn't actually that interested in considering the perspective of those he considers the "bad guys" he just still had a faint hope that he could somehow convince Sukuna to see worth in his life by sharing memories, therefore convince Sukuna that an individual's life can have value.

He doesn't want to understand what Sukuna thinks, he wanted to change the way Sukuna thought so it was more like himself. Yuji doesn't ask Sukuna any real questions about himself while exploring his memories. Kind of ironic, because for some reason Sukuna of all people was patiently listening and even engaging Yuji in conversation while he went through the most mundane memories of his childhood.

Irony on top of irony, Yuji's worldview does resemble Sukuna's in some ways. They're supposed to mirror each other after all, Yuji is literally the son of his identical twin brother reincarnated. First and foremost Yuji's offer of mercy isn't really breaking away from Sukuna's ultimate ideal of "Might Makes Right." Yuji isn't seeking some other way of settling this besides fighting Sukuna, he's going to make Sukuna submit because he's stronger.

Maybe there was no hypothetical "third way" for Yuji to put down Sukuna other than fist fighting him into submission. There probably wasn't, Sukuna's pretty up front what he's about, and what he's about is being the strongest and nothing more. He lives and dies by violence, a Sukuna who isn't the strongest is nothing more than a corpse so can that person be reached? However, I just wanted to point out that Yuji wasn't interest in solving this in any way other than a fist fight to begin with. As opposed to say, the way that Takaba handled Kenjaku taking a third route by making Kenjaku feel entertained for the first time in 1,000 years.

In the middle of that fight Takaba even APOLOGIZES to Kenjaku, for saying that it doens't matter if he doesn't understand his audience and he fails to make 1% of them laugh as long as the other 99% of them are laughing and states it's his duty to make everyone laugh otherwise he's failed as a comedian.

Yet, another reason why this is the greatest fight in the manga. Yuta even remarks in the end that Takaba isn't someone who can kill people. Not only does his cursed technique negate most damage to him by turning it into cartoonish antics, but Takaba's comedy is also all about understanding his audience and trying to get his audience to understand him because his comedy began when he clowned around as a kid when he was lonely. All of this to say we've been shown more points of view than just "Might makes Right" and there are characters who've resolved conflicts in other ways. Kenjaku is also, probably as monstrous as Sukuna, and yet Takaba engaged him right from the start by asking him about his motivations and if there was some other way he'd be happy than the merger.

You could argue that maybe Sukuna can't be understood. Characters in the story certainly try to and all they amount to doing is projecting their own ideas onto Sukuna. Yorozu projects her obsession with love onto Sukuna and we get the idea that Sukuna must somehow be lonely at the top, but in the end Gege subverts this expectation by showing us that Sukuna was never lonely, rather characters like Kashimo and Gojo projected their feelings of unresolved loneliness onto him. They are strong, and he is strong, ergo he must feel the same crushing loneliness as them. Gojo himself demosntrates not understanding Sukuna as he expresses regret in the afterlife that he was unable to make Sukuna go all out and that he related to that guy's loneliness only for Sukuna's response to be a very gratified "You cleared my skies."

Sukuna: Others love us for our strength, and we respond to that love.

The twist of that is Kashimo and by extension the audience assume that Sukuna must not understand love, and therefore he's lonely. However, Sukuna all along had his own definition of love, that people express their love and admiration for him by trying to fight him and he receives their love by facing them at his full strength and giving them the chance to prove themselves. Sukuna's habit of toying with his opponents is an extension of this he wants to see them realize their full potential in their fights with him. Sukuna does understand love, he just REJECTS our understanding of love. Sukuna does not think in the way that we do, but that doesn't mean he doesn't have things he values, or is devoid of positive traits. Respect for his opponents, honoring strength, these are all values they're just not Yuji's values.

As stated above, the irony of all this is that Yuji does buy into "Might makes Right" to an extent. To reiterate, following Geto's "the strong exist to protect the weak" still divides people into two categories strong and weak and implies the weak are helpless. A benevolent might makes right, as you might say. Yuji wants to show compassion to the weak, but he also loathes weakness, he loathes himself for being weak.

"There still may be lots of people who are weak like you."

Higuruma even points out the flaw in his mindset, well if you loathe yourself for being weak, then what about other people who are weak do you loathe them too? I think it's no coincidence that Yuji is paralleled not one, but two (Geto, Higuruma) people who tried to use their strength in benevolent ways only to start out loathing the people they were trying to help. I'm not saying that Yuji secretly hates weak people, but his mindset of black and white, weak and strong, a mindset that can't accept the greys of reality is a dangerous mindset to have and Yuji has the potential to become like those two.

However, these parallels exist for us the audience to see just how close Yuji was to repeating the cycle, because it makes it that much more meaningful when Yuji grows in ways that Geto and Higuruma doesn't to move one step forward towards breaking that cycle instead.

Yuji is someone who experiences the same loneliness as Sukuna and Gojo for being the strongest, though to a lesser extent because he wasn't born into the realm of sorcerers. At the start of the manga we're introduced to Yuji a kid who despite being someone friendly to everyone he meets and incredibly social, has a friend group consisting of two friends. Two friends who hang out with him because they need a third member for their occult club. Yuji for the whole manga excluding one exception really only knows how to form relationships based on someone else needing him.

Noritoshi Kamo: Itadori why did you become a Jujutsu Sorcerer? Itadori Yuji: It just sort of happened. i'm a loner. I wanna help a lot of people so when I die I'll be surrounded by people.

Yuji has also appeared in flashbacks in early culling game as someone who doesn't really understand, or even take notice of weak people. Yuji in Amai Rin's flashback is beating up bullies, a heroic notion, but from the perspective of somone spineless like Amai who was just going along with the bullies so he himself wouldn't be bullied because he didn't have the strength to stand up with them, and wasn't born with the body of an MMA fighter at fifteen, Yuji looks scary.

The reason why reducing people to labels like strong and weak is reductive is that humans are complex and contradictory creatures. Let's take Amai Rin for example, an incredibly minor character. In the real world, Amai Rin would be someone as equally complex as Gojo Satoru. Amai Rin a middle school bully would have just as many layers to his personality, inconsistencies, contradictory behavior, different sides of himself as Gojo Satoru himself.

Humans are complex in the first place because we can't see inside their heads, we can only see inside our own heads and know that we're complex and sometimes say things we don't mean, behave differently depending on the situation, do things we're not proud of, but we also usually don't perceive others the same way because we are not inside their heads like our own. Amai Rin is just as complex and multifaceted a human being as Gojo Satoru, he is a person with his own memories and life experiences that shape him, but from Gojo's worldview Amai Rin is a minor character. By reducing him into someone weak, Gojo doesn't care to try understanding him.

So Yuji for the longest time does not try to see the humanity in weak people (except for his big moment with Junpei) he just sees them as people to be saved. Which is why his real moment of progress to me comes the next chapter, with the way he shows empathy to Megumi.

Yuji begins when speaking to Megumi by relating his frustration with his grandfather for not wanting to go through chemo and accepting his own death in old age. Yuji is now mature enough to understand that just because his young body is tough enough to endure chemo, doesn't mean an old man's body can withstand that pain. When he was young Yuji had a very immature viewset of "Well, I can endure it, so why can't they?"

Yuji then compares the situation with his grandfather to Megumi. Yuji wanted his grandfather to keep living, so he couldn't understand why he wouldn't even try the chemo. Yuji wants Megumi to keep living, but he now understand why Megumi wants to give up. Yuji' fe elings of wanting Megumi to live are not more important than Megumi's own feelings of despair and wanting to escape pain.

Yuji is no longer imposing his feelings onto Megumi. Yuji is respecting Megumi's feelings, because in the end he can't FORCE Megumi to live. It has to be Megumi's choice whether he wants to live or not.

Yuji is no longer pushing Megumi away, or acting protective of him, while disregarding his feelings. He has gone from "as long as I'm around you'll suffer" to "I'll be lonely without you." Yuji doesn't ASK Megumi to live even though he wants to, because he knows he can't tell Megumi to keep on living. What Yuji does is just an honest expression of his own feelings. He's sharing his own feelings after listening to Megumi's ideal life with Tsumiki and Yuji, because that's what empathy is, an exchange, a conversation.

People often jokingly use the term "yap sessh" on Twitter, but yeah that's the different between a conversation and a "yap sessh" in the former you actually care what the other person has to say, in a latter it's only about expressing your own opinion.

That's why this panel, is such a perfect contrast with this panel.

One is Yuji offering Megumi a choice. The other is Gojo taking Megumi's choices away by giving him the false choice of "go to the Zen'in Clan and be a sorcerer and your sister will be abused, or come with me and be a sorcerer." Gojo railroaded Megumi into being a sorcerer and never let him decide for himself if he wanted a normal life. Gojo didn't see Megumi as his own person either, he, just like the Zen'in Clan just saw Megumi as the holder of the Ten Shadows Technique.

This is entirely different to Yuji who respects Megumi's feelings. Yuji expresses that he'll be lonely without Megumi, but that's just laying the cards on the table. In the end Yuji leaves what happens next entirely in Megumi's hands. Yuji cannot tell Megumi to live, even though he wants him to live so badly, he cannot tell Megumi to just get stronger and keep on trucking because he's not Megumi, he's not experiencing Megumi's pain right now.

Yuji does not tell Megumi to live and therefore becomes the first person in Megumi's entire life to give him a choice. This choice is the most important choice of all, a choice we make every day of our lives. The choice of whether we want to keep on living in this world.

Hopefully, Megumi chooses yes.

[fans4wga]

'Why creatives are seeking residuals' - thread by Stefanie Williams

[Tweet thread by Stefanie Williams @/StefWilliams25

TRANSCRIPT:

Why creatives are seeking residuals vs. "do you pay the mattress maker every time you sleep on a mattress?" A thread. I keep hearing over and over again that writers/actors/creatives don't deserve residuals for the work they create. "If I build a bathroom in a house, I don't get paid every time someone uses the toilet."

TRUE! However, your bathroom build has a set market value. Art does not. No one knows what makes one TV show an overnight success, and another a flop. No one knows what makes one song a hit, and the other a dud. If they did, trust me when I say record companies would be churning out Taylor Swifts over and over again. Studios would be making nothing but Stranger Things.

But that isn't the case. No one could predict Stranger Things would be a massive, billion dollar hit. No one could predict Taylor Swift was going to be a world wide phenomenon who literally could record herself reading Aesop's Fables and make millions of dollars. Which is why residuals are important. The pay structure protects both the creators and the publishers/distributors.

The easiest way to explain it is by referencing an author writing a book. Sure, an author might get a very modest up front fee, but the author is banking on royalties to really make money on the book — for every book sold, the author gets a piece of the pie. This protects both the author and the publisher—because if the book is a flop, the publisher doesn't go broke on a financial promise they made to the author that didn't pan out, and if the book is a mega-hit, the author didn't give away a massive, million-dollar book for 20k.

It's a sliding scale that is required for a product that has no set market value. What makes an actor's work on a hit show more valuable than an actor's work on a show that gets canned after five episodes? The market value for art almost always comes after the fact, so residuals account for that reality. They make sure the creator get compensated at a fair market rate. A person who builds a bathroom knows, upfront, what the market rate for a bathroom is. That bathroom won't suddenly be worth 1000 times more than you built it for in six months. It doesn't have the potential to be built for 20k and generate 20 million.

Residuals are a pay structure that simply account for an unsure market value. Trust me, we all wish we could quantify art in terms of dollars. But art is unpredictable. So studios and streamers -- which literally REQUIRE content to stay viable -- have to account for that unpredictability. And for studios (or record labels, or book publishers) it's always trial and error. The only way to get a hit, is to go through a few flops.

For every Whitney Houston, there was a singer you never heard of. For every Sopranos, there was a show that got scrapped mid season. For every Titanic, there was a movie that bombed. For every Twilight, there was a book about vampires that went nowhere. Residuals are kind of a reverse market valuation. They pay a fair wage for a product than can only have a set value once it's been created and effectively consumed.

And even then, shit changes. Anyone think Kate Bush would spend weeks on the top of the charts in 2022? Residuals account for unpredictable markets. And in order to have accurate residuals, streamers and studios need to be transparent and open about their data, which is one of the MANY things the WGA and SAG are both fighting for.

[chronicsyd]

I'm gonna be so serious, y'all are remembering POWDER and Ekko and not JINX and Ekko when screaming about how much you "wanted Timebomb endgame over Caitvi"

shoving JINX in a relationship with her current mental state is not a good writing choice whatsoever, because Ekko literally had to keep rewinding time because she kept trying to kill herself. If Anything, That relationship would be rushed and fanservice because they would have jumped the gun in 2 episodes vs the 2 seasons it took for Caitvi and showing their ups and downs throughout their whole relationship.

The alternate universe works because Powder doesn't become Jinx and the two don't separate, unlike this universe where the two have been at odds for 7 years and almost kill each other back in Ep 7 of S1.

"But Cait never said sorry!" she didn't really have to, because Vi never stopped being in love with the girl that she Knows Cait is at heart, the Cocktail Molotov scene in Act 2 makes that VERY apparent. Cait saying that she was waiting for Vi to recover to address Jinx is the start of it because Act 1 Cait wouldn't have even Considered doing that, because she was so gung-ho about putting a bullet into Jinx that she Demanded Vi move out of the way for her to do so. She holds herself accountable with the mistakes she's made ("We can't erase our mistakes. None of us." that wasn't just a line targeted at Jinx to prove a point, there's deeper meaning behind it), and moving the guards out of the cell proving that she trusts Vi and her judgment on Jinx is that apology, Caitlyn has always been an "acts of service" kinda person over being a "verbal" kinda person; it's all over the place in S1 but Especially here in S2. But even after she takes Vi's shirt off, you could tell by her eyes and body language that she was most likely going to stop herself again to apologize for hitting her because the wound was in the same spot she initially hit, which was part of the lead up for This wound to even happen, but Vi's the one that just pulls her back in instead.

I'm also gonna add on that Vi thinks she made the wrong choice in trusting Jinx and thinking Jinx's changed because Jinx locked her in the cell and ran away again. So why in the Hell would Vi go chasing after her Again to be met with the same result time and time again? Vi isn't responsible for Jinx's mental health and y'all saying that are just weird. And I think it's apparent that Stillwater probably wasn't even in the top 10 things in her head being with Caitlyn, she was just running wild on emotions that she hasn't allowed herself to feel like-- Ever. And even if it Was Vi probably would have said she wasn't comfortable being in a jail cell of all places.

What was I talking about? Oh right, Timebomb.

Like Yes, it's shitty that Ekko doesn't get a happy ending considering he's the most unproblematic in the entire show. But people tend to forget that at the end of the day, Arcane is a TRADGEDY. It's not She-ra, it's not The Owl House, it wasn't going to be wrapped up in a neat little bow where everyone gets to smile and walk into the sunset with their loved ones, especially considering the fact that this season's being used as build ups to other stories, it's relatively clear that this isn't the last we're going to see of a lot of these characters. When they come back into play? well... who's to say?

But also, let's address that a lot of the Caitvi hate is just straight up homophobia at this point because a lot of people can understand Mel's admission to manipulating Jayce as an apology but Cait's actions we're suddenly braindead and need shit completely spelled out. like good lord I'm so tired of this. Y'all would NEVER have survived Catradora let me tell ya...

(My next post is gonna be a long winded rant about Maddie so stay tuned for that...)

[fatalism-and-villainy]

I’m trying to untangle The Problem of Garashir (not the least because, well, I’m writing the pairing) -

and I think honestly one of the biggest… roadblocks? bits of untapped potential in the pairing? is that we never really see their relationship put a strain on their ideological convictions.

Which is to say, “the societal institutions we’re subject to are corrupt, but our love is pure, so we’re going to abandon those institutions for each other” is, whether implicitly or explicitly, a common framing in fanfic featuring them (such as I’ve seen) - and to be fair, it’s a common romance trope in general. But I can’t say it works for me for these characters. And part of that is that imo the show doesn’t sufficiently set that up with its development of the relationship between these two characters, but another part of that is that I simply don’t see a world in which that kind of relationship dynamic/approach would fit with their characterizations.

To address the first point - there are never any situations involving these characters in which their fundamental values or institutional loyalties are challenged as a result of their relationship. At no point does Garak, for example, have to choose between Cardassia and his affection for Bashir. (I’ve seen people read The Wire that way, but I don’t think the reading works - The Wire is a fantastic showcase for Garak’s worldview and value system and the cracks and contradictions therein, but even though Bashir’s unwavering commitment to helping him despite what he’s done is certainly unprecedented and moving to him, his underlying value system hasn’t changed by the end of that episode.) And while Bashir’s faith in Starfleet and the Federation does get rocked quite a bit over the course of the show, it’s never because of his friendship with Garak.

Instead, I’d say that with some exceptions (like The Wire), their friendship in the early seasons is usually framed as a respite from their serious responsibilities or moral dilemmas. This especially true of Garak, who is likely not used to someone simply enjoying his company with no ulterior motives whatsoever, but the narrative maneuvering of the show also does a lot to shield Bashir from the reality of who Garak is. Yes, he gets a taste of that in The Wire, when Garak goes out of his way to impress upon him what the reality of his life as a spy truly was. But that’s still only verbal testimony, and only confined to what Garak has done in the past. Bashir is largely absent from all the shit that Garak pulls during the show!

And I’m not complaining that, say, the events of The Die Is Cast take place between Garak and Odo, because it makes thematic sense for it to be Odo for that arc. (And I love that friendship.) But Garak and Bashir do not get a plot like that, or like In the Pale Moonlight, where Bashir is directly exposed to or complicit in Garak’s immoral behaviour. The closest we get to an actual serious ethical clash between them is in Our Man Bashir, which is a goofy comedy episode. (And it’s worth noting that Bashir calls Garak’s bluff and shoots him in that confrontation! Yeah, he likely missed on purpose, given what we later learn about his magic hand-eye coordination, but he’s still unwilling to compromise on his heroism for Garak’s sake. It’s actually a pretty Cardassian gesture, which is probably part of why Garak loves it so much, but it does say a lot about where their priorities are re: their commitment to their values vs. each other.)

And I think the lack of more serious, plot-relevant ethical conflict between Garak and Bashir is a real loss for the show, because one thing I find really interesting about their relationship is that - in contrast to the examples of Odo and Sisko up there - Bashir is the person in the cast most able to hold Garak accountable. He’s repeatedly established as one of the most firmly moral members of the cast, and his righteous anger at seeing those morals trodden upon is one of his most defining character traits in the later seasons. His unconditional forgiveness of Garak in The Wire is lovely, and it is an important moment in the development of both their relationship and Bashir’s character. But in the long term, once we get into actual serious, consequential war and espionage plots? And if we’re imagining them in a long term committed relationship? It wouldn’t be sustainable, and it doesn’t feel in keeping with Bashir’s character that’d he have endless reservoirs of patience and understanding specifically for Garak. And it’s precisely because Bashir is uniquely able to grant Garak forgiveness that he’d also potentially be uniquely able to chastise him.

(This is why, by the way, my headcanon as to the in-universe reason why they don’t seem as close in the later seasons, paternity deathbed reveals and occasional flirty bantering notwithstanding, is that Bashir was seriously fucking pissed at the stunt Garak pulled in Broken Link, both in terms of the personal betrayal and the destructiveness towards sentient life, and that it created a significant rift between them.)

All of that is to say - my biggest regret with the show’s sidelining of their dynamic isn’t the fact that their relationship never becomes romantic (not a chance of that in the 90s, and also these writers were pretty terrible at writing romance) but that they never get to have an argument. An actual serious, non-flirtatious, two-sided, genuinely-angry-at-each-other-argument. I want to see conflict! (I honestly think that their exchange in What You Leave Behind comes the closest to the kind of conflict I’d like to pick up on in post-canon fic - where they are conciliatory in the moment but still have this really wrenching chasm between them, and unresolved frustration as a result of that chasm.)

So as an extension of these thoughts, I actually really like that we’re not given the basis for a traditional “us against the world” style romance plot. I like that these characters are clearly deeply fond of each other and significant to each others’ development, but have other important connections (Garak especially, since despite being only a recurring character introduced through Bashir, he integrates into the broader cast) and other priorities besides each other.

Furthermore, despite the significant differences in their value systems, one very fundamental thing they have in common is how passionately devoted they are to their respective causes. For Garak, it’s Cardassia. And while his idea of what it means to serve Cardassia, and what Cardassia needs, undergoes a lot of change over the course of the show, I don’t see any version of Garak in which Cardassia is not his first love. For Bashir, it’s altruism and helping people, as well as his intellectual curiosity - aims which are reflected in Starfleet and the Federation for him but ultimately higher ideals.

And I don’t think either Garak or Bashir would admire the other nearly as much if they were willing to let go of everything they hold dear for the sake of romance. They’re both far too committed to being a part of the world. Garak may have some fun with trying to shake Bashir of his optimism, but ultimately Bashir’s goodness, his fierce conviction that no one deserves to suffer, are among the most compelling aspects of his personality. And if Bashir is ever going to actually enter a serious relationship with Garak, he’s got to move beyond flirty intrigue and literary banter and see Garak as someone who’s proactively committed to goals that Bashir can respect. If they’re coming together as a couple, it’s because their aims and beliefs have come into alignment in some way.

And to be fair, a lot of post-canon Cardassia stuff is doing the latter. But I also want more… conflict within that framework, I guess? I don’t want a romantic relationship and the act of getting together to be the endpoint of whatever reconciliation of values they need to work through. And that’s part of what I’m trying to untangle in planning this fic of mine - especially regarding how fraught romantic commitment feels for them. For Bashir, there’s the problem of not only reconciling himself with what Garak has done, but also of choosing to be with someone whose impulses and entire cultural belief system places duty and institutional loyalty above personal feelings. And for Garak, there’s the fact that the most devoted and emotionally intense relationship he’s had in his life thus far has been with Tain, who embodied Cardassia for him - and as a result, I doubt he quite knows what to do with the possibility of a serious relationship with Bashir, who is very emphatically not Cardassia. He’s not used to being divided in his passions!

It’s not that I’m never capable of being moved by post-canon stuff that involves Bashir being charmed by how slippery Garak is, or them generally being quippy and fond of each other (I’m not made of stone here). But I’m never satisfied with just that, because that escapist element never feels like it translates well from the early seasons of the show to post-canon, and because it never engages with what I find the most fascinating about what’s set up with their whole dynamic. (And I especially dislike it when it feels like Bashir’s character is getting shortchanged in terms of his complexity and moral convictions being excised in order for Garak to get everything he wants.)

[viktoriaashleyyx]

Why do some of us not *hate* Tamlin?

I am pro-tamlin, not pro feylin. I would prefer Tamlin to never have to deal with the NC ever again. If SJM never types his name out again I will be happy.

Tw: light mentions to DV, SA, and Divorce.

Feyre is written in a way that makes it feel like she is intentionally manipulating us against Tamlin to justify her leaving him the way she did, and to put Rhysand up on a pedestal.

The abrupt and sloppy way SJM handled Tamlins' character assassination induced my fight or flight. Let me explain:

My parents divorced when I was 4, and I had to learn, quickly, how to interpret people's true intentions and empathize with where they are coming from vs just blindly listening to someones account of what happened. My father got custody of us and would use the same elements against my mom that Feyre uses against Tamlin. I HAVE to read between the lines or I would fall to the intentional manipulation.

"She left me so she probably cheated" "he trapped me in the house" "she has a new boyfriend so she doesn't care about you anymore" "he hit me [when I was actively TRYING to get him to hit me to sway public opinion of him]"

Everytime Feyre left for the NC, she did so kicking and screaming. Every indication Tamlin could see was that she did NOT want to go with Rhys, until he gets a letter from her saying to not come looking for her that she doesn't want to be with him. Tamlin didn't know she could read or write. Had that been my love I would assume it was a ransom note too, written by someone else. Had she actually spent 1 hr winnowing to Tamlin, tell him face to face, then winnow back (with an escort) he MIGHT have gotten the hint.

A tithe was a weird thing to use to show how cruel Tamlin is, considering how 2/3 of the night court live in constant fear, children's bones are broken for misbehaving, the CoN are trapped there. SJM really showed us that she has no political knowledge what so ever. I barely started ACOFAS and when Feyres talking about the unnatural sum of her money, my first thought is "You don't amass that level of wealth without oppressing someone." Lucien said that Tamlin would be expected to hunt down those not able to pay the tithe, but when we get to Tamlins actual actions he just said "get it together in 3 days or pay double next time". In my initial reading, I interpreted it as another mask (like how Rhysand acts). Tamlin does this due to tradition, he is expected to act a certain way, but *I felt* he had no intention of acting out what he said. It was just a line he was expected to say to send the wraith away without others expecting the same.

Feyre and Tamlin were not right for eachother because they were not eachothers mates. People can exist fine separately, and be incredibly toxic together. From page 1 we see Feyres inherent inability to empathize with anyone, she has it bad, she has to hunt, therefore her sisters don't do anything. But she also can't cook, so who was preparing the meat she brought home? It gave me "housework isn't real work" vibes. Feyre also doesn't communicate very well, which would explain why a literal mind reader was able to help her better than Tamlin was. I saw Tamlin trying but not being able to help her because he couldn't read her mind.

Feyre didn't want to be trapped in a manor for a few hours while she was displaying manic behavior, but she condoned her sisters be trapped in the HOW for 6 weeks immediately after losing their lives. She condones the treatment of the people in Hewn city and supports the literal Jim Crow laws placed against them in Velaris when all they wanted was to leave. She condones and supports trapping Nesta in HoW after the war just to force Cassain on her so Feyre can play matchmaker.

Feyre is an inherently self centered sociopath. She can read minds and still can't develop a shred of empathy.

Just leave Tamlin alone. Damn.

[aliensunflower-fics]

My Recommended Fic List

So, I got this ask awhile ago, and since I have been re-reading a bunch of my old favorite fics as a way to cheer up after work I figured why not. This list will be long... and varied but mostly its older fics cuz idk there my favs. Now lets go:

Fashion Upgrade - By @soap-lady : Straight up one of my favorite fics ever, its fun, its creative, it never fails to make me laugh when I need something warm and wholesome after a bad day. Also go check out the rest of her stuff there's so much good okay like shes just a writing queen. Shes on AO3 I don't want to spoil you on her other stuff just GO experience it for yourself.

Ode To Decoy pt 1 / 2 / 3 - By @a-marlene-s : Ive always liked this short sweet little fic about Lila getting caught. Its Lila + class salt though so avoid if that's not your flavor.

EVERYTHING - By @unmaskedagain : They have salt, they have sugar, they have funny, they have crossovers. Like honestly they are a just a great writer with so much variety so go check out the masterlist I linked and I guarantee there will be something there you like.

@ravennm84 Is a writer on the saltier side but they have a wonderful selection of weird wacky tales from the salty but oh so well written Damning Evidence that sees Lila get caught in the best way to the 3 part Horror inspired Serafina other great fics from them include Marinettes Family Court Circus pt 1 / 2 and Of Moldy Bread and Cockroaches / Be Kind to Servers honestly its worth giving there blog a look.

@mochinek0 Is another writer with several beloved fics. They write a lot of Maribat and we love them for it. Ones to check out would be Blind Date / Bruce vs Gabriel just go check out there tag list of daminette for more.

Accidental Crime Boss Marinette - By @lady-literature : This is a wonderful idea and a wonderful little fic and I just... I just like it okay. Sadly I haven't read a lot of there other stuff... But I might after finishing this list considering how much I enjoy this one.

@nobodyfamousposts I love a LOT of there fics. They are one of the best when it comes to striking that sweet spot of calling out the show for some of its garbage while not getting so salty that you cant have fun lighthearted goodness. I have been looking for a masterlist of there work but cant find one so just go stalk there tags. I do recommend there Chloe's Lament Series 1 / 2 exploring how certain 'wishes' would backfire. Guardian Assistant Kevin is also a good one Miracle Queen Aftermath pt 1 / 2 / The 8 parter Burn the Witch series / The Wisdom Teeth Reveal / Kagami Vs The Wall of Faces / Resigning With Grace & Spite / I tried to give a lot of links cuz they have a lot of stuff

Kill Them With Kindness - By @luki-fanfic : Well written, good salt without going overboard. Just good vibes. I havent stalked there other stuff but if its anything like this fic its probably excellent quality.

Stephen Vladislav pt 1 / 2 - By @stormiclown : Adrien centered salt on the idea of finally giving Adrien his own proper rival. I like the idea of Adrien having a rival because its usually Marinette and this was just the right length to get those creative ideas flowing. Also just well written what more can you ask for.

Power Trip - By @storygirl000 : This was the first fic that made me go... Wait would it be more fun if Lila was actually competent? And that set me on the path to writing my own fics where Lila is more villainous and more capable. Its short, well written. Good.

Your Wish is My Command - By DemiGoddess28 on AO3 : A great 11 chapter fic looking into Lila's life if she were to win and get a miraculous wish. Its got sugary goodness for our protagonists and the class and salt for our dearest friend Lila.

LadyBugOut AU - By Miraculous-Content on AO3 : A 50 chapter fic made up of snippets and ideas. I found it really inspiring in many ways. I also love how it redeems Marinettes classmates showing how and why they were tricked but holding them accountable anyway its just... Good.

Juleka vs The Forces of the Universe - By goldenlaurelleaves on AO3 : For those of us not yet ready to accept the death of luka/mari we have this wonderful fic showing Juleka being the biggest wingman as she helps these idiots find there way together.

ChaoticNeutral on AO3 has there own Chloe's Lament fic as well as a Gabriel's Lament fic for people who need sweet salty of those two characters.

BroadwayCutie16 was Inspired by the person above and DemiGoddesses your wish is my command fic to write Lila's Lament fic going over Lilas failed wish. Honestly I always love these fics because there just so interesting and the way wishes can be taken and twisted is always a fascinating idea to me.

#WayneAngel - By Tired-Writing-Teach on AO3 : For us Maribat lovers. Its fun and lighthearted with some good gags and some light fluff.

Damian in Paris - By Lilliesandliveries on AO3 : A sweet Maribat series showing what would happen if Damian ran away from home and found himself in Paris and getting therapy.

How a Demon Commissions an Angel - By AlixAnonymous : Damian blackmails Marinette into letting him be her client so he can get his bros the best gifts, they end up becoming penpal buddies.

Mythomania - By LadyEnna_50 on AO3 : Proof that I dont hate Adrien or Mari/Adrien. In this fic Adrien's spine gets titanium plating and he sees just how bad Lila is hurting Marinette and does something about it.

The Contingency - By AbyssalGuardian on AO3 : SALT. Also Tim/Mari but even still I love the way this was written, the style, and some of the ideas just ugh love it. Its not for those who dont like salt so just avoid at your own discretion. Its about a chaotic Marinette done with her life running away to Gotham where she meets her true black cat, and gets her life back on track.

The String That Binds Us - By FaithAndATypeWriter on AO3 : Okay so is there any Mari/Bat fan who hasnt already heard of this one? Who cares its good, its cute, I love it. May the author be blessed with snacks.

The Great IKEA Game - By @batsandbugs : Okay again... I think every Mari/Bat fan has probably heard of this one already because its just that good and that popular. But who cares I am recommending it anyway. Don't read if your allergic to fun I guess.

If this list still doesn't somehow have enough salt for you then try @goggles-mcgee fics here is a link to there Masterlist. They are in a way a professional at salt and angst and they make you want to adopt Marinette and pop her in a blanket fort.

Honestly I could keep going but this list already feels so long for other great recs though I can link you to @jayphoenic who has some great Daminette Fic Recs and some Lila Salt Fic Recs!

Feel free to reblog this and add some links to stuff you would think I or others might like! Also lets just acknowledge how many talented authors the community has like wow.

[princessgarnetxvi]

Everything Johan did was For Anna/Nina

Everything Johan did was for Anna. 

                      A “Monster” capable of love.

“What I’m most afraid of is…forgetting Anna. The strange lessons we have everyday… are making my memories fade. Please, don’t make me forget Anna. It’s only Anna and me in this whole world. Just give me that - please. Please.”  – Johan Liebert”

I was very confused about the complexities of Johan's character up until the last handful of episodes. After rewatching the series for a 3rd time and exploring how Johan is portrayed in the manga, it became very clear to me that my initial opinions about Johan were basic and devalued the intricacies of Naoki's writing. From the beginning we are only TOLD by conflicting views, who Johan was. His character, in the fictional world as well as our own, is simply defined by an individual's perception of him and the story presented. However, if we dissect ALL of the themes and even the undertones Naoki presented to us through the world of characters; I think it would be evident that Johan was not committing heinous acts for superficial reasons such as simply being evil to be evil.

So what was the method to his madness? 

I believe... Everything he did was for Anna.

(Yes this includes erasing himself from existence too )

Author's Note: I want to preface before you read on that although these essays are written in a sympathizing light that Johan has done PLENTY of wrong. This is not written in an attempt to dismiss his heinous acts lightly, but to simply understand the "Monster" of the series by tackling Johan's crimes deeper than the surface. I tried to make sense of Johan's every action in regards to his OVERALL PLAN and why Naoki presented them to us as viewers. For those who will nitpick the term "everything" quite literally, I want to make it clear that not E V E R Y S I N G L E A C T I O N Johan has taken coincides with his love for his sister; his actions towards the children specifically - because there are some things that had nothing to do with his "perfect plan" but more to do with attempting to build Johan's character and his view of the world us as viewers. Justifying ones actions vs. rationalizing ones actions are completely different. I am in no way attempting to discard the accountabilities that Johan should face for his actions, but instead trying to make sense of it all. I've analyzed Johan's crimes against children here: https://xprincessgarnetxvi.tumblr.com/post/691678531250487296/i-really-love-reading-your-essays-i-can However, this will explain the root of Johan's character and the core of his overall plan(s) that was committed for the sake of his sister from the very beginning to the end. The overarching theme and message of Monster is that there are no such thing as Monsters, only broken human beings capable of great evil; so we will humanize this great Monster in order to understand not only Johan Liebert, but the hows/whys Tenma/Nina was able to forgive him and ultimately find value in saving the life of this supposed Monster.

Before we begin, I'd like to take the time to thank you for reading! I can't wait to review your comments and further discuss this magnificent series of Monster!

-

Anna was set up from the beginning to become The “Monster” given she was the one who actually endured the experiments. Her tendencies are shown in glimmers throughout the show. The heartbreaking twist to it though... is that the only reason why she DID not become the beast, was because SHE ( unlike Johan ) HAD KNOWN REAL UNCONDITIONAL LOVE.

-Johan’s love and sacrifice is what kept her safe from the darkness he knew very well. He got his hands dirty to shield her. He chose to leave her behind in the care of her foster parents, knowing she would forget him, in order to heal.

He chose her than himself over and over; becoming her shadow; choosing to lose his only attachment to his already weakened identity in order for her to heal.

His love for her is why she never became a monster...and tragically, why Johan had.

Which reflects exactly what Mikhail Petrov (whose real name is Reinhart Biermann) said about his "PROFOUND DISCOVERY" concerning his current experiment on the children he had in his home; he said the children did not become animals because he gave them LOVE.

(Mikhail Petrov telling Grimmer how the children in his current experiment did not become Monster - it was because they had LOVE.)

In his own twisted way and view on things, he was protecting her. He killed every "parental" figure they had because he was betrayed by every adult figure in his life so far. People who mentioned calling the police, ended up finding out about their past - anything that could lead the man, who Johan referred to as “The Monster” into finding them, he disposed of.

The adults in their lives thus far would betray them, torture them, hurt them, throw them away- and forcefully separate them. In his severely abused mental state, any adult figure was a potential threat to his and Anna’s safety. So he’d kill in order to runaway from "the monster" and protect Anna. Then when Anna found out about the blood on his hands that fateful night the Monster paid them a visit, he realized that now he had become someone Anna feared - a different kind of Monster but all the similar to the one they were running from.

So he rationalized that now he needed to die.

In that moment, I think we should focus on his body language and expressions. Johan faced the ground. hardly picking up his eyes. His shoulders were sunken and he did not have that menacing little smile he usually had. Johan has killed in secret various times with Anna and back at Kinderheim.

So why was he so messy with the Lieberts?

Because he did not want to kill them - he said HE HAD TO.

It was not a calculated murder, because he was not truly calm and collected; He was afraid.

Lets not forget who Johan was up until that moment: the infamous little boy who provoked an entire riot and massacre by simply opening his mouth. With mere words he was able to sway the adults and children into doing what he wanted. BUT IN THAT MOMENT when Anna caught him red handed, he could not, or rather, would not - try and manipulate Anna.

(He has never once been shown trying to manipulate or abuse her throughout the entire series as he has done intentionally with the rest of the world.)

Instead, he asked her to shoot him and run - in an attempt to finally liberate her from the horrific life they had to lead up until now - blaming his existence for the constant chase their predator (Bonaparte) gave way to them as prey because in that moment, his memories were distorted and he believed he was the one who went to the Red Rose Mansion. **** (X) (this theory is challenged referenced below)

To Johan, him living was a danger to Anna and that night made it evident to him.

But when he was brought back to life and realized the gravity behind his methods, seeing how terrified Anna was of him - he started to cry. Because despite his initial feelings of finding his death absolutely necessary for her to be safe, he still wanted what he had with her; the only bond of love he ever knew.

What set his entire ADULT plan into motion (wiping out everyone who ever hurt Anna and created HIM) was Anna's rejection at the hospital. That was when he realized internally, he was beyond forgiveness and that he was nothing more than a monster. A Nameless monster in her reflection that needed to die in order for her to live in peace. (Referencing the God of Peace storybook. )

Johan was the one who gifted the God (Anna) her hat and then she saw herself as the Monster she was supposed to be due to the Red Rose Mansion experiments. This would NOT have happened if Johan did not give her the hat (the red hat which can symbolize the blood he spilled for her. ) so in this instance, Johan is also the reflection (you are me and I am you. They are both nameless monsters)

From that moment on, he wanted to wipe out his entire existence, and that meant those who ALSO "created" him so that Anna could heal as Nina.

I believe this is what is depicted in the Nameless Monster storybook. 

Initially, we are made to believe Johan wanted to “consume everyone” so he would be the last one standing. The Monster known as Johan in the book also devours his counterpart, the Monster who went West and then there is no one left to call him by his name. But clearly, Johan never does this, because Johan never attempts to kill/devour Anna/Nina - because what it symbolizes is entirely different in nature regarding Johan’s intention. 

A quick reminder that both Johan and Anna were considered Nameless Monsters. HOWEVER - by Johan’s hands, Anna does not remain “Nameless” nor does she ever become a “monster” the moment Johan decided to not only leave her behind in the hands of a loving family, but by her changing her name and her identity to Nina. The Fortners never made any implication that they knew of Nina’s past concerning the Lieberts murder and I believe this is because Johan introduced her as Nina to the Fortners and never allowed them to see the trail behind her identity as Anna Liebert. 

Symbolically, Johan, as the Nameless Monster, consumed the Monster inside of Anna and became the only Monster left. This is what is mirrored in Johan’s intentions and the Nameless Monster storybook. 

With Anna forgetting him and Johan leaving her behind thus losing his only connection to someone who truly knew him, now all that is left is Johan, without absolutely anyone to call him by his name - the one and only Nameless Monster.

And this is heavily referenced in Another Monster:

(This reinforces that Johan was trying to make Nina forget her past as Anna)

There wasn’t some sick satisfaction from any of his killings done when he was a child. To him, it was needed for the sake of her safety. This was Johan’s initial “plan.” set in motion. He wanted to be the only one left in the world with his sister - so that they wouldn’t have to be afraid anymore. 

(I also believe at that point when they were kids, Johan's very first plan he referred to when telling Anna "Remember, I have a plan." was to run to another country with her so that the Monster will never find them. It is the only logical idea of a plan that a child could conjure following what he actually leads them to do, which was cross the border. Simply destroying the world is unreachable in his current state and Johan is smart enough to not be delusional in his endeavors. With that being said, he had to kill that old couple to erase any trail they may have left of "two beautiful blonde twins." But this plan fails because they nearly die at the Czech Border and was discovered. )

(Johan telling Anna he has a plan.)

RUHENHEIM:

One of the biggest moments in Ruhenheim has been misinterpreted and lost due to the mistranslations in both the English Dub and the Japanese subtitles. 

I clarify and mend this by breaking down what Nina unraveled in Boneparte’s house when she looked at the portraits by correctly translating the Japanese script/text in depth here on this post:

 But to summarize it for the purpose of this essay, it was revealed to us as viewers that Johan apologized to Anna when she returned from the Red Rose Mansion, revealing the overwhelming weight of guilt he carried when Anna had been taken that day. 

(That day depicts the moment their mother made the terrible 'Choice')

and then Johan accepts his mother will never return to them (assuming she abandoned them) and goes on to tell Anna this:

Johan is the one crying because soon after, Nina tells us that Johan was in that room crying.

This information provides clarity as to why Nina was finally able to understand Johan, empathize with him enough to be able to forgive him. She remembered he was a boy who felt guilty over what happened to her; a boy who cried when he realized they were now all alone in the world.  She understood that Johan desperately did anything and everything to ensure he and Anna survived despite it all.

That Rainy Night:

I want to GREATLY EMPHASIZE the important factor I missed my first time watching the scenes with Johan/Anna - the scenes shown to us were ONLY through her recollection as fragments due to her memory loss. They were told from what she COULD remember, so her take on what really happened that rainy night the first few times the events are unfolded before us should not be taken as absolute. At least...up until it is revealed in the final episodes that Anna realized that on that night instead of seeming like an empty shell of a person asking for death, Johan was crying and crying before she shot him.

The scene where Anna finds the portraits reveals what truly happened between them and its so important. She said “Johan was crying “here” just like before.” She was mimicking a memory she had just recalled in its entirety. “Why are you crying, why are you crying?” She sounded in distress. Directly after she reveals that she remembers him crying, it shows the image of him pointing at his head that rainy night.

Even though Johan told her to shoot him, it is IMPORTANT that he was crying and the author highlights this for a reason.

I believe that, finally being able to vividly remember that day finally revealed to her that Johan wasn’t the “face of absolute evil” she initially dismissed him to be; he was a boy/man who could cry and mourn - he was human. He was a terrified boy protecting Anna and himself the only way he knew how. and instead of showing him forgiveness/love - she added on to his collection of wounds scarred upon his soul from everyone else who chose to harm him.

Tenma...was ultimately the ONLY one in his life who showed him kindness.

Johan's intentions and reasons behind many crimes: Essay II.

( I will summarize it here as the extension essay was far too long to put on this post)

**** (☓) I want to ask, did Johan truly believe he was the one who went to the Red Rose Mansion or was that simply a masquerade he performed to make sure Anna did not remember?

(I wrote an essay on this being a possibility here: PART 2 OF THIS ESSAY. This will explain Johan's intentions in depth)

(this is a theory I FIRMLY believe and have completely adopted. But for the sake of argument, I will entertain both concepts behind Johan's memory in this essay.)

If we entertain the idea that Johan never misconstrued his memories about the Red Rose and pretended he did, I can dissect Johan’s intentions a bit more intricately.

Throughout the series you see that he is trying to wipe everyone who knew of what happened to Anna off the face of the earth, that included himself. He did not want Anna to remember. So when it was revealed she did remember, he mourned. It was subtle but evident in the anime when she reveals “you are wrong.” something in him shifted - for once he was reacting to the words of another.

She said "he had a smile but seemed like he was crying. I never seen such an expression on his face before." That entire scene, Johan’s eyes expressed something we’ve never seen from him throughout the series - a sense of mourning or longing?

Johan in front of Anna always appeared the most human and I feel Naoki did this with purpose.

(Naoki specifically told the directors/animators of the anime series to never stray from how he expressed Johan's eyes for a very important reason. )

Johan's expression finally meeting Anna after 13 years apart.

-

If, however, Johan DID truly think he was the one who suffered at the red rose mansion, his “perfect suicide” plan still relates to his twisted-selfless feelings for Anna.

Johan learns it was not him that suffered at the Red Rose Mansion...but Anna instead. and then Johan goes on to commit the "perfect suicide." In his plan to die, he wanted to take The Monster with him, forcing Bonaparte to endure the same exact hell he forced Anna to suffer as a child.

Call it an act of revenge. Some may think Johan is incapable of being vengeful but I cannot see this cruel and calculated act as anything other than malice. After Bonaparte was finally dead, the monster disposed of - Johan was ready to die.

But you can see his conviction began to slip away when Anna forgave him. What made it worse was realizing he was wrong about Tenma because even now, Tenma was still hesitating on killing him ruthlessly like he always presumed would happen. Johan thought he had humans all figured out - after all, all Johan has EVER known was the darkness in people’s hearts. That is why he was so confused/moved by Tenma and wanted so desperately to prove him wrong.

The manga portrays Johan’s expressions 1000X BETTER THAN THE ANIME. As soon as Anna arrives, Johan is just staring at the floor, unable to look at her - Repeating everything from that fateful rainy night when they were kids. But this time, Anna doesn’t kill him, she chooses love and compassion. and when she says she forgives him - his reaction is something the anime does not do justice

(The subtle shift the artist expressed in his eyes from her words is so significant but missed in the anime; but he reacts rather deeply, moved and shocked by her words.)

Because "Forgiveness is the remission of sins. For it is by this that what has been lost, and was found, is saved from being lost again."

In the manga he isn’t quick to reply. He ponders over her words carefully and I think this is when his mind starts panicking.

Anna realized that forgiveness was the one thing he wanted that night she shot him, despite him also thinking his death was needed. His value depended on her view of him; and what she once robbed from him was now returned - a human being worthy of forgiveness instead of a monster.

He is telling her the evident truth that he cannot turn back because he TRULY believes Tenma is going to kill him any moment.

Johan refuses her forgiveness not because he resents her or thinks its too late for her to redeem herself - but because he doesn’t think he deserves it. “There are somethings that cannot be undone.” Because it is too late, Johan is going to die - he WANTS to die. Then you see the fear and helplessness in his eyes after getting the one thing he always wanted [ Anna’s forgiveness] because he desperately wanted to die as the only thing he knew himself to be: the nameless, nonexistent monster. But both Anna and Tenma rob him of that by bestowing upon him the gift of compassion, mercy and empathy; for the first time treating and valuing him like a human being instead of a monster,god,experiment, devil etc., as everyone around him has his entire life.

(The Monster inside of Johan begins to crumble.)

Johan in his final moments was cracking and finally falling apart. You see it in the final expression he makes: the distraught, confusion and sadness. Because he realized, he was wrong about people, he was wrong about the world. But how can we blame him for his view on humanity when all he has ever been shown since birth was how ugly, selfish, cruel and inhumane people can be?

How can we expect someone who has only seen darkness to be able to find the light?

I want to clarify one thing I noticed: Johan has never shown to take any kind of sick satisfaction from killing unlike all the other serial killers being interviewed in the series. (aside from Richard) Specifically, Johan is without "the lust for murder" as Lunge explains in Another Monster - which is why Johan hired other people to kill for him instead. Especially contrasting Johan with Roberto, specifically, when Roberto tries to kill Anna.

(that is until Richard, which makes Johan's dealings with him stand out for a reason. He doesn't even take pleasure in killing the Red Hiddenburg, he leaves before witnessing her death instead of reveling in his 'checkmate' coming to fruition.)

Despite his callousness and his lack of care for life - Johan, despite how much of a "monster" he was, very clearly had humanity and had love....for his sister most of all. Johan saw when his mother choose, how little their lives meant to her and this instilled his nihilism at such a young age. He watched Anna get tossed to the wolves like nothing and in that moment, he probably thought his mother chose Anna over him for a reason. (even though the question on her intention would haunt him for the rest of his life) But her being able to choose is what hurt him the most and it's probably what instilled his self sacrificing mentality to care for Anna above the world in order to never make the same mistake his mother had.

That is why after she got back from the Red Rose Mansion, he cried for her story and apologized as if it was his responsibility to feel guilty over what happened to her. It should have been him that suffered. Then after, he treats her with the upmost care, telling her everything is hers, no matter what she will win everything because he would deem it so. He is kind to her, never letting go of her hand even when she is dragging behind - he sacrificed all of himself for her...

Because she deserved everything in the world to contrast their mother throwing her away.

(it should be noted that the Lieberts did not want Anna either but only adopted her because Johan refused to leave the orphanage without her. Which is also why I believe he killed them when Bonaparta came because he thought the Lieberts were conspiring with Bonaparta to get Anna)

🌰 (The ‘Acorn game’ represents their Mother's choice, a child in each hand. But in this version, Johan would ensure that no matter what hand Anna chooses, she will NEVER choose wrong. He manipulates the fate behind her choices by holding two acorns instead of one; never letting her make the same mistake as her mother.)

He wanted her to know above all else, she was loved.

A clear indication of this adoration/attachment he has for her is the fact that he DOES NOT forget her even after enduring the hellish experiments in Kinderheim that aimed at wiping out / messing around with his memories.

-

I wrote this because I was astounded to see various posts/Wiki pages implying that Johan’s intentions were to torture Anna and make her kill herself. Telling her to shoot him was his first attempt to drive her insane? They twisted a lot of things Johan did to try and make this statement true. But I cannot comprehend how they drew this conclusion? The series has characters mentioning on more than a few occasions that Anna is dear to Johan. "He is lost with you."

Everyone knew Anna was important to Johan, Professor Geidlitz was the first to mention this besides the old blind man. Roberto was aware of this which is why he tried to kill her as mentioned in Another Monster. Which is ALSO why Peter Capek tried to hold her hostage to prevent Johan from killing him.

and for the first time, Johan DOESN'T kill him.

Johan cried when he awoke at the hospital after he reached for his sister and she screamed in fear of him. His face full of tears - his heart completely broken. If his intention was to drive Anna insane, he would have triumphed in that moment she screamed and fell to the ground after he reached out to her. But instead he mourned.

Anna has mentioned several times that Johan has cried for her, like when he was in the room full of their happy portraits, he was crying. He never once tried to bring harm to Anna - not intentionally towards her person. Explaining the Fortners murder - either he killed the Fortners after they decided to keep lying to her, thus keeping him in the shadows when he wanted to return. OR he killed them because they were going to tell her the truth about her identity, which was something Johan worked to conceal. (this theory is explained thoroughly in essay #2 )

Regardless, if he wanted to torment her, he would not have tried to lure her away to the castle when he set up the Fortners to be killed.

They imply that Johan wanted to torture her and then kill her at the end. But that makes absolutely no sense. Where in the storyline does Johan give off this tendency towards her? Even at the end he told her where to meet him in Ruhenheim and not once did he try to shoot her or Tenma. Honestly, if he really wanted to provoke Tenma to shoot him, he would have held the gun to Anna instead of a random child. But even though being shot by Tenma was his greatest endeavor, he refused to point the gun at someone who was important to Tenma...because Anna, is important to Johan too.

To say Johan, despite being hailed as the Monster of the series, had no love or humanity in him and was merely the Devil himself...completely missed the point of the story...

I’d like to point out the constant mentioning of Hitler in this story and draw another important factor...Hitler brainwashed people to commit mass genocide. Under his rule, millions perished in horrific ways. But despite that...Hitler was capable of loving others. Hitler was also loved by others. The terrifying truth about people who commit atrocities...is that they are not monsters or demons or devils...

they are merely human.

-

Here’s two passages from ANOTHER MONSTER [novel post Monster written by Naoki] that really drives this point:

- PSA: My twin brother FINALLY finished his 2 HOUR Johan Analysis Essay, that dives deeper into Johan's character. This essay and essay #2 will be included in this analysis video as we both worked on it together. However, this lays out the details visually and with beautiful music. Please watch!

[agoldenblackbird]

i'm gonna be a ranty bitch for a minute.

tbh i'm turned off even reading new buddie fic despite being a multishipper and have unfollowed a bunch of buddie accounts because i'm sick of the smug attitudes. one ask that i am otherwise not going to publish or respond to ended with 'sorry you don't understand media literacy bestie :)' fuck off. listen INFANT, i have been writing fanfic and original fic AND watching, reading and analyzing queer media since before you were born, i understand how character and story development works, and i know the difference between 'storyline i personally disliked' and 'bad writing.' this was BOTH, and it also was marketed to us as 'carefully crafted bi rep' and 'queer love story that is not about a bunch of pain and conflict FOR ONCE' so we have every right to be upset at the bait-and-switch.

the fact that i'm seeing the same exact posts - 'bt bones buddie CANON' that i saw three seasons ago after the bucktaylor breakup, or every time they thought buck and taylor MIGHT break up - says something. the fact that so many fans seem genuinely convinced (STILL!) that buddie is inevitable because there have been so many 'signs,' and then they rattle off a convoluted theory that would make the most hardcore taylor swift stan say 'wow, that's a bit of a reach,' honestly weirded me out a little when i first joined the 911 fandom. i have never been in a fandom where so many fans are insistent that their ship will be - not might be or could be, but WILL be - canon. i am skeptical both from past experience with other shows mishandling queer storylines or ship-baiting, and tim minnear's proven track record with this one of not really knowing what to do with buck's LI's. but i didn't want to yuck anybody's yum, so i let them have their theories and squee in peace, and unfollowed or blocked certain tags if i was seeing too much of it and getting annoyed. it's too out there for me, but i'm glad they're having fun!

yet they can't give us the same courtesy. they deride us as delusional for thinking that a canon pairing that was presented to us both in promo and the show itself as different and important (eg the bobby approval convo and 'buck getting off the hamster wheel') might last, and we're stupid to have ever liked tommy or lou or be disappointed at how the breakup was written, and if we point out the biphobia it's just sour grapes.

the bucktommy breakup is not the first time 911 has started out strong with an interesting storyline and fumbled it in the 4th quarter either because the writers got bored or in the name of needless drama/a 'gotcha' sudden twist. amir & bobby, eddie's fight club arc, the sperm donor SL, hen vs councilwoman ortiz, whatever the hell is going on with harry, the whole mess with shannon/kim, just to name a few. and especially the past couple of seasons, for me since 6b, the pacing has been off. they seem to have too much happening at once and many of the storylines don't have enough room to breathe to be narratively satisfying, or they get resolved in ways that feel lackluster.

if the toxic buddie stans who have been attacking lou on sm and sending death threats (wtf!) actually get what they want, which i admit is possible, but it's certainly not guaranteed….i don't know why they think the writers won't fumble that just as badly. it's not going to happen precisely the way they want it to because it is impossible to please everybody, that's what fanfic is for. but at this point i have zero faith that it would even be well done at all, and zero trust in the writers not to just sabotage or regress a character for funsies, and that's an excellent reason to stop watching the show. in most of my other fandoms i regard canon as a jumping-off point or a blurry outline at best, and i can have just as much fun in the 911 sandbox without any further input from canon at all, once i'm less angry.

[nonotnolan]

No Not Nolan's Year in Review

Once again, it's time for the traditional "year in review" post. Since I've also been collecting prior years in these posts: here's 2021, here's 2022, and here's 2023. This year has more than 12 posts, and that's because I posted a few shorter stories to celebrate the release of my eBook.

I'm not planning to abandon this account anytime soon, but I'd be lying if the thought hadn't occurred to me once or twice. Every year I'm not sure how much longer I'll be doing this, but then every year the support and feedback I receive keeps me going. So if you ever wonder if notes and reblogs help-- yes, they do motivate me to keep going. But more than that, I'd encourage you to message the authors directly. I'm not always the best at carrying a conversation, but it really does mean a lot whenever I hear from you all.

17) Side Effects - 71 notes - January 2024 Okay, well... I like this one. If you've already caused a lot of irreversible damage... why stop now?

16) Labor and Materials - 83 notes - December 2023 Sometimes I can just sort of tell the photos aren't what the average people are wanting, but I like the text too much to toss out the idea. Mass commercialization of body swapping isn't a new idea by any means, but I love exploring all of the low stakes uses and scenarios that would appear if that technology existed.

15) Shapeshifter's Night Out - 111 notes - January 2024 Honestly, this one was mostly just an excuse to pull out a few of the weirder photos I'd come across. I think it holds up well enough, though.

14) Fiverr Warlock: Holiday Magic - 183 notes - December 2023 The thing about the Fiverr Warlock series is that a lot of story ideas work better without the added baggage of the lore and narrator. This one holds up pretty well, and the photos do exactly what I need them to do, so I'm quite fond of it.

13) The Ends Justify The Means - 204 notes - February 2024 See, I thought this one was great, especially for the Valentine's Holiday. Sometimes I have no idea what the average reader wants from me, and this is a prime example of that. No regrets, though. I'm never going to apologize for striking more sentimental than erotic.

12) Jock Cock, Part 3 - 219 notes - July 2024 Speaking of which... I can't be too surprised something this sentimental didn't do better. But I still love it, and I don't feel bad about it. (It does, however, make me less inclined to write sequels to other works. My idea about how the story continues vs how people want me to continue the story are seldom in alignment.)

11) Drawing Straws - 235 notes - January 2024 I love trait swapping, and I wish I could get inspired to use it more often. I have to be satisfied with an idea before I'll set it to the page-- it needs to have some amount of characterization and plot outside of "hot guy does a hot thing and it's hot" for me to be happy with it-- so trait swaps don't happen too often for me.

10) Treat Day - 241 notes - January 2024 This is my least favorite of the 5 promo-stories, so naturally it's the one that received the most notes. Revenge swaps are hit or miss for me, but needlessly cruel swaps seldom appeal to me. I like the photos, I like the ending wordplay, but overall it's not one of my favorites.

9) Swap Broker: Social Climbing - 250 notes - October 2024 If there's any story whose low placement on the list hurts to see, it's this one-- I absolutely love this one. Photos, concept, resolution, all of it. Ahh, well. A few people asked me what happened to the original Aiden, which I don't have much interest in writing, but... his father would have given him a one time chunk of hush money, which he would have burned through in a matter of months, at which point he'd probably be forced to start doing hard work for the first time in his life. It's not a happy outcome, which is why it's not a story I'm particularly interested in telling.

8) Jock Cock, Part 2 - 285 notes - June 2024 Like I mentioned for Part 3-- I don't regret writing it, even if I don't quite understand why it wasn't as well received. I'm not sorry for mixing sincere emotions into your casual smut-- it was intentional, and it will happen again. Also I've been doing it for the past 5 years, so presumably you noticed me doing that at least once before? I'm sure it's not a photo issue. Anyway.

7) Spring Break - 313 notes - March 2024 I love it when both parties can get what they want out of a body swap. I've had quite a few stories involving out of touch rich people, now that I think about it-- but then, every idea has already been done before if you simplify it enough.

6) Bodily Betrayal - 319 notes - December 2024 I'm so thrilled to be working with photo-manip artists for future detachable limb stories. You all may not be bothered by my attempts to create suitable pictures, but I definitely am. I mean, look at these pics-- head/body swap? Headless with head in hand? I wouldn't have been able to do that without a lot of practice and training.

5) Trial Period - 351 notes - November 2024 I don't do much with ghosts, and I'm honestly not planning to change that anytime soon. Still, I love the idea of supernatural entities shopping around to choose their next host.

4) This Happens all the Time, It's Detachable - 376 notes - August 2024 This is another one that I absolutely adore, and as a bonus it's a detachable story that requires no photo-manip work whatsoever. Obviously, I had to go with the King Missile reference in the title.

3) Roommate Rehab - 407 notes - April 2024 I still think my photo-manip work is clunky, but it gets the job done, and that's what matters. The interesting thing about writing more detachable works is that I'm really not familiar with any of the tropes. I'm so used to subverting expectations when I write body swap fiction, but it's a lot harder to subvert tropes that I don't know.

2) Rush Week - 512 notes - September 2024 I'm glad this one did well, because it's definitely a lot more vulnerable than what I normally write. It's equal parts sincere and sexy, and I adore it. The thought of what stays with the body and what stays with the mind is one of my favorite concepts to explore with body swapping. On a different tangent, it was a lot harder than I thought it would be to find good photos for a twink model that pass tumblr guidelines.

1) Jock Cock, Part 1 - 732 notes - May 2024 This story came out of nowhere and completely surpassed all of my expectations. I have no idea what it is about this story that appealed to so many people-- probably obvious, given how few notes the other parts pulled. Is it the photos? The idea of using an athlete's body for sex without him knowing? Unfulfilled sex-with-teacher fantasies? I sure as hell don't know. Whatever the reason, I'm flattered.

Above 500 Notes - All Time

1) Jock Cock, Part 1 - 732 notes - May 2024 2) Soulmate Swap - 704 notes - August 2022 3) Gym Merchandise - 654 notes - September 2022 4) Overbearing - 572 notes - May 2022 5) Finals Week - 568 notes - May 2021 6) Group Project - 566 notes - November 2023 6) Revenge, Reversed - 540 notes - August 2020 7) Rookie Mistake - 530 notes - May 2023 8) Rush Week - 512 notes - September 2024 8) Information Overload - 501 notes - August 2021

Well, Jock Cock Part 1 has officially dethroned... uhh, literally everything else. Finals Week, my first piece to break the 500 notes mark, is quickly dropping out of the top 5. And some of these works received random resurgences several months (or years!) later, so that's always fun to see.

Enough time has passed that I have a sort of note rubric to determine success. Anything below 100 notes, I consider flopped. 100-300 is average, and 300-500 is a success. So to have this many stories above 500? It feels pretty good.

Here's hoping next year will see more additions to this list!

Special Mentions

Reunion - 151 notes - February 2024 Once again, @mergeman and I wrote each other stories for Valentine's Day. I do really love the idea of a support group for people affected by body swaps.

I'm always honored whenever I end up tagged in someone's recommended post, and @sanzaibian 's compliment of "someone who writes really sweet love stories ^^" is no exception.

Also, like I said earlier-- I live for compliments and discussion, both given and received. If you've dropped a line or responded to one of my outreach attempts, I appreciate you. If we've talked in the past but it's been a few months since you or I sent the last message-- I'm too ADHD for friendships that follow the constraints of linear time. If we go months between messages, know that I still appreciate you.

Is it too cheesy to end this with a "thanks for viewers like you" sentiment? Maybe, but I'm doing it anyway. I'd be having these ideas with or without an outlet for sharing them, so I really do appreciate the likes and reblogs. Here's to another year!

[doki-doki-imagines]

Hey I like your writing! I’d like to request headcanons if you are still taking them? I follow you on a separate account, so that’s why I had the courage to ask this with anonymous off.

I was thinking of the men competing for the reader? It would be like: Raiden/Kung Lao, Kenshi/Johnny, Lin Kuei brothers are each other’s rivals and they do their own things to one up each other or to gain the reader’s favor more 😆

author note: Don't worry! Anyway you don't need to follow me to request something!🫡

Raiden vs Kung Lao: -Ohhh the sparks. No way Raiden will back down, and Lao knows it. -The fight for your heart starts now. -Their approaches are different. Raiden is all soft words and quiet dates (masked as friendly outing). Raiden bets everything on his sweet personality because he thinks he doesn't look good enough for you. -Lao is all for showing off his physique. Biceps always exposed, smiling more than usual to show off the dimples you seem to like so much (and also because Lao is just happier when next to you). -He has no doubt you can fall just for his amazing personality too, but you know, since he has such a great physique, it would be stupid not to use it. -Lao is like a peacock showing off his round tail, hoping to impress you. -Raiden doesn't show off, but he'll always pay when he takes you out to eat or will make you win bets on purpose. -His proud smile makes your knees go jello. -They won't play dirty tricks to each other because, after all, they are friends! -The choice is yours!

Johnny vs Kenshi: -Master rizzer vs Secret rizzer. -Johnny knows about his friend's crush on you, but doesn't mind. No way his introvert friend can woo you! -What he doesn't count is that his friend is an ex-yakuza, and as one, had to seduce people and get into their pants to steal information more than once. -And Kenshi was always successful. -Johnny doesn't mind fighting for your love; he fully believes you'll reciprocate his crush! -He is all sweet smiles and warm eyes gazing into yours. Johnny tries to show off every time you are near him. -Johnny asks you out daily, and sometimes you accept. His smile on those occasions could light up an entire mansion. -He acts like a big lazy cat. If you compliment him back, you can hear a purr blossoming from Johnny's chest. -Everyone can tell that he is wrapped around your fingers. -Kenshi is way more subtle but much more intense. -He'd share a meal with you under a blossoming tree in complete silence. -"I love spring. The flowers on the trees are beautiful." Kenshi would chuckle at your words. Then he'll grip your chin, his hand going so smoothly on it you almost forgot he is blind. "I'm sure it's a way to thank you for blessing them with your beauty every day." Kenshi says it so naturally that you believe him. No comeback goes through your brain. -He is gonna use all his knowledge to woo you. -He is there for you, but never clingy. Kenshi is all subtle touches that leave you hanging. You need to miss him. -Also more prone to talk down Johnny. Kenshi is a man with a mission and needs to brush away all the obstacles to reach his goal. -The tomcat or the sneaky ninja? Okay, maybe the comparison doesn't sound fair… -Welp! It's your choice!

Bi-Han vs Kuai Liang vs Tomas Vrbada: -Mortal Kombat begins now! With the difference that, this is really mortal. -Every day is a brawl. They try to bring the other down all the time. -When Liang thought he had to win just against Tomas, he was quieter. He still wants to conquer your heart, but he doesn't try to bring his brother down. -The same could be said of Tomas. He wants to win your heart fair and square, not spreading lies about his rival and brother. Simply making you fall for him. -But when they noticed how Bi-Han looks at you… -They both look at each other in the eyes, and realisation hit them both like a brick. -Bi-Han really doesn't care about them and will also try to brush his crush for you off. He is grandmaster he doesn't have time for foolish stuff like love. -But when Bi-Han noticed his brothers crush for you… now he absolutely wants you. -Oh, Liang stood you up? "Damn, I'm so sorry. Come with me! I'll pay for everything you want at Madame Bo!" Tomas replies, voice thrilling full of happiness. -If only you knew that Liang didn't arrive because somebody trapped him in the woods. -Tomas forgot about your birthday. "That fool only cares for himself. Take this. My gift for you." Bi-Han pushes it toward your chest, fake indifference dripping from his gestures. The "By Tomas" note carefully replaced with "By Bi-Han". -That ass of Bi-Han froze the walls of your house? Don't worry, dear Liang will help you out warming the house up. And if you don't mind, he'll embrace you "So at least you can warm up." His handsome face dangerously close to yours. -If only you knew Bi-Han and Liang bickered before and the pyromancer made sure for Bi-Han's attack to hit exactly your house… -They are like beasts always going at each other thorats. Sadly, this make them all grumpier. -If they keep going like this, you won't end up with either of them. -But if you are interested, move fast! Or the world will have fewer ninjas soon…

[lxnarphase]

do you have any advice for new writers who want to start posting on tumblr?

Oh man, I'm gonna give you a list of things I wish I could've told myself when I first started posting.

Some Basic Tips:

Don't be scared to post! You'll never see growth in your followers, mutuals, and even your writing if you don't post!

Be open to asking others for help or advice if you struggle with writing. I sometimes ask some of my mutuals for help or read fanfiction to see how others write a scene. Then, I take the knowledge and write it in my own way. For example, I do well with writing dialogue but find myself always struggling with how to start the story.

Don't be afraid to post about non-writing things, too! Remember, you deserve to have fun on your account, so post what you want. You aren't a machine. You are a person!

The number of notes you get doesn't determine your worth or skill in writing. In my opinion, Tumblr has shifted a bit, making it harder for smaller writers to get likes, reblogs, or comments on their works.

But at the end of the day, in order to enjoy being a writing blog on Tumblr, you have to enjoy what you are writing and posting. Do not feel like you have to force yourself to write just for the numbers, let it happen naturally. Things will start out slow at first, as all things do, but you'll get to a point where you can barely keep up with things.

Post and Blog Formatting + Style:

Formatting is really important! Break up paragraphs, ask a friend to be a beta reader, and for longer works, go back and proofread if you have the time! It's okay if you have minor mistakes, though. I tend to miss things in my writing, and when I return a week later, I just fix them. No big deal!

Nowadays, aesthetics is HUGE for fanfiction posts and your account. Channel your creativity and style! Make your blog super pretty in your own way! It can be pink and cutesy, black and edgy, simple and clean, or colorful and cluttered! Don't have a blank blog!

PUT YOUR AGE CLEARLY SOMEWHERE! In your bio, pinned post, SOMEWHERE IT IS EASY TO SEE. I have had writing accounts follow me but no age, so I don't feel comfortable engaging with them.

You can take inspiration from other accounts (don't outright copy, though) on how they format their fanfictions. You will probably notice a lot of accounts have headers, dividers, or colored text. You can do that too, as it can catch the readers attention.

I get headers from doujins and mangas I read, websites such as Pinterest are good for cute ones, and Twitter is your go-to for more NSFW headers.

Create a tagging system to make navigating your blog easier, and have a pinned post with links to your rules/byf/masterlist/etc.

Try to put warnings in your writing. A lot of people have filters on to avoid the types of content they don't want to see, but there are the occasional people who don't put warnings in the writing post itself. It could be a simple tag or a list of themes at the beginning of the post.

An example would be a post with the tag #dubcon #tw dubcon OR putting "cw: dubcon" in the post itself before the writing itself.

This is a tag vs. in the actual post

Tagging and Reblogs

Speaking of tags, USE THE TAGGING SYSTEM! If you don't tag your post with popular fanfiction tags, it will be hard for people to find you.

Only the first twenty tags will show up in Tumblr search, including your own blog. Reblogs will not show up in tracked tags or searches.

However, don't feel bad for reblogging your own works again. Do it as many times as you want. You created something and should feel proud of it! I still reblog things from January just because.

Making Mutuals

Don't be afraid to engage with other accounts. That's how you make friends on here! But here's something important:

Be genuine. Make mutuals because you enjoy each other's work, AND both have fun talking with each other! If someone doesn't add you back as a mutual, that is okay; don't feel like they have something against you! Making mutuals shouldn't be your only goal when posting on Tumblr. Otherwise, you might tire yourself out mentally. It took me a while to make mutuals on here, but I'm glad it did it naturally instead of trying to force it.

Asks and Anons

Once you build a following, you will get the most wonderful, loving, and supportive anons in your inbox! Cherish them, respond to them, and have fun with them! Because there is a very high chance, you will also get assholes in your inbox.

I say this from the bottom of my heart but do NOT give hateful people your attention because that is what they thrive on. I still get them, but when I tell you I am at so much peace, I block and delete the messages and carry on.

If a certain message bothers me for a bit, then I just take a little break, talk to some friends about what happened, and do what helps me calm down so I don't act rashly. Don't be afraid to turn off anonymous messages for a while. This is YOUR blog, not theirs.

Don't feel pressured to answer every ask or fulfill every request. Take your time because that can burn you out! I love socializing so much, but sometimes I just pull a blank on how to respond to my asks. I always ensure my mutuals and followers know that I'm not ignoring them and just tend to go blank-brained with some asks, OR I save some of them to look at when I'm sad!

Overall, just start and DO IT FOR YOURSELF.

That's the best advice for when you want to make anything. You just have to start posting and learning and improving as you go on. Hopefully, this will sort of help. I know it's not the best list of advice, but it's just some things I would tell myself back when I first started.

If you have any other questions, I can try my best to answer them!

[fairydares]

loook i get why the idea of riding the "anti/pro" fandom disk horse makes people gag a little in their mouth and try to opt out entirely, but here's why i went from feeling exactly the same way to taking a firm profiction stance. I've been meaning to make this post for a while.

~10 years ago, I posted a fic for the first time and it got its own harassment campaign. The fic wasn't even sexual, and wasn't going to be (it remains incomplete). It was accurately rated T on fanfiction.net. Anyone in the Fairy Tail fandom will understand this: I literally got harassed for writing a "Lucy leaves the guild" fic💀.

After many nice comments, someone left a pretty nasty one. Hurt, I messaged them back. They acted super attacked that I'd responded (lmao) and after we argued, threatened to "rip my shitty story apart in the comments section" if I responded again. I told them "go ahead lol."

They went ahead.

Now know that it was a relatively small harassment campaign, but at the time, it was devastating. Right around then, I wound up in the hospital. After I got out, I went to excitedly check my fic, and found several reviews saying things I wouldn't repeat to my worst enemy. I was suicide-baited more than once, told "thank fuck you finally abandoned this shitty story, dumb cunt," stuff like that.

There were several accounts involved, and I can't say for sure, but I suspect at least a couple different people were involved, though probably at least half of it was one person.

All the other comments were screeching about how I hadn't updated, mostly. "NO UPDAAATEE WHY DOES THIS ALWAYS HAPPENS TO MEEEE??!!!" was one that stood out after I'd been miserable in a hospital for an extended period of time.

Idk what people think is going on when FT fic authors write this trope, and frankly I don't give a fuck. Because while I was partly writing the story out of some young, cringe feminist rage, I also did genuinely have a real story I was compelled to tell. I was inspired by another, popular fic I loved which used the trope to talk about how trying to shoulder our burdens alone really just hurts both ourselves and everyone who cares about us.

My own story was ultimately going to have similar themes, with more focus on strength, what it means, and in what contexts earning and having it actually matters. In retrospect, no wonder I wound up in hot water, because at the time "Lucy vs. Strength vs. Misogyny" was the FT fandom's Designated Nonsensically Activist Debate™. But that's partly why i wanted to write about it; engaging with the fandom had gotten me thinking about it 🤷‍♂️

Not too long after that, FFNet oh-so-benevolently granted us the ability to delete comments from our own stories (they never took my reports seriously at all, afaik). I deleted all or most of the harassers' comments (may still be a one or two up, and i'm fairly sure there's a couple comments defending my fic from the harassment) without saving screenshots, which I really regret now. I was just so mortified and full of self-loathing about the whole thing that i wanted to forget it completely. Something that had brought me joy at a very lonely, vulnerable period of my life had turned so negative, and i couldn't even tell the people closest to me about it without being made fun of for writing anime fan fiction.

I didn't understand why this happened at the time, but--after a period of trying to forget/bid out of it all with a slight anti lean (a common approach I see people use, and one which I'm not proud of adopting)--I just had to figure out What the Fuck Even Happened There. And I'm telling you, after years of reflecting, wrestling with both sides, and educating myself, that this "status quo of harassment" culture which pervades fandom goes way deeper than you think and comes out of a way darker well than you probably realize. An astonishing amount of this is, quite literally, TERF shit and evangelical shit.

Trying to be in fandom and take a stance of, "Anti/Pro shit? Ew, I'm Not Touching that," is like swimming in a heavily polluted river and being like, "Poison? Cringe. Not me lol."

You might be lucky enough to be in a less-polluted part of the river (AKA a relatively non-toxic fandom, in which case good for you!)...but tbh this rhetoric and peer-signalling will still seep in.

I can't stress enough that pro-fiction, AKA "proship", is the normal, leftist-about-art-and-sex opinion. Pro-ship is against all the horrible things you're against; in fact, pro-ship isn't trivializing real trauma by equating it with fictional trauma, or trying to apply literal evangelical/radfem solutions--which are proven not to prevent or help. Profiction/proship is literally just saying, "Fiction is fiction, reality is reality, and the two don't have a 1:1 relationship. And historically, trying to censor just things we've decided are bad has done nothing but get LGBTQ+ and POCs censored. Therefore, depictions of illegal things shouldn't be censored." That's it. "Proshippers all ship problematic ships," is a brazen lie. Many of them share other fans' disgust for those ships, they just don't believe in censoring fic authors over it.

It is also taking a stand against harassment because--and I hope my own story has helped drive this home--as with all groups who adopt ingroup/outgroup thinking, antis are defined by their tactics, not actual stances on real, serious issues. What happened to me was absolutely a result of anti, "it's okay to 'bully out' anything I just don't like" mindset pervading fandom. In a way, this was the mindset's final form. They didn't even feel the need to cite a reason the trope was "bad" or "wrong"; it annoyed them, and they viewed their own feelings as a valid enough pathway for policing to go right ahead and do so.

In the interest of offering solutions instead of just bitching about problems, I might make a "how to know if you've bought into these types of views"-type post sometime. Also might come back to this and provide some sources/citation.

[miwiheroes]

Hi welcome to miwiheroes <3

*australian accent* 'Ello this is Eli, president of miwiheroes club and I realised I never made an intro post, also this is a little masterpost where you can find all the analysis/ byler rambling posts without having to scrolls through my account :D

I'm 19 years old

At university for psychology

he/him

I may look like an aggressively straight man but no one knows i'm actually hyperfixated on shipping two queer guys from a sci-fi netflix show

I'm a capricorn, infp, bisexual and trans ftm

my hyperfixations right now include byler, severance (on appletv+), and dan & phil <3

i'm from england

my spotify is 'figflower' and: Here are my byler playlists!!

i never used to write analysis on film but thx byler tumblr because i've been missing out

if you were wondering, my favourite characters from stranger things are (in this order): will, mike, hopper and el <3 okay see ya

MY ANALYSES:

(i will update these as i make them. my more massive analyses are highlighted in blue)

This theoretical model of relationships + ST couples

Purposeful music choices and music titles

Will's understanding of Mike makes the audience root for Byler

Mike and Will and El cannot be replaced by a different gender - they are tied to a queer narrative w/ @stranger-feathers

All my Airport Scene Analyses

Mike has to be wrong about needing to love El

Elmike breakup vs Byler fight contrast

Phonegate canon or not canon? analysis

Colourgate is completely canon

Mike's bedroom detailed analysis

Will is not getting a new love interest in S5

How Mike treats El's letters vs. Will's art

Season 3 ending scene full analysis

Mike's conversation with El in the grocery store is queer coded

Byler parallels with other canon ships

Answering a mileven ask part 2: electric boogaloo

Answering a mileven ask part 1

Mike's self-sabotaging avoidance to incriminate himself

Silly queer coding jokes

The M&M Scene

Mike Wheeler's Promise

Will's 'I'm not gonna fall in love' is a bigger proof than you think

Confirmation that Mike jumping into the quarry was about Will

Milkvan's conflict, Byler, and the concept of understanding

Byler and the insane amount of Closet Imagery

Season 1 Mike is extremely queer-coded

The most important 'Will Voice' scene

What if Mike's gay from the beginning of S5 like Will in S4?

You're not delusional: What I noticed when I wasn't a byler

Thinking about the monologue…

Mike is clearly thinking about Will in the Snow Ball scene

Light is symbolic for truth = byler endgame

MY FICS:

My AO3 Account: miwiheroes

vibrant days (caution to the breeze) - 15,204 words

Mike and Will's relationship has been secret for 2 months. Neither of them want to bring it up, but things build and build until it becomes more of a burden than just a little mutual understanding. Will's growing up (and getting drunk) and it's impossible for Mike to stay in the same place forever, with words always on the tip of his tongue.

aka mike and will are hiding their relationship and avoid talking about hard subjects

is my timing that flawed? - 14,621 words

In the aftermath of a harrowing escape from the Upside Down, Mike and Will grapple with physical and emotional wounds. Faced with Will's new plan and doubt of what's real and what's not, Mike must confront reality and something that he had never been able to truly control.

aka wound cleaning fic + a devastating cliffhanger + Will not knowing what's real and what's not

it's rotten work (not to me. not if it's you) - 15,919 words

Ten years after everything, and Will hasn't been able to shake a debilitating fear of anything medical-related. So when the only option and smart thing to do is get a blood test from the hospital, Mike is sure to take the time to be there for him.

aka will needs a blood test but has a phobia of needles and mike takes time off work to support him

what you really want - 46,456 words

aka a s5 speculatory mike wheeler-centric fic about his internalised homophobia and a lot of moments where he's not so clever about his feelings with will

our hearts were singing - 13,724 words (incomplete)

aka karen invites mike and will over for christmas, but mike still hasn't told his whole family about his relationship, even after a year of them definitely not-so-platonically living together. maybe it's time.

you can't help but become the sun - 16,267 words

aka mike offers to be will's reference, they talk about mike's self-esteem issues, and more shenanigans with paint ensue

MY BYLER EDIT COMP ON YOUTUBE

Have fun! And if you don't ship byler ur allowed to interact but if you want to hate on it, please don't interact! I'll just delete any hate because I personally think there is no space for homophobia or negativity on my page.

You'll also find 0 byler doubt here. I don't want to worry people. So ily <3

[winwintea]

AUTHOR’S NOTE: thank you for @sungbeam for the tag, yours was so prettily laid out and i was in shock. ALSO THE TAG WAS SO SWEET EVEN THOUGH WE ONLY BECAME MOOTS AT THE END OF THE YEAR. even though i really only started writing fics towards the end of the year i did write more than i thought could so it’s fun to go over yknow…

no pressure tags: @chenlesfavorite @ddolbyong @fatalhoon @galacticseonghwa @hazyhae @jirsungs @lyvhie @odxrilove @polarisjisung @peterm4rker @sehunniepot @strrykais @thatsatricky1 @viasdreams @vanesycho @wonbin-truther @yizhrt

FIRST FIC OF 2024: yours for the night ◎ park jongseong (april 20th)

chat… don’t talk to me about this one ok. DONT READ IT 😐 i can see you wanting to read it DONT ISTG. but genuinely i re-read it and cringe cause wdym i thought this was good and posted it. it was kinda rushed though, cause i think i was trying to time it with jay’s birthday. kinda funny that i’m a mainly nct account and my first fic ever posted was an enha one

LAST FIC OF 2024: mutual affection ◎ park jisung (december 25th)

start the year with fluff end the year with fluff! 🤗 this one changed drastically from it’s original concept though. it was supposed to actually be professor x reader where y/n comes in during class to deliver lunch while his students tease him but then they go on a date, except @polarisjisung liked the idea of them passing notes to each other during class 😚

LONGEST FIC: wicked love ◎ na jaemin

y’all ate this one up i’m so glad it didn’t scare you guys away. the reaction was so positive and lovely, i was a bit afraid since i’ve never written a yandere type character before. plus 5k is definitely long for me, i’m hoping to write something longer next year so wait for me okay??

MOST POPULAR FIC: inyun ◎ mark lee

lowkey didn’t expect this to do well but somehow mark lee + past lives combo works well. also did not cave into the angst ending!!!! so i don’t have much to say on this one love u all mwah mwah

PERSONAL FAV: my apology letter ◎ zhong chenle

obviously i would have to choose between winwin or chenle for this one (no shit) but genuinely as much as i hate this man so much this fic just. i don’t think i could write anything like it again? maybe? don’t trust me on that i’m unpredictable. but the idea was just insane and i can’t believe i pulled it off well in writing.

i hate zhong chenle. i hate that man why is he so writeable. WHY (i got lazy with the banners don’t kill me)

NO. 1: Zhong Chenle (12,300+)

find him in: heart to heart, secure that once upon a time, stop posting about BALLER, my apology letter

NO. 2: Na Jaemin: (9,100+)

find him in: that’s okay, wicked love

NO. 3: Huang Renjun (can’t count cause smau lol)

find him in: the last dance, and belladonna!

if y’all couldn’t tell i didn’t start seriously writing fics until the later half of the year, and i also am a new writer 🤭🤭 i started writing around march/april of this year starting off with smaus. i was also lazy with my banner making abilities so i hated that but anyways we learn!

i plan to write more obviously, it was just so fun!!!! to pump out fics in the span of 2 months but i lowkey can’t keep neglecting my smaus i feel bad 💀 but on terms of what i have on my brainstorming/working on list rn!

- an angel reader x demon haechan fic (won’t give much details bc i don’t want to spoil but hehe 😛😛)

- super super lore heavy fic involving some modern retelling of alice in wonderland theming going on but make it romeo and juliet, and detective themed with some mystery. (😐😐 this one might be so long idk if i even have the ability to write it but i will try!)

- delinquent jaem smau (i’ve talked about this before but yall cannot let me start another smau i gotta finish underneath the tree and mark lee vs the world first okay)

- upstairs neighbor haechan smau except he literally crashes through the ceiling into your room and that’s all the plot details i can tell you rn

- secure that card (but better)

- a jisung smau that will tie in every single smau i’ve ever written together (guys the winwintea universe is real)