#massive spoilers for all seasons of both shows

[deadboydetectives-confessions]

Maybe this'll be really unpopular (guess that's what this blog is for lmao), but with all the new spoilers dropping I'm starting to get a little glad we didn't get season 2. I'm sure they'd do everything really well, and I'd love to see the gay bar episode, but bringing back Esther and the Cat King? I had such a visceral negative reaction to both those pieces of news.

To explain myself: I think there is a massive problem in series', across a lot of different types of media, of having recurring villains, people who come back just because no one can be bothered to think up a new villain, and it ruins a lot of things for me. Imo Esther was really well dealt with in season 1; considering she'd technically immortal, I think they got rid of her really neatly and in such a beautifully appropriate way. She's being punished by the goddess whose gift she used to feed hundreds of little girls to her giant snake. That's such a wonderful ending. It's fanfiction's job to bring her back over and over, just like it's fanfiction's job to put Edwin in Hell over and over; it's the show's job to come up with a new villain.

I very much don't ship Catwin - I like the Cat King as a character but I am very strongly against the ship for reasons I have given before (the Cat King's loneliness means he needs friends, not a boyfriend, and I don't think it would set a good precedent for Edwin's future relationships to sleep with the guy who tried to coerce him into sex) - so that might be colouring my thoughts against his reappearance in season 2, but I just... I think he's served his purpose with the Agency. Maybe a spin-off or something about him, Monty, and Tragic Mick making friends and dealing with the fall-out from Esther's end would work, but I don't want him becoming part of the Agency or even really interacting with them much because, to me at least, it would just feel forced.

And also, it just feels like both Esther and the Cat King are very rooted in Port Townsend. They've been there for centuries. And now that Niko has 'died' and Jenny's considering moving to London, there's no reason for the Agency to ever go back there. I know a lot of people are attached to Port Townsend as a location because that's most of what we see in the show, but I'd love to see the Agency in London, where they've been already for years. They must have quite a large network of supernatural acquaintances, if not friends, in the UK and I think it would be a shame for the show not to properly explore all the potential that has.

Overall, I don't know. I think Dead Boy Detectives is an amazing show that deserves to have loads of seasons exploring lots of different characters and locations, and the number of characters that feel like they should have been a one-off in the first season but were apparently going to come back in season 2 suggests to me that it was only going to get one or two seasons anyway.

.

[sflow-er]

Some thoughts on the Fleabag parallel

Lately, I've been thinking about how the Fleabag parallel with Sargust actually runs deeper than the famous line, and how these deeper connections contextualise Sara and August's relationship and goodbye.

[Disclaimer: I am heavily drawing on a Fleabag analysis by Aaron Bady, because while I love the show and just rewatched it last year, I have never engaged in the fandom or tried to analyse the story in depth. I welcome any additions, corrections or sidebars in the replies/reblogs!]

So in this parallel, August is Fleabag. Sara is the Priest.

In S1 of Fleabag, the titular character is stuck in a cycle of self-destructive behaviour. As we eventually find out, she is plagued by guilt; she has betrayed her best friend and indirectly caused her death, which has left her grieving and unable to obtain closure or forgiveness. She is also in deep financial trouble, emotionally closed off, and at least partly estranged from her family, who have learned to expect the worst of her. Despite some warmer moments, both her dad and her sister choose their awful romantic partners over her. She even contemplates suicide at the end but is saved by someone with whom she shared a misery bonding moment in an earlier episode (and who also gives her an economic lifeline).

In S2, Fleabag is no longer acutely spiralling. She has turned her business around, turned non-confrontational with her family, and even quit some of the self-destructive behaviour (most notably her compulsive tendency to seek validation in sex). However, this is not true self-improvement. She has resigned herself to her family's judgment and the idea that she is utterly irredeemable and unlovable, but decided to live on regardless.

Enter the Priest, who is unlike anyone Fleabag knows. He is candid and blunt (as opposed to her family who keep up appearances), charismatic, fascinating and empathetic. He persistently chips away at her emotional walls, tries to help her, and insists that she is worthy of love. He also admits that there are things and relationships in his pre-canon past that he isn't proud of, so they have something in common there.

As this block quote from the analysis linked above demonstrates, he also has something she lacks:

What's more, a priest can offer her something that a world where everything is allowed — and where nothing can therefore be wrong — cannot. How can a person find help when therapists — as her disastrous counseling session demonstrates — can only tell you that whatever you've already decided to do is what you will do? How can they help you when that inevitability has led you to do the wrong things? What she wants, it turns out, is not to "f*** a priest" but to be told what to do. Having lost all confidence in her own judgment, her own instincts, and her own feelings — having decided that what she needs is for someone else to take over decision-making for her life — she is increasingly fascinated by this man of the cloth who seems to be exactly what she wants to be: a funny, profane train-wreck, wearing great dresses, who lives a mortified and celibate life of subjection [--] This instinct is wrong, it turns out, because it's still the instinct to give up on herself. 

Let's stop there for a moment and return to Sargust. The details and timelines differ, but tell me I'm not the only one who sees multiple levels of this parallel.

August is also in deep financial trouble, emotionally closed off, self-harming, and estranged from his family in S1. He too does something terrible to someone who trusted him. He hasn't quite resigned himself to Wilhelm's judgment yet by the time Sara first approaches him, but he does feel unlovable and irredeemable, and he is still flailing internally in the relative calm at the start of S2.

I would even go so far as to say that August too lives in a world where everything is seemingly allowed. He famously tells Wille that people like them can get away with murder, and he makes it pretty clear that elite loyalty is the only moral code he knows. Even in S3, he tells Boris it's hard to motivate himself to be good when he knows it won't be rewarded with forgiveness.

As for Sara, she too is blunt, fascinating, empathetic, and a total contradiction to the people around August. She too allows August to be vulnerable, accepts him at his worst, and tries to help him. She both reminds him of himself (especially due to similarities in their past, but also some surprising compatibilities in their present) and possesses something he lacks.

Sara has a moral compass trained on the real, non-elite world where bad actions have consequences. She urges August to do the right thing and come clean about the video, and while he doesn't actually promise to do so, he doesn't fully decide against it either (until later when the crown is dangled in front of him). In the meantime, he actually seeks validation and some semblance of redemption from her.

It's her assurance that he isn't the worst person in the world that prefaces their first sexual encounter.

You could even say this scene and all their S2 scenes leading up to it hit an emotional beat that's somewhat similar to the confession scene in Fleabag - the moment where she finally breaks down, confesses how adrift she feels, and begs the Priest to just tell her what to do. This is the step that leads to their first, very heated kiss.

One area where the storylines differ concerns August and Fleabag's expectations for the secret/forbidden relationship, but I would argue that the way their expectations are thwarted feels somewhat similar again.

Fleabag expects her infatuation with the Priest to remain purely sexual and emotionally detached, and for the Priest to reject her. This would prove yet again that she is as unlovable as she feels, and it would also take the decision out of her hands. Instead, she opens up her heart and dares to hope for him to reciprocate - which he does. They even sleep together, despite the obvious risks to his life in the church that has given him peace from the regrets in his past.

As the analysis linked above argues, it's just as significant that the risks never materialise:

[S]he fell for a priest because the idea of him seemed like the promise of sexual rejection and the annulment of her freedom; instead, he gave himself to her, accepted her choice, and allows her to turn his life upside down. Except that... he's fine. Having sex doesn't ruin his life, it turns out, just as it hasn't ruined hers. In fact, the revelation is that sex has changed nothing, which might be Waller-Bridge's most radically hopeful suggestion: after their trainwreck of a relationship, the Hot Priest goes back to the church, and she goes back to loving her family and being loved by them. No mistake you can make can change what matters; whatever you've done, it will pass.

Over the season, Fleabag has grown closer to her sister and encouraged her to leave her husband, and she's also had some bonding moments with their father. As she walks away from the camera after the "it'll pass" scene, she is holding a gold statue that represents her late mother and her familial relationships in general. The implication is that the love and acceptance she gained from her relationship with the Priest - which is not negated by him choosing his conviction and current life at the end - will carry over.

As for August, he initially expects his relationship with Sara to be a pretty simple transaction. He gets her into Manor House, she keeps his secret about the video, they seal the deal with a makeout session.

After she starts actively pursuing him in S2 at the risk of ruining her relationships to Simon and Felice, his expectations shift in a naïvely romantic direction. Being a teenager in love, he thinks they have now chosen each other and will stay together forever. He will take care of her and give her anything she wants; she will stand by him and help him be a better version of himself that he doesn't know how to be on his own. Eventually, he also projects his dream of being king and queen on her (which is a critical misconception on his part).

Between S2 and S3, he is angry with her for making the police report, but he eventually decides that he deserved it for betraying her first. This is still a pretty transactional view of relationships and an example of skewed morals, and he doesn't quite manage to dismantle those by the end of canon. He understands that he let Sara down, but he doesn't seem to have fully internalised their different perceptions of right, wrong and accountability for one's mistakes, and he still believes she will take him back in exchange for him baring the rest of his soul to her. He loves and misses her, but he is still struggling to truly see her, just as she says in the final scene.

Even so, August has already started to apply the lessons he learned from their relationship to other areas of his life. He is starting to rediscover his sensitive and vulnerable sides and show them to other people in his life, which will improve his other relationships going forward. He is also starting to question some of the harmful structures and behaviours that he has perpetrated and upheld and/or been subjected to. He still has a long way to go, but he does manage to sincerely apologise to Wilhelm at the end, which allows them to get some closure.

(If the director is to be believed, he will also apologise to Simon, although this wasn't really communicated in the show.)

To wrap this up, I want to emphasise that while both Fleabag and August primarily fall for what the Priest and Sara represent, that doesn't mean they don't also love what they know of the real person. Their feelings are real, and so is their hurt over the final rejection. Likewise, the Priest and Sara choosing themselves and their other "great loves" instead of this romance doesn't make their feelings any lesser or easier to get over. "It will pass" is not a total renouncement of the relationship. It's an acknowledgement of shared pain and reassurance of the good things - such as the ability to grow from and move past your mistakes and to give and receive love - outlasting it.

Also, the Fleabag scene doesn't end there, and with how clear the parallel is, I always figured this was implied in the YR scene as well.

[rhaenyra-first-of-her-name]

Idk what it says about me but the reveal has just made me like Armand more.

Yeah, go commit more crimes, my dear. His sad eyes have bewitched me. I stand with my cancelled wife.

But Armand is absolutely insane. Like he went from abandoning his og plan to rolling with Louis in a matter of days? Never say that this boy wasn't flexible. He is literally sick of everything in his life and is like, whatever 🤷‍♀️

Louis, Louis, Louis...... You are insane too for staying with him for 77 years to spite your ex. You are petty and I love this idea but you are still insane. I think this might be the first time you flabbergasted Armand and me. Love your petty ass, Louis.

Also since Armand let Louis sorta win their divorce fight, after just establishing him as the Big Bad™, for now, this man is forever scheming, 24/7. He is working overtime. Forever a stage director. (Okay, not really. He doesn't have the emotional bandwidth to be an effective manipulator, he's just an opportunist and oh boi, are the opportunities finally opportuniting after the shitstorm of his life so far.)

[howbrightthemoon]

as we expected, EPISODE 5 WAS BRILLIANT

we're REALLLLYYY kicking off things in part 2 huh

SPOILERS BELOW proceed with caution

The intimate scene: we get a love scene not even half way through the episode and it is....SO beautiful, and I genuinely stopped breathing and couldn't stop thinking about it for the rest of the episode

there's lots of giggles throughout the whole scene because it's Pen's first time, there's check ins, double checks on consent...but Pen isn't totally clueless, she WANTS to touch him but just doesn't know how...and the way he guides her....and the way he makes her feel comfortable first with the ol carriage fingers before asking if she's ready AGHEHREWKENKFJNEWHR

and the way they slowly reveal their bodies to each other....my god it is just incredibly sensual and romantic, he really takes his time undressing her and savoring her, while he really takes his time letting her see all of him (and I mean ALL. OF. HIM.).

they start off slow...but again Penelope is like LETS FUCKING GO and she's giving him the 'fuck me' eyes and he's legit losing himself and honestly, they're both REALLLLYYY getting into it, BOTH. Not only is there the focus on Pen's pleasure, but Colin's too. I think because it's important to show the difference in his sexual encounters at the brothel versus with someone he loves. LN was seriously giving his all in this scene, I was not expecting to see an O face but yeah, he did thaattt

Whistledown mentions: Nicola does an amazing job at portraying the sheer anxiety she feels over this massive secret she's hiding. Now she's part of the Bridgerton family, she has to see Eloise more often and just SEEING Eloise makes her panic. Not even with the 'you have to tell him before midnight' thing, but every time they're in the same room, Pen just loses it. The way she shows how her anxiety builds and BUILDS throughout this episode is so scarily accurate, I really felt for her, poor girl was just trying to enjoy her fiancees engagement speech and Eloise just had to butt in and start ruining the whole night for her.

Cressida's motivations: girl, I get it. I'm sorry she's reverting back to her old cunning ways, but...man no one in that drawing room was listening to her...she had to say something. Can you imagine being in her position? i'd lie that I was whistledown too lol, girl, I get it. It's ELOISE that I'm honestly fed up with in this episode.

ANTHONY BRIDGERTON: Last thing, I wanna shoutout Jonathan's acting in this episode. The way I am so convinced that Anthony is absolutely overjoyed at the fact that he's going to become a father soon, and he plays that joy into every single scene he's in. I could see so much of that playful competitive big brother vibe from season 2 (especially in the charades scene, which reminded me of pall mall s2) from him in this episode, I loved it.

anyways rant over, I am seated for the release of all four episodes later today and you best believe I'm binge watching it

p.s. I just wanna say....Nicola was not kidding when she said she was going to show everything on camera....girl, you are absolutely gorgeous

[cbrownjc]

My Long IWTV Season 2 Prediction Post:

So this is a long post containing all my (more or less) final predictions for Season 2 of IWTV. Mostly so I can keep track of everything I've been predicting since Season 1 ended.

I'm breaking this all up between General Predictions and some specific Episode Predictions. And I'll put it all under a spoiler cut due to the length and just in case any of this is correct, which would mean massive spoilers. Because yes, many of these predictions are based on things found in many of the books in the VC, not just IWTV; as well as recent trailers and other press material.

General Predictions:

Louis will attempt to end his life like he did in the book Merrick by the end of the season, likely in EP08: This is something that I've been predicting since EP05 of Season 1 first aired. I think it is pretty much my oldest prediction wrt the show, and one I've never wavered from. Now it's time to see if this prediction is right or not.

Lestat is asleep in a coma somewhere in the Al Shafar Tower, and is the source of The Groan: I first made this prediction back before EP07 of S01 aired. I wasn't too confident about it being proven during Season 1, but I think now is the time. Maybe Lestat's in the penthouse. Maybe he's in the basement. Maybe he is on some floor in between, I don't know. But something like The Groan wasn't spoken about as just some throw-away line. There is a reason it was pointed out. And I think that is because Lestat is the source for the sound and makes it sometimes while he is in his post-Memnoch coma state. And what is going to finally wake him up will be Louis doing what I predicted above in my first prediction.

Armand and Daniel's relationship (ie their past romantic relationship) will be revealed in EP08: I've been predicting this more times than I can count during the hiatus. Simply because, as far as general/causal audiences go, revealing it in the finale always just seemed like the most impactful place to reveal it.

The missing pages of Claudia's diaries will reveal the information about her that we learned in the book Merrick, particularly regarding her feelings toward Louis: Via the link above I made a long meta post about that. I'll say more about it below, but in general, why Louis is going to do what he does by the end of EP08 will be because of what he reads/learns from Claudia's missing diary pages, just like as what happened with book!Louis in Merrick.

Louis will begin to awaken his Fire Gift abilities during the season: There is a quick shot in one of the preview trailers of what looks to be Louis setting one of his photographs on fire, but not with a match or candle or anything, but just by staring at it. I think when Louis first discovers he has the ability to light things on fire like that, he'll not be overly excited about it or anything, and only reluctantly test it out sometimes . . . until he unleashes it in full in the season finale against the theater coven.

--------

Episode Predictions (Spoilers):

Episode One (many people have already seen this episode at the premiere, but there is one thing I was already predicting about it before then that I want to say again):

-- Louis and Claudia will not arrive in Paris until either the end of the episode or the beginning of Episode Two.

-- This episode will be a set up to explain how revenants are created. That they are made if you try to turn a human but don't give them enough blood; OR if you don't scatter the ashes of a vampire that has been reduced to one. This will be done to set up both why Claudia's ashes had to be scattered AND the risks being made to bring Louis back either at the end of Season 2 or the beginning of Season 3.

---

Episode Two:

-- Not much to say really that most don't already know/suspect. Louis and Claudia arrive in Paris, and Armand and Louis first meet. Louis and Claudia meet the whole theater coven.

---

Episode Three:

-- Again, not much to say. Armand's full backstory will be told. This is also the main episode where we'll see Nicki and what his fate was. We will probably also get confirmation from Armand that the backstory that Lestat told Louis and Claudia about Magnus and how Lestat said he was turned was true.

credit: gif by @sheisraging

---

Episode Four:

-- Louis and Armand have sex for the first time (with Dreamstat in Louis' head giving commentary 🤪).

credit: gif by @sheisraging

-- The "banquet" scene, where Armand puts the coven members to sleep and Louis and Santiago have a confrontation (Louis looking like he's going to cut Santiago's tongue out.)

-- We will see the rift between Claudia and Louis continue to grow, as well as Claudia's distrust/dislike of Armand.

credit: gif by @sophsun1

---

Episode Five:

-- "Lestat, Lestat, Lestat, Lestat, Lestat, Lestat, Lestat, Lestat." 😂

credit: gif by @loo-nuh-tik

Yeah. We'll see this moment above in Episode 5. And Louis and Armand will basically deliver all their break-up dialogue from the end of the first book HERE, in Louis' shitty apartment in San Francisco; after Louis has attacked and almost killed Daniel.

This means that yes, Louis will confirm to Armand that he knows what Armand did to Claudia here. (With only heavy illusions made about what her ultimate fate has been.) And then Armand will give his "I thought you'd get over it" monologue.

And while Louis and Armand won't fully go their separate ways as they did in the book after all of this (because Armand will still feel he needs to look after Louis), we will very much understand that these two are not a happy couple at this point in time, and are full-on toxic in their own unique way.

credit: gif by @loo-nuh-tik

-- Along with the FULL 1973 interview, The Chase between Armand and Daniel will be shown almost in full. We'll see a lot of things about The Chase, but we will probably not see fully when, or how, it ended.

---

Episode Six:

-- "I betrayed Louis once in my life and it wasn't in San Francisco." Armand says this to Daniel in Dubai in this episode.

-- Madeleine gets turned in this episode.

-- Louis says goodbye/breaks up with Armand.

credit: gif by @hermit-frog

-- "The Last Supper."

credit: gif by @nalyra-dreaming

-- The episode will end with Louis, Claudia, and Madeleine all being taken by the Theater coven to be put on trial. Armand gives Louis a "Judas kiss" and leaves the three alone at the dinner table right before they are taken.

credit: gif by @ofinkandust

---

Episode Seven:

-- Okay so, back when the Jones Cut trailer first aired, I said that this moment was Rockstar Lestat:

credit: gif by @virginiaisforvampires

Well, I was wrong about that. Why? Well take a look at this:

credit: gif by @sheisraging

Do you see it? Behind Santiago, in the upper left. That is the same key prop on the railing as in the shot with Lestat on the right on the railing. If you squint, you can also kind of make out the musical notes on the railing to the left of the Lestat image on the railing on the right in the Santiago one.

The shot of Lestat isn't Rockstar Lestat, as I first thought it was. It is the real Lestat's first entrance into Season 2. And it's going to be at the trial, in Episode Seven.

-- And because Lestat is making his first entrance in the way I talked about above? This is 100% from Armand's POV with some of Louis' misremembered POV with it. Because Lestat was not in any condition to make THIS kind of entrance on his own.

-- The revisit of Mardi Gras Murder Night from EP07 of Season 1 will happen here, during the trial. And it will be revealed that Claudia alone slit Lestat's throat while Louis stood by passively, while Lestat begged Louis to put him in his coffin. (Matching up to what Claudia wrote, in Lestat's blood, what his last words were.) Giving the full context to this moment we only saw in a flash in EP07 of Season 1:

Which will then lead into . . .

-- The revisit of the Louis-Lestat fight from EP05 of Season 1 will be shown in this episode as well. (And will give viewers, particularly non-book readers, their first hints of Amel.) And because of what happened in that fight, specifically why that fight started in the first place, will tie into . . .

-- Claudia's diaries, which will be read at the trial. Out loud. By Santiago. And more specifically the missing pages, which we see Louis and Armand talk about in this preview, will contain some damning evidence that will all lead to . . .

credit: gif by @mundaneandmagicalcreature

-- Claudia will reveal right there, on stage, to Louis himself, how much she hates him and blames him more for her situation than she does Lestat. Because "It's never been about me." Lestat made her for Louis. If Louis hadn't wanted her, she would never have been turned.

-- This episode will end with Claudia's death. Louis will be rescued from his coffin prison by Armand, and the episode will end with Louis breaking down over her loss -- both in the past and in the present in Dubai now that he remembers everything about Claudia's true feelings towards him right before she died.

---

Episode Eight:

-- Louis goes all Carrie/Firestarter on the Theater coven (after warning Armand to stay away first), unleashing his full Fire Gift powers on them all.

credit: gif by @sam-reid

-- Louis grieving in the park -- the same park where he first met Armand -- in the rain after destroying the theater coven, comforted by Dreamstat. And then Armand arrives . . . because Armand is whom Louis was actually waiting for. Why? Because, as Louis said about it in the book --

Where to go then, if not to die? It was strange how the answer came to me.

credit: gif by @hermit-frog

-- Louis and Armand (and Dreamstat) go to the "Louver" for that moment from the book; which in the show has been replaced with someplace else since, post WWII, the Louver was apparently still closed at that time. It will be revealed that Louis knows of Armand's hand in Claudia's fate, shown via Dreamstat's reaction to everything Armand says about what happened.

-- And this will all now tie everything together into what will be alluded to about Claudia -- and Louis knowing Armand had a hand in it whatever it was -- in Episode 5 . . . and this now reveals why Louis and Armand's relationship has not been a happy one at all over the years, as we will see in Episode 5. And this will all be summed up by Louis probably saying this from the book directly to Armand:

"Yes, that is the crowning evil, that we can even go so far as to love each other, you and I. And who else would show us a particle of love, a particle of compassion or mercy? Who else, knowing us as we know each other, could do anything but destroy us? Yet we can love each other."

-- And the "Louver" scene will be the last scene we see Dreamstat in, as it will be here that Armand will tell Louis that Lestat died in the destruction of the theater. And Louis will believe him.

-- Armand, in the present in Dubai, will reveal the head thing he did to Claudia before she died.

-- Armand will reveal how he threw Lestat off Magnus' tower, even after Lestat was badly burned by Louis setting fire to the theater (but survived).

-- we will find out WHY Louis stopped feeding on humans in the year 2000. And it's probably not something anyone expects.

-- At some point in here it will be revealed that Lestat and Louis do reunite after Paris -- for real -- for a time, in the recent past. As seen by this hug:

credit: gif by @nalyra-dreaming

However, something happened that made Lestat unavailable/incapacitated again (some Memnoch-type event is my guess.) So Lestat is now in a coma and Louis, rather than be alone, chooses to stay with Armand for the same reason he did after losing Claudia in Paris.

-- In Dubai, Louis will try to end his life via sunlight exposure, as he did in the book Merrick (as I noted above). Because, along with finally remembering the truth about how Claudia really felt about him, Louis will also be under the impression that Lestat will never wake from his coma again.

-- The bookcase collapsing around Daniel is a consequence of Lestat waking up from his coma after he stops hearing Louis' heart beating. (I.E. a visual representation of Lestat "shattering the realm" as it is apparently explained in the book Prince Lestat about this moment when he woke up in Merrick.)

-- Armand saves Daniel from getting crushed by the bookcase, which will also come tumbling down after the books and glass do.

-- Somewhere in all of that, Daniel will have a flashback that reveals he and Armand were actually lovers in the past. Daniel will be stunned by the memory. Armand will just be surprised that Daniel finally remembered it.

-- Armand and Daniel won't have time to talk about it though because Armand fears/will realize that Louis has done something that caused the commotion to happen (and likely because he also notices The Groan has stopped).

-- Armand and Daniel find Louis' body, burnt to coal ash. Lestat is either already there with Louis' body or arrives very soon after they do.

-- Whether we see Lestat revive Louis (as he was revived in Merrick) at the end of the episode (with Armand's help) or if we are left on a cliffhanger about it? IDK.

--------

The predictions above are all the ones I feel most confident about right now. There are some others I have, but I'm not very confident about them, so I'm not listing them. I might mention them in individual posts after certain episodes air or not.

[becausebuckley]

michelle's buddie fic recs: week 41!

another excellent reading week <3 this list is spoiler free for season 8: for season 8 fic recs, click here!

this is a mix of fics with all ratings, so some include NSFW content. please take a look at both the ratings and the fic tags before reading!

if you come across something you like in this list, remember to show some love to the author by leaving kudos and a comment!

for thy true-love take | lecornergirl/@clusterbuck| 1.9k | T

Chimney Han and the ethics of slipping your coworkers love potions. chimneyhen bestieism!! this felt so them <3

from the ground up | blueberrytwoberry/@blueberrytwoberry| 17.5k | M

And so, really, the last thing he needed when he got home at the end of a long shift was to find a massive, weird-ass dog curled up on his front porch. And yet, there it was. just this morning i realised what a goldmine animal transformation aus can be and wow this was exactly what i was looking for!! the maddie scene had me giggling, such a lovely fic!!

i can't sleep without you | Buddiesmutslut/@buddiesmutslut | 1.9k | G

He can exhaust himself with a workout or a good shift or a night out, but by the time he climbs into his bed, he lays awake for hours, replaying his mistakes over and over again. He’s barely sleeping, beyond exhausted and he just wants to go home. so so soft and so lovely <3 exactly the comfort i needed earlier this week

i didn't know (that it could be good) | rainbow_nerds/@rainbow-nerdss | 27k | E

They're friends, that's all there is to it. Until Eddie lets himself into Buck's apartment unannounced, and finds him in a compromising position. That should be nothing, just something to laugh about down the line, except afterwards, it's like a switch has flipped, and neither of them can get it out of their minds. okay yes yes the smut is good the clothes sharing is nice the sexual tension is so there but can we talk about the butterflies?? just read this and you'll know what i mean it will be so worth it i promise. a new favourite for sure <3

i'll be the north star that takes you home | marviless/@marviless | 7.9k | G

in which eddie is moving back to el paso for the summer, and buck is deeply in love. listen the idea of eddie moving to el paso hurts me and also hurts buck BUT when it leads to fics like this i suddenly don't mind anymore <3 the airport scene!!

i'll keep your brittle heart warm | reeseofmind | 12.8k | E

5 times buck and eddie wear the other's clothes + 1 time they don't wear much of anything. i've been deep in the clothes sharing tag and this was one of my favourite finds <3

in synchronicity with the score | therainbowsedge/@therainbowsedge | 30.2k | E

“How long have you gone without scening?” And isn’t that a loaded question that Buck doesn’t even know how to start responding to. i have such a weak spot for fics like this. this has some gorgeous descriptive passages and looks into buck's mindset in this au!

love like woven thread | renecdote/@renecdote | 1.9k | G

the one where Eddie is a clothes thief and Buck kind of loves that about him. the ultimate hurt/comfort fluff clothes stealing fic <3 so lovely!! i reread this while working on this rec list actually hehe

steal my abuela (you already have my heart) | anarchyat4am | 4.6k | T

“Hey,” Eddie says softly, “You really showed up for me yesterday. Thank you.” “Course,” Buck says, “We had fun.” “Fun? You sat in the ER with my abuela for three hours.”. buck and abuela!! i love them together so much!! family feels indeed <3

vary my days | Chash | 12.6k | T

After Christopher leaves, Frank tells Eddie to get a hobby. Eddie picks Legos, Buck picks crochet, and they both wait for Chris to talk to them again. eddie and the legos my absolute beloved <3 such a fantastic working of these characters!!

you've haunted me so stunningly | playinginthunderstorms/@playinginthunderstorms | 9.6k | T

Five times Buck and Eddie hold hands, one time they do by proxy, and one time Eddie freaks out about it. holding hands!! so so hurt/comfort in the best way possible. i was saving this one for a bus ride home after a long day and it hit the spot exactly <3

[bittrlys]

The Dragon Prince season 6 is like watching people write themselves into a corner in real time. Exciting! Massive spoilers ahead, of course.

THE GOOD

Opening on Aaravos crying was a very strong choice, this is the actual 'Mystery of Aaravos' type content I've been waiting for

Terry picking up Viren while they're excited about him being alive is very cute

As ever, Terry being extremely ride or die is 👍

Terry taking care of Claudia was very sweet; Terry cutting Claudia's hair and Claudia's new haircut in general. Cute.

Viren and Claudia on the beach, "No parent wants their child to suffer for them." Oof.

In general, I was quite happy with everything Viren, Claudia, and even Soren, and I actually wrote a note of "i hate soren" at the start because I thought we were gearing up for another season of him just being a bad joke machine with no real character or feelings to speak of. But then they gave him, like, actual pathos! They let him interact with people in a way that feels human! They let him be resentful and complicated! Wow! Magefam is so back baby!

Viren trying to reconcile with Soren and be a better example for Claudia really got to me. His final sacrifice (OMG CRIMINAL BY FIONA APPLE JUST CAME ON SHUFFLE.......WHAT I NEED IS A GOOD DEFENSE CUS I'M FEELING LIKE A CRIMINAL.......AND I NEED TO BE REDEEMED TO THE ONE I'VE SINNED AGAINST.....) is tied so strongly to his children and that feels like a natural place to leave his character. Now, I've been saying forever that he was going to get a redemption via death, and figured Aaravos would be the one pulling the trigger, so none of that surprised me, but I thought the actual execution was generally good. I do have some more negative thoughts but I'll save those for later.

Viren is very good at justifying himself, and I like that you see him falling back into that, at times struggling with it, at times not even catching himself doing it. It feels very real. At the same time, I don't think he's ever seen himself as a hero, so it was interesting to let him go out on such a heroic note.

Viren's kind of abuse-coded (not actually abusive, IMO, but I understand if this makes people uncomfortable in a similar way) act of forcing Lissa to cry into the vial is interesting. It echoes him taking Sarai's last breath.

Him writing out his whole confession on this subject and then burning it because he realized it was only going to do him good was also very nice.

Though I wish Claudia had stuck by her 'I'm going solo' guns a little longer, I still think there's something to how she is so incapable of being alone, of thinking for herself, and desperately seeks direction. She is literally just like her dad, and it makes them both easy targets for Aaravos.

Like, Viren being such a force that Claudia easily followed him, then Claudia being such a force that Soren and Terry both easily followed her, and Aaravos being a supreme force Viren and Claudia both easily follow because at heart, they're more followers than leaders despite the force of their personalities and ambitions -- it's interesting.

Aaravos using Sol Regem to casually destroy a kingdom and kill Viren just as a small step in his plan is pretty fun. We love a grandiose villain!

Looking forward to Claudia and Aaravos. She's in some ways even more unequipped than Viren to handle Aaravos's manipulations, but at the same time, she's a lot more unpredictable than Viren. If this leads up to a confrontation between them, I think that could be really cool.

Aaravos tragic backstory with deleted child was really not on my bingo card at all -- I never thought 'noble revenge' would be his motivation. I like how this parallels him to Viren.

Aaravos crying enough to fill a sea is great imagery

The lore of the startouch elves being actual stars that descend is SO COOL. This is like, the first bit of worldbuilding in this show that's actually seriously impressed me. I love it.

Actual lore as to why humans don't have magic. Well. Not entirely. But it's better than what we had.

I liked Amaya and Janai's wedding looks. Cute.

Janai like Ehe I'll bring out my armies after I get married 😜 is funny. She isn't a very good queen but she is the moment! The gossip blogs would love her.

Ezran eating shit and not having his """diplomacy""" work out. LMAO.

SOL REGEM DOWN!!!!!!!!!!!!!!!!!!!!!!!!!!!!! 🎉🎉🎉🎉🎉🎉🎉

Kinda getting a y'know vibe from Soren and Corvus. I wouldn't mind that. I like that Corvus feels a little more tolerant of Soren than everyone else. It's funny Soren is like finally I'm away from my shit family but his new friends don't seem to care about him at all. Go and be totally free of all this, dude, or get a boyfriend.

Runaan back just when I was starting to think this show really hates gay males.

Rayla correcting her assumption about the sex of the diary's author was cute with the voice over changing. (cont...)

THE BAD

(... cont.) Did unfortunately then make it feel like "Had to be a woman because the author will be pining for a man."

Why is Zym STILL just a dog. Bro. It's like if all through Avatar you had to be aware Appa was going to be king someday. STOP BARKING.

Waiting for the whole cast to become vegetarians and somehow I suspect that will not be happening

When Claudia is listing the spell ingredients she could harvest from that cat thing I was just desperate to have Terry go, "Well, some of those could be ethically harvested, right?"

I find prophecies fairly corny as a writing tool and I get why they're going there -- predicted futures are the source of the anti-human oppression -- but still, I sighed.

Luna Tenebris putting a collar on her pet feels like, weird, right? Right? Right? She's not human and dragons otherwise seem so Respect all magical creatures. (Allegedly.) What is the uneven treatment of animals in this universe.

Naming your episode Red Wedding and I don't see a bloodbath ... oh, come on.

That ramble about ships from Caleb. Shudder.

Jeez, who is Rayla going to save? Her uncle who is an actual character or her backstory parents who are obviously happy and at peace? God forbid one of our main heroes has an actual hard choice to make.

Related: Caleb's 5 second rehab from dark magic.

Making his inner truth being about one other person is ... well ....

Cutting from Viren's rapidly cooling corpse to Lujanne receiving a sensual back massage was certainly a Choice.

Viren missing his wife THIS MUCH when he's barely mentioned her up to now was a little weird. I honestly think they saw the homoerotic interpretations of the very intense dynamics he had with Harrow and Aaravos and have been steadily backpedalling from that. Don't get me wrong, I can believe he loved her and he misses her, but the degree of it feels totally unearned.

I get children's media will have mascots for the children, normally I don't mind them, but dear god this show is hitting critical mass on annoying sidekicks (Zym counts as a very big one and he's already nigh unbearable.)

THE UGLY

I can imagine that the descendants of the human children Leola granted magic to are now able to do magic naturally and this could be the lore behind either Caleb or Ezran's abilities. I actually don't mind this as finally being in-universe explanation for this disparity that isn't just 'they want it more' or whatever, but it doesn't help this show's "Better People Are Born Better" messaging. Now, in that vein ...

King Ezran is a KING. Have we mentioned this? He's a king. He's divinely ordained to be above everyone else. You must show him respect because he's KING. Even Rayla emphasizes what a KING he is. BOW BEFORE HIM.

Ezran's idea of """diplomacy""" is just going "Be nice, please." (Followed by a threat LMAO.) "Go live somewhere else." WHERE. What if they try to occupy territory that isn't theirs? Xadian society seems quite separated and territorial. Ezran doesn't consider this. He doesn't consider anything. He has no actual diplomatic skills because he never offers anything, he just expects people to listen to him because he's KING.

You know in Parasite when they're like Of course the rich people are nice, they can afford to be? When Ezran was going I'm a king and I can choose kindness I was like, You're king because of an accident of your birth, and all your privilege and people looking out for you allows you to operate the way you do.

(Janai having an evil brother who is Not The True Heir To The Throne and Trying To Steal It is just part of the show's overall obsession with this narrative -- see also Viren coming from a less privileged background.)

Of course it's still funny to see Ezran be continuously characterized as So Compassionate, So Loving but when it comes to say, Not burning his own people alive or Extending the hand of kindness to one of his oldest childhood friends or her father, he just turns that shit off. This could be interesting hypocrisy if I thought the show was trying to intentionally paint him this way, instead of just wanting him to not be a total pushover because he's THE KING!!! ALL BOW BEFORE THE KING!!!!

The unbelievable frustration caused by a scene where Claudia is begging to not have to use dark magic -- Terry coming in and saving the day with natural magic -- Claudia staring at the peaceful solution and realizing she needs to change -- BUT IT'S STILL A FUNDAMENTAL DISPARITY IN HOW HUMANS CAN EXIST IN THIS WORLD? Is Claudia supposed to die because dark magic is too wrong to use? Now we have the reveal that humans are being actively denied magic I'm hesitantly hopeful they may get some justice in this regard, but it doesn't change the reality of humans right now. What are humans supposed to do? Rely on others for help? Oh, sure, most of the elves and dragons we meet now are just so nice and helpful to humans, because of the show's 'bad apple' approach to prejudice I've mentioned before, but we know that wasn't always the case.

Like, this actual reminder that the difference in power between a single dragon and a human settlement, and unlike the last time we're on the side of humans this time so you can better appreciate the horror of it ... it's depressing to feel like "Only by grace of your betters do you survive." It's echoes of Janai's 'forgiveness' of the human who put out the fire of that elf who assaulted her. "Aren't you lucky we're so NICE?"

This is all compounded by what I meant at the start of my review, that they've written themselves into a corner, especially wrt dark magic. In universe Soren sees no choice but to ask his father to do dark magic, something all the characters scold each other for constantly. Out of universe, the writers had a huge fuck off dragon come along to commit genocide against the humans and the only realistic solution is .... having Viren do dark magic, something the narrative constantly reinforces as bad. They ultimately frame this act as heroic, and according to a writer (I believe) on the discord, he speaks the spell forward to represent how this act of inherent good overcomes the "inherent evil" of dark magic (quotation marks theirs, interestingly.) I think the writers, for the most part, clearly like Viren and Claudia a lot, and like giving them 'big moments' with dark magic ... but this is part of the reason why the show has continuously reinforced a NEED for dark magic without giving any viable solution for the average human who doesn't have natural magical powers or is friends with dragons and elves like our main heroes. Ultimately, it feels hypocritical of the show to keep going on about the evil of dark magic (now very firmly an addiction metaphor) while having no solution for humans in tricky situations that aren't "magic you and only you can do, for some reason" or "queen dragon who somehow still isn't dead dear god coming to save you" or, y'know, "dark magic." Only one of these is really viable for the average person.

Like, you make it an addiction metaphor, but where's the alternative? Vampires need to drink blood to survive but vampire series often show vampires refusing to drink human blood as an addiction metaphor ... they drink animal blood instead, or something, and you get the metaphor. Right now, in TDP, it's either, do dark magic and suffer, or don't do dark magic and ... suffer more? Okay. I'm not saying life has to be fair or that there isn't value in accepting loss, but when Viren scolds Kpp'Ar for having all his fun with dark magic and then very callously dismissing Viren's fear for his son, I felt that. Viren isn't begging for a beer here. He's begging to save his son. Addiction metaphors need to match the scale and reality of what is being shown to you.

Sorry, I'm now going to harp on more about the Your Betters Are Born Better stuff now because I was actually enjoying (you know, tearfully so) Viren's death until his final lines. WHAT!!!!!!!!!!!!!!!!!!!!!! I GASPED!!!!!!!! HOLD ON!!!!!!!!!!! Like, let me get it out of the way, I get it echoes his last exchange to Harrow and his loyalty to Harrow is tied to his loyalty to Katolis, and they're saying "He was power hungry but now he is acting in a way that is purely, totally selfless for maybe the first time in his life," which is fine. The problem is, I have sat through six seasons of this show kissing royal ass. I have seen Aanya (shudder) mock him for not being a real noble-born ruler. I have seen Ezran's divine authority be reinforced time and again, and seen Viren throw himself submissively before his King to submit to his judgement as King, not as someone he once hurt. I have been reminded time and again that less privileged people who want the power necessary to succeed in a world biased against them are power-hungry lunatics unless they submit themselves enough to the Supreme Order of the world. So to have Viren's last words be him reinforcing that the most heroic thing he can ever be is A LOYAL SERVANT is just ... horrible. If they'd just kept the framing of Viren's death on his love for his family, it would have been way, way better.

Altogether I uh guess the season was mostly fine. They actually did a better job tying disparate narratives together with common themes which I appreciate. I liked the magefam stuff. I hope Soren eventually learns the stuff Viren chose not to tell him. I hope there's realistic forward growth on the attitude towards dark magic and why humans feel they need it, like some acknowledgement that Katolis was only saved because of Viren (make that two nations he has explicitly saved.) Maybe even Ezran can take a break from being unbearably sanctimonious to properly acknowledge his sacrifice. That would be nice!

I really hope humans get some justice for how they've been actively denied a valuable resource. It seems a self-fulfilling prophecy (they punished Leola for giving humans magic, this made Aaravos go darksided, Aaravos gave humans dark magic, humans are very set against the magical community for the way they've been treated so they're more callous about using dark magic) so I hope the ultimate lesson won't be "humans don't deserve this" but "humans only ended up here because they were treated like they don't deserve it, but they do, by right of existing as beings in this world." If Callum (+ Ezran) end the series as the only or some of the only humans with magic powers, I'm going to eat drywall.

[justkeeptrekkin]

I think Aziraphale was planning to make a move at the party.

so I went into good omens s2 actively looking up spoilers because I couldn’t cope with watching it and not knowing what the end of the season would have in store. 

I therefore found it REALLY interesting seeing how Aziraphale behaves at the start of his party, considering I knew how he responded to Crowley. 

One instance we see this is how furtive and coquettish he is when he tells Crowley to ‘wait and see’ (seen below). Like there’s a surprise for Crowley, as well. It’s actively flirtatious.

This is the face of a man who is *bashful*. This is a teenager before a school dance. He is excited about Nina and Maggie and nervous and he is living variously through them, of course. I also, genuinely, think he was planning something to do with Crowley. Like, this is the face of a man who has thought to himself, ‘I’m going to show Crowley how I feel about him, and he doesn’t even know it!!!” 

more under the cut:

Then of course we have the DANCE SCENE. This is an explicitly romantic affair that Aziraphale has orchestrated. It’s clear that both Aziraphale and Crowley are projecting massively onto Maggie and Nina, consciously or not. He’s designed this evening to be a meet-cute/match-making event, and Crowley knows this. So yeah, it’s really transparent what Aziraphale’s doing when he asks Crowley to dance.

Thing is, I don’t think he’s being oblivious here. I don’t even think he’s planning on just taking a risk. I think this is Aziraphale making a move. This is Aziraphale being wholly himself, happy, silly, playful, vulnerable, and openly affectionate with Crowley. 

That’s why when Crowley’s trying to warn him that something’s wrong, he ignores it-- it’s scuppering his plans to sweep Crowley off his feet! This evening is meant to be perfect!

Let’s look at the dance invitation moment:

^ The serious look in his eyes here. Like he’s steeling himself to just make that leap of faith and be brave. Knowing that Crowley will probably think he’s taking the piss.

^ the innocent vulnerability of this moment. Tell me this isn’t a much younger Aziraphale asking his crush to dance with him at prom. He’s been planning this and he so desperately wants it to be like how he’s imagined it, but he’s also terrified. Look at how nervous he is! He’s being so brave. You know he’s thinking ‘It’s finally happening! I’m doing it!’

^ a very blurry image of Aziraphale’s nervous little giggle as he takes Crowley’s hand and drags him over for a dance. He’s absolutely buzzing of the anticipation and nervous energy and the butterflies! He’s so happy and so YOUNG here and it is so so pure. god the little laugh he makes as well-- like he knows it’s forbidden, that it’s cheeky and silly, that he’s living his lil Jane Austen dream here. 

Ok, so then we have the moment with Beelzebub and Gabriel. We all have foamed at the mouth at how he looks at Crowley here when he realises that they can run off to Alpha Centauri, too. And that it’s possible for them. When he instinctively grabs Crowley’s arm... good lord. 

It’s like Aziraphale’s dream has come true here. He is seeing validation of what he has started to plan. He’s seeing that this isn’t just a pipe dream that he’s indulging in. He can be happy with Crowley! 

Then of course, Metatron comes along and offers what he thinks -- in his abuse-victim mind-- is the perfect alternative. By going to heaven and bringing Crowley with him, he’s pleasing everyone! (Right?) ((I will discuss this in another post...)

I mean, this is literally all just conjecture, obviously. I am wearing my silly little tin foil hat. but when you pair all of this with the fact that he literally gazes with heart eyes at Crowley for the whole season, is pretty flirty, lets Crowley come to his rescue... we are seeing an Aziraphale here who is acutely aware of his crush on Crowley.

[spatial-jump]

Spoilers for all episodes of the Umbrella Academy Season 4 and profanity below.

What the actual fuck was that finale?? Was I watching the same thing directors looked at and went, “Yeah, this is cool!”

Those last two episodes were a total shit show. An absolutely horrendous finale to a wonderful TV show.

The first thing I am so fucking pissed about is how they’ve written Five in this season. They ruined him. They tore apart the aloof apocalypse-obsessed arsehole who loves his family, destroyed it, spat on it, and then danced on the grave before crushing it under an anvil.

In no fucking timeline whatsoever would Five and Lila be a thing. I understand where some people would come from to defend it — that yes, they were both isolated for seven years and could only find company in each other, distorting their relationship as they sought comfort which mistakenly and incorrectly transpired into ‘love’. No, it’s messed up. It’s so fucking messed up and creates unnecessary drama that the writers probably wanted since they were undeniably lacking in the finale. When I first saw the camera angles and shots they were getting prior to Year Five in the subway, I was naïvely thinking, “Surely not. Please don’t tell me this is where I think it’s going.” And lo and behold, I was right. And I’ve never hated to be right so much in my entire life.

Lila (WHO HAS THREE ADORABLE CHILDREN WITH DIEGO, BY THE WAY) has known Five for absolutely ages — since he was in the body of a thirteen-year-old child. Mentally, he’s however many decades older. Regarding the actors, Aidan and Ritu, themselves, there is a fifteen-year gap between them. But my point is, Five is not a home-wrecker. Five is the type of character who would not deliberately fuck around with his brother’s wife because he absolutely adores his family. It’s not in the nature that has been presented to us, and goes completely against his values — and for what? To serve exclusively as a shitty love triangle so that Diego and Five would fight in the finale and break up the family even more at the most crucial point for them?

Five is your textbook example of a pragmatist. He knows how to prioritise, and would certainly not decide that the time to fight Diego was when two of their siblings were badly injured and another had merged to bring about the Cleanse — a.k.a. end of the world, again.

I am so, so disappointed with this, especially as Five is the character I’ve had the strongest attachment to, ever. I think I’ve managed to disconnect S4 him from the first three (that fucking greasy rat’s nest hair of his has finally been given a beneficial purpose), but I’m still sick to my stomach.

Anyway, next thing: the episodes. I know we were told in advance about how there were only going to be six episodes, and we knew they had a lot to fit in to make it work.

It didn’t. It was executed very poorly. I understand some fans didn’t like the unnecessary subplots and fillers from the previous seasons, but S4 was a bit too rushed? I mean, they found and drank the marigold within the first episode. And floundered around at the end, not even bothering to stop the Cleanse until it had been aired on TV. I get they might’ve wanted to make the show more fast-paced, but it could’ve been handled differently. They didn’t have to do a ‘Stranger ThingsTM’ and make four goddamn films for a Part One. They just needed to properly iron out everything, and that didn’t happen, which is a massive shame.

The finale itself (not the erasing their identities, but from the moment Ben is shot) deserves some YouTuber to pick it apart with a four hour video until it’s dust. It was badly structured. Normally, you see a rather pleasant — not exactly linear, but in the concept we’re progressing positively — pattern as the episodes and plots build up to the finale. We see the family find out about an apocalypse, they fight and break off individually, then they slowly pair up, eventually coming together to save the world. This was not like that.

Instead, you had one sibling fucking around in a subway with his physically much older and mentally much younger sister-in-law, another that was hopelessly obsessed with a girl he just met (but no hate for him — no one exactly told him that being closer to Jennifer was just harming them both and the world), one germaphobe who, despite not taking drugs or drinking, is off looting money wherever he can find it and deciding that was the moment to pay off his debts??, three others doing fuck knows, and then the last one who actually gives a shit, teamed up with his hideous father, and tried to prevent him from killing Ben as long as possible because he knows what it’s like to end the world, and is therefore the only one who did anything useful. God, that was a long sentence, so I’m sorry for those of you who struggle with it.

The finale was not your Umbrella Academy finale. Once everyone had (I say this in the lightest way) been ‘brought together’, they had no bloody idea what to do. In the meantime, they’d disbanded about three times within the thirty minutes of screening because of petty fights and the drama I’ve already discussed. Five leaving them at the most essential moment (due to Lila and Diego, blah, blah, blah) was an error in his character. This old man has survived through apocalypses, the one who tries to round everyone up despite everything he has seen. Even with his doubts in the S3 finale, he was still there — and his doubts were shared enough that they created a majority. In this S4 finale, there was no majority. It was just Five, and Five alone. There were gaping holes and shredded pieces of the beautifully developed characters the show had done so well in portraying. They did this with Allison during that scene in S3, where they took her villain arc too far. There are so many flaws in this, and there is definitely many people out there who can communicate it better and more concisely, but here is my two pennies anyway.

I have a lot more thoughts, but I’m currently bone-tired. I might post another rant if I remember anything else — but don’t be too surprised if it’s Five x Lila related.

I am thankful and appreciative that the Umbrella Academy was one of the lucky shows that saw its way to the very end, but I think all of us are entitled to a little disappointment at its quality and execution as it was brought to a close.

[sunnysideaeggs]

uuuuh okay thoughts about S2E1 (disclaimer: SPOILERS! and some unpopular opinions bc i WILL be criticizing alicent). most of these i had during my watch yesterday, and now i’m elaborating on them after more thinking about it. looooong post ahead

okay i liked the new intro. i will miss the blood pouring but i think the tapestries are a more visual way to convey targaryen history.

my favorite parts were the shot of vhagar and balerion in the field of fire(? idk they were eating men (green dragon black dragon !!!), the jaehaerys and alysanne portrait, alicent and rhaenyra and aegon and rhaenyra crowned side by side. beautiful.

also, the blood beneath the thread !!! targaryen history is written in blood. never forget this.

i dont particularly like jace being at the wall. it makes little sense to me, especially because the north is massive and i don’t think that cregan would like to make a procession to the wall just because a prince is there. i liked the tidbits though: jon going to the watch is a tradition he followed unknowingly :)

show me more political jace please, he’s cool.

‘surely torrhen would’ve rather died instead of bending the knee unless he believed aegon could bring unity to the 7K’ jace pls 💀

it’s funny that in one scene rhaenys and daemon had more tension and chemistry than all the scenes of daemon with adult rhaenyra. maybe what he needs is a GILF to put him in his place? lmao

LAENA MENTION LETS GOOOOO

‘make it a son for a son’ referring to aemond? alicent has no bone to pick here be fr i can smell bleach for the whitewashing a mile away

i also have issue with the writers’ choice of making rhaenyra ignore her physical needs and spend apparently days riding on dragon back and doing jumps and that when she just had a miscarriage. it’s canon that she was in bed rest for half a year because the loss of visenya took a toll on her body. it will be dumb and criticized if she’s fine to disappear for weeks but not to fight.

alyn velaryon? ok i’m mad bc corlys literally knows this dude is his son ???

i love how we all pretend that corlys and rhaenys were particularly interested in the strong boys. idk i can’t really care about that anymore

ow is helaena sewing alicent a dress? please tell me it’s not a shroud

AEGON APPEARED WOOO 🍳✨

‘where’s jaehaerys? where are his lessons?’ my man doesn’t know to what school his kids go lol

also he can recognize the twins apart with only seeing them :)✨ cute

aegon wanted jaehaerys in his council !!!! he’s making sure jae KNOWS he’s his heir and he’s on aegon’s mind

oh hel is comfortable enough with him to tell him about her prophecies, i’m just afraid that no one understand her

‘the rats’ NOOOOO

aegon is always like ‘😐❔’ around her lol

‘the queen is an enduring mystery’ he’s a poet i love him

alicole pussyeating but at what cost

why does criston has that empty look in his eyes, he had the same look in his scene with rhaenyra

where is all the raw emotion between them from last season? it’s giving cersei and lancel when it should be cersei and jaime. no deep gazes, no catholic guilt, something’s amiss

jaehaerys and egg </3 my feels they’re so cute

okay i have a bone to pick here because why is tyland being treated like a joke? i can get past jaehaerys toying with him because he’s a child, but aegon respected his allies (that’s a big part about him) and would never antagonize them in that way. it’s given rhaenyra and lady redwyne when we know both characters differ the most in the way they treat their subjects.

also, this is TYLAND LANNISTER, the most employed guy ever. he literally put his skin on the fire for his team, he’s loyal and he’s the best ally the greens could’ve asked for. if anyone is to thank for the death of the dragons, it’s him. put some respect on his name because this is the finance bro to end all finance bros.

also he’s always saying important things: the treasure in the green council, jason’s moves here. please listen to him!

another thing i dislike is the way important political moves are being brushed off. the treasure is a big big matter. it should be said explicitly what the council is doing about it being the focus of the scene. i’m sure most casual viewers didn’t catch that the comedic relief is making big money moves that will backfire later.

but anyways jaehaerys is so cute hehe

happy father’s day to aegon targaryen and aegon targaryen only

okay i’m rewatching the jaehaerys and tyland scene and i love tyland’s accent, and how polite he is to the little prince

go aemond in the council !!!

‘you do not have a seat in this council’ okay alicent please stfu. i disliked her demeanor since she was chastising aegon and tyland but this is too much. remember you do not have a seat either.

and no she doesn’t: she’s queen mother, not queen regent. aegon is an able adult and can rule without her help. i know the only council we had was with cersei but that’s because joffrey and tommen were under westeros’ age of majority. that alicent is there is out of aegon’s kindness and the council members’ respect.

also why would she be mad that the brothers are brothering ??? girl you wanted them to be on each other’s side

SUNFYRE MENTION LETS GOOOO

‘we must proceed cautiously’ i think all caution must be thrown overboard here. i know they want to portray A/R as the ‘voices of reason’ being pushed to war and all but sometimes violence is necessary to prevent more violence. what tywin said about murdering a dozen people in a dinner and a thousand in battle.

i’m tired of this aemond slander. he did it, but he’s innocent your grace

why larys kinda…

ok i love his voice

oh so now every move of alicent is seen by larys. she knows that he knows. neat.

why do the handmaidens wear green? they should wear gold ☀️

okay i initially thought syrax was sunfyre because of the pink of his wings. i hope sunfyre is golden smh

it’s neat that we remember than no matter what side we’re on, for the common people dragons are a source of fear and caution. the fishermen are loyal to rhaenyra yet they will run away from her when she’s on syrax because they don’t trust a dragon.

rhaenyra’s pain is so deep, i really empathized with her. absolutely devastating. her expression, her grabbing the cape, everything

emma is so fucking talented for real, making me feel for the death of a character i dislike

(oh how the mourning of a woman for her child will cause thousands of mothers mourning their children the same)

‘aegon the magnanimous’ when your homie gives you a ridiculous nickname

my boy sits and listens to his subjects, calls them by their names and tells them not to be afraid. hello jerard what can i do 4 u? :)

i love how egg is like ‘yea whatever take ur sheep jerard pls like me’

okay i dislike otto here. aegon is obviously into crowd pleasing (a secret tool that will be useful later) and for once it’s okay. jerard will go home with his sheep and be a diehard aegon supporter and raise his kids to be the same, tell his friends about the king’s generosity. i think otto should know better than to angry the population in time of war, even if you can’t make the flock whole, give the man grain or coin so he can feed his family and the effort of going to the king’s house.

hugh? like hugh hammer? ooooh

‘our victory depends on the efforts of the smallfolk’ close enough welcome back princess diana

another otto slander moment here. i don’t think it’s wise to chastise the king (an adult, mind you) and putting himself in between of aegon and the court like that. did we saw otto with viserys? he sat by his side and whispered his advice in a discreet manner. he didn’t try and strongarmed his king in front of dozens of people. that’s not a smart way of doing things. it’s called soft power for a reason

also, i think the directors were trying to make otto parallel tywin in that joffrey in the throne scene, but tywin was explicitly trying to get joffrey to be more involved in the council and the two were alone. give it to aegon, let him have his fun in public and manipulate him in private, that is the way. doing dumb shit like that only makes aegon look like a kid and otto like a shameless powergrabbing dude

one thing i appreciate is that aegon has his own court. he has his lads-in-waiting, he has a few ladies following behind, and that’s how a king should be. we always saw the royal kids isolated (joff, tommen, rhaenyra only had alicent) when in reality most important people will have a flock of people accompanying them every day.

now that’s what i’m talking about. larys is all about being subtle, honey trapping his way to power. that’s how the game of thrones is played. while aegon will not agree with him just like that (because larys gives him the oogies), i’m sure he will remember larys’ words.

‘as viserys wished’ oh don’t speak of him fuck what he wants

an ally would not sit there and cut her legs at the table of men? girl you do that yourself

alicent, the problem is not otto undermining you, is both of you yapping about shit aegon and aemond not care about and winning empty victories lol

aegon will probably forget about jerard next episode, but will not forget feeling his wings being cut by otto. aemond remained in the council room but will remember alicent wanting him gone.

i wish alicent and otto believed more on their kids/grandkids

mysaria apparition yay

‘you speak of highborn games, i am common born’ tell him girl

daemon don’t put your hands on women challenge: impossible

chemistry with mysaria? uuuuh

i love how everyone reminds erryk of arryk like ‘ayo where ur bro at?’ a matching set is not matching, it’s giving the parent trap

‘i want aemond targaryen’ okay at least she knows who to blame. i want to see more of vengeful rhaenyra, let women be mad

daemon going for aemond instead of for jaehaerys is such a cheap move smh, whitewashing at its finest

jaecarys and rhaenyra :(

is it too insensitive to say that jace’s hair looks great? you’re serving cunt? your brother just died and you’re serving cunt?

ow alerie florent :((((

FUCK VISERYS TARGARYEN

i really like the symbolic funeral. that shot of rhaena crying over the fire? chills

is it me or they changed joffrey’s actor? idk

uuuuh alicent idk if that’s empathy or weakness 🙃

once again i don’t think it’s neat that they show blood being a normal goldcloak. he was discharged dishonorably for femicide. be honest

cheese’s actor kinda looks like joaquin phoenix

‘i want aemond targaryen’ i hate this fucking show.

ROSBY AND STOKEWORTH MENTION LETS GOOO

criston agreeing with aemond in private but backing alicent in public is the medieval version of ‘yea kid ur right but i don’t wanna fight with your mom’

criston looks so tired :(

‘her grace speaks with two tongues’ SAY YOUR TRUTH AEMOND

it is vain to try and blame aemond for starting the war when the war was brewing since before he was born. rhaenyra wouldn’t give up her claim, daemon wouldn’t accept it. if rhaenyra ascended, the targtowers die. there’s not another version of this story

‘she holds love for our enemy, that makes her a fool’ that makes her a traitor. especially after the events of tonight. do we think rhaenyra has a designated green supporter that tries to get her to the green’s side? why would the greens have a rhaenyra cheerleader then?

gods forbid something happens and otto is not there 🙄 control freak

i like how they’re making aemond more rage-filled. careful ewan your book!aemond is showing

‘aegon the strong’ ‘my nephews have already taken that one’ but egg 💀💀💀

i really love how aegon has his court. he’s protected by the throne’s swords AND his homies got his back

the true king can sit however he likes. he lounges on the swords and they’re as soft as pillows to him. pretenders can’t relate.

in a deeper level, it shows how he’s comfortable both in the throne and surrounded by people. he has high trust. kinghood is a tool he doesn’t have any training on but he holds it like a natural

aegon truly trusts aemond. i love that for them. if they make aemond to be treacherous i’ll cry

AEGON THE DRAGONCOCK 🐲 rip leon estermont you would’ve loved shitposting

also why the ratcatchers are just walking around the keep? are they in the tunnels or in plain sight?

the kick to the doggie :( i really hope they didn’t really kick a dog for that

unrelated but i really need the rats around the red keep to mean something like larys skinchanging into them. they can’t be a red herring or just blood and cheese. they have too many shots

again, why are they out and about? isn’t it weird to see dudes in the middle of the night?

helaena’s maid looks like emma stone and she has really good eyebrows. i’m pretty sure she knows something (larys agent ofc)

how do we go from searching for aemond to threatening helaena? whyyyyyyy

oh right we had to blame the smallfolk for being soooo greedy and wicked and stupid that you tell them kill a great warrior and they kill a baby. because daemon can’t ever order a baby killed amiright?

the little beds noooooo :( baby jaehaerys

okay i was expecting more of helaena. in the books she’s described as pleading, begging, crying and so on. phia is killing it with the eye expressions but she looks stiff in comparison with only her necklace. even trying to bargain more (my husband can give you everything and more), some more tears, some stuttering would fit show!helaena’s too. that’s on the directors tho

i also dislike the choice that anyone can just barge in the room, literally they had to make the castle desert instead of blood and cheese waiting for hel in alicent’s rooms. i know someone is going to make the point of ‘why didn’t helaena scream or run?’ and yes partly. guess we had to slander alicent in another way right?

but alas, i am thankful that a prediction of the scene didn’t came true: no children being forcefully stripped. that would’ve sent me over the edge. they implied it but no child actors were harmed in this episode

omg the sounds of the head cutting and jaehaerys’ muffled sounds i wanna cry

helaena is so lost and the castle is a maze and nobody’s there and she’s lost lost lost and running with jaehaera i can’t

did she saw a vision there? when she stopped and went to alicent’s room

imagine going to comfort for your mom and she’s at it

‘return to your post lord commander’ why didn’t you criston? 🙃

also it didn’t pass me by that aegon has THREE kingsguards in addition to his four homies and his own sword. helaena had none. even if he was off duty and he’s sworn to alicent and not helaena, the lord commander is not commanding

THREE maids at the start of the episode doing absolutely nothing and none here? i’m so mad

‘they killed the boy’ :(((((

also why is helaena so disconnected? like why is she ‘able’ or is she in shock? i hope if they don’t make her go insane with pain like in the book she gets a revenge arc where she goes on dreamfyre, she deserves it.

i hope aegon kills them all.

[fuckyeahgoodomens]

A great interview with Michael with Collider :), mostly no spoilers (or what already been said elsewhere :)❤)

COLLIDER: Obviously, when you were making the first season of this show, you had the book to work off of, you had a characterization to work off of, but because this season is an all-new thing that Neil Gaiman has written, did you get to work with him at all to develop what Aziraphale was doing this season, or was it all dependent on what he wrote?

MICHAEL SHEEN: Yes, I think when we were doing the first season, Neil always talked about the idea that he and Terry [Pratchett] had talked quite a bit about future storylines and that they had worked out quite a lot of it, actually. They just never got around to writing it down in a book. So there was quite a lot of material already in his head. One of the wonderful things about this, as well, working on this project, has been how much myself and David have been able to collaborate with Neil on the characters and inhabit them and bring them to life, and developing the relationship between them and the storylines. So it’s felt very collaborative, but then, of course, Neil is very good at making it feel collaborative even when he knows exactly what he wants.

QUESTION: Speaking of that relationship between Crowley and Aziraphale, you are obviously quite close with David Tennant. You work with him not only on this but also on Staged. What's it like getting to put that friendship dynamic to use on those shows, especially since Staged is something that's so completely different from Good Omens?

SHEEN: It's just wonderful, really. You know, often you work with actors that perhaps you have very good chemistry with on-screen or on stage, but maybe off-stage, off-screen there's not a particular spark. It's fine, but there's nothing particularly special about your relationship on stage or on-screen. Then other times, there are people you get along with really, really well, but maybe there isn't necessarily that amazing chemistry on-screen or on stage. So it's very rare that you have both. I think with us, we've just sort of discovered that that is the case, or it seems to be that people feel like we have good chemistry together when we're working. And we just have a lovely time together in between working as well, so it's such a pleasure to be able to do that, and to be able to work on projects like Good Omens and Staged with the characters that we play in those. It's just a real joy, so, you know, long may it continue.

QUESTION: Personally, I love the relationship between Aziraphale and Crowley, and the show has had such a massive fan response. How much are you aware of that, and what do you hope fans take away from this season as opposed to the first one?

SHEEN: Oh, I'm very much aware of it. Yeah, it's one of the most enjoyable aspects of working on this, to see how much the audience and in particular Good Omen fans just give to the project. It does feel like a fulfilled kind of creative collaboration with the fans as well. There's so much talent when people come to writing fanfiction or artwork, or just discussing ideas or things that have sort of been born out of it. I mean, there are all kinds of amazing groups who fundraise now for charities and do all kinds of incredible things. There are conventions and all sorts. I love that, and I love seeing how people have made friends, really close friends, through their connection to this and these characters in this story, and how communities have been created, and how much people are helping each other. I see all that online and I hear about it. It feels very in the spirit of the story, you know, it feels very in keeping with what it's all about. I think that's a big part of why Neil and I and the rest of us have all really opened ourselves to that fan community, because I think it feels like a very living part of the story.

QUESTION: How do you think Aziraphale has changed between where we leave him at the end of Season 1 and the beginning of Season 2? Is there anything unusual that we can expect from him this season?

SHEEN: Well, I think he's in a quite odd position for him because, on the one hand, he's got a lot of the things that he's always wanted. He's always wanted to just be left alone and live in his bookshop, and drink tea and listen to music, and read books and go to the theater, and eat nice meals and drink nice wine, and be with the being that he loves being with the most. But on the other hand, he's also someone who feels very anxious about not being part of the company, you know, being out on his own and sort of independent. It’s quite a challenge for him. It’s that thing about “be careful what you wish for.” He got what he wished for, but he still feels a bit off-kilter, I think, and then this unexpected guest arrives and turns the world upside down for him again.

But one of the things that we wanted to explore with Aziraphale in this series is perhaps finding something a little steelier underneath the apparent soft surface, that maybe there's something else going on under there. So we see that kind of come out as the story goes on, as well.

QUESTION: In addition to playing Aziraphale, you also did the voice for Lucifer in The Sandman audio series, which is obviously also a Neil Gaiman joint. So what's the difference between playing an angel and playing a demon?

SHEEN: Well, of course, Lucifer is an angel, was once a fallen angel. My first experience of Neil’s work was The Sandman. That was what I first read when I was still a teenager in the late ‘80s, and it just absolutely blew my mind and opened me up to all kinds of things and started a journey [with] Neil’s work, but also all the people that Neil kind of points you towards through his work as well. It opened so many doors for me. So to be able to then be a part of The Sandman world, as well, to play such an iconic character, it was and is, because we're still doing it, just a bit of a dream come true.

QUESTION: I have one last question for you, and it's a little bit of a silly one. One of the most iconic parts of Good Omens is Crowley's Bentley, which is cursed to play nothing but Queen songs forever and ever. I would love to know what you think Aziraphale’s favorite Queen song is.

SHEEN: Well, I think he likes the more operatic ones. So he probably…I think he likes “Bohemian Rhapsody.” All those nifty chorus bits. He’d love that. So yes, probably “Bohemian Rhapsody.”

[donutwatches]

MHA 2.25 - Encounter - part 3/3

No spoilers past this episode please!

Uraraka said, get your crusty fingers OFF my man! She was brave af to speak up to help Izuku here.

His hands are MASSIVE. Man, what a scrunkly guy. Pretty hard to act innocent when you have the skin texture of a dehydrated alligator. Someone should dip him head first into olive oil.

Deku looks like an angry little badger. He looks like his is seconds away from biting. Uraraka's 'wth is wrong with you?' look is also A+.

So, Deku asked McCrusty about AFO's motives, and I think Shigaraki's response is interesting. Does he really have no idea what AFO's plans are? Or is he just brushing Deku off?

Who hurt you Shigs? I need to know where his resentment comes from and why it is directed so specifically at hero society, insofar as hero society's "justice" is based on All Might's symbol of peace idea.

HEAD PATS! Why does it feel like All MIght is Deku's actual father? I mean, did the police contact him along with Inko? Is All Might listed as his official emergency contact? That is so, well...Dad of him.

This is a loaded question. And it feels like foreshadowing after the convo Deku had with Shigaraki. So far, I am sticking to my guess that All Might may have failed to save someone close to Shigs in the past, or failed to save Shigs himself as a kid.

Sometimes this show gets deep with its characters and I truly love it. It would be so easy to make a character like All Might just a basic perfect hero, but he has layers, failures, and flaws. It makes the difficulty of being a hero hit harder. Not even All Might can do it all.

I love how Deku is listening and taking in the wisdom from his mentor. I am so curious about what kind of hero Deku will grow into. Will he internalize All Might's philosophy, or become a new kind of hero on his own path? Maybe a mix of both?

I have chills! I love the concept of the symbol of peace, and how it can represent different things to different people. For civilians it means safety, for heroes it means inspiration, and for villains it serves as a warning. It reminds me of the bat symbol in Batman.

NOT MORE NOMUS! NO NOMUS! NO...MUS! Get it? NOmus, no...mus, no..... I'll just see myself out.

You know me, I had to end season 2 being cheesy, you're welcome.

Click here for season 3

Click here for the masterlist

TAGLIST

@champion-prism, @hyperfixations-and-cringe, @blackaquokat, @granny-griffin, @jessiedead, @bicheetopuff

[imagine--if]

A/N: Okay, these headcanons were a must-do and I'm in love with this boy so enjoyyyy 😍Just a reminder that my inbox is open for Alice In Borderland characters until the 15th, so send yours in now 💜

Warnings: Spoilers for the end of season 2!! Fluff, possessive loving behaviour, mentions of violence

 ♡ Dating Banda Sunato Includes: ♡

💜• Dude, you better know what you're getting into with this crazy boy, because once your eyes meet and he likes what he sees, it's pretty much impossible to get him away from you 😵 which isn't always such a bad thing, to be fair. After all, you're no victim or weak player he feels like toying with and testing out. You're... different.

💜• The most likely way you both met was in the Jack of Hearts game, where he allies himself with the Jack, and then assesses the rest of the group silently... before his greyish eyes land on you.

💜• He's pretty backwards with the way he approaches people, like he did with Jack, pointing out everything ugly before praising it and hanging around them. So he'll approach you alone saying something like "I bet that under that unusually pretty face is a mind that knows how to play better games than any you'll find in the borderlands. Let's be friends."

💜• He's basically your shadow for the entire game, sat casually behind you, watching listening while you talk to someone, or hovering in the doorways of rooms you go into. Once Banda's decided that you're interesting and you're his match (which is pretty quickly 😅) it's almost impossible to get rid of him. On the one side, that's a good thing, because he is unspokenly protective, and knows all the right, disturbing ways to make someone back off if they're getting in your face or making you uncomfortable. All you've got to do is give him a thankful look and he'll return it with that dark smirk of his, and that's that.

💜• His protectiveness kind of links back to his madly possessive nature, though. Banda's certain that there's more to you than meets the eye, and wants to know every little detail until he knows you better than you know yourself. I wouldn't say he'd manipulate you and blackmail you with your secrets in the future, but it's more that level of being connected through knowing each other's thoughts and feelings. He's not against manipulating those around you to leave you alone, however, so a lot of situations leave you mildly confused when it's suddenly just you and him alone together in the building, until you catch on.

💜• He'll keep you safe in games as long as you stick by him and don't try to leave him. I mean, Banda's a pretty psychopathic guy, a killer and all, but he does have a side to him that is a little softer and completely reserved for the right person (you 😉). I wouldn't say he's massively into boastful, affectionate PDA, but he's pretty shameless at the same time. He has no problems with whispering in your ear while trapping his arms around your middle from behind when some other people are glancing uneasily at him, or hugging you when you're scared.

💜• Sometimes it's to show someone else that he's better than him, or him being possessive with you. If he thinks it'll get to someone that shows an interest in you, he'll give you a hug or a smooch or something and look them dead in the eye right after with that dark stare of his. Somehow, though, it always softens when he turns his attention back to you.

💜• He's also pretty good at detecting if you're sad or worried or scared. Banda can read your expressions scarily easily, so with just one hard look, he'll be pulling you to the side and pressing himself close to you so he can breathe "why are you so scared, baby? I've got you, haven't I?" That's kind of the best he gets at comfort 😂 asides from doing anything you ask him for, like giving you a hug and some kisses until you're back to your blushing self and he's smiling in satisfaction from doing his job right.

💜• And he loves making you flustered, because he kind of gets off on the power he has over you and how you're all his (possessive aaaaghhfksk-) so don't be too caught off guard if he randomly makes out with you just to see you turn red and chuckle at it 🙃

💜• Behind closed doors, and after games, it's safe to say that he's an amazing cuddler, the type that lets their mind wander and traces faint patterns on your skin, or plays with loose strands of your hair while he stares into space thinking about... well, not very nice things, let's be real 💀

💜• Bit by bit, he'll tell you things about himself, but he's a bit apprehensive about your reaction to the bad stuff he's done (and carries on doing). So if you're reluctantly acceptant to who he is and just kind of let him do his thing, it puts his mind at rest, and Banda lets himself open up more. He just needs some time to do it, since I'm making a safe bet that he's never really been in a proper, romantic relationship before.

💜• But with time, you'll get to the point of trust where he'll do anything you ask him to, no matter how odd it sounds, right on the spot. He's pretty good at knowing when he's being set up anyway, and you'd never try that, he's certain.

💜• He's not the sanest and most stable person you could let yourself love, but at the end of the day, when he falls, he falls hard, and there's no escape from him 😂 you're his 'little princess' or 'fallen angel' for the rest of your days... especially when he accepts permanent residence in the Borderlands and aspires to make the both of you gamemasters and rulers of the place. A true princess then, right? 😍

[cfr749]

Thoughts on Chenford (and some other stuff) in 6x04

Spoilers below the cut

What I liked…

Most of it… which… I can honestly not remember the last time I felt that way… probably 3x14?? I probably just need to watch it again and find some stuff to get pissed off about, but at the moment, I’m pretty happy with it 😂

I was positive they would make the last scene in the hospital into some kind of joke, but this season has (so far 🤞🏽) consistently served real feelings for Chenford and I could not be happier about that. 

Poor Lucy - my heart was aching for her all episode. I hate to see her struggle, but I love seeing her have some depth and emotional range again, so I’m here for it. Melissa killed that last scene! I was super scared they’d have Lucy take a huge risk that would blow up in her face bc she was trying to prove herself — thank god that wasn’t the choice they made.

Tim was supportive - he acknowledged Primm’s role in her exam results! I don’t think he rolled his eyes (toward Lucy) once! It was actually quite lovely! Especially the way he went straight to her in that final scene - that was perfect 😭😭😭 

Bailey giving Lucy props for being a badass - I loved it! I also loved that she was only in like 90 seconds of the epi — both can be true! 😂

Celina being a real rookie and making a massive ass mistake, and both Nolan and Celina getting reamed for it. I loved how imperfect the rookies were in season 1 and we haven’t gotten enough of that vibe since then. (I’m gonna ignore that they got to be on TV for knocking on a door after that, simply bc it was an input to Lucy’s story). 

What I was meh on…

I am sad we didn’t see Angela and Nyla rallying behind Lucy. That hurt my heart a little, but I understand why we didn’t…

The therapy… sigh… Leave it to this show to finally get something right in terms of addressing all the trauma they put these characters through by bringing in a therapist, only to completely ruin it by seeding this weird romance vibe. Time for Aaron to be done and someone else to take a turn bc I do not need to see these two date 😂

What’d y’all think??

[itssoinevitable]

acgas season 5 rant

well I must say it’s been some time since I wrote a tumblr essay but I think this one has been building all season. in fact, it will likely be part one of (?) because there are many feelings that need to screamed into the void. let me preface by saying that I am not a “hater” by any means, because I absolutely and unabashedly love this show and it pains me so much to criticise it, instead of celebrate on cloud nine like I usually would be after the finale. I ranked it higher than downton abbey the early seasons, which is a massive compliment for anyone that knows me. and I repeatedly told others not to worry bc it’s the show that keeps on giving and that I trusted these writers implicitly with our beloved characters.

so yes, it royally sucks that I have to eat my words, and that acgas season 5 did not bring what it should have brought. and it also sucks that this is only part one of my rant (for you and me both). if you loved s5, then I am really happy you did, and please don’t read on bc I don’t want to taint your experience. if you hated it but don’t know why, or bc misery loves company, pls read on. spoilers ahead, obv. 

1. episode structure

yes so — structure wise, it was a hot mess. I can definitely see what they were going for, in that they gave the limelight to a pair of characters every episode, and thought it would be fine like modern family style episodes. except, another spoiler alert: it was not fine at all, unless your faves are the featured couple for said episode. I would do an episode by episode breakdown but @owlsiehoot already did that. suffice to say, it is not the kind of show where you can enjoy 40 odd minutes when it’s not “your” characters’ turn to shine. they have nearly an ensemble cast, but chose not to treat it like an ensemble show. and while I can see what they were trying to avoid, the chosen execution method was far far worse imo. (we may never know the real reason for this change, but I hate whoever greenlit this decision).

even if they wanted to keep the longer scene structure, fine, maybe it could have worked. but if I could have recommended one change in the writing room, it would have been to split the main cast into threes every episode, instead of pairs. that would resemble the formula a bit more like the prev seasons, and would’ve given much more interesting and diverse back and forths to play off of and keep more general balance. some ways the dynamics could have been done:

Tris & Carmody were fine in ep 4, but keep it in skeldale more and add Mrs Hall into the mix to mother them, even better. (reminding the audience she has a biological son too, and not just these surrogate dumbasses whom she loves would have been a bonus.)

Helen & James are always lovely together, but add Tris in there for some mischief or more Jenny and Heston Grange for some sisterly bonding. 

Tris & Siegfried were cute too, but again they were away from the house, and usually Audrey was right in there with them and added something to all their interactions. 

Alternatively, give the ladies something to do and put Audrey, Helen and Mrs Pumphrey together again. (I will say though, at least Mrs P had more to do this season). 

Where the show suffered most was giving Carmody two stand-out episodes tbh, when in reality, they only had time for one.

2. tone

not only did the previous seasons have an amazing balance of all characters, they also managed to balance the darker story threads with lighthearted humour in an inimitable way. usually three concurrent storylines, two being more serious, and one more lighthearted to break it up. some episodes of course, were more lighthearted than others. but season 5 seems to have turned that on its head because almost all storylines were quite silly?? I respect there has always been a certain amount of physical humour, but it seems now that the gags have now replaced actual plots and meaningful character development. this is not a sitcom after all, unless they’re trying to change genre at the nth hour. notable exceptions include Bingo’s storyline ofc, and Candy & Joan (both which were early in the season btw) and James’ war and brucellosis experience right at the end. the middle was mostly twaddle if you ask me.

which reminds me: overall, the animal storylines seem to have become something of a joke too. the animals used to mean a lot more to their clients before, and the vets used to show them a great deal more love and respect. contrast to this season, many vetting scenes feel almost cavalier. the poor dog with the phantom pregnancy was played for laughs, which I don’t think it would have been in prev seasons. the horse that fell down after the injection, had no greater mystery to solve. Siegfried and Tristan barely seemed to care, and chalked it up to shock. it is quite unforgivable to me, as their great reverence for the animals was one of the things I love(d) about this show. 

imo a few subtle changes could have elevated many of the stories to their usual form. I gave an example on discord, but I’ll repeat it here. it’s episode 5, and picture Bosworth coming into Skeldale the same was as he did in canon, asking Audrey to come out to investigate a potential bomb. everything could have remained the same except that Audrey could have told the others where she was off to, and Siegfried or Tristan maybe asked her not to go. the whole family would have gathered together for a moment, expressed their fear for her and she would have said it’s her duty to go and check anyway. in this version, we would have felt the tension and the stakes, and it would be a looming threat of the war finally touching Darrowby. the end would also be the same, a false alarm and nothing more but the emotional impact of the episode would have increased tenfold.

and to me, the worst part of it all is that the season actually started off so promising. the first two/ three episodes, combined with the interviews by the cast, it honestly felt like they were exploring some very interesting things. but they dangled the carrot, only not to deliver imho. 

it seemed that Tristan was hiding something painful under his playful exterior, eventually to be teased out, but apparently he really came back from war completely trauma-free.

I was under the impression that Siegfried was supposed to have an identity crisis, where he was feeling left behind, but it didn’t seem to pan out properly either.

Audrey was supposed to be overworked, right? but we didn’t see her actually buckle under the strain of her many, many duties because she’s basically superwoman I guess?

James had this beautiful connection with Banerjee, only for him to be alive but never show up again I guess? really thought James would bring him to Mrs P’s convalescent home but guess not.

3. characters

and here is the crux of it, the beating heart of the show which is now bleeding out. because a truly good show is character-driven, and unfortunately I cannot say that was true for season 5. a glaring deus ex machina comes to mind, when the doorknob fell off in episode 4, trapping Tris and Carmody in a room. never thought the show would stoop to these cliched tropes tbh and it truly disappointed me.

not only did the episode structures do the characters a great disservice, but it seems to have foiled the overall season story arc too for each character throughline. to me, it looked as if the only two people with clear defined story arcs were James with his war trauma, and Carmody (my beloved). was it Sam West who said the characters seemed “busy” this season? bc yes, it’s accurate. but not in a good way. mostly they all had only things to do on the surface, but there was very little going on underneath. which is a crying shame because basically, characters have to suffer a little to grow and be interesting. they need to face challenges and grow and change. let’s do some compare & contrast:

Tristan changed and grew in every season, from 1 to 3 and faced many internal (and external) obstacles to becoming his best self, whether it was by being more studious or responsible and mature in his work and personal life. Now he’s back and we’re supposed to think… what? That he’s already his best self, I suppose.

season 4 Siegfried was holding his found family together, trying to cope with the workload and missing Tristan, worrying about James, terrified that Audrey was going to leave. contrast to s5, and Siegfried is… being adorable with baby Jimmy, and attracted to a goat heiress? if there was something deeper here, please let me know bc I must have missed it.

while last season, Helen was looking forward to starting a family, and then working on keeping her baby healthy and her family (James) intact despite the war. s5 Helen started off strong, struggling with balancing being a mother and big sister to Jenny, but now… she’s what? planting too many strawberries in the victory garden? being a supportive wife to James is important, but it cannot be her only feature. 

and last but definitely not least, Audrey in s4 was learning what a life outside her marriage to Robert could truly mean for her, and figuring out for herself where she belongs. conversely, s5has her making jam, and finding non-explosive tinned potatoes. yes she’s a warden, but what is she feeling on the inside?

4. conclusion — an empty vessel

to summarise this not-epic epic is that my true grouse with this season is its utter emptiness. it is truly a season where nothing happened and nobody really changed. okay, some things were different — e.g. Siegfried being better with handling his “boys”, and being more open and less grumbly in general. or Tristan being more responsible with his work, and standing his ground more firmly. but imo those were the results of previous season’s changes. within the course of s5, they did not do much growing or changing.

Tristan’s homecoming episode comes to mind the most. so many missed opportunities for deeper to surface — James being torn between treating a patient and possibly missing his son’s christening would have added some true to character dissonance. Helen leaning on Audrey for support when she had issues with her mother-in-law, could have worked beautifully and explored the character foils in an interesting way. James and Helen asking Siegfried and Audrey to be Jimmy’s godparents would have been truly touching and a testament to how deep their familial bonds are.

anyway, TL;DR I guess? maybe it’s because they’re saving most of the juicy stuff for season 6, but it mostly felt like a filler season, and if you looked forward to it all year just to get that then it’s truly anti-climactic. with all that said now, onwards and outwards. we shall see was the CS brings.

[mysticcollectionbee]

Loki season 2 Ep.5

(SPOILERS)

This just gonna be a list of things I’m obsessing over in the new episode by order of importance to me (I’m sorry):

GOD. OF. STORIES. Buildup. YES!!! From the episode title to Loki specifically mentioning saving their stories (only other time he mentioned stories to represent a person’s life was in the very first episode of this show I think). I’m way too excited.

Mobius…I’m sorry this will be mainly Lokius based. *Ahem* Mobius a single dad who can’t shut up about being single and the only person he talks about stuff that isn’t just Jet-Ski related is Loki. Everyone else he meets he kinda just stays on topic but Loki; “Hey, stranger who might of followed me from work, want a beer? I’m also a single dad.” And two things I feel like I see differently than a lot of the fandom: a) I don’t think Don (Just remembered that’s his name) has a dead wife. Like, who describes your wife being dead as ‘Long gone’ and immediately tries to pawn off a belonging that you used as a couple? b) People saying the kids act like Loki and Thor which means Mobius represents Odin but…Odin kinda sucked as a dad? And Frigga was a MASSIVE part of raising the kids, so an Odin variant being able to step in is. Unrealistic. Oh and Hela? Hi??? Hela exists. So nah, I think they made it that way the same way they made Thor adopt Love, to fix the mistakes of the past generation with the new ones. Thor is raising Love unlike how his father raised him. Loki could raise the brothers to not have the same issues he had with his own brother, and what they both had issues with when raised together by Odin.

(Last one was long) I think I made a theory a long time ago that Casey/Frank was related to the unsolved case of the guys escaping Alcatraz. Could be wrong, if not, hey one of my theories was right!

O.B. my baby boi was a failed Sci-Fi writer that ended up inspiring the god of stories to save all the stories across the multiverse. He’s secretly the most important writer character in the MCU :’)

B-15 being a nurse makes a lot of sense and explains why she became softer and more focused on helping others after she got her memories back. Her true nature of helping others came back to her, which probably ask explains why she really hate the idea of pruning people again.

I want to talk about Sylvie and all the neat stuff about her…But my Bi brain keeps getting distracted by that scene of her without her jacket…She’s- she’s great here too 👍

Final unimportant thing: Any Doctor who fan get time explanation flashback the moment O.B picked up that mug with pens in it? “I’m a pen in a mug?” “Yes you are, Donna Noble.”