#mass-media
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Campania Prezidențială Începe cu Focuri de Artificii, Nu Cu Fapte: „Autorul” Atentatului Crișan, Eliberat! Adevărul Iese la Iveala!
Publicat: 29 octombrie 2024, 14:00 Exact așa cum bănuiam! Când „măreața” noastră justiție a anunțat cu surle și trâmbițe că a prins „autorul” atentatului împotriva lui Ioan Crișan, era clar că începeau doar un alt joc de campanie. Așa-zisa „victorie” era de fapt o regie de propagandă politică, menită să facă senzație și să transforme justiția într-un spectacol de divertisment. Astăzi, spectacolul…
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#adevăr#alegeri prezidențiale#atentat#breaking News#campanie electorală#CBCRO#conspirație#corupție#CrossBorderChroniclesRo#Dreptate#eliberare suspecți#fake news#investigatii#justiție#manipulare media#manipulare publică#mass-media#PR politic#România#scandal politic#scenariu politic#senzațional
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年齢非公表
女優の水野美紀さんが昨日誕生日を迎えたそうなのですが、自身のYouTubeチャンネル「水野美紀の映画生活【公式】」で「もう吉田羊のように年齢非公表で行きたい」と年齢非公表宣言をしたとのことです。 二度と私に「何歳ですか?」って聞かないでください。あと水野美紀(50)とは絶対に書かないでください?…
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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I just love how the difference between these images SO encapsulates the difference in vibe between SNW and TOS.
I’m genuinely sorry, glistening-tits-buff-Spock-with-manly-sleek-interior-design-choices-and-scantily-clad-bethrothed-in-background-who-you-rather-explicitly-raw-and-cheat-on, you could only attain the level of unadulterated cunt that is TOS Spock and his weird campy artifact-filled bedroom in your DREAMS.
#something about the sanitization of media so it is fit for mass consumption on platforms gets to me alright.#SPOCK WAS CRINGE BUT HE WAS FREE#obviously yes this is party due to very talented set designers and I definitely respect their craft#but with this all together? an obvious degradation#star trek tos#star trek snw#star trek spock#mr spock#s’chn t’gai spock#my post#Star Trek#k/s#star trek the original series
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saw this tweet and all i could think was shepard being allowed social media
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Mr. Flanagan, I’d like to ask a question and I deeply hope that it does not offend or upset you. I am strongly considering canceling my Netflix subscription due to their new password sharing policy. However, Midnight Mass is one of my favorite shows of all time and I know it isn’t available on DVD, and I’m also profoundly anticipating your take on my favorite Edgar Allen Poe story. So I wanted to ask your take on people accessing your work through, uh, other means. If it’s something that’s offensive to you or will harm you or the other people who work so hard on these shows, I’ll happily keep my Netflix just so that I can keep supporting your work. I respect you far too much as an artist to do otherwise.
Again, I really hope I’m not upsetting you by asking this question. Thank you for everything, and I hope you’re having a great day!
(NOTE 6/4/2024: I'm editing this entry because, well over a year since it was posted, some journalists dug this up and used it to create click-bait headlines that are misleading, out of context and artificially combative. While I was of course disappointed over the years that Netflix opted not to release my work on physical media, I never experienced any hostility or aggression in those discussions, and I sincerely regret the manner in which this post was used in the press this week.)
Hi there - no offense taken whatsoever, in fact I think this is a very interesting and important question.
So. If you asked me this a few years ago, I would have said "I hate piracy and it is hurting creators, especially in the independent space." I used to get in Facebook arguments with fans early in my career when people would post about seeing my work on torrent sites, especially when that work was readily available for rent and purchase on VOD.
Back in 2014, my movie Before I Wake was pirated and leaked prior to any domestic release, and that was devastating to the project. It actually made it harder to find distribution for the film. By the time we were able to get distribution in the US, the film had already been so exposed online that the best we could hope for was a Netflix release. Netflix stepped in and saved that movie, and for that I will always be grateful to them.
However...
Working in streaming for the past few years has made me reconsider my position on piracy.
In the years I worked at Netflix, I tried very hard to get them to release my work on blu-ray and DVD.
It became clear very fast that their priority was subscriptions, and that they were not particularly interested in physical media releases of their originals, with a few exceptions.
While companies like Netflix pride themselves on being disruptors, and have proven that they can affect great change in the industry, they sometimes fail to see the difference between disruption and damage. So much that they can find themselves, intentionally or not, doing harm to the concept of film preservation.
The danger comes when a title is only available on one platform, and then - for whatever reason - is removed.
We have already seen this happen. And it is only going to happen more and more. Titles exclusively available on streaming services have essentially been erased from the world. If those titles existed on the marketplace on physical media, like HBO's Westworld, the loss is somewhat mitigated (though only somewhat.) But when titles do not exist elsewhere, they are potentially gone forever.
The list of titles that have been removed from streaming services is growing.
I still believe that where we put our dollars matters. Renting or buying a piece of work that you like is essential. It is casting a vote, encouraging studios - who only speak the language of money - to invest more effort into similar work. If we show up to support distinct, unique, exciting work, it encourages them to make more of it. It's as simple as that. If we don't show up, or if they can't hear our voice because we are casing our vote "silently" through torrent sites or other means - it makes it unlikely that they will take a chance to create that kind of work again.
Which is why I typically suggest that if you like a movie you've seen through - uh - other means, throw a few dollars at that title on a legitimate platform. Rent it. Purchase it. Support it.
But if some studios offer no avenue for that kind of support, and can (and will) remove content from their platform forever... frankly, I think that changes the rules.
Netflix will likely never release the work I created for them on physical media, though I'll always hold out hope.
Some of you may say "wait, aren't The Haunting of Hill House and The Haunting of Bly Manor available on blu-ray and DVD?" Yes, they are, because they were co-produced with Paramount, and I'm grateful that Paramount was able to release and protect those titles. (I'm also grateful that those releases include extended cuts, deleted scenes, and commentary tracks. There are a number of fantastic benefits to physical media releases.)
But a lot of the other work I did there are Netflix originals, without any other studio involvement. Those titles - like Midnight Mass, The Midnight Club, and the upcoming Fall of the House of Usher - along with my Netflix exclusive and/or original movies Before I Wake and Gerald's Game - have no such protections. The physical media releases of those titles are entirely at Netflix's discretion, and don't appear to be priority for the studio at this time.
At the moment, Netflix seems content to leave Before I Wake, Gerald's Game, Midnight Mass, and The Midnight Club on the service, where they still draw audiences. I don't think there is a plan to remove any of them anytime soon. But plans change, the industry changes.
The point is things change, and each of those titles - should they be removed from the service for any reason - are not available anywhere else. If that day comes - if Netflix's servers are destroyed, if a meteor hits the building, if they are bought out by a competitor and their library is liquidated - I don't know what the circumstances might be, I just know that if that day comes, some of the work that means the most to me in the world would be entirely erased.
Or, what if we aren't so catastrophic in our thinking? What if it the change isn't so total? What if Netflix simply bumps into an issue with the license they paid for music (like the Neil Diamond songs that play such a crucial role in Midnight Mass), and decide to leave the show up but replace the songs?
This has happened before as well - fans of Northern Exposure can get the show on DVD and blu-ray, but the music they heard when the series aired has been replaced due to the licensing issues. And the replacements - chosen for their low cost, not for creative reasons - are not improvements. What if the shows are just changed, and not by creatives, but by business affairs executives?
All to say that physical media is critically important. Having redundancy in the marketplace is critically important. The more platforms a piece of work is available on, the more likely it is to survive and grow its audience.
As for Netflix, I hope sincerely that their thinking on this issue evolves, and that they value the content they spend so much money creating enough to protect it for posterity. That's up to them, it's their studio, it's their rules. But I like to think they may see that light eventually, and realize that exclusivity in a certain window is very cool... but exclusivity in perpetuity could potentially limit the audience and endanger the work itself.
#midnight mass#haunting of hill house#the midnight club#the haunting of bly manor#physical media#streaming#piracy#torrent#film preservation
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*blows a kiss to the stars*
For the krogans
#mass effect#urdnot grunt#urdnot wrex#krogan#this is still a mass effect blog i've just been consuming other media lmao
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GARRUS VAKARIAN: DATABASE IMAGE ACCESS. > PT. 1 : 2160, 2166, 2170. > all files backdated according to user preferences: (terran_coordinated.calendar).
#mass effect#mass effect fanart#garrus vakarian#mass effect garrus#castis vakarian#solana vakarian#turians#alien#palaven#artists on tumblr#illustration#art#scifi#video games#milkyart#garrus retro#I want to make more of these so I'm giving it a tag#headcanons go as such:#turians have a downy coat from birth to toddler age after which actual feathers develop - which molt during puberty.#they're the color of the plates since feathers are modified scales! so for the vakarian siblings they're silvery.#child garrus playing spectre - solana already annoyed by it back then. but hey at least he's using sources for his make believe? nerd#first time castis takes him shooting it's a live target. have fun kid I hope this won't awaken anything in you or do irreparable damage#castis voice: I didn't raise him like this!#well buddy someone did.#also - hard to see but the leaves and tree trunks have a metallic sheen :-)#god this took SO LONG ive never done something quite like this before! also wanted to do landscape for once.#social media is so hostile to this format but I think 3 images is a good workaround#will make a detail post later on... the faces are probably getting fried by tumblr :(#oh I gave castis the comic markings. they look way better and imo make more sense. and we don’t talk about me:a here
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I just saw a really stupid take from a Star Wars fan (I know, absolutely unheard of! (heavy sarcasm)) so here is a reminder:
People who ship clones with Jedi are more than aware of the power dynamic. That’s a huge part of what makes them interesting. If we were to to ship Cody with basically anyone else other than Obi Wan, it probably wouldn’t work as well because Obi Wan is precisely the last person who would ever want to pressure him or cross his boundaries.
The Jedi were totally screwed over and backed into a war that goes against so much of what they stand for and on top of that, now they have an entire army of brand new humans to lead. All of those brand new humans are totally unique and just experiencing the world for the first time, even though they’re all mature adults too. It’s a totally screwed up situation which puts so much added pressure onto the Order, so we throw romantic feelings on top of that and we’re not supposed to find that absurdly compelling?
Obi Wan is literally defined by his empathy and his kindness. The reason shipping him with Cody works so well is because there is no one who represents what the Jedi are meant to be better than him. Goodness is at the core of his character. There would never be a day that he didn’t value Cody’s wellbeing over his own feelings. Not to mention that they’re both so dedicated to their beliefs and responsibilities that a relationship is never even realistically an option while the war is going on.
Codywan is about the yearning. It’s about them both knowing they have feelings for each other and not being able to do anything about it because they are fighting for something much bigger than themselves. It’s about the infamous “after the war” conversation that they never got to have. It’s about them meeting again on Tatooine years later, finally on equal footing and completely alone in the galaxy, bonded together by their grief.
That’s why people love Codywan. The suggestion of anything otherwise is just an insult to the hard work all the artists and writers have put into making some of the most incredible fanfiction and fanart and fanon lore I’ve ever seen in any fandom ever.
P.S.— the portrayal of something in a piece of media doesn’t equal the condoning or promoting of that sort of behaviour. I thought we’d long since established that. Let’s use our brains here.
#preaching to the masses by putting this in the codywan tag but nvm#if your media literacy is dead I totally get how these ships would seems weird to you#pretty sure every sw ship comes with its ethical complications bc that’s how adult relationships work#it’s about how you handle it#all of my long posts are motivated by either anger or spite#codywan#clone/jedi ships#obi wan kenobi#commander cody#star wars#clone wars#star wars prequels#sw
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#capitalism#workers#workers rights#working class#income inequality#wealth inequality#mass news media#news#current events
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カメラの宣伝写真がストックフォトだった件
先月、PanasonicのカメラLUMIX DC-S9の宣伝に使われていた写真がShutterstockなどのストックフォトだったということで謝罪する事態になりました。 これについて後日、「「LUMIX…
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if there was ever a tv adaptation of the magnus archives i think sasha should be played by the same person as notsasha the whole time.
there are perhaps a few polaroids shown briefly in the background with someone you don't recognize during s1, but they disappear in s2.
in the end, the viewer doesn't remember the 'real' sasha either, because she was never acting in the show. all you have is memories of notsasha.
the first time we actually see the actor in the pictures from s1 is in the flashbacks at the beginning of s5; sasha and tim talking, jon's birthday, sweet memories that just- don't seem quite right, even though you know this is the true version.
#anyways#been thinking about this a lot lately for some reason#something something the audience is complacent and complicit with the atrocities of the media and are forced to confront their own moral#reason for finding enjoyment in the show#something something the viewer is the Mass Entity of Fear which terrorizes this world#feeding off of their terror#the magnus archives#tma#tma spoilers#sasha james#not sasha#jonathan sims
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#one of these is called a mass hallucination#the other one the best mafia movie to (n)ever exist#meme#memes#bee movie#goncharov#goncharov 1973#mass media#internet#Tumblr#mass media vs Tumblr
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#EDIT: i forgot fear street?! shaaame. shaaame.#midnight mass remains one of the best pieces of horror media I've ever consumed hands down#grotesquerie isn't even that great most of the time#but i'm eating up the priest guy and sister megan#grotesquerie#ahs asylum#midnight mass#the devil all the time#frailty movie#the witch#the vvitch#loustat#iwtv 2022#fear street trilogy
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Dietro il coro mediatico di chi dice "denunciate!"
#testimonianze#violenza#stato#ingiustizia#vittime#carnefici#uomini#donne#mondo marcio#mass media#criminali#acido#zombie#società#società malata#svegliatevi#aprite gli occhi#sistema#verità#dittatura#schiavi
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