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Filmul Deadpool & Wolverine (2024) Subtitrat In Romana
Urmariti filmul Deadpool & Wolverine online subtitrat in romana la cea mai buna calitate pentru a le urmari pe computer, smartphone sau tabletă.
Daca esti in cautarea unui film de actiune plin de umor si momente captivante, Deadpool & Wolverine este alegerea perfecta! Acest articol iti va oferi informatiile necesare pentru a viziona filmul online, subtitrat in romana, la cea mai buna calitate.
✅Urmariti ➤ Filmul Deadpool & Wolverine Subtitrat in Romana
✅Descarca ➤ Filmul Deadpool & Wolverine Subtitrat in Romana
![Tumblr media](https://64.media.tumblr.com/acb1a4ac987fb21ea458e046c945f176/029906992d72153c-fc/s540x810/f5689b5129c5ff19eae72fe81d5616f879d0ecd5.jpg)
De Ce Sa Vizionati Deadpool & Wolverine?
Actiune si Distractie: Cu o poveste captivanta si secvente de actiune uimitoare, filmul iti va mentine atentia de la inceput pana la sfarsit.
Personaje Iconice: Deadpool si Wolverine sunt doua dintre cele mai indragite personaje din universul Marvel, iar interactiunile lor sunt pline de umor si adrenalina.
Umor de Calitate: Stilul sarcastic al lui Deadpool aduce un suflu nou in genul filmelor cu supereroi, facandu-le mai accesibile si mai distractive.
✅Urmariti ➤ Filmul Deadpool & Wolverine Subtitrat in Romana
✅Descarca ➤ Filmul Deadpool & Wolverine Subtitrat in Romana
Ghid pentru Vizionarea Online a Filmului
1. Alege Platforma de Streaming
Exista numeroase platforme de streaming care ofera filme online, inclusiv Deadpool & Wolverine. Cauta site-uri de incredere precum [Numele Platformei] sau [Numele Platformei].
2. Verifica Disponibilitatea Subtitrarii
Asigura-te ca filmul are subtitrari in romana. Multe platforme permit selectarea limbii pentru subtitrari, astfel incat sa poti urmari filmul in mod confortabil.
3. Opteaza pentru Calitate Inalta
Pentru a te bucura de o experienta cinematografica de neuitat, alege optiunea de calitate HD sau 4K. O conexiune buna la internet este esentiala pentru a evita intreruperile.
4. Dispozitivul Ideal
Poti viziona filmul pe computer, smartphone sau tableta. Asigura-te ca ai un dispozitiv cu ecran suficient de mare pentru a te bucura de detalii.
Cuvinte Cheie pentru O Clasare Mai Buna
Deadpool & Wolverine online
film subtitrat in romana
vizionare film online gratuit
filme de actiune 2024
filme Marvel online
streaming filme subtitrate
Concluzie
Deadpool & Wolverine este un film care merita vazut, oferind o combinatie unica de umor si actiune. Urmeaza ghidul nostru pentru a-l viziona online, subtitrat in romana, si pregateste-te pentru o experienta memorabila. Nu uita sa impartasesti filmul cu prietenii si sa discutati despre cele mai tari momente!
#deadpool#wolverine#film online#subtitrat in romana#filme de actiune#marvel#vizionare film#umor#supereroi#streaming filme#divertisment#cinema#film de comedie#actiune#filme 2024
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👉abilitate culinară!😁👌
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Black Friday la evoMAG: Televizor LED TCL 80 cm (32") 32S5400A - Oferte de Nerefuzat
Black Friday este momentul perfect pentru a-ți upgrada dispozitivele electronice, iar evoMAG vine cu reduceri impresionante la o gamă variată de produse. Unul dintre cele mai atractive oferte este televizorul LED TCL 80 cm (32″) 32S5400A. Haideți să vedem de ce merită să profitați de această ofertă. Televizor LED TCL 80 cm (32″) 32S5400A – 54999lei Specificații principale: Dimensiune ecran: 80…
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#Android TV#black friday#divertisment acasă#Dolby Audio#evoMAG#gadgeturi#Google Assistant#home cinema#Oferte Black Friday#recenzii produse#Reduceri Black Friday#Smart TV#TCL#TCL 32S5400A#tehnologie de top#televizoare#televizoare 80 cm#televizoare HD Ready#televizoare ieftine#televizoare LED
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Noile Aplicații „Car-Ready” pentru Android Auto și Compatibilitatea cu Ecrane Mari
Google adresează o problemă recurentă în utilizarea Android Auto, prin introducerea unui nou sistem de etichetare a aplicațiilor „Car-ready,” ce oferă validare pentru compatibilitatea acestora cu ecrane mari, cum sunt cele din consolele autoturismelor moderne. Utilizatorii Android Auto sunt deja familiarizați cu limitările aplicațiilor pe ecranele de bord, unde nu toate funcționează corespunzător…
#Actualizări Firmware#Android Auto#Android Auto compatibilitate#aplicații Car-ready#compatibilitate aplicații auto#console auto#ecran auto#Google Play Store#interfață auto#sisteme de divertisment auto
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ROFLMAO
This:
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Oh, pumpkin, the whole of Romania is roaring with anticipation ....ahem, not 🤣🤣🤣.
You obviously don't have the slightest clue of what you are talking about. One more time: he'll never have the money, the chutzpah and the powah required to even remotely interest a meretricious, supremely mercantile panther as Ghenea. Ever.
Remember South Park's Romanian Contorting Quintuplets (🤣🤣🤣🤣)? I do, heh: Mordor fanfic-wise, it is a truth universally acknowledged that Romania sucks. Of course.
Stop talking nonsense. I am Romanian and yeah, I do know better.
youtube
Later edit:
Ghenea was spotted in Milan (where she lives, d'oh!) two days ago, at the Teatro alla Scala no less, charming crowds around with her daring dress while attending a gala for the Milan Fashion Week.
I know it's a very cruel thing to say, but I really doubt she knows he exists:
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[Source: https://www.peroz.ro/divertisment/madalina-ghenea-zeita-in-alb-rochia-indrazneata-cu-spatele-gol-si-decupaje-laterale-i-a-pus-senzualitatea-in-valoare-153597]
Frankly, I don't know about Roosevelt, but Jesus did weep.
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what is Annabeth's career timeline in tuap? We know she did Sugar Plum at 17 but when did she do other things?
It's honestly about time I wrote this out even for myself. I will say, she only has two major injuries in her career between being pulled into the company and tuap, which will be mentioned here. But it's safe to assume she has a few sprains, pulled muscles, and other things that occasionally have her pulled from shows here and there.
I also am always discovering new ballets and coming up with new ideas for her career. So I can't promise everything is 100% in line with certain things in the fic, but hey, if Rick can do [gestures broadly] I can mess with her career timeline.
Also, the ballet season is similar to a school year -- September through June, with layoffs in the summer, but NYCB also usually does a three-week season in Saratoga, NY.
Sixteen: She's pulled into the company in late October and starts rehearsal for part scene grandma, party scene doll, Snow, and Flowers. She has to do every single show. And she does a great job and has a lot of fun. Doing Doll is especially fun because it's a really early feature for her. It's a short solo, but it always reminds her of the Doll on a Music Box scene from Chitty Chitty Bang Bang.
That winter, she starts learning corps roles for all the major Balanchine ballets on the schedule, including Serenade, which is an all-time favorite for her. She also learns the corps of Theme and Variation, Divertismento 15, and Walpurgisnacht. She also gets to be one of the friends in Copellia, her first big non-Nutcracker story ballet with the company.
Spring continues that patterns. She gets to understudy the Divertisment for Midsummer Night's Dream as well, although she doesn't get to dance it.
At the end of spring season, she gets her corps contract.
Seventeen: In the fall, she just keeps learning corps parts. She does the corps of Swan Lake for the first time. She's just standing there with her arms up, day dreaming about being the lead. She thinks she'd be very good as the lead.
Nutcracker season this year is huge for her. She debuts Sugar Plum for the first time, and this is really, really remarkable. One of the really remarkable things about this is she does everything out of order. Usually you get pulled for a divert, like Marzipan lead or Arabian, or Spanish lead first. Then you do Dew Drop (the other Principal part), and then you do Sugar. But she jumped right to Sugar. I think Chiron just knew she was perfect for Sugar and didn't want to wait another season or two to see her do it. She gets stunning reviews and everyone kind of knows at that point she's going to be a principal one day.
This season is also when she starts doing Mari corps and Spanish corps, so there's a little more variation in her schedule. She's not just Snow and Flowers, although she is still doing that. And Doll and Grandma. She does Spanish Corps withe Beck and that's the first time they dance on stage together.
Winter season starts strong. She's feeling absolutely awesome. She gets pulled to do Romeo and Juliet balcony scene with Beck. They do two shows, it's amazing. And then she suffers a stress fracture in her foot and is out for the season. This is devastating for her. She's a little convinced her career is over. She takes the rest of the season to heal, and when she comes back in Spring, she doesn't get any major solos. She gets one role in the Emeralds Pas de Tres. And that's it.
Eighteen: She starts fall strong. She gets cast as the ballerina in Balanchine's La Valse (this is such a cool ballet, check it out!), and this is her first principal role outside of Nutcracker. It really shows off her ability to create character. And sweet little eighteen year old Annabeth plays it so well. She really gives everything to this part. Her musicality and acting really shine.
For Nutcracker, she's still doing Snow and Flowers and Doll, but she finally doesn't need to do grandma anymore. She learns Marzi lead too. She's still doing Marzi corps and Spanish coprs as well. She also debuts Dew Drop this year. For the entirety of her career, no one ever really thinks of Dew Drop as "her role," but she does really love her Dew Drop, and her die hard fans love to see it on her schedule.
Winter is Sleeping Beauty. She's so so sure she's going to be pulled to learn it as an alternate. And then she's not. Instead, she's in the corps doing the garland waltz and vision scene. She's honestly so mad. She knows she'd be a perfect Aurora. She's writing in her journal like "Look at my curls! These are princess curls!!"
Chiron does have her understudy just about every prologue fairy and every act three divert. And thank goodness she was paying attention, because she gets pulled to do The White Cat for four straight shows. She gives this everything. She plays with her musical accents and her cat mannerisms. And it pays off. Chiron promises her that next time they do it, she'll be Aurora.
Spring comes around and Chiron casts her as Liberty Bell in Stars and Stripes, another major principal role for her. Reviewers agree, she is as sweet as Apple Pie. This really shows off her musical wit.
Annabeth is sure she's going to be promoted to soloist at the end of this year. But instead Chiron just tells her: "Not yet." She was about to cry, when he told her he was casting her as Juliet in his new Romeo and Juliet. "Your promotion is coming, but next year, I need you to be focused on Juliet and learning as many other ballets as you can so you can pass on all of this choreography one day."
That summer she does Liberty Bell in Saratoga as well.
Nineteen:
She gets very few new soloist or principal roles this year because most of her rehearsal time is Chiron choreographing on her. She's having an amazing time.
But this Nutcracker year is brutal. Because she's still in the corps, she needs to do 26 shows. But this year so many women who do Marzi lead and corps are injured. She ends up doing about 15 Marzi leads, 10 Marzi corps, plus a like 26 snows, a handful of flowers, some Spanish corps. She also learns Spanish lead this year, but she doesn't do it. Plus Dew Drop and Sugar. She ends up dancing like 33 shows after covering so many people. She dances the most of anyone save for the apprentices. All the while, most of her rehearsals are R&J.
There's one day, a few weeks into the season, she's practicing gargouillade's after company class, because she's really not happy with how hers look, but they are featured prominently in Marzi lead. And she just hates the way her legs look, and she feels like garbage. And she goes and lays on the ground on the side. Helen comes over and asks what's wrong. And poor Annabeth has tears in her eyes, and says something about gargouillades, and Helen just says: "Annabeth, no one knows how to do a fucking gargouillade, just jump up, kick your little legs around, and it'll be fine. The audience doesn't know what they're looking at anyway."
She counts this as some of the most important advice she's ever gotten, and she will, one day, say the same thing to her daughter in the middle of her own Nutcracker breakdown.
Chiron gives her a light Winter season, just ballets she's done before, no new Principal or soloist debuts, so she can focus on Juliet.
Juliet premieres in the Spring and it's a smash hit. She and Beck are promoted to soloist. Chiron was thinking about just promoting them straight to principal, but he decided to make them pay their dues just a little more.
Twenty:
This is the year her mental health really starts to take a dive.
She gets some decent soloist parts, but nothing too major. She learns Demiflowers for Nutcracker, and she gets to be Marzi lead in the Nutcracker recording.
Annabeth mostly feels like she's being asked to wait for her promotion, and she's never been terribly patient.
She does Juliet at Saratoga and the Kennedy Center this year. She gets good reviews, but she's just waiting for her promotion.
Spring does bring one major debut, the one she's been waiting for: Russian Girl in Serenade. This becomes one of her signature parts, and is one of those things she dances on her own whenever she's feeling sad. She counts this debut as holding back her complete breakdown a few more months.
She gets promoted in the middle of spring season this year.
Twenty-one:
Her mental health tanks so bad during that fall's run of Swan Lake she thinks about changing her name to Natalie Portman. Thankfully, Lee Fletcher is her dance partner, see's she's suffering and goes "Do you want to go see Wicked? My husband in Boq in Wicked, lets go!" And she cries so hard during Thank Goodness she thinks she's going to have to leave the theater. Thankfully, Lee pushes her to see a therapist and get medicated. Things start to turn up from here.
But Swan Lake reviews aren't great. They aren't terrible, but they aren't what anyone expected from her. Her performances aren't what anyone expected from her. Reviews agree: her white swan was pretty, but she seemed more mentally unstable than beautifully melancholic, and her black swan had a nice musicality, but lacked any of the sexy, flirtation associated with the role.
Thankfully, Chiron gives her another chance at the Kennedy Center that Winter, and she gives much stronger performances now that she's a little more stable than she was.
(This is also when she starts wearing contacts because she properly cannot see anymore).
Now that she's a Principal, Nutcracker is nice. She's doing Hostess, Marzi lead, Dew, and Sugar.
That winter she also debuts Allegro Brilliante with Lee, she does Diamonds Pas for the first time as well. She also does Yellow girl in Dances at a Gathering with Beck for the first time.
That Spring, she and Beck do Hellena and Demetrius in Midsummer, and Slaughter on Tenth Ave.
Twenty-two:
She keeps debuting lots of Balanchine and Jerome Robin's ballets as the principal, including Divertismento 15, Theme and Variation, Firebird, and On the Town. Lee and Beck are her consistent partners.
Fall season brings her debut of Swanilda in Coppelia. This gets great reviews and people start to realize that she can do more than just play tragic characters. She's got a great sense of humor to her. This is another role that, like Dew Drop, people don't really associate with her, but that she loves to do, and people who see her do it love her in it.
This is also Fred's favorite ballet to see her dance. It makes him laugh every time to see her act like a doll. He likes the story a lot.
Twenty-three
The big role for her here is Kitri. It's the first time NYCB is doing the classical Don Q, and she really really wants to be Kitri. She thinks she's a shoo-in, because it's a big classical story ballet, but when she looks at the schedule, she sees she's scheduled to learn Kitri, but also Mercedes and Cupid. If she was going to do it, she wouldn't be rehearsing other roles.
But she stands there, in the back, and learns. And when Chiron wants to see it, she gives fucking everything to that act one variation. She's fun, she's flirty, she kicks her legs higher than she knew she could go. She's hitting fifth on her turns and staying clean on the music. And at the end she gets that Chiron Bruner: "Good." And she knows she in.
The next day, she gets her own cast and is pulled from Mercedes and Cupid (her Cupid spot goes to coprs de ballet member Piper McLearn, who gets pulled to soloist after it).
She does have two falls during Don Q, which is such a shame, because she otherwise really loves those performances. The first isn't her fault. The tape that holds the marley pulled up off the stage, and after her act one solo she tripped on it running off, and fell into the wings. Not all of the audience saw this though. The next night, she went to land a tour jete, and totally face planted. That one hurt, but she got up again. That's probably her worst on-stage fall of her career. For her third show, Chiron came up to her and asked if she had rosined her shoes.
Twenty-four
Another Swan Lake in the Winter. This one gets amazing reviews, and people really see the ways she's come into her own as a young dancer.
Otherwise, more debuts, maybe has some more new work choreographed on her (I am far from a choreographer so this is beyond the capacities of my imagination)
This is also when Lee retires. He asks Chiron to cast Annabeth as his partner in Allegro Brilliante, because he did her first principal with her, so he wants her to do his last principal role with him. Annabeth gets through the ballet okay, but as soon as it's over, she's a weeping mess. Video of this moment occasionally resurfaces.
Twenty-five
The Fall brings more Coppelia, which she's happy about. She feels like she's got a routine now. She's debuted so many things, she knows so much of the rep. She's killing it. Nutcracker season is great. She's planning her wedding. Winter is great, uneventful.
She gets cast in Diamonds in the Spring with a promising young soloist.
~
And that's where I'll end this post. Maybe I'll do her post-tuap career later. But this was long enough.
For those interested, John Clifford uploads a lot of archival footage of Balanchine ballets to youtube. This footage is often very old, but it's a valuable resource if you want to see certain pieces.
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Hola, soy nuevo :DD te conocí por tiktok.
Hay algún rango de edad para la NV?:³
Cómo es la personalidad de Oliver y Mat?
Algun dato que puedas dar de la NV?:3 ya sea como algo corto de lo que maso va a tratar:D
(me encanta tu arte💖)
El rango de edad para la NV sera +14 debido a que contendra temas como el c4nib4lismo y habra un poco de gore :3
Oliver es alguien muy divertido y energetico, le encanta la musica y el k-pop, bandas como straykids solo que no le gusta admitirlo xd
Mathew es un poco mas reservado pero aun asi le gusta mucho divertise con los demas le encanta la cocinar y tiene un huron mascota llamado Alex con el que le encanta jugar por horas >u<.
Aun estoy agregando detalles pero la NV tratara acerca de como vamos descubriendo el pasado de Mathew, el cual esta enamorado del jugador y crimenes que han ocurrido en el restaurante que dirige Mathew ya que se rumora que la carne con la que se elaboran los alimentos, es carne humana.
Te dejo algunos dibujos de Mathew y su re-diseño <3 gracias 💞
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#canibalism#artista#fypシ#indie games#visual novel#proyectos#independent artist#tumblr fyp#parati#yandere#preguntas#yandere boy#doodle#sillyposting#canivalley
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🛏️ (local cowboy)
"You can really see how badly pride is mismanaged the second you step into any other ring. Even greed has it's own rancid brand of charm—"
Of course she had dragged Albert with her on the little escapism venture down into the deeper rings. He has become the only company she can stomach for any extended period of time. Sloth had struck her as exactly the sort of place one would seek to catch up on a bit of R&R—he could probably use the divertisment as well. All of them, really, but she isn't quite that charitable.
"—it is a wonder that Lucifer has not yet been usurped, honestly."
Grouses the disgraced liutenant as she drags her feet through the hotel room she had kind of sort of strong-armed out of the receptionist. Not like she has reliable access to this realm's currency. The singular bed does not strike her as a cause for concern. Doesn't strike her at all, frankly. He has already seen her more or less undressed and she has definitely slept next to less honorable men.
A weary sigh as she tugs the simple, black, long-sleeved shirt hugging her torso up and over her head to be discarded somewhere off to the side before she shuffles her way on top of the mattress.
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@deathinfeathers xxx
Yeah, he'd made it easy to forget the kind of damage he could do with that vitriolic, venom sodden tongue of his. The last handful of months they'd spent together had been relatively friction free, as far as their personal relations went anyhow. Textbook honeymoon bliss, she supposes. And it's funny, actually, because nothing really changed to warrant such a peaceable lull. They'd lived their lives like conjoined twins for hundreds upon hundreds upon hundreds of years. They shared a profound familiarity, the kind that allowed them to communicate from two different ends of a room full of people without ever mouthing a word. She could gauge his state of mind at any given moment by the tempo of his breathing, the lilt of his voice, the trajectory of his gaze. They lived together, slept, ate, bathed, laughed, cried and screamed together and They'd plumbed the niches and the hollows of each other's bodies so thoroughly there did not exist a square inch of his flesh that she had not pampered, with her hands, her lips, her tongue.
And yet, in spite of this, there was an uncertainty which hung over them like a suffocating mist. Maybe it was because nothing in this world had ever belonged to her and the things that had belonged to him were always swept away by the tide of time, or the whims of cruel creators. All it took was a promise. Nothing really changed—but it did. She felt secure. Perhaps for the first time in her life.
All it took was a lie.
And now she has to decide how much that lie devalues their promise.
"Why even scratch at it at all? Are you fucking serious right now, Adam? You're dreaming if you think I'm going to let you sweep this shit under the rug!? I have turned a blind eye to a great many of your irresponsible, half-baked antics throughout the centuries but this is where I draw the line! If what we had was anything more than a masturbatory endeavor on your part to balm the aches of your GARGANTUAN goddamned inferiority complex you are going to wrangle your head out of your ass right this fucking second and explain to me—"
The tirade peters out in the face of this sudden and quite frankly alarming surge of aggression. Aggression which twists his warped but still familiar features into something barely recognizable. She knows what he is trying to do, of course. A year in his absence has not made him any less predictable. He wants her gone so that he won't have to face the repercussions of his actions, so that he can keep wallowing and gorging himself on fleeting divertisments to keep himself good and numb to the reality of his situation. They have sung this song and danced this dance a thousand times over. If he thinks that he can intimidate her into submission, he's got another thing coming.
Another thing taking the form of a deeply unimpressed glower.
"...I'm looking."
There is grief there, too. Veiled thinly behind the umbrage.
There is grief there, too. Veiled thinly behind the umbrage.
"I see you."
"Always have."
The good. The bad. The ugly. It didn't change a thing. She was so irrevocably his.
Is this what she wants?
Yes, in fact.
This is the only thing she has ever wanted. For him to stop trying so desperately to convince her that he is something he is not. To let himself be unabashedly flawed and let her adore him all the same.
She might have looked back on the past six months of their ongoing 'situationship turned possessive' and thought nothing warranted the shift from cackling about how many chicks or dicks she took home and railed as opposed to his outstanding first man record, but it wasn't like she was aware of all his dirty, unaired secrets. Heaven had hurt him, sure. Strung him along like the puppet for humanity he was destined to be. Promised carrots - delivered sticks, and cared little for the brash bleat of a black sheep settled among its flock if only because it would serve a purpose. The sheep - to draw predators from the desired livestock. Him? To posture perfection in the picturesque image of the Creator. An image hidden under mask and robes to convince a choir that his crass demeanor was only surface deep and designated to the design he chose.
It stung to see her now- gaze fixed upon him like his own half lidded glare cocked skyward...wondering what all of it was worth in the end. He'd wanted so badly to turn his resentment towards the divine vortex he was caught within at heaven themselves. To show them that he wasn't just a token for breeding them new souls to torture and nothing else. And yet in his haste to do so, he'd become exactly what they determined him to be. Exactly what he strove to struggle against. The Exorcists were tools- a means to an end for him to feel some level of eminence among supposed peers he could never sidle the same pew height with. But he'd grown to care for them... in that stupidly human way that convinced him they were more than heaven's anti virus. In that way that knowing her touch was what he needed to wake up to every morning - guaranteed perfection from heaven be damned...he knew that he'd been what he'd opposed all along. Using them...using her like heaven had used him. Only heaven couldn't come to care for him like he had his girls-...even if he could sense hints of the concern in the corners of the high seraphim's gaze.
It's the pain of realizing he was what he fought all along that helps edge him over. Her vicious remarks don't help- however founded they are. "Then fucking LOOK!" He snarls, agitation whipping with the tempo of his feathered tail as he eyes her down with the dripping menace of a demon discovered against its will. "Look at what I fucking did! I filled hell with my SPAWN- countless centuries. To kill them again - all my mistakes... to feel like I wasn't just some trophy soul to display FOR NO FUCKING REASON while my family BURNED - ! " Despite the increase in his size, he felt small. Looking down at her - trembling with a rage that could decimate all that he applied it to if only it weren't her staring him down.
Despite it all- she knew him. Every gritty corner. Because she was him in a way - facing heaven now with all its expectations of her worth...while knowing it to be a lie. And now she knows - she's looking.
His canines nearly crack with the pressure he grits down on them, lip trembling. He'd shown her the inner most ugly part of him, and yet - ... his gaze clouded. And yet that wasn't the finished product -...the finale. All of what he was and would always be-... Adam.
An harsh snuffle interrupts the intensity between locked gazes. The off golden yolk of a spoiled egg wells in the corners of his eyes as he flashes her his teeth in a last ditch effort to remain relevant. It doesn't work. A wet set of snuffles escapes- his shoulders shuddering with their tempo. This was who he really was...
Adam.
"A-am I... pretty??"
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Lucerys es el novio caotico de Aemond.
Todos creen que Aemond es la mala influencia a primera vista, siempre tiene cara de pocos amigos y usa un parche. Pero el solo es un nerd, niño de mama(ya no tanto) y es una persona que se siente incomoda en las multitudes.
Luke empuja a Aemond que divertise, a tomar riesgos y dejar ir esa moralidad que le impuso la religion.
Asique si, Alicent es la unica persona que sabe que Lucerys es la verdadera mala influencia.
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because of the sudden spur of love i just went to check the Crisis Core Remaster page on steam (it's on sale but i can't afford to spend more money in divertisment rn so i just have to look in anguish. I still am not fan of the new models but my psp is busted so i can't exactly replay the original Crisis Core game)
and anyway
just like me fr
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TikTok nu este doar o platformă de divertisment; este o adevărată armă care atacă sănătatea mentală, în special a copiilor și tinerilor. Algoritmii săi sofisticați creează dependență prin stimularea constantă a sistemului de recompensă al creierului, eliberând dopamină la fiecare interacțiune. Această ”supradoză” digitală reconfigurează creierul (a se citi rețelele neuronale) să caute doar recompensare instantanee, slăbind capacitatea de concentrare și gândire critică.
Efectele sunt devastatoare. Creierul expus ore întregi de conținut scurt și superficial pierde capacitatea de a procesa informații complexe, fenomen cunoscut ca „demență digitală.” Copiii, ale căror creiere sunt în formare, sunt cei mai afectați, riscul fiind amplificat de algoritmii care prioritizează conținut emoțional, dar fără valoare educativă. Ați auzit părinților? Topește la propriu, la nivel neuronal, creierul oamenilor (mai ales copiilor care au mintea în formare) ducând la o adevărată „spălare a minții” .
Mai grav, TikTok poate fi folosit pentru manipulare politică la scară globală. Platforma controlează subtil fluxul de informații, amplificând narațiuni sau suprimând altele, ceea ce o transformă într-un instrument de puternică influență geopolitică. Originea sa chineză ridică suspiciuni privind utilizarea datelor colectate pentru destabilizarea altor state sau influența deciziilor democratice.
TikTok nu este doar o aplicație; este o amenințare reală pentru sănătatea mentală, coeziunea socială și securitatea națională. Părinții trebuie să-și țină copiii departe de această platformă, și utilizatorii să fie conștienți de riscuri. Într-o lume deja sufocată de stimuli digitali, TikTok accelerează criza cognitivă globală, transformând o generație întreagă în victime ale dependenței și manipulării.
Mai multe detalii în articolul de mai jos. Dar mai sunt articole care detaliază cu dovezi neurologice cum creierii expusi prea mult timp suferă realmente stricăciuni la nivel neuronal. Cercetările au mai dovedit că mulți tineri care „consumă” Tiktok au dezvoltat depresii, anxietăți și scăderi ale stimei de sine. Plus obieiuri nesănătoase sau aberante. Plus capacități reduse de procesare și organizare a informației care pătrunde în creier. Tiktok îți face creierul piftie la propriu!
Dacă ați citit acest text până aici, ați depășit cu mult durata medie de atenție și concentrare a majorității celor ce folosesc zilnic Tiktok (aceasta fiind în medie de 9 secunde, și asta la imagini video, care nu necesită citit). Sunt sute de articole care discută de peste 2 ani aceste riscuri și mi se pare grav că nu se bate mai multă monedă pe asta. Ați văzut vreun reportaj pe TV sau în presa mare despre așa ceva? Nu, n-ați văzut...
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Thomas Huxley (sec.XIX)
— LE E GROAZĂ SĂ CITEASCĂ. NU ȘTIU NIMIC ȘI NICI NU VOR SĂ ȘTIE, afirmă el și cita un remarcabil exemplu din practica sa didactică. Țineam o prelegere despre CREIER. Mă străduiam să vorbesc cît mai simplu și mai pe înțeles. Și am simțit dintr-o dată că nu mă pricepe nimeni. Mi-am pierdut cumpătul, dar am observat iute că o femeie se uita la mine cu ochii mari și pare a fi deosebit de interesată. Faptul m-a liniștit și m-a stimulat, iar restul prelegerii l-am ținut adresîndu-mă numai ei. Ei bine, ce credeți ? După prelegere s-a apropiat de mine și mi-a cerut îngăduința să-mi pună o întrebare. „Poftim”, i-am răspuns eu. „Domnule profesor – îmi spuse – aș vrea tare mult să știu UNDE SE GĂSEȘTE CEREBELUL – ÎN AFARA CRANIULUI SAU ÎN INTERIORUL LUI ?”
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― ...omul mijlociu este rezultatul mediului și al superstițiilor sale proprii, iar rostul acestora este de a face din el un DOBITOC. Nu știe să facă legătura între trei sau patru împrejurări noi și să-și dea seama ce înseamnă; este peste puterile lui. Nu-i în stare să observe singur: trebuie să primească totul de-a gata. DACĂ ANIMALELE, NUMITE ÎN MOD GREȘIT INFERIOARE, AR FI LA FEL DE PROASTE CA OMUL, AR PIERI DE PE FAȚA PĂMÎNTULUI ÎNTR-UN AN DE ZILE.
Mark Twain «La cura de apetit»
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Un bărbat din ținutul Zheng se plimbă pe un cîmp și descoperă un obiect care se dovedește a fi, îi explică tovarășul său, un jug de boi; ceva mai încolo, dă peste un obiect asemănător și întreabă iar ce este. La care interlocutorul său îi răspunde la fel. Omul e cuprins atunci de o FURIE TURBATĂ, crede că își bate joc de el și îl ia la bătaie pe tovarășul său, NEPUTÎND SĂ ÎNȚELEAGĂ abstracțiile limbajului și CĂ DOUĂ LUCRURI DEOSEBITE, DAR ASEMĂNĂTOARE, POT AVEA ACELAȘI NUME.
Aceste anecdote sînt culese din Hanfeizi 韓非子
Stéphane Feuillas – Profesor de literatura și filosofia Chinei antice, Universitatea Paris-Diderot în ”Istoria universală a prostiei” coordonator Jean-François Marmion, Editura Litera 2021
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Descoperă lumea divertismentului cu IPTV în România
Înțelegerea IPTV și beneficiile sale IPTV, sau Internet Protocol Television, revoluționează modul în care oamenii consumă divertisment. Prin furnizarea de conținut de televiziune prin internet, oferă o alternativă inovatoare și flexibilă la serviciile tradiționale de televiziune prin cablu și prin satelit. Telespectatorii din România adoptă această tehnologie pentru comoditatea, varietatea și accesibilitatea ei. De la canale live la conținut la cerere, IPTV satisface toate gusturile. Disponibilitatea unui test gratuit IPTV permite utilizatorilor să exploreze aceste beneficii înainte de a se angaja la un abonament.
Cu IPTV, vă puteți bucura de o experiență de vizionare perfectă. Serviciul oferă o calitate excepțională de streaming, funcții interactive și posibilitatea de a viziona programele preferate pe mai multe dispozitive. Nu se mai limitează la un televizor tradițional, telespectatorii pot accesa o bibliotecă vastă de conținut oricând și oriunde.
Explorarea canalelor pe IPTV Una dintre caracteristicile remarcabile ale IPTV este selecția sa extinsă de canale. De la emisiuni internaționale la programare regională, IPTV asigură că există ceva pentru toată lumea. Pentru cei care caută divertisment specific regiunii lor, canale IPTV oferă o serie de opțiuni. Utilizatorii români se pot bucura de sport, știri, filme și chiar conținut specializat adaptat gusturilor locale.
Ceea ce face IPTV deosebit de atrăgător este gama personalizată de canale. Spectatorii își pot alege preferințele și pot descoperi noi genuri fără efort. Fie că ești un pasionat de sport sau un fan al serialelor drame, IPTV îți aduce totul la îndemână.
IPTV România: O poartă către conținut local și global România a devenit un hub pentru pasionații de IPTV datorită gamei sale largi de servicii și capabilităților de streaming de înaltă calitate. Ascensiunea IPTV România le-a împuternicit telespectatorilor să acceseze conținut divers, de la programare tradițională românească până la canale globale. Acest acces fără probleme la emisiunile locale și internaționale face IPTV o alegere preferată pentru publicul românesc.
Confortul oferit de IPTV este de neegalat. Conectându-se la internet, utilizatorii pot explora un catalog extins de emisiuni live și înregistrate. Prin interfața sa ușor de utilizat, IPTV a făcut ca familiile și indivizii din România să țină pasul cu divertismentul lor preferat mai ușor ca niciodată.
Bucurați-vă de Televiziunea Română Oriunde Pentru românii care locuiesc în străinătate sau cei care doresc să rămână conectați cu cultura lor, IPTV oferă o soluție excelentă. Accesul la televiziune românească IPTV asigură că telespectatorii se pot bucura de programe locale, indiferent de locația lor. Sunt disponibile emisiuni populare românești, canale de știri și programe culturale, permițând utilizatorilor să rămână la curent și conectați cu patria lor.
Cu IPTV, vă puteți bucura de o bucată de casă în timp ce explorați conținut global. Capacitatea de a reda televiziunea românească la cerere oferă utilizatorilor flexibilitatea de a viziona emisiunile preferate la convenție, reducând diferența dintre tradiție și divertismentul modern.
De ce să alegeți IPTV pentru nevoile dvs. de divertisment? Popularitatea IPTV provine din flexibilitatea și accesibilitatea sa. Spre deosebire de serviciile tradiționale de televiziune, IPTV elimină nevoia de instalații complexe și hardware suplimentar. O simplă conexiune la internet este tot ce ai nevoie pentru a debloca o lume de conținut. Opțiunea unui test gratuit IPTV permite utilizatorilor potențiali să încerce serviciul și să-i evalueze ofertele fără niciun angajament financiar.
În plus, IPTV oferă o calitate video excepțională, inclusiv opțiuni HD și 4K. Biblioteca sa la cerere, capabilitățile de streaming live și integrarea ușoară cu dispozitivele inteligente fac din aceasta o soluție de divertisment versatilă. Posibilitatea de a alege dintre numeroase canale IPTV asigură că telespectatorii nu vor pierde niciodată genurile sau programele preferate.
Viitorul divertismentului în România Adoptarea IPTV România evidențiază preferințele în evoluție ale telespectatorilor moderni. Pe măsură ce tehnologia continuă să avanseze, se așteaptă ca IPTV să-și extindă acoperirea și să ofere și mai multe funcții. De la interfețe interactive la personalizare îmbunătățită, viitorul IPTV promite o experiență de vizionare mai bogată și mai captivantă.
Românii au acum acces la o platformă de divertisment care nu este doar inovatoare, ci și profund înrădăcinată în comoditate și calitate. Cu televiziune românească IPTV, să rămâi conectat la cultura ta și să explorezi conținut global nu a fost niciodată mai ușor. IPTV reprezintă cu adevărat viitorul divertismentului, reducând decalajul dintre tradițiile locale și tehnologia modernă.
IPTV a transformat modul în care oamenii experimentează televiziunea în România. Biblioteca sa extinsă de canale IPTV, prețurile accesibile și caracteristicile inovatoare l-au făcut o alegere preferată pentru mulți. Fie că doriți să explorați televiziune românească IPTV sau să accesați canale internaționale, IPTV vă asigură o experiență de divertisment de neegalat. Profitați de testul gratuit IPTV pentru a descoperi posibilitățile nesfârșite ale acestei tehnologii de ultimă oră și redefiniți modul în care vă bucurați de emisiunile și filmele preferate.
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IPTV FHD si 4K: O Nouă Eră în Televiziune
Ce este IPTV și cum funcționează?
IPTV este o tehnologie care permite transmiterea semnalului TV prin intermediul internetului, în loc de semnalul tradițional prin cablu sau satelit. Utilizatorii pot accesa o gamă largă de canale și programe de televiziune, fără a fi nevoie de un sistem de cablu sau satelit. Aceasta aduce un avantaj semnificativ în termeni de flexibilitate, deoarece utilizatorii pot viziona televiziunea pe diferite dispozitive, cum ar fi telefoane mobile, tablete, smart TV-uri și calculatoare.
IPTV FHD și 4K: O Experiență Vizuală Deosebită
Unul dintre principalele avantaje ale IPTV este calitatea imaginii. IPTV FHD si 4K IPTV FHD (Full High Definition) și 4K sunt două dintre cele mai populare formate disponibile, oferind o rezoluție remarcabilă și o claritate a imaginii excepțională. În timp ce FHD oferă o rezoluție de 1080p, care este deja superioară față de HD, 4K aduce o claritate chiar și mai mare, cu o rezoluție de 3840x2160, ceea ce înseamnă un detaliu incredibil și o experiență vizuală mai aproape de realitate.
Aceste formate sunt ideale pentru utilizatorii care dispun de echipamente compatibile, cum ar fi televizoare 4K sau monitoare FHD, care pot reda imagini de înaltă calitate. canale iptv De asemenea, IPTV FHD și 4K permit streamingul unui conținut de calitate superioară, cum ar fi filmele, evenimentele sportive sau programele TV cu o detaliere mai fină.
Canale IPTV și Programe TV Românești
Un alt avantaj al IPTV este accesul la o gamă variată de canale TV, inclusiv canale locale și internaționale. Pentru cei care sunt pasionați de programele TV românești, IPTV oferă o selecție largă de canale de televiziune din România, care includ toate tipurile de conținut: știri, divertisment, filme, seriale și sport. programe tv romanesti De la canale tradiționale, precum TVR1, Antena 1 și Pro TV, până la opțiuni de nișă, cum ar fi canalele de cultură, educație și documentare, IPTV face posibilă urmărirea acestora într-o calitate impecabilă.
Un alt beneficiu al IPTV este posibilitatea de a viziona programele TV românești pe diverse dispozitive, indiferent de locație. Aceasta înseamnă că nu mai depinzi de recepția semnalului tradițional de televiziune, ceea ce îți oferă mai multă libertate și comoditate.
Televiziune prin Internet: Avantaje și Flexibilitate
Televiziunea prin internet aduce multiple avantaje față de televiziunea clasică prin cablu sau satelit. Pe lângă faptul că oferi o calitate a imaginii superioară, aceasta permite utilizatorilor să vizioneze televiziunea în regim on-demand, Televiziune prin Internet adică să aleagă ce programe vor să vizioneze și când doresc acest lucru, fără a fi constrânși de un program rigid.
De asemenea, IPTV permite utilizatorilor să aibă acces la o varietate de canale din întreaga lume, ceea ce este un avantaj considerabil față de televiziunea tradițională, care poate să aibă un număr limitat de canale, în funcție de furnizor.
Un alt aspect important este că IPTV îți permite să vizionezi în continuare canalele tale preferate într-o calitate excelentă chiar și pe dispozitive mobile, ceea ce face mai ușor să urmărești emisiuni, filme sau știri în timp ce călătorești sau te afli în afaceri.
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