#making ​art makes ideations go away

[unetherealchaos]

Part 3: restored and painted 1960s mod suit by Mr Thomson, please! And me grooving on Tori Amos under the pink.

[helenanell]

Contempt of Court || Challengers

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Art Donaldson X Fem!Reader 

CW: 18+ MDNI. Alcoholism / substance abuse. Suicidal ideation. Mentions of car crash/ injury, infidelity (technically - Art is still married to Tashi, but they’re separated) Angst. Smut. A little toxic.

Wordcount: 10.8K

Notes: No use of y/n. Set after the events of the film. Reader is a Tashi stan (There’s too much Tashi Duncan erasure happening and I won’t stand for it.) 

Summary: Still recovering from an injury that put your tennis career on pause, your publicist has landed you a deal to be an ambassador for Nike. What she doesn’t tell you, is that so is Art Donaldson: the player who bad-mouthed you in a live, post match interview two years ago. You only find out once it’s too late. 

 (This story was inspired by the dynamic between Billy and Daisy in Daisy Jones and The Six. But…make it tennis.)

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For eight agonising weeks, your wrist has been encased in a cast, but now that it’s finally off, you feel far from relieved.

 As the doctor had sawn into the plaster, producing a cloud of white dust like he was breaking into a bone instead of revealing a healed one, you had actually felt panicked. 

After the car crash, you had spiralled into a pit dug with your own self-pity and pain. And once you’d reached the bottom, you’d staved off the encroaching darkness with alcohol and too many painkillers. 

You’d taken drugs before at parties and drunk until you wiped your own memory, the consequence being waking up with your skull practically splitting open from pain. But there was something profoundly different about becoming intoxicated in the hopes of rendering yourself numb:

 You hated yourself whilst you were doing it, and once the harmful buzz wore off, you hated yourself a little bit more. 

You had become fast friends with shame in the past few months. 

You have been desperate to play again, screaming, crying and practically tearing off your own skin with the need to get back to work- to not let yourself fall behind or your ranking suffer. 

But, amongst the amalgamation of negatives there had been a sort of relief, too. Relief, because the choice had been taken away from you. 

The accident hadn't been your fault and nor could you force your bone to heal faster, so for a brief period of time, you had convinced yourself nothing was your fault. For once, you couldn’t be blamed for your own fall from grace. 

But now your bone had healed and if you didn’t give recovery your all, it would be your fault. If there was no triumphant comeback, it would be on you. 

Another thing to fail at. 

Another thing to lose. 

All of which only added to your bafflement over your publicist’s insistence on coming over this morning, in order to discuss ‘a major opportunity’ that wasn’t related to a competition. 

You had originally tried to worm out of it, but your coach had found out and given you the third degree. 

You’re already tired at the thought of it and you don’t even know what it is yet. You don’t want to think about anything but tennis. You don’t have the energy for it. 

In all honesty…you’re hanging on by a thread.

‘Drinking too much’ is a far too casual phrase for how you’ve been living: it has connotations of casualness- a glaring lack of stakes. For you, the stakes are unbelievably high.

You know you can’t afford to become alcohol dependent because even being a functioning alcoholic isn’t an option for you. The only way to function as an athlete—to maintain your career trajectory and the attain the US Open title—is to be at one hundred percent. 

Mixing your painkillers with straight vodka isn’t one hundred percent: it’s a cry for fucking help. Except you can’t let anyone hear the cry, you need to stifle it. 

It’s bad enough that pictures of you being rolled away from your totalled car in a gurney had been plastered over the internet for weeks after the accident. The alcoholic, pill popping tennis pro was a story that would never go away. 

It would morph into an ugly sort of infamy: you’d been in the exclusive club of American sweethearts and heartthrobs who had been hounded so much by the ‘devoted’, that it had driven them to substance abuse to drown out the noise and fortify against the flashing lights. 

So, no one could know. No one.

Which is why, as your publicist pulls into your driveway, you’re rushing to hide a half full bottle of vodka inside a hideously expensive—and also just hideous—vase that had been given to you as an engagement gift.

Two years ago, when your fiancé–and fellow tennis player–had been caught in 4k, kissing a barely legal actress from a HBO teen drama, you’d almost smashed the vase. But, something about destroying a gift from Serena Williams felt like spitting out the ambrosia a god had fed you from their very own hand.

So, while your ring had been thrown into a ravine (best not to dwell on that.) the vase had remained. 

The doorbell rings much sooner than you’re prepared for. Who knew a five-foot-two woman in heels could move so quickly? 

You run over to the door, chewing down on two pieces of gum you’d hastily shoved into your mouth to cover up the scent of alcohol. When you pull it open, you’re met with the stern face of your Publicist, Rebecca. She’s tiny but terrifying, her sharp features framed by a pitch black bob.

Sometimes, it does feel a bit like you’re talking to Edna Mode, but you’d never dare say that.

“Rebecca, hi!” You’re aware the greeting is too happy, and try not to grimace.

When you step back to allow her to enter, Rebecca frowns at you as she passes.

“Why are you fake smiling?” she questions. “Your cast is off, you should be actually happy.”

 You drop the toothy grin, wincing with embarrassment as you follow her into the kitchen.

“I am happy about that, obviously.” You clear your throat, overly aware of how disingenuous you still seem. “What I’m not exactly overjoyed about, is whatever this ‘opportunity’ is.” 

You watch as Rebecca grabs bottle of water from the fridge and then pulls out a stool to sit at the kitchen island. You follow suit, dropping down beside her.

“Well, you should be. I practically had to sell my soul to get them to pick you.”

You level her with an unimpressed look. “Wow, Rebecca, way to raise me up from rock bottom.”

She waves you away. “Oh, please! You hate when I coddle you.”

You huff, dropping your chin into hand and propping your elbow on the counter. “Okay, out with it then. What is it?” 

Rebecca’s cheeks split with a blinding grin. “Nike.” She declares gleefully. 

“Nike.” 

Her smile dampens, disappointed you haven’t burst into happy tears. “Yes, Nike. You know…Just Do It.”

“Yes, I do. I’d just prefer not, you know…do it.”

Your publicist looks just about ready to slap you. “You’re kidding. It’s Nike.”

“Oh, is it? You haven’t mentioned that.”

Rebecca’s frown becomes a scowl and you think about ducking when she angrily snatches up her water bottle. But she doesn’t throw it, just waves it around as she begins to rant at you: 

“Do you know how hard it was to get this?! They wanted Naomi Osaka but I convinced them to go for you instead. And christ knows they were hesitant after the US Open meltdown-”

“We agreed not to refer to it as a meltdown.” You cut in. “My therapist says it has negative connotations that, ‘make me feel a harmful degree of shame.’”

Rebecca scoffs. “You went to one session with that therapist and then fired her because you didn’t like that she drew you a diagram.”

“It was condescending: I’m not five, I don’t need visual aids.”

“Okay, just shut up!” Rebecca barks, smoothing down her still immaculate hair and taking a deep breath. “This isn’t actually up for discussion. You’re doing it.”

“I’m not doing it.”

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( Two Weeks Later… )

‘Just Do It.’ 

It’s the first thing you see when you walk into the Nike office for the photoshoot. 

The poster from a past campaign with Andy Murray has been blown up to ridiculous proportions and framed, hanging in on the first wall that greets anyone who enters.

“If they make mine that big I won’t be able to look at it. I’ll actually vomit. ” 

When Rebecca–who is the epitome of a chatterbox–remains silent, you turn you head to look down at her. She’s already peering up at you, worrying her bottom lip between her teeth.

Your eyes narrow with suspicion. “What have you done?”

Rebecca lets out a laugh laced with unadulterated fear. “Okay…so, any minute now you’re going to be super fucking pissed at me and you have every right to be, but remember that as you’ve already signed the contract, you don’t have a right to walk out of here.”

You stare her down, knowing it doesn’t take much intimidation for her to crack. 

You don’t end up needing her to blabber, however, because not even five seconds later, the door you’d just come through swings open and a lone figure enters.

 As you turn, you feel your publicist actually take a step away from you.

“Rebecca, I’m going to kill you.” 

You’re not looking at her as you spit out the threat, your eyes are already boring into the man who’s noted your presence and is lingering just beyond the doorway. 

Your history with Art Donaldson is far from extensive. In fact, while the trajectory of your careers have practically run parallel, the two of you have spoken maybe twice. 

But then, almost two years ago, the U.S Open had happened. 

Still dealing with the fall out of your fiance’s cheating scandal, you’d been in potentially the worst mental space of your life. And yet, you had still made it to the final.

 But, during the match…well you’d sort of lost your shit. And then you’d just lost. It had been dramatic and mortifying. 

Then, with the dust not even close to settling, things had gotten even worse. 

Having just clinched the men’s singles trophy for himself, Art Donaldson had sat down for his live post-match interview and one of the first questions he’d been asked, was about your ‘comportment’ during the final. 

You would never forget his answer: 

'Well, obviously it’s a massive disappointment. In so many ways the match between those two women today was legendary. But it always stings when you see someone get in their own way. Anger like that doesn’t belong on the court: it’s infantile and disrespectful to staff and to the fans. It threatens to overshadow what was otherwise a phenomenal game of tennis for both of them.'

When he had then been pressed for his thoughts on what should be done in regards to sanctions, Art had simply said: ‘I think whatever she’s feeling that made her act that way, is probably punishment enough.’

In a few minutes, Art had made you a subject of scorn as well as unwanted sympathy.  He’d made you sound simultaneously contemptible and pitiable. 

He was right, but he hadn’t needed to sound so sanctimonious when he’d said it. And telling the world your own mental anguish was probably torment enough, was just salt in the wound.

In your own defence, you had gone into the final right off the back of the announcement that your ex-fiancé’s new girlfriend was pregnant. And the dates had made it blindingly clear, that conception had happened whilst you were still with him.

 You’d never felt so worthless or dehumanised. And then, after you’d practically killed yourself playing the match of your life, only to lose, Art fucking Donaldson had felt the need to call out your behaviour. 

‘Anger like that doesn’t belong on the court.’ 

Anger ‘like that’ wasn’t something you’d brought to the competition in your overhead luggage, it was a parasite that had been poisoning your blood.

You’d thought that sort of self-cannibalising rage was in your past, bust as Art starts walking over to you, it rears its ugly head once more.

And he has the gall to smile at you. It’s an amicable, almost anticipatory smile. 

You barely even register when Rebecca ducks away, muttering something about finding the photographer. 

Art calls out your name as he stops before you, the corners of his eyes creasing as his smile intensifies. “It’s good to see you.”

“The feeling is not mutual.” You intone harshly.

Art’s smile doesn’t drop, it just becomes tighter, his eyes sparkling with mirth. “Ah- so you are still upset about what I said at the Open.” 

You glare at him, forcing yourself to stop gritting your teeth lest they shatter. “What could possibly make you think that I wouldn't be?”

Art laughs softly, running a hand through his short blonde hair. “Well, because your coach and your publicist both assured me that you weren’t.”

Those fucking traitors. 

It looks like you’ll be going into tomorrow with only your nutritionist and your physio left on your team.

“They lied.” You reply sharply. 

Art tilts his head, his gaze becoming brazen in the way it assesses your face. “Clearly.”

“Well, obviously this isn’t happening.” You gesture between the two of you. “I’m not doing a photoshoot, let alone an entire campaign, with you.”

“I don’t see why it can’t go ahead.” Art declares casually, his lips tugging upward as he observes your indignation. 

You take a step back, not trusting yourself not to lunge for him.

“Well, it’s a good thing I have little regard for your opinion then, isn’t it?”

Art's brows draw together, some irritation beginning to pollute his easy going demeanour. “You do care.”

“Excuse me?”

“You do care about my opinion, because f you didn’t, you wouldn’t still be this pissed over something I said years ago. 

“Pissed?” You almost choke on the word. “You made me sound pathetic. Weak. You insulted my entire career!”

“I seem to recall saying that your match was ‘legendary.’ Phenomenal, is another word I used.”

If there wasn’t so much anger writhing in your gut, you might have rubbed it in his face that for something he’s outwardly dismissing, he seems to remember what he said about you very well.

You step up to him, closing the distance in two strides.

“‘Whatever she’s feeling that made her act that way, is probably punishment enough.’ You said that about me in front of peers and fans in a live interview that was watched by thousands!”

“You’re telling me you don’t think you were out of line?” Art challenges, crossing his arms over his chest and leaning in. 

You know he’s not wrong: it hadn’t been your finest hour. In fact, the morning after, with your behaviour laid bare in the cold light and already being picked over by commentators and tabloids, you had been able to acknowledge it may very well have been one of the worst hours you would ever have. 

But you’d rather die than acknowledge that to Art.

“Oh, that’s fucking rich coming from you!” You hit back disparagingly.

Art’s fingers dig into his arms. “What does that mean?”

“It means you’re a hypocrite, Art. I watched your match against Patrick Zweig at the…what was it- Phil’s Tire Town Challenger? Someone recorded it from the stands. Tell me, what emotion were you bringing to the court when you yelled ‘fuck you’ at him across the net?” 

“You have no idea what you’re talking about.” 

“I’m not proposing a thesis, Art. This isn’t up for debate. I’m just telling you what I saw. And it seems to me, that you have some fucking anger issues of your own, so quit chewing me out over mine.”

“Chewing you out–” He splutters, his cheeks flushing with outrage. “Wow, you really do have a victim complex, huh?” 

“Fuck you!” You seethe.

Your exclamation doesn’t dissuade Art, instead he gathers momentum: 

“You’re acting like I should fall to my knees and beg for forgiveness over an entirely reasonable answer I gave to a question about your piss-poor behaviour. But I didn’t make you launch your racket across the court or cuss out the line judge. You’re not a tragic woman, or some wronged heroine, you’re a grown woman throwing a tantrum because I wasn’t very nice about her in an interview, two goddamn years ago!” 

“Well, I’m a bitch and you’re a hypocrite, looks like neither of us should be tennis’ poster child.” You snap, pushing past him and heading for the door. 

There was absolutely no chance you were doing this photoshoot. Nike could give Naomi Osaka another call. 

Just as you’ve got past him, Art is following you, snagging your wrist with his hand. “Hey! I didn’t call you a bitch.” 

“Don’t worry, I’m not going to tell anyone. Badmouthing people in public forums is your move.” 

You yank yourself out of his hold and with his eyes burning into the back of your head, you leave Art Donaldson alone in the lobby. 

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( Three Weeks Later… )

In the intervening weeks since your confrontation with Art, you have discovered just how airtight employment contracts can be. 

Nike should really give their lawyers a raise, because you have been assured that there is more chance of you sprouting wings, than being able to get out of the ad campaign. 

You’d been forced back to the studio a week later with your tail between your legs, but while you’d felt genuinely apologetic over the inconvenience caused to Nike’s team, your fury at Art had only compounded. 

Thankfully, the feeling had been mutual and the two of you had passed the entire shoot in utter silence. Neither of you had offered up so much as a hello or goodbye to the other, and while it had clearly been painfully awkward for everyone around you, it had worked out quite well. 

Unfortunately, you and Art had been called back for a day of what they were calling ‘action shots.’

Which is why you’re currently at a country club, dressed in all of Nike’s new gear, being forced to actually play tennis against Art. 

If it was anyone else, you would already have drawn attention to the fact that your wrist is in excruciating pain, but you refuse to falter in front of him. 

Besides, as much as you’re loathe to admit it, playing against Art is exhilarating. 

The team have just called for a break and somehow, despite the innumerable people that have been buzzing around you for the entire day, you and Art suddenly find yourselves alone at the side of the court. 

You’ve done well at remaining civil with each other, but that’s only because you only said ‘hello�� and ‘ready’ before you’d started playing.

Unfortunately for you, Art seems to be in the mood to antagonise.

“I don’t get why this is making you so miserable.” Art says, dropping down onto the bench beside you with a shit-eating grin on his face. 

You hold up the can in your hand, fingers biting into the condensation slick metal. 

“I specifically asked for Tangerine La Croix and they’ve given me Pure.” You mock. You couldn't care less about what you’re drinking.

“Funny.” Art deadpans. 

“And here was me thinking you’d jump at the chance to call me a diva.” You answer, donning a smirk of your own.

“You’re being ridiculous.”

Some genuine anger colours Art’s tone and it only feeds the fires of your own.

“What?” 

Art grabs the can from your hand and maintains eye contact as he steals as a sip.

“You refuse to let go of a few critical, but very valid sentences I said about you in that interview and you’ve used them to construct a narrative about my dislike for you. I don’t dislike you.”

“Oh, you don’t? That’s good, because this amicable exchange is really making me feel all warm and fuzzy inside.” 

Art groans, slumping back on the bench. He manspreads so wide that his knee knocks into yours. 

“Can you not just enjoy yourself? It’s a beautiful day and we’re being paid to do what we’re great at.”

You wrinkle your nose and try to snatch back the can, but Art tightens his grip and the metal crumples as you both tighten your hold. 

“Yeah, well, not everyone gets off on having their face on a billboard.” You sneer, almost falling back when Art suddenly lets go of the can.

It’s practically empty and completely deformed, so you slam it down onto the empty space beside you.

“How do you know that I do?”

“What?”

“How do you know that I get off on it?” He repeats glibly.

“Because, you’ve clearly wanted to retire for years and now that you have, you can monopolise on the popularity that your wife built up for you and live off clothing lines and ads for the rest of your life.”

“Being great at tennis built up my popularity.”

“Oh, don’t tell me you actually believe that, Art? So many phenomenal players go widely unknown for their entire careers. You are only The Art Donaldson instead of just plain old Art, because Tashi Duncan made you a brand. She’s responsible for your legacy.”

“She didn’t make me.”

“Maybe not, but she did mould you into what you are. You would have been just another generic Stanford whiteboy if she hadn’t decided to give you fucking form.”

“You talk about her like she’s God.” 

“Are you telling me that’s not what it feels like when her attention is solely on you?” You challenge, but you don’t wait for an answer. “You know, I actually played her quite a lot when we were teenagers– we always ended up being us against each other in finals– and even then…it was like trying to play against an elemental force. Every time, without fail, there was a tiny part of me that just wanted to fall to my fucking knees in front of her. But I never did, instead it made my game better. She made my game better. Tashi put all she had into you after her injury, the least you could do is acknowledge what she’s done for you.

“You don’t have to tell me what I owe my wife.”

You scoff, rising to your feet. “I’m telling you what you owe your coach.” 

You don’t actually know where you’re going as you walk away, only that you need it to be far from him.

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( Two Months Later… )

At the launch event for Nike’s new line, you’re standing in front of the massive poster that’s at the forefront of the campaign and swallowing down bile. 

It’s a great picture, you’ll give them that: Your feet are practically lifting off the ground as you throw up the ball for a serve, your expression is contorted with a ruinous passion that portends some sort of violence. And across the net, there’s Art: he’s dropped into a crouch, ready to pounce once you send the ball his way. In the face of your fury, his anticipation comes fitted out with his signature smirk. 

It’s not just a great photo, it’s phenomenal.

 You want to tear it off the wall. 

You’re on the verge of asking anyone if they have a pen so you can scribble over Art’s face, when the man himself appears beside you. In your peripheral vision you catch a glimpse of his sleek, all black suit, but you don’t turn to look at him. 

“I’m not sure you’d get away with defacing it in front of so many people.” 

Trying to suppress your eye roll would be a fruitless endeavour, so you turn to face Art, forcing him to bear witness to your indignation. 

“You should know by now that I have little regard for decorum. You certainly like commenting on my lack of it.”

“I thought you’d still be hung up on that.” 

“Yeah, well, some of us have follow through.” You give him a venomous smile. “How is retirement treating you?”

“Ah, I should have known.”

“Known what?”

“You see retirement is quitting. So, you’ll force yourself to continue well past the point you should, your game will get shittier and shittier, so by the time you’re forced to quit, people will be pitying you instead of remembering how phenomenal you were.”

There’s a compliment in there, but you’re not feeling generous of spirit enough to pluck it out of the insult. 

“I know when to stop, Art. It’s just not now.” You answer coldly.

“Okay, when? Like- give me your timeline. You must have thought about it.”

“Not yet.”

This answer seems to really frustrate him and he just stares at you, a muscle in his jaw feathering as he grips his champagne flute. 

“Do you think I didn’t notice how much your wrist was killing you when we played each other? Are you really going to wreck your body out of stubbornness?”

“You know, Art, what you did wasn’t bowing out at the perfect time, it was cowardice. You skipped right to the curtain call when you still had a last act left to perform. You never got that US Open trophy, did you?” 

Art sighs, his gaze moving back to the photo of the two of you. "Yeah well, something tells me you won't either. Have a good night."

Then he's backing away, his stare lingering on you even as he lets the crowd reabsorb him. 

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( One Month Later… )

Had Tashi Duncan not been one of the people in your life that you most respected and admired, you wouldn’t even have considered attending the fundraising gala for her and Art’s foundation.  

But you were, quite frankly, obsessed with her, so of course you had come.

 Sitting in an uncomfortably tight dress at a table of people you don’t know and with a fair amount of alcohol circulating through your system, is quite possibly the most painstaking thing you’ve ever gone through.

Apart from the car crash. That had been pretty bad. 

But you’re adamant you won’t think about the car crash tonight, or the fact that, somehow, your wrist seems to be getting worse; devolving to a state more dire than when the cast had first come off. 

The meal—which you hadn’t been able to stomach—had come and gone and now the auction is beginning. Tashi is up on the stage, dazzling in the way that only she can and Art is standing at the bottom of the set of stairs that lead up to the platform.

Unfortunately, your table is very close to the front and you’re positioned right in his eyeline. 

Art keeps stealing glances at you with an emotion you can’t place. You had tried to switch seats with the man across from you, but the asshole turned out to be a real stickler for assigned seating. 

If only to distract yourself, you whip out your phone, resting it in your lap beneath the table.

The moment you open up Instagram, your heart drops into your stomach. 

You thought you had expunged any remnants of your ex from your life, but it seems you’ve missed a mutual friend on Instagram, one who has just reposted his engagement announcement with his girlfriend and mother of his now one year old daughter. 

That bastard has broken your heart and wrecked your head, but while your life just keeps getting worse, the universe has seen fit to bless him with everything he’s ever wanted. 

The auction is already in full swing when you rise clumsily from your seat and weave through the tables, heading for the closest exit. 

It’s only as you push open the door and begin to sway, that you realise you’re actually quite tipsy. You might have drunk a little too much before you’d left the house. 

It’s freezing outside, but you can’t face going back for your coat, so, unsteady on your feet, you flee into the extensive gardens that surround the estate that’s acting as the gala’s venue. 

You walk well past the point where the lawn lighting disappears and clamber over a fence that has ‘restricted area’ prominently posted in front of it.

You don’t know where you’re going, but as you stagger down the hill, your sadness is alleviated very slightly by the sight of a massive pond that you’re sure is beckoning to you. 

You kick off your heels and drop down onto the bank, quick to put your feet into the water. Once you’re settled, you retrieve your hip flask from your clutch and begin to guzzle vodka in earnest.

“What the hell are you doing?!”

You turn and you find an incensed Art striding towards you. You’re more than a little delighted by the sight of mud splattered over the polished surface of his shoes. 

“I was having some time to myself.”

“You needed to walk all the way down here to get it?”

You laugh caustically, gesturing at him. “Well…no. Obviously I should have walked even further away.”

Art huffs, entirely unimpressed. He takes a few steps further down the bank and holds out a hand beckoning you over.

“Come on, you need to come back inside.”

“Why is that?”

“Because, you offered tennis lessons with yourself as an auction item and you’re up soon. You need to be on stage.”

Ah. You’d forgotten about that. 

“Why do I need to be seen? It’s not like they’re buying me.”

“You still can’t stay in there. Get out.”

“I’m not in it, Art. I’m just dangling my feet in the water.”

“Well, you can’t ‘dangle’ your feet in there, it’s a pond not a swimming pool.” 

“I can’t?” You feign a bafflement as you look at your feet, submerged in the murky water. “I sort of already am?”

Art moves even closer but falters, his bright eyes becoming an invading force: his gaze takes hold of your edges and peels them back.

He can see inside.

“What’s wrong?” He probes, the harsher edges of his previous words now nowhere to be found.

“At the moment, it’s you.” 

“You’re drunk.”

“I’m not actually, but I’m getting there.” 

Art’s eyes flick to the metal object glinting in your hand. “Is that a hip flask?” 

“What a keen eye you have.” You mutter sardonically.

“Okay, I'm serious now, get out.”

“Oh, he’s being serious!” You mock, rising to your feet.

 But you don’t move away from the pond. Instead, you turn and start walking backwards into the water you wobble when your bare feet sink into the mud, icy liquid seeping into the thin fabric of your silk dress.

Art lunges forward, closing the distance until he’s standing at the edge of the water. His hand darts out and he grabs your forearm. 

“You’re too close to drunk to be near a body of water, let alone in one. You’ll drown yourself.” 

Art plucks the hip flask from your fingers with his free hand and tosses it into the grass behind him, all without taking his eyes off you. 

Then he seems to actually register where his hand is. He’s still gazing into your eyes as his thumb brushes over the scar above your wrist. 

“Compound fracture.” You say on a bitter breath. “The bone went right through. Fucking drunk driver. Funny that, isn’t it? He crashed into me, fucked my career probably permanently and then I became a drunk to cope.”

Some of the hardness in Art’s expression melts away, but it pools into the bags beneath his eyes and the shadows beneath his cheekbones, making him look almost distraught. Once you realise it’s sadness--no, pity--for you, you wrench your wrist out of his grasp and wade further back into the pond. 

You gasp, shocked as the frigid water wraps around your legs in an eager embrace. It’s like it’s clinging on, wanting to keep you forever. 

You find the thought of it quite peaceful.

You think on Art’s words from months ago: he’s right, about you being too stubborn to know when to stop. You won’t retire until you’re physically falling apart.

 But what if you just sink down into the water right now? You’d disappear and the memories would be of a great player gone too soon.

God, you didn’t realise you had such a large ego that you’d consider letting yourself drown just to save face.

Art is beyond unimpressed now. He’s furious. 

“Get out.” You just smile at him, stepping further back. The water reaches your navel and you let your fingertips skim over the water. “I’m not kidding, get the fuck out. Now.”

“Will you just back off!” You erupt. “We’ve done the campaign, we’re not friends, there’s no reason for us to be involved.” 

“None of that gives me a reason to leave you alone out here.”

“Why not?!” You protest desperately. “It’s not the ocean, I can’t be swept out to sea!”

“Get out of the water.”

“No.” 

“Get out.” 

“Get fucked.” You hit back, letting yourself sink back into the water. 

As you move to float on your back, another frantic laugh bubbles up as you're enveloped by its icy grip. Your dress becomes heavier, a five thousand dollar weight around your body, urging you to sink lower.

You turn your head to the side so that you can see the surface of the water:

This far out of the city, the stars are no longer choked by smog and so are able to tear through the darkness. The water perfectly mirrors the sky, so much so that it’s like you’re swimming in the cosmos. If you open your mouth, you could take some of it into yourself. 

You had struggled to get out of bed this morning, but now, in the quiet night, you have the chance to swallow a thousand stars–

Impudent splashing disrupts your peace. 

Your head shoots up, water running in eager rivulets off your hair as you watch wide eyed, as Art drops into the water. His jacket and shoes have been discarded on the edge of the bank. 

“What are you doing?”  

Art doesn’t answer, instead he drives through the water towards you, his strides producing ripples that disturb the reflected constellations. Shooting stars. 

You’re not very far out, so just as Art closes in on you, you plant your feet on the muddy bottom of the pond and stand up.

The fabric of your dress is dark and slick against your body like an oil spill. The breeze blows a tentative breath against you, causing your skin to pebble and your nipples to harden.

Art reaches for you but your hand flies out and you swat him away.

You push yourself further out, giggling at his expression as the water comes up to your chin. 

Then Art’s diving after you, the white material of his shirt submerged in the water. 

“Art, this is a pond, not a swimming pool.” You tease, amusement blooming.

In fact, you’re relishing the sight of his arms pushing through the water so much, that you forget to make another escape attempt. 

Before you know it, Art is right up in front of you, his breath coasting over your face as he wraps an arm around your middle beneath the water. 

You drive your feet into the mud, your smile growing as he looks exasperatedly up at sky. His fingers press into your side.

“This is so beyond funny.” He grouses, trying and failing to tug you closer.

Seeing as you’re not actually drunk, you’re not sure what comes over you, but you’re seized by a giddy, childlike urge. 

You decide to give into it.

Art’s eyes widen slightly as you rush forward, pressing your chest right up against his. Then, you place one hand on each of his shoulders and push.

There’s a brief moment, where your face rises above Art and he gazes up at you, droplets of water rolling off your face and onto him. He’s looking at you in the same way you had been gazing up at the stars. Perhaps you’ve become one of them. Wouldn’t that be something?

Art realises too late what you’re going to do. 

“Don’t you dare–”

You push all of your weight onto his shoulders and dunk him into the pond. His head goes under, short blonde locks floating up in the water.

You immediately let him go and when he comes up, spluttering for air, the hand not on your waist winds around the back of your neck, threading into the hair at the nape of your neck. He pulls you flush against him again.

When he speaks, it is a whisper you feel against your cheek. “You’re such an asshole.” 

Your hands fall onto his waist beneath the water. “I know.” 

You shriek as Art tips you back, his hand still cradling the back of your neck as he dunks your head into the water in retaliation. It feels like a baptism. 

When you come back up, he's chuckling as you gasp for air. 

“I had to do that.” Art defends.

 He notices you scrambling to push soaked strands of hair out of your eyes and proceeds to help you, his hand brushing over your cheeks and forehead before returning your sight to you. 

“I feel like you didn’t have to.” You splutter, fighting back a laugh of your own. 

You’re suddenly glad for his grip on you- you’re far too flustered to stand firmly on your own two feet. 

Art’s cheek’s dimple as he smiles, shaking his head at you. Your breath hitches. 

When he’s unencumbered by negative emotion…Art shines. 

He leans in again, his lips grazing the shell of your ear: 

“Don’t start something you’re not prepared to finish, sweetheart.” Your breathing becomes even more laboured as he draws away, his nose briefly dragging against your cheek. “Now…get out of the goddamn pond.” 

And then he’s pulling away, leaving you gaping after him as he moves back towards the bank.

 His touch is an absence you really wish didn’t feel so profound 

“Spoilsport.” You grumble. But you’re already moving after him. 

The alcohol you did have in you has disappeared; shocked out of your system by the frigid water and the feel of Art’s hands.

 You wade back towards the bank, your hip flask is nestled in the grass and glinting seductively in the moonlight. 

With Art’s back to you, you let yourself stare as he drags himself out of the water. His shirt is stuck to his body and entirely see through, settling into the ridges of his muscled chest. The moon’s light shines through the fabric hanging from his sleeves, making it look like the membrane of wings.

As Art kneels on the grass, you blink rapidly as if he’s a vision you can dispel from your sight. 

You can acknowledge he’s attractive- you’re not blind– but you can’t abide the yearning arising within you. You don’t have room for that in your life, for anyone, but especially not for him. 

You finally reach the edge of the bank and then Art is kneeling at the edge, holding a hand out for you to take.

You consider him for a moment and process the newfound ease on his face. He seems almost serene. 

You fight off a shiver that you blame on the cold and ignore his outstretched hand, pulling yourself out of the water unaided. 

“Really?” Art bites out irritatedly, watching as you wander over to your hip flask and sit down right beside it. You take it into your hand and unscrew the cap. 

When you bring it to your lips you look right into his eyes. “Really.” 

You throw your head back, the path the vodka burns down your throat is a welcome discomfort. You had felt far too peace just now, floating in a sea of stars with Art. 

But those weren’t stars, just a reflection of them. It was a trick. Nothing that could ever be real. 

When you drop the now empty flask into your lap, there are tears in your eyes. 

When was the last time you’d felt even close to the happiness you’d found in that water? 

It wasn’t real.

A traitorous tear is already rolling down your cheek as you drop your eyes to your hands. 

“Hey.” Art says softly. He kneels down beside you, one hand on your soaked back as the other plucks the flask out your lap. “What’s wrong?”

You make a noise that’s half sob, half laugh. “I already answered that question.” 

“Yeah, except I know you’re full of shit.” When you look up at him, Art’s frown becomes something gentler. “I know I’m not your problem.” 

You scoff, shoving his chest. He sways backwards, but drops down onto his knees, planting himself on the ground beside you. His hand is still on your back.

“Yes, you are actually.” You answer nastily. “You really are.”

“Just tell me.” Art whispers, ducking his head into your field of vision so you’re forced to look at him. His free hand settles on your cheek. “Tell me what’s wrong because this…is sort of scary.”

You lift your hands and clasp his cheeks, digging your fingers in. You’re overcome by a violent impulse to tear into his skin. 

It would be far easier to draw blood than confront how you’re beginning to feel about him. 

“Aww.” You croon. “Did I scare the poor little baby?” 

“Stop it.” He scolds. His hands move to grasp your wrists but he doesn't pull you away, not even as you press your nails further in.

But you won’t stop- can’t stop. Your feelings have become spiteful and unruly, running away from you at a pace which you can’t hope to match.

You can’t take the strain. And because Art is the contributor to that is closest to you, it’s him you’re going to lash out at.

“No, really, I didn’t think you’d be such a pussy.” You forge on, spewing venom. “I scared you by getting in a pond? Grow the fuck up, Art.”

But Art doesn’t rise to it. His jaw doesn’t clench and his grip on you doesn’t tighten. 

“This isn’t okay.” He says, tentative but assured. “You’re not okay.” 

“No, I'm not!” You snap wrenching your wrists free. “But it’s got absolutely nothing to do with you.”

You try to rise to your feet, but Art doesn’t let you. He moves so he’s kneeling either side of you, his legs pressing into your thighs as his hands fall onto your shoulders. You can feel in the way his fingers press into you that he’s fighting the urge to shake sense into you. 

You look up at him, slightly startled by his forcefulness. His back is facing the moon now and his drenched body is limned in silver. 

Before you can berate yourself for even thinking about it, you’re winding your hand around his tie and dragging him down, smashing your lips against his. 

You shouldn't be doing this, a large part of you doesn’t want to, but it feels like the only way to purge yourself of him. And what kills a bacteria faster than blazing heat?

Art lets out a warning groan, but your teeth nipping his bottom lip is all it takes to have him leaning in. Even your kiss feels like a fight, battling each other for control, pressing with bruising force.

Art crowds over you, guiding your back against the grass.

You let yourself fall. 

As your back presses into the earth, one of his hands settles on the side of your neck as he drags the other up your leg. When he peels up the sodden material of your dress, his hand exploring your thigh, the cold air bites tauntingly against your rapidly heating skin. 

Your hard nipples brush against his soaked t-shirt and the feeling is so tantalising, that you find your back arching, pressing yourself into him and chasing the sensation.

When you let out a moan into his mouth, Art draws back as if some unseen hand has pulled on him.

He’s still agonisingly close, his lips a hair's breadth away as he gazes down at you through heavy eyelids, water droplets running down his face from his hair. His breathing is ragged.

 Art’s eyes close and with his sight lost to him, his lips drift closer to you again and his teeth nip at your chin. After placing a ghost of kiss over where he’s bitten, he takes a deep breath.

Then his eyes open, and his expression is blank. It makes you feel sick.

You’re burning up with want, but you can already see the realisation of your transgression settling into the very bones of Art. He’s about to spurn you, disdain no doubt working its way to the surface. So you have to get there first. 

“Poor, sensitive Art, scared by a kiss.” You goad. The words are forced out and they feel malformed on your tongue. “Don’t worry your little head over it, it doesn’t mean anything.” 

Art drops his eyes from you, shaking his hand as he pushes himself off up. 

“Nice try, but I know what you’re doing.”  

He mumbles it and doesn't give you a chance to acknowledge it befores he’s on his feet and walking away. 

Tears prick insistently at the back of your eyes but you force them back, pressing the heels of your thumbs into them until it hurts. 

You sit up, feeling leaves and blades of grass sticking to your exposed skin.

You feel the air shift behind you, and are startled when you peer over your shoulder and find Art standing at your back. He has his shoes back on and is gripping his dry jacket far too tightly. 

You find your voice, but it’s weak: “What am I doing Art?” 

He doesn’t meet your eye, instead he opens up the jacket in his hands and settles it over your shoulders. You sit there, stunned as he tugs it around your body. Then he leans down and over your shoulders, his breath on the side of your face as he deftly buttons the jacket up. 

Art encloses you in the dry garment that carries the scent of him. 

“You’re doing the same thing as me.” He says quietly. It sounds almost painful for him to talk. “Running away. I guess we’re both cowards.”

And then he’s gone, marching back up the bank without another word.

You’re left sitting there, wrapped in his jacket and staring out at the pond. 

Not the night sky. 

Just a pond. 

  ━━━━∙⋆⋅⋆∙━━━━

( Three Months Later… )

After your cast had first come off, Wimbledon had felt like an intimidating but still far off thing; a dark shape on the horizon, but one you had to squint to see. But then it moved closer, barreling towards you like a bat out of hell. 

You’ve made great progress in your recovery, you really have…but all your extensive physiotherapy hasn’t been able to heal the nerve-damage you’d turned out to have- at least not in a timespan that’s workable for a professional athlete. 

You’re done. Tennis career over.

And your worst fear has come true: it hadn’t been your choice. Injury has forced you out and the public discourse is rife with commiseration and useless, positive platitudes. 

Art has been proved right. Everything would be so much better had you known when to quit. You had preferred ridicule to this. 

But until you’d come to Wimbledon, it hadn’t really sunk in yet: you hadn’t had the moment of finality. 

What closure has ended up feeling like, is the final nail in your coffin.

As you had watched the first matches of Wimbledon from the stands, Rebecca glancing at you constantly–presumably to check you weren’t about to burst into tears–you had felt as though you were being buried: each serve and volley another hand tossing dirt on top of the coffin, sealing you beneath the ground for good. 

At least one part of your day has been successful. You have completed the challenge you’d set for yourself that morning, which was to not drink any alcohol until the evening.

 It has been excruciating.

Evidence of your victory lays in your trembling hands as you fit your keycard into the door of your hotel room. You’re desperate for what you know sits waiting for you on the other side. 

But then, just as the lock mechanism chirps to let you know you’ve been granted entry, someone calls your name.

Your keycard is left in the door as your fingers fall away from the handle and you turn to face Art. He’s stopped himself a safe distance from you and is gazing at you with what looks like…relief? 

Of course you knew he was at Wimbledon–you’d narrowly avoided crossing paths with him a number of times already today–but to hear his voice and having his probing stare directed solely on you, is as debilitating as you remember. 

You haven’t seen each other, or even spoken, since the night by–or rather in–the pond. 

The only place the two of you are still together in any capacity, is on the Nike billboards that are still occupying space throughout the world.

And as if Art’s thoughts align with your own, he says: 

“You pull an impressive disappearing act.” He steps closer.

“That suggests you went looking for me.” You counter, pleased with how detached you sound. “We both know you didn’t.” 

“No. I didn’t.” Art replies frankly. 

“So I didn’t disappear, did I? You just couldn’t see me.”

Art moves towards you some more, stopping an arms length away. 

“It felt the same.” He utters lowly. “You were gone.”

You shrug halfheartedly. “So were you.” 

Then you press your back into the door, fingers seeking out the handle, shaking now for a reason other than alcohol withdrawal. 

You really don’t know if you’re running away or urging him on, but when you push open the door and duck inside, you do know that you’re not angry when he follows. 

You put your back to the hallway door, expecting Art to move past you and head into the suite, but he doesn’t. At least not right away. Instead, he stops right in front of you, looking down at you as the door swings shut. 

You would barely have to lift your hand and you’d be touching him.

You hate that he looks so good. He’s in simple navy dress pants, a white shirt sitting snugly on his chest, the top few buttons undone. 

The two of you stand like that for a minute or so, and just as you realise that your breaths have practically synchronised, Art is moving away from you and wandering inside. 

It’s only then, as he ventures deeper, that you remember what you’ve been so eager to get back into the room for. You curse yourself, letting your head fall back against the wall behind you.

Even if he hadn’t already seen them, it would be too late for you to hide the line of alcohol minis that you’d gathered from the bar cart. 

You’d set them out earlier, the process almost meditative. It had been a promise to yourself: get through the day without drinking and you can have all of these once you’re alone.

But now they’re standing out in the open, displayed on the nearby desk like pieces knocked off a board in a game that you’ve been playing against yourself. 

You watch helplessly as Art walks right over to them, his hands in his pockets. Your face flushes with shame.

Art cranes his neck back to look at you. You’re still pressed against the wall, afraid that if you take one step closer, you won’t be able to stop yourself from taking ten more. And you don’t want to be close to him when his face shifts into pity or revilement. 

“You planning on drinking all of these?” Art asks, turning back to the bottles as if he knows his gaze is steadily undoing you and wants to grant a reprieve.

Eased slightly by the remarkable placidity of his tone, you’re able to answer calmly. But you still don’t move. 

“That was the plan.” 

Art lets out a non-committal hum. “Why?” 

You laugh awkwardly, wringing your hands together. “I don’t know, why does anyone drink?” 

“I don’t care about anyone, I'm asking about you.” His voice is firm, but the foundation of it is something less solid. His words shake on the way out. 

You’re overcome with the urge to be honest. It’s actually a lot easier when he’s not looking at you. 

“I drink because at some point in my life, every tiny thing became really difficult- like, embarrassingly difficult, to the point where I feel like a child again. And it turns out that ineptitude is easier to bear when you feel like you’ve imposed it on yourself. I drink because it makes me feel helpless…but, helpless by choice.”

The confession hangs suspended in the air, a horrifying, complicated marvel- like a beautiful butterfly now dead and pinned by its wings to a board. 

Art speaks into the silence, his back still turned to you. “Do you want to forget? Is that part of it?” 

“Forget what?” You’re struggling for breath now, his presence drawing all of the oxygen from the room.

He half-turns his head, blue eyes settling over you once more. “All of it.”

“There’s not enough alcohol in the world for that.” You say morosely.

You have learnt that getting drunk doesn’t rid you of all the thoughts that torment you in sobriety, it just pushes them further to the back. Even if you drink so much you can barely walk, the thoughts remain, banging on the barrier and demanding to be let back in. 

Art doesn’t respond to that. He turns back to the little bottles and you watch as he reaches out a hand and knocks over the one closest to him. He pushes it forward, sending them all toppling one after the other like dominos. His eyes are set on them as they roll around on the table, a couple falling onto the plush carpet. And your eyes are set on him. 

Then, he finally turns to properly face you, knocking the fallen bottles with his feet as he leans back against the table and crosses his arms against his chest. 

He’s waiting, you realise. Waiting for you to speak. Waiting for you to make the first move. Wanting you to come to him. 

You push off the wall and start walking towards him. “Why did you follow me in here, Art?”

He sighs, the corner of his lip pulling up with a melancholy smile. “Because you make me feel helpless.” 

That almost stops you in your tracks, but you recover quickly, barely a footstep faltering as you advance on him. Your heartbeat is a warning drum in your ears.

Once you reach him, Art widens his legs, allowing you to step between them.

As you settle your hands on his thighs, his duck beneath your dress and come to rest on the bare flesh of the back of your legs. He draws you closer, making you fingers dig into his trousers to steady yourself. 

You sigh, your eyes fluttering shut as he leans forward, brushing his lips against your exposed sternum. 

You’re still flushed and sweating from the uncharacteristically blazing English sun and you shudder as Art’s tongue darts out lapping at the moisture there. 

You rock forward, placing your chin on the top of his head, inadvertently pressing his mouth further into your skin. His lapping tongue turns into kisses, kisses that travel down onto the swell of your breasts and into the valley between them.

Even when he reaches the fabric of your dress, he doesnt let it stop him: Art’s lips close around your clothed nipple, wetting the thin fabric with his saliva. You let out a breathy moan into his hair as he moves onto the next one. 

As Art works his mouth against you, you push your hands higher, letting your fingers brush the bulge in his pants before they’re settling on his belt buckle. 

He says your name, each movement of his lips searing into your flesh. 

“Do I make you feel helpless?” He asks, his hands moving up to curl in the sides of your underwear. 

“No, Art. You don’t.”

As you undo his fly, he begins to pull your underwear down.

“Why?” He closes his mouth around your breast and bites down just enough to make your breath catch in your throat. 

You remove one of your hands from his crotch and use it to grab the back of his neck, you pull him away from your chest, forcing him to look up at you as your other hand disappears into his trousers, palming his hardness.

Even as you step out of your underwear and kick it away, you’re starting to stroke him. His mouth falls open, sucking in a breath as gazes up at you as if you hung the moon.

“How could I feel helpless?” You goad, leaning in and resting your mouth beside his ear to whisper. “When I have so much power over you?” 

Art’s initial answer is to buck up into your hand, chasing the friction you’re moving too slowly to give him, but when you laugh at his desperation, he’s surging up, wrapping his arms around your waist and spinning you.

In a flash, you’ve taken up his position: ass resting on the edge of the desk. 

Before you can catch your breath, Art has his hands on your knees and is spreading your legs, exposing your bareness to him.

But apparently he still hasn’t got you where he wants, because his fingers then wrap around the back of your legs and he lifts you, placing you further back onto the wooden surface. More bottles roll off the edge and drop into the carpet. 

Then, finally, Art’s eyes meet yours. His smirk makes a return. 

“So…” He begins, his hands gathering up your dress and leaving it to bunch up at your waist. “I have absolutely no effect on you? None at all?”

“No-” You can’t even finish your thought let alone the word before his fingers are running through the wetness between your legs. Your instinct is to shut them, but his hips are in the way, so you only succeed in holding him firmly in place. 

You are left to stare as he lifts his hand up, evidence of your arousal glistening on his fingers. Then, slowly enough that he can watch the realisation of what he’s doing dawn on your face, Art takes his fingers into his own mouth.

His eyes meet yours and do not shift away for even a second as he licks your wetness from his skin. 

The tightness in your belly becomes almost too extreme to bear, and a throbbing begins between your legs. 

“I want you to ask.” Art says, his fingers–now wet with his own saliva–drawing circles on your inner thigh. “I want you to ask me to fuck you.” 

“I thought you were here because I make you feel helpless?” You try to sound taunting, but your voice is ragged with want. “Now you want to be in control?”

Art leans down and you expect an abrupt, bruising joining of your lips, but instead he kisses you slowly, tenderness in every gentle movement. His mouth is is still aligned with yours as he answers: 

“It’s not about control, sweetheart. I just want to hear that you want me as much as I want you.” 

You begin to kiss along his jaw, your sentence formed with words cushioned between the press of your lips:

“I want you to fuck me, Art.” 

Art's fingers curl around your jaw, bringing your lips back to his as he frees himself from his pants with his other hand. Your kiss is languid but rapidly growing with force, passion driving pleasure ever closer to point of pain.

“Condom?” Art questions into your open mouth. 

With his fingers digging into your chin, you can't shake your head so you’re forced to gather enough of your wits to speak again:

“Birth control.” 

“Okay.” Art pecks your lips before lifting a hand and spitting onto it. Then he’s fisting himself in his hand and pressing inside of you. 

Your legs immediately wrap around his waist, hooking together to pull him in even further. 

Art lets out a shuddered breath, his head dropping to your shoulder as he settles himself inside of you.

He kisses and licks across your collarbone, only stopping when he comes across the thin strap of your dress. With a little growl, he takes it between his teeth, tugging it back and then letting it ping back into your skin. 

You laugh, still adjusting to the feel of him inside of you as you move to pull down the top of your dress. But Art has other ideas. He stops you with a slow thrust, rolling his hips just enough to have your hands wrapping around his neck instead. 

“Let me do it.” He’s giving a command and yet it sounds like a grovel. 

Then, in unison, his fingers find the straps of your dress and he’s pulling them away, tugging the bodice down and exposing your breasts to him completely. His hands fall onto them immediately, palming the supple flesh and lifting them up higher so that he can kiss them even as he begins to rock into you. 

Just as your heartbeat begins to find some sort of rhythm again, Art pulls out of you almost completely before driving back in. Your breath is knocked out of you and as he begins to thrust with controlled rapidity.

Your hands fall to his still covered ass and dissatisfied with the lack of contact, you push your fingers past the waistband and dig your nails into his naked flesh. 

Art moans into your neck, clamping down with his teeth as he picks up his pace yet again. 

“Art-” You call out, lost in the press of him inside you. 

The table begins to shake so much that it’s slamming against the wall, the noise perfectly aligning with the sound of your hips slapping together.

“Tell me this doesn’t make you feel out of control.” Art pleads, his movements growing frenzied. 

By this point you can hardly think straight, so you give in, his statement going unanswered as your head is thrown back in pleasure. Art chuckles, licking up the column of your neck. 

“I think I got my answer.” 

“Shut up.” 

When Art laughs at you again, you remove your hands from his ass and grip his face instead, drawing his lips back up to yours. He opens wide, panting into your mouth before your tongues start to move together.

You stay like that, mouths joined and breaths shared as his thrusts become messier,  his hands on your back beginning to tremble.

But you’re not close yet and he knows it. He reaches between you and presses his thumb into your sensitive bud, applying enough pressure that, combined with him driving into you, has you quickly coming undone.  

You break the kiss, crying out as your body is wracked with convulsions. 

Art smiles, his eyes drooping closed as he chases his own release. And it doesn’t take long. You’re still coming back to yourself when his hips stutter and his fingers dig into you. He lets go, spilling inside you. 

You both go still. You press your face into his chest–his shirt now dappled with spots of sweat–as he places a kiss on the top of your head. 

You’re both breathing heavily, reeling in the wake of your joining when your phone–tucked into your purse that you had dropped by the door–begins to ring

Still inside you, Art shifts, pressing closer as his lips begin to kiss a path down your cheek. “Don’t answer it.” 

You lean back just enough to meet his eye and smile. “I’m not going to answer it.” 

Art matches your grin as he leans down and gives your lips a peck. “Good. Because I’m nowhere near done with you.”

[mumms-the-word]

Choosing to Live

Pairing: Gale x Tav (you/reader POV) Summary: Shortly after Gale decides to defy his goddess and not self-destruct in the caverns below Moonrise Towers, you turn and see him struggling with the conflicting emotional fallout of his decision. CW: death, suicidal ideation, panic attacks, survivor's guilt (implied), coercion (implied) A/N: I was inspired by @gangstagandalf's emotional fanart of Gale and Tav just after Moonrise. It's not quite the same scene as their art but I just couldn't resist writing my own angst version. Check them out, their art is lovely! @gangstagandalf I hope you don't mind if I borrowed a few of your lines from your original post! (Pic is of my tav Dani because that’s all I got) UPDATE: Now on AO3 woooo

You watch as the husk of Ketheric Thorm collapses at your feet, a hollow shell of dessicated flesh and heavy armor. You’ve done it at last—you’ve defeated the Bone Lord’s Chosen, the first of three enemies who have enslaved an Elder Brain through the power of some sort of crown it bears. 

At the thought of the crown, you turn your head, seeking out the person who had first pointed out the crown to you. It was the thing that seemed to wake him from his reluctant obedience to his goddess’s command. There had been hunger in his eyes, more than you’d ever seen in him before, and for a brief moment you had thought yourself and him safe from the commands of the goddess of magic and mysteries.

But then he’d steeled himself. You’d watched as he physically and mentally struggled with the weight of the goddess’s demands, preparing himself for what he thought was inevitable.

Death. Destruction. Catastrophe. But one that would supposedly thwart mass enslavement at the whims of an elder brain and three evil Chosen. A noble sacrifice, but one that would kill dozens of innocent lives, too.

You don’t remember what all you said in those panicked seconds between him making his decision and you being dragged into a battle against Ketheric. You recall, vaguely, that you had clutched his robe in your hands and told him you loved him. There had been other words, too, but they were lost to your memory. Whatever it was, it had been enough. Because as of this moment, the elder brain has disappeared, Ketheric is dead, and you are not.

Your eyes find him, your love, your Gale, standing on a far platform where he had climbed to better aim and prepare his spells. He stands, leaning against his staff, panting, staring at the lifeless and inert body of Ketheric at your feet, and then his gaze shifts to you. You, covered in your blood and Ketheric’s black, fetid ichor, in bone dust and illithid matter. You probably look horrible, you think. You know you should bend down to examine Ketheric’s body and see what the glowing stone in his chest is all about, but you can’t look away from your love. Not now.

Not when you were so close to losing him to his goddess’s arbitrary and cold demand. 

But you didn’t. He’s alive. He’s alive. The thought pumps outward from your heart, warm and reassuring like the blood rushing through your own veins, reminding you that you too are alive. Your only thoughts now are of closing the distance between the two of you and peppering his face with kisses, telling him how proud you are of him, how brave he’s been, how much you love him. But as you take a step toward his platform, a shift in him gives you pause.

He slowly kneels down, still leaning heavily on his staff, and for a moment you think he’s praying, in the same way Shadowheart kneels to pray to her goddess. But no, his eyes are wide, staring, unfixed, not closed and reverent. After a moment, he sits fully on the ground, his staff falling with a clatter against the surface of the platform, and he buries his face in his hands.

You go to him immediately, using a last rare scrap of magic to misty step directly onto his platform. He’s shaking with fine, shuddering tremors as you approach, your steps cautious and soft but your heart aching and yearning to rush over. You reach out a hand, your own fingers trembling as they hover suspended above him, and you whisper his name uncertainly.

“Gale?”

You hear his voice but his words are muffled by his hands. You bend closer, making out fragments as his words tumble forth in a soft, whispered babble.

“Oh gods, oh gods,” he gasps. “I nearly—I almost—I could have—the orb. What have I done—”

“Gale,” you say again, finally kneeling in front of him and laying a hand on his shoulder. He jolts at the touch, stiff and startled by you, but you don’t let it deter you. You squeeze his shoulder in what you hope is a reassuring touch, even as the tears threaten to choke you as you watch and feel him tremble. “It’s all right. We’re safe. My love, you’re safe.”

He lowers his hands, one clenching the fabric of his robe over his chest, his breaths coming shallow and quick. His gaze on you is so different than before, all the warmth and steadiness and gentle, shy uncertainty that came with looking at you replaced with abject horror and unfocused panic. You get the sense he isn’t really seeing you, but staring through you to some theoretical what-if nightmare. One where you didn’t make it out alive. 

“I very nearly killed us all,” he mumbles, still clutching his chest. "I nearly killed you."

“But you didn’t—”

“I was so close to—to—th-the orb, I could feel it stirring, like it wanted me to—” He breaks off, his hand tightening in the fabric of his robe. The mark of the orb glows faintly, the barest hint of illuminated magic threading upward toward his eye, casting an orchid-purple sheen to his dark iris. He bends forward slightly, combing a hand roughly through his hair and clutching brown and gray strands tightly in his fist, his eyes wide. You half-expect him to be sick as he presses his other hand flat against his chest, breathing heavily. “And now I’ve defied my goddess. I—”

He turns suddenly, sharply, twisting to prop himself up on hands and knees away from you as his body rebels against him and he retches. Very little comes up—he hasn’t been eating well since you first stepped into Moonrise and he found himself faced with the very real possibility of sacrificing his life—but his body shudders and bucks violently as it attempts to dispel everything inside him. Not just the contents of his empty stomach but the fear and loathing and terror too. 

You don’t shy away from him. You shift closer, sitting on your knees at his side as his body settles into little shivers, his hands pressed flat into the surface of the platform. Your eyes are burning with tears now and you want to sob, your heart shattering for this man, your love, your heart’s song, but you have to be strong for him. You smooth his hair from his face, fingers brushing against his sweat-slick skin, and you cradle his feverish cheek in your palm. You say the only words you know to say and you repeat them as many times as you have to before they break through the haze of his clouded mind and resonate within him.

“Shh. You’re safe, my love. I’m here. I’m here with you. I’m not going to let anyone hurt you, my love. You are safe.”

He leans into you and you gather him in your arms, rocking you both gently as he rests his head on your shoulder and wraps his arms around one of your arms. His shoulder is awkwardly pressed into your chest and he’s half-curled into your lap, weighing your knees uncomfortably down into ground, but you don’t mind. Discomfort and awkwardness don’t matter. What matters is that he is alive and so are you. You remind him of that in words, in your stream of murmured comforts, along with all the rest. 

It takes several long moments for his breathing to even out again, and another few for him to finally rest against you without an errant shiver wracking his body. But he calms at last. The tears on your face have since dried, but your heart aches no less than before. To think that your love would suffer so for making the right choice—the choice to live—but to suffer nonetheless out of a sense of guilt and fealty to a goddess that had thrown him aside like a broken toy.

It fills you with an uncommon rage. The gods are ever cruel, but the goddess of magic—you dare not even give her the honor of her name in your own thoughts—she is among the worst in your eyes. Even now, as your love struggles to compose himself, it isn’t a goddess’s arms or a goddess’s blessing that are there to comfort him.

The arms that are wrapped around him are your own. The comfort you have to offer is that of warm flesh and soft breath, mortal and precious. And it is better—better, you tell yourself with all the prideful conviction of a mortal soul—than anything an immortal, unfeeling goddess could offer.

He finally stirs, straightening up to look at you. Or look at your shoulder, rather, unable to meet your gaze. His expression is hollow, sorrowful, but calm. You know the road to him accepting and finding joy in his decision to defy his goddess is not yet over, and the path ahead may still be thorny.

But at least he has the chance to try and walk that path, rather than ending it all here.

"Forgive me," he says softly. He seems to want to say more, but the words don't come easily. You shake your head, not caring what he's trying to apologize for.

"There's nothing to forgive, my love. You made the right choice." You caress his cheek, wiping away the grime and the tear tracks that have collected there. “I love you, Gale.”

He finally meets your gaze and oh, your love, he looks so exhausted. But there is a flicker of his old self still there, a warmth that is familiar in his dark eyes. You press your forehead to his, still caressing his cheek, and close your eyes. 

He’s alive. That’s all that matters. You can figure out the rest as you go.

“I love you, too,” he whispers.

You have to get out of here, out of this cavern of flesh and stone and brine. You have to face the problems of the world at large, the threat of the elder brain and more. You know that. But you steal a few more moments for yourself, breathing softly with Gale, treasuring every breath as though they were more precious than diamonds.

———

You set out to leave the shadow-cursed lands at what you think is dawn the next day. Even with the curse waning, it’s hard to tell the time with the sun still obscured. But the hope is that as the land fades away behind you, you’ll be walking forward into sunlight and not more night.

You and Gale walk at the back of your little group, your companions moving on ahead. With each step, the shadow curse lightens. There are hints and signs of new life all around, tiny green leaves fluttering against once-dead branches, thin shoots of grass poking upward from the cold, dry ground. It restores your hope for good things to come. Not just for these lands, but for you. For your love.

He’s been quiet since the fight against Ketheric. Contemplative. Thoughtful. You had spent the night wrapped in each other's arms, counting his every heartbeat and breath until you were pulled into slumber, suspecting that he had done the same for you. When you woke you both pretended that sleep had cured you of the previous day’s torments and used the task of breaking up the camp to travel onward as your distraction from your concerns. But you watched him across the camp anyway, a knot of worry in your stomach.

Sometimes, both this morning and in the moments traveling now, you see that hunger in his eyes as you did when he first saw the crown atop the elder brain. But sometimes you just see a lingering sorrow. You haven’t been able to bring yourself to ask him about it. Not yet. It’s enough that he’s here with you, and you trust him to speak to you about what weighs on his heart in his own time. But you still worry.

Just up ahead, the shadow curse seems to fizzle out entirely, like a fog that dissipates as the sun burns it away. Beyond the threshold is sun-warmed landscape. Though scarred by the smoldering and abandoned remains of the Absolute army’s campfires and shelters, nothing has ever looked so inviting to you before. You rush ahead, eager to feel the sun on your skin again.

The difference in temperature alone is enough to reassure you that the shadow curse is behind you at last. One second you are enveloped in the chill and dimness of the shadows, and the next you are warm and bright in the light of the sun. You pause just a few steps into the sunlight, stretching out your arms and lifting your face toward the sky, drinking in the warmth. At last. You feel as though you can breathe freely again.

You turn to smile at Gale, but he is not at your side. He lingers in the shadows, watching you. The shadow curse is like a sheer black veil between you, obscuring his expression slightly, but as you step closer you realize his eyes are glimmering with unshed tears.

“Gale?”

He blinks, as if awakening from the depths of his thoughts, and quickly rubs his eyes. “Ah…my apologies. Lost in thought, I suppose.”

You hesitate to leave the warmth of the sun, but you sense this is more important than sunlight. You step onto the threshold of the curse, reaching out a hand to him. You want to pull him out of the shadows and into the light with you. He stares at your hand a moment before taking it, but he doesn’t move. Like he isn’t ready yet. 

“Tell me what’s on your mind, my love,” you say gently. “Tell me how I can help.”

He opens his mouth to respond, but for the first time, words seem to utterly fail him. He swallows, gazing at you with a stricken expression, and tightens his hold on your hand.

“It’s simply…I am…in awe,” he says at last. “Of you. And I am mortified with myself. No, more than mortified. I nearly…”

You sense the flow of his thoughts instantly, your minds connecting via the tadpole, his thoughts unconsciously opening up to you. At first he resists, his mind shutting down like a trap to spare you, but then the shields waver and fall away, and you are pulled into his memories. You feel the struggle within him as he stares at the elder brain. You feel the heat and pain of the orb inside, as if reminding him of his purpose. You see yourself through his gaze, the fear and love warring in your expression as you beg him not to go through with his sacrifice. You feel the moment he makes his decision, his resolve hardening like steel in flame, only to shatter, brittle and broken, the moment the brain disappears, the pieces transforming into needles of doubt that bury themselves in his psyche, his heart, his body.

As the familiar, terrifying sight of the colossal avatar of Myrkul rises into your vision once more, for one fleeting moment, you sense the desperate desire to end it all now, to end the storm of uncertainty in your mind, the pain of the orb, the fear of disobedience, the exhaustion of facing another battle with impossible odds. For one fleeting moment, you consider letting go and letting the orb obliterate you and everything around you.

And then the connection ends, and you are left standing at the threshold of the shadows with Gale’s hand in yours.

“I nearly killed us all with one rash thought,” he murmurs quietly. “The thought of my sacrifice never left my mind, even as I swore to you I wouldn’t go through with it.”

He takes a shuddering breath and a tear drips down his cheek. You catch it with your fingertips as you cradle his face with your free hand, your heart breaking for him all over again. His tears prompt your own and you struggle to hold them back, for his sake.

“And now,” he says, his voice altered, thick with tears. He swallows. “And now I see what I fool I was to doubt. To doubt you and your wisdom. To wish for death so quickly.” 

He meets your gaze and you see a thousand words he hasn’t said yet there in his brown eyes. A hundred apologies, a hundred ways to beg forgiveness, a hundred confessions of love, a hundred praises, all about and for you. It’s a torrent of love and longing and guilt in his eyes and your knees nearly buckle at the sight of it.

“I would have condemned the brightest of stars to death,” he says. “I would have robbed the world of its greatest treasure. And for what?”

“Oh, Gale,” you whisper. You abandon the sunlight to join him in the shadows and embrace him, holding him tightly as he struggles to regain his composure. “No more. You made the right decision. You’re here with me. I’m here with you. We’re alive, my love, because of you.”

“But I could have—“

“But you didn’t.” You pull back to cradle his face in both your hands and wait until he’s looking you full in the face. You want him to see your own resolve, but also your love, your faith in him, your pride for him. “You chose to live, my love. That is the most important thing. That is all that matters right now.”

He stares at you, letting your words sink in, until at last he smiles. Though it’s still tinged with sadness and guilt, it’s genuine. It soothes your spirit and settles some of your worries. 

“I don’t deserve you, you know.”

You shake your head. This isn’t about deserving, but you know that’s a battle you won’t win here. Instead you kiss him, your lips soft against his, and you let that suffice for words for a moment.

When you finally pull away, he seems a little restored. The love is back in his eyes and his smile isn’t weighed down as it was before.

“I love you,“ you say.

“And I love you,” he responds. “Immensely. More than I scarce dreamed I could love anyone.”

“We will find another way to deal with the brain and quiet the orb inside you. Some way that keeps us both alive and together. I swear it.“

“I believe you.” There isn't a trace of uncertainty in his voice when he says it. “I want that more than anything.”

“Want what?”

“To live. With you. To see the dawn of a new day with you, the dawns of a thousand more days. To know that the road ahead, whatever it holds, won't be spent alone, because I'll have you by my side.” He pauses, as if a thought is only just now coming to him. “I can...I can have that hope, now. Thanks to you.”

You smile. You take both of his hands in yours and step back, placing yourself once more on the threshold between shadows and sun. “Then will you join me in the sunlight?”

He looks at you, then at the sunlit road beyond, and then back at you. He nods, letting go of one of your hands but tightening his hold on the other. “Yes. I’d love to.”

Without another word, he keeps his hand in yours as you lead him forward step by step.

Away from the darkness and into the light.

[lynaferns]

The Forest On The Other Side

Chapter 1: I want to go home.

Ver. [ENGLISH / SPANISH]

EDIT: This fic is now on AO3

A girl gets lost in the forest and finds a misterious gate in the middle of nowhere. At the other side she meets a... very peculiar individual who seems to only want to befriend her and play. Everything seems fine. Until night falls and someone else joins to play...

Again, I appreciate feedback about the english adaptation. English is not my first lenguage and I still mess up sometimes.

This is in some way a more "joyful" story than BIOMáquina, still with its dark themes. I wrote this a year ago. By this I mean I forced myself to get it written down and ended up hating it and burning myself out. A couple of weeks ago I decided to reread it and I though it was pretty ok actually, so I edited it a bit to make it flow better. It used to be written more as a script for the comic I wanted to draw buuuut that didn't happen (cough stressed myself out cough forced myself cough don't force yourself to make content out of a hobby, a hobby is supposed to be for your own fun). I'm not completely satisfied with the final draft but I think is good enough for my first ever fic written.

I originally planned to make it a Y/N thing but that didn't last long. But I keeped the original idea of the first person POV. The Y/N stories I've read has always some narrator telling you what you do insert you in the story. I thought of making the MC the narrator, this way the reader can insert themselves like it's their story or they can read it as if someone else is telling them a story. This is also a bit limiting, since the narration is also the MCs thought process and sometimes I may skip details MC couldn't have seen.

AU, Magical forest, DCA centered, Sun fnaf, Moon fnaf, Elves Sun & Moon, OC, Selfinsert, Character & OC, platonic, friendship, slowburn (kind of), Moon is agresive at first, Moon is also a bit of a gremlin, Protective Sun (I think), OC is a potty mouth, Female Main Character, First person, Angst.

The first post where I showed this AU and my first sketches ideas.

Tumblr archive with all of the art, ideas and anwsered asks.

Youtube Playlist which I'm pretty proud of how it turned out :] It's in a specific order but you can put it on mix.

Note: even though I try to keep things light some things may be triggering for some readers.

CW: Anxiety, Suicide ideation, Implied death, Choking, Non sexual abuse.

Wordcount: 9,700 (It's not rounded, that's literally the number Word tells me it's at lol)

Welp.

Here we are again, in the old village house (yey...). Well, 'I am', my family won't arrive to settle in for another week. They brought me here beforehand a few days ago for organizational reasons. They took a quick look inside before they left to see the state of the house, if it needed any repairs and such, and they headed back to the city. While they finish preparing everything, I take care of the house and text them messages about anything that may be needed for when they return.

We haven't been here in years, the house needs some repairs, and I'm sorry for the spiders, but it could use a deep cleaning. We can't do a deep cleaning but I have been cleaning what I can these last few days, at least so that it looks decent... at first glance.

Well, it's not like anyone is coming to visit.

It's a quiet town, until the kids from the town next door come to make a racket with their bikes. They play in our field, scare away the cats and throw cans around. They are assholes.

Anyways, the people in the village are nice. The adults I mean, the kids I used to play with, I don't get along with them anymore. Some of them aren't kids anymore, we have grown up and are going down different paths. But those who are still kids... they're still interested in the only older kid in the town who listened to them and let them do whatever they wanted, to a certain extent.

I don't want them to come looking for me to go out and play. I've been avoiding them by saying that I'm busy cleaning the house and getting it ready for when my family arrives, but I feel like interacting with them less and less. That's why I'm going out to the woods behind the house to get lost for a while, as always. The kids don't go near the forest so they won't bother me there.

There is an area for tourism and hiking but not many people come, some police cars border the forest from time to time but they never go inside. The reports of missing people in this forest have been coming in for decades, only some lost children have returned but there is no trace of any of the adults who disappeared along with the rest of the children. The areas marked with signs are safe but you can't go out of bounds unless you want to disappear with those people.

And I, who right now am alone and with no one to notice my absence if I go missing, am going to head straight to the forest. Don't you think, I don't want to disappear, I just don't like people and I usually go into the forest but I don't go too far away. As long as I see my house in the distance, I know how to return.

I grab my bag with my sketchbook and pencil case, in case I feel like drawing (probably won't) and step out to the back porch. The outer sliding metal door that protects the inner one is rusty and difficult to open. It would be better to oil it but I don't know when it will be done, considering that the broken railing has had a wooden board tied to it for years. I already sent my mother a message talking about it.

I enter the forest and start walking around. It's hot, of course, it's early summer, but it's quite noticeable after being in the cool inside the brick and stone house. That's the good thing about coming here in summer, the houses are made to stay cold inside and it's great, sometimes I even need to wear a jacket. But outside I'm dying, the trees don't provide enough shade. In fact, some trees are missing. I used to have my routes memorized but time has passed and some paths have changed, some have disappeared and others have formed. I admit that it makes me a little sad... I began to walk absorbed in my thoughts not paying attention to where I was going.

I'm walking away, I should go back. I'm not going to draw anything here anyway, and it's hotter outside than inside so I'm gonna to turn around-

I hear screams and laughter in the distance, the sound of the voices produces me an immediate disgust. It's those kids from the next door village. They must have come to 'investigate' about the disappearances or maybe they don't care and they just came to be idiots-

They're getting closer.

I don't want them to see me. God. Don't let them see me. Anyone but them. They're getting closser. Don't let them see me. I can't go back home now. They're cutting me off. Of all the people who could have found me. It had to be them. No, please. Don't let them see me. I have to go further into the forest, I can't let them see me. They're getting closer. Don't let them see me. I want to leave. I want to leave. I'm getting too far. I want to leave. I don't see my house. I want to leave. I don't see the village. I want to leave. I don't see the kids.

...

...

...

Where am I?

Fuck.

Where am I?

I want to leave.

I want to leave.

I want to leave.

I want to leave.

…

—

Now I'm wandering through the forest. I don't want to go back. I want to get out of here. Even though I'm walking in a straight line I feel like I'm going around in circles, and I'm not going to get out of here now. Great. I'm lost. Now what? People who get lost in this forest don't return, no one has returned except for some children.

...

I'm going to disappear.

...

For now I keep walking until something happens. Maybe there's an animal that kills people who get lost, or maybe it's a group of kidnappers, or maybe I should stop giving myself anxiety and focus on getting out of here. Maybe if I find a field or road, or even the tourist area, I'll be able to get out of here and return bordering the fores-

...

There is... colorful graffitis on the trees. Someone has painted eyes, hands, stars and more on the bark of the trees...

What's this?

I don't know where I've come to, I didn't know this was here, in the middle of nowhere in the forest. The trees have red leaves like in autumn even though summer has just started... The first thing I thought was 'climate change's fault' but there is something that stands out in the middle of this entire flat area and it is disturbing me.

In the center there is a kind of circular gate made of stones supported by roots.

Okay, maybe it doesn't sound aaaaas disturbing as, I don't know, a totem with a human figure being impaled or something, but it's giving me a bad vibe. What is this place? Who built a stone arch in the middle of everything and why?

A bird appears flying from behind me and goes through the gate, but nothing comes out on the other side... wait what? how? The bird has crossed the gate, and disappeared behind the stone arch? ...I had to imagine it, it's not possible that that happened. I approach the arch but not before picking up a rock from the ground and throwing it to the other side of the gate.

It's still there.

…

For some reason the thought of going through the gate makes me uncomfortable, so I go around it.

...

...And the rock? It's not there.

I go back and look from inside the portal.

The rock is there.

...

I look from outside. The rock is not there. I repeat this multiple times. Rock. No rock. Rock. No rock. Rock. No rock... What?

Alright, this is weird, this is VERY weird.

Even though it is clear that this isn't normal, I have to go back, pick up a fallen branch from the ground and pass it through the portal. This time I don't throw it, I've grabbed a branch long enough to see it peek out from the other side of the arch.

...

Welp.

I should be seeing not only the branch, but also my hand sticking out of the side, but I'M NOT SEEING IT. OKAY. OK. ALRIGHT. IT'S CONFIRMED. THIS IS WEIRD.

I'm asleep, right? Or unconscious. I must have passed out from exhaustion from endlessly wandering through the woods and I'm delirious or something. No, wait, it can't be, in my dreams I'm not this aware of what's around me. Where am I?

A breeze begins to pass through the gate. It's getting stronger but not enough to push me. The leaves rise from the ground and float towards the portal, none slipping outside, all entering through the stone arch. Suddenly the breeze that had become wind stops. The leaves fall to the ground.

...

I look back for a moment, as if there was something behind me that could help me make a decision. Grabbing with both hands my bag strap I look back at the portal again. Okay. Alright. This is possibly the death of me. I'm going to cross. I'm going to go to the other side. I'm just one step away from crossing. I wrinkle my face and narrow my eyes before taking the last step.

...

Nothing has happened. Everything seems the same. However, I know it's not the same... Or at least it doesn't feel the same!

Well, I've already crossed. I'm gonna... keep walking, I guess, even though this is scaring me and I don't know if I'll know how to go back. For now I'm moving forward. The red leaves have disappeared several meters ago. It's starting to look like a normal forest, except for the multicolored drawings and handprints that I keep seeing on the trees. In fact, it seems like the trees are taller with every step I take. So high that I can barely see the top. I almost tripped while looking up. Whether this is the same forest I come from, I no longer know.

This was a bad idea. I just hope to find something that'll help me know where I am, a sign or the road if possible.

*cling*

...?

I hit something with my foot. There is a ball attached to a small chain on the ground. Oh, no, wait. *cling diring ding* It's a rusty bell, I think. It doesn't have the typical cross-shaped hole or slot, rather it has several holes in a pattern. It looks like it can be opened.

There's nothing inside.

?

There's nothing? But I could have sworn it had rang. I close it again and shake it.

*...*

Nothing.

I'm going to put it in the bag, it's totally a good idea. I'll think about it later, for now I'm moving on.

—

I've been walking for a while now and throughout this time I had a constant chill on the back of my neck, as if someone had their eyes on me.

*din dirring* I hear a soft tinkling in the distance.

Okay, I'm not alone, awesome, what do I do now? Do I say hi and risk the potential danger finding me? Do I ignore the sound of bells and keep moving? It's very possible that whatever made that sound is watching me right now...

“Hello?” Still nervous, I try to say hello looking around “...” “Is someone there? H-hello?”

“-HEEEEELLO!”

“AAAAAH-!” I cover my mouth with my hands as I turn to look at what the hell has greeted me back. I take a few steps back while I look at the figure of earthy and sunny tones who responded, he seems as surprised as I am, I think (with the scream I made, normal), at least it looks like he's surprised. He wears a two toned wooden mask... it looks like a sun, with a crescent moon on its right... It gives the impression of two faces merged into one... Damn, he is tall, he's almost doubles my size. He appears to have two skin tones dividing him in half, his right side being the lighter and the left darker, especially the arm, which also has a light-colored tattoo of lines representing a sun symbol that covers from the shoulder to the pectoral and to the middle of the bicep. The right arm is covered by a long fingerless glove that reaches to the shoulder and is tied around the chest. He's wearing baggy pants with leaves coming out of the waist and legs, some... cloth boots? with a long toe bending sharply and curving in a geometric swirl with a bell at the tips, a bag hangs from the waistband of his pants and falls below his hips. His chest and neck are tied by ropes decorated with hanging stones, metals and crystals, he wears a pendant that ends in a carved symbol of a crescent moon with rays. Some of the 'sunrays' on his mask have ropes tied between them holding them in place and some metal dangling. Some red ribbons along with bells hang from his wrists.

“um... Helloooooo.” He greets again, this time he lowers his tone of voice. I manage to react, I turn around and walk away. “¡ah- eh- Wait!” Nope, I'm not going to wait and see what he does with me, I'm leaving. “He-! Hey!” Nope. I quicken my pace and try to get lost among the trees, changing direction every time he appears in my vision angle. “Human? Human-! FRIEND. Can I call you friend?!” Nope, nope, nopnop, nop, nop, nope. “Friend! Hey!” God, no, god, god, no, why are you following me? “Look, I know what you're trying to look for...! And believe me, you're not going to find it~!” How are you still following me? Where do you come from? “Hey! Listen! Why don't we do something else besides running in circles!?” Noooooooooo... “There are TONS of other activities we could do! Like... HOLY MOLY, look at this stick! Do you like sticks!?” Leave me aloneee... “You aren't looking at it! Okay, alright, you don't like sticks, erm... what might be of interest to you...” If I don't look at it it doesn't exist. “Could you help me a little here?” I want to leave... “Look, no matter how much you wander around, you won't find the portal-!”

“STOP—! STOP FOLLOWING ME! LEAVE ME ALONE!” The sudden scream startles him again, making him jump in place. He stands completely still looking at me. I'm leaving before he gets angry.

“B-but I- ...okay.” I thought I heard him say before I left him behind.

It seems that this time he's not following me, finally... Although I'm not calm, he could still be following me and simply not be in sight. Anyway, I think I'm coming back? I hope I am. I want to find that portal as soon as possible and go back to the house- what the fu-? “WHY?”

He's there. Right where I left him. Sitting on a rock. Waiting. “...! I haven't moved from the spot!”

“Yeah- but- WHY?”

“Because I knew you were going to come back here!”

“...What?”

“Is what I was trying to tell you! You can't leave! No matter how hard you try to find the portal, it won't appear before you!” The Sunman exclaimed.

“…” I'm just about to turn around. In fact, I'm already turning around.

“N-No, wait! Please don't go!” I stop in my track and look back at him. He gets off the rock he was sitting on but remains squatting, almost at my height, a little below. I move back, keeping my distance. He puts his hands up. “Look, I'm not doing anything! I won't chase you! Just- ...don't go.”

“…”

“L-look, listen, there's no way it's going to show up! Well, not to you at least. But even if you find it back, it won't work! It only works when it wants to work.”

“...” Let's imagine that I trust what he says “Ok... and when does it want to be working?”

“...” “No idea!”

“...”

“...”

I'm about to collapse on the spot. At least he doesn't seem hostile, for now. “...” “Okay... Good... Great...” “...” “FanTAS-tic.”

“...” “You don't seem like it.”

*ಠ_ಠ* I could only look to the side in frustration in response to that. I looked back at him with concern showing on my face and grabbing the strap of my bag with both hands. “And... what... do you plan to do with me?”

He took his hand to the chin of his mask and with the other he held his elbow in a comical thoughtful pose. “MmmmnnDUN know! What do you plan to do?” He asked so nonchalantly. He ended up sitting on the ground crossing his legs. “You have a good while until the portal opens again...!”

“...”

“...”

“...”

He started swaying. The silence has become uncomfortable for a while now, but I can't organize myself on what to say, and I don't know if I trust him. I don't even know if he's human, although something tells me he's not.

“You could wait here.” He suggested, breaking me out of my thoughts. “Or anywhere else, if you want. I would recommend somewhere high like the treetops (for no particular reason)! If you're going to wait... But wouldn't that be really boring?” There was something in his tone of voice... “Being there... at the top of a tree... waiting... alone... with no friends to hang out with (can I call you a friend?). Aaall on your own until the portal opens again.” He looks aside for a moment “...” And back at me again. “With no one to be with you.” He repeats the head motion “...” “alone...” Wow... I wonder what he's implying, ahem. “Wouldn't you want to have someone...? ...Someone...keeping you company?” Yeah, yeah...

“...” I guess... “I-I guess I wouldn't want to be alon-?”

He rises to his knees. “That's what I thought! Do you want me to accompany you? Only if you want! But can I?” He clasped his hands together as if asking a favor.

“um...”

“Can I?Can I?Can I?Can I?Can I?Can I?Can I?” He approaches, dragging his knees on the ground.

I'm starting to miss personal space. “Okay! Okay, alright...”

“REALLY?” He started hopping and jumping around me. “OH, ohoho hO! Great! Oh, there are TONS of things we could do! Like... Like...!” He moves faster, doing bigger and bigger flips and jumps, it almost seems that he is very light, as if the breeze of air lifted him. “We could paint and decorate trees! Or we can also paint on rocks! Or paint leaves! Or paint us! Oh! We can tell stories! I'm very good at making shadows and puppets.” He moves from place to place with each sentence he says. “We can also play something!” It's moving so fast all I can see is the wind and the leaves it stirs up as it moves. “Anything! Whatever you want!” Finally he stopped in front of me half crouched. “What do ya say?! Hmm! Friend!?”

“Don't... call me like that.” Makes me feel awkward.

“Oh...why not-? Oh true, true! How silly, I don't know your name! What do you call yourself, potential friend?”

“...”

“...” “Aren't... you gonna tell me your name?”

I twist the bag strap “Depends...” I must say I'm a little skeptical about this. “Are there any consequences for telling you my name?”

“...Consequences...?”

“Like... I don't know... Mmm-by telling you my name I become your possession and cannot regain my freedom until... certain conditions are met...”

“...”

“...”

“Why- how-? Where did you get that from!?” It did sound a bit stupid when I said it out loud.

“I dunno- that's what they say in old children's stories about elves and fairies!” I just hope the embarrassment isn't showing on my face.

“Really?” I could feel his deadpan expression behind the mask.

I shrugged.

“...” “Okay... Oh, what if I tell you my name first? Will you tell me yours? It's only fair, I'm Sun!”

“...”

“Can I know your name now?” He asked expectantly.

“...How do I know you're not trying to trick me?”

“...” I must be driving him crazy with this “The only thing I can do with your name is treasure it in my memory.” He put his hands together as if he was carefully holding something and brought them to the forehead of the mask. I gave him a distrustful look. It doesn't seem like it made him desist “Please?”

I grip at my worn out bag strap “...” “ Fern...” I ended up murmuring.

“Hmm? Fern? OH, I like it!” “Sounds like FRIEND.” He emphasized the last word by making a gesture like jazz hands, leaning to the side and moving his head closer to me.

“Yeah... I think you are missing a couple of letters.”

He straightened his posture again. “Nope, I don't think so!”

“You're still not my friend.”

“Oooowwwwwnnnnnggghhh” He lowers his head dramatically until it practically touches the ground “nnnnnnngggghh, alright!” And cartwheels to stand up again “So... what will it be?”

“Hm?”

He straightened his posture and puts his arms on his hips “We have plenty of time, ya? What do you wanna to do?”

“I don't know, what do you want to do-?” Bad mistake.

“Come with me!”

“aaAAAAA-!” Before I knew it, he had grabbed my arm and I was being dragged through the woods. We visited several places and he offered me an activity to do in each of them.

—

Sun took me to a place where the trees were full of colorful paint “We practice painting on the trees here!” He said.

“Ah.” That explains the crossed out lines and the repeated imperfect shapes. By the look of it is also where he tests the quality of the paint.

“Do you want us to paint something!?”

“Not really...”

“Oh, would you prefer it to be on a rock?”

“Nah.”

“...And in star leaves-?”

“I don't want to paint, Sun.”

“Oh... Well, I can show you more places!”

“OkayyEEEEEE-” And I'm being dragged away again.

—

He brought me to another area of the forest, the ground here seemed more leveled. Not a single tree was straight, all of them were twisted and even seemed to be hollow. “How about playing something!? Like hide and seek-! No, wait, I can’t let you out of my sight.” He mumbled at the end “And chase?! We can climb a tree and see who reaches the top first! We have a place full of vines and it's perfect for swinging- and jumping from one tree to another-!”

“I don't... really want to move a lot…” With the way he runs without getting tired and me, who doesn't exercise... he would let me dead.

“Oh... well, theeen-”

—

We arrived at a place full of vegetation and humidity. Sun seemed quite excited... “This place is full of insects! We can look for cool bugs!”

“Mmmmmnoooo... I don't want to.” I had to tell him, trying to show as little disinterest as I could.

“You don't like them?” He sounded a little disappointed hearing my reaction.

“No, I do like them, some of them, but I don't like to touch them.” And I'm terrified of them flying into my face.

“Oh, well, it's okay!” He said brushing it off and we moved on to the next stop.

—

“I know that bird!” He stopped us on the way to point at a robin high up on a branch.

“ah.” I said as I removed leaves from my hair and clothes, and checked that I still had my glasses.

“He's a little rascal!”

“...” I think the bird is making us the equivalent of 'mooning'.

—

“Look fish-! Oh, they're gone…” The noise must have scared them away “We can go find more places to look at them if you want!”

“...” “...no, pass...”

“…”

—

“Look at this stick!” Sun had suddenly sprinted past me, picked up something from the ground, and came back just as fast, showing me the stick as if it were a sword.

“oh.” It's a cool stick, must admit it.

“Do you want to look for more sticks!?”

“No...”

“oh...” He looked at the ground in disappointment.

“Why would we go looking for sticks? There are all over the ground.” Specifically, in this area the ground was all sticks. We are literally just stepping on sticks right now. I don't see the ground.

“Variety!” Sun said pointing at the ground with both hands. A branch is heard falling in the distance.

—

“That's a deer!” He pointed at the deer passing nearby. The deer stopped to look at us.

“Yeah, I see.”

“We call 'em Adoquín!”

“...Why is it called Adoquí-?”

*THUMP!*

“…”

The deer smacked itself against a tree when trying to run away. It stands still for a minute, processing the hit, looks at a side and then the other, then runs off again but this time avoiding the tree.

Another *thump!* is heard in the distance.

“...” Alright.

—

“Do you wannaaaa look for pine cones? There will be some fallen around here. Oh! We can also look for mushrooms!”

I keep saying no to everything he suggests and it doesn't look like he's going to run out of ideas to pass the time. In fact, he's very insistent that we do something. I guess at some point I'll have to say yes to something. “...” “...okay...”

“Hmm?! Okay? Okay to what?” His exaggerated surprise offends me but I don't blame him.

“To... I don't know, pine cones?”

“...You don't look very convinced.”

“…”

“…”

“…”

“OKAY! On the hunt for pine cones then!” I startle a little at the sudden shout. He makes a pose pointing in a direction, as if he were leading an expedition.

He takes me through the forest looking for pine cones. We aren't finding many, especially me who's not paying any interest. He tries encouraging me to put more effort into it but I keep looking at my boots.

We passed near a shingle river. I find a pebble at my feet and bend down to pick it up and take a better look. It's like a bluish gray, it has some reddish lines in the shape of waves, it feels good to the touch.

I hear the soft tinkling of a bell and feel a shadow fall beside me. “You like pebbles?” Sun is crouched next to me with his arms full of pine cones.

“…” I nod.

We go down to the river and spend some time collecting pebbles with curious shapes or small details of colors, lines, spots, etc. He comes over to show me one every time he finds weird shapes.

“…”

*rin* This time he's hunched over resting his hands on his knees. “You look… a little down.”

“…”

“Hey... we can do something else if you're tired of the pebbles.”

“...” I drop the pebbles I was looking at on the ground.

“...” He turns his gaze from me to the sky. It hasn't gotten late enough to be getting dark, but it's been a while between the walks we've taken (dragging me from here to there), looking for pine cones and then pebbles in the river. He looks back at me. “Oh, I know! Can I take you to one last place? A better place than the ones I've shown you!”

“…” I got up from the ground and waited for him to start leading to follow him.

We enter the increasingly thick forest. The trees are taller and bigger, in fact, I start to see platforms and bridges lying between the trees, I even see small shanties in them.

“Wait here!” He takes a run and jumps onto one of the trees with bridges. He takes three steps running up the tree, with a jump he pushes himself off and climbs with agility until he reaches the platform and climbs on it. “Just a moment!” It can't be seen from here but I can faintly hear some squeaks. I have no idea of what he's doin-

*rush*

“........eh?”

A rope.

A rope has fallen. At the level of my head.

“.......”

What?

…

He said he knew a better place.

No. It can't be this.

“Is it at a good height?! Can you reach it?!” He says...

It can't be.

A better place.

He can't be referring to this.

A better place.

A better place. A better place. A better place. A better place.

“Can you put your foot in?!”

“..........” For some reason what he said throws me off. “WAT-?”

“Can you put your foot in the loop and hold on to the rope so I can pull you up!?”

“..............”

“You can't climb trees, can you?! ...or you can?"

… “...” Oh “....It's...It's too high!”

“Okay!” Squeaks are heard and the rope descends to the ground.

I put my foot into the rope as he told me and hold on to it. “O-okay...!”

“Are you ready!?”

“Yes!”

“Okay!”

He begins to pull up the rope (which doesn't tighten around my foot as it supports my weight) and helps me up to the platform. (That's what it was for, obviously, what else would he want? I'm such an...) “Come on!” He says cheerfully, as always, and takes me over the bridges. “You seem tense... Don't tell me you're afraid of heights!”

“S-something like that... it's nothing.” He tilts his head at that but he says nothing. I have an unpleasant sensation in my throat.

We arrived at a high place with a view of waterfalls, I can't see above the trees. We sat on one of the bridges, resting our arms on the rope that serves as a railing and letting our legs hang off the bridge. I've thought about taking out the sketchbook to draw... but I don't really feel like it right now, so I just quietly observe the landscape. It is a better place, yeah.

…

I feel watched. I turn to look at him ...Of course he was looking at me. I don't even know whether to say something or keep quiet. ...I decide... not to say anything and look to the front.

“You... aren't very talkative, huh.”

“…”

“Not that it's a bad thing! Many people who have come here weren't very talkative at first either.” More people...

“...” “I have… nothing to talk about.” I don't want to talk.

“...” “Well, I do.”

“…”

“If it's okay with you, of course.” He laughed. Although something tells me that he is going to talk anyway.

“…”

“...” “What brings you to the forest?”

“...” Really? “I got lost.”

“Yeah, I already know!” He says between laughs “But what made you get lost?”

“...” “There was a group of kids I didn't want to get close to and I decided to go into the woods to lose them.” He makes a 'hum' sound and looks at me expectantly waiting for me to continue “And... I ended up getting myself lost...”

“...” “Only that?”

“...” “Well, yeah.” What do you mean 'oNlY tHaT'?

“...Mmm...” He places his hand on the chin of the mask.

“...” “What?”

“Nothing!” “...” “You know? You're the first human to visit the forest in a loooong time. For several cycles now…”

“Cycles?”

“Mhm” He nods.

“...What are cycles?”

Sun points to the sky “The turns that the Moon makes in the sky!” He emphasizes by rotating his arm in the air. It's pointing right at the Moon that's visible in the sky.

“Oh...” He uses the lunar cycles to know what day he's in, makes sense. “...” “So no one has been here in a while.”

“That's what I said! Well no, but yes!”

“A-and so the humans who came are still here? Have they been here all this time?”

“Yeah...! Well, no!” He paused. “They're gone!”

“What do you mean they're-?” He didn't let me finish the question.

“They are gone! They 'left'!” It sounded like he had given this answer many times already.

“What do you mean they left-?”

“They 'left'!”

“...” “...You mean...they disappear-?”

“Nope!” “...” “Something like that!” “…” “Mmmore or less…” He hesitated between one answer and another.

It seemed worthless to ask about the missing people. “...okay.” “Can I ask you-?”

“You can ask me anything!” A hint of nervousness escaped his tone.

“...okay. What is this forest?”

“My home! And the home of many other animals.”

“...” “Alright, and... how many are you...? How many of you live here? I mean. You have taken me everywhere and we haven't seen anyone of your…” I make a pointing gesture, spinning my hand around in the air. He can't be human, it doesn't look like he is. “...” “Honestly, I don't know what you are.”

“...” “There's only me... And someone else!” He looks away, as if trying to hide something.

“Oh... and who's that someone?”

“Oh! N-no, don't worry! He’s… just a friend… But it’s not important that you meet him or anything!” He brushes it off making a gesture with his hand. “Uh-um- How about we talk about you!? huh? What things do you like? Earlier, since you said no to everything, I thought you didn't like ANYTHING!” He continued talking without letting me respond. “I didn't know what to do if I ran out of ideas. I started to worry! But at least you're not one of those who spend all day shouting and threatening with a weapon in hand, ahaha...” He let out a nervous laugh.

“Um-”

“Well, you ran away screaming, yes.” He began to gesticulate widely as he complained “Like everyone-! No, not like everyone, some don't run, but those who, apart from running and screaming, attack you...! I mean...!” Something tells me he wasn't going to shut up and I was already half listening. “First they throw rocks at my head, then they insult me and run away. And I have to run after them because I can't just leave a human running around alone! No! I can't! Not in this forest! Anything could happen to them! But they never let me warn them!” He sounded tired. “And when I get them to stop running away from me, they throw things at me again and yell before demanding me to tell them where are they and how to get out of here, and when I explain it, they yell at me even more and accuse me of lying!” He turns to look at me with his hands pointing to his chest. “What reason would I have to lie?!” I don't know if he hasn't noticed or if he's ignoring the deapan I responded with. “UGH! I don't know what to do with those! But anyhow... I'm so glad we found something to do in the end!

“eh?” I snap out of my thoughts. It seems that now he is directing the conversation to me.

“The pebbles!” He sits turning his body towards me, leaving one single leg hanging from the bridge and the other resting on it. He takes out of his pocket some of the pebbles that he had been collecting with me. “I don't know why I assumed you wouldn't want to look for rocks. Maybe because you didn't want to paint them before... You left them back in the river in the end tho, I thought you would keep some.”

“Ah... I don't know. I didn't think I could take them with me.”

“You can keep some of mine!”

“No, it's okay.”

“You sure?”

“Yes.”

“You suuuuure??” He insist.

“Yeees.”

He puts a pebble very close to my face “Suuuuuuuure?” Each 'u' sounding higher than the last.

“...” I push the pebble away from my face “Yeeeees.”

“mmmh... Okay! But I hope you don't regret it later when you don't have a cool rock like these and think 'Oh man, I could have a cool rock right now!'.” After a bad impression of me, he keeps the rocks in his pants. “So... Besides pebbles, what else do you like? Mm? I haven't been able to deduce much from today.”

“Don't know.”

“What do you mean you don't know!? Oh! Is it a secret?” He approaches and starts to whisper, putting his hands to the mask's mouth “I won't tell anyone, promise.”

“No. I don't know.” I looked to the side. “I can't think of anything... so suddenly.”

“ooow...” He slumps a little over the railing, looking sad.

“…” I hesitate whether to say something or not “...Drawing...”

“Mmm?!” He no longer seems sad.

“And listening to music, I guess.” “It's... all I do... most of the time.”

“Really!? Oh! I also like drawing! And music! But is that really all you do all day? Don't you do other kinds of things? Like reading! Or writting. Don't you go out for a walk or play with your friends?” I wrinkle my face at that last bit and he tilts his head in confusion.

“I don't go out.” “I have comics, but I rarely read.”

“Comics?”

“Um... They are stories but instead of narrating what happens there are drawings and only what the characters say is written.”

“...It's a book with drawings?”

“Yeah, but with a lot of drawings on each page, from start to finish.”

“WOAH.” He sounded perplexed. “That's drawing A LOT.”

“Yeah, it is.”

“Ahh, I'd love to see what they look like.” He rested his arm on the railing to hold his head in his hand “Too bad I can't…”

“I didn't bring them anyway.”

“Do you normally carry them around?”

“No, it's just that I didn't bring them to the village with me, I left them at home.”

“...” “Oh!” It seems that something has clicked on him. “You are not from the village.”

“No, I'm from a more urban area. My family used to come to the village every year in the summer, but we stopped coming. Now it seems that we are trying to get back into the habit.” I sighed.

“Why did you stop coming?”

“...That's personal.”

“Oh... okay.” He let a minute of awkward silence pass. “Hey, I can bring some books that I have at home! I think you might be interes-!” He looks away from me to the sunset behind us, the sun is almost gone. “-ted...” I look at the sunset too and then at him with confusion. “...” “...oh...oh-OH, Oh-no!” He stands up abruptly causing the bridge to shake slightly. What could have he seen? “We have to move!” He extends a hand to help me up. “We have to start moving!”

I get up in a hurry on my own, ignoring his hand. “O-okay, to where?”

“Come, run!” Once again he grabs me by the arm and leads me over the bridges between the trees until we reach a tree hut. It's small and dark, it looks like a small shelter. He opens the door and enters “You'll spend the night here, stay inside, do not go out, try to hide well and don't open the windows or doors, okay? Here, there are some blankets. I'll come back later.”

“Wait wait wait! What? What do you mean you'll come back later? What's happening? Why do I have to hide-!?”

“Sssh-ssh-sh” He grabs me and covers my hand with his, his left hand resting on the back of my right hand. He begins to speak in a calmer tone, with a voice that I had not heard him use until now. “It's okay, nothing happens. I have to go, I'll come back, but I can't stay now. You hide, try to rest, I'll be back, I promise.”

“...” I take my hand away from his. “Okay.” “I'll stay, but don't take too long.” Please, I don't want to be here alone.

“Yes. I'll be back.” He affirmed one last time. I watch him run away and disappear among the trees and undergrowth. I enter the small shelter to inspect it.

*TAP TAP TAP* *PLOK* *TAP TAP FOOSSSH! *

…? A noise comes from behind me. I turn around and there's a pebble on the floor.

…

Okay.

I take out my phones flashlight to see better inside the house. There are what appear to be some trunks, small cabinets, and a trapdoor in the floor, It seems that there are corners and blind spots for the windows where the little moonlight that enters through the cracks cannot reach. It's freezing cold and I haven't brought my jacket. I leave the bag on the floor against the wall, I cover myself with the blanket and curl up in a ball in the most hidden corner I can find. I'm tired, I want to sleep, but I can't close my eyes.

…

—

It's been a few hours now.

…

I can't sleep, I simply can't.

…

It doesn't look like he's coming back.

*creek*

…?

*rin*

*tap tap, creek*

Sun?

“S-...” I pause before saying a word, I have the feeling I shouldn't speak. I remain silent and wait.

*tap, tap, tap, creeeeeek, tap*

*rin dirrin*

If it were Sun he would have already let me know it is him. That or he's playing a prank on me which isn't funny, but I'd better stay silent. From the shadow I look at the windows. I notice movement through the cracks, something has just passed through the wall next to me.

*dirriring dirring*

I cover myself more with the blanket, back against the wall, I stay as still as I can, I leave a gap between the blankets and the floor to see. A red glow sneaks through the cracks in the window and scans the room.

…

The glow is gone.

*tap, tap, rin, tap, dirring, tap, tap*

It's on the roof.

…

*tap, tap, tap...*

It moves again.

*rin *

…

It sounded on the other side of the wall.

…

…

“nghehe...”

It laughed. Why did it laugh? Whatever is on the other side of the wall just let out a laugh that made the hairs on the back of my neck and all over my back rise.

…

Oh no.

Oh no no no no no no no no.

I have to move. I have to get out of here. I can't stay here.

*creeek*

It came from the door. It's trying to get in.

*rin*

The trapdoor.

*rin dirring*

Where was the trapdoor?

*creek creeeek*

I crawl across the floor making the minimum noise, carefully feeling the floor, looking for the edge of the door.

*tap tap ring dirring*

…!

I found it. I open it carefully. It's too high. I'm at a very high altitude, I don't know if I'll be able to go down.

*rin, creeek...*

…

Fuck it. I slip through the gap quietly, closing it slowly, but that doesn't stop the door from creaking. I cling to the bark of the tree-

…

I left my bag. If it comes in and see it it'll know for sure that I have been there-

…

It doesn't matter now. I have to focus on getting down from the tree without killing myself. My fingers hurt and I can't put my foot down properly because of the soles of my boots. I feel like I'm going to slip at any moment. Somehow I make it to the ground. Still attached to the tree, I look up at the house. I don't see it-

…

A shadow appears from behind the tree. I press myself against the tree and hold my breath. It's looking for something. When he doesn't seem to look I move to a nearby tree, he moves to another tree, I move to the next, and the next, and the next. We continue like this until I start to get further and further away from him. When I think I've lost him I start running. I hide behind a tree to catch my breath.

…

I slowly peek out from behind the tree.

*rin*

…

It sounded above me.

…

I don't look up, I run.

“nnghehee...” He laughs.

He gives me a few seconds advantage before coming after me. The chase begins.

I run forward as much as I can, I hear his footsteps behind me but I don't look back, there's no time for that. I hear him laughing like a madman as he moves from left to right, from one tree to another, crawling on the ground, trying to confuse me, waiting for me to make the slightest mistake to catch me.

“Ah-” I trip. As soon as I fall to the ground I get up, ripping my stockings and scraping my knees, falling again, my nerves not letting me stand up.

“Nnhehehhehe...” Asshole. He has stopped running, he approaches by walking. I try to keep as much distance as my hands and legs allow me to move. I search desperately with my hand for something on the ground to throw. Finally my hand finds something.

I throw a rock at him “AGH!”

The rock passes by him, flying one or two meters away from him. He hasn't even moved, he didn't move a single muscle to avoid it, he just watches me still from where he is. I hear the nearby *pof* of the rock falling to the ground.

“...”

“...”

…

I get up and run. He grabs my leg and I fall to the ground again. He won't let me get up, every time I try he throws me to the ground. I struggle, I kick, but I don't break free from his grip. He never stops laughing, he is enjoying this. He drags me closer to him, no matter how much I twists, he doesn't let go. “ACKH-!...Hhhh-hh...-hh-h...” He grabs me by the neck, red pupils stared at me, I'm looking straight into his crescent moon mask (or waning, I don't know. Do you think I care right now?). He raises his free hand and his veins begin to glow a platinum color that extends to his fingertips. The hand approaches my face, I don't know what it's going to do to me, I'm scared, I don't want to look. I close my eyes, cover my face with my hands. I wait.

…

…

…?

Nothing's happening. It stopped. Why?

“Mun, nïe.” I hear Sun's voice. I open my hands a little to see what's going on. Indeed, it is Sun, several meters away from us... He looks exhausted. The one with the moon mask stares at him for a moment, until he decides to look at me again while bringing his glowing veiny hand closer. “¡Mun!” The Moonman looks at Sun again “Fehreh.” He seems to speak another language, I don't understand what he says.

“...” “Nïe” For the first time I hear him say something else besides laughing. Even though I can't understand him.

“Fïer pehgïer.” Sun responds.

“...” Moonman remains silent again.

“Bïelïe óubseh góuh...” Sun continues.

“Móu txehb móunsuvïe.” The Moon responds.

“Lïe bóu ¿Sóundïe mïesugïeb fehreh nïe txehtehrlïe?”

…

The air feels tense. Probably because of the hand grabbing my neck.

“¿Zkaóu fuóunbehb txehtóur tkaehnvïe nïe bóueh mehb zkaóu ïesreh rehuh óunsóurrehveh óun leh suóurreh?” Longest sentence I've heard him say so far.

“...” “Fïer óubseh góuh.” “...” “Vóuyehmóu óuntehrdehrmóu vóu óulleh” Sun takes a step forward “Nïe suóunóu fïer zkaóu ehtehkehr ehbu” Another step forward “Nïe sóunóumïeb fïer zkaóu txehtóurlóub... óubsïe” Another step “Óullïeb bïelïe óubsehn... fóurvuvïeb.”

“...” There's no response from the moon man.

“Behkehb tïemïe óub óubïe.”

“...”

…

The hand that grabbed my neck now grabs my shirt and yanks it. I grab his wrist as he pulls me to my feet and drags me to Sun, making me stumble. He throws me against him. Sun catches me before I fall over.

“Ska óubpkaóurhïe óub óun gehnïe.” The moon says something as he walks past. Sun puts a hand on his shoulder before letting him go, there's a pause between the two. The Moonman disappears into the trees. Wind and leaves are heard passing by.

…

He's gone. I feel dizzy. I fall down.

—

…

…

…

A faint light begins to seep through the cracks, illuminating enough to wake me up and make me open my eyes, I look around. I see my bag propped against the wall. I'm at the shelter where Sun left me.

…

My body aches, I have a hard time keeping my eyes open, it feels like I've been sleeping on the hard floor. No, wait, there are some blankets underneath me... It's still too hard to sleep well, either that or as I said, it shouldn't help me at all that everything hurts. After a while of staring at the ceiling I try to sit up. I emphasize trying. With every slight effort a pained moan escapes me.

“Oof...” Hurts.

*creek, tap tap tap tap*

Those wood creaks bring back bad memories from last night (which by the way, I'm alive, wow, I just realized), I can't help but cringe at every noise, I hear footsteps approaching, I try to move but the stinging pain prevents me from it.

*creek... *

The door opens.

Triangular shapes appear through the door followed by orange earth tones. “…Oh…!” “Early bird!” Thank god it's Sun and not the other one, or something worse “I didn't expect you up this early!” He says laughingly.

“ah?”

“How are you feeling?” He walks in. When he sets foot inside I lean back, towards the wall. “...” I don't really know why I did that. Sun stands at the door showing confusion with his usual head tilt. “...Arrr...re you okay, Fern?”

“...” I became tense suddenly. I really don't know still if I can trust him? He hasn't done anything to me yet but that doesn't mean that I can trust him. I don't know if he plans to do something with me like whatever that other one, the moon one, was going to do last night. “...ehh...hhh...h...” I can't get a word out, I'm afraid to ask.

“Mm?”

“...” I don't know what to say to him. My eyes go somewhere else.

…

He enters further into the house, ignoring that I keep my distance from him, leaves a bag he was carrying on the floor and begins to open the windows, letting in the little light of the dawn that is just beginning. He kneels on the floor in front of me with the bag. “Are you hungry?” He opens the bag and takes out an apple “Do you like apples?”

“...”

“No?”

“...”

“Um... I also brought berries... (It's what I had on hand coming here) There are... different types, you can choose” He brings the bag closer to me. I move further away. “uhhh...”

“...” I want to leave.

“You don't like them either...?”

“...” I don't want to eat. I want to leave.

“...”

“*snif... *”

“u-um...!”

“...*snif* *sob*...” I started crying out of nowhere.

“Ahhh...! D-do- don't cry! Ah-I-Um- Ca-can go find other things you might like-!”

I felt ashamed for crying and I put my hands to my face trying to wipe away the tears, but they wouldn't stop coming. “*hic, sniff, snif *” I looked away in an attempt to cover my face. I ended up looking at the floor, letting my hair act as a curtain.

“I can go in a moment!” Sun was already getting up.

“...w-want to leave...” I managed to get a murmur out.

“...W-what? Um...”

“...” *hic, hic *

“O-okay, um... If you aren't hungry... -we can do something else- uh- we can go look for rocks like yesterday in the river!”

“...” I don't want to do anything “...want to leave...”

“O-or we can do something else! Ah-bah-b-b-b- W-won't you like to go draw??! Somewhere, some landscape?! Wherever you want! We can draw together! If you prefer we can look for animals instead of landscapes!”

“...leave...want to...go... *hic, snif *”

“¡D-don't n- uh! ¡L-let's... um- let's not- uh!” He no longer knew how to order his words “H-hey, ¿Why don't we go to-?” He extends his hand towards my arm.

“I want to go home...”

He stops before touching me and removes his hand. “...” “...home?” There is a pause. He remains silent and unmoving. He finally speaks “Do you want…?” His tone became more serious.

“...”

“...to... go see the portal?” I look up slightly, I can't see through the tears and the fogged lenses of my glasses.

“...” I nod my head.

—

…

We didn't walk far until the red began to become visible. He brought me back to the portal. The same plain of red leaves and stone arch in the center of it all, as yesterday.

…

Sun has been quiet the entire time.

He advances towards the portal and stands facing it. He turns. “Come.” He extends his hand towards me. “You can pass through.”

“...”

I advance towards the portal. I stop before crossing. If it doesn't take me back home, what do I do? I don't want to stay.

A breeze begins to come out of the portal. The breeze turns to wind, the leaves rise, they pass through us. It's the same thing that happened yesterday when I went to cross. I turn to face Sun. Motionless, he looks back at me, the leaves pause in the air for a second as if time has stopped, the wind changes. From where the wind and leaves came now they come in, they push me towards the portal. I finally cross it.

…

Am I in the forest I know? I turn to look at Sun who stayed behind in the portal. “...Sun?” He's not there. I look around. He's not here. I've already crossed the portal, he must have left.

I notice a sudden draft pass by me. It's soft, like someone walking past you. I turn towards the forest, I have to start moving, I don't want to be here another minute.

...The air current that I noticed has lifted some leaves, they reach the trees, between them the wind does something strange, it forms a transparent silhouette. It looks like Sun, I can barely see him but I could swear it's him. The wind figure raises its hand and makes a gesture, it wants me to follow it. When I approach it turns around and walks into the forest, leaving a trail of leaves behind it. I follow the trail of the air current. Sometimes it stops to look at me, making sure I'm still following it. The red-leafed trees and the paintings disappear from view the farther we go. We crossed the forest until we arrived at the entrance of the town, near my house. There is no one on the street. If I walked into the house and pretended nothing had happened, officially no one would have noticed my absence.

I'm not one hundred percent sure if the wind figure that guided me is Sun or not, but I should at least thank him for bringing me back.

…

The air current has dissipated before I turn around. I look around, there's no one.

…

…

…

I enter the house, go up to my room and throw the bag on the floor. I go to the bathroom to wash. …I feel something strange in my hands but I couldn't say what. Doesn't matter. I change my clothes and get into bed, the tiredness of the previous night makes my body succumb immediately and I fall asleep instantly.

—

…

…

…

“ah...!” I wake up with my lungs begging for air. I need a moment to calm my breathing. I look at the clock without lifting my head from the pillow.

…

It is 12 midday. I rub my eyes and from my eyes I move to my face. I'm still tired. My body still aches. I stare at the ceiling.

…

My bag. I reach out to pick it up from the floor, making strange positions so as not to get out of bed.

I open it and search in the pockets. The bell. I put the bell to my ear. “...” I shake it.

*rin, diring diring*

“...”

I open it.

…

It's empty.

[yoku-yukihime]

hii ive spent the last couple days of my free time working on this piece, group art of a full cast of touhou ocs, all tied to one incident :) Someone has garnered a very large following out of nowhere and is stealing faith from gensokyo.. all sorts of strange people have begun to rear their heads out of the wood works, In stage order below,

Senki Providentia, She can see the future, but she cannot speak the future. She is unable to tell what she sees verbally, so she took up sewing and makes tapestries of prophecies. All that foresight has made her mind very unstable. the future is terrifying.

Kagamitari Eizou, She is a tsukumogami of a mirror. She reflects the evil ideations inside of someone's soul. She awoke during the events of DDC, but she was late to raiko's tool uprising, because she had to drag her big mirror body a very long distance. Next time Kagamitari! She is an innocent youkai that has been charmed by this strange vixen stealing all the faith.

Otomi Koribakeru, A charming older lady. Uses her ability to create illusions of what someone most desires to give her clients a pleasant night... In exchange for money of course. A cunning, scheming business woman, not afraid to use her own charms to make some money. Making easy money off those affected by the current incident.

Ketsukayou Keikohime Draws things towards her with her song. Another person making easy profit off of the incident. Spending her leisure time luring people to the waters for east meal. Not a friendly face, not a friendly song, try not to get eaten

Aikotomo, She has the ability to bring about confessions. She used to deliver love letters of those that passed before they could confess their love. Now she's going about gensokyo spreading the good word that everyone should love her mistress. VERY dedicated to her mistress.

Mirai Seiyoku, The Incident in question. Mirai grows more powerful the more she is adored. She has been going around gensokyo mesmerizing people into adoring her so that she can grow stronger. She has gathered a large following that its drawing followers away from the local gods. Originally from hell. The heart on her chest is her real heart, and the object she uses to captivate her onlookers.

Amaiya Kumitsubasa, A god over love and relationships, she has the ability to see one's soulmate at a glance. Amaiya loves Love. everything about it, it brings her immense joy. She descended upon gensokyo mostly to watch over mirai and make sure she isnt fucking everything up too much. Got a little swept up in all the adoration.

[angeart]

Hunted Hybrids AU [hhau] Masterpost

compiled all the au rambles and other important bits for better organisation. ---

a survival story and a love story. a story of despair and hope.

---

hunted hybrids au [hhau] is a scarian au that i share with @linkito - it’s self indulgent and rp-born, although there might be some drabbles and ficlets coming out of it (because we’re obsessed). 

the basic premise is that scar and grian got transported to and stuck in a permadeath world that’s actively cruel and dangerous to hybrids. the nature itself is set against them, providing next to no resources, and the weather keeps getting colder and colder. 

as an avian and a vex, they get relentlessly hunted—and getting caught means death. as they struggle to stay alive, they only have each other left. (desperately, they wish it could be enough.) 

they have no idea what happened to hermitcraft, or if their other friends are even alive, but they barely have time to think about that amidst the cold and the hunger, the fear and the pain. days stretch into months, and their hope of ever returning anywhere akin to home dwindles. (but maybe they can put together a different makeshift hope: a feeble little thought of maybe one day managing to get far away enough that nobody will follow anymore; maybe one day they could make a new home, or the closest thing to it they can manage. maybe this nightmare can have an end, if only they hold onto each other and keep going.)  

---

au cws: violence, blood, injuries, dehumanisation of hybrids, self harm (feather plucking), mentions of suicidal ideation, self-destructive tendencies, arson (just a bit), victim blaming, character death (?), animal death, grief, self worth issues, panic attacks, trauma responses, abandonment issues, separation anxiety

---

--- RAMBLES, ART, ETC ---

au introduction ramble - here

about the ribbon - here

about scar’s wings and vex magic - here

wanted posters - here

---

refecences:

grian design/reference - here & here

scar design/reference - here

scar timelapse face/hair/earring reference: here

---

other bits, snippets, and asks:

what happened to scar’s wings - here

can scar's wings heal? - here

the spear incident (feral scar) - here

feather earring + what happened to scar's ear - here

scar's journal - [to be posted]

scar and cub's bond (including post-rescue mentions) - here

---

he remembers the mornings when he woke up pressed against Scar [snippet] - here

you need to go / please don't leave [snippet + art] - here

hurting and feverish in a cave [snippets... multiple] - here

grian feels broken, in some horrible, unfixable way (and scar deserves better) [snippet] - here

---

will i find my home, my home, my home in you? - confession/first kiss [RP/FIC] - here (AO3)

---

MIMIC ARC:

PART I - MIMIC

part I main rambles - here

part I bonus: the ribbon incident [FIC] - [to be posted]

part I bonus: campfire closeness [art] - here

part I bonus: learning about different, kinder worlds - here

part I bonus: mimic's name - here

PART II - REUNION

part II main rambles - here

part II bonus: scar's magic extertion - here

part II bonus: scar calling out for grian [art] - here

part II bonus: reunion embrace [art] - here

PART III - AFTERMATH

part III main rambles - here

part III bonus: hunted - here

part III bonus: the eclipse - here

part III bonus: mimic, alone - here

PART IV - THE IN-BETWEEN

part IV main rambles: hot spring bath - here the wing spiral - here make the danger feel good - here love and other gifts - [to be posted] hopewards - [to be posted]

part IV bonus: the red haze - [to be posted]

PART V - [REDACTED]

part V main rambles - [to be posted]

---

VEX arc:

PART I - COMMUNE

part I main rambles - [to be posted]

part I bonus: about the characters [art included] - here

part I bonus: about nadia - here

part I bonus: about kane and grian (the bird incident, misunderstandings, learning, and flock) - here

part I bonus: scar's vex instincts - here

part I bonus: learning about mating marks - here

part I bonus: learning about mating marks [mini comic] - here

part I bonus: mating marks, vexes, and not being enough - here

part I bonus: building - [to be posted]

part I bonus: cabin arson [ramble] - [to be posted]

part I bonus: cabin arson [art + snippet] - here

part I bonus: a night for living: mr beak - here grian gets mr beak [art + snippet] - here a pink ribbon (kane & flock) [RP] - here dancing by the bonfire [art + snippet] - here other parts - [to be posted]

part I bonus: nice things - here

part I bonus: preening, flying, and flock - [to be posted]

part I bonus: phantom attack - [to be posted]

PART II - DEATH

part II main rambles - [to be posted]

PART III - [REDACTED]

part III main rambles - [to be posted]

---

summer arc:

something burns [ask answer] - here

---

rescue:

rescue rambles pt I - here

rescue rambles pt II - here

rescue rambles pt III - here

---

post-return bits:

will they ever return? [ask] - here

clothing choices [mini ramble + art] - here

loss of sense of safety - here

we're going to live [snippet] - here

things don't end - here

doubts and breakdowns [+ rp snippets] - here

previous relationships and the booty call incident - here

fever and feeling unsafe [+ rp snippets] - here & art here

scar's feelings & sleepover preparations - here

on hermits that support scar and grian - here

the sleepover (and the aftermath) - [to be posted]

wedding bits:

proposal [art/comic/snippet] - here

wedding scar [art] - here

wedding grian [art] - here

wedding scarian [art] - here

wedding respawn - here

---

more art and other things under #hhau tag <3

art-only tag is #hhau art (but all art also has the main #hhau tag)

[theidiotwhowritesthings]

The World Ended

Joel Miller x F!Reader

Warnings: Joel Miller is hella manipulative, power imbalance, non descriptive age gap, Dub Con, smut, oral fem receiving, fingering, rough sex, P in V, Dom!Joel Miller, breeding kink adjacent if you squint and read between the lines, mentions of death of child, mentions of suicidal ideation (no more so than the show discusses), mentions of trauma, inspired by '10 Cloverfield Lane'

Word Count: 5,852

Summary: You wake up in an entirely new world, but you find comfort and love in an ally. He saved your life after all. Why wouldn't you trust him? Haunted Hoedown prompt: Stranded AU/Cult AU + "every moment might be our last, let's make the most of it."

[a/n: my contribution for haunted hoedown b/c i was inspired and couldn't resist (def cheated and ignored the days tho i just picked my fav parts of different prompts lol). 10/10 would recommend surfing that tag b/c people are making WORKS OF ART. This is just my toss it together addition lol]

"manipulation and control can sometimes be disguised as love." -abegail turingan

It was odd to wake up with no memory of going to bed. Disorienting was probably the more accurate word. Enough so that for a brief moment all you could do was stare up at the concrete ceiling above you. There was a headache lingering behind your eyes that no amount of blinking would clear away. Where were the stars? The thought drifted through your foggy mind. Your bedroom had glow in the dark stars plastered to the ceiling. A design choice that a nine year old you chose at the store, and one that your parents were never able to peel away no matter how many years had passed⏤ they were nostalgic in that sense. You must have been just like them considering you admired those cheap, plastic stars while staying in your parents’ home during this visit.

But the stars were gone.

Everything was gone, and the sharp smell of antiseptic and bleach replaced the floral scent of your mother’s detergent. You turned your head into your pillow in hopes that the comfort of your bed would ease the headache that seemed to worsen the longer you were awake. You found no comfort though because the pillow you laid on was not your own. 

Slowly, you began to sit up and you weren’t sure what was more distracting: the unexplained aching pain of all your muscles or the unfamiliar strange room you found yourself sitting in. The walls were like the ceiling, undecorated concrete, and the only bit of furniture was the metal framed cot you were now lying on. A hospital gown covered your otherwise bare body. 

The clarity that settled in your mind was stark and startling. Any of the fog you initially woke with vanished in a snap, and your breaths came in quick, hyperventilated gasps. Oh, God. Oh, God. You threw your sore legs over the edge of the bed to rise. Your feet only brushed against the cold tile of the ground before you found yourself sprawled on the floor. 

“Help…” The word left your lips in a breathless whisper as you tried to move your weak legs. You could only manage to sit up. “Help.” With every attempt, your voice grew stronger until you were screaming. “Help me! Help!”

A heavy, metal door, one across the room that you hadn’t even noticed in your panicked state, began to creak open. You sucked in a sharp breath, fear palpable, as an unfamiliar man stood in the doorway. He was older than you. Gray littered his brown, messy hair and facial hair, but it suited him. The man wore a dark green flannel that accented his broad shoulders. Everything about his figure exuded strength and intimidation from his build to the large hands that held a box of some kind. However, the moment his dark brown eyes landed on yours they softened. His shoulders hunched marginally, as if he were trying to look smaller than he actually was, and a line of worry formed between his furrowed brow.

“Hey! I need someone in ‘ere!” He barked over his shoulder, never breaking eye contact, in a deeply southern drawl. The man rushed into the room toward you, but when you flinched at his approach he slowed his pace. He took one hand off the box to hold in your direction, palm stretched outward, “It’s alright. You’re safe. Promise.” Coming from a stranger, and in this scenario, his words did nothing to calm your racing heart. You crawled backwards until your back hit the cot. Your name suddenly left his lips. “I’m⏤ My name is Joel.”

“How⏤ How do you know my name?” You gasped.

“Your license. It was in your bag. Didn’ mean to pry but…” Joel said slowly. “Are you⏤”

He didn’t get to finish his sentence as you blurted out, “Where the hell am I? Why am I here? What is going on? I⏤”

“Whoa, whoa.” Joel knelt down in front of you but kept his distance which you appreciated. “One thing at a time, darlin’.” He shook his head. “You were in a car accident… ‘bout two days ago now.”

“A car accident?” As the words left your own lips, there was a flicker of some forgotten memory playing in your head. The sound of a car horn, blinding headlights, the crunch of metal on metal, and the taste of blood. You flinched, “I… Oh, God.” You held your head with a trembling hand but winced as your hand brushed against a tender spot on the left side of your face. “Is this… Is this a hospital then?” The room resembled a prison more than it did a hospital room. Plus, it made no sense to you that your parents weren’t here. The man saw your license which meant they’d know who to contact. “Where is my family?”

Joel hesitated and you saw a look of what almost looked like regret in his eyes. You repeated your question more firmly this time. He sighed, “That’s… tougher to answer.”

“What the hell does that mean?”

A second later, a man and a woman dressed in bright orange HAZMAT suits came storming into the room. It was a blur of yelling and chaos and they descended upon you. Joel argued loudly with them and your head was spinning enough that it was difficult to follow what was happening. Gloved hands wrapped around your arm, ripping you up from the ground, but it was short lived. The man who had grabbed you was shoved away by Joel who gently sat you on the side of the cot before standing in front of you as a barrier.

“Don’ you fuckin’ grab her like that.” Joel snarled. The soft kindness that had been in his tone only moments ago was gone now. “You hear me??”

“Sir, you are not supposed to be in here.” The woman snapped. “Her wounds⏤”

“Her wounds are from the accident. I already told you.”

“We still need to test her⏤”

“Fine, but you don’ jus’ fuckin’ grab ‘er like that!”

There was nothing about this moment that could be called peaceful, but Joel’s defensive stance and his deep voice somehow managed to calm your racing heart. You didn’t know why the man was so protective over you, but you’d take any ally you could in this moment. The argument continued long enough for only a few more verbal jabs at one another. It settled on Joel sitting by your side glaring at the man in the HAZMAT suit as he used two separate swabs on you. One against the wound on your forehead and the other in your mouth.

“By entering without precautionary measures, you have bought yourself another 24 hours of quarantine, Mr. Miller.” The woman announced.

Joel didn’t respond but just glared at the woman instead. The second the two of them disappeared out of the room, Joel’s features softened again. You hugged yourself, trying to keep from shaking, and swallowed the lump that now sat in the middle of your throat. “Thank you. For that.”

“Least I can do.” Joel murmured as his eyes traced your face⏤ examining your wound, you assumed. You weren’t quite sure what he meant by that, but Joel didn’t elaborate. Sitting this close to him, there was something familiar about. You weren’t sure why because you were positive you had never spoken to him before. You’d remember a face this handsome. A voice that distinct and hypnotizing. “How do you feel?”

“Um. Sore. Confused.” You admitted. Recalling how the woman addressed him, you cleared your throat. “Mr. Miller⏤”

“Joel, darlin’. Jus’ Joel.”

“Joel…” You tested the name out. “Please⏤ Please tell me what’s going on. Where am I? Where is my family? Why⏤ Why were they in HAZMAT suits?”

The stranger you were finding comfort in let out a slow sigh. He rose from the bed to pick up the box he had brought with him. You had forgotten about that entirely. Joel sat back down after opening it and offered it to you. There was a simple set of men’s clothes in the box along with a water bottle and bag of chips. He shook his head. 

“All I had were a few of my spare things.” Joel said. “Figured you might be thirsty or⏤ or hungry.”

You appreciated the gesture, but it wasn’t what you wanted right now, “Joel. What happened?”

He let out another long sigh before meeting your gaze with a look of mourning, “The world ended, darlin’.”

The bunker was large enough to fit thirty or so people. It was an underground, concrete community made by a survivalist who went by the name of Ezra. You had yet to meet this mysterious man which felt odd since the community wasn’t that large, but it wasn’t too shocking since you didn’t do much exploring since your arrival. 

The world had ended. That’s what Joel told you. Hell, that’s what everyone kept telling you, but none of them could tell you concretely how. Every time the discussion came up, there was a new story involved. Aliens had invaded. Zombies had overtaken. A virus wiped out humanity. The theories were endless and since you couldn’t remember your last moments above ground you had no opinion on the matter. The last thing you could recall was leaving the house to meet some old friends who stayed local to your hometown for drinks. You got into the car, and the next thing you remembered was waking up in a concrete room.

You hoped your memory would come back gradually, but two weeks had passed and nothing was any more clear. You mourned a muddled memory. Families and friends ripped away from you in uncertain measures, and it left you reeling. The only pillar you had right now was Joel Miller. He had saved you in more ways than one. When the world went to shit, Joel was on his way to the bunker. All the people here were either friends or they knew this Ezra character in some way and that’s how they bought themselves a ticket into this sanctuary. Joel had been the survivalist’s contractor. Helped build this place and even mocked the man when first given the job. 

But, when the world did end, Joel was offered safety and on his way there he came across your wreck on the side of the road. He scooped you up and fought for your place here with him.

You owed him your life.

The sound of a door opening snapped you out of the daze you had fallen into. Joel stepped into the shared bunk space looking worn out. While your simple duty in this community was currently food prep, Joel’s was more labored. He helped with any repairs and upkeep to ensure everything was working as it should. He dropped his tool belt by the door with a groan.

“Long day?” You asked with a small smile. Joel grunted an affirmative. He crossed the small room to drop down onto the couch. Since you were technically an add on rather than one of the invited, you were forced to share the room with Joel. Though ‘forced’ wasn’t quite the right word. You honestly didn’t mind it at all. Having a familiar face, even if it were one you only just met, brought you comfort. Though you kind of felt bad he was now stuck with you. There was no way he could’ve known saving your life off the side of the street was going to chain your existence to him.

The room was decent though. There was a simple bed in one corner, a couch pushed up against the wall, a table with two chairs, and a mostly empty drawer. Over the last two weeks, you and Joel had collected or traded objects to make the room your own. You traded a set of spare socks that had come with the room for a small, blue vase that you set in the middle of the table. Joel had even managed to find a few books and magazines that he gifted you.

You pushed up from the bed to sit on the couch beside him. You pulled your legs in to tuck under yourself. The shirt you wore was one of his flannels, you still had limited clothing options, but you had managed to scourge up a pair of yoga pants that fit you well enough. 

“You?” Joel asked as he rested his head on the back of the couch.

“Food prep was exciting as always.” You joked. Joel breathed out a small, tired chuckle. You nodded toward the bed. “Lay down. Sleep.” Joel shot you a light glare. From the beginning, Joel was adamant about sleeping on the couch so you could have the bed. Even when you told him it made more sense for him to have the bed since you were smaller. Joel wouldn’t even listen to the suggestion of swapping turns. “Joel.”

“Couch is fine.” Joel replied gruffly and closed his eyes.

“If it’s fine then I should have no issues sleeping on it, right?”

“Ain’t gonna happen.”

You set your hand on his arm and felt him slightly stiffen at your touch. Joel cracked open his eyes to peek at you. “Please take the bed tonight. Please.” He furrowed his brow and you gave his arm a squeeze. “Nothing would make me happier right now. I’m serious.”

Joel didn’t say anything to begin with. He just held your gaze and under the weight of his stare you felt the back of your neck warm. The man was painfully attractive, it couldn’t be argued, but that wasn’t what made your heart skip a beat or your core secretly ache. It was the way Joel looked at you and spoke to you. The way he treated you. If his gaze were to be believed, you must have been a work of art. Joel stared at you like a dying man watching his last sunset. His voice was always deep and honeyed when he spoke to you. The words he chose put the respect and care he had for you on clear display. 

The world ended and everything in your life felt cold, but not Joel. Joel was warmth.

Joel’s other hand settled on top of your smaller one. His thumb traced your knuckles and your throat felt tight at the contact. He gave your hand a quick squeeze and then stood up with a groan. You heard his knees crack, but he made no comment on it. Joel just leaned over and pressed a kiss to the top of your head, “Thank you, baby.”

You watched him kick off his boots and drop into bed. A soft groan left his lips and he fell asleep before the lights were even off.

 The sky was blue. Your head rested on Joel’s shoulder as the two of you sat on the ground leaning back against the wall. A total of a month had passed now, and you confided in Joel that you missed the sky. In response, he brought you here. It was a restricted space that he only had access to because he would come up here to do repairs on the electrical system. In the entire bunker, it was the closest to above ground that you could be. Only one staircase and a thick, metal door separated you from the world outside. On the door was a small window and from where you sat you could see a patch of sky.

“Do you think the world really ended?” You asked softly.

Joel glanced at you without jostling your position too much, “What’dya mean?”

“The sky is too pretty for the world to have ended, don’t you think?” You mumbled. It wasn’t just the sky that created your doubt. There was a woman who worked with the mysterious Ezra. She said she would type out anything he dictated to her. She didn’t think the world had ended. She thought it was all some conspiracy or ploy. You weren’t sure how much weight you put into her words, but it left the question in your mind. “What if the world is completely normal up there and we’re just rotting away in a tomb?”

Joel shook his head. “You hear the sirens an’ gunfire. The SOS broadcasts on the radio.”

“Couldn’t that be faked?” You asked. Joel hummed in a noncommittal fashion. You shrugged, “You never told me how the world ended. Everyone else has given me their two cents, but you never talk about it.”

“Cause it doesn’ matter.”

“Why wouldn’t it matter?”

Joel was silent for a few moments, but you waited patiently for him to speak. He shifted and with your head still on his shoulder, his hand found yours. “It doesn’ matter ‘cause… my world ended two years ago.” You lifted your head so you could face him, but Joel kept his eyes on the patch of blue sky. “I… I lost my daughter. Sarah.” You squeezed his hand as your heart ached for him. “Wasn’t fair. Should’ve been me. But… But nothin’ has made much sense since.”

“Joel, I am… I am so sorry.” You whispered.

“I lied.” Joel said and your eyebrows furrowed. He swallowed nervously and finally turned to look at you. “When I found ya, I wasn’ headin’ to the bunker.”

“Where… Where were you going then?”

“Home.” Joel shrugged. “The sirens were goin’ off, people were in a frenzy, Ezra texted me some freakish invite, but… I planned on headin’ home to jus’ wait for the end.” It was devastating to hear someone you had come to care so much for admit that truth. Your heart broke for him. Not a single shred of you could ever imagine the pain or horror of losing a child. “On my way, I ran into you. Saw your car flipped on the side of the road. Once I got ya out, it’s not like I could take ya to the hospital with the way all of it was so…”

Joel motioned to the bunker around the both of you. The rest was history. In the silence, you could hear the whirring noise of the motors working the fans and the pounding of your heart in your ears. You let the hand not in his lift to rake your fingertips through the scruff on his jaw as your thumb rubbed back and forth over his cheek. Joel’s eyes fluttered closed at your touch and a soft breath left his lips. He leaned into your hand.

“I… Joel, I don’t know what to say…”

“This is ‘nough.” Joel murmured. There was a tension that had formed the second you caressed Joel’s face and it only built the longer you were in contact with him. It was a long time coming and was only coming to a head just now. You could control yourself, you were sure of it, but when Joel’s sad eyes opened once more the breath was knocked out of your lungs. His lips twitched into a small smile. “You’re the first thing I’ve cared ‘bout in a very long time, baby.”

The world had ended, supposedly. What was the use of wasted time?

You leaned in and pressed your lips against his. The kiss was soft and hesitant. A brush of you against him as Joel breathed in a strangled gasp. He pulled back and your heart dropped. Embarrassment filled your very soul as you let your hand fall away from him.

“I’m sorry. I shouldn't have. I just thought, every moment might be our last, we should make the most of it. Or⏤”

“It’s not that, baby girl.” Joel immediately cupped your face and you felt yourself melt between his warm, coarse hands. “You don’ owe me this. You know that, right? I don’ expect…”

You gave a small shake of your head, your eyes glued to his lips, “I know, Joel. I know. I… This is my choice. I want you.”

Joel took in a slow breath through his nose as his jaw locked. His hands tightened around your face, caressing the skin along your face and neck, and one hand slipped to cup the back of your head as his forehead leaned against yours. When he spoke, his voice was hoarse, “Say it again.”

“I want you, Joel.”

Joel initiated the kiss this time, and it was far from hesitant. At your consent, it was like he dropped all semblance of his self control. His lips were bruising against yours and Joel was desperate in getting you closer. He dragged you over so you were straddling his lap. His hands roamed down your body until they found your hips. Joel’s tongue slipped past your parted lips just as he dragged your aching core against his half hard cock⏤ thrusting up against you while swallowing the moan that left your throat.

He wrapped an arm around your middle and suddenly you found yourself on your back. The cool concrete floor was jarring to how hot you felt. Hands sunk into the waistband and with one firm pull both your tights and underwear were down to your ankles. You gasped in surprise, but Joel didn’t pause. 

“Jesus Christ, what a pretty fuckin’ pussy, baby.��� Joel groaned and tugged a foot out from your clothes so both articles wrapped around only one of your legs. He roughly grabbed your thighs and dragged you closer so when he dropped to the ground his mouth was immediately buried into your warmth. You yelped at the contact but it was followed by a wanton groan as his tongue ravished you. It was messy and rushed. Joel ate you out like you were his last meal, and the groans and slurping sounds he made were downright sinful.

“Joel! I⏤ Oh, God.” You gasped and your hands buried in his hair. Your hips lifted to chase after his mouth, but Joel dropped his arm across your waist and pinned you to the floor with a chuckle. 

Joel lifted his face and turned to bite down on your thigh. You cried out at the sting of his teeth against your skin, but the drag of his hot tongue against the spot left you whimpering. “C’mon, baby.” You tugged on his hair to try and get his lips back where you wanted them, but he stayed firm. “Tell me you want this. Tell me you want me.”

“Want you, Joel. Need you.”

Thick fingers dragged up and down through the mess he’d already made and one began to prod at your entrance without actually sinking in. “Again.”

“Please. Please!” You tried to grind down against him, but his grip on your waist kept you in place. “I want you, Joel. Want you so badly. Please.” Joel had one fingertip circling your hole, but at your desperate pleas he sunk three of his large fingers right in. You screamed, both in alarm and at the sharp sting, “Shit! Joel, too much!”

“Shhh, baby girl. You’re okay.” His lips found your clit and the suction he applied there slowly took away the sting of his rapidly moving fingers. Just as he reassured you, you were okay. More than okay. Pleasure was clouding your mind and you were a squirming, sopping mess under him. Joel’s fingers curled up into you, dragging against your walls, and he made quick work in finding the spot that punched stars into your vision. “There we go, baby. Jus’ like that.” He kept his lips against your clit as he spoke and your wet flesh muffled his praise. “Lemme feel you squeeze ‘round my fingers so I can feel you squeeze ‘round my fat cock. C’mon.”

Teeth nipped at your clit, followed by the smoothing of his tongue, and combined with the pounding of his fingers you came with a shuddering cry. Joel didn’t stop his onslaught and he lowered his lips from your clit so he could drink up every bit of the soaking wet mess he made.

“Joel. Fuck.” You gasped for the air he had somehow managed to punch out of your lungs with his hand alone. “That was…”

“Not done, baby girl.” Joel sat up on his knees but kept his place between your legs. You weakly pushed yourself up onto your elbows and it only dawned on you then that this entire time he had been fully clothed. It was an almost uncomfortable balance between the two of you. “Get up ‘ere.” You began to push up from your elbows and the moment you were close enough his hand wrapped around the back of your neck so he could help you up the rest of the way into the seated position you now sat in. He gazed down at you, pupils blown in lust, and his dark stare soaked in the sight of you. “Say it.”

Knowing exactly what he wanted, you mumbled, “I want you, Joel.”

“Good girl. Open.” Joel grunted. The hand at the back of your neck grabbed you by the hair and he tugged down so your chin was tilted up. Joel shoved the three fingers he had deep in your cunt into your mouth. You closed your lips around him and moaned at the taste of yourself. “Belt, baby. Get my belt.”

You tried to glance down, but Joel kept his grip on you tight so you could only stare up at him as he pushed his fingers deeper into your mouth. Blindly, your hands groped for his belt and you struggled to get it undone as you gagged around his fingers.

“Shh. You can multitask, baby, I believe in ya.” Joel cooed and didn’t relent. “Work at it. Be good.” You traced his thick fingers with your tongue and your hands finally managed to get his belt undone. You got your hands into his pants, tugging down his boxers, and Joel groaned loudly as your hands wrapped around his hard, girthy cock. The size of him alone had you tense in surprise. “Hey, it’s alright, baby girl.” Joel’s fingers slipped out of your mouth and you couldn’t help but cough to try and clear the tickle at the back of your throat. He carefully pushed you down, onto your back again, but he followed with you so he was hovering over your body. One hand at the back of your neck, cupping it softly, while his other rested by your head to hold himself up. “You can handle this. I swear, this perfect pussy is made for me, baby.”

Joel lowered himself to capture your lips with his. The kiss was soft and tender. It was a sweet moment as his cock dragged slowly against you. His tongue licked against the curve of your lower lip just as the tip of him notched at your hole. You opened your mouth to ask him to start slow, but Joel shoved his tongue into your mouth, deepening the kiss, as his painfully large cock shoved into you. You screamed, muffled by his own mouth, as he bottomed out in one single thrust. Tears involuntarily sprung to your eyes at the intrusion and you pulled your lips away from Joel by turned you head. Your fingernails dug into his back.

“Joel, that⏤ that kind of hurt.”

“I know, I’m sorry, baby girl.” Joel buried his face into the crook of your neck. He left open mouth kisses there between reassurances. “Jus’ give it a minute. You’re doin’ so good. So good.” Joel was thankfully staying still inside of you and with the work he put in along the length of your neck you began to feel the sting start to fade. Joel shifted, just a bit, and you shuddered at the slight drag of him. His cock twitched and he moaned against your skin. “Fuck, you feel so good. So perfect. Knew you would.” Joel gave a short, experimental thrust and you gasped at the wave of pleasure you were pulled under. “Gotta move, baby girl.”

Joel pulled back until just the tip remained then rocked his hips forward hard enough to push you across the concrete floor. He roughly grabbed you by the thigh and pulled your leg up. You followed his lead and hooked your ankles around his back as Joel’s grip on the back of your neck tightened and he quickly fell into an unrelenting pace. 

“Told you, baby girl.” Joel grunted, the only other sound being your breathless moans and the wet sounds of your pussy sucking his cock in with every powerful thrust. “Made for me.” Joel sung praises as that band of want and desire tightened in your core by the second. His hand slipped between your bodies to find your clit once more and your eyes squeezed shut with a gasp. As soon as they shut though, his touch was gone and with that hand he grabbed you by the face. Your eyes snapped back open in surprise. “Nuh uh. Eyes on me. You hear me?” You nodded and he tightened his grip⏤ his fingers digging almost painfully into your cheeks. “Words, baby. Lemme hear you say it.”

“Keep⏤” You gasped. “Keep my eyes on you.”

“Good girl.” Joel’s hand slipped back down and when his fingers reached their goal it took every bit of strength to keep your eyes open. Your orgasm slammed into you like a freight train and a cry of pleasure slipped past your lips. Joel groaned loudly. “Fuck, fuck, fuck. Takin’ me so well, baby girl, just like I knew you would.” 

His pace ramped up but he lost his rhythm and in a brief moment of clarity you gasped, “Joel! Joel, you gotta⏤ fuck! Oh God. You gotta pull out, Joel.” He didn’t slow and for a brief moment sharp fear mingled with the overwhelming pleasure. “Joel!”

At last second, Joel ripped himself off you with a guttural groan and you felt the warmth of his release spurt on your hips. Your entire body went lax as he continued to milk the last bit of him onto your body and you felt the warm, sticky cum drip down the sides of your hip and down into your pussy as well. 

Joel tucked himself back into his pants, without clasping his jeans, and he rubbed a hand up and down your thigh soothingly. You were trying to catch your breath as Joel separated your underwear from where it was tangled with your yoga pants around your ankle. You lifted your head and watched as he used your underwear to wipe away the cum now drying on your skin. 

“C’mon, baby girl.” He tucked your panties, now a damp mess of your spend and his, into his flannel pocket and helped you slide your legs back into the yoga pants. When they were back in place, he pulled you to stand and grinned when your knees nearly buckled. “You okay?”

“Yeah.” You chuckled and clung to his shoulders. “That was… a lot.”

That had felt incredible, and the fact that it was Joel made it even better. But, it had been rougher than you thought it’d be. Not that you really minded. It just… caught you off guard. Your mind was still too drunk on pleasure to fully understand your feelings on it.

Joel leaned in to settle his lips against your temple. He hummed, “From the second I saw you, baby girl, I just knew you’d be my world.”

“The first second?” You teased. “Me bleeding in an upside down car?”

His lips were curled up into a smile you could only describe as boyish. Joel leaned in again to lock his lips with yours and you wrapped your arms around his neck to help hold yourself up.

The world had ended, but you had a new world now and everything would be just fine.

Right?

BEFORE

Joel stood at the gas pump staring at his phone as his truck was filled. His strange client, the survivalist who asked him to help build a bunker, had shot him a message that made little to no sense. He rambled about the “end of the world”, and invited Joel to join him in the bunker for the “start of something new”. Joel tossed his phone back into his truck with full plans to ignore it. He’d drive to the bar and spend the night drinking. It’d be nothing new. He was a regular at this point.

As he climbed into the driver’s seat his gaze lifted and he spotted you exiting a store across the street.

You from three days ago. You who he met at his usual drinking hole. You who had left him breathless. Joel had been drinking alone, the usual, when you and your friends drifted into the bar as an already half drunk mob. One of your guy friends had gotten rowdy near him, joking with another, and he bumped into Joel and spilled his entire whiskey.

Before he could even begin to lose his temper, you had swept in to save the day. It was obvious you were drunk yourself, but you cleaned him up, apologized for your friends, bought him a new drink, and just sat there and talked. You rambled about being in town to visit your family and catching up with old friends, and Joel found he could listen to you all day.

There was something magnetic about you.

Enough so, that he found himself following you down the road. You were driving toward the edge of town. Maybe to meet with friends at that new bar and drink some more. The roads grew less crowded as you got further out, and Joel thought about following you into the bar. Just to talk. It had been so long since he craved conversation of any kind. He realized though that you probably wouldn’t want anything to do with him. You were young and beautiful and clever. A ray of sunshine. Your options for company were endless and Joel couldn’t imagine being anywhere but at the bottom of that list. Drunk you had put up with him, but sober you probably wouldn’t spare him a glance.

Joel’s eyes darted to the passenger seat where his phone sat. A second passed, and a decision was made. He flashed his lights and laid on his horn. Your car slowed cautiously and he began to speed past you. He looked out his passenger window and the last thing he saw was your wide, confused and fearful eyes before he swerved into you.

He slammed on the breaks and watched your car flip a few times before coming to a stop at the edge of a ditch. Smoke billowed from the broken remains of your vehicle and Joel stared wide eyed at what he had just done. Guilt gnawed at him and he scrambled out of his truck to race to the driver’s side of the wreckage. You were hanging upside down from your seatbelt and blood dripped from a gash along your temple. A bruise was already forming at your hairline. But you were alive. Thank God. He hadn't even considered how wrong that could've gone. It seemed the universe was on his side for this.

Joel knew what he had done was wrong, but it was too late to go back.

He had made the decision⏤ your world ended and he’d be the one to build you something new.

[if you're curious the Ezra I mention is the Pedro Pascal character from Prospect (he just screams cult leader, doesn't he?) and i lowkey maybe have plans for a follow up on this but from the POV of a different reader and Ezra]

[fluentmoviequoter]

As One

Venom!Jason Todd (tiny hint of x reader at the very end, past the double break)

Inspired by this incredible, amazing, breathtaking Jason as Venom art by @ciricearts!!

Summary: Jason receives more than life in the Lazarus Pit, and when he returns to Gotham and meets Venom, they must learn to fight as one.

Warnings: angst, brief suicide ideation/threat, minimal spoilers for Under the Rood Hood and Venom, fluff, banter, translations in double parentheses

Word Count: 3.6k+ words

Masterlist | DC/Jason Todd Masterlist | Request Info

It’s quiet, but not silent. Dark, but not black. Something like floating, but there’s a weight settling deep inside.

Jason’s eyes snap open, burning against the phosphorous-green liquid surrounding him. His lungs burn as his hands break the surface. Gasping as he rises, Jason has only one thing on his mind: revenge. His mind races, his head spinning with thoughts of what was, what will be, and untraceable ideas that are in no way his. With the weight in his chest, a storm has settled in his mind, a fierce tempest that throws the new world off its axis as Jason thinks of Gotham.

Twenty-Four Hours Earlier

Jason closes his eyes as the bomb ticks down. High above the warehouse, a shooting star draws the attention of children. As the alien disguised as a star crash lands, it braces itself against the fiery descent in what is left of its ship. Earth is a target, but as the heat and the wind race by, Venom is unconvinced that this is the perfect planet for his people to inhabit. It’s loud and hot, and so far, the view isn’t even all that nice. It’s a snowy night, so the world is white, and war echoes through the night. A lone explosion makes Venom shriek, but when he finally lands on a mountain, a pool of liquid reminiscent of his home beckons him closer.

Present

Jason refuses to look down as he dresses. He stole clothes from a drying line, but the scars on his skin are hideous, jagged lines that will take him back to the warehouse with the Joker if his gaze lingers too long. While he prepares to find his way across continents to locate Batman and the Joker, Jason doesn’t even try to control his thoughts. The pit that brought him back to life has caused his thoughts to be disjointed, bringing memories to the forefront when he least expects it. There’s something wrong, a presence in Jason’s mind that he knows isn’t his, even after the unexpected changes brought on by his resurrection.

“Ho bisogno di un trasporto per la Francia,” Jason tells a fisherman on the coast of Italy. ((I need transport to France.))

“Solo pesce. Non sei un pesce,” the old man replies. ((Only fish. You’re not a fish.))

Jason understands the man, but Bruce’s foreign languages will only get him so far. Without thinking, he adds, “Forse sono un pesce. O forse sono un mostro.” ((Maybe I’m a fish. Or maybe I’m a monster.))

Jason blinks, and suddenly, he’s on the fishing boat in the Tyrrhenian Sea. He doesn’t remember boarding or convincing the fisherman to agree to give him passage. When he looks over his shoulder and sees the man shrink away from him, Jason knows that the pit changed more than his height and the beating of his heart. There’s a war inside him, and Jason has no idea he is losing.

“Portatelo in America,” the fisherman tells another man at the docks in Spain. “Sii veloce, stai attento.” ((Bring him to America... Be quick, be careful.))

The Spanish man shrugs, unable to understand the warning.

“Tráelo a Estados Unidos. Sea rápido, tenga cuidado,” Jason translates. “Deberías escuchar.” ((You should listen.))

“¿De dónde eres, hijo?” the Spanish sailor inquires. ((Where are you from, son?))

“Soy de Gotham,” Jason responds. “¿Puedes ayudarme e llegar allí o debería hacerte llegar?” ((I’m from Gotham… Are you going to help me get there or should I make you?))

“Yo te ayudaré. Pero mantén al demonio adentro.” ((I’ll help. But keep the demon inside.))

Jason boards the ship to return to America, unaware that his funeral is over, the dirt still settling over his coffin. As he keeps his eyes on the horizon, Jason flexes his hands beneath his stolen gloves and wonders if it’s possible to keep the demon inside or if he’s let it stay too long. Maybe the pit finally broke its cage, he thinks.

Earth isn’t quite as hideous as Venom expected. The ocean sparkles beneath the sun as he travels around the globe. Humans are exactly as he had been taught, and Venom observes them, waiting for the right time to begin the takeover. It starts with a single body, and he is sure he’s found the perfect one.

So many languages, Venom grumbles to himself. He knows them, and understands them, but looks forward to a future where there is only one type of communication on this planet.

“New customer?” Jason asks, stepping out of the shadows and into the dark Gotham night.

“Who are you s’posed to be?” the drug dealer replies. “Don’t tell me you’re another cosplay freak!”

“Sixteen,” Jason says, his voice muffled by the tin helmet he created for himself.

“What?”

“Sixteen years old. That’s how old the boy you just sold to is. If there’s one thing I can’t tolerate, it’s selling to children.”

“Oh, so you’re some kinda Robin Hood?”

“Not exactly.” Jason pulls a blade from his left hip, twisting it as he raises it so it glints in the moonlight. “You work for Sionis?”

“Yeah! That means I’m protected!” the man yells, stepping back.

“You don’t look very safe to me. You’re just one of eight.”

“You’re crazy, man.”

Jason smiles beneath the red helmet. As he lunges forward, he feels something shift inside him but ignores it as crimson blood spills beneath his blade. One down.

Leaving Black Mask’s hideout, Jason presses his hand to his shoulder. One of Mask’s goons got in a lucky hit; pure chance allowed him to pull the trigger at the precise moment the barrel lined up with Jason’s side. When Jason pulls his hand away, his glove is spotless.

“I shouldn’t have walked away from that,” Jason admits under his breath.

He’s ignored it since he fought his way out of the pit. The signs have chased him through hemispheres, but it took until tonight to understand that something is wrong. No, Jason realizes, there is someone in his mind.

As Robin, Bruce taught Jason that there were metahumans, homo sapiens with unnatural powers, and some of them could get into his mind if he gave them a chance. Now, it seems that one of these powered creatures is invading Jason’s life and, for some reason, protecting him.

Jason pulls his pistol from his side, presses it beneath his chin, and removes the safety.

“Last chance,” he murmurs.

His finger slides onto the trigger, and then the gun clatters to the ground as Jason is enveloped in an inky black substance.

“Stupidity,” its voice growls.

Jason can see, but his movements are limited. In the reflection of a window in the alley, he sees the creature looking back at him.

“You’d travel 4,400 miles to kill that clown only to finish what he started?!”

“Who are you?” Jason asks carefully.

The alien melts away and disappears into Jason’s skin without an answer. Jason looks around, trying to understand what, who, and where it is.

“You’re inside me,” he realizes aloud.

“Not much company in here,” the voice says in his mind. “Your plan for vengeance is pointless.”

Jason retrieves his gun from the pavement and repeats, “Who are you?”

“Who are you?” the voice echoes before silencing.

“Great,” Jason grumbles. “Unless you’ve got anything useful, stay in there.”

“It won’t work,” the alien in Jason’s mind argues.

Jason adjusts his grip on the gargoyle and tries to ignore it.

“You need help,” he adds. “Storm in too early and he’ll kill you… again.”

“Didn’t I tell you to stay quiet?” Jason snaps.

“You can’t get rid of me. And you can’t get rid of him like this, either.”

“You’ll understand if I don’t trust you.”

Several moments pass in silence until the alien says, “Venom.”

“Won’t work.”

“I am Venom.”

Jason’s brows pinch, and then he murmurs, “Jason.”

“I know.”

After a long sigh, Jason asks, “What do you suggest I do? To kill the Joker?”

“Stop being stupid.”

“Forget I asked.”

“He has more at his disposal.”

“So, what? I need a utility belt?”

“Let me do it.”

Jason launches off the roof, noting that Venom falls silent as he freefalls through the Gotham sky.

Only after Jason uses a grappling hook to land on solid ground in an alley does Venom's head appear before him. Jason jerks backward, then pulls his weapon and shoots Venom until his magazine is empty. Venom draws himself together, living tendrils reshaping into his previous form.

“You can’t kill me, Jason,” Venom growls. “Not without killing yourself, and I need you.”

“You need me?” Jason repeats incredulously. “No, there is no we here, alien.”

“Oh, don’t hurt my feelings,” Venom deadpans. “I only need your body. Give me one more excuse and I’ll send your mind back to that glow-stick pool you crawled out of.”

“If you don’t need me, why did you save me that night with the dealers?”

Venom disappears, returning to Jason’s mind. As he takes over Jason’s thoughts one by one, he begins to plan how he’ll use a capable body like his to aid his leaders’ invasion plan. Jason, however, feels his mind clearing with each moment Venom is gone. Each thought that Venom takes over weakens the storm in Jason’s mind.

“What did you do?” Jason asks.

“It’s the beginning,” Venom replies cryptically.

Jason remembers the silence Venom fell into during the fall and smiles before he shoots his grappling hook straight up, weightless as he soars above Gotham with a clear head and the first step of a plan to not only kill the Joker but show Bruce why he should have done it before.

“Bruce,” Dick calls. “You have to take a break. Yes, we know that Red Hood is causing issues, and there’s a giant black alien terrorizing people. What do you expect to do about it?”

“Find them both,” Bruce answers without looking up. “Stop them both.”

“That was the stupidest-“

“Stop,” Venom interrupts. “I saved a life, you didn’t kill anyone, we’re good.”

“We’re good? You did it in front of Nightwing! Dick will tell Bruce and Batman will hunt us down before the plan is in place.”

“Todd,” Venom begins, “that’s not my problem.”

“It will be when he finds a way to debilitate you and your little plan to take over the world goes up in flames!”

Venom’s head moves back nearly imperceptibly, but Jason moves forward to continue, “Yeah, you’re in my head, too, so I know your plan. It’s not my priority right now but know that all of your weaknesses are clear. So, if you don’t help me, Batman will stop you.”

“And if I do help?”

“We both survive to fight another day.”

“One condition.”

“I’m not feeding you another drug dealer.”

“Buzzkill,” Venom growls. He encompasses Jason’s body and folds a nearby dumpster before agreeing, “Fine, yeah. But I want to go to the new bakery.”

“Deal,” Jason replies. “Now go away.”

Jason travels through the shadows of Gotham to get to his hideout. He isn’t followed - he makes sure of it - and as Jason strips out of his leather jacket and carefully crafted helmet, he looks into a mirror for the first time since his death.

Jason inhales as he raises his eyes to trace the map of scars, the autopsy marks he was sure would have survived his dip in the Lazarus Pit, and the childhood shadows of scraped knees and skinned elbows. Yet, his skin is smooth and blemish-free when his eyes meet his reflection. It’s all wrong, Jason thinks. There isn’t a single mark, not from his childhood, time as Robin, death, resurrection, or the endless battle he’s fought since returning.

“You’re welcome,” Venom says from inside Jason.

“Why?” Jason whispers.

“I could have killed you,” Venom states. “But we achieved symbiosis, and you need my help more than I need yours.”

“I don’t-“

“It’s easier this way. The scarred boy didn’t come back, you did, Hood.”

Jason turns away from the mirror to pull a shirt over his head. “We finish this, and then I’m going to kill you, parasite. These people may not like me, but this is still my home.”

“Parasite!?” Venom screeches.

“I’ve got a meeting with Batman, you stay quiet,” Jason says as he exits the warehouse.

“You haven’t lost your touch, Bruce,” Jason calls as he dodges a punch.

Bruce’s surprise gives Jason the perfect opening. He spins on his left foot, planting his right foot against Bruce’s chest and sending him backward.

Standing over Batman with his gun aimed at Bruce’s throat, Jason says, “We need to talk about the Joker.”

“He’s the least of our concerns, Jason,” Dick says, tapping his escrima sticks. “But we do need to talk.”

“Thanks, J’onn,” Bruce mutters before ending the intergalactic call on the batcomputer.

“Well?” Dick inquires.

“The alien parasites on Mars are killing their hosts,” Bruce explains, turning toward Jason.

“Are they… are they the same species as the thing in Gotham?”

Jason ignores Venom’s complaints at being called a thing as he remembers what Venom said about being able to kill him.

“Killing their hosts?” Jason repeats. Venom doesn’t make any argument against this, and Jason clenches his fists at his side.

“We need to find the one in Gotham,” Bruce says. “Get some answers.”

“Can you help, Jay?” Dick asks.

“Later,” Jason mumbles. “I have something to do first.”

Bruce nods, and Jason stalks out of the Batcave.

“That went well,” Venom says as they exit Wayne Manor. “He told you he can’t kill Joker and yet you stayed. Brave-“

“Are you killing me?” Jason demands. “No more jokes, no sarcastic little comment, tell me now, are you killing me?”

“I was,” Venom admits, extending from Jason’s shoulder. “I reversed the damage.”

“Why?! Why would you start something, then save my life just to kill me later?”

“You are the only human I’ve ever matched with.”

“That’s sweet,” Jason snaps. “But get out of my way. Go back to whatever corner of my mind you’ve stolen.”

“You can still trust me, Jason. This doesn’t change anything.”

“Hood!” Nightwing warns as Killer Croc turns toward Jason.

“What, Croc, did they miss feeding time again?” Jason taunts.

Killer Croc roars, then swipes his arm toward Jason, his claws catching on Jason’s leather jacket. As Jason moves back, Killer Croc swings his arm again, pinning Jason to the brick wall.

“Venom,” Jason says through gritted teeth, failing to push Croc away from him. “Now might be a good time to prove I can still trust you.”

“Oh, me?” Venom asks in Jason’s mind. “You want my help?”

“Venom!”

“But what if I kill you by saving you from those bullets?”

Killer Croc shifts his weight, and Jason’s ribs creak under the increased pressure. He asks Venom once more for help, and just before his vision blackens around the edges, Venom’s powerful tendrils extend from Jason’s torso and push the creature’s scaly arms backward.

“Thanks,” Jason pants, catching himself as he falls to the sidewalk. “Argue with me again and I’ll put a bullet in you.”

“I’ve seen your aim, I’m not concerned,” Venom bites back before turning his attention to the Arkham patients roaming the streets.

“Pull back,” Bruce demands through the communications system.

“We’ve got them,” Jason argues.

“Pull back!”

“But, B,” Dick tries.

“The aliens are moving toward Earth!” Bruce yells. “J’onn just sent out a red alert.”

“We can’t do both,” Venom reminds Jason.

Jason hesitates, then says, “Yes, we can. You like Earth, admit it. And you don’t want to be alone now that you’ve achieved symbiosis. If we work together, we can do both. But if you go back to your kind and take my planet… I will kill you even if it kills me too, V.”

Venom’s inky substance snakes around Jason’s arm, covers half his face like a mask, and obscures the bat on his chest.

“We’d have to fight as one,” Venom points out.

Jason and Venom disappear as one into the shadows before Bruce realizes he’s moved.

The door to Roman Sionis’s office breaks in half, sending splinters flying as the Black Mask rises from his chair.

“What are you supposed to be?” Roman asks, eyeing the black tendrils around Red Hood’s already imposing frame.

“I’m Red Hood,” Jason replies as Venom growls, “We are Venom.”

Their voices overlap, so Roman hears, “We ‘m Venom Hood.”

“Well, Venom Hood,” Roman begins, moving backward from his desk.

That makes no sense, Jason thinks.

Shut up, Venom demands, you died.

Jason prepares to retort, but Roman lifts an automatic rifle that causes Jason to delay the argument as he rolls out of Black Mask’s line of sight.

“I have to save the world-“ Jason says, nodding to himself as he corrects, “we have to save the world, so I’m going to have to keep this short. You’ll miss Gotham where you’re going.”

Venom pulls the trigger, and though Jason knows he’s trying to keep him from getting more blood on his hands, the world's fate hangs in the balance, and there is no time for either of them to make penance for the sins.

“Where are we going?” Jason asks as he enters the Batcave. He’s changed from his uniform, wearing a red hoodie instead of the armor he’s grown comfortable in. It makes me claustrophobic, Venom had argued.

“The watchtower,” Bruce answers. “Boom tubing now.”

“Where’d you go?” Dick asks.

“To see a friend.”

“Batman,” Superman greets as they enter the watchtower. He glances at Jason and asks, “Who is that?”

Jason waves, his red mask concealing the bottom half of his face. “Red Hood, Venom Hood, I’ve got a lot of names.”

“He’s with us,” Nightwing assures the Justice League.

“About that,” Jason interjects. “These… aliens, parasites, whatever you want to call them. They’re trying to take over the planet-“

“We know that,” Martian Manhunter interrupts.

“One of them is not,” Jason continues.

“How do you know?” Wonder Woman inquires.

“Perimeter breach,” the automated ship alerts.

“Nobody shoot me,” Jason demands. He tilts his head, then says, “The red ones are stronger, they’re leaders, if we get them down first, the rest… we can handle the rest then.”

“How did you become an expert on them faster than Bruce?” Dick whispers.

“Remember my worth in twenty minutes.”

The alien ship ports on the side of the watchtower, and within minutes, the aliens are moving throughout the ship without pattern or reason.

“Fire and noise,” Venom tells Jason. “Keep it away from me, but it weakens them.”

“Are you stronger?” Jason asks internally.

“Stronger than some,” Venom replies. “Why?”

“Come out.”

“No.”

“V… we need you.”

Venom sighs, then says, “I don’t like red.”

“Deal with it.”

Venom does just that, ripping the red sweatshirt in half as he encompasses Jason. Several members of the Justice League turn toward Venom, so he quickly pulls back. Venom separates fluidly, exposing half of Jason’s face and most of his torso. Jason feels Venom moving across his biceps and chest, and Venom moves his fingers by controlling Jason’s joints. Venom fits against Jason like a second skin, like a suit, highlighting his muscles and causing Jason to look more like the monster people have come to expect.

“He’s with me!” Jason yells, stepping toward Superman. “I told you one of them was on your side. It’s him. Focus on the fight!”

Another group of aliens seeps through the air vent, and the horrified leaguers work to save the planet with an enemy at their sides.

Jason stretches his neck to the side as Venom recedes into his back. The superheroes before him suddenly have excuses to disappear, leaving the watchtower as quickly as they can, while Bruce and Dick watch Jason as if he’ll explode.

“I should have known,” Bruce murmurs as he removes his cowl.

“Can I meet him?” Dick asks. “What’s his name?”

He’s too happy, Venom complains. And you promised a trip to the bakery!

“Later,” Jason tells Dick. “And his name is Venom,” he adds over his shoulder as he walks toward a boom tube platform.

Venom’s head bounces against Jason’s shoulder as they walk down the dark alley behind the coffee shop. Slurping as he drinks the blended coffee in Jason’s hand, Venom smiles.

“You should go see her,” he says after licking powdered sugar from his lips. “The girl you think about, who you should have kissed before Bosnia, but you chickened out.”

Jason hums and twirls the cup in his hand but hesitates to drink after his body companion. “I think my chances are gone… with any woman, thanks to you,” he responds.

“I could get into her mind and let you know for sure,” Venom offers.

“That won’t be necessary, thanks.”

Venom pulls Jason to a sudden stop, spreads over Jason’s arm, and pulls him onto a fire escape to reach the roof. He inhales deeply, then looks up and down the nearby roads.

“It’s Gotham, not all of earth smells like this,” Jason mumbles.

“No,” Venom replies. “There is another of my kind.”

“Great.”

Venom watches in silence, allowing Jason to text his brother and offer some explanations.

Jason.

“Venom,” Jason replies aloud as he sends another message.

Venom snaps Jason’s head up, and they both watch, mesmerized by how your hair falls back into place as the blood-red amorphous protoplasm melts into your skin. When you look up after landing on the roof, as directed by your symbiote, you smile at Jason Todd.

We’re in trouble.

Jason nods, and Venom insists, No, actual trouble.

Ex of yours? Jason wonders.

I wish. She kicked my-

[luveline]

radio cure | steve harrington

an unhappy you meets steve harrington and his merry band of dorks. he shows you that some things are worth sticking around for.

5k words, fem!reader she/her used, tw mentioned/implied suicidal ideation please don’t read if that’s going to have a negative impact on you (no graphic imagery. but reader is passively suicidal and dealing with the other factors of that), robin steve + eddie chaotic trio, friends to lovers, multipart, swearing, friendly teasing, sarcasm, artist!steve, 90s au

.•° ✿ °•.

You're twenty two when you decide to kill yourself.

It's a warm day. The sun shines like a flower bud unfurling, a faint hint of golden yellow masked by cloud cover. You're savouring the brief moment of blessed cool as you walk around Lover's Lake, your ipod in one hand, headphones around your neck.

The flowing pants you're wearing help mitigate the heat around your legs, an itching, slick thing. Warmth feels like oil on your skin. You tip your head back and smell the grass, the lake water, the dry mud under your feet. You're thinking it's as nice a day as you're going to get this week, and you're forlorn, because it doesn't make one drop of difference.

You look up at the blue sky, squinting against the light, and you think it to yourself resolutely. This is going to be my last year. When your savings run out you're giving up.

It doesn't feel conclusive. It doesn't feel scary. It's just a decision.

You walk over dry grass until you reach the short pier on the leftmost side of the lake and sit down. You pull your headphones over your ears and bite your lip when the music isn't loud enough. The dock is rough. You're uncomfortable immediately. You want to go home, but you pull out your little craft sketchbook made of yellow paper and a pencil you've sharpened with a pen knife, staring out across the lake for something to strike you. A duck. A goose. Anything at all.

The thing is, you don't want to draw. You aren't some master, though you try, and you aren't a natural talent… You try sometimes. Nothing seems right. Most people have a style, charm, but you could draw a picture perfect copy of the day in front of you and still feel the lack; you have no idea what it is that makes other people's art beautiful, and that's the problem.

It doesn't matter. You put the sketchbook away. You have nobody to impress but yourself, and besides — you're not the first person in the world to feel uninspired. Thousands of people must feel it everyday, and they aren't throwing any pity parties. You peel off your cardigan, ball it up, and lay down with the fabric behind your head. You can hear the soft pant of a dog across the way, the happy chattering of a Frisbee game. Under the dock, little bodies thwack the planks, tiny green frogs that occasionally hop in the grass nearby.

You press your arm against your stomach and you fall asleep not long after that, your ipod playing music a few feet away.

—

Steve Harrington doesn't know why he stops to look at you. You're just a girl enjoying the summer sun, and he doesn't mean to be a creep. But you've left your stuff laying in small hills around you and your body's lax. You're asleep.

He kneels down next to you. Enough room to swing away if you try to stab him for perving. He isn't perving, he reasons. He wants to check if you're okay.

He tilts his ear toward you and holds his breath.

You're snoring.

Good, he thinks, crawling back to the far side of the dock, at least two feet between you. You're sleeping.

He sits down, knees up, hands between his thighs, and looks out across the lake. The sun shines high as the clouds shift to reveal it in full force, a burning yolk. It kisses every bit of green foliage it can find, dappled sunlight everywhere he looks. Steve is out today to draw whatever beauty he can find, and the light across the water riding the rippled waves of ducklings and brave human swimmers seems nice enough. He peers out of the corner of his eye at you, deems you still sleeping, and takes the pocket sized sketchbook out of his denim jeans.

His pencil is a stub folded between the pages. He lays down graphite in big sweeping lines, more focused on the impressions of shape than the specifics. It's hard to see a coloured world in black and white values. Steve isn't great — he's been drawing for two years now, and that feels like both a lifetime and a flicker. Every day he learns something new about making art, and every day he looks back and feels embarrassed at what he made before. The start of his sketchbooks make him cringe. This one is a mixture of pride and tepid reluctance.

Being bad at something is a stepping stone at getting better. Not every drawing he makes is good, but hopefully it's teaching his brain to be better. He doesn't know what he believes about art but he likes to draw, and he has gotten better.

The point isn't in being good, he'd told Robin. I just need something to do. Before I go crazy doing nothing. 

He draws the lake. He loves the way it comes into being. Ten minutes can turn grey splotches into trees, and bluegrass, and the heat rising off of the water. He draws a duck when it swims really close, though he has to abandon it when it swims away, leaving a half formed lovecraftian creature to haunt the page. He draws the dock, and his shoes, and your shoes, and your hand curled weakly next to your ipod. He draws your wrist, though he stops quickly.

He looks at your sleeping face.

Steve thinks you don't look like anyone he's ever seen before. He notes your lashes, your brows, and your nose. The sun emphasises the fine hairs across your cheek, and the texture beneath them.

He wants to draw your face, but he thinks drawing your hand and your shoes might have been too much without permission. He lets you sleep for a while, and then when he realises the heat is making him dizzy, he can't leave you there to bake.

He rips a sheet of paper out of his sketchbook and shoves the small book back into his pocket. The dock groans as he stands, and he casts a shadow over your face and upper torso.

"Hey," he says.

You flinch awake.

"Don't panic," he says, which is something a pervert might say, so he amends, "don't freak out, I'm just worried you're gonna cook your brains. I didn't want you to get sick."

You sit up. You look kinda cooked already, blinking and disoriented.

"You okay?"

You don't look up. "Yeah, I'm okay. Thank you for waking me up."

"Yeah, sure. Here."

He holds out the drawing of your hand. He doesn't think it's good, doesn't want you to see it, but he already did it. Giving it to you will ease his guilty conscience.

It's unlike Steve to bail, but he bails. Your fingers are barely brushing the paper when he's wiping his palms on his thighs and stepping away.

"Bye," he says, uncertain. "Try not to fall asleep again!"

—

It's not so weird. Sure, he'd made your fingers skinnier than they really are, and he made your shoelaces look like spaghetti, but they're good drawings.

You're trying to read a book in the corner of Benny's when he finds you a second time. He hovers, and you're not cool, you aren't, you're working with what you've got. Not many people skills.

“Hi,” he says.

"They were good drawings," you say, in lieu of your own hello, thumbing at the pages of your book all full of jumpy nerves.

"Thank you, I'm… new to it. My best friend, she's– she's actually nicer than she should be about them, I can't lie. I was going to say she thinks I should be banned from picking up a pencil, because I wanted to make you laugh, but. She's nice when it matters."

You can't keep looking down, it wouldn't be polite. You dog ear your paperback and let it lie against the tabletop, greasy to touch but you doubt it'll make a difference. The book is old and had cost you 50 cents at Mr. and Mrs. Wheeler's yard sale.

He's tall. Hair falls around his face and curls gently against his cheeks, a sandy brown. He's wearing a hat. He hadn't been wearing one the day he'd given you his drawings, but you can understand why he needs it. The sun is an inescapable force: sun stroke has half the town down for the count. The whole reason that you're in Benny's is because it's air-conditioned and shady.

"Do you want to come and eat with me and my friends?"

You say no automatically. "No, that's okay. I don't wanna," —you don't know what to say, so your voice hikes up awkwardly— "impose."

"You don't have to, but if you want to, you're not imposing." He twists at the waist and nods to a booth across the room, where a boy and girl sit. When they see you seeing them they look away. "Sorry, they're dorks. There's usually more of us, but Jon's in work and Nancy's in Emerson, so…" He seizes up.

You wonder why people are so afraid of being awkward. It terrifies you, to think one day you'll fuck up and be awkward and the other person will remember it and laugh, but looking at him now, you can't see why it matters. It actually makes you feel better, knowing he's worried too.

"I only brought enough for the milkshake," you say.

"I'll get you something."

"That's– no, that's okay."

He hesitates. "You'd be doing me a favour. I love them, really, but I can't stand it when they're together, they bully me."

It would probably be worse to reject his offer and sit here lonely while they laugh and talk. You'll worry they're talking about you.

"Okay," you mumble, picking up your book and your milkshake.

He grins at you and you follow him through the diner. It's not busy today, but there's still feet to fall over and backpack straps to tread on, so you watch the floor.

"My name is Steve, by the way."

You tell him your own name, which brings another quick smile to his face. He slows as he approaches the booth of his friends and beckons for you to slide into the empty side before following you in.

"Guys, this is– Eddie, what the fuck is that? We said no gross shit at the table."

"This, my friend," Eddie says, words rolling around his mouth grandly, "is a monster."

It's a little man made of coffee stirrers, sporks, and chewing gum seams. It's kind of gross, but it's cute. Grossly cute and cutely gross.

"We're about to eat."

"You're stepping on his artistic licence," says the girl, her voice distinctly pretty and a tiny bit hoarse.

"Disgusting," Steve says.

You shift on the leather chair underneath you and anxiety pulses in the bottom of your stomach. They're ignoring you, but not really. Both have lifted their eyes to look at you, and, in sync, they smile. The girl's smile is startling, lip gloss lips and white teeth. Eddie's is softer, less happy and more reassuring.

"I'm Eddie," Eddie says, though you'd figured it out. "That's Robin. Do you think my monster is gross in the gross way or gross in the sick way?"

"He's cute," you admit to thinking. "But the gum…"

"I didn't have any glue."

"Steve told us about his drawings. If he's holding you hostage right now, blink three times, okay?" Robin jokes.

Eddie and Robin lean their shoulders together and start a bit where they count your blinks. There's murmurings about shelters and how they can definitely throat punch Steve hard enough to make him mute. You're stunned at being the object of a joke and don't know how to react, feeling like you've been whacked and now there's cartoon birds flying around your head and they can all see them.

Steve grabs the menus out of the rack and slaps one down in front of everybody. "Alright, team. You know the drill. Last person to choose what they want has to buy drinks." He spares you a glance. "Except you. She's on me because hostages don't pay for themselves."

"I would make such a pretty hostage," Eddie says.

He is pretty, in fairness. Dark curls thick with baby hairs frizzed up in the summer heat frame a pale face. He has big brown eyes.

“And talented,” Robin adds, poking the gum man until he falls flat on his face. The head pops off and Eddie shrieks, not loudly but with a passionate upset about him that makes you laugh.

Steve leans over. “Please choose quickly so I don’t have to pay for Robin's lemonade addiction. No pressure.”

“I’ll just have what you have.”

“With a coke?”

“Sure.”

“Robin?” he asks.

“I want a cheeseburger with a lemonade and then, if you will, another lemonade.”

She dumps her menu in Eddie’s lap, who looks up from his decapitated figure with a look of defeat.

“Wh- hey, she cheated. She hurt my dude.”

“Rules are rules.”

Eddie sulks and accepts everybody’s money. He slinks up to the window like an annoyed cat. After he’s placed the order, he looks back to the table and flips the bird covertly.

“So, how old are you?” Robin asks.

“Twenty two.”

“How’s that?” she asks sympathetically.

“Robin.” Steve chides. “She’s twenty so she thinks she’s a baby.”

“I am a baby. This is my first year not being a teen, which means it’s my first year as an adult. I’m one.”

“We have this argument a lot,” Steve says, though not with any bravado. Simple explanation, his voice soft and warm. “When being an adult actually begins. It’s not the adult part that even matters, it’s the not having rules that fucks people up. Look at Eddie. He’s been out of school for a year and he’s been arrested three times.”

You frown, not because his getting arrested would bother you (depending on the charge), but because you’re surprised, and surprise is quick to appear as anger on your face. His shirt and rockstar rings, his nice smile, his gum man — you’d assumed he was a huge nerd. His arrests are a surprise.

“What for?” you ask, before you can remind yourself that invasive questions are rude.

“Once for indecent exposure– completely accidental. Once for trespassing, and the last time was because he chained himself to a tree outside of Tawny’s bar. They weren’t cutting the tree down,” Steve says. “He, and I quote, wanted to see what all the fuss was about.”

“Don’t give away my RAP sheet when I’m not here,” Eddie says, placing a tray of drinks on the table carefully. Three cokes and two lemonades.

“It’s not a RAP sheet if you don’t actually get in trouble. They let him off ‘cause they know his uncle. And also ‘cause it’s Hawkins.” Robin slides her slice of lemon between her teeth, shepherding her two lemonades as far away from everybody as she can, looking extremely hedgy. “I’s a bitch sheet.”

Eddie feigns for her second lemon slice and snickers when Robin defends it, elbowing him hard in the ribs.

“I paid for it!” he says through laughs.

Your hands start to shake. You hide them under the lip of the table but it’s no use. Soon your legs are shaking, your arms, all of you. They’re minute tremors, both invisible and impossible to ignore. You glue a smile to your face and try to calm down. You’re overwhelmed and you don’t know why — this isn’t a new feeling. You are not the first person to feel this feeling.

Then why does it feel like it?

Sometimes, everything gets so scary so quickly, and you sit there wondering why it isn’t scary for everybody else, and you wonder why they can’t see it on your face how scared you are, and they must see it? They must know you’re fucked.

You’re shot with thoughts. These people, you could be friends. All you have to do is make a good impression. But how should you go about that? How do you talk? What do you say?

“I draw too,” you say, hands clamped between your knees.

Steve’s eyebrows do this little dance. It’s adorable, and it makes you want to be his friend most of all.

“You do?”

“I do. I’m not good, I mean. I used to be better. I’m out of practice.”

“I draw,” Eddie says.

“Yeah?”

He nods. “Jonathan, too. God, you should see his shit. And he’s an even better photographer. But I draw shitty zine comics. And Robin does the typesetting for me.”

“Oh, wow,” you say genuinely.

“Nancy writes,” Robin says. “So we’re, like, a jerk circle of artists. She’s good, too.”

“She’s good,” Eddie imitates fondly. “I bet she is. Robin’s gonna be a great writer as well, once she gets all these private Nancy lessons.”

Steve puts a hand up and Eddie promptly shuts up. He takes a big, sheepish slurp of coke and you feel like you’ve said something wrong though you barely said anything at all, sipping at your own coke.

“What are you reading?” Robin asks.

You slide the book toward her so she can see for herself. “The Sea, The Sea,” you tell her. “It’s about, uh,” —you’ve only managed to read the first thirty pages, and that’s after reading the first ten five times straight— “this guy named Charles, he’s unique. He’s uh, annoying.”

“You know, Nancy used to have a book that looked just like that,” Steve says.

You laugh weakly. “It must be popular. I got it at a yard sale.”

“Can I open it?” Robin asks.

“Of course. It’s already pretty beat up, I don’t think there’s anything you could do—“

Robin opens the book with one hand, thumb and pinky fingertip pressed to either side, and tries to take a sip of her drink without looking, tipping her glass of lemonade straight into the pages of The Sea, The Sea. What doesn’t get soaked up by your book rushes down the length of the table and into her lap.

Steve reaches across the table to grab up the glass, but the damage is already done. Your lips part. Eddie gawps, throwing a hand over his slack-jawed face.

“I’m so sorry. I’m so sorry,” she says, looking at you with wide eyes. “I have the worst case of butterfingers ever, I’m sorry.”

It’s as if she can’t believe she did it. You fluster when you realise they’re all waiting for your reaction.

“It’s okay!” you say, as loud as you’ve ever spoken in public.

“You can be mad,” Steve assures you.

“No, it was an accident. I’m not mad, it cost fifty cents, and it was totally garbage anyway. I’m really not mad.”

Eddie stuffs napkins under the table and Robin shivers uncontrollably, dishing ice cubes from her lap and the seat. Steve, laughing now, says, “God dammit, Robs,” sounding like she might be the most golden person on the planet.

—

Steve works his hat over your hair the best that he can. “There. Now you won’t die from heat stroke.”

You bring both hands to the hat to encourage it down onto your head. “Steve,” you say, sounding unsure on how to continue.

“It’s on loan.”

You nod and look out over the lake, where Eddie stands at the edge of the dock. "It's getting way too fucking cold for this," he complains, in swim shorts and a shirt, gazing in distrust at the lake’s shimmering surface.

Lake is kind. It is technically a lake, but also technically a really, very pathetic lake that feeds from a pathetic tributary. If you stationed Steve on one side and you the other, he would strain to hear you talking. Likely infected with brain eating amoeba or tadpoles or leeches. Slimy things. It’s less disgusting than Lover’s Lake, a condom cesspit, so that’s a plus.

You aren’t looking any more eager about jumping in than you had been, thighs naked and kissed by the hem of an oversized, black t-shirt. It’s wrinkled. Steve kind of loves it.

"Just jump in, you big babies," Robin says.

She'd already jumped in, screamed at the cold, and now languishes in the chest height water in front of the small fishing dock with a smug smile on her face. "Not you," she says to you. Steve rolls his eyes.

You shake your head, hair slipping out of the hat. You sigh as you pull it off and readjust the sizing band.

"I guess I am being a baby,” you say to him quietly. “The sun’s been out all day, how cold can it be?” You’re not feeling confident. It seeps into your voice, to which Steve lends a placating smile.

"Really fucking cold."

"Eddie, shut up. Y/N, it's fine. You'll like it."

“I really don’t think she’ll like it.”

Steve doesn’t either, but he wants you to feel included, and less tense. Distract you from whatever it is that’s giving you such a big case of the frownies, and prove he and his friends aren’t just book-ruining hooligans.

Eddie finally jumps in over Robin’s head, disappearing into the not quite blue water with a cut-off curse. He appears again a few seconds later, black hair slicked to his face, neck and shoulders, wiping the water from his eyes as he splutters and giggles boyishly.

“Shit, Stevie,” he says. “Not that cold after all.”

“You don’t have to jump in, you can just ease off the dock, if that’s better,” Steve says.

“Frogspawn,” you murmur.

Steve does a bunch of flexing, throws in a jumping jack for good measure. “Alright,” he says, holding out his hand. “Let’s go.”

You shake your head gently.

Steve doesn’t wanna embarrass you further, or insist when you really don’t want to, so he nods and smiles and takes a running jump into the lake. Robin and Eddie both swear and dart away as his body collides with the surface of the water, and he sinks like a well-practised stone to near enough the lake bed, feet gracing slippery pond weed and things he’d rather not think about. The air shatters out of his lungs and the water, despite the summer sun, is cold. It feels amazing — he hadn’t realised how warm he was until the temperature abruptly shifted.

He rushes back up to the surface and shakes his hair out like a dog, water running down his face and shoulders in fast thick rivulets. He peels his eyes open and turns to find you still hesitating on the dock. Robin splashes at Steve in retaliation for his hair splatters and Eddie laughs evilly as he joins in.

“Come on!” he begs you. “I told you, they bully me! I need back up!”

You toss his hat on the dock. The jump you take into the lake is timid but enough to miss the frogspawn and not break your legs, a cold splash of water and you’re there. Luckily, your presence has Robin and Eddie both stopping in their cruel tracks, and you don’t have to save Steve after all.

Your happy laughter is stunning.

"It's so cold!" you squeal, water in your eyelashes.

Eddie takes one of your hands and together the four of your tread into deeper water.

"Now that all who can be present are present," he says, falling into his dungeon master drawl, "it's time we commence the The Tournament. Swimmers, take your stations."

Everyone falls into line. You don't know what you're falling into line for, raising your timid voice to ask, "What's the game?"

"The game is me and you dunk the ever-loving out of dumb and dumber," he says.

"Hey, what?" Robin asks. "How come you get her? She's a total wild card, she might win the game all by herself."

"Or she might really suck. We don't know, and so in the interest of fairness, I propose she swims with me." Eddie's wet sleeve sticks to your skin as he nudges you. "But you don't suck, do you?"

"Um…"

"Attagirl. On your marks, get set, go!"

You spend an hour like that. Steve and Co, they're stupid, but they aren't stupid stupid. The Tournament is a series of chasing and dunking (stupid but fun) wherein you get to throw yourself on the shoulders of the person you're chasing and submerge them (stupid again). You can't hold them down, though, they aren't trying to drown one another. Much.

The sun regretfully starts to set. If it's anything like the last few days, that means it's likely near 10PM, and they're all working tomorrow.

"Do you have work tomorrow?" Steve asks in concern, after he's heaved himself up onto one of the huge stones on the opposite side of the lake.

Cattails obscure you from view on your own stone. Across the lake, your possessions lay thankfully unscathed on the dock. Robin sits as close as she can to Steve on his rock, kicking water at Eddie every time he tries to approach.

"You fucking rat," he fumes, mouth full of lake water.

"I'm not really working right now,” you say.

"Do you need a job?" Eddie asks. "They're hiring— Harrington, restrain your creature! They're hiring at the Palace Arcade, aren't they?"

Steve nods voraciously. "Yeah! Hey, we can get you an interview no problem, they probably won't even ask you that many questions. I mean, Keith worked there."

"Don't be mean about Keith," Robin says, though she doesn't really like him. He thinks it's akin to defending your deadbeat older brother.

"I don't know, I think even a couple of questions might be too many," you worry.

"How come?"

You pull the fluff off of a cat tail, and it explodes in your hands. Steve yanks one down to do the same, watching the fibres float across the lake's disturbed surface with a cool breeze. Robin shivers beside him, sensitive to the cold in her wet clothes, the adrenaline of swimming and almost but not really dying wearing off.

"I'm bad at stuff like that."

"I don't think anyone's good at interviews at our age," Eddie says, nose wrinkled as cat tail floats toward him. "We're, like, babies."

"I always feel like I'm really old," you confess. You look down at your naked knees. "Like I wasted all the good years already."

"What, school?"

"And the four years since," you say.

Steve gets it, in a way. His high school years sucked, and he'd maybe thought he'd get out of Hawkins on a track or swim scholarship, basketball — anything. But he's here still, and at first that hadn't been what he wanted. Sure, he'd expected it, but in different ways.

Steve pushes back the cattails to see you clearly. "I didn't even get any real good years until just now," he says, as kindly as he can.

"I failed senior year twice," Eddie speaks up, "I kinda thought I was wasting my life too, but if I didn't, I wouldn't even know Robin, and she's, like, my best friend."

He throws his hands over his face before Steve can kick a huge wave of lake water into his eyes. "Get your own," Steve fumes. He's not really mad.

"Yeah, these are the good years," Robin says, "probably. I never had guys fighting over me in high school." She laughs and tucks her wet hair behind her ears, her freckled cheeks pale in the oranging light of the sunset.

You hold your hands out for Eddie and he finally climbs onto one of the rocks. From this side of the lake, you can watch the sun set behind the silhouettes of Hawkins town a half mile away. It dips slowly down, meandering almost, a pearl sinking through layers of raspberry pink and orange and, as Steve holds his breath, that sudden flash of electric green.

"I'm blind," Eddie mumbles, falling back into the rocks and grass.

"Shit, that was cool." Robin stands up and stretches. "I'm so cold I'm gonna die right here. Steve, do you still have a blanket in your car?"

Steve looks over at you again. You look shell-shocked, not quite awed. He doesn't know what emotion you're feeling, only that you're feeling it, eyes wide and set across the lake at the darkened sky, lights from the buildings like stars shimmering in your pupils.

He stands up and offers his hand to you. When you take it, he pulls you up without hesitation, not a flicker of doubt or an ounce of struggle.

"I'll get you that interview," he says, questioning, soft. If you want it. 

Your fingers linger in his palm.

"Yeah, okay. Thank you."

"Come on!" Robin says, taking your other hand and tugging without apology, barefoot over the asphalt path surrounding the lake. "Before the gnats come out."

"We might see fireflies if we stick around," Eddie says.

They bicker. Steve lets go of your hand and you and Robin walk just ahead, your head bobbing between his two arguing friends like you're watching a quickfire tennis match.

You turn to the side and hide a smile. Steve sees it, and he figures it's a start.

"Munson," he hollers, "how about you stay and watch the fireflies and you tell us all about it? Me and the girls aren't gonna freeze out here so you can get back in touch with nature."

It's a bad joke, but it works. "Fuck you, Harrington. The ladies wanna see the lightning bugs, don't you?"

"I can't remember the last time I saw them," you say.

"Then we have to stay," Eddie says smugly.

You all crowd the back of Steve's car, the heaters on but not doing a lot, the blanket stretched over Robin's shoulders. She tucks it behind your back, and you all look out to the night and scout for bugs.

"There," you whisper, pointing.

Green dots of light rise from the dry grass like tiny lanterns, a handful at a time.

"Jonathan's gonna be sad he missed this," Robin murmurs.

You try to count them all. Four voices whispering bets into the night air, though the real number isn't possible to calculate. "Winner gets a new paperback on Robin," Eddie jokes, swiftly quietened by a barrage of elbows to his side.

They let you win.

[medakakurokami]

I finished over 100 visual novels, here’s a long post with some recommendations

Last month I hit 100 Finished VN’s over on the VNDB and I thought I’d shoot out some recommendations while the Steam Summer Sale is going on (even though some of these aren’t going to be on Steam)

I already have finished up some stragglers and caught some shorter titles so it’s up to 104 Finished, but all the better. I have been reading some VN’s since 2015, but it really became a hobby and a genre I was invested in during Covid lockdown in 2020. I had trouble getting into some of the popular titles, but a couple of games that were lesser known at that time really blew me away that year and I started digging more into the medium. I still have a lot to try out and other classics I’m still interested in trying, but here’s a top 10 I’m confident in recommending to most people, at least the kinda people that would follow this blog. A few of these recommendations are actually multi-part series, but hopefully accessible all around.

Planetarian ($10 on Steam and Switch, ~$5 on sale)

This is a very late entry onto this list but I think it’s an easy recommendation. This is a very short 2-4 hour visual novel that got a well received 2 hour movie adaptation in 2016, but it was strong enough that even while knowing the plot everything still hit hard. It is a story set 30 years after an apocalyptic event destroys most of the world, as a human junk-trader comes across a planetarium with a somehow-still-functional robot named Hoshino still performing her daily duties after 30 years without customers or coworkers. It can come across as a bit saccharine, but it is a quick, well made, and effective tearjerker.

Narcissu 1st & 2nd (Free on Steam)

Narcissu’s first two parts are pretty compelling stories to do with suicidal ideation within the scope of the terminally ill. Which is to say they’re also real tear jerkers, and pretty open about some harsh self-reflective emotions. They both have stellar endings, and can be quite immersive despite the very limited artwork (if the screencap looks weird, the game’s art exists within a narrow strip on the screen, with a sentence or two reading out the story underneath it). Maybe the least accessible on this list, but a $0 price tag makes it easier in some sense to get into.

Umineko no Naku Koro ni / When The Seagulls Cry (~$50 on Steam, $30 on sale)

Umineko you’ve probably already heard of, and here’s me recommending it. Umineko comes in two parts, on Steam referred to as the Questions Arc and the Answers Arc. Despite the split, the overall story follows the events of a certain day on Rokkenjima Island in 1986 as a family meets to discuss their inheritance and their family’s mysteries. Unbeknownst to them they are soon haunted, over and over again, by the revenant of the Golden Witch said to live in the woods of their family’s island.

I’m in the minority of preferring the Questions Arc, where well written and deeply human characters find themselves in deeply inhumane and nonsensical scenarios. The Answers Arc back seats some of that to start delving into an esoteric explosion of clues and backstories, and was still very entertaining even if I was more invested in the episodic stories than the overarching mystery. This may also be seen as inaccessible, $30-50 for a slightly older title and over 140 hours long on average playthroughs, but it is deeply absorbing.

Witch on the Holy Night a.k.a. Mahoyo ($40 on PS4 and Switch)

Mahoyo is me and Nasu’s marriage counselor, it really made me see the good in him. It follows a young witch co-habitating with her magic colleague and the puppy-like boy that unwittingly steps into their world at risk to his own life, just as unexplained apparent murders are witnessed in their town.

This could possibly be a higher level recommendation, though it was apparently intended to have sequels and you can somewhat feel that in the isolated feeling of its main conflict. Despite this, the game is definitely worth experiencing for its classy charm and extremely well made action sequences that at times make you forget you’re not watching a full anime film. It’s also a showcase of Nasu’s strengths in writing character interactions and comedy, and he finally lets Show take over and stops Telling you piles of mage society worldbuilding quite so often. It is also has some of the highest quality production value I’ve ever seen, second maybe to...

Marco and the Galaxy Dragon ($20 on Steam/Switch, less than $10 on sale)

Marco and the Galaxy Dragon is an explosive opera of art, energy, color, and of course music. It follows the orphaned Marco and her dragon compatriot Arco as they hunt for treasure across the cosmos, finding their way to Earth on the hunt for Marco’s mother.

If Umineko’s 140 hours seems steep, Marco has you covered with a quick 6 hour rundown of a rebellious orphan fighting back against her space alien menace to find her own sense of place and identity in the universe, along with ALL the friends she made along the way. If Mahoyo feels like an anime film sometimes, Marco actually just has fully animated FMV cutscenes that are fun as hell and have their own unique artstyle to the VN itself. Thousands of pieces of artwork and a 52-track OST fill the game’s short runtime with no cut corners and and overflow of passion from the devs. Honestly even if you don’t want to read it go buy it, it’s cheap and they earned it.

White Album 2 (You’ll have to be creative to find this one)

This is the only recommendation that’s currently only available in an adults only 18+ Rating for the English translation. That being said, it’s one of the few erotic VN’s that felt justified in its pornographic scenes. The story is split into two releases: Opening Chapter and Closing Chapter.

Opening is a short and powerfully delivered love triangle narrative following Haruki, Setsuna, and Touma as their hastily formed 3-man light music band falls into itself with feelings. It’s charming but gut wrenching and sweeps you into its drama very effectively before kicking you on your ass in the end.

Closing Chapter is a long and drawn out disassembling of their lives as they fail to heal from the wounds of the relationships seen in Opening. It, to great effect, takes the readers own experience with how fun and passionate the Opening Chapter was, and shows how trying to cling to halcyon days can make us so dispassionate about our present lives. Painful stuff! Good music, too.

The Princess, The Stray Cat, and Matters of the Heart 1 & 2

a.k.a. Noratoto ($40 on Steam for both, ~$15 for both on sale)

This is a very personal recommendation, and maybe one more easy to make on this blog where many of my followers might be receptive to sincere but slapstick ecchi comedy as art. Every route is highly different however and to me, some are pretty average for galge, while others stand out as amazing. The comedy writing as well feels like it was written by someone with actual comic writing experience, and not just regurgitating the usual ecchi manga jokes.

The general premise of Noratoto is the protagonist Nora, being transformed into a cat by Patricia the princess of the Netherworld, and he must reverse this curse via a kiss before it becomes permanent. A benign fairy tale premise, but one that somehow gives way to underlying stories about existence and finding purpose in families and where that leaves those without families or with abusive or divided families (it is from the same developers as Marco and the Galaxy Dragon, and the themes of finding identity without family match up very closely). Uniquely it is a visual novel written somewhat in 3rd person, narrated by a motherly voice as if the VN was being read to you as a bedtime story.

Like I said, it is dependent on route and some come across as your usual ecchi gal-game schtick, but some stick out, and if every route was as high quality as Nobuchina’s in the 2nd game, it would probably be my favorite visual novel.

The Original Ace Attorney Trilogy ($30 on most platforms, $10 on sale)

You’ve almost certainly heard of Ace Attorney already and have most likely played it. This is me telling any Ace Attorney fans reading that the original trilogy still reigns supreme (regardless of Turnabout Big Top). This is also me telling anyone who has held out on trying Ace Attorney to try it, and to start with the original trilogy.

Obviously this trilogy follows the Meme Man Himself, Phoenix Wright, as he defends the innocent and brings the guilty to justice acting as both lawyer and his own main investigator. While each case presents a unique mystery, the original trilogy has an underlying arc that reaches from beginning to end with a massive conspiracy that Phoenix has to breach to bring justice to the perpetrators and resolve the memory and regrets of his beloved mentor.

These games have some speedbumps as you may be banging your head against the wall trying to find the right evidence, but the experience that breaks through does so with gusto, succeeding on what it sets out to be: games that make you feel like you’ve brought justice to the world.

Utawarerumono Trilogy ($40/60 each on Steam, trilogy bundle $62 on sale)

Utawarerumono was my first proper visual novel, and it set the standards pretty high. I’ve posted about it several times in the last few years, and it remains one of my favorites. It is a labor of love on the part of the developers (the same developers as White Album 2), who developed the latter two games over the course of several years and have made this the spearhead of their company for the time being. Which makes sense, since it is about war.

The first game follows a masked man who is given the name Hakuoro waking up in a rural village with amnesia, confused about the strange population of beast-men living there. Despite not understanding his situation, his ingenuity brings the village prosperity. When the local lords try to put the village under their thumb, Hakuoro and the villagers are able to turn the tides against them. Their village grows into a kingdom as Hakuoro seeks the mysteries of himself and the world around him.

The latter two games pick up some twenty years after the conclusion of the first, and follow a man who is given the name Haku, waking up in the woods with amnesia confused about the... you get it. He is met by Kuon, a young girl on her way traveling to the capital of their nation of Yamato. Haku graciously accepts her help getting out of the cold woods, and decides to join her to the capital. As events play out, Haku finds himself under the direct command of the nation’s leader the Mikado, and carries out missions on his behalf as the nation continues to drag itself into war and conflict and Haku also seeks the truth of his identity.

These games are expansive in scope while still putting a large focus on the day-to-day lives of its characters. Around 100 hours across all three games it is impressive how much story it manages to fit in, but the pacing does bounce around between sweeping conflict and sleepy conversations. It is also in part, a strategy RPG game with the battles in the war being controlled by the player. These are decently made, especially well in the third game, but don’t ask too much of the player and the story remains the main focus and biggest portion of the runtime.

The House In Fata Morgana a.k.a. Fatamoru

($40 complete version on PS4/Switch, ~$40 main game + expansion on Steam)

I’ve gushed about this enough on this tumblr, I’ll keep it brief.

You are a formless soul who is led by the hand of a mysterious maid through the doors of a mansion on an unknown plane of existence. Through each door lies a story of the house in a different era, all following people bound together in ways that leave them cruelly and violently undone by the end of their stories. The connection between these stories, the mystery of the house and the supposed witch that resides within, and the mystery of You the wandering soul all slowly unravel in a bloody show of catharsis and soul. The game is dripping with traumatic poetic text, grating beautiful music, and all of its atmosphere geared toward being oppressive yet enticing. One of the best things I’ve read.

Honorable mentions:

Va-11 Hall-A and Endless Mondays get shout outs as some of the best Original English Language VN’s I’ve read, with cool artstyles and a mature cast they manage to be fun and relatable. Va-11 Hall-A delivers a great arc for its protagonist and Endless Mondays has great dialogue on the threat of automation of creative industries.

Grisaia Trilogy and Hatsumira are both absolutely raucous trilogies that are a lot of fun. Not wholly recommendable to all, Grisaia has some strong moments and a hilarious unique cast but is a mess overall (but we love Michiru). Hatsumira is a bit more consistent, a more stable and fantasy-oriented Grisaia.

A.I. The Somnium Files duology are detective games with highly divisive endings, but great comedy and characters that make them very easy to get through and enjoy the whole way to the end. It’s just a toss-up whether you’ll like that ending.

Sakura Wars games are finally being translated, and they are a great showing for anyone who wants to try some classic dating sim stuff but with some pizazz thrown in with the setting and mecha combat.

The Tears to Tiara duology by the same developers of Utawarerumono and White Album is also one to keep an eye out for. The first game's definitive version isn't available in English and the second game is stuck on the PS3 and no longer available digitally, but if they ever come out on Steam they are worth your time.

Nanairo Reincarnation and Kinkoi: Golden Loveriche are also two solid ecchi comedy galge. Both have surprisingly deep and genuinely heartbreaking underlying mysteries and conclusions.

I still have a lot I wanna read, Planetarian is the only Key novel I’ve read. On the docket are Labyrinth of Galleria, Little Busters, the 9 -nine- series, and Kara no Shoujo and White Album 1 releasing on Steam this year. Some classics I didn’t mention are Fate/Stay Night, Muv Luv, Steins Gate. Muv Luv I read Extra and enjoyed it, but never pulled the trigger on reading the rest, I may at some point on a whim. Steins;Gate I played through half of on PS3 and now my PS3 is in the closet, the VN is really good and has a unique atmosphere to the anime, buuuuuuut knowing the plot has made it hard to want to restart on PC or another console. Steins;Gate is good, if anyone is reading this far and hasn’t seen the anime or read the VN, do it.

[marika-misc]

Mental Health & fandom

tw : mentions of Neil Gaiman and JK Rowling, mentions of suicide ideation (in the past)

Note : this is my personal musing and should not be read as facts or an universal truth.

(very long post)

I was never - ever- able to casually like fictions. When I like something it becomes a safe place of sort. A refuge if you will.

As far as I remember, I have been an avid reader and a lover of fictional worlds in books, movies, tv, podcats, etc.

For me, works of fictions have always been more than just pieces of media to consume. They are a get away when things get too much and they often feel like the only thing that can comfort me in a time of need.

I love more or less every kind of fictions. I have pet peeves, yes, and things I can't/won't read or watch, but I love them anyway because I know they bring comfort to other.

I like it so much, that it became my job (I'm a librarian) and nothing makes me happier than a patron telling how they enjoyed something. Even if I don't like it and wouldn't read it/watch it myself. I love when people like things.

So, fictions can't be a casual enjoyment for me. They are part of me and of what I am. When I like something, it consumes me and spreads through every aspects of my life. And yes, sometimes it's a little bit too much maybe ? But, so what ?

For me, being alive is a choice I make every day. Sometimes it's easy, sometimes it's not, most of the time it's neutral. Being alive is hard. Life is hard. And the world is a violent, messy and loud place. So, if fiction helps me to keep going and find joy in this life ? Hell yeah ! Who cares ?

Numerous works helped me through the years to stay alive and deal with changes.

When I was 8, it was books by Enid Blyton. When I was 10, it was books by Agatha Christie and Gaston Leroux When I was 13, it was Titanic and Celine Dion (ilu Celine) When I was 15, it was Gundam Wing for 6 months When I was 17, it was Prince of tennis for about a year But between 14 and 25, it was mostly Harry Potter

Harry Potter and the Globet of fire was the first book I read in english. It took me 6 months, with a dictionary. It was also my first real foray into the world of fanfictions. I had read some before, but with HP, I binged like crazy. I read in french and in english. I printed pages and pages of fics in my highschool library. And I made arts. Lots of it, now lost in the ether.

I re-read the whole serie every time I had to go through changes. It was with me when I moved 500k away from where I grew up and helped me through 3 house moves.

At 25, I moved from HP to other fandoms, but it was still very dear to me and I kept going back to it from time to time. I was on the waiting list for Pottermore for example and still occasionnaly binged fanfictions.

When JKR started to be more vocal with her bullshit, I was chocked and disgusted. I felt betrayed. And it was also the first time that I felt like I was a traitor for enjoying a thing. I couldn't be a good ally if I admited to like HP, right ? So I gave away my books and stopped interracting with the work. I even started to judge people who still bought things HP related. Because HOW could you still give money to her ? But deep down I kind of understood how difficult it was to part with something that meant so much for so many of us. Don't get me wrong, I don't want to give her money and I don't plan to. But it's easy to judge other and forget that the real piece of shit is JKR, not the fan who buy a gryffindor pair of socks and/or write fanfiction after a grueling day at work. It's unfair to have this purity weight to bear all the time and judge people for how they chose to interract with a thing they like. And it certainly doesn't do much to tell people how to feel and how to be "good".

Also, being an ally is not just refraining to buy something HP related. But it's a whole other subject.

Anyway, after HP, I started to fall even harder in the fandoms I was a part of. A fair number of them being "problematic".

First thing first, liking a "problematic" media is ok imo. I know they are not perfect and I acknowledge it. I'm still allowed to like them. Nobody can dictate how I feel.

Second thing : some of these fandoms saved my life. Glee litteraly stopped me from jumping in front of a train and for at least two years, Merlin was the only thing bringing me a little bit of joy.

Nobody can take that away from me.

Recently, Doctor Who and Our Flag means death prompted me to go to therapy again and made me realize A LOT of things about myself.

And there is Good Omens. Good Omens is my current hyperfixation and really what kept me going these last few months. I fell and I fell HARD. Probably because I needed fiction to keep myself afloat and it was there for me. It's kind of funny, because I had read the novel more than 15 years ago (I came to it when reading a lot of Pratchett) and even if I liked it at the time, I still liked other Pratchett's works better. It all changed with the tv show. I wouldn't say it's better than the novel, but it's different and the changes made (and also the fact that DT is in it, lets be honest) spoke to me a great deal. So I became invested. And I began to create again. After years of art block and only drawing sporadically, I was drawing nearly every day and finding great joy in it. Good Omens kept me alive and gave me my creativity back. It was (and still is) so important to me, that I decided to get a tattoo of the first two sentences of the novel. It's a whole design with a book, a sword, a snake and apple blossoms. It goes from my right shoulder to my elbow. I got it done in april.

Three months later the allegations against Neil Gaiman came out.

It hit me hard. Harder than with JKR. And I wasn't even a fan of his. But what he did (because I chose to always believe the victims) horrified me and made me angry. So angry. Angry for the women who suffered first and foremost, but also angry for the fans who grew up with his words and now feel so betrayed and overwhelmed by what is happening. And I'm angry for myself. Very selfish of me, I know. I'm angry, because Good Omens is my safe place and I have now to fight to keep it that way. It still brings me joy, but it also brings me anxiety and seriously fuck you Gaiman. Fuck you. Fuck you for tainting a source of joy and creativity for me. Fuck you for dirtying Terry Pratchett's legacy. Fuck you for being an abuser and proving again and again that none is really safe in the world we live in. I hope you'll pay for what you did, even if I know you will probably not.

This is so not good for my mental health. Also, how do you cope when you have the words inked on your arm and are reminded everyday of the shitshow going on ?

I hope Terry Pratchett wrote them. Not you. But how would I know ?

I talked about it with my therapist because my anxiety was out of control (again) and we did some EMDR work on it. It helped me clear my head a little and reminded me that I was not in the wrong to love something and to find joy in it. I agreed to wait at least a year before deciding if I wanted the tattoo to be covered (not the snake, sword and apple blossom part ; the book part). I could do it now, I even have some designs in mind, but I'll wait to be certain and not take a rash decision because I'm hurting. I will not give him my money anymore, but I don't want him to take the joy and comfort I find in Good Omens away from me. I won't let him. I won't let anyone.

I don't want to do what I did with HP again. I don't want to negate something I love and which brings me joy. So I will rip this book and show from his dirty hands and keep them close to my heart where it's safe.

Maybe it's not being "good" or "moral". Maybe I shouldn't separate the art from the artist and preach for Death of the author. Maybe.

But I'll do it anyway.

My own moral compass is strong and I will not deny myself again.

[paingoes]

Crash Out - Reflection

Birthday, shower thoughts, shrooms

Paris reflects on the birthday incident and his life in general

(Content: whumper turned whumpee, (ex) royal whumpee, living weapon whumpee, whumper POV, past abuse, abuse apologism, dehumanization, beating, drugs, addiction, body image, minor emeto, suicidal ideation, guilt, death mention)

It was his birthday and the same night everything was destined to be destroyed. The Castle Thales seemed to know this and did its best to look haunted. The warmth of her presence broke through all that was the cold and crystalline. She was the only one he could stand to speak to.

Everything had been fine until they’d ended up back in the main hall and that old argument started up again.

Delta knelt at the side of the throne with the golden chain around his neck. All the bruises had been painted over carefully. He looked bored more than anything else. One hand played idly with the thread of the carpet. He did not see them come in.

Lorelai went rigid just as soon as she saw him. She pulled away from Paris as harshly as if he’d hit her.

“…You really keep him there all night?” she asked in unease.

He rolled his eyes, knowing exactly where this conversation was headed. He didn’t want to go through it again now. Not on his birthday. He wanted a single fucking night where he didn’t have to think about it.

“Yeah,” he answered flatly. Obviously.

Her expression darkened, “And you make him wear a leash.”

“Who cares?”

“I’m sure he does,” she said, “Can you imagine how he feels?”

“Oh my god, are you still on about that commie shit?” He moved one hand to his hip, his irritation deepening. He was tired of explaining this. She wouldn’t understand.

“You are mean,” she said. She said it like it was a revelation, like it was something that was supposed to surprise him. Like she was finding it out now for the first time.

“Yeah,” he agreed.

“You’re worse each time I see you.” 

Something like horror was dawning in her eyes. She was the only person he cared about in the world and in that moment, he swore that he hated her.

~

One year later, in the bathroom of a rundown motel, he washed the dirt off of his hands and carefully re-bandaged all the places the skin had torn. The air was heavy with steam. It opened up the shredded membrane of his throat. It distorted his reflection.

“Can you imagine how he feels?”

The thought came to him without warning, but with the kind of day it’d been, it didn’t come as a surprise. And he couldn’t have imagined it, not really. He’d never spared Delta the time, or even the consideration.

But he was starting to. He could almost imagine it, forced down onto his knees by the barrel of a gun, the blindfold tied over his eyes. He’d treated it like it was nothing. Empire demanded sacrifice — from everyone. It was all just more of the same.

He wiped at the mirror to reveal the litany of bruises along his skin. His body was turning into a minefield of scars. It was meth thin, and tired often. He’d done such a number on it.

~

Twelve hours earlier, Lorelai’s ship had pulled down onto the clearing of the festival. For all that had happened, the partying had went on uninterrupted throughout the entire trip. She’d asked if he wanted to skip it for a little bit, since his head was fucked, and since his body was fucked, and since he’d almost died. He said no.

It didn’t take them long to disappear into the crowd, about as indistinguishable from any other pair of losers in their twenties. She could get along with anyone — and he was finding it was a lot more tolerable to talk to people when they didn’t know who he was.

They found refuge in the company of the spring-breakers. College students. They were easy to work. The fine arts student pulled a knitted pouch from within her purse.

“No. None for you. Don’t give him any,” Lorelai insisted, popping a handful of the shrooms into her mouth.

“I’m fine,” Paris said.

“No. You always freak out.”

“I’m literally fine.”

“Don’t give him any.”

They waited until her back was turned before making the handover. 

“I took it,” he said, the moment she turned back.

“Are you fucking crazy?!”

~

“You know what? Fine.” He yanked at the chain around Delta’s neck, harder than he needed to. He slid the key into the lock. The chain clattered loudly to the floor.

“Fuck both of you.”

He stormed out. It was freezing on Thales that night and he could barely feel it. He was hot. He was burning all the way through the wood path.

He stomped up the ramp of the ship and all the way to his room.

Empire demanded everything. It would erode away at any happiness he might’ve gotten, any other life he might’ve had. He would give and give and give and get nothing and still keep at it endlessly. He’d made his peace with it. 

He thought he did.

And still he thought he might have her. 

Empire would rob him of that too. It was the final intrusion, one final act of self denial.

He handled it with all the grace of someone off six different stimulants.

He tore his room apart and he took everything in it. He was in the grip of it. All the scorn and betrayal bubbled up and coiled and burned. 

It wasn’t fair. It wasn’t right.

She belonged to him. 

They both did. 

~

Through the thin walls of the motel room, he could hear her on the other side. She laughed softly, her voice indistinct as she took the call.

She could never know. He’d tell her almost anything, but this she could never know. 

He tried to imagine saying it to her now. He tried to imagine telling her what he’d done that night. The fear and the shame coursed through him like ice. He never could. 

Everything he owned fit inside of the trunk of her ship. There was so little that belonged to him anymore. 

~

The shrooms crept up on them about midway through the set. They hit her first. He saw the way her eyes dilated, the little mania that crept into her movements, and knew he did not have long to go. Sure enough, the colors shifted, and the strange vibrations through his body picked up in synch with the bass.

He thought it was fine. In the busyness and brightness of the crowd, he could almost forget that it was his destiny to freak out each time he went on psychs. It was only as the sky darkened and the music quieted that he felt it crawling.

They were in the woods. Why hadn’t he realized it until now? He stumbled back to the college kids’ little outpost and found that they were surrounded by woods on all sides. He was on the ground. He was in the dirt. Something large and tiger shaped crested in his periphery. Something dog-headed flashed behind his closed eyes — and the harder he tried to push the thought from his mind, the more it wanted to stay. He whined miserably into his crossed arms, hiding his face in the grass.

“I told you not to take it,” Lorelai sighed, combing her fingers through his hair.

“I’m sorry,” he whispered, meaning it. 

“Shh,” she said. She kissed his temple. “Just ride it out.”

~

It was so easy to blame Delta. He’d gotten into the habit of it. And Delta took it so endlessly. He never fought back. 

Paris would never be happy. He’d known it for a long time. Empire demanded sacrifice. It demanded and demanded and demanded. Paris would give to it endlessly, everything. He did everything for it.

He was so fucking sick of it.

He did not dream of a better life. He dreamed of dying. He dreamed of crashing the ship into the side of a mountain and killing everyone onboard. He dreamed of unlocking Delta’s collar at the ball and unleashing upon all of them a fury that they’d all done everything to deserve. He dreamed of death in a million different ways.

Paris hated his life. He hated Empire and that nuclear bomb they had built up in his brain, the child they’d ripped from his home and turned into a machine, the fucking symbol of all that had ever gone wrong. Real evil burns and coils and glows. It destroyed cities and cut civilians in half. It cauterized wounds and bled from the mouth. It was down there now, with one of Lorelai’s hands pressed up against its own.

Because Delta was so fucking blameless. He’d never had a choice, he heard Lorelai’s voice in falsetto.

What fucking choice had he had, either? Delta got to be blameless. And he got to be worse each time I see you. He got to be mean.

He did the last of the line off of the cracked sink.

He’d show them fucking mean.

~

He felt around in the space between his ribs. He traced careful fingers over the star-shaped scar on his chest and then again over the bandages on his palm. It still hurt nearly too much to touch. He didn’t know when it would heal again. They’d stitched it up for him at CTRL and they had not even done it painfully. He hadn’t understood why. He still didn’t understand why.

The word mercy tasted sour against his tongue. It spun sickly within his mind. 

Wasn’t he just a little bit disappointed when the gun was removed from his mouth, when his life was extended any longer than it had to be?

And wasn’t he so devastated when he learned that he was spared?

He traced the scratches along his arms. Delta’s claws had gotten in deep. It was some of the last traces of him left on the earth. All the rest was buried at the bottom of the ocean.

It wasn’t fair.

He didn’t deserve it.

~

One of the art students gave him a sketchpad just to shut him up. He took it, grateful to give any form to the horrific intrusions.

He drew wolves, mostly. Wolf heads. Lorelai laid down on the grass beside him. The others were sprawled out a bit further away. 

She wanted to share the paper with him. He held it in between the two of them. His drawings were scary, at first. All the wolves had eyes in their throat. All the lions had teeth like knives.

But she filled in the empty space with vines and flowers until it looked like a jungle you’d find in a children’s book. She said she wished they had paint. He remembered she’d been good at that. They’d have gotten a lot of mileage out of it. 

He felt his fear dwindling. He felt guilty that he let it.

He knew he freaked out whenever he took it. He did that with most things, really. Did he even like drugs? Why had he taken it?

~

Paris barely heard him. So much adrenaline coursed through his system that even seeing felt like an impossibility. He didn’t bother holding back anymore. He didn’t want to.

The impact broke the mirror open and scattered the shards all across the floor. He threw Delta roughly down on top of the broken pieces, not caring. The glass crunched beneath his boots, crystalline, iridescence.

Everything was ruined. Everything was ruined and there was no coming back. There was no hope.

He pulled his leg back and drove it straight into the side of Delta’s rib, listening for the crack that followed. He hated it. He hated all of this so much he could not stand it. He was spiraling, he knew, completely lost in the goddamn tantrum. He didn’t care. He wished they’d both just fucking die.

He yanked at Delta’s collar again, dragging him into the bathroom. He was going on about some shit that Paris didn’t understand, that he couldn’t even begin to care about. If he’d been listening, if he’d really been anywhere but inside his own head, he might’ve noticed that Delta had been crying. That he’d started begging. He didn’t notice. He took a rough handful of his hair, forcing his head back down whenever he squirmed too much.

The water reached the rim, and he’d forced his head under that, too.

Delta laid gasping within the tub, the thick strands of his hair slick and wet across his face, his wrists bound up in chains. He’d tried to speak again. He couldn’t. Paris clamped a hand over his mouth. He didn’t want him to speak, to interrupt his own spiral. He wanted to feel it all, to drown in it.

“I hate you,” he said.

And Delta’s eyes got wide, probably wondering what he’d done wrong, as if it’d ever been about him at all.

~

He tried to throw up, but nothing could come out. He hadn’t eaten in days. It’d become habit. His hands were shaking and his nose was bloody and the hot steam of the bathroom made it so that there was no coolness to the tiles. He felt no relief even as he pressed his skin against them, as badly as he wanted to lie down on the floor and never get up. He was sick.

He could still hear Lorelai through the door, the faint sound of the phone call, and of her music playing in the background. She seemed to know, always. He heard her rising up from the bed, a gentle knock at the door.

“Paris?” she called softly through it.

He winced, closed his eyes. How could he ever begin to tell her?

He was sick.

~

Did he even like drugs? He asked himself this again and again, still sprawled out on the grass, still with her beside him. The night was on in earnest now. Thousands of stars peppered the sky. The music student said there would be a meteor shower tonight. Maybe they’d get lucky.

Why had he fought so hard and so fiercely? They’d come all this way, across a hundred different planets, across an entire year. He’d dragged her from her home and across the galaxy. It was such a desperate bid.

He must have wanted to live. This was the behavior of someone who wanted to live.

And so why had he gotten drunk every night of the trip, and each night before that, ever since he turned fifteen? He’d taken the pills off the street when he could afford to pay for the real thing. He’d forgone the test kits, when it was no trouble for him to get them. He’d taken more than he should and he’d picked fights he couldn’t win. He’d spent hours prodding at Delta, at an atom bomb, just hoping for something-

He hoped the ship would crash sometimes. He hoped the stars they passed would explode without warning. He hoped for one thing, desperately, and he had for as long as he could remember.

I want to die.

It was a quiet admission. He could only say it in his head. Lorelai was tripping too hard, it would throw her in a bad way. But as it surfaced, there was no way to submerge it again. It rose up all at once.

Death evaded him. It was denied to him. Was he ever relieved afterwards? He wasn’t. He hadn’t been.

The world was cruel as it was endless — and it was out for him. He would die just as stupid and evil as everyone else had been.

But then they’d been so careful when they pulled him out of the grave. They’d bandaged his hand and stitched it without hurting him, even when they had every right to. They’d given him blood from their veins when his own had run out.

Lorelai’s hot tears had fell onto the bare skin of his clavicle. She’d clung to him when he was found. She didn’t want to see him in pain. In spite of everything.

She killed for him.

I want to die.

And as soon as he admitted it, he didn’t want it anymore.

“Lorry, I think I need to get sober,” he said.

She turned over in the grass, whining a little bit.

“Me tooooooo. Why is it lasting so long?”

“No, like, permanently.”

“Oh.” She poked her head up. “Are you serious?”

His hand rested against his chest. He could feel his heart beating beneath it, quick and painful. The same frantic rhythm it’d been honing for years. He nodded.

“I don’t want to feel like this anymore.”

Her face turned back into the grass. He looked back up into the sky, waiting for his heart to settle down, waiting for meteors. Absently, her hand reached out for his own.

~

On the morning after his birthday party, Paris woke up with sick clarity, and he knew he’d done something he could never take back.

One week later, Delta was dead and the kingdom was lost.

~

Paris stood up roughly from the bathroom floor. He pulled a clean shirt over his head and combed his hair out with his fingers. 

As he looked up into the clouded mirror, he remembered the shards that had spilled out onto the floor of Delta’s room. He’d broken the mirror.

Seven years of bad luck.

He was sure he’d earned himself so much more than that.

~~~

tags:

@catnykit @snakebites-and-ink @scoundrelwithboba @whatwhump

@pumpkin-spice-whump @deluxewhump @fuckass1000 @fuckcapitalismasshole @defire

@micechomper @writereleaserepeat @aloafofbreadwithanxiety @whump-queen

[mysterycitrus]

just saw ur yj post and i have so many thoughts on it!! i always think that after bruce comes back, dick should’ve gone back to new york like that man cannot coexist with bruce wayne in gotham and i hate new 52 for bringing back bludhaven because i love the idea of a bludhaven that was used as a base for world ending events like final crisis and it’s just a shitshow- like this was dick’s city and he gave so much of himself to it but it’s just a radioactive wasteland now. and i don’t think dick could’ve/should’ve gone back. and to be honest i think dick should’ve dragged tim with him because as much as i adore the idea of tim with yj in sf i think of yj and titans as very different in terms of their sidekick experiences- like yj was more of the latchkey generation despite the attempts to oversee them from introducing authority figures in the form of red tornado their parents etc- and i just think at that point dick might be able to see his brother’s suicidal ideation and see the ways in which tim thinks he’s expendable except to the mission and he grabs his brother and tells him ok time for u to go college and rmb what it’s like to be an actual person outside of ur isolationist red robin business!!!

describing them as latchkey kids is very accurate! it’s what makes them such an interesting point of comparison as the next generation after the original titans who really had to advocate for their independence. i also agree that bludhaven should stay a crater — it was so important to dicks development as a character and for the universe as a whole!

i kinda oscillate back and forth between tim being in san francisco and new york, but i do think that in the short term he should be out of gotham and away from bruce. partially because it’ll help his relationships with damian and steph but also because like u said — dick grayson would look at how tim is actively transforming himself into bruce and hating himself for doing it and be like ok…. we’ve gotta enrol u in some arts courses to get ur head back on straight.

maybe he spends a year on the west coast then moves back to study at hudson, idk. there’s this period ive found as ive entered adulthood where u rediscover all ur friends? like they’re the same but not. u have to relearn about urself and them, and i think cassie and tim having the connection of knowing what the world is like when kon and bart have died, and kon and bart fundamentally not understanding what that was like would inspire serious character growth. idk. the idea of growing up is scary when u die as a teenager. it’s hard to care about urself when you’ve already met ur end, yknow?

[mrs-snape5984]

“How can I take the pain away? How can I save a fallen angel, in the dark?”

“Fallen angel, just let go. You don't have to be alone. Fallen angel, close your eyes. I won't let you fall tonight.” (“Fallen Angel” by Three Days Grace)

I guess, I have to put another trigger warning on the next three paragraphs of this post. I never mention it explicitly, but my words might imply my suicidal ideation. If you might get triggered by this topic, please feel free to skip the aforementioned parts of my text.

As I already explained in my last few posts, I’ve commissioned some of my beloved artists of Snapedom for a special project of mine. I’ve asked them to draw different stages of my afterlife journey for me. In my imagination, I will finally be able to go home with Severus, when I shuffle off this mortal coil (oh, how very Shakespearean of me 🙄) and leave my unbearable torments and pain behind.

The varying phases of my everlasting life will be shown in multiple artworks of Severus and my undeniably self-inserted OC Jules. I’m clinging to Severus as my comfort character for more than 21 years already. He’s been there for me whenever the burdens of my existence became too overpowering for me. For this reason, it seems only natural to me to expect him waiting for me…and we will finally be allowed to live the life, we deserved to have.

Since I’ve already spoken to both of my closest friends about my wishes for the time after my demise - for which I’m still feeling immensely guilty and remorseful about - I just started to put my requests into writing in an official statement by formulating my “living will” and my “last will”, which I’ve also informed my mother about. And damn, I know, that I have to apologise to my friends for all those dark jokes, which I’m making about this topic (yes, I’m very aware of the fact, that there won’t be a coffin, which could be big enough to bury me with all the items and framed artworks of my personal Snape-Museum 😅), but I need to cope with my sorrows by the usage of my dry wit.

For this component of my personal project, I’ve commissioned my precious friend @opalchalice again. Her mesmerising piece of art shows Jules as a fallen angel in distress, desperately searching for guidance out of her misery. Severus is already awaiting her with open arms, ready to guide her into the pure bliss of her afterlife. This might sound strangely pathetic to some people, but nothing else can soothe my troubled heart as much as these daydreams.

Lia, I know, that you’re very proud of this beautiful drawing and believe me, I’ve never seen anything better from you, yet. I’m immensely impressed by your talent and dedication to the improvement of your skills. It’s always fascinating to me, to go through your former illustrations, recognising the progress, you’re making with every new artwork. Your creativity and your kindness are the reason, why I’ll support you as long as I’ll be capable of going online. Thank you for everything, my lovely friend!

🖤Severus & Julia🖤

🖤Sevy & Jules🖤

[garmanarnarr]

Rickorty Week Day 6: "Say You'll Marry Me"

college-aged Morty | 2.8k words | Rated M, language, vomit, suicidal ideation, rock bottom Rick Sanchez

@rickortyweek

Morty throws the trunk of his dad’s station wagon shut with a thump. 

“You sure you don’t need to bring my Ninja smoothie blender, Morty?” Dad asks, for a second time, standing on the driveway beside him with his arms crossed over his chest. The August morning is hot and clear. Gene’s sprinklers are going hard on the lawn next door. 

“I think it’ll make you really popular with your roommate. You said they’re from California, right? They must be healthy. There’s a little more space behind the driver’s side–”

“N-nah, I’m good, Dad,” Morty says. He goes around to the passenger door to do a last check of his overflowing laundry hamper and make sure his video game console box made it in. He doesn’t want to forget Bonestorm III. All told, he doesn’t really have that much to bring, though, and the car’s only half full. He wears pretty much the same clothes all the time, and doesn’t have a ton of books or movies or anything. His booby bikini girl poster is rolled up in the footwell of the backseat and one or two of his robot figurines he just couldn’t part with are packed into cardboard boxes. All the advice listacles his parents found online for Summer’s freshmen year of college said that bringing something from home was important, so the idea has been passed down. 

He reaches into his pocket and palms the little evil intent detector that Rick had made for him a few years back. A tiny credit-card sized piece of metal that reads people’s brainwaves and vibrates if they’re planning on hurting him or torturing him or whatever. They’d used it on an adventure, a rare heist –Morty can see Rick’s eye roll– but he hadn’t had the heart to throw it away. He’d gone back and forth for ages on whether or not to even bring it. He still doesn’t have to, he tells himself; he has hundreds of miles of highway driving ahead of him where he can just chuck it out the window and let it get crushed on the side of the road. He tightens his grip. 

His mom comes out of the garage, checking her watch. “We gotta get this show going,” she says. The garage feels weirdly empty until Morty realizes it’s because Rick’s ship isn’t in it. Hasn’t been there for a while. He pulls his hand out of his pocket and starts loading the last few bags. 

“If we don’t leave soon we won’t make it to our motel until, like, eleven, and lord knows what we’re going to find in Fresno after sundown,” Mom says.  

Dad follows Morty as he transfers a final trash bag of gym shorts and shit into the back seat. 

“What– what about my George Foreman Lean Griddle? Or, my Slap Chop? You never know when you’ll need onions in little cubes, those always make me cry….” 

Dad sniffs, then wipes away a tear, even though he’s trying to look like he isn’t. Oh, God. He had volunteered to drive Morty first, of course, before being overruled. 

Morty turns back and gives him a small smile. “I’m really fine, Dad. But thanks.” 

“Oh my God, I’m sorry, just give me a moment, son.” 

Something in Morty’s pocket buzzes. His hand flies to Rick’s detector, for a second, until he realizes it was the other one. He pulls out his phone and opens it to check his messages while Dad tries to get it together. Two are from Summer, who’s been spending her senior year of college in London with the textile arts department of her school doing fashion stuff. 

dont let dad cry all over u little bro 

cuz hes gonna

The newer message is from his girlfriend, Anne.

status report mortimer

Morty finds himself looking for some kind of message from Rick– which is stupid. Rick doesn’t text. 

He texts Anne: 

finally leaving lol 

She responds immediately:

call me when you guys stop for the night? 

Morty’s heart clenches fondly. They’re going to different schools to study different things in different parts of the country— newly separate time zones– and it’s going to be hard, but he likes her a lot. Enough to give it a shot. He winces as he remembers Rick’s deadpan dismissal when Morty had mentioned that he and Anne were going to do long distance over dinner a month or two ago. D–didn’t take you for that much of an idiot, Morty. As soon as she gets there she’s gonna be getting allll sorts of co-ed dicks in her mouth. But I guess you don’t mind sloppy digital seconds?  

Ofc i will, he types. 

Nobody’s heard from Rick in two or three weeks. Morty had kind of expected– well, he didn’t know what he’d expected, but he’d really thought that Rick would do him better than this. All he does is talk about how stupid Morty is all the time; maybe he’s pissed at being sort of wrong. He’d been straight up shocked when Morty got his acceptance letter in the mail, the packet fat in Morty’s hand as he raced down from his room to show everyone. While Summer screamed, and both his parents had cried, Rick had stared at the letter Morty was holding, hard, then sipped his beer, then turned back to the TV. N-nice one, Morty. A real cool sixty grand a year investment, there. 

“Let’s go, Morty,” Mom says, opening the passenger side door. “I need some coffee if we’re gonna do this.” 

Finally, Dad wipes his face. After taking a few deep, calming breaths, he walks over and sweeps Morty up in a hug. 

“I’m proud of you, Morty.”

“Thanks, Dad.”

“We didn’t think you’d make it, but you did. Of course you did. And that’s what matters.” 

“Bye, Dad,” Morty said, leaning into the hug. “I–I love you.” 

“I love you, too.”

Morty doesn’t realize how much he misses the sound of a portal opening up until he hears one right behind them. Dad jerks back with a frightened twitch. 

“What the hell–?”

Rick doesn’t so much step out onto the driveway as fall. He looks to be in a really bad way. Maybe as bad as Morty has ever seen him: scraggly and torn up, not even really standing up straight, too drunk for his body to cope with the flat, even keel of the pavement. One arm of his labcoat is missing, ripped off at the shoulder, and Morty’s thankful to see that the arm beneath is intact. Skinny, and maybe there are track lines, there, faint in the bright sunshine, but intact. There’s dried vomit crusted on his sweater. 

“M-Morty, oh, God,” Rick moans. Morty feels a sinister shiver run over his shoulders and up the back of his neck as he watches Rick try to shield his eyes, blinking rapidly into the hot light. “Christ. Fuck.” 

“Dad?” Mom asks, poking her head out of the driver’s window. 

“Rick? Here to say goodbye to Morty?��� Jerry asks, cautiously. Morty watches as he scooches himself to stand between his son and Rick, a little bit. A surprisingly brave move. 

“Isn’t that w-what we’re all doing?” Rick asks back, taking a step forwards, then falling to one knee with a lurch as he loses his balance. “Saying fuckin’ goodbye— goAAUUGhodbye to Morty? Because he’s going away f-f-forever and never coming back?”  

Rick’s drunken stare pins Morty to the side of the car, which had been parked outside so long while they packed that the metal is starting to get hot. The words sound like a taunt, but Morty can hear the truth there, a hard kernel in the middle. 

“Hi, Rick,” he says, trying for indifference. In his pocket, he squeezes his hand around the detector. 

Rick narrows his eyes. “R-R-Rick and Morty. One thhhhousand fuckin’ years. What, whatever happened to that shit, huh?”

“Dad–” Mom’s getting back out of the car. 

“So I’m going to school. Big whoop,” Morty says, annoyed. Everything about this is annoying: Rick disappearing whenever he wanted then showing up just in the nick of time fucking shit faced like he’s trying to bail out the Vindicators. “You’ve been gone for, like, three weeks, Rick. And you didn’t feel the need to tell anybody about that. N-not that I would expect anything else at this stage. So, you know, whatever.”

“Three weeks?” Rick’s struggling to stand back up, now. “Three weeks?”

“You’ve never owed anyone anything in your whole goddamn– your whole stupid life, R-Rick. Not my family, not me. Not even Mom.” 

Rick’s expression is foggy and drunk, but underneath, Morty can see he’s hurt.  

“I think you should go, Dad,” Mom says in her stop-doing-this-right-now-or-you’re-fucked voice. “I don’t care if you portal out of here, or crash on the sofa to ride out your hangover, or whatever, but just. Let us leave.” 

Somehow, Rick manages to get one leg in front of the other so he can advance up the driveway towards Morty with halting, wavering steps like a zombie in a horror movie. The detector in Morty’s pocket buzzes. Dad looks back and forth between them, scared. 

“Three weeks, Morty?” he grinds out, again. He’s close enough now for Morty to see how bloodshot his eyes are. “I’ll give– give you three weeks. Y-you know what happens when you go to college Morty? You have four years to get too fuckin’ big for your idiotic little britches.” He grabs one hand around Morty’s bicep, grip crushingly strong. Morty can smell his rancid breath across his face, agitated, huffy. “And then you, you go and think you can do goAUUGHd, good things for the world, or whatever, you get those little aspir– aspirations in your head, Morty, you get these fucking ideas in your head–” 

“It’s already been years, Rick,” Morty says, trying not to turn away. “Doing whatever, well at least, pretty much whatever, I-I guess, you wanted me to do.”

“– and you don’t even know how stupid these i–ideas are, until, boom, you’ve lived your whole sad-ass pathetic-ass life doing jack fucking shit. Goin’ and bein’ a techbro office slave narc or some shit. I just can’t, I just can’t ffffucking– oh fuck—” 

Rick starts to throw up pretty spectacularly all over the ground, and the side of the car, and on Morty’s sneakers. 

“Oh my god, Dad!”

“Oh, Rick that’s just disgusting!!”

Morty just stays quiet until Rick seems finished and he slumps against the car, moaning. He watches as Rick slides down until he’s half knelt, half crouched by the front bumper, the vomit running down the gentle slope of the driveway to touch his shoes and the spread hand on the ground that’s keeping him from falling on his face. He makes a sound when Morty comes closer, a sort of whimper. Morty gets down beside him. Unable to stop himself, he puts a hand on his grandpa’s back and starts rubbing little circles as Rick groans, spitting out a wad of bile. There are a lot of different colors in the vomit, ones Morty can’t recognize even though he’s pretty familiar with Rick’s binge habits by this point. 

“Fuck youUUGh. Fffffuck you, Morty. I– I mean that. So much. '' Rick’s staring at the ground. He pinches the bridge of his nose with his hand. Morty wonders if maybe he’s going to be sick again. 

“Yeah, fuck you, too, man,” Morty says, but there’s no heart in it. He just feels sad. He wishes– he doesn’t know what he wishes. 

“F-forever. Fuck you, forever,” Rick mutters quietly, almost to himself. Little dark spots show up on the driveway beneath his head, and Morty realizes he’s crying. Or maybe it’s post-vomit drool? It’s hard to see his face. 

“M-Morty, Morty listen to me,” Rick says. He sounds defeated, almost confused. As old as he really is. 

“I’m listening, Rick.” 

“I’m gonna do somethin’ stupid. Sooo, so stupid.” Rick’s still staring at the ground. 

Dad’s shadow has crept next to Rick’s foot. “Rick, I really don’t think–” 

“Whatever you’re about to do, think twice before you traumatize my son,” Mom says. Then she pauses and adds: “More.”  

Morty keeps rubbing circles across Rick’s knobby spine. “What, Rick? What– what’re you gonna do?”

“Say you’ll.” Rick chokes a little. 

“Say what?”

“Say you’ll marry me, Morty.” 

Morty blinks. “What?”

“JeEUGHsus Christ, don’t make me say it again.” 

Morty’s body is a live wire. His hand scrunches the back of Rick’s coat tightly. “No. Say it again.” 

Rick stares up at him with watery eyes. 

“Marry me,” he says, quietly. Pathetically. There’s some drool and left-over throwup clinging to his chin. 

There was this one adventure they’d gone on where Morty had mangled his leg so badly that his shin bone had actually broken the surface of his skin. Burst right through below his kneecap, like a jagged, bloody tooth. It was screamingly painful– Rick actually had to knock him out until he was able to fix it with some nanobots. Morty realizes that this is the same as that; that this is some core part of Rick, torn through all the heaped layers of nihilism and drugs and whatever else poisons who his grandpa is. This is the exposed bone. 

When Morty looks up at his parents, he can’t read the expressions on their faces. 

“I– I’m not a good person, Morty,” Rick says, grabbing weakly at Morty’s t-shirt to get his attention again. Like he can’t bear to let Morty look anywhere else. He sounds like he’s really losing it. “I’m a horrible person, Morty. Say– say that you’ll marry me. God, I’ll blow my fuckin’ brains out if you don’t— let’s just g-g-get out of—oh my God—” 

Morty’s pocket vibrates. He doesn’t know if it’s the detector or his phone, and he should care, should be terrified, but he doesn’t. 

He isn't.  

— 

Turns out, Shoney’s is a regional chain.

Morty doesn’t realize this until they reach the last one at the edge of the state, just before they cross the border. ‘Last Shoneys for the next 24,800 miles,’ says the sign at the exit. There’s a graphic of an arrow reaching all the way around the globe, back to the little point on the map they’re driving through. Morty has traveled the multiverse with Rick, to places billions of light years away, so far away time doesn’t mean anything at all, but somehow this is already the longest trip he’s ever taken. Like that one scene in the Lord of the Rings where Sam crosses the corn field. If I take one more step, this’ll be the furthest from home I’ve ever been. That was a really good movie, Morty thinks. 

His mom throws the car into park. She’s had to adjust the driver’s seat to be closer to the steering wheel because her legs are shorter than Dad’s, and change all the mirrors, too. She drives way faster than him, swerving lanes to cut around traffic like a maniac. Maybe that runs on her side of the family. 

“Food?” she asks, simply. Morty nods. He twists to look over his shoulder. 

“Rick?” 

Rick stirs in the back seat, thin eyelids fluttering. They’d made space for him by shoving over a bunch of the boxes to one side and moving some to the trunk. There aren’t really that many, anyways. He’s wearing a clean pair of pants and a t-shirt that belongs to Dad, which helps, but he still has an undernote of puke and sweat. 

He makes a hungover-sounding groan. He still hasn’t opened his eyes.

“You want Shoney’s?” Morty asks. “L-last chance.”

“Shoney’s, you say?” He cracks an eye open, gaze flickering around to look up at the building they’re parked at. “Didn’t know they had them out here. O-on earth, I mean.” 

Mom watches him silently in the rearview mirror. Rick just looks at Morty. 

“Y-you know what, fuck it, sure,” he says finally, popping open the car door and getting out. The sun is even hotter, here, and scorching air blows into the car when he slams it closed. Mom and Morty do the same, one, then the other.  

Together, they go inside to eat lunch. 

[muffinrecord]

Not MagiReco, just Life Stuff

I've been doing a lot of reading lately, not just of star mythology books but memoirs from EMTs, Firefighters, and Rangers. Trying to study and get research in for the story I wanna make. I've also been reading a lot about bears which are slowly becoming a favorite animal. How dare bears look so goofy and silly while being so dangerous!!!! Scandal!!!! I've also been reading about cults and stuff, which is also research. Also medical stuff on how to repair injuries if you're in the wilds with no one else coming to help you. My protag is a former EMT so she needs a decent-ish amount of medical backing.

If I do actually start writing my story, and if people notice it, and if I somehow make money off of it, I think my current dream goal is to start a lil fundraiser and donate money to various EMS organizations. Like maybe help fundraise money so that a place can get a new vehicle with state-of-the-art equipment. I can't think of a cooler thing to do.

I think the next few things I wanna start reading about is Alaska, where the story takes place. A friend is helping me with the inside scoop of living there, but it's always good to diversify your sources and learn as much as possible. I've been watching videos and stuff but I just absorb stuff through physical text easiest.

If folks are curious; my story (When the Sun is Gone) is about star-themed magical girls (magical women?) called Celestials. I'd categorize their magical duties more similar to EMT/Firefighter/Ranger work than police/army stuff. I really want to focus on them protecting the community and the kind of struggle that arises from it. The monsters should feel more like a wildfire than a person. There are infections that develop when monsters and humans live too close together, called "lunacy" (cause these monsters formed from the lingering corpse from the dead moon god), and this presents a problem because you gotta cure these people who are going through some issues and might fight back about it. And if you don't cure them in time, they might become fully fledged monsters that they can't come back from. Some of them want to be helped, some of them don't.

There's a dead moon cult up to no good too, which is difficult for the protagonist to deal with. The cult does some negative shit to the outside populace for sure, but the real issue is that the leaders are hurting their own people inside and those victims don't want to be saved because they think this is all for their benefit. How do you help people like that? Do you walk away, even if they're being hurt? Even if they do want to be helped, how do you do it? Sometimes the protag has the best intentions but it goes horribly wrong. You can do everything right and still fail. It's hard to not take that personally or to feel like a failure.

I don't want it to be too much of a bummer of a book though, so balancing failure and winning is going to be a tricky issue. But I think it will be fun. A lot of the research I've been doing is been to prepare for the right mindset for the Celestials to be in and for different ways for my protag do develop burnout and depression akfsjsafklas. Something I've noticed from a lot of the memoirs is that they almost always start out hopefully, optimistic, and anxious about their new job. Then they develop almost an addiction to the crazy nature of it all, to the unpredictability, the out-of-the-box thinking involved in street/wilderness medicine, and to the adrenaline rush. But as it goes on, that becomes burnout, then depression, occasionally suicidal ideation. The lucky ones get out before it becomes irreparable. We always read about the lucky ones because they're the ones who survived to write a book.

That said, it's scary to work on personal projects because of stuff like perfectionism. But if you're too worried about "perfect" then you'll just end up in the situation I'm in, where you never get started lol. But still, it's scary to write something personal and think that someone might read it and be disappointed in it. What if it's just not very good? The other thing that frequently comes up in my head is "am I really the right person to tell this story? What if I get it wrong?" What if I hurt someone's feelings by getting it wrong? What if I say something wildly inaccurate and contribute to misinformation out there? Or what if it's morally wrong to read memoirs about people's tragedies for the sake of your creative writing? I'm "using" a person's life to mine for storytelling material. It feels wrong to do that. Is it okay? Am I doing a bad thing here?

But maybe it's okay to write something that isn't very good, and maybe it's okay if I'm not the "right" person to make it. I don't know. I feel a pull to move my feet forward though, step by step, and see if I can do my best at least.

I think one thing I'm really thankful for from the game and this fandom is that I was just myself and people seemed to like that. I could shout out my loud opinions about stories or gameplay into the void and people would agree or disagree, but they were generally polite and excited.

This is a lil all over the place ajfaslfaf

But-- if you've been checking out the blog, then thanks for being here :) I hope that the upcoming liveblogs will be fun to read. If you decide to hang out and read my stupid lil story in the future, then thank you for giving that a chance too. But no worries if you aren't.

<3