#make it green!

[yetomainvader]

[tpwrtrmnky]

Posting all of the pills that make you green comics here now, enjoy? I guess?

regret rates

proof

talking points

you problem

owned

modern invention

unethical experiments

typology

think of the children

side effects

facts

making sense

rushing

drawings

research

this rocks

valid

Next

[musashi]

i want more nuance to be entered into the discussion of the green girl sorority and how differently cynthia plays elphaba in comparison to those who came before her because while a lot of people are rightfully like "why was elphaba not black from the beginning" and celebrating that she is now being played by a black woman, i think we need to be careful in just writing off all the elphabas of the past as Random White Girls when the role was championed (and often followed/succeeded) by a jewish woman

the pop culture archetype of the Wicked Witch has deep roots in antisemitism stretching faaaar far back. there is a level of reclamation happening in casting idina menzel, a jewish woman, to play the Misunderstood and Maligned young girl who is branded as exactly that. and stage!Elphaba is also written and acted with jewish stereotypes in mind--she is loud, aggressive, no-nonsense, blunt. she is quick to advocate for herself and shut down the discrimination she faces. all of this is very intentional! her personality is abrasive from years of abuse, and that makes propagandizing her easy. this is literally the thesis statement of the musical--it's not about aptitude, it's the way you're viewed.

cynthia's performance of elphaba is fucking INSPIRED despite going in a completely different direction. she's much more reserved, analytical, one of her key character traits is how well she can read people (see her calling out Galinda as insecure/putting on airs in their first scene together, clocking that Fiyero is using his party guy persona as a shield for his own depression) elphaba's attempts to blend in and make herself smaller all fail simply because of her existence, if not that then because she feels empathy so strongly she often struggles to hold back from acting, protecting.

personality wise, though, cynthia's elphaba is very quiet and closed-off, not at all the bullet-to-the-face that she is in the stage show, and... she still gets propagandized and maligned. though this seems to contradict the other interpretation, it tells of the other end of the spectrum of propaganda, one that black women watching (and many, MANY other marginalized folks) are sure to identify with--it does not matter how "nice," how reserved, how small a black woman makes herself. a racist society will still scrutinize her every action for a way to parse ill intent from it, brand her as an angry black woman who is dangerous and wicked, and write off any humanity she has in the process.

these two very different interpretations tell of the lie of assimilation. the fact of the matter is, when you are marginalized, there is no way to sand down your edges enough to make the people oppressing you "accept" you. that is why wicked is a tragedy at its core. whether loud and aggressive or quiet and unimposing, there is nothing elphaba could have done to make the people of Oz see her as anything other than a scapegoat to blame all their problems on.

so while i definitely appreciate that people are excited for black girl era elphaba, i would encourage us all to still show appreciation for what came before--that was not white girl era elphaba. that was jewish girl era elphaba. two houses, both alike in dignity, two stories both worth being told.

[hoodiedeer]

[imperatoralicia]

Just having some drinks at the local saloon.

[polararts]

The guy is also done

[arkangelo-7]

Things Bruce Wayne does at Justice League meetings that 100% confirm the fact that he is a Dad.

Makes attempts at referencing pop culture to try and relate to the younger members. The most memorable instance is when he told Flash to “keep running up that hill.” (Dick laughs for an hour when Wally tells him about it.)

Does the iconic groan/grunt whenever he sits down in his chair. It’s hilarious, but no one is dumb enough to laugh at the Batman.

Ensures that the background music exclusively plays Matchbox 20 and Nirvana. Diana is the only one who enjoys this.

Actively complain about how everyone is “ruining his floor” whenever they push back their chairs.

On that note, he also complains about crumbs getting everywhere whenever someone is snacking.

Will (covertly) ask Clark for grilling tips during breaks. Oliver overhears this once and has to go lay down out of shock, because Batman? Grilling?

Declines requests for new equipment/tools/etc. because they “have that at the Watchtower.” This inevitably leads to complaining from the entire JL.

Always, without fail, will ask Hal if he’s changed the oil in the spacecraft recently. Hal doesn’t know whether to be offended or not.

Randomly interrogates members on if they’ve messed with the Hall of Justice’s thermostat. They have not, in fact, touched the thermostat.

Someone needs to stop me because I literally cannot get the image of Bruce being the Typical Dad (tm) of the Justice League.

[shotmrmiller]

sex pollen trope where you're the one affected, having been exposed to some dense gas while on an op that felt like harsh sandpaper across your throat and lungs, and now you're a feverish mess on some ratty cot in a safe house and with only ghost as company, it's miserable, as the saying goes.

hair sticking to your sweaty skin, plastered onto your forehead and neck, every swallow feeling like you've got a mouthful of sand, your fluttering pulse wild and deafening in your ears, and the throbbing ache deep in your core, the blistering heat right below your navel— it'd only been uncomfortable in the beginning, the faint throbbing incredibly familiar, but the more you ignored it, the worse it got.

and now you're here, with arousal sticking your underwear to your pussy, unable to do anything about it because your lieutenant is seated in a corner that lets him have both you and the front door within his line of sight. a quick, discreet rub under your clothes is not an option.

someone put you out of your foggy misery.

"squirmin' like a worm on a 'ook isn't gonna help." his staring doesn't either, yet he does it anyway.

"got to make sure ya aren't dyin' on me." you want to snap that you don't think proof of life is on the darkened stain between your legs, the retort pressed behind clenched teeth but another thick wave of bestial need rolls over you and god, you're about to shove your hand into your underwear, propriety be damned—

"best you don't do tha'." why the fuck not? "you'll only get relief for a moment 'fore it comes back twofold." he says as if he's reading off the morning paper and not watching you fight tooth and nail to not fuck yourself against the pillow your head is on. (soap's offer to be friends with benefits is only looking better by the hour.)

you hastily decide that it'll be better than nothing. you'll just have to rub your pussy raw until this drug runs its course and you're telling him to piss off or don't, but you've had enough. you're stuck here with him anyway, no flight home until the morn and you're not about to spend it writhing around.

"if tha's wha' you want," ghost bites his gloves off, spitting them out onto the ground before curling his hands around your ankles and dragging you toward him. "i will help." your entire world narrows down to the feel of him touching your skin, his fingers searing as they hook into the waistband of your pants, and you almost kick him in the mouth trying to get them off faster.

"but 'm not fuckin' you." the bite of disappointment is quickly forgotten, his breath warm against your slick pussy, and after three quick glides of his tongue over your pearl, your orgasm crests, pulse after pulse of pleasure so potent it stung.

in less than a minute you're burning again, need thrumming through you and with the heady push and drag of his middle finger over your sensitive nerves, curling in you until he can fit two, three—

you're lost.

(ghost telling you that he's not doing anything else because if he's going to fuck you then you're going to remember it falls on ringing ears.)

[heart-locket-musicboxless]

•. A visit in a dream .•

[joshuamj]

Okay, but what if EoW!Zelda had to impersonate Link

[twilight-zoned-out]

Learning about the Doctor Who specials' expanded budget: oh no, what if they overuse CGI to look more 'professional' and high-budget?

The first scene of the Doctor Who Special:

[hinamie]

spiraling

[tpwrtrmnky]

hindsight

[ID: A two-panel comic with crudely drawn stick figures.

Panel 1: The lime green person is talking to the leaf green person and the moss green person.

Lime: "I... have a confession to make."

Leaf: "Go ahead."

Lime: "I want to rewatch the Wizard Child movies."

Leaf: "Didn't the wizard author get incredibly chromophobic?"

Lime: "Yeah I just... It's nostalgia you know? They meant a lot to me when I was a kid."

Panel 2: The three are on the couch.

Lime: "All right, let's go."

Leaf: "It's so weird how the wizard author just turned chromophobic though. Like I remember this series being pretty good for its time. It'll be weird seeing their work contrasting with their views now."

Moss: "I'm just glad we got the movies for free through normal and legal means. Heh."

End ID.]

[ID 2: Scenes from three Wizard Child movies.

Wizard Child and the Simplistic Morality: A slightly round child with a propeller hat is talking to a child with no hat.

Round child: "I am so fucking fat and greedy I am textually shown to be fat because I am greedy and also evil."

Hatless child: "You are to infer my moral purity from juxtaposition with this fat child. Woe is me for our shared parent has deprived me of a propeller hat."

Wizard Child and the Goodness of Wealth: An adult wizard is talking to the child, who now has a wizard hat.

Wizard Adult: "Wizard child you are secretly extremely rich."

Wizard Child: "I will form biases regarding the bankers all being triangular for some reason!"

Wizard Adult: "Your wealth is deserved because your true parent was Good and therefore you are also Good."

Wizard Child: "Now we should acquire consumer goods. Buy consumer goods!"

Wizard Child and the Dark Family History: A blue-grey horse person is talking to the wizard child.

Blue-grey: "No, wizard child. You don't understand. I am one of the good ones, because unlike the bad ones I don't try to spread my curse that makes you a blue-grey horselike creature to others!"

Wizard child: "Wow uncle blue-grey you are one of the good ones! I forgive you for being a horse because I am so good I would even forgive horses. I sure hope you don't conspicuously get killed off later in this movie!"

End ID 2.]

[ID 3: Oh hell no there are even more of these.

Wizard Youth and the Tokenistic Relationship Dynamics: A square headed wizard youth is talking to the former wizard child, now a wizard youth.

Square Wizard Youth: "Wizard child, as the only person with a square head in this entire series it is my duty to inform you that you are the savior of all people with square heads, too. Let us build a one-sided relationship that only furthers your character development, after which I will immediately lose all plot relevance."

Wizard Youth: "I will do this because I am a maturing wizard youth and need disposable relationships that don't threaten the endgame!"

Wizard Youth and the Escalation of Stakes: The Dark Wizard, a sort of grey-green person with a cloak, is pointing at Wizard Youth.

Dark Wizard: "Wizard Youth, I have returned!"

Wizard Youth: "Dark Wizard! Why are you green now?"

Dark Wizard: "Evil magic made me green! I am green with envy towards all who are good!"

Wizard Youth: "I will not engage with how you are clearly based on fascist ideologies and yet this narrative plays into fascist aesthetic sensibilities!"

Wizard Youth and the Post-Hoc Revelations: The Wizard Youth is leaning over their Wizard Mentor, who is laying in a pool of blood.

Wizard Youth: "Wizard Mentor no! You can't die!"

Wizard Mentor: "It is fine, wizard youth. My death will further your character development into a wizard adult. Also, I was secretly a very very dark purple this entire time. I never brought it up so I could retain narrative approval.

End ID 3.]

[ID 4: Wizard Adult and the Overdue Conclusion. Three panels. I am sorry.

Panel 1: The dark wizard is dueling the Wizard Adult with magic beams.

Dark Wizard: "Evil green beam!"

Wizard Adult: "Good red beam! Despite the enormous variety of magic in this series this is what our final battle looks like!"

Panel 2: Wizard Adult stands victorious over the dark wizard, who is dying on the ground.

Wizard Adult: "In the end, dark wizard, you were defeated because I am morally superior to you."

Dark Wizard: "I was a product of systemic failures. There will be someone like me again someday!"

Panel 3: Zoom in on wizard adult, who says:

"Not if I can help it. Because I am going to be a wizard cop now. The moral of this story is that all systemic issues can be solved by finding a bad guy to beat."

End ID 4.]

[ID 5: Four panels.

Panel 1: Return to the green trio on their couch, watching the TV say "The End." All are are silent.

Panel 2: They are sitting on the couch. Moss is looking at their phone.

Lime: "Yeah so there were maybe a few signs we missed because we were children."

Leaf: "Yeah. A few. Some."

Panel 3: Continue conversation.

Lime: "So what did you think, Moss?"

Panel 4: Zoom in on Moss, who says: "I've been zoned out on my phone since the second movie. They lost me at the magic stuff. Wizards aren't real."

End ID 5.]

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[batfamhastwitter]

Part 7! Next part with more of Bruce, Ollie, and more's reactions will be out soon!

Prev ~ Beginning ~ Next

[kcrra]

it makes me literally sick to think about alicent's relationship to her children. like. they are all she has. she loves them more than anything and hates them just as much. each of them is a shackle around her neck. they are her babies even though she was a baby herself, forced to be their mother. she'll pick up a knife for them. they are her living prison. everything she ever does is for them. their very existence makes her sick. she understands them and yet doesn't know them at all. they are her future. they stole her past.

she was 15 years old tethered to a rotting body of a man entirely against her will, watching each of her children invade her body as a result of martial rape. how were they ever supposed to have a normal relationship!!!!!!!

[ofalltheginjoints]

available on redbubble