#mainstream-media

[whydidisavethistomyphone]

[biggest-gaudiest-patronuses]

the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"

just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible

[valdevia]

"Snakes" aren't real. It's a camera artifact that happens when one of these extremely fast, tiny lizards runs past while the shutter is open.

The long, legless animal is nothing more than a myth perpetuated through culture and media. It's time to wake up and see the truth.

[guldaastan]

[scribeofmorpheus]

Why Dragon Age Veilguard isn't a "Cathedral"

Concept art by Matt Rhodes

"To disinherit the storylines of past games goes directly against the notion of building cathedrals."

What is inherent with Veilguard that keeps bothering me is the fact that the world's choices truly didn't matter--and it doesn't simply bother me from a player perspective, it's not simply a grievance borne of frustration to what I (as a longtime fan) have lost. It's about the very culture of the arts under capitalism's new media habituation cycle [x][x].

Yes, I spent hours of my life playing and replaying each instalment of Dragon Age. Yes, I painstakingly curated a 'canon' world state by replaying what came before in preparation for Veilguard. Yes, I am even more unsatisfied with the end product--time hasn't helped, it's just widened the divide. But, and I can't stress this enough, these very personal gripes aren't what hit home the most. It's the inherent disregard of legacy. A legacy that the previous writers and game developers were building towards.

In the DAV artbook, "cathedral" is the word used to describe the process of making a game. Matt Rhodes' exact words are: "One artist can make a painting, but it takes a team to build a cathedral." Cathedrals took centuries to build. The architect who drafted the first blueprints would likely never see his work realised, he had to rely on those who came after him, like-minded and passionate, to see it through--for the culture, for the future, for legacy. Painters took on several apprentices for this reason too--giant frescoes were not completed by one man's hand, even if it is one man's name that immortalises them. Similarly, if you weave a narrative around choice, what good does it do to take it away at the final act if not to fall to caricature?

To disinherit the storylines of past games goes directly against the notion of building cathedrals.

Late-stage capitalism and profit-margin-obsessed game producers forcing developers to churn out meager content, to make a known brand into something it's not, to chase a fad or a popular trend... o, how reductive and cliche you've been forced to become Bioware. We have lost the cultural thought patterns relative to Cathedrals. We know only of barn-raised churches--done in a day but unlikely to last the turn of the seasons.

And don't even get me started on the music of Veilguard either. From Origins to World of Warcraft to Everquest to Baldur's Gate to Dungeon Siege, you can hear the intricate interconnected weave of sounds inspired by the Dungeons and Dragons-esque fantasy genre. You hear it in the repeated use of certain instruments, in the harmonic weeping notes of a bard-like singer or the foreboding echoes of drums as if of war. In tavern songs. But then, rather than hire someone who loves these worlds and this genre, who is a hungry artist looking to make a name, a legacy if you will, for themselves with a spectacular score, you hire any already sated composer, one well-into the encroaching years of career fatigue, whose notes repeat in countless projects, who feels less concise and more uninterested with each new project. One who has long since cemented his legacy. Someone in it for a paycheck and nothing else! And, to top it off, you let him compose something so minimalist? I am offended actually.

Cathedrals! We should have witnessed the final tile being placed on the Dragon Age cathedral. Instead, some architects walked up, tore down the interior and installed IKEA furniture and called it authentic before having to call the previous architects to come and fix the "load-bearing issues", forcing them to rush and add a coat of varnish and a few 'aged' details for authenticity.

[tomfrogisblue]

i forgot to post this during june but i think one of the reasons qsmp was so important was how unapologetically Gay it was

for starters, the number of creators and admins involved who are irl queer of some variation, just chilling in a place where any kind of phobia would get Philza's legendary ban hammer faster than you could say "rainbow jelly"

and then the characters.

i remember showing up that first day and being shocked that somehow foolish had an ex-boyfriend already (I had missed the squidcraft lore apparently)

that server. gay. all the gay. all kinds of gay.

govermentally assigned platonic husbands that stayed together the whole time (despite one of them being gone for months at a time), not a chance in hell of infidelity. Proud fathers of two wonderful children.

governmentally assigned partners who yelled full volume at each other about cheating any time they were in the room together and between the two of them killed two children.

a grieving father and ex-convict becoming one of the most solid couples in the server, with a beautiful wedding and consistent public displays of affection via the in-game chat.

a demon ashamed of who she was and a lonely detective struggling with family trauma, now with a lil girl of their own, to love together and take care of, with more moms than could ever allow the little girl to ever be lonely herself.

a 2b2t warrior coming to terms with his sexuality with the support of his beautiful baby boy at his side, slowly but surely opening up to his eventual Brazilian Boyfriend. Where they went from the most cautious couple (baby steps) to the most sickeningly sweet couple on the server.

- and this list doesn't even scratch the surface.

gay characters, trans characters, ace characters, aroace characters, gender fluid characters, all kinds of relationships and families.

all presented without negativity or shame.

the point of the server was to exchange languages and cultures, without the biases and barriers seen so much in both the content creator scene and the wider world.

it also had a beautiful little side effect, practically by accident.

our lgbtqsmp.

[macmanx]

It’s a good day to stop supporting the NYT, and start supporting your favorite independent journalists, or your local NPR and/or PBS stations.

[anetherealpoetess]

most critics of heroine x villain ships are unknowingly performative, recycling patriarchal ideas of female goodness without ever questioning the cage. it is a masterclass in devastating subservience disguised as feminist critique. you can mute all the faux-progressive language about romanticising toxic relationships, and their arguments would still reek of gut-churning fear and conformity. i feel bad for them. truly. but punishing other women for stepping outside the rigid lines of acceptable womanhood is dystopian. fandoms are not surveillance states. no woman needs permission to enjoy the transgressive. no woman needs to beg forgiveness for enjoying her favourite stories.

[stillnaomi]

it's not really shocking that the same media that insisted on starting the narrative with October 7th focused on condemning the violence against the UHC CEO. according to the ruling class, we're only supposed to fight oppression through liberal institutions or pacifism, unless it's happening in a Bad Country. hitting back is a big no no to them because, like all bullies, they fear any challenge to their power. capitalism is a system built on exploitation, and its institutions reflect that

[nando161mando]

The corporate press now wants "humanity" for someone who blatantly showed none to countless suffering people, all in the name of shareholder value.

[simply-ivanka]

INVESTIGATE. INDICT. PROSECUTE. INCARCERATE.

Media manipulation should be illegal. Zuckerburg's statement is an admission and he should be prosecuted for election interference.

Meta CEO Mark Zuckerberg admitted Monday that the Biden administration pressured Facebook to censor COVID-19 content and acknowledged it was wrong to stifle The Post’s coverage of Hunter Biden’s infamous laptop.

In an explosive letter to House Judiciary Committee Chairman Rep. Jim Jordan (R-Ohio), Zuckerberg wrote that “senior Biden administration officials, including the White House, repeatedly pressured” Meta to “censor” content related to the coronavirus pandemic in 2021. 

The content the Biden administration requested that Meta take down included “humor and satire,” according to the Facebook founder, and he said he regrets complying with certain demands.  

[dicapiito]

Not the media trying to describe that WHITE MALE shooter as a “lightskin man”.

[nat-20s]

It's a little embarrassing but the ending of the giggle GENUINELY changed my brain. I saw the main character get a happy ending by getting to live with their best friend forever and I genuinely haven't felt any pressure to date or be in a romantic relationship since

[st-just]

Okay this interview is a month old but I just saw it for the first time and-

lol, lmao even.

[hildegardladyofbones]

One of the best things about Disco Elysium by far is that it does not fear ugly women. The world is full of ugly men, but ugly women are so hard to come by.

[personthattoleratesme]

NBC wrote an article about YouTubers and dnp ghosted them they’re so real for that