#m. m. ( the partner )

[qubiqubi]

Even the baddies need some love. Hope ya'll enjoy Brothership

[lovethisfatcryptid]

Your balls look so heavy. I should drain them for you.

[catherine-sketches]

I love how, with the way Full Moon went down, it makes the previous Fizzarozzie episodes serve as a great point of contrast.

It was not just “expanding Fizz and Ozzie character/relationship” episodes, it was also “this imp and high ranking demon love story is a narrative foil for our main imp and high ranking demon love story because Fizz and Ozzie actually TALK to each other while miscommunication runs rampant in the Blitz and Stolas corner” episodes.

Fizz is open about his insecurities, his broken horns, his fears. He has no problem vocalizing his feelings to Ozzie and he trusts him implicitly (hello hugging a fire demon while your limbs were lost in a fire because you KNOW that he would never burn you I’m still not over that)

Ozzie is over there using “I” statements (“I don’t like this” and “I don’t appreciate that” and “I think this is has gone way to far”) and trying his best to be clear of his support for Fizz even if he doesn’t like the whole pageant thing and making sex toys with his lover’s face on them.

(I’m a firm believer on the “Ozzie had a formal contract with Mammon to make the Fizzbots/Sex Fizzy™️ products making it everlastingly binding, and as long as Fizzy was the winner of the pageant and Mammons brand baby he couldn’t just stop production and tell Mam to fuck off. Meaning that it was up to Fizz to stop the whole thing by severing ties with Mammon. Which he did!)

And now in the new episode Fizz and Ozzie are work partners! They are designing toys together! Fizz is thriving and more carefree than we ever saw him before.

Meanwhile Stolitz have to learn (both of them) how to properly communicate with each other because GOD they do such a bad job of walking on the other’s shoes that it’s making my heart hurt

[marioandluigicollab]

Happy Brothership Day!

Thank you everyone for participating in the Mario & Luigi: Art Collab (-Ship)! It's been a wonderful journey for us all, we hope you had a great time and enjoy the canvas with everyone's wonderful work on it!

You can find the full canvas and credits to all of our participants here!

Edit: We've made a few minor changes for version 2! Check out our newest version of the canvas!

[darealsaltysam]

so that tva comic huh

[moriaarts]

This is a Waxer/Boil blog now

Also remember that one time Waxer booped Numa on the nose? Ye i think abt that a lot

[aronarchy]

Why we don’t like it when children hit us back

To all the children who have ever been told to “respect” someone that hated them.

March 21, 2023

Even those of us that are disturbed by the thought of how widespread corporal punishment still is in all ranks of society are uncomfortable at the idea of a child defending themself using violence against their oppressors and abusers. A child who hits back proves that the adults “were right all along,” that their violence was justified. Even as they would cheer an adult victim for defending themself fiercely.

Even those “child rights advocates” imagine the right child victim as one who takes it without ever stopping to love “its” owners. Tear-stained and afraid, the child is too innocent to be hit in a guilt-free manner. No one likes to imagine the Brat as Victim—the child who does, according to adultist logic, deserve being hit, because they follow their desires, because they walk the world with their head high, because they talk back, because they are loud, because they are unapologetically here, and resistant to being cast in the role of guest of a world that is just not made for them.

If we are against corporal punishment, the brat is our gotcha, the proof that it is actually not that much of an injustice. The brat unsettles us, so much that the “bad seed” is a stock character in horror, a genre that is much permeated by the adult gaze (defined as “the way children are viewed, represented and portrayed by adults; and finally society’s conception of children and the way this is perpetuated within institutions, and inherent in all interactions with children”), where the adult fear for the subversion of the structures that keep children under control is very much represented.

It might be very well true that the Brat has something unnatural and sinister about them in this world, as they are at constant war with everything that has ever been created, since everything that has been created has been built with the purpose of subjugating them. This is why it feels unnatural to watch a child hitting back instead of cowering. We feel like it’s not right. We feel like history is staring back at us, and all the horror we felt at any rebel and wayward child who has ever lived, we are feeling right now for that reject of the construct of “childhood innocence.” The child who hits back is at such clash with our construction of childhood because we defined violence in all of its forms as the province of the adult, especially the adult in authority.

The adult has an explicit sanction by the state to do violence to the child, while the child has both a social and legal prohibition to even think of defending themself with their fists. Legislation such as “parent-child tort immunity” makes this clear. The adult’s designed place is as the one who hits, and has a right and even an encouragement to do so, the one who acts, as the person. The child’s designed place is as the one who gets hit, and has an obligation to accept that, as the one who suffers acts, as the object. When a child forcibly breaks out of their place, they are reversing the supposed “natural order” in a radical way.

This is why, for the youth liberationist, there should be nothing more beautiful to witness that the child who snaps. We have an unique horror for parricide, and a terrible indifference at the 450 children murdered every year by their parents in just the USA, without even mentioning all the indirect suicides caused by parental abuse. As a Psychology Today article about so-called “parricide” puts it:

Unlike adults who kill their parents, teenagers become parricide offenders when conditions in the home are intolerable but their alternatives are limited. Unlike adults, kids cannot simply leave. The law has made it a crime for young people to run away. Juveniles who commit parricide usually do consider running away, but many do not know any place where they can seek refuge. Those who do run are generally picked up and returned home, or go back on their own: Surviving on the streets is hardly a realistic alternative for youths with meager financial resources, limited education, and few skills.

By far, the severely abused child is the most frequently encountered type of offender. According to Paul Mones, a Los Angeles attorney who specializes in defending adolescent parricide offenders, more than 90 percent have been abused by their parents. In-depth portraits of such youths have frequently shown that they killed because they could no longer tolerate conditions at home. These children were psychologically abused by one or both parents and often suffered physical, sexual, and verbal abuse as well—and witnessed it given to others in the household. They did not typically have histories of severe mental illness or of serious and extensive delinquent behavior. They were not criminally sophisticated. For them, the killings represented an act of desperation—the only way out of a family situation they could no longer endure.

- Heide, Why Kids Kill Parents, 1992.

Despite these being the most frequent conditions of “parricide,” it still brings unique disgust to think about it for most people. The sympathy extended to murdering parents is never extended even to the most desperate child, who chose to kill to not be killed. They chose to stop enduring silently, and that was their greatest crime; that is the crime of the child who hits back. Hell, children aren’t even supposed to talk back. They are not supposed to be anything but grateful for the miserable pieces of space that adults carve out in a world hostile to children for them to live following adult rules. It isn’t rare for children to notice the adult monopoly on violence and force when they interact with figures like teachers, and the way they use words like “respect.” In fact, this social dynamic has been noticed quite often:

Sometimes people use “respect” to mean “treating someone like a person” and sometimes they use “respect” to mean “treating someone like an authority” and sometimes people who are used to being treated like an authority say “if you won’t respect me I won’t respect you” and they mean “if you won’t treat me like an authority I won’t treat you like a person” and they think they’re being fair but they aren’t, and it’s not okay.

(https://soycrates.tumblr.com/post/115633137923/stimmyabby-sometimes-people-use-respect-to-mean)

But it has received almost no condemnation in the public eye. No voices have raised to contrast the adult monopoly on violence towards child bodies and child minds. No voices have raised to praise the child who hits back. Because they do deserve praise. Because the child who sets their foot down and says this belongs to me, even when it’s something like their own body that they are claiming, is committing one of the most serious crimes against adult society, who wants them dispossessed.

Sources:

��The Adult Gaze: a tool of control and oppression,” https://livingwithoutschool.com/2021/07/29/the-adult-gaze-a-tool-of-control-and-oppression

“Filicide,” https://en.wikipedia.org/wiki/Filicide

[hheaven-sentt]

devotion

summary: because love doesn't quite capture it | leon kennedy x partner!reader

word count: 2.4k

warnings: depictions of injuries, angst if you squint, mentions of alcohol consumption, yearning, mutual pining, partners to friends to lovers

notes: BACK FROM THE DEAD W A VENGEANCE. my semester has finished and my second one doesn't start until january so i will be posting for once. college is kicking my ass like all the time so it puts everything else on pause for me anyway ily all | ao3

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The dress feels itchy against your skin. You don’t want to go to this event, so you can’t imagine how Leon feels. He doesn’t even like when you thank him for doing the dishes, so you wonder how he might behave up on a stage to receive a medal. You stretch behind you, reaching for the zipper. Wordlessly, Leon turns to you and zips it up himself. Of course he does; that’s just Leon.

“This is weird,” he says. It’s barely a whisper, breath dusting over your shoulder as he says it. You nod with a sigh.

“I wouldn’t say weird,” you return. You watch his eyes in the mirror. They hover somewhere on your forehead. “Not normal, but not weird,” “I think it’s weird,” he says, and steps away. You nod again, because what else can you say?

Working with Leon has its ups and downs. He’s too quiet some days, and you have to fill in the gaps yourself. Or he’s too loud–sometimes without even saying anything–and you have to figure out how to deal with it. Or he’s just Leon; he laughs and jokes, he helps cook dinner, he doesn’t talk about work. You like those days the best. Had you seen these versions of Leon when you were assigned to him almost ten years ago, you would’ve laughed. Ten years ago, you couldn’t imagine being this close to someone, to care as much as you do about someone you’re paid to be around.

You suppose there’s layers to it, layers you haven’t fully unraveled yet. You know only a few things for certain: Leon is your partner, he is also your unofficial roommate, and you care about him more than you care about others.

“Are you ready?” he asks. He’s standing in the doorway of the bedroom, the light from the hallway making him look like an angel descending to relay a message from God. You swallow and nod.

“Just need my shoes,” you say, moving to the bed and sliding your shoes across the floor to be in front of you. Leon bends down without a word to help you fasten them.

When he looks up at you, he looks less like your partner and more like someone you’re meant to love. An ache resonates within you, a need to reach out a brush your fingers through his darkened hair. He shifts his gaze to your upper arm. Gingerly, he runs the tips of his fingers over a scar that spans from your elbow to your clavicle. It’s ugly and red, courtesy of the nasty burn you’d sustained there a few years ago. The ridged skin is unfeeling as Leon skirts his hand across it, tracing it from your elbow to your shoulder.

“I remember when you got this,” he says absently. His fingers dance across your skin, and you wish the scar didn’t run so deep so you could feel his ministrations. “Thought I’d lost you,”

He says nothing more, just stands up and offers his hand to you to help you off the bed. You take it, and he hauls you up with ease. He twists out of the room like a ghost. You follow him, like you always do.

The scar is one of a few you’ve come to own. You remember the day you got it, too. For whatever reason, you replay the moment in your head over and over in the taxi on the way to the gala. It makes your skin burn.

It was supposed to be a normal day, a normal mission. Go in, extract, get out. Three simple steps that you had done a hundred thousand times before. Leon stood beside you, always offering to enter a room first. You’ll admit, years removed from the situation, you should’ve been more careful, should’ve listened to what he was saying. But you were so angry at him. You felt weak, unnecessary. You remember shoving past him and through a door you hadn’t known was connected to a trigger. Almost as soon as your boot touched the concrete on the other side of the threshold, your hearing went out. It felt like you were standing miles away from a nuclear blast, and you had felt the effects of the delayed shockwave. You were knocked to the ground in an instant, but you didn’t feel pain–not yet at least. When you woke up in the hospital a day later, Leon was asleep in the chair beside you.

“Don’t ever do that to me again,” he’d said. You vowed not to.

“Do you think they’ll at least have an open bar?” he says now, drawing you back into the world. You turn away from the window of the cab to look at him. He’s staring at his hands, forcing a small smile.

“They better,” you say, reaching over and settling a hand on his shoulder. He looks at you. “It’s the only reason I’m going,”

This turns his smile genuine, and he even offers an eyeroll. You squeeze his shoulder, bracelets jingling with the motion. His eyes are on you, and you feel as hot as fresh sin. You hate this; hate that he makes you feel this way, hate that he is so beautiful, hate that you can’t seem to shake this deep seated love you harbor for him. You miss him when he looks away and you remove your hand.

The gala is overwhelming. Leon stays near you, hand hovering near your own. You wish he would reach out and take it. You debate the consequences of doing it yourself.

Breath hot on the shell of your ear, Leon whispers, “You think our taxes went into this?”

You suppress a laugh, tightening your lips into a thin line to fight a smile. “I wouldn’t be surprised, but I’ll pretend like this was all donated,”

“You can consider taxes a donation if you really think about it,” he says, gliding across the floor with you toward an empty table. You snort.

“I think that depends on what your definition of donation is,” you say. He pulls out your chair for you before pushing it in, then takes his own seat beside you. His legs are angled toward you like he only plans on talking to you.

“I think you underestimate my ability to bend definitions to suit my needs,” he says. You laugh again.

You like this version of Leon, and you know that it won’t last very long so you should hold onto it while it’s here. An old jazz song rings out from the speakers across the hall, and the lights catch his eyes just right. They’re really blue, as true blue as blue gets. They’re your favorite shade of blue. If you could paint your living room that color, you would. It’s a soft blue, like the crest of a wave blue, like the sky just after dawn blue, like two perfect oceans set into his skull. There’s a hairline scar that runs between the crows feet of his left eye, one you ache to reach out and trace.

That’s the best way to describe how you feel when you look at Leon: aching. It’s desperation, an aching need to touch and hold. It’s not exactly love, but you don’t have another word for it. Maybe devotion? Looking at him feels like the first time a child sees a kitten. You’re like me, soft and lovable, and we should stay together.

“Have you listened to anything I’ve said in the last few minutes?” Leon asks, putting a hand on your knee that brings you back to the gala. You suck in a breath and shake your head. He smiles wide. “Quit staring at me, makes me feel like I’ve got something on my face,”

“You’re pretty,” you say before you can stop yourself. Maybe pretty is the wrong word, but you don’t know what the right one would be. He’s handsome, sure, but handsome doesn’t encapsulate the way his lashes flutter against his cheekbones or the way he blushes when you smile at him. “Sorry,”

He’s grinning now, giving your knee a squeeze. “You flatter me,”

An hour later, and he’s being called up on stage by your director, who intends to decorate him. You’re beaming with pride, even though you know Leon is dreading this moment. He stumbles across the stage. Cameras are flashing, and you can almost see Leon cringe between photos. He’s off the stage a few minutes later, heading straight for you. You grin more, knowing that he’s choosing to seek solace in you, in your company. He wraps you in a stiff hug that loosens as it endures. You laugh into his shoulder.

“Don’t let me do anything heroic ever again,” he mumbles, burying his face into your neck. You bark a laugh.

“Yeah, okay,” you agree. “I’ll make sure to step in next time,”

In an act that surprises you, Leon tugs you toward the dance floor. You must look wildly confused because he explains, “Just this once. Just one dance,”

You agree, not that you could deny even if you wanted to. He’s looking at you like you’re someone he’s meant to love, like you’re more than just his partner. His hand slots against the curve of your waist like it was made specifically to be there. He’s warm and smiling, and you think maybe he’s had a bit too much champagne. But you like him like this. Who knows when you’ll see him like this again? You stare at him, intent to memorize his features and the way the light catches on the bridge of his nose.

“You’re staring again,” he whispers. You smile sheepishly.

“Never seen you like this,” you reply. He bows his head to chuckle. “Not sure I’ll ever get the chance to again,”

“I’m sure you will,” he says. “You’re the one who brings it out of me,”

You roll your eyes. “I’m more convinced it’s all the free champagne we’ve been drinking,”

“You can believe whatever you want, sweetness,” he says, spinning you. “I’m telling you the truth,”

You’re both giggly and joking the whole way home. Leon has you wheezing about something you can’t remember as you step into the apartment. Tears rest at the corners of your eyes. You shove him playfully. He follows you from room to room like a puppy, making you giggle and flash a smile as you clean up for the night.

You crash onto the bed, warm and light from the night, and reach to take off your shoes. Leon stands in the doorway, watching you. The light from the hallway gives him a halo. Your feet ache as you release them from their prisons, and you glance up to see Leon smiling at you. You return it with the cock of one of your brows.

“You’re pretty,” he says by way of explanation. You feel heat snake up your body. His hands are stuffed into his pockets, hair slightly messy from where he’s run his hands through it, and the first few buttons of his shirt are undone. If you weren’t as shy as you are, you’d probably move to touch him.

Instead, you huff a laugh and toss your shoes to the floor. “You flatter me,”

When you stand and begin to move around him, he grabs your elbow. “I mean it,”

Perhaps, in another life, you would see this as a win. The man you’ve spent most of your life following around and yearning for seemingly returns your affections, and you are about to deny him. Admitting it out loud makes it real, makes it mean something. What happens the next time something goes wrong out there? The next time he does something heroic? Everything will be much too real, and much harder to bury. You blink at him, looking at him for what feels like the very first and last time. He’s still Leon; scruffy stubble, blue eyes, and warmth. He’s still Leon, teetering on being your Leon, and you’re not going to let that happen. You, again, are going to deny yourself from what you want.

“What are you thinking?” he asks, voice barely above a whisper. You take in a shaky breath. He’s still holding you, but his touch is a ghost on your flesh.

“Leon, I don’t know-”

“You know that one Frank Sinatra song?” he interrupts. You gape at him.

“Why did you ask if you won’t let me answer?” you huff, crossing your arms over your chest. He returns his hands to his pockets.

“Predicted where it was going, figured I’d circumvent it,” he admits, the corner of his lips turning upward slightly. “The song he sings with his wife?”

You shrug. “Maybe? What’s your point?”

“I love you,” he says. Your body goes cold. “That could be the stupidest thing I’ve ever said, but I feel like you should know that before you make whatever decision you’re about to make,”

Your face breaks out into a grin, and you laugh in spite of yourself. “I’m sure you’ve said stupider,”

Whatever worry was on Leon’s face dissolves, and a real, full smile splits across his lips. He takes your face in his hands. He holds you delicately, like you’d break under the slightest pressure. To be fair, you feel like glass at the moment–if glass could have legs made of rubber.

“This makes it real,” you say. He swallows. “No going back, no forgetting, no pretending. When something happens, it will be real,”

“That’s a risk I’m willing to take,” he whispers. “It’s worked out for us so far,”

You’re not sure who closes the space first, but it matters little after it’s happened. His lips are gentle and giving against your own. Your hands splay against his sides, using his suit jacket to pull him closer. His hands wind into your hair. There’s a desperation behind his movements, one you’re all too familiar with. After what feels like hours, he breaks from you, leaning his forehead against yours. His breathing is labored, you can feel it in his strong chest beneath your hands.

“This is real,” he says.

“We take risks for a living,” you say. He opens his eyes to peek at you through his lashes. “What’s one more right?”

He grins and kisses you again.

[copypastus]

"You never told me where you got it - where you got all my favourite dresses." Rhys arched a dark brow. "You never figured it out?" I shook my head. For a moment, he said nothing, his head dipping to study the dress. "My mother made them." (...) I gazed a reverant hand down my sleeve. "I- I had no idea." His eyes were star bright. "Long ago when I was still a boy, she made them - all your gowns. A trousseau for my future bride." His throat bobbed. "Every piece... Every piece I have ever given you to wear, she made them. For you"

Sometimes you just read something and can't help but think about the implications.

"aww how sweet his mom made all her favourite gowns how wholesome" nonono EVERY. PIECE. Ma'am please he's still a baby boy you're making a lot of assumptions about his future preferences.

[rockoblanco]

cat sitting for my sister & trying on her glasses …. it’s giving literate !!! 🤫📕📖🐛

[russellius]

GEORGE RUSSELL speaks during a television interview in the paddock ahead of the United States Formula One Grand Prix at the Circuit of the Americas in Austin, Texas, on October 17, 2024. Photos by Patrick T. Fallon.

[sukibenders]

Hear me out: you can ship JayVik without falling into or using rhetoric that fits the disposable black girlfriend trope. You can ship JayVik without using Mel as some conceived ploy or antagonistic plot device that makes her out of character. You can ship JayVik without falling into misogynistic rhetoric (eg. viewing female characters as disposable or stepping tools, amongst other things). You can ship JayVik without erasing the impact Mel has had on Jayce and their relationship because, whether you shipped it or not or even gave it the time of day, Mel and Jayce did care for each other, and to deny that or say Viktor held more importance/impact than her in Jayce's life to where she's viewed as "unnecessary" just to further your ship is so wrong and, whether you intended for it or not, does carry undertones where black characters, especially black female characters, emotional impact on others is ignored or downplayed even though there's context to support just how important it is/they are. Lastly, you can ship JayVik without using anti-black and misogynoir type rhetoric because the amount that has flooded this fandom, but especially from some fans of this ship, is atrocious. Ship what you like, but be respectful and careful with certain things you say, is all I'm saying.

[crispy-ghee]

Playing TKO with my sibs and I am not going to buy this shirt but I'm glad the idea exists

[astriiformes]

Hey in other news. Please look at what Scribe got me as a birthday gift this year.

(From this Etsy store! They are customizable and I had joked I should get a genfic one a while back, for deeply aromantic reasons)

[remyfire]

The Let Them Sleep cinematic universe

[dilfmobius]

just sitting here giggling at the idea of loki seeing mobius shirtless for the first time, seeing his top surgery scars, not really understanding where they came from since they’re a god shapeshifter and just use magic to alter their body

they trace them with their thumbs and just look at mobius, serious concern on their face, and they just ask, “who did this to you?”

and mobius bursts out laughing like, “me, girl.”