#lovecraftian fairytale

[adarkrainbow]

The crossover we didn't know we needed

Retelling of Puss in Boots that’s also a The Cats of Ulthar crossover

[willknightauthor]

I don't know what this aesthetic is, I've been calling it "grim-sparkle" or "wonderdark," but you know it when you see it. It's that combination of magical and gritty, beautiful and grotesque, hope and dread. The dark fairy tale vibe transcending fantasy.

Fucking love that shit.

[gyossefka]

Nico Saba

[adarkrainbow]

Should we include Lovecraft among fairytale authors?

This question might surprise you, and yet it should be asked.

Today when people speak of Lovecraft's work or Lovecraftian horror, they mostly think of the type of fiction popularized by games like "Arkham Horror" or the Call of Cthulhu RPG. People of the 1910s, 1920s, 1930s USA, mostly the East Coast, mostly New-England, fighting eldritch monsters, alien abominations and other multi-eyed blobs while investigating creepy cults, ancient witchraft (well... ancient usually means "Salems' trial) and other star-alignments. Not very fairytale-y.

And yet, Lovecraft wasn't just all this. Lovecraft is usually considered one of the early fantasy authors, and he has an entire set of works not taking place in our world, but rather in fictional cities, otherwordly civilizations, alien planets - and all being... well pure fantasy of gods, sorcerers, strange monsters and fictional wanderers in a world of ghosts, magic and curses. They are still famous to this day, and they are an essential part of his "mythos" and yet people seem to completely forget about them. The Dream-Quest of Unknown Kaddath, The Quest of Iranon, The Other Gods, The White Ship, The Doom that Came to Sarnath, The Cats of Ulthar... Much more dark fantasy than what people associate Lovecraft with today.

In this "fantasy" side of his (that fans of the mythos sometimes classify as the "Dreamlands"), we see the HUGE influence of Lord Dunsany, that Lovecraft admired and tried to imitate, but also the influence of... The One Thousand and One Nights. One of the main reasons Lovecraft had such an "Orientalist" obsession was because he was a huge fan of The Arabian Nights, and tried to recreate them in his own work. This Orientalist obsession was also caused in him by Beckford's Vathek, the unique "Oriental Gothic" novel that marked literature (Edgar Allan Poe, Lord Byron, Thomas Moore, John Keats, they all paid homage to Vathek) - but we fall back on our fairytale topic, because Vathek itself was meant to be a Gothic horror version of the One Thousand and One Nights (and quite fittingly it was published in the 1780s, aka the end of the "fairytale era" in France, the time when literary fairytales only existed in parodies, deconstructions or subversions).

Due to this huge influence, the question should be asked: Should Lovecrfantasy works, his Ulthar, Sarnath, Iranon, Kaddath, be considered part of a fairytale-verse?

Well my answer is no. No, Lovecraft doesn't write fairytale-like things and I never saw fairytale vibes in his work.

But then why am I making a whole damn post? Because of Clark Ashton Smith.

There's a lot of things people ignore or go wrong with when it comes to Lovecraftian fiction or the "Cthulhu mythos". This is because The Cthulhu mythos was built out of many rewrites, derivative works, adaptations and pop-culture vibes. People forget the mythos was originally called "Yog-Sothoth mythos". People forget Cthulhu wasn't the focus of the mythos. People forget water was supposed to be Cthulhu's main bane and enemy, as it was the sea that trapped him and prevented his powers from working - so making him a sort of sea-god is the opposite of what Lovecraft intended. Lot of stuff like that.

But what people forget the most is that the "Cthulhu mythos" we know today wasn't created just by Lovecraft himself - but by the "Lovecraftian circle". Yes, Lovecraft invented it all first, created and oversaw the whole thing - but he encouraged and asked his friends and pen-pals to include in their writings elements and characters of his fictional worlds so as to "expand" the mythos, and in return said friends and pen-pals created their own dark gods and evil sorcerers and cursed tomes that Lovecraft included in his own works, to form a full circle. The Lovecraftian circle.

For example, it might surprise people to learn that Conan the Barbarian is part of the Cthulhu mythos. And yet he is! Robert E. Howard was one of the most prominent members of the Lovecraftian circle, inventing several important parts of the mythos as we know it today - and his most famous heroes, like Conan the Barbarian or Solomon Kane, all had to face a part of the "Lovecraftian mythos" at one point or another. Today we don't associate the prototype of heroic fantasy with "eldritch horror", and yet it was - but Robert E. Howard had a quite different take on the monstrous gods of Lovecraft, who were much more physical and... let's say killable Xp In fact that's one of the things with the Lovecraftian circle: each author had its own take and vibes on the eldritch deities of Lovecraft's pantheons. Sometimes the emphasis was put on them being alien beings and physical monsters, sometimes they were more like the classical gods of Antiquity (just uglier), other times yet they were more abstract ideas and concepts...

And the third important author of the circle, outside of Lovecraft and Howard, was Clark Ashton Smith, who was REALLY much more of a fantasy author than the other two. And he also was VERY much into fairytales - a lot of the same Arabian Nights as Lovecraft (heck, Smith even wrote a sequel to Vathek!), but he also was a big fan of Andersen and madame d'Aulnoy fairytales as a kid. And, if you ask me, you can feel a lot the "dark Arabian Nights" vibe into his Zothique work.

As I am writing these lines, I am reading compiled works of Smith. Smith was very prolific and created several "cycles" covering various alternate periods of Earth. There's the Hyperborean cycle, set on the fictional Hyperborea country of legends, and in the Prehistoric era before the Ice Age - this is where many of the "classics" gods of the Cthulhu mythos comes from, like Atlach-Nacha, Abhoth or Tsathoggua. There's the Poseidonis setting, an island meant to be the last remaining part of Atlantis after its sinking. There's the Averoigne cycle, which I am looking forward to explore because Averoigne is a fictional region of medieval Southern France infested with witches of all sorts. But the compiled volume I am reading currently is his Zothique collection - set in the continent of Zothique. It is supposed to be the last remaining continent of Earth, a new Pangea that reformed itself at the end of the planet's history, and where all the "ancient gods, old demons and primal magics" resurfaced after being forgotten and ignored for many civilizations. And despite being located in a far-far future, Zothique is heavily Arabian Nights inspired - as Smith intended the Zothique continent to be what remained in the future of "Asia Minor, Arabia, Persia, India" plus North and Eastern Africa.

If you want to check the "horror Arabian Nights" vibe of this setting, just read "The Dark Eidolon" which is very much 1001 Nights-like. (Interestingly The Dark Eidolon was one of the inspirations of Michael Moorcock, famous for setting up the modern dark fantasy with works like The Elric Saga)

[rebel-girl-queen-of-my-world]

I know nothing about this folktale, but I saw the big froggos and the confusing, labyrinthine city, and thought:

“It’s a Lovecraft story but cute.”

From "The Scarlet Flower : a Russian folk tale ', illustration by Gennady Kalinovsky

[goryhorroor]

masterpost of horror lists

here are all my horror lists in one place to make it easier to find! enjoy!

sub-genres

action horror

analog horror

animal horror

animated horror

anthology horror

aquatic horror

apocalyptic horror

backwoods horror

bubblegum horror

campy horror

cannibal horror

children’s horror

comedy horror

coming-of-age horror

corporate/work place horror

cult horror

dance horror

dark comedy horror

daylight horror

death games

domestic horror

ecological horror

erotic horror

experimental horror

fairytale horror

fantasy horror

folk horror

found footage horror

giallo horror

gothic horror

grief horror

historical horror

holiday horror

home invasion horror

house horror

indie horror

isolation horror

insect horror

lgbtqia+ horror

lovecraftian/cosmic horror

medical horror

meta horror

monster horror

musical horror

mystery horror

mythological horror

neo-monster horror

new french extremity horror

paranormal horror

political horror

psychedelic horror

psychological horror

religious horror

revenge horror

romantic horror

dramatic horror

science fiction horror

slasher

southern gothic horror

sov horror (shot-on-video)

splatter/body horror

survival horror

techno-horror

vampire horror

virus horror

werewolf horror

western horror

witch horror

zombie horror

horror plots/settings

road trip horror

summer camp horror

cave horror

doll horror

cinema horror

cabin horror

clown horror

wilderness horror

asylum horror

small town horror

college horror

plot devices

storm horror

from a child’s perspective

final girl/guy (this is slasher horror trope)

last guy/girl (this is different than final girl/guy)

reality-bending horror

slow burn horror

possession

pregnancy horror

foreign horror or non-american horror

african horror

spanish horror

middle eastern horror

korean horror

japanese horror

british horror

german horror

indian horror

thai horror

irish horror

scottish horror

slavic horror (kinda combined a bunch of countries for this)

chinese horror

french horror

australian horror

canadian horror

decades

silent era

30s horror

40s horror

50s horror

60s horror

70s horror

80s horror

90s horror

2000s horror

2010s horror

2020s horror

companies/services

blumhouse horror

a24 horror

ghosthouse horror

shudder horror

other lists

horror literature to movies

techno-color horror movies

video game to horror movie adaption

video nasties

female directed horror

my 130 favorite horror movies

horror movies critics hated because they’re stupid

horror remakes/sequels that weren’t bad

female villains in horror

horror movies so bad they’re good

non-horror movies that feel like horror movies

directors + their favorite horror movies + directors in the notes

tumblr’s favorite horror movie (based off my poll)

horror movie plot twists

cult classic horror movies

essential underrated horror films

worst horror movie husbands

religious horror that isn’t christianity 

black horror movies

extreme horror (maybe use this as an avoid list)

horror shorts

[cephalopod-celabrator]

One of the best things about discworld is that the whole thing is just a giant genre tug-of-war, and genre shifts are sometimes very dangerous. Get too much magic in a place? Well, then it shifts from funny ironic fantasy to full on major high fantasy, which sounds fun until you realize that high fantasy has dragons and otherworldly monsters. A fairy godmother makes everything fairytale, but the sheer force of cliches sort of eliminates free will. A pair of skilled killers come to the city hoping to take it by the shorthairs, but keep on getting traumatized by the various monsters that are just around. There's a politician very aware of how the story keeps dangerously veering into lovecraftian horror. The elves from fairyland actually turn the genre into alien horror, not whimsical fantasy. I know people say that "discworld is sci-fi in fantasy clothes" and that has a lot of truth to it, but that shortchanges the constantly shifting barroom brawl of genres that is the discworld.

[owlyjules]

My favourite Spooky things to enjoy on Halloween!!

Tought I would make a little list of spooky things to read, listen and watch for the big day!:D

I am pretty varried in scary scale but I tend to stay away from jumpscare! And I will try to not recommend the classic like "Over the garden wall" (1000/10 requiered halloween watch) and the classic movies like "beetlejuice" and " Hocus Pocus" since you guys probably know them well.:) Here goes! -------------------MOVIES-----------------------------

John Carpenter " The Fog"

(Classic old movie, 3.5/5 spooks, old practical horror effect, mood is 10/10 with bonus for having a lighthouse) 2. The Cat people (1942)

(very old movie, and has some old tropes but great tension in some scenes and has that feeling there is a monster about to pop out at any moment without the jumpscare. 2/5 spooky)

3. The Others (2001)

(SPOOKY! One of the first scary movies I watch. still get me. Love it. 5/5 spooky for someone like me.)

------------PODCAST--------------------------

13 Days of Halloween (Season 2 and 3 ESPECIALLY)

(Fantastic ambiance, amazing voice actors cast. Season 2 is in a small seaside town and very Lovecraftian + lighthouse, Season 3 is countryside great depression feel. Both fantastic. 5/5 spookies)

2. Old gods of Appalachia

(one of my favourite podcast. if you like the magnus archive, you will like this! one of the best narrators in the world of podcasting. 4/5 spookies)

3. Ghost Story Podcast

(Not really scary but an interesting investigation into familly history and probable haunt. Just a touch spooky. 1/5) ---------------BOOKS and MANGAS----------------

The twisted ones by T. Kingfisher

(Maybe because I grew up in the countryside with a house similar to that one on my street, it gets me. 5/5 spookies)

2. Even Monsters Like Fairytale

(Kinda villainess manga, kinda twisted fairytale, I highly rec this one! 1/5 spookies)

3. Shadow house

(I would rec reading the manga more than the anime, if only because the art get that mood even better in black and white and Somato is amazing! 3/5 spookies)

4. A guest in the house by Emily Carroll

(Uncanny and such an atmostphere! Emily Carroll is, as always, a master in scary stories! 5/5 spookies!)

5. Anything by Algernon Blackwood

(Old school gothic and short ghosts stories. perfect for your dark academia and victorian haunts feels! You can find a lot in free audiobook form too on youtube and spotify! 3/5 SPOOKIES) ---------------GAMES--------------

Little goody two shoes

(horror pixel art with the dark german fairytale look and yuri? yes please! 3/5 spookies!) 2. The return of the Obra Dinn

(Ghost ship, solving crimes, nautical spooks and amazing atmosphere. 3/5 spookies) 3. Emio, The smiling man

(Investigation game with amazing graphic and live 2d-animations! a touch of the supernatural. 3/5 spookies!) 4. Paranormasight

(Seriously one of the best supernatural games I ever played. can be done in 1 or 2 days, its funny, scary and amazing. 5/5 spookies)

And that concludes thjis little list! I could add even more and Might as I think of some!

[honourablejester]

My Top 3 Ravenloft Domains

My three favourite (non-Barovia) Domains of Dread, essentially. With maybe some honourable mentions. Apropos of nothing, I’m just idly rereading some things.

No. 3: Bluetspur

The mind flayer domain. It would get points just because I love cosmic horror, but the thing I actually love most about Bluetspur is that it’s not designed for humans. It’s not a domain you can live in. It’s a domain people get taken to, have horrific things done to them, and then (if they’re lucky) get spat back out of again. It’s alien. A dying world, a vast, tortured, chaotic landscape under a dying red sun, such that even its alien inhabitants, the mind flayers, have to live underground. In, to quote, ‘their ancient metropolis-laboratory’, ruled over by a dying god. It’s not survivable. Not for anyone, not even its god. Bluetspur isn’t a domain you adventure in, it’s a domain that is forced upon you. A domain you have to escape, or rescue someone from, but never, not once, a domain you stay in.

If you’re in the mood for alien abduction, wiped memories, horrific psychic experimentation, incredibly inhospitable environments, and an alien world that is genuinely dying all around you, Bluetspur is worth a look. It’s a fantastic backstory horror to give to inhabitants of other domains, too. Extremely Lovecraftian, think the Plateau of Leng, with some William Hope Hodgson throw in for good measure.

No. 2: Richemulot

The plague domain. Look. Have you played Dishonored? Did you enjoy Dishonored? Would you like to play in an equally plague-infested series of cities ruled over by incredibly corrupt aristocrats who would not remotely balk at using bioweapons on their own people for their own selfish ends? Because if so, Richemulot is the domain for you! The rhythm of the domain is dictated by a rat-borne plague that ebbs and flows but is never successfully eradicated, and it may turn out there’s a reason for that. Navigate the fear, the sickness, the quarantines. Do you intend just to survive, to make it out? Or are your sights set higher, towards the eradication of this ever-present threat?

Look. The Pied Piper of Hamelin was one of my favourite fairytales, and Dishonored is one of my favourite video games. Richemulot is about paranoia, terror and control, the claustrophobia of the quarantine, the horror of corruption. Which, granted, given recent events, might not be what anyone’s in the mood for, but I do enjoy it.

No. 1: Lamordia

The Frankenstein domain. With some other influences mixed in. Lamordia is a fascinating mix of gothic, industrial and environmental horror, with a little bit of nuclear paranoia sprinkled in. An industrial hellscape of cities and universities pinned between a frozen sea and an irradiated mountain range, Lamordia is all mines and factories and broken bodies, relentless and remorseless progress, the flesh blackened and burned (by frostbite or radiation) and fed to the machine. You will be ground down, you will be broken, and you will be remade. Lamordia is a very 19th-to-mid-20th century sort of domain, the horrors of the industrial revolution made manifest. Staked out in a frozen and lethal world, this industrial hub uses science to write its own horrors, as terrible as anything one might find in the wastes. There are iron-clad whaling ships carving through the ice to feed the cities, there are mines where strange ores emit dangerous radiation and mutated monsters roam, there are universities where amoral scientists exploit the poor for experimental subjects, there are vast industries fed by bodies both living and dead. It’s a fantastically evocative setting, and I adore it. Lamordia is easily my favourite domain of dread. If you want a campaign built around bodily autonomy, class conflict, mad science, industrial revolution, worker’s rights, and environmental pressures, this is the domain for you.

(For real, I want to play a campaign where the party’s trying to get a worker’s revolution off the ground in Ludendorf, complicated by the facts that a) without industry the city literally freezes and starves to death, b) it’s hard to maintain morale when the factory bosses can, with the help of the universities and their mysterious backer, literally kill you, rebuild you, and put your corpse back on the assembly line, and c) death is the least worrying fate you could be landed with for trying to shake up the status quo. I don’t know, I feel like that would be an interesting storyline, you know?)

But, yes. Favourite Ravenloft domain, for sure.

Honourable mentions:

Cyre 1313, The Mourning Rail. It’s a haunted train that travels the Mists, fleeing a disaster they don’t realise has already killed them, inhabited by ghosts who don’t realise they’re dead, and a mysterious passenger who damned them all once upon a time. It’s fantastic, no notes.

The Sea of Sorrows. Just. The whole thing. I love nautical horror, we all know this.

Mordent. It’s just a good old-fashioned haunted-house-and-ghostly-moors domain, and I’m a sucker for a classic ghost story.

So, for a summary, I did rather enjoy Van Richten’s Guide to Ravenloft? Heh. I do like my fantasy (and science fiction) with a generous dash of horror for spice. And Ravenloft has a lot to offer outside of Barovia and Strahd, though of course I’d never knock the OG darklord and his domain.

Pardon the random diversion, and carry on!

[justforbooks]

She’s Always Hungry by Eliza Clark

A bona-fide queen of body horror delves into fears and illicit desires in this engrossing short-story debut

Disgust and delight, it has been said, live in close proximity; in Eliza Clark’s debut collection, they share a home and a bed. These 11 stories revolve around food, sex, gender, power and the body; they veer from realism to sci-fi, fairytale, horror and post-apocalyptic dystopia. This is a book that seems crafted from the stuff of our deepest fears and our most illicit desires. You read on, by turns engrossed and grossed out, as though in the thrall of some demonic power.

In one story, a tapeworm finds a happy home in the narrator’s belly, eating her dinners and keeping her weight in check (“Find me deliciously thin at a Michelin star restaurant, devouring a tasting menu with a wasp waist, never loosening my belt”). Another narrator’s pubescent face, blighted with acne, melts and scabs over after an aggressive treatment found on the dark web. “I feel like I’m touching raw meat and I pull my hands away.” In the sci-fi story Hollow Bones, a rip in the spacesuit of a scientist studying alien cultures allows a luminescent parasite to burrow into her thigh; bizarrely, she eats her own finger as it breaks off after prodding the wound (“The skin of that finger was so thin, it fell apart like stewed meat and slid down her throat just as easily, gristle collapsing with a press of her tongue, and the bone crumbling between her teeth”). The tale ends in her leg and forearm being amputated by a surgical team of fanged and furry creatures. Clark is a bona-fide queen of body horror, sadistic in her choice of imagery, and cussedly attentive to that most mundane and yet consequential of facts: that we have and are a body and, as a result, are always at risk of injury and mutation.

Boy Parts, Clark’s debut novel, was a BookTok sensation. A darkly hilarious study of gender archetypes and the treacherous schism between art and porn, consent and coercion, it featured a Geordie dominatrix and fetish photographer who, in the name of her vocation, groomed, snapped and possibly also bludgeoned and killed men she picked up from the streets. Her follow-up, Penance, turned a sly gaze on true crime, reconstructing the immolation of a teenager by three of her schoolmates. The preoccupations and self-awareness of these novels percolate into the story collection, but it is also very much its own thing: the tales ranging from quiet and murky to freaky, surreal and outright absurd, the work of a writer both dealing in and surpassing abjection and taboos.

Goth GF, a workplace comedy with sub-dom elements, reads like a winking recapitulation of Boy Parts, while The Problem Solver, about a rape survivor who confides in a male friend, engages themes of women’s testimony, male saviorism and sexual gaslighting. As ever, Clark manages to draw blood with a prop knife. After the woman half-jokes about the point of the Sex Offenders Register, the friend earnestly proposes the following course of action: “You wouldn’t have to call him out on your account,” he says. “In fact, we could do it like … more like a whisper network. Or I could message my friend from that feminist book club, the one with all the Instagram followers. Get them to name and shame him.”

The title story, set within a matriarchal community with strict rules for its men – fishers vulnerable to the dark call of the sea – is a delectable, code-scrambled mermaid tale that plays with ideas about male and female power (“The machinations of men had done so little for this place, and for the world outside of here”) and adds a mischievous twist to notions of communal safety and female self-sacrifice. It comes swaddled in influences, from Andersen’s fairytale to Orkney folklore and Lovecraftian mythos (there’s a Lovecraftian nod, too, in the following tale The Shadow Over Little Chitaly, composed entirely of reviews of a mysterious Chinese-Italian fusion takeaway).

The King satirises the “femgore” subgenre with which Clark has been identified, dramatising its excesses while relishing its cliches. Told from the uproarious viewpoint of a cannibal goddess who rises to power after the apocalypse, ruling over a settlement she christens Dad City in honour of the father she has killed and devoured, the story is a litany of horrors leavened by sick humour. She says of a man who offers himself up to be eaten: “He wants me to cut off his dick and balls before he goes. The dick-and-balls thing – they never enjoy that as much as they think they will. It’s always such a let-down for them. It’s a little sad.”

Two stories, Extinction Event and Nightstalkers, may feel like interlopers. The first is a miniature eco-thriller about an alien species of air- and sea-purifying starfish, and the second a hallucinogenic portrait of queer longing in 1970s California. Clark, you realise, isn’t a writer who will keep very long to any one path. This collection, full of shock and surprises, filth and wonder, is occasionally hard to reckon with, but harder still to forget.

Daily inspiration. Discover more photos at Just for Books…?

[self-shipping-doll13]

Spooky AU Self-Ship Asks ⚡️🪦

Answer and tell us about your…

🪄 - Magic AU

🏴‍☠️ - Pirate AU

👻 - Ghost AU

😈 - Demon AU

💀 - Undead AU

🔪 - Slasher AU

🧜 - Merfolk AU

🐎 - Cowboy AU

🩸 - Vampire AU

🐺 - Werewolf AU

⛪️ - Priest/Nun AU

🦑 - Lovecraftian AU

🧚 - Fairytale/Myth AU

🩵 - AU of your choosing

[warningsine]

Your answers to the asks about fanfic has been so interesting but now I’m curious about those 1% of fics that are amazing. Would you mind gives us some examples?

I mean, sure, but keep in mind that

a) even those are my 1%,

b) most of them are pretty old recs, because I don't read as much fanfiction as I used to.

Without further ado:

The North Remembers by qqueenofhades (ASOIAF) It's the one I mentioned earlier. Back in the day, I read another work in this fandom, but this one made me forget where canon ended and where this fanfic began.

The Narrative Strain by The Noble Arduenna (Wicked, bookverse) The author utilized horror elements to make Elphaba and Glinda swap roles in a way and turn the latter into a tragic heroine.

A Colder War by Charles Stross (Lovecraftian horror) The Cold War set in the Cthulhu Mythos world.

Eighty-Six Years by jimmymcgools (Better Call Saul) This is the 7th season of the show. To me. The same author wrote this pre-canon/canon compliant series that I adore.

Roads by panademonium (Breaking Bad) Post canon neo-noir/western with Jesse, Saul and Skyler. Sadly, the last two chapters were never posted. The same author wrote a missing scenes type of fanfic for what Jesse went through while in captivity.

Interstitium by AssaultSloth (Mass Effect) I was reminded of this one last year, because the 8-Bit Big Band used the author's full set of lyrics of "Scientist Salarian" and gave musical life to it. Anyway, I remember enjoying other Mass Effect fanfics like Interregnum (how Garrus became Archangel) and The Siege of Shanxi (what happened during the First Contact War, this one had some punctuation issues), but AssaultSloth should have been on Bioware's payroll. The author managed to delve into every single ME2 character's head and make sense of certain things that didn't in the game, e.g., how a bunch of murderers and war criminals that hated each other were able to work together. And few people could write Mordin as brilliantly as AssaultSloth.

The Monomythical Adventures of Regina Mills and Emma Swan by maggiemerc (Once Upon a Time) No, come back, don't leave! Yes, (as far as I remember) these works had some typos and the 4rth part of the series remains unfinished. Yes, sometimes they got borderline crackish (not a bad thing in my books). That being said, maggiemerc took that atrocious soapy mashup of Disney fairytales and made it gayer with Emma/Regina, Aurora/Mulan and a bisexual Hook. Except the romances were a subtle thing that didn't get in the way of the work's epic fantasy adventure plot. She included various myths and fairytales that weren't Disney's latest hot property. The story had a good pacing and focused on Regina's character development without defanging her or whitewashing her into a contrived redemption arc. Honestly, the third part alone (steampunk dystopia with Cora in charge) is worth it imo.

unsentimental by foxbones (Happiest Season) Listen, I give zero fucks about this film. I'm usually lenient with lighthearted romcoms, but the only thing this one managed to make me do is open AO3 to check if other people thought that Kristen Stewart's character should have ended up with Plaza's. (They did.) Accidentally, I stumbled upon a romcom about Plaza and Brie's characters. That made me chuckle at the time, because I'm pretty sure the only words they exchanged were each other's name. Out of curiosity, I clicked on it (I was familiar with the author because of this post season 1 "Killing Eve" fanfic) and ended up liking it more than canon. It's been a while for me, but if you want a "Happiest Season 2" that is focused on Riley, check it out.

He Who Pours Out Vengeance by Underground (Hannibal) Alternate version of season 2. Considering it was written before the actual season, it’s prescient about certain things. Not many people could capture the tone of the show; stay true to the dark and obsessive nature of Will and Hannibal's connection. This writer could. Unfortunately, the sequel remains unfinished.

I wanted to mention a rather dark "Killing Eve" fanfic (took place after season 1 ended, but the tone and Villanelle's characterization leaned into the books), but the author took it down. Sad, because it was one of those rare stories in the fandom that went beyond lesbian yearning/sex between Eve and Villanelle. It had an interesting plot. Anyway, I'll link a cheeky reimagining of season 1 instead: Down, down under the earth goes another lover by Vaultdweller. It is technically an AU (see, I can do AUs after all, heh), but only technically since the characters and their world are the same. The main difference? Eve is darker (think of seasons 3 & 4 Eve) from the get go.

Elainie by The Scorpion (Phantom of the Opera) Okay, I don't remember this as well as the other pieces on here (it's been many, many years), but it was distinct. Most works in this fandom used to be fluffy/smuffy takes on the musical (which I do not care for). This one was Leroux-based, gruesome horror with good characterizations.

P.S. I'm pretty sure that had I finished this one, it would have become a fave too. I started reading it a few years ago, because Mike was one of my favorite characters in the BB/BCS universe, but stopped due to life™ developments.

[the-dust-jacket]

Hello. I've already read the Kingston Cycle, Half a Soul and I'm about to finish the Stariel books. Do you have more recommendations? Thank you in advance.

Oh absolutely!

A Matter of Magic, by Patricia C. Wrede (for cross-country Regency romps, rogues, magicians, spies, and Ladies of Quality)

A Marvellous Light, by Freya Marske (for murder and mystery and secret Edwardian wizardry, romance, grand old houses and creepy curses)

Spellbound, by Allie Therin (for forbidden love, found family, and frightening magic in 1920s New York)

Shades of Milk and Honey, by Mary Robinette Kowal (for frothy and impeccably evocative Regency magic)

Sorcerer to the Crown, by Zen Cho (for schemes both magical and mundane and the world of fairy crossing into the world of the tonne)

To Say Nothing of the Dog, by Connie Willis (for laugh-out-loud time travel shenanigans and questionable Victorian aesthetic choices)

Soulless, by Gail Carriger (for vampire assassins, werewolf aristocrats, interrupted tea time, and other terrible inconveniences which may beset a young lady)

A little darker:

The Magpie Lord, by KJ Charles (for semi-secret magical society, creepy family estate, steamy romance all in an Extremely Victorian Gothic setting)

Jonathan Strange and Mr Norrell, by Susanna Clarke (clever and deeply atmospheric tour of a magical 19th century England, but definitely not romance)

Salt Magic, Skin Magic, by Lee Welch (for curses and magical bonds and frightening fairies)

Widdershins, by Jordan L Hawk (for Gilded Age mystery and romance featuring Lovecraftian horror and humor)

More fantasy:

Uprooted, by Naomi Novik (for fairytale magic and whimsy, adventure and romance and creepy trees)

Seducing the Sorcerer, by Lee Welch (for wizard fashion, romance and humor and whimsical magic)

Stardust, by Neil Gaiman (for wild romps in the fairyland next door, alternately humorous and haunting)

More historical:

The Gentle Art of Fortune Hunting by KJ Charles (for saucy Regency romance and determined social scheming)

Cold Comfort Farm by Stella Gibbons (for dry humor, wacky hijinx, and extended family shenanigans)

Hither Page or The Missing Page by Cat Sebastian (village and manor house mysteries respectively, featuring lots of queer romance and found family with a dash of jaded post-war espionage)

I Capture the Castle by Dodie Smith (for yearning and laughs and first love and an eccentric family living in an increasingly run down castle)

A little farther from the brief, but might be worth checking out On Vibes:

The Left Handed Booksellers of London, by Garth Nix

The Chronicles of Chrestomanci, by Diana Wynne Jones

His Majesty's Dragon, by Naomi Novik (more Regency fantasy, but full on Age of Sail adventure rather than comedy of manners, romance, or secret magic)

Among Others, by Jo Walton

Arabella of Mars, by David D. Levine

A Natural History of Dragons, by Marie Brennan

It also sounds like a Georgette Heyer or Jeeves and Wooster binge would be really fun right now!

[astriiformes]

IDK if you did mention this or I'm making it up, but I feel like you said you'd post the actual list you picked from for the AU roulette challenge at least partway through the month? (I didn't make the signups on time :') and probably would've procrastinated anyway oops, so I've been curious)

Thanks!

No, you remembered right! I was hanging onto it for a while in case anyone wanted to make requests for a second fandom, but I never actually got any secondary prompt requests, so i decided to wait until the end of the challenge instead.

My AU list was as follows:

1 - Pacific Rim/mecha 2 - Star Wars/space opera 3 - Roleswap 4 - Superhero 5 - Vampire 6 - DnD/fantasy 7 - Star Trek/space exploration 8 - Post-apocalypse 9 - Fairytale 10 - High seas 11 - Time travel 12 - Western 13 - Daemon 14 - Mythology 15 - Coffee shop 16 - College/academia 17 - Community theater 18 - Summer camp 19 - Ghost/cryptid hunters 20 - Secret agent 21 - Sherlock Holmes/detective 22 - Cyberpunk 23 - Medieval/Renaissance 24 - 1920s/Prohibition 25 - Road trip 26 - Your job 27 - Indiana Jones/archaeologist 28 - Heist 29 - Your favorite historical era 30 - Band/musicians 31 - Farm/ranch 32 - Lovecraftian/cosmic horror 33 - Urban fantasy 34 - Roller derby 35 - Shakespeare/classic lit

If I ever run the challenge again, I would probably keep some of the same AUs on the master list just because I chose classics for a reason, but I might randomize which ones stay in and which ones get replace just for an extra layer of roulette.

[eldritch-m0th]

mechanism fans gather round! i have a game suggestion for all the gamers out there! lies of p is steampunk, lovecraftian, fable/fairytales. i watched a play through of the demo and it felt so much like a mechs album turned into a soulslike i plan on getting the game myself when i get the money

[inkydeeeeeeew]

I read Annihilation two days ago.

It was a great book.

Kind of felt like a Lovecraftian fairytale almost.

Do not read if you need all the answers.