#love my queers
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rogueddie · 2 years ago
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eddie grabbed steve and robin. the trio of all time.
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qrgshvkfbnhfbbgf · 4 months ago
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I love wlw mlm solidarity
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foldingfittedsheets · 1 year ago
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May I present: Leda and the Swan Princess! It's based on this post about a swan princess who refuses to go quietly in obscurity when cursed. (If you liked this one you will probably also like my other comics which you can find on my pinned post).
If you enjoyed and want to support a queer art student, you can tip me over on my Ko-fi! Tips help me out dramatically while I'm still in school!
Find this and my other comics on Tapas, Once Upon a Meet Cute!
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leclercari · 7 months ago
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#the "oh." moment: bi bridgerton siblings™ edition
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archivegeo · 2 years ago
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take a jacket just in case
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poorly-drawn-mdzs · 8 months ago
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The squad of all time has arrived on scene.
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o-wild-west-wind · 2 months ago
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While I’m still a bit bummed that they didn’t go with a more book-aligned POC Fiyero for the Wicked movie, I’ve been thinking (heheh) about how his being white highlights the really interesting foil relationship between him and Glinda (and, in many ways, the audience yourself).
At its core, Wicked is a cautionary tale about propaganda, (literal) scapegoating, and what it means to uphold the status quo. The audience is watching through Glinda’s eyes—it is through her, arguably the most beautifully tragic character of the show, that we learn how lonely life becomes when you forfeit your values in favor of systemic power and likability (“No One Mourns the Wicked” is, in many ways, about HER).
Now, this is where Fiyero’s whiteness can get interesting—if you consider him and Glinda to share roughly equal footing at the beginning in terms of privilege/how much they have to lose (applying our real-world lens of race and power here, where whiteness is the apex), his storyline essentially represents what could have happened if Glinda had made the brave (and arguably wise and loving, if you’re picking up what I’m putting down 👀) choice to go with Elphaba and fight the good fight (this is also why I feel like a queer reading of G&E’s relationship is almost implicit to the story, but I digress).
As the POC/marginalized allegory, Elphaba has much less of a real choice in her curtain-pulled-back turning point. But Fiyero and Glinda—both representing privilege—get to choose. So in Act II, we see the consequences of both the choice to stay (Glinda) and to go (Fiyero). In Fiyero’s case, his ultimate rejection of his own power, privilege, and even beauty leads to immense physical loss—including his own body—but that is then compared to the loss of love, community, and identity that we see Glinda left with by the end. And this brings us to the question that the audience is left grappling with: in an unjust system where loss is inevitable (a.k.a. our own world, as the Wizard himself represents), which of these things are YOU more willing to give up?
It’s important that Glinda is an empathetic character because, in reality, most people are going to be Glindas (obvi this is nuanced among us Elphabas of marginalized identities, but I’d still argue that there’s some level of Glinda in us all)—and it’s important to be rattled by the end of the show when you realize that she is the one who has the sad ending. But it’s also so important that Fiyero is empathetic (which I’m SO glad this movie leaned into)—because he’s ultimately who Glinda—and thus we, as the audience—should have been.
And especially given the state of US politics right now…this is just all more relevant than ever.
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knightedpuppy · 6 months ago
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big strong knights covered in blood looking at you like a feral animal. that’s the post
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theunknownpen · 5 months ago
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sergeant-angels-trashcan · 2 years ago
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Yall remember how Texas had that "report an abortion" form that they had to take down after a week?
Well, Missouri has one, only it's for reporting transgender concerns.
Comrades. Friends. Romans. Countrymen. You know what to do.
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dustykneed · 3 months ago
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survival is an act of rebellion. jim loves you SO MUCH. i hope this finds all of us who need it today. please stay alive so we can make it out together. sending so much love and strength
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pokimoko · 3 months ago
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Ace Week is upon us again, which means it's time for me to share some more silly little critters with you all! (If you like, you can also say hello to their friends from 2021, 2022 and 2023.) ✨Go and be as amazing as always, aces✨
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xochimillilili · 6 months ago
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Need more of you kinky fucks to talk about how fucking good it is to be mutually subby with someone. The desperate whiny humping, the drooling and moaning into each other's mouths as we dumbly make out, the biting and scratching and needy groping, and making a pretty mess of cum on each other
Really just euphoric to cuddle and hump away, two dumb horny pets moaning and whining please at each other, both being such good fucking pets as we cum at the same time, whining and whispering I love you and falling asleep in each other's arms, all spent and fucked out in each other's cum
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aletterinthenameofsanity · 11 months ago
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Y'know, there's this gripe I've had for years that really frustrates me, and it has to do with Love, Simon and people joking about it and calling it too-pg and designed-for-straight-people and all the like. (A similar thing has happened to Heartstopper, but that's another conversation.)
I saw Love, Simon in theaters when it came out my senior year in high school. I saw it three times, once with my friends/parents on opening night, once with my brother over spring break, and once with my grandparents.
On opening night, the air in the room was electric. It was palpable. Half the heads in there were dyed various colors. Queer kids were holding hands. We were all crying and laughing and cheering as a group. My friends grabbed my hands at the part where Simon was outed and didn't let go until his parents were saying that they accepted him. My friend came out to me as non-binary. Another person in our group admitted that she had feelings for girls. It was incredible. I left shaking. This was the first mainstream queer romance movie that had ever been produced by one of the main five studios, and I know that sounds like another "first queer character from Disney" bit but you have to understand that even in 2018 this was groundbreaking. Getting to have a sweet queer rom-com where the main character was told that he got "to breathe now" after coming out meant so much to me and my friends.
But also, from a designed-for-straight-people POV (which, to be frank, it was written by a bisexual author and directed by a gay man, this was not designed for straight audiences), why is it a bad thing that it appealed to the widest possible audience? That it could make my parents and grandparents see things in a new light? My stepdad wasn't at all interested in rom-coms but he saw it with me because it was something I cared about and he hugged me when we came out of the theater. My very Catholic grandparents watched it with me and though my grandpa said he still didn't quite understand the whole 'gay thing,' all he wanted was for me to be happy and to have a happy ending like Simon did. My Nana actually cried when Simon came out and squeeze my hand when his mother told him he could breathe.
And when Martin blackmailed Simon, my mom, badass ally that she is, literally hissed "Dropkick him. Dropkick him in the balls" leading to multiple queer kids in the audience to laugh or smile. Having my parents there- the only parents, by the way, out of my group of queer and questioning friends- made multiple people realize that supportive adults were out there. That parents like those in Love, Simon do exist in real life.
When people complain about Heartstopper not being realistic or Love, Simon being too cutesy, I remember seeing Love, Simon on opening night. I remember my friend coming out and my stepdad hugging me and my mom defending us through this character. I remember the cheers that went through the audience when Bram and Simon kissed and the chatter in the foyer after the movie was over and the way that this movie made me understand that happy endings do exist.
Queer kids need happy endings. Straight people need entry points to becoming allies. Both of these things can come together in beautiful ways. They can find out about more queer culture later, but for now, let them have this. Let them all have a glimpse at a better, happier world. Let them have queer joy.
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elisenel · 9 months ago
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What if they had matching outfits? 😳
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wis-art · 1 year ago
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lesbian, trans and proud
ko-fi
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