#louis tomlinson stunts

[nekilarry]

I have to be honest: I was SURE that during the premiere in LA, at a certain point, the kid would had arrived.

[sunshineandlyrics]

People magazine posted about silverfox Louis on their tiktok (2 July 2024).

[srldesigns6277]

Rbb went hey watch this: Wears tanktop named The Stunt.

Sbb goes hold my beer: Wears the Umbro Shirt for the third time.

Larries: *dying*

[dailytomlinson]

Louis playing with a 28 Clothing football in Spain - 25.07

[larrylimericks]

30Jun24

Cos the footy match wasn't on view, One festival set made the news: A telly on trolley (Rocks carried by Oli) — Hail the new God of Glasto: our Lou!

[landhinlove]

I’m late but

Lottie saying her mom never got to meet her first grandson is WILD

[27goldensun]

Is it worth it? An analysis on Louis’ stunts

Lately there has been a shift in how Louis’ stunts are being presented to the fandom, with babygate mentions growing and seemingly being pushed by Louis himself.

I have taken some time to go over some (very arbitrary) success indicators that could possibly justify this push in stunts as a marketing ploy, however I have only confirmed my suspicions that the fanbase IS NOT HAPPY and that has been translating in Louis’ numbers.

(May I add that I focused more on louis’ relationship with his fanbase and I know that’s not everyone’s definition of success so I also added streaming numbers)

I took my numbers from this website and I looked through late 2021 and 2022 mostly

Starting off, lets look at Louis’ twitter following and activity:

Number of followers

Throughout August, September, October and November 2021, louis gained between 20k and 40k followers each month, those numbers were much higher during the earlier months of 2021, so what could have sparked that change?

The first picture of louis with F in years dropped in August, which happens to coincide with the sudden drop in Louis’ following

In December, the First Christmas BS happened, and that generated a drop in his following (he didn’t actually start losing followers until 2022, but he only gained 4K in December 2021) that would be weird on its on, but paired with the start of his tour (in which his numbers should be increasing much more) it was very obviously correlated.

Now onto 2022, which was quite an eventful year

2022 marked the start of LTWT which was not only an incredible time for preexisting fans could have been a great opportunity to increase his fanbase by giving him more visibility, especially paired up with a new album. We’ll see that this wasn’t the case

The beginning of the year presented Louis with a slow, especially if compared to 2021, but steady raise in following. This drastically changed in July.

The infamous dm leak happened on July 30th 2022 and it greatly impacted the fandom, which was translated into Louis social media following. Looking at it comparatively, in June 2022 he gained 129k followers, in July that number dropped to 26k, showing the impact of those final 2 days. In August, his numbers only continued to drop.

With the album announcement, one could’ve expect a raise in following and activity, but the opposite happened, and I can’t help but link it with the marketing strategy that was chosen, with further mentions of his “personal” life, especially bbg

The promotional interviews began July 2022 still during LTWT and, at first, they were stunt free (with the exception of one Interview on July 21 2022, in which he stumbled when saying F’s name, something he seemed much more comfortable with later on).

September 6, 2022: It is during an interview with Radio Deejay Itália that the mentions truly begin. Louis brings up Freddie unprompted and says he travels to LA often to visit him, from this point forward, the kid is often brought up.

November 2022 we get all those articles saying “louis finds parenting to be challenging”, over 100 copy and paste articles of this nature were posted.

December 2022 the Christmas Bs 2.0 took place, with the kid being flown to the UK and spending around a week there, between Christmas and New Years. The only footage of louis and F interacting was posted on Louis’ birthday, in a short video of the two in a dinner with the rest of the Tomlinsons.

How did this translate in his twitter following? When FITF promo started, Louis only lost followers

August 2022 he lost 7k

September 2022 he lost 33k

October 2022 he lost 24k

November 2022 he lost 29k followers (not good right after an album announcement)

December 2022 he lost 28k followers

January 2023 he lost 43.9k (the most so far)

But did all this only happen to his twitter following? Surely that’s not the only indicator of his success and relationship with his fanbase?

I agree, although louis does seem to use twitter the most when connecting with fans, lets look through his instagram

When FITF promo started, Louis only lost followers

August 2022 he lost 24k

September 2022 he lost 18k

October 2022 he lost 30k

November 2022 he lost 49k followers (not good right after an album announcement)

December 2022 he lost 33k followers

January 2023 he lost 62.8k (the most so far)

Looking at his streaming statistics

(I’m using walls as a comparison for timeline purposes, although im well aware walls promo was far from stunt free, it seems most fans have, understandably, a harder time dealing with bbg than Eleanor)

*Walls debuted at number nine on the US Billboard 200 with 39,000 album-equivalent units

*Faith in the Future debuted at number five on the Billboard 200 selling 43,000 album-equivalent units

So there was obviously an improvement on FITF debut, but has it been consistent since the album release?

The “this is Louis tomlinson playlist” on Spotify

May 2021 The "This Is Louis Tomlinson" playlist reached 250k likes

February 2023 The "This Is Louis Tomlinson" playlist reached 320k likes

Album stream milestones

Walls

Over 100 million streams on Spotify: February 6th, 1 week after its release

FITF

Over 100 million streams on Spotify: December 10th, 1 month after its release

So, overall, the situation does not seem to be improving…

I will later go through his tour sales, but given the different venue sizes this could be a bit tricky

My interpretation of those numbers i presented is that no, it is not worth it. Regardless on your opinion about bbg, from a marketing standpoint this image doesn’t seem to be doing Louis any favors…

(Please feel free to add your thoughts, I’d love to deepen this discussion)

Also, I don’t think any stunt that furthers a queer person’s closeting could ever be “worth it”, this was just my attempt to try to see what could be their motivations for this (although if its commercial success, it’s definitely not working)

[liloslittlethings]

I hope louis' reaction at the end is him finding out he gets to mess with liam in the commercial

(via Honda Civic Commercial behind the scenes part 2)

[sainztificc]

Like people STILL believe any of this is real??

[hl-obsessed]

Mortal enemies need to coordinate their locations a bit better, it’s a bit embarrassing that they are on the same continent

true that 🤣

Harry getting paped in London on day of Tomlinson family celebrations, when he was just seen with his girlfriend across the ocean... noooo... not suspicious at all...

[nekilarry]

The bua has been seeded.

Let's prepare ourself for the rest.

[sunshineandlyrics]

🔵 🧂 The OP knows one of the fans at the Radiomix FM M&G, and shared some info, 2 April 2024 x x x x x x

[savebylou]

hii i hope ur doing well all things given. sending love and healing energy to us all. ❤️‍🩹

anyway, i’ve taken a step back from the fandom a few years ago (but was still watching from afar- supporting music, tours, movies etc). but in terms of their personal lives i’m truly out of the loop- to my understanding louis has been publicly ‘single’ for almost a year now right? and harry a few months? or am i missing something?

thank you 🫂

Hi anon! Sorry for the late response I wanted to check dates for you.

Thank you for your message, sending the same for you ❤️🫂.

About your question you are right, Louis has been single since April of 2023 according to the article was the 23th, my tags sucks for this research (he was spotted with Sofie on Febreaury 15th only and she was only making like online interactions with fans etc to act like his gf). Afar from Louis liking some pics or following some models or actress sometimes is the only thing that had happenes with him in that aspect.

Harry has been single since May 19th.

Let me know if you have more questions. I hope you have a lovely day/afternoon/night.

[dailytomlinson]

Full clip of the AOTV London Premiere - 16.03

[larrylimericks]

23Mar23

We’re feeling some internal friction At silver screen Louis’ depiction; All the world is a stage But it’s hard to engage When plot lines combine fact and fiction.

I get really rambly below the fold. Proceed with caution if you’re over the discourse already.

I debated seeing All of Those Voices in theaters. I didn’t see either of Harry’s films in theaters — Harries are too much of a wildcard, and I refused to sit through hours of squeals and gasps and reactions, not to the movie but to “omg! Harry’s going down on someone! omg, Harry’s bum!” So I was already tentative about seeing Louis’ film in a shared space, outside the protective silos of tumblr. But I bought a ticket, because I want to support him and because I was genuinely curious what story would be told. Then we got the trailer and I hesitated again, not wanting to watch a propaganda film. But, I’ve lived through all the other Bullshit moments, so I figured I could live through Bullshit on the big screen.

My theater crowd was great — pretty neutral aside from an amusing row of politely excitable Larries I was in secret solidarity with. And I pretty much loved the film. Well, 92% of it. I look forward to watching it again when it streams. I mean, it was an hour and a half of content featuring this fascinating creature we’re all obsessed with. I didn’t want to blink. I hung on his every word (when I could understand them). How cool to get, essentially, a long-form interview, where he’s not promoting an album and we’re not getting the same sound bytes. Louis is wonderfully open and vulnerable, and the story of his life (heh) is inherently compelling. The cinematography is beautiful. The behind-the-scenes are delightful and delicious. I can’t wait for the AOTV gif sets once we have it in high-def.

But it has some plot holes as wide and deep as the ones in Don’t Worry Darling.

First, there’s the confusing (to the uninformed) absence of a love interest. Louis is asexual, as far as the film goes. There’s not even a ghost of Eleanor, with whom he’s cumulatively spent a decade and who is supposed to have inspired so many great love songs and with whom he is supposed to have survived a pandemic. Props to E for living her best life now: going to see Scream on AOTV opening day, enjoying full custody of the pups, publicly supporting her assumed partner — sorry you got Kiki Layned from the film, but I’m guessing you weren’t even written into the script. (It’s not like the film was conveniently re-edited in the months since their break-up. Her stunt tapering was intentional.)

Then there’s the glaring absence of a baby mama (thank god; that family would have been even more insufferable). We’re cruising along for 45 minutes or so and then, wham, Dad!Louis enters the chat with a fully formed 6-year-old child. The kid just magically appears with no backstory — just like in real life ... twice (the first time with the pregnancy announcement and the second time with the revival of Dad!Louis after several years of dormancy, right in time for documentary filming. Just like Harry stunted with his co-star during filming and production, Louis stunted with his.)

The kid is cute, and faultless in this. The scenes are objectively sweet (as they were designed to be). But Louis, who normally keeps things very close to the vest, is all of a sudden an emotional spigot you can’t turn off when it comes to these scenes. It seems quite out of character. Which brings back to mind that this Louis *is* a character. The Freddie scenes just didn’t seem to have a point in the plot other than: Louis is a dad. And that role isn’t integral to the film’s story.

He’s incredibly emotional with Freddie, but the movie doesn’t tell us why. The storytelling gets lazy here. The lad/dad plot seems wedged in. The movie would be perfectly complete without it. I felt like it could have been integrated a few different ways: Louis experienced tragedy after tragedy after tragedy — loses 1D, loses his mum, loses his sister ... and then impending fatherhood either becomes another trial he must reluctantly face (in the surprise pregnancy narrative) or it helps him navigate the grief of losing his sole parent, his closest confidante. OR, Louis, not wanting to be like the absentee father he had, shows up for his own oopsie baby despite the unexpected circumstances. But there’s no exposition or rising action. No footage or photos from the first few years of the kid’s life that we haven’t already seen. Just an immaculate conception.

I think the most compelling narratives of the film are these:

Louis’ overcoming adversity after adversity after adversity. Holy hell. I lived through 1D ending, through the devastating news about Jay (god, I remember the shock and sadness of that day — it was incomprehensible), through the heartbreaking news about Fizzy, and then when you think Louis is gonna get his moment of victory with his first solo world tour, coronavirus pulls the rug out. (That sequence was well done: where we keep seeing the dates get closer and closer to March 2020, and we all know the villain that’s coming, but it’s still such a blow.) I lived through all that in real time, but seeing it in such a concentrated sequence really highlights the shit he’s been dealt, and hearing him open up about so much of it ... that’s the character development relevant to the film’s denouement. And getting to see Louis get what he deserves, finally, and hearing him acknowledge that he deserves it, was a lovely ending.

Louis’ journey to find his footing and his confidence as a solo artist after unfathomable success as part of a group. But, in a sort of plot twist, he’s not really solo, is he? The film gives a lovely introduction to his band now — and in their own words, reveals that they’re not just a backing band, they’re a *band* band. Louis has let them in. He’s forged a new brotherhood. *That*, for me, was the heartwarming story. I loved those scenes, loved seeing Louis in his element, which is in a collective, where he is both king and jester at the same time. (Or perhaps Oli’s the jester. Thank fuck for him, man. Oli is the standout. The breakthrough performance. The comic relief. I want a spinoff series.) It’s easy to miss 1D and glorify those short years and think nothing will ever top it, but Charlie’s storytelling of the LT Band is remarkable. We’re left looking forward, not back.

I know Louis’ dedication to his fans and his fans’ dedication to him is a huge focus, but I don’t really enjoy watching commentaries on fandoms I’m a part of. I’m living it. I don’t need outsider context. And in a fandom as fractured as Louis’ (and 1D’s) there’s not a universal experience. The film depicts dedication as sleeping on streets for rail, hopping from country to country and draining bank accounts — because that’s the kind of “superfandom” that gets easily turned into a marketable freak show. Show me the documentary on the fans who organize the light projects, who run the fashion accounts, who curate livestream sources on show nights, who have turned giffing into an art and science, who help promote Louis in the absence of a competent marketing team, etc., etc. I also thought the interview with the American(?) girls talking about LATAM shows was shortsighted. And showing the rainbow factions but not addressing them? What a missed opportunity to talk about songs like Only the Brave becoming a queer anthem. Straight artists can have gay fans, you know.

But the film doesn’t make the kid relevant to any of those storylines. He could have been worked into the first, but wasn’t. It was like a standalone narrative, with footage from a narrow set of days. I was at both those L.A. shows. The energy was so different from night 1 to 2. And in retrospect it’s clear Louis was performing the first night so Charlie could get the right shots. More like a choreographed play than a rock concert. It makes sense now why the Clarks weren’t in the VIP box with Freddie — couldn’t have them cluttering the frame or distracting the actors. Just, everything about the Freddie scenes is heavy-handed. Make a sign for your dad! Draw his logo in the sand! Fly a kite at sunset! He’s the spitting image of Louis! (Len does all the heavy lifting.) And all the maneuvering it had to take to get all those shots from the L.A. show?! In the VIP box from behind (and from the front, and when he just happens to be mouthing along to Two Of Us), side stage watching Louis end the show, on-stage watching Louis approach Freddie after the show, on-stage catching the moment Louis gives the lad a shout-out ... Charlie had a shot list. But sure, nothing was set up, it was totally organic.

I’m still unsettled by how heavily Charlie laid it on at the first premiere press conference — *he* was the one to bring up the kid, and was weirdly emphatic that nothing was staged, nothing was forced. It had the same energy of the “It’s. Not. Real” thrown baby doll moment, only it’s Charlie insisting that It. Is. Real. Thou dost protest too much, me thinks.

And of course, the lack of interaction between Louis and Harry remains, as ever, the biggest tell. We get poignant post-1D Nouis and Lilo moments in the film, but no Larry. We’re spoon-fed these Very Emotional Moments between father and son (“love you,” “Darling,” mouth kisses), when the real story, the real emotion, the real connection is in just a few seconds of furtive glances between Harry and Louis in the backstage footage of the last 1D performance. Christ, the way Harry’s eyes bore into Louis — chin tilted down, eyes glancing up from beneath a furrowed brow, lips tight, disguising his attentiveness with a hair flip ... they mastered so many forms of silent communication. The quiet call and response, the depths of love and care and concern and protection contained in micro-expressions. Fuck, give me 90 minutes of that. Just a silent film of Louis and Harry looking at each other.

Anyway. Sorry this sounds so grumpy. I did really love most of the movie. But I haven’t made sense of why this film was made. I don’t know its purpose. Maybe the introspection forced by the pandemic lockdown is to credit for this glut of music docs (“docs”) lately. Maybe nine minutes frees him up for nine more months or nine more years. I dunno. He obviously wanted this story told in this way.

Seeing a movie requires the willing suspension of disbelief. You have to ignore critical thinking in order to enjoy the story you’re being told. You tune out your knowledge that everything is fake for the sake of being entertained. We know that Superman can’t actually fly, but we still buy tickets to the cinema. But, a documentary shouldn’t require us to employ this semi-conscious perceiving mode. Yet here we are. I’m just not sure how much more or how much longer we can suspend our disbelief to enjoy fandom.

[whoreforlarrystuff]