Fenton-Proved Kryptonite!
Sorry for the lack of prompt last week, been sick.
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Lex Luthor had sent a representative for LexCorp, instead of coming to Vlad Masters himself.
Rude, but smart.
But this imbecile can’t seem to hold a simple business conversation! (No ghostly interference needed) Starring at his most recent attempt of a bust of his dear Madeline, (a good improvement from his previous endeavor, but even Vlad will admit it’s… slight imperfections. If only he could capture her essence as well as he does her idiot husband! At least those give him some stress relief.)
“I apologize for boring you, however I do happen to believe these major details are rather important.” Vlad growls.
“I- I apologize sir, but if I may ask, where did you get so much kryptonite?!” The representative chokes out.
Tl:DR, Vlad’s machines make kryptonite as a byproduct, which he then ice sculpts into Jack Fentons head. Imagine this, if you will.
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ok so here is my pitch for my dream buddie catalyst:
eddie and maddie are trapped in some sort of likely-fatal time sensitive situation together (drowning related probably because it's Them) (have they overused it yes is it still thematically appropriate YES) where one person could potentially sacrifice themselves for the other to survive. i want eddie and maddie using their combined experience and ingenuity to survive together and discussing who should be prioritized which means they talk about parenthood and how they both feel they've failed their children by "running," how their lives have been so defined by trauma and they don't want to scar their children any further by leaving them again. of course they're doing everything they can to get out together, but as the situation deteriorates throughout the episode(s) (c'mon something like this could be at LEAST a two-parter) they can't help returning periodically to the world's most morbid debate.
i want buck and chim on the outside both going out of their goddamn minds. they know that eddie and maddie are stuck (wherever), know that they're probably alive, but aren't sure in what condition and if they'll stay that way. rescue operations begin as everybody walks on eggshells around buck and tries to comfort chim, who wants absolutely none of it. time is running out.
eddie says that he couldn't possibly let maddie sacrifice herself for him and look buck and chim in the eye afterwards. maddie says that she couldn't do that either. she says that at least jee-yun would still have her father, and eddie says that christopher would still have buck. maddie says that of course none of them would just abandon christopher if something were to happen to him but—
and eddie cuts her off and says it's in my will. if i die, christopher will have buck. buck will have christopher.
they just look at each other for a weighted moment. maddie makes a decision. she says ...i meant it, you know. that i couldn't let you die down here (wherever here is i don't KNOW okay i'm not here to think up convoluted emergencies i'm here for drama) and look my baby brother in the eye knowing that i could have changed it. eddie says i know, okay, but it's different, you're his sister, and maddie says, yeah, but you're his... and she pauses. and eddie says what? best friend? partner? that doesn't—
and maddie says you're his. eddie, you're his.
and eddie... i want to see something slot into place. i want to watch him understand as maddie spills everything she's been suspecting since the day that buck came out to her and maybe since before she and eddie even met. maddie says you know, when i first came to california, you were all he talked about? you're still all he talks about. you and christopher. you're his. i couldn't... eddie, you're out of your mind if you really don't think that losing you would break him just as much as losing me. he would forgive us both, because he's buck, but i couldn't... i'm no saint, eddie, i want to survive. i don't want my daughter to grow up without me. but i can't do that to him. i don't know if he'd survive it. even if he did, the guilt would eat me alive.
meanwhile. buck is barely holding on to his sanity as rescue efforts are underway and time is running out. chimney is keeping it together as best he can but there isn't much that he and buck can do. he can't let himself fall apart because buck is already a stiff breeze away from clawing his own skin off and somebody has to keep their cool. something goes wrong—suddenly, their short amount of time has gotten shorter, and they may only have enough of a window to get one out before it's too late for the other. buck, who has been ranting and arguing and screaming this whole time... is silent. he is silent, and he stares straight ahead at nothing in particular, and we know that no matter which way the scales tip, his soul will be destroyed all the same.
eddie regards maddie for a moment. grief, heartbreak, anger, all flicker over him, but what settles is determination. he says that neither of them are going to leave again. that they'll survive together, or not at all, or leave it to the universe to decide.
of course they make it out. by the skin of their teeth, they make it out, working together, clawing their way back to life and love and possibility. maddie makes it out first, and eddie sees buck as she falls into chim's waiting arms. he watches as buck sees his sister, and reaches out to take her hand with trembling fingers and white knuckles, but there is no relief, no happiness in his red-rimmed eyes. just a deep, unspeakable grief, until his eyes slide past maddie and meet eddie's.
finally: relief. and then he is in buck's arms, a perfect parallel to chim and maddie, and we see eddie's face over buck's shoulder, and we know. he is in love, and buck is in love, and eddie knows, and he sinks into his partner's embrace with joy and acceptance.
after that, who knows? maybe a grand confession. a moment of quiet understanding. a passionate post-rescue kiss. a chaste, tender kiss in some kitchen or other. maybe eddie panics later, or maybe he's found peace for once. maybe buck has realized something and he makes the first move. maybe it happens immediately. maybe it takes a while, takes discussions about how it'll affect work and christopher and whether it's worth risking all that they have for all that they want.
and maybe they'll ask whether it's even a risk at all.
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New friend?
Unedited version + those funky text stuff that you may like to read properly below the cut:
First circle text:
You are who you always will be. Caged by pure definition and perception. Self is not absolute, never complete. As long as there is a you that is perceived by the other, you will never have a self that is completely yours.
Second circle text:
Once a saint always a saint. Once a monster always a monster. Convince as one might, they are eternally damned by title alone. If not the boy who cried wolf, or the flock themselves, the hands will serve as one's signature. One's reminder. There must be a god to allow them to never precieve one's self. We wonder... should one look into one's eyes, --should they dare,-- will one find a soul? Will one weep? Will one smile? Will one find the name they have been given? Or the name they have chosen for one's self?
Just a buncha words for Wally's whole mental state lol
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i’m catching up on tsv, i think something that eskew prod does extremely well is using horror absurdism to capture the absurd horror of capitalism. it’s clear in eskew too, but i think it’s especially fantastic in the silt verses. the casualness with which sacrifice is discussed. how red lobster has a god that has and continues to take human sacrifice, and so do cereal companies, cops, and the grueling start up that has a “fun room”. it captures EXTREMELY well how it feels to live under capitalism, that you’re constantly bombarded with horrible things, discussed cheerily in a nice tone. the way it’s simultaneously numbing, hysterical, and horrifying. i think i was especially fond of how in ep 39, protest against sacrifice was taken as radical, a propostorus, idealistic thing that’s just so SILLY it’s not even worth considering, something that feels very real to revolutionary organizing/protest irl. i also liked how despite the face, when everything gets down to it, when everything is about profit, all people come down to are bodies. all capitalism is a gaping maw, and it eats the poor and marginalized first, but doesn’t STOP eating just there. the very literalized version of this, where the profit wheel (and all that includes— war mongering, the prison industrial complex, wage labor, etc) is given a very real literal set of teeth, but the body count is the same. so the electric company has a god, and so it takes humans sacrifice. do real electric companies not have a very real human cost? overworked and underpaid labors looking to make rent, or well off comfortable employees no less likely to get the axe under profit margins, or the blood shed when colonizing in the first place, in clearing the space for the electric company to move in. is that not also a very real human sacrifice? the commercial aimed at elderly people talking about “back in my day, we would just talk about all this human sacrifice and find a compromise :)” is so bleakly hysterical, but is that not very accurate? that you can put a good face on it, but in the end what it comes down to is that you’re being sold the chance to be human fodder? that there is no glory or honor on a battlefield or in working yourself to death, just mud and shit and bodies to throw at problems. idk! i’m rambling but it’s a deeply engaging podcast.
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