#lots of callbacks to chapter one in these parts | Explore Tumblr posts and blogs

clubdionysus · 11 months ago

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[BAD DECISION #60] Obduracy

warnings: starlovers!!!! <33 i really luv jimin in this one hehehe, lots of callbacks to earlier chapters!! fingering, pretty tame by their standards!!! but kinda semi-public? i mean they're at home but like... kitchen?? i dunno up to you to decide!

a/n: this one doesnt have a little cover image :( had to make it fresh :( the first non wattpad chapter :( waaaa. im hoping to having something new ready for you tomorrow hehehehhe

wc: 8.3K

bd total wc: 540k (ongoing)

AO3 | MASTERLIST | MINORS DNI

Jeongguk wears his hangovers incredibly well. Like an oversized shirt draped over his broad shoulders, it billows down his body, leaving you to guess what's hidden underneath.

It's hard to tell if he's suffering like you are, for his face gives nothing but contentment away.

Hair messy and dishevelled, it sits like an unruly crown on his head as he washes dishes left from the evening before. A soft smile lingers on his lips as he hums along to the song quietly playing through the kitchen speaker, his voice far prettier than the original singer. The king of his very own kitchen, there's an innate flick to his wrists as he shakes water off steel bowls and pops them on the drying rack.

Chest bare, he pays it no mind when tiny flecks of warm water splash against his skin.

Vines of ink trail up his arm and onto his shoulder. His self-modification proves he wasn't born from gold but rather polished to resemble something like it.

In a way, it makes him so much more valuable. Or at least it does to you.

As you watch on from a bar stool on the opposite side of the kitchen island, chatting with him about the events of the night before, you wonder how it's possible for a man with a smile like his to have a body like that.

The maths just doesn't compute, but you've never been great with numbers. Have always been more drawn to art—and God, what a work Jeongguk is.

Quite the contrary, you wear your hangovers with far less grace.

There's glitter all over your skin, and your hair looks more like a bird's nest than a crown.

In front of you sits a barely touched glass of water and two Tylenol tablets yet to be taken. The thud in your head has only intensified since you woke up with a dry throat and achy body, but you're trying to push through it.

"You're only making it worse," Jeongguk softly scolds you when you whine and slump down to rest your head on the countertop. "Don't be so stubborn."

When he talks like that, all assertive and domineering, it only makes you wanna be even more stubborn. It's in part thanks to your defiant nature, but also in part due to your desperation to have him use that tone of voice with you again.

"I can defeat it," you whine against the cold stone, a pathetic moan humming in your throat.

With your hair still damp from your shower, you find yourself irritated by how quickly Jeongguk's hair dries compared to yours. It's your own fault, for you're the one who insists on changing its colour with the seasons, but it annoys you nonetheless.

Then again, everything irritates you when you're this hungover.

Truth be told, you'd happily get your hair wet all over again, if it meant you got to indulge in another shower with Jeongguk. Want nothing more than to relieve the way it feels for him to shampoo your hair, rubbing the pads of his fingers in circular motions against your scalp. If the restaurant doesn't work out, he could always opt to be a hairdresser, you think, then mentally reprimand yourself for daring to even think of a scenario in which the restaurant doesn't work out. Would never forgive yourself if you jinxed it.

Jeongguk doesn't mind the grouchiness that comes with your hangovers, 'cause they always come with an added side of clinginess, too. You had wrapped around him like a koala bear for that entire shower. Had your cheek to his chest, arms tightly locked around his back, eyes firmly closed as he washed your hair.

Gorgeous girl, he thinks to himself, then resumes the stern telling off he was giving you. Just wants you to feel okay, that's all. Knows you're too determined for your own good, sometimes.

"Clearly," he almost scoffs, not mean but definitely a little curt. His head's killing him, too. He just hides it better. Swinging open the fridge, he grabs a bottle of water—2 litres—and cracks open the seal. "Take your pills, or I won't get you anything when I order breakfast."

"Gguk," you whine, slowly sitting up straight to look at him with the biggest pout. Head tipped back, he's chugging on his water straight from the bottle at such a rate you're surprised he doesn't choke.

By the time he's finished, he's practically at the halfway point of the bottle. Shaking his head, he swallows his last mouthful down. Pants, a little. Says, "Water, pills, now."

Narrowing your eyes, you finally do as you're told, but make sure to say, "You're mean."

Jeongguk just shakes his head. "I love you."

With your eyes on his, you try your hardest not to show any sign of weakness—but when he presses his lips into a thin, curved line and smiles in a way that makes it impossible to fight, you can't help yourself.

"Fine," you strop regardless, tossing your pills back and swallowing them down with a chug of water.

"See," he softly says in a way that is both patronising yet ever so gentle.

He walks around the counter to stand beside you, and welcomes the innate way your hand reaches up to hold his waist. He's just the same in how his hand cradles your cheek, keeping your face angled to look up towards him.

"Wasn't so hard, was it, baby?" He gently toys.

"You're the worst," you assure him, 'cause he knows he's being a little git right now.

And so, just like the last incredibly soft insult thrown his way, he fends it off by saying, "I love you."

"If you really loved me, you would have let me stay in bed."

"We have shit to do today, B," he reminds you. "I forced you up because I love you. Now, don't be rude. Say it back."

Jeongguk's ability to demand you say such heavy, ardent words is nothing short of a miracle.

When you first met Jeongguk, the idea of him being so straightforward and forthcoming with his own feelings felt like an impossible task. Yet here he is, unafraid to tell you how much he cares for you, and unashamed to ask for reciprocation.

Tugging him a little closer, you rest your pointed chin against his sternum, and get him looking down towards you.

Quietly, you whisper, "You know I love you."

"Say it again," he demands once more, his heavy-lidded eyes trained on yours as he speaks.

"I love you."

He smiles, now. Nods.

"Good," he says, then pulls away to grab his phone and open up a delivery app. Has his favourite cafe pinned to the top. Clicks through to the menu without a second thought, muscle memory prevailing. "French toast? Iced coffee?"

"You know me so well," you hum with a pleasant smile, hopping off the bar stool and meandering over to Jeongguk's sofa.

He follows you without hesitation and tugs the blanket from the armchair as he does so. You're wearing one of his shirts, and he's just in a pair of sweats, so a blanket seems like a sensible choice for now.

Jimin still hasn't risen from his pit, and Nabi's clothes are still in the living room—just in a neat pile now, thanks to Jeongguk's innate need for a clean space to ensure he can power through his hangover.

"You reckon they're gonna wake up soon?" You ask Jeongguk as he snuggles in beside you, flicking on the television.

"Not a chance," he laughs. "Nabi's probably gonna escape out his bedroom window or something like that. Spent years denying there was anything going on, and I don't think her pride will be able to take the hit of being wrong."

"You never know," you begin to playfully theorise. "Maybe they're just friends."

"Have you forgotten getting home last night?"

"Well, yeah, but I mean, I shagged you plenty of times, and we've always just been friends."

"Oh, fuck off," he laughs. "We've never been just friends."

"No?"

"No," he says with a cocksure confidence that has been earned over many months of knowing you as intimately as he does. Smiling as you roll your eyes, you don't bother fighting back. It's a losing cause. "We're best friends. Duh."

If you could have it your way, the day would be spent exactly like this—cuddled up on Jeongguk's sofa without a care in the world—but you've got work to do.

The gallery needs to be cleaned up from the night before. It's not a huge amount of work, but still tedious labour that you'd rather not do with a raging headache. One of the reasons you're given such liberty with the gallery space is because you always make sure it's left without a trace, and so you know you need to get it sorted sooner rather than later.

Jeongguk's offered to help out, 'cause his day is empty. Other than discussing the business with Yoongi, his agenda is remarkably clear, and if he's being honest, the last thing he wants is to talk about the restaurant.

See, Jeongguk worries. He's got everything in the palm of his hand—his girl, his dreams, his future. All it takes is one misstep, and he could lose everything.

Comfort is found in you. Solace.

"Smell good," he mumbles, nuzzling his nose against the curve of your neck, sinking into a more comfortable position snuggled up against you. Doesn't kiss you, but he does let his lips trail up your skin in a way that promises he eventually will.

"Smell like you," you sweetly reply, 'cause none of your things have made their way into his home yet. The shampoo you use is his. The shower gel, the moisturiser, the suncream. It's all him—and you love nothing more than going home with such innocent reminders of him on your skin.

"Mhm," he confirms. That's exactly why he likes it so much. The silage of you is the signpost of him. "Mine."

Any gap between you (which admittedly isn't much at all) is eliminated with the way Jeongguk drags you into his embrace. It's the kind of hug that can only be described as acceptance: there is no you, nor him. Just the pair of you, together.

It's dangerous territory to embark upon, with such reliance on another person, but it's also a path that you just can't seem to resist.

Laced in berries, the hedgerows of this rambling walk you're strolling down together keep you going forward. Occasionally, you'll stop. Smell the roses. Pluck a berry here or there. Pause when you hear the noise of a wild beast in the forest that surrounds you, or the threatening echo of a farmer and his gun.

But then forwards, you'll go. Destination, unknown. Wherever you end up is exactly where you'll need to be.

The wait for food is wasted away together, dumb conversations about nothing and anything that comes to mind. Jeongguk toys with your fingers. Plays with your rings. Strokes the pad of his index finger over the small callous on your middle one.

"Used to be worse," you acknowledge, holding up your hand to study it. Back when you were in school, the amount of writing and doodling you did meant a callous was inevitable. Now that you're out of the habit of doodling, and far less likely to spend hours writing by hand, it's softened. Almost looks as if it wasn't even there to begin with. Part of your history that is slowly fading away.

One day, you won't be able to recall any part of your life that isn't inexplicitly saturated by him.

He holds up his own hands. Studies them against yours. It's like some juvenile flirt, comparing hand sizes, as if your legs aren't tangled with his, and his other hand isn't wedged between your thighs.

You're not learning anything new. Are revising, for a lack of a better term. Just like you used to do with the birds, when you wanted any excuse you could use to be intimate with one another.

It's different now, you suppose. Intimacy. How you view it. Just isn't what it once was.

Things that used to be sacred to you are now second nature.

Glancing across to Jeongguk as he natters on about the deep line that runs along his palm, and how it signals he's destined for greatness, you realise there's an ache blooming in your chest.

His pouty lips rabbit on, dark eyes occasionally fluttering across to you, then back to his hand.

There's a vulnerability to him. It's his eyes, you think, and their need to check in on you. He's making sure you're listening. Interested. Aren't bored or waiting for him to shut up. It's a somewhat nervous habit of his, stemming from the fact he doesn't ever really talk this much with anyone else.

In a way that no one else is lucky enough to experience, Jeongguk opens himself up to you. About the big and the bad, the emotional and the heavy, but also about the small, lovely, lightweight things, too. Weather talk, mindless chatter he'd never bother engaging in with other people.

He talks of superstitions and legends, movies he watched as a kid, and dreams he had overnight—a stream of consciousness, all for you.

See, Jeongguk talks.

Around you, he talks and talks and talks.

If his mother could see him like this, she'd be gobsmacked. He's always been the more quiet one of her sons. Reserved. Cautious to speak in fear of saying the wrong thing.

But he's childlike in his eagerness to share with you, Bambi eyes wide and sparkling, teeth nibbling down on his bottom lip whenever he leaves enough room for you to respond.

Time is lost in conversation until his doorbell chimes—a notice of food arriving.

"Go get changed," you say, tapping on his knee as you get to your feet. "I'll sort out breakfast."

Nodding, he does as he's told, lightly spanking your ass before heading to his room. Glancing over your shoulder, you feign a little hurt.

"I'll kiss it better," he promises, and you know he will.

The curse of his devotion to you means he can never lie.

He can, however, keep secrets. Small ones. Teeny tiny ones that will have no consequence other than to make you melt when he finally reveals them.

Checking his phone, Jeongguk smiles to himself when he notices a notification of confirmation—plans made now rolling into motion. You cope with surprises far better than he does. Appreciate the romanticism of it all. He's sure you'll like it.

When he comes back into the kitchen, you have to hold in a desperate groan. Who gave him the right to look like that? And how many cats did you save from trees in a previous life to deserve it?

Dressed for the gym, he's in a pair of dark shorts that sit on his hips as if they were made just for him. The contours of his upper body are on display for everyone to see, a tight black compression shirt outlining the ridges on his chest.

The silver chain he always wears is tucked outside of the shirt, 'cause he doesn't like the pressure of the fabric on top of it, and his hair lays flat against his head. He's perfectly undone.

As he's putting on a pair of socks by the sofa, he clocks you staring. Simply hums, "Hm?"

Eyes wide and unassuming, he's oblivious to the fact you feel like you might faint just by looking at him, even if the socks he's putting on have individual spaces for each of his toes.

We can't all be perfect, after all—though Jeongguk would argue his socks encourage correct toe alignment, which could only be a good thing.

"Anyone ever told you that you're a menace to society?" You painfully whine, the groan you were hiding making its presence known.

Almost bashful, Jeongguk tips his head to the side, eyes twinkling your reflection back at you.

"Flattery won't convince me to let you go back to bed," he teases, playing off the compliment. Socks on, he makes his way over to you without hesitation, his tattooed arm draping over your shoulders, as he presses a kiss to the side of your head.

"Was worth a try," you playfully tease him, even if you did mean it. Hooking your arm around his waist, you give him a squeeze and glance up towards him. A tender kiss is given and received, his lips softly curving into a smile against yours. "Eat up. Quicker we leave, the quicker you can get to the gym, and the quicker you can come back to mine afterwards."

The outline of your day is solid: go to the gallery and get it cleaned up, meander back to town with Jeongguk, send him on his way to the gym, pick up some groceries and then head home.

Small errands that will eat up most of the day, but an empty evening that can be spent exactly as you'd like: with him.

"We at yours tonight?" He hums, still getting used to just how easy it is to coexist next to you. Never in his wildest dreams could he have imagined a life like this.

"Feel like Jimin might need the privacy," you note, very much aware that he hasn't made a single appearance, which is very unlike him. He's normally reciting lines from The Notebook by this point in the morning.

You know he's fine, 'cause you heard the synthetic ding of his speaker being turned on a little while earlier, presumably to drown out any 'conversations' he might be having.

Jeongguk smirks, picking out a strawberry from the container next to the french toast, and says, "He never gave us privacy."

Tossing the strawberry to his back teeth, there's a smile on Jeongguk's lips that's impossible not to mirror. Turning slightly, you get yourself trapped between his body and the kitchen island. Wrap your arms around his neck. Encourage him down to nudge his nose against yours.

"Yeah, but he also never caught us having sex," you remind Jeongguk, lips brushing against his. Breakfast can wait. Or maybe the menu can just change. "We were incredibly well-behaved as far as he's concerned."

"We were?" Jeongguk quietly flirts, his hips pressing against your tummy, letting you know just how much he enjoys being with you. "I don't think you've ever been well behaved."

"Oh, but I am," you simper right back. Reaching down for his hands, you encourage them to roam your body. Squeeze them over your chest, then encourage them down to the tops of your thighs—or, more specifically, between them. "I'm such a good girl for you, aren't I?"

Pressing his fingers up against your thinly-covered cunt, Jeongguk smirks, the subtle markers of your arousal greeting him like they so often do.

"You are," he nods. "And you're gonna be good for me now aren't you?" His fingers hook the lace of your underwear to the side, and gently begin to tease your wet folds. "Gonna keep it nice and quiet for me, huh?"

Nodding, you let yourself succumb to your unbridled desire to have your lips on his as he sinks his middle finger into your cunt. With a small whine, you totally disregard the promise you've only just made.

And so Jeongguk shakes his head, still kissing you. Barely parts from your lips when he says, "Shush, shush, shush, baby. Quiet for me."

When he pushes a second finger into you, your brows furrow, but the whine you're dying to sound out just vibrates into his mouth.

"Attagirl," he praises as his fingers begin to pump inside of you. Deepening his kisses, Jeongguk strokes his tongue against yours, as if your body was just made for him to claim. Signed, sealed, delivered: his. Your hips roll into his movements, but it's not enough.

As much as he wants to keep you plugged, Jeongguk wants easy access more.

Pulling his fingers from your cunt, there's a satisfied grin on his pretty lips when you whine.

"Shush," he says with such affection it could make even the coldest heart thaw. Dipping slightly, he hooks his forearms just beneath your ass and swiftly lifts you up. Gets you perched up on the counter. Spreads your legs, and is pleased when you lift the hem of the baggy shirt you're wearing to fully reveal your pussy to him.

"Look at you, gorgeous," he husks. Genuinely thinks he might die just from looking at your cunt. Too perfect. Too fuckin' nice. Stroking his still-wet fingers up your folds, he wastes no time sinking two fingers into you once more. "Quiet, baby."

"Room," you breathlessly say, desperately trying not to make any sounds that could give yourselves away. "Don't wanna be quiet. Take me to your room."

Jeongguk just smirks. Looks in your pretty eyes and challenges you. "Say chess. I'm not going to my room, but you can say chess."

He knows there's absolutely no way in hell you're saying chess.

Narrowing your eyes, you reach to the front of his shorts, and stroke his hard cock through the fabric. If he's gonna make this hard for you, then you're gonna do it right back.

"If you're gonna torture me then you may as well do it right," you feign a little boredom, tugging his shorts down just enough to play with him over his boxers. "Your fingers are nothing, baby." A lie, but that's neither here nor there. "Make things difficult for me. Make it impossible for me to keep quiet."

"You really want Jimin to find out, huh?" Jeongguk teases, still playing on the idea that you've ever managed to convince anyone that you are, in fact, just friends. "You want him to know that we fuck?"

But then Jeongguk glances over your shoulder to the doorway that leads into Jimin's room, as the click of his latch goes. Jeongguk barely has enough time to pull his fingers from you, and definitely not enough time to pull his shorts back up over his boxer-covered boner, so instead, he presses up against you to keep himself covered. Thank God he's behind the island and not anywhere else.

If you thought it was torture before, then now must be a whole new level, just a few layers of fabric keeping you apart.

"It lingers, y'know," the grouchy voice of Jimin echoes from behind you.

Turning your head, thighs squeezing against Jeongguk's hips to keep his dignity protected, you try to hide your embarrassment.

Jeongguk's hands rest on your thighs, and the one that's out of sight to Jimin is being wiped against your skin to rid his fingers of your arousal. This could have been so much worse than what it is.

"The smell of sex," he adds with a little disdain. "I always knew."

As if the God of Thunder personally gave birth to him, Jimin's face is stormy as can be. His scowl is so deeply ingrained into his expression that you're certain the wind must have changed in his direction as he was first pulling the face. Whatever you drank last night, he must have had it too.

Hair all haphazard, face a little dewey from a warm slumber, there's an unusual dishevelled nature to Jimin. He's not even bothered to put on clothes. Is quite literally in just a pair of boxers.

It's quite unlike him. Then again, so are the hickies on his collarbones.

"Well, that's weird, 'cause me and Jeongguk have never had sex," you reply without even thinking, the lies ingrained into your reflexes at this point. Even Jeongguk looks at you with confusion this time.

"Firstly, we eat off that counter, sickos. And secondly, I heard," Jimin simply assures you both, walking to the counter and picking up a plastic fork. He sticks it into a chunk of the french toast, and doesn't ask permission. Just chows down on it. Speaks with his mouth full. "Like, so many times. In fact, I've heard you at it so many times I can almost predict what's happening when."

"Bullshit," Jeongguk laughs—and he'd be right. Jimin's never heard, not properly at least, unless you count the muffled groans in Pohang that put him off his food for an entire day. He just hates the embarrassment of being walked in upon by the pair of you. The one time he needed privacy the most and he didn't even think to bolt the door—or better yet, go to his own bloody bedroom. He wants you to know what his embarrassment feels like. Jeongguk is unphased, though. "Nabi still here?"

"Shut up," Jimin replies, pulling the rest of the french toast towards him, closing the lid. He narrows his eyes, then snatches the box right up. Holds it to his chest. Scowls at you both. Turns on his heel and returns to his room, grinning now that you can't see him, shutting the door behind himself.

Neither of you stop him.

"Is he…"

"Okay?" Jeongguk finishes off your query. "No idea."

But one thing for certain is that Nabi's possessions are still very much inside the apartment. She's still here, and you're willing to bet he shut the door with a smile, holding his stolen breakfast with all the triumph of a cat who got the cream.

"On that note," you begin to tangent off, knowing you've already wasted too much of the day. "You okay to drive? Or would you rather take the subway?"

"Subway," Jeongguk immediately responds, reaching over to take a sip of his coffee. "Don't wanna risk it."

And he also wants any excuse he can find to spend time with you. Takes three times as long to get to The Ryu on public transport than it does in his car, especially with how he drives.

"Alright," you don't argue against him or bother suggesting a taxi instead. "And am I cool to leave my things here? I'll pick them up next time—"

"You know you don't need to ask," Jeongguk grins, the ring in the corner of his mouth flipping ever so slightly in that heavenly way it so often does.

"Well, yeah, but—"

"Keep it here," he says. "Don't take your stuff home next time. Leave it. I'll clear a drawer. Some hangers."

"Yeah?"

"Yeah," he nudges his nose up against yours. "You've been leaving glitter here for months. May as well move onto something more substantial."

As if your heart isn't enough.

"Plus," he considers. "At least that way you can stop stealing all my favourite shirts."

"You love it when I wear your shirts."

"B, I love it when you wear nothing at all," he smirks. "Clothes have nothing to do with it. But on that note, go put some clothes on so we can actually do something with our day."

Reluctantly, you agree.

And just as reluctantly, he lets you go.

The subway is always crowded at this time of day. Jeongguk insists you sit while he stands in front of you, holding on to the railing that runs overhead. It's a small kindness—the kind you never really thought about until you met him and learned how lovely it is to have someone actually care about your comfort and well-being.

He doesn't spend the journey on his phone like so many of the other commuters. Instead, he focuses on the windows, and the small glimpses indicating where you are along the subway line. Occasionally he'll look down at you and smile. Though you're not sleeping, your eyes are closed, cutting out the harsh lights of the tin can you're situated inside. You've never been more desperate for your bed.

Once you reach your stop, Jeongguk tightly scoots in behind you on the escalators.

"We can have a quiet night in," he softly promises. His hand rubs at your waist, and the elevated position of your body allows him to press a kiss to your shoulder.

Even despite the fabric of your shirt—one that belongs to him, of course—it still feels like a star is burning through your very being.

Nodding, you place your hand over his and squeeze ever so gently. Reciprocate his warmth.

You don't mean to be so grouchy and unexpressive, the hangover just really is killing you. If it wasn't for the video Jeongguk insisted on assessing after waking you up this morning, you might not have even recalled exactly just how raunchy you'd been with him at Dionysus.

Fucking someone at work had always been one of his covert fantasies; the kind of thing he wanted to do just so he could say that he had. Wouldn't mind leaving the box next to it unchecked on his mental to-do list. Would happily do it all over again.

His notice has been handed in, though. Dionysus is no longer his place of work. His contract runs until the end of the month, but he saved up holiday time. Never has to go back, if he doesn't want to.

As his fingers squeeze a little tighter on your waist, he can't help but wonder if he's making the right choices. He's been comfortable at Dionysus. Wasn't making great money, but was making enough.

But when you squeeze your hand over his, he knows it doesn't matter. He can make all the bad decisions in the world as long as he doesn't make any that'd result in him losing you.

The weather's slowly been getting warmer over the past few weeks. As you exit the subway station, the sun confronts you with such aggression that you almost stumble from the impact of her punch.

"I'm never drinking again," you whine, bringing the hand of yours that's holding his up to cover your eyes a little. He lets you dictate his movement freely.

"You say that every time," Jeongguk reminds you, playfully nudging into your side, before rounding the corner up towards the gallery. "C'mon. Fake it till you make it. Pretend you don't have one."

"Impossible."

The remainder of the morning is slow. Every time you glance at the clock, it seems only a few minutes have passed.

Cataloguing and processing the sales of art from the night before is laborious. It takes a lot of mental energy that you can't seem to conjure up.

Jeongguk doesn't really know how to help, but he is far stronger than you. Does all the heavy lifting as you prepare various canvases for shipping.

Eventually, he's left twiddling his thumbs, so you insist he heads straight to the gym.

"I'll meet you after," you tell him, as you sit on the floor of the gallery, crossed-legged, a pencil behind your ear and a million documents scattered around you. Jeongguk has no idea how you can work in such chaos. Finds himself getting stressed out by it.

It takes a solid fifteen minutes of assuring him you'd be fine on your own, but eventually he leaves for the gym. The way you see it, the quicker you both get your tasks for the day done, the quicker you can go back to yours, make some dinner, and call it a night.

"Call me when you're done, yeah?" He says, lingering by the door because he just can't bear to leave you. As the sunlight peers in through the windows, small speckles of glitter sparkle on his skin. "I'll come meet you halfway."

With an ever-sincere smile, you just laugh. "Go."

Finally doing as he's told, Jeongguk walks backwards until you're out of sight. Feels his heart physically ache in his chest. Doesn't understand why he's so damn pathetic all of the time when it comes to you, just knows he wouldn't change it for the world.

Despite the solitude of an empty gallery, you're perfectly content. The lingering scent of paint and paper isn't too far removed from your place of work. Makes it easy to imagine a life where this could be your work.

Devoting yourself to this is easy. Passion has always yielded a higher reward for you than wages, so you don't mind burning the candle at both ends.

The situation is becoming strained at best, you know. Eventually, something will have to give.

For now, though, you finish off your jobs. Arrange couriers to pick up the artworks sold, and make sure the names and numbers match the deposits with a copy of Jeongguk's business account bank statement, of which you made him print out for you.

"I can just log into my bank on your phone," Jeongguk had shrugged when you'd first asked him for it, seemingly not realising just how insane he sounded. When he clocked your look of bewilderment, he laughed. "What? It's not like you're gonna run off with all the money."

While this is true, looking at the sheer amount of money in there could make you cry. It's all so attainable now; Jeongguk's dreams and a reality in which they come true.

So engrossed in your own thoughts, you almost jump out of your skin when a knock sounds at the doorway into the office.

"Sorry," Shinwon hums ever so pleasantly, a smile on his face, thoroughly bemused by how startled you look. "Didn't mean to scare you."

"No, no," you shake your head, endearingly playing off your embarrassment. "I just didn't expect to see you here! Or see anyone here, for that matter."

Between exhibitions, the gallery will be closed for the next couple of weeks. It's partially to allow for the staff to reset, but mainly to allow for careful considerations of how the space will be used.

As Jina's maternity leave cover, it's Shinwon's job, but you're yet to see any plans from him. You don't even know which artists are due to be showcased. She did say that a new vacancy would probably open up around this time, and if Shinwon doesn't start putting some tangible hard work in, you wouldn't be surprised if it's sooner rather than later.

There's been no mention of it, though. The big bosses don't seem to care about his underperformance, probably 'cause they know he's temporary.

"Just coming by to drop something off," he explains, holding up a small white envelope. Pressing it down on the desk, he looks uncertain, as if there are words dancing on the tip of his tongue. "It went well last night, didn't it?"

With a tight-lipped smile, you nod. Feel your cheeks swell. "Yeah. Went really well."

"Good," he nods. Is about to leave. Pauses when he reaches the door, and awkwardly turns to face you. Nods towards the letter on the desk. "There's gonna be a position opening up soon. You should apply. I'll put in a good word."

Furrowing your brows, you glance over the white envelope, then back to Shinwon. "But they're not hiring any—"

"Letter of resignation," he concedes with a tight-lipped smile. "I've got an overseas opportunity that I don't wanna pass on. I'll work my two weeks, but then there'll be a position to fill until Jina is back from maternity."

By overseas opportunity, he really means that some of his private school buddies are going travelling, and he wants in on the fun. This was always an opportunity of convenience for Shinwon. He was never passionate about it. Not like you are.

"Apply," he encourages. "You basically do my job as it is for free, anyway. May as well get paid for it if you can."

He doesn't stay to chitchat. Probably won't even remember your existence once he heads off on his trip. Was never in this for the right reasons.

You've resented him on plenty of occasions. Been annoyed at the fact he does fuck all and gets paid for it. Yet the idea of actually filling his (albeit incredibly small) shoes is fear-inducing.

A job at the gallery would be the first step to actually doing what you love for a living—being around art and artists. Sure, you could argue that the art cafe gives you that, but a highschooler nervously painting by numbers on a first date has nothing on the works that you see here.

There's joy to be found in your current job, though. Fun. Safety. Home.

But nothing remarkable ever happened to people who choose to remain comfortable.

Quickly finishing your to-do list, all you want to do is speak to Jeongguk about it. See what he thinks. You know it's a no-brainer. You have nothing to lose. You just want him to give you the green light that you're making the right choices.

The headache you've been battling is weak in comparison to your racing thoughts, now. You're thinking of the possibilities—of all of your hard work actually being for something. You've proven to the gallery that you can bring in punters, and that you can utilise their resources for profit.

It's always been a case of who you know, not what you know, but you know the gallery, now. They know you.

It could really happen.

By the time you reach the gym, fantasies of a life with a staff ID card and access to the archives, you can't stop smiling. It'd change your life. Flip it upside down in the best of ways.

The gym is just the same as it always has been. There's a new girl behind the front desk. Not someone you recognise. Smiling as she greets you, she's keen to help, long dark hair tied into a ponytail, her branded shirt tight to her curves. You're reminded that the gym is a breeding ground for beauty, but it doesn't matter. You'll get your cardio in later beneath your sheets.

She's also got the kind of smile that you just can't help but reciprocate.

"I don't have a membership," you begin to explain, knowing just how troublesome it was on your first ever visit and not wanting a repeat of it. There's no way you're paying for a month, 'cause now you don't need it as an excuse just to see Jeongguk. You also can't help but overcompensate, and give far too many details in an awkward, endearing mess of an explanation. "Well, I mean, I used to have one so my details are probably on the system. Sorry, not important. I know you guys don't do day passes—"

Furrowing her brows, she kindly interrupts. "We do."

"Oh?"

"Yeah," she says, nodding towards a sign in the corner of the countertop. Clear as day, daily and weekly memberships are listed. "We've done them for as long as I've been here. Don't think it's a new policy. Anyway, happy to help—just a day membership?"

Jiyeong might be a distant memory now, but thoughts of her will never fail to irritate you.

"Yeah please," you smile regardless, sliding your card out from your pocket—and then you're over explaining again. Probably habit from the Jiyeong era. Is also probably why you make a point to mention Jeongguk by a title only you have the privilege to use. "I'm just joining my boyfriend for a session. He's—"

"Oh, he's a member?" she chirps, not rude in her interruption but efficient.

"Yeah," you nod, and are about to mention him by name, but the girl speaks too quickly again.

"Oh, you should have said! Members get a monthly plus one. It's not a free session, but it's half price, so better than nothing," she smiles. "I'll just need his gym ID—or name, I can search the system—so I can put it through."

You know she really ought to ask Jeongguk's permission. You could be any random woman.

But you're not, and so you tell her. "Jeon Jeongguk?"

"Ah," she nods, vaguely aware of his existence. Unlike Jiyeong, she hasn't spent a substantial amount of time fawning over Jeongguk. To her, he's just another dude who comes in and leaves her alone. She appreciates it, given how some guys can be, but she also doesn't care to reward bare minimum.

She asks you to confirm his phone number, which you can do without issue, so at least there's some level of security in place.

It's a perfectly pleasant exchange, and it thankfully rids you of woes you didn't even realise you had. The Jieyong debacle had left a mark on you, but it feels like it's been rubbed clean. Your mind tends to jump to thoughts of her whenever he goes to the gym, and so at least you can sleep well knowing that the new girl isn't interested in any way shape or form.

Buzzing you through, she tells you to enjoy yourself—but as you start heading up the stairs to the main gym section, you already feel your regret looming. A hangover is still a hangover.

You clock Jeon Jeongguk almost immediately. How anyone isn't immediately drawn to him, you'll never understand. Just finishing up with some weights, he's re-racking the ones he's used, skin glowing with sweat.

There's a beauty to seeing him like this. Primal desires.

Glancing up to the mirrored wall behind the rack, Jeongguk eyes are on yours just as quickly. It's like you're magnets, destined to meet.

A confused smile etches into his exhausted face, brows furrowing as he turns to face you.

"What are you doing here?" He mouths, head puppy-like in the way it tilts.

Shrugging your shoulders, you walk towards him. Mouth, "I just love the gym."

"Liar," he simpers when you're within earshot, reaching his hand out for you to take so he can pull you closer, of which he immediately does.

One hand clasped in his, your other hand rests on his still-heaving torso. He's gone hard today, to make up for the night before. His compression shirt is silky beneath the palms of your hands, the strong ridges and contours of his body yours to hold. Other people can look all they like. None of them get to feel. Not like you do.

As he looks down at you, there's a softness to his gaze. A smile that he doesn't care to hide. A sparkle in his eyes that shines even out of direct light. Just a consequence of looking at a star.

"You shouldn't be here," he quietly hums. "We both know you hate it."

"I can go, if you like?"

Jeongguk just shakes his head. Smiles as he turns you both around and begins to walk backwards, pulling you with him.

"You're the one who hated being here," he reminds you. "I loved you being here."

"Obsessed," you grin, gingerly letting him drag you anywhere he likes. "And good, 'cause I used your monthly plus one."

"Yeah," he confirms, ignoring the curious glances of other people in the room as he leads you back to your old 'spot'. "Thought we'd established that already? And that's fine. Use it every month."

Funny, how you used to hypothesise over the lives of other people in this very room, and how you know others must be doing the same for you now. You hope they all think you're besotted with him.

When you look at him like that, all love drunk and starry-eyed, how could they not?

"Was just about to finish up, anyway," Jeongguk tells you, heading in the direction of the treadmills. Glances back to you, then nods in their direction. "For old times sake?"

"For old times sake," you beam, following his lead, stepping up onto the treadmill closest to you. They're all vacant, but Jeongguk steps up on the one beside yours, 'cause of course he does. He'd go on the same one as you, if it were possible.

God, he loves you being here. Can't stop smiling.

You don't mention the potential job opening. For old times sake.

Instead, you revel in what it used to be like whenever you came to the gym, 'cause it just makes you so much more grateful for what you've become. Like Dionysus, these four walls saw the groundwork of your relationship being laid.

You've already lost access to one of the most important places to you both with Jeongguk leaving the club.

If you change jobs, you'll lose the art cafe, too. The lease is coming up soon on your place, and if Danbi chooses to just move in with Tae, that'll be another safe haven gone. One by one, places of your past are closing their doors to usher you forward into new spaces.

Life can't always stay the same. Change is needed. Necessary.

You've changed. So has Jeongguk. You'll continue to change for years to come.

The difference now is that you'll change together. Adapt. Merge, in some ways, just like a pair of orbiting stars so often do.

On the way home, Jeongguk picks up a bunch of wildflowers from the market stall he once bought you apology flowers from. His fingers are intertwined with yours as he pays, hands lightly swinging.

It dawns on you all rather quickly, as Jeongguk nibbles on his bottom lip and waits for the payment to go through, that maybe this is a change that you needn't fight. Perhaps it's okay to look forward to your future instead of being hung up on the past.

"C'mon," he tugs on your hand as you leave the market stall, encouraging you to gain a little momentum. "I'm starving. If we don't get me food soon, I'll turn into you with a hangover."

"Cute?"

"Oh, so close," he grins, then shakes his head. "But no. Grouchy and unbearable."

"You were practically begging to shag me," you remind him. "Can't have minded that much."

Jeongguk can't argue against this one. "I didn't—but working out increases like… all the hormones that were working overtime this morning. If I don't eat soon I might die, but if I don't shag you soon, I also might die. Honestly it's a lose-lose situation, B. There's only one solution."

"Sixty-nine?" You offer, 'cause it's perfectly logical. He gets to eat while you get him off. A win-win, you'd argue.

"You're a disgusting pervert," he tells you with stern sharpness, paired with a smirk he just can't help, as if he totally wasn't angling for you to say it. "But now that you mention it, yes. That'd be ideal."

"I don't shag boys who call me disgusting," you reply, knowing that he absolutely didn't mean it like that. You just like winding him up.

"I'm pretty sure I've called you worse before," he reminds you, then holds the flowers out in front of you both. "These can double as apology flowers instead of just my-girlfriend-is-really-pretty-and-I-love-her flowers."

You narrow your eyes as you look across to him, but the smile on his face is just too hard to resist. Thin lipped, his dimples are present, lip ring flipping in the corner of his mouth.

It's like his lip ring does the thing and you're reduced to jelly.

"Lucky you're cute," you grumble.

"You can thank my mum for that one," he offers, fully aware of how often people would coo over his cuteness as a child and then proceed to tell his mum how similar they are. "And for how pretty I am, too."

Though he's just joking, he's right. He really is the prettiest man you've ever known, inside and out.

You won't tell him this, though. Would give him far too much negotiation power.

"Who do I thank for how annoying you are?"

“Jimin,” Jeongguk says. "That's a learned behaviour. Nurture over nature."

"Figures," you accept, before tugging on Jeongguk's hand to lead him into a grocery store. "I've got nothing in. Need to pick up food or else you'll be going hungry."

"I thought we already agreed on six—"

"A little decorum please," you cut him off. "We're in a public space."

"You said it first!"

Playfully shrugging, you let go of his hand and grab a basket as you enter. "Watcha fancy?"

"You."

"For dinner, idiot."

"B," Jeongguk sighs as if he really is hard done by. "We've already discussed this. Literally, you."

"Shut up," you laugh, and let the shopping trip descend into chaos.

Jeongguk just puts whatever catches his eyes into the basket. Gets a kinder egg and a hot wheels car. Will surely just run it over the curves of your body when you're in bed later that evening. Also gets an entire pineapple, and when you raise an eyebrow, he just shrugs.

"If I don't have a snack before I shower I will die," he assures you. "I'm craving a burger, so you should really be thanking me for the noble sacrifice I'm making. It benefits us both."

"You're an idiot."

"Fine, I'll get a burger."

But when he goes to put the pineapple back, you stop him. Smile. Say, "Pineapple is good."

"That's what I thought," he stands tall and proud, chest puffed, head tilted back. He looks like an asshole but god damn, does he look good doing so. As he peers down at you, you know it'll be a miracle if you even make it to the shower by the time you get home. Want him too bad.

"Stop bickering," you tell him. "Quicker we get home, the quicker we can—"

"Say no more," he nods, taking the basket from you, then zooming off up the aisle. "C'mon, B! Places to be! People to see!"

As he darts off to the next aisle, all you can do is wonder how on earth this is your life.

But it is—and when you finally find him again, standing in line to pay, basket full to the brim from his supermarket sweep, you know that all these changes happening around you really don't matter as long as you have him.

"Alright," you quietly say as you stand beside him, flicking open your phone and heading for your taxi hailing app. "I'll order a taxi. Don't want you to die on the way home."

"Teamwork," Jeongguk smiles.

"It makes the dream work, or so I heard," you hum with a somewhat smug smile, pleased to be getting exactly what you want: time spent with Jeongguk away from the prying eyes of the three fates.

"Yeah," he quietly says, leaning over to press a kiss against the side of your head. "It sure does."

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retellingthehobbit · 2 years ago

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Retelling The Hobbit Chapter 15: Unattached First chapter / Previous / Next Read full comic on: Webtoon/A03

Other blogs : Instagram/Tumblr Sideblog

Thank you for reading! The next chapter of this comic adaptation of The Hobbit will be titled (drumroll)....The Song of the Lonely Mountain!

Check under the cut for notes on the callbacks to previous chapters of this comic, and to Tolkien stories like the Unfinished Tales! —-

—-

One of my guiding ideas for this comic is that the story is being written/drawn by Bilbo Baggins, an “unreliable narrator,” who has a biased way of recounting events. As the comic goes on, parts of the story get retold through new perspectives (or through the eyes of other characters), and you realize the initial version you read was incomplete.

A lot of you probably noticed that this chapter features a ton of callbacks to the earliest chapters of this comic! We saw child Bilbo and Gandalf's friendship told from Bilbo's POV in Chapter 3.....but in this chapter we see it retold from Gandalf's POV. However, Belladonna Took is our biggest instance of that! Not to overexplain my own writing, but Chapter 1 is an older Bilbo painting an idealized happily-ever-after fairytale picture of Belladonna, while Chapter 15 features a younger Bilbo telling a far less optimistic version of her life. While there's truth to both of them, neither of them is the full truth.

In the Fellowship of the Ring, Bilbo tells Frodo that ‘books need to have good endings,' like endings where everyone "lives happily ever after." If I were to continue this comic to the end of the novel, Bilbo’s habit of “rewriting things to be happier" would become a whole Thing.

Second: Much of this chapter is taken directly from “The Unfinished Tales: The Quest For Erebor.” That story was Tolkien’s attempt to unite the tone of The Hobbit with LOTR, by having Gandalf explain what The Hobbit looked like from *his* perspective. The gay line about Bilbo feeling incapable of settling down into a Traditional Marriage with a Wife And Kids is taken almost directly from the Unfinished Tales. So are all the lines where Gandalf reflects on what Bilbo was like as a child, and the moment where Bilbo reflects that all of his desire for adventure has dwindled to a private dream.

Third: Obviously, the other big influence on this chapter (outside the original novel) was a similar scene in the PJ film. The little bit where Gandalf reveals the lore behind Bullroarer took monologue is the only dialogue I’ve directly lifted from that scene. ;3

Fourth: some of you may have caught that I used a quote describing Frodo’s wanderlust in the Fellowship of the Ring to describe Bilbo. The bit describing "the maps that only show white spaces beyond their borders" is also why I emphasized Bilbo’s canonical nerdiness around maps in earlier chapters (chapter 5 especially, but also in Chapter 6, Chapter 7, and a blink-and-you-miss-it moment in chapter 14.)

Fifth: one of my favorite things in the original book are all the scenes where Gandalf does fun Whimsical things with smoke/smoke rings. In the book he usually makes them change color or race around; in my comic he usually makes them turn into butterflies (he also does this in chapters 3 and 11.) you may have noticed that Butterfly Symbolism is a big thing in this comic. But yeah, in another callback: Gandalf finally had time to blow smoke-rings with Bilbo, which he said he 'had no time for' in Chapter 2!

Thanks again for reading! I tentatively plan for the next chapter to arrive on November 13th.

#the hobbit #lotr #lord of the rings #the hobbit comic #retelling the hobbit #chapter 15 #bilbo baggins #belladonna took #gandalf the grey #YEEEEEEEEEEEET #anyways #thanks again for reading!!!#long post

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happylittleshrub · 1 month ago

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Rambling about Videogame Rocket Part 5 - CAVE OF DEATH

My continued adventures through the 2021 Guardians game, Chapters 10-12!

More things I learned about Rocket:

He hates pacifists.

He doesn’t know how to swim. (makes sense: aquaphobia)

He doesn’t shower (also makes sense: aquaphobia. But uh… I sure hope he found another way to keep clean :T Now I’m imagining him taking dust baths like a chinchilla)

He’s made investments on Knowhere. Notably in weapons development and goon training.

He can spell ‘Nope’ correctly but not ‘Dead’

He makes bad puns (Groot doesn't like them)

He's knowledgable about crystals (he refers to the crystals in the cave as 'common silicates')

He can draw???*

Felt so bad when we first walked off the ship and Rocket tripped and fell in the water. I wanted to help him so badly 😭

MANTIS RETURNS! I love Mantis in this game SO much. She’s such a delightful oddball! The nicknames she gives everyone are so great. Faves are Little Fuzzy, Stir Fry, and Aaron Witchcraft/Amy Windsock. I do wish she would stop talking about Rocket dying a horrible death tho 💀 She mentions that he dies by drowning a lot, which is meant to build up the narrative in the cave, but I choose to believe she’s actually seeing all the times a player failed the quicktime event and let him drown in the STUPID FRICKIN’ JELLO back in Chapter 3. It would make more sense.

As we went through the caves the guardians all started talking about what Drax means to the team and how they want to get him back from the Promise and it’s SO GOOD! THE FOUND FAMILY IS FOUND FAMILY-ING! Really loved this chapter. And the proceeding one where we go into Drax's mind that whole part was AMAZING. Also I just want to mention how sad Gamora’s story is in this game (well, I mean, everyone’s is sad) but the way she talked about wanting to end her life… that scut hurted. Good thing Mantis was there for her. I love their interactions btw.

Speaking of sadness: Rocket finally reveals the source of his aquaphobia and it makes me want to break the kneecaps of those Kree scientists even more. The sensory deprivation tanks sounded awful, my heart hurts so much for him 😢💔 Still wishing this game had a “Hug Rocket” button.

In a dark part of the caves Groot uses some glowing spores to help us see and I was like OMG VOLUME ONE!

Gamora: Mantis, are we hot or cold?

Mantis: Room temperature :)

And now we get to the water. We have to blow up this weird rock that looks like a face and Rocket’s the only one who can fit through the tunnels to get behind it. I honestly felt really bad about trying to make him go in the water so I found another hole for him to go through… buuut it wasn’t enough. Basically my thought process went from “I don’t want to force Rocket to go in the water :(“ to “Mantis said you’ll have to face your fear so I think you might have to get in the water” to “ROCKET IF YOU DON’T GET YOUR FUZZY BUTT IN THE WATER SO HELP ME-” In my defense I was under a lot of stress, Groot and Gamora were incapacitated and I was being murdered by my evil shadow clone.

Rocket does go in the water though and he explodes the rock face, stopping the evil shadow clones and saving everyone’s lives. I can’t express enough how well done the following cutscene is, with the few heartstopping moments before Rocket emerges back from the water, coughing and struggling but alive. (There’s also a callback to something that occurred earlier which I love cuz parallels are awesome but I’ll talk more about that in a different post so I can include the clip) I could tell he was still uncomfortable but he came through for his friends, he’s so, so brave and I just wanna give him another hug, I’m so proud of him 🥺🥺🥺♥️ I know how hard that was for him to face that trauma but he did it to save us ahagskhgjaks I love himmmmm

Rocket was so sad about what happened to Knowhere after the church cult overtook it. We also get another “Found Family is Found Family-ing” when Gamora confesses to having killed Nebula because she was beyond saving and how she hates herself for it, but all the Guardians accept her still and say that doesn’t change how they feel about her and they have a little moment and it’s so good, the writing for this game is PEAK. It’s basically like getting another Guardians movie that you get to take part in. We really need to get the writers of this game to write the Guardians next MCU appearance, they would nail it. Also Rocket was weirdly thrilled about Nebula’s death. I NEED to know what happened between the two of them to garner that sort of reaction, there’s gotta be one heck of a story there.

It's hilarious how Rocket calls Raker "The Grand Unicorn" instead of the Grand Unifier lol. Also "The Fulflarkment"

Oh and so earlier in the game Rocket kept making jabs about how Nikki could be ded, but then when we’re getting ready to go look for her in the later chapter he says that he’s willing to die to save her so, just wanted to point that out :)

I found a mask to give to Rocket that gave me the opportunity to get more backstory from him. I almost died getting it, but it WAS WORTH IT! So in this version of events Rocket got drunk, took a mask from someone, and then robbed the Collector. When he came to, he had a baby Groot among the loot he stole. Which is just so funny to me. And they were best friends ever since. He and Groot also robbed a secret laboratory together. Neat!

*Found these drawings in Rocket’s room. Is he the one who drew these because if so WOW. He’s so talented! He was in contact with someone to get the uniforms made so these could be proofs of concept sent by whoever that person is. But unless fully proven otherwise, I’m gonna choose to believe that Rocket drew them. I love the idea that he drew up new suits for his friends ❤️ I also love how it’s Mr. “I Want to Quit the Team” who gets custom matching uniforms for everyone. I see right through you, Rocket, you loooovvveee your friennnnddddss!!!

And now it's time once again for the Rocket Gallery, I got some fun shots of him tinkering at his workbench 🧡:

#rocket raccoon #videogame rocket #guardians of the galaxy #gotg #gotg rocket #rocket gotg #guardians of the galaxy videogame #gotg game

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gigglegirlhappy · 1 month ago

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Deltarune Chapter 3 spoilers ahead! Zero mention of Chapter 4, though.

I played Deltarune Chapter 3 when it came out on June 4th (watch the VOD on my twitch!) and something I noticed was that the chapter felt a lot more stale than the first two chapters. There were a lot of recycled themes and ideas, not only borrowed from Chapters 1 and 2, but original ideas from Chapter 3 that were also recycled into oblivion. The over reliance on recycled content made me feel a sense of fatigue throughout the game show segment of the chapter, to the point where I audibly groaned when the bonus round was announced.

Round one was genuinely fun. I adored the NES Zelda inspiration for the gaming segments, as I’ve played the original Zelda before and I could fully appreciate the callbacks. The physical challenge was interesting in concept, though the way Kris controlled was deeply frustrating to me in particular (why can’t I adjust where they land while they’re in the air?). This is like, 65% a skill issue on my part, so I’m not docking Toby for that particular challenge.

Round two is where things started feeling stale. The NES Zelda thing was back, and most of the assets were reused from the first round. It was okay, but it felt repetitive, and it dragged for longer than I’d like. The physical challenge was a lot better, but it wasn’t enough to get rid of the bland taste in my mouth.

The bonus round was dogshit. I wanted the show to end by the time the bonus round was brought up as a possibility. I had my fun, but I was over it, and I wanted to get on to more traditional Deltarune gameplay. It took me a while to figure out how to escape Tenna’s looping dialogue, and it was giving serious 2011 creepypasta vibes. It was only after I figured out how to turn the program off that I started really feeling like I was playing Deltarune again.

This was entirely intentional, and it’s wonderfully masterful storytelling.

See, this is actually a commentary on Tenna’s own fear of obsolescence and abandonment. Tenna is so scared to death of being thrown away that he puts on a wacky, desperate performance slathered in nostalgia to make people like him, and when it works, he keeps going until he overstays his welcome because that’s all he knows how to do. The same content over and over, no matter how great it once was, will grow stale over time. Tenna mentions something in his boss fight about having burn-in, which is generally what happens to older TVs when they play the same content over and over (Switch 1 users remember this concern with the OLED screens). Reruns are Tenna’s bread and butter, it’s what he knows, so naturally once he finds his niche, he milks it until the sweetness turns sticky and overpowering.

This reminds me of a wonderful visual novel produced by Black Tabby Games. Slay the Princess: The Pristine Cut is a game where you must slay a princess locked in a cabin to save the world, among other things. It’s a wonderful commentary on the choices we make, the perspectives we offer and the nature of life, death, entropy and how they’re all a necessary part of the human experience, and everyone should play it at least once.

Now, there are several routes this game has to offer, and one of these routes has a chapter that echoes Deltarune Chapter 3’s theming almost beat for beat. I’m talking about the epilogue chapter, Happily Ever After.

Happily Ever After seats the Long Quiet (TLQ from now on) across the Princess. A shadowy figure hovers behind her, a figure we later learn is one of the many voices TLQ can encounter in the game, the Voice of the Smitten. Now, Smitten is bent on keeping both the Princess and TLQ in the cabin, because if the Princess leaves, the story (and the world, I guess) ends, and he loses her. Smitten does this by providing them with bountiful feasts and wonderful games, and they’re fun at first, but as the Princess and TLQ continue to eat and play, things get less fun until the food needs to be choked down and the game becomes a slog to get through.

Eventually, the Princess has no choice but to admit that she’s sick of Smitten’s efforts to keep her in the cabin, that she had fun at first, but now that she’s done the same stuff over and over, now that she’s avoided change in every way Smitten can think of, she’s tired of putting off the inevitable, and she’s ready to leave the cabin with TLQ by her side (as she’s barred from leaving by herself). TLQ takes her by the hand, they leave both Smitten and the cabin behind, and they dance under the stars in a brief but beautiful last hurrah before the world is consumed by entropy.

As previously implied, Tenna’s character arc in Deltarune Chapter 3 is almost identical to Smitten’s during Happily Ever After. Both Tenna and Smitten have a fear of abandonment and losing someone important for them. For Tenna, it’s Kris and their family, and for Smitten, it’s the Princess. Of course, neither Tenna or Smitten can prevent someone from leaving them behind, regardless of their efforts. Kris and the Princess are the ones with power in their respective dynamics. Kris can choose to let Toriel get rid of Tenna, and the Princess can choose to leave Smitten and the cabin with TLQ. The most they can do is put on a grand performance to convince them why they’re worth keeping around. At the tail end of each respective chapter, both Tenna and Smitten express unbearable boredom at their own content too, but they keep producing anyway because they can’t handle what might happen if they stop and give Kris/the Princess the opportunity to leave them behind. They don’t have any power here. They’re just groveling at the feet of those they care about, trying desperately to stay relevant in a world that changes faster than they can hope to catch up.

I think this makes Tenna and Smitten great insights into how a deep seated fear of abandonment can result in repetitive, desperate behavior patterns. I also think Tenna and Smitten should kiss sloppy style. This entire analysis was a flimsy excuse to ship these idiots. I’m calling the ship Telenovela. Fuck you, goodnight.

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laxmiree · 10 months ago

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[CN] MLQC’s Lucien - Fragment Date - English Translation

⚠️ SPOILER ALERT!! ⚠️

This post contains a detailed spoiler for a date that has not been released in EN yet! Feel free to notify me if there are any mistakes in the translation~

[Warning]: The content of this date is pretty explicit and may not be suitable for individuals under the age of 17 (CN server). It is recommended that those who do not meet this age requirement refrain from proceeding beyond this point.

He traces a trail of delicate nibbles along my neck, kissing the path where life itself flows.

I feel those affectionate yet slightly demanding marks being etched again and again. For some reason, I find myself speaking without thinking.

"Bite me, Lucien."

Translation under the cut!

[T/N: This date references some dates in the past; like his Prison Date, Monochrome Scenery Exclusive Past and its Event Story, “Lab Koi” call, his Last year’s Birthday Story, and The Sea No Longer Distant MQ. Since this date has a lot of callback, I think it’d be better if you read those dates, events, and phone calls first if you haven’t :>; or at least the MQ and birthday story one because this date is also some kind of extension to those]

[Subbed Video]

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[Transcript Ver]

=[Part 1]=

I wake up to the faint whirring of the fan and the subtle scent of a fruity fragrance lingering in the air. I turn over in bed, slowly blinking my eyes open.

The brilliant sunlight filters through the lace curtains, casting iridescent patches of light that dance playfully across Lucien's body.

He sits in a rattan chair by the window, flipping through a book in his hand. An exquisite purple clay tea set rests on a side table nearby.

For a fleeting, dreamlike moment, I feel like I've traveled back to the 1970s.

As if sensing my gaze, Lucien turns his head, and a hint of a smile appears in his eyes as he looks at me.

Lucien: It seems a certain lady hasn't adjusted to the time difference yet.

Lucien: It is now noon in U.S. time.

My foggy brain finally starts to turn sluggishly. I leave the bed, drag a chair over to sit beside him and yawn again.

MC: It can't be helped. It's already the wee hours in Loveland City.

Lucien: [teasingly] Oh? But as I recall, a certain night owl sometimes doesn't go to bed obediently even at those hours.

MC: [pouts] ....Hmph, you're one to talk, Mr. I-Don't-Need-Sleep!*

[T/N: MC actually calls him 进化了睡眠的人 here, which literally means “evolved sleep people”, it might be referring to him seemingly have evolved beyond the need of sleep😂]

Lucien: I've been quite well-behaved lately, haven't I? And when it comes to sleep duration, well, let's just say you're the ‘expert’.

Lucien blinks at me innocently, and I quickly take a sip of the tea he offers, hoping he won’t delve deeper into this topic.

A sweet and sour sensation blooms in my mouth. Perhaps there are other unknown herbs added, as I also detect a hint of honeyed sweetness.

✂———————–

=Flashback start=

Ten hours ago, in the dim and quiet cabin, the only sound was the occasional soft tapping of a keyboard from the seat next to me.

I lifted a corner of my eye mask and leaned closer.

MC: It's time for sleep, Professor Lucien. Didn't you say the seminar doesn't start until next week? We arrived three days early.

Lucien: That's true, but I don't plan to use this time for conference preparations.

Lucien: After all, a certain classmate expressed a desire to take this opportunity to visit my lab from my master's and Ph.D. days. I want to dedicate my time fully to you without any interruptions from other matters.

Beyond his words, I sensed other emotions in his earnest tone.

MC: [curiously] Is our Professor Lucien nervous because I'm going to visit the places where you once studied and lived?

Lucien: Yes.

He admitted it frankly, his eyes lit up as he looked at me.

Lucien: That place is very important to me.

Lucien: This feeling is like... inviting you to step into a chapter of my past.

Lucien: It should be a proper occasion, something worth your anticipation.

=Flashback end=

✂———————–

As I step out the door, a wave of heat washes over me. Thankfully, the house is nestled among the trees, providing some relief from the sweltering heat.

Lucien leads me down the stone steps, deeper into the verdant greenery. The lively apple trees grow abundantly, and even the breeze seems to carry a sweet fragrance.

The bed-and-breakfast he booked is located within Carver Estate Farm, not far from the lab. Since it's still early, we decided to take a stroll in the farm's orchard first.

MC: Now I finally feel like I'm truly on an American farm—

Lucien: The furniture and decor in that room can indeed be a bit misleading.

Lucien: That said, the radio and clock in the living room are just decorative pieces, and the stainless steel kettle in the kitchen is also fixed to the table.

Lucien: As for the fan and the TV, including the sewing machine, they actually work and can somewhat be considered "antiques.”

MC: When did you…

Lucien: [chuckles] The wait while you're asleep feels endless*, so I have to keep myself busy.

[T/N: Lucien uses the word "难熬" (literally means hard to bear) to describe his feelings while waiting for MC to wake up. Rather than feeling annoyed, the original sentence conveys a sense of longing and impatience, emphasizing how much he misses her so the wait feels unbearable]

Seeing him speak so seriously, I can't help but give his palm a gentle pinch.

Lucien: To be honest, I was a bit curious. I didn't expect the owner to maintain this style, or rather, deliberately preserve it.

MC: Have you been here before?

Lucien: Mm, Dr. Lawson brought the entire lab here before.

✂———————–

[T/N: Dr. Lawson was Lucien's mentor during his Master's and PhD years, in those years Lucien also had some seniors like Colt, Caroline, and Elliot. You can read more in Monochrome Scenery Exclusive Past. It can be said that the time during his Master’s and PhD years was the 'happiest' for him, after he abandoned his name and before he met MC. This young boy discovers that he’s not the only genius in this world. Surprisingly, this isn’t a bad thing; because being considered a genius had previously isolated him from his peers, but being surrounded by other geniuses provides him with a taste of mundane life… although he can’t fully taste it due to Black Swan’s pressure :"]

✂———————–

=[Part 2]=

Lucien: I remember it was autumn. We had just finished a phase of our experiment.

Lucien: The process of this experiment was very prolonged, and almost everyone expended a lot of effort. Fortunately, the results exceeded expectations.

Lucien: As a celebration, or perhaps simply out of a need for a break, Dr. Lawson suggested an outing after the experiment concluded.

MC: Sounds like a team-building activity?

Lucien: [chuckles] You could say that.

Lucien smiles lightly.

Lucien: At first, we all thought it would just be a matter of finding a nice restaurant, having a meal and chatting, or going to the theater to watch a performance.

Lucien: It wasn't until everyone received an email from Dr. Lawson that we realized we had been granted a mandatory five-day vacation. And the destination was this very farm estate.

MC: Pfft, Dr. Lawson is quite ceremonious about giving everyone a day off~ So, did everyone just obediently accept the arrangement?

I notice Lucien pausing, lost in thought, which is unusual for him. Then, a smile spreads on his lips.

Lucien: [chuckles] Not exactly.

Lucien: Eventually, everyone practically treated this place as a lab annex, almost bringing in equipment. Fortunately, the farm owner was an old friend of Dr. Lawson's, so we weren't kicked out.

MC: Hahaha, I knew it!

As we walk deeper into the apple orchard, the intertwined branches and leaves block out the sunlight, creating a vast expanse of shade. Vibrant red apples dot the lush greenery, looking especially tempting.

Lucien: The farm owner is an elderly Chinese gentleman. It's said that he and his wife came here to live when they were young, and this apple orchard was also planted by them with their own hands.

MC: No wonder. I think I suddenly understand why the house's decor feels so nostalgic.

Lucien: Perhaps it's precisely because they've been away for so long that they need tangible things to solidify those memories.

The swaying shadows of the trees dance in his deep eyes, and even though he's talking about someone else, I feel like I'm hearing unspoken words meant for himself.

So I rise on my tiptoes and cup his face, turning it towards me.

MC: So today, little Lucien is revisiting his old stomping grounds~ And as such an accomplished young professor, no less!

MC: This memory is very precious, and it's important to solidify it well.

Lucien: Is that so?

His voice is soft as he lowers his eyelashes and gazes into my eyes.

I feel like my entire being is almost seen through by him. He doesn't say a word, just keeps looking at me.

MC: Why are you staring at me?

Lucien: [chuckles] I'm solidifying this memory.

MC: Um?

Lucien: Because I'm not just here by myself.

Lucien: Today, I'm revisiting this place with my girlfriend. I want to look closely, carefully, and remember your appearance clearly.

I can't help but laugh, my fingertips brushing against his earlobe.

MC: Then how about remembering a bit more~ What else did little Lucien do here?

Lucien: I ate the apples.

MC: ....That doesn't count!

Lucien: Of course it counts. To be precise, it was an apple feast, with apple pie, apple muffins, apple salad, apple stew…

MC: Stop...! You're making me dizzy just looking at these apple trees now.

MC: I feel like they're saying to me, "I'm apple pie, I'm apple muffin…”

I dramatically shake my head and point to the huge fruits hanging above us.

Lucien seems amused by my actions. Seizing the moment, he smoothly takes my hand and plucks the apple hanging closest to us.

Lucien: [chuckles] Then let's eat them all, one by one.

He finishes speaking and even "conjures" a thin blanket from his bag, spreading it on the ground. He pulls me, who is still processing the moment, to sit under the tree.

His seamless actions leave me completely unable to keep up with him, and my questions come out in a jumble.

MC: C- Can we just pick the apples here? And sit down like this? And this blanket…

Lucien: I told you waiting for you to wake up feels endless, and I wasn't lying.

He looks as if he knows I can't do anything about him, and his tone, though seemingly aggrieved, is full of triumph.

We sit side-by-side under the tree, falling into a brief silence. The wind gently blows, as if not wanting to disturb this tranquility.

Lucien & MC: What are you thinking about?

Suddenly, we speak at the same time, and the unexpected coincidence makes us look at each other and laugh.

MC: You go first~

Lucien: I was wondering if an apple might fall on my head.

He says it so seriously that I find it rather cute. On a whim, I get up, pluck an apple, and then gently tap him on the head.

MC: Knock knock…

Lucien seems surprised by my action, the light in his pupils flickers.

Lucien: [gently] What about you?

MC: Me…

I smile sheepishly.

MC: I thought of a fairy tale, Prince... Snow White.

Lucien: But that's not how I remember the story?

MC: Because… this is a story I imagined!

Lucien nods thoughtfully, not minding my nonsense at all, but instead curving his eyes in a good mood.

Lucien: Then in your story, who are you?

This question stumps me for a moment, and I pause to think seriously before answering.

MC: I'm the magic mirror.

Lucien: Because the magic mirror knows everything?

MC: [smiles softly] Not really, it's because the magic mirror only looks at...the prince.

MC: And if I were the magic mirror, I wouldn't need you to ask, I'd tell you that—

MC: Lucien is the most handsome, the most intelligent, the most amazing, and the person I love the most in this entire world.

My voice is not loud, yet it feels like the entire orchard of apples has heard it. Their already gorgeous red blushing even deeper, making their vibrancy impossible to conceal.

My clamorous heart seems to be thoroughly exposed by the sun, allowing me to distinctly feel its beating and clearly see the smile filling Lucien's eyes.

He lowers his head, takes a bite of the apple in his hand, and lies down without hesitation.

Our hands, which have been holding each other all along, pull me slightly forward because of his sudden movement.

MC: …!

Lucien lies lazily on the plush blanket, each strand of hair scattering softly, as if quietly outlining his innermost feeling at this moment.

His already loose shirt falls open completely, revealing a patch of skin.

He gently blinks and the corners of his lips slightly curl up.

Under the scorching heat, the apples hanging from the branches exude an even more enticing fragrance.

The wind gathers from afar, wave after wave, sweeping through the villa, the woods, and each apple tree, carrying an increasingly rich scent toward us.

His fingertip traces mine, gently caressing the sensitive skin between my thumb and index finger.

It's like some kind of seduction.

Lucien: [whispers hoarsely] Miss Magic Mirror, I've been poisoned.

His voice is soft as if melting into the sunlight, yet it possesses a bewitching power that makes one willingly lean closer to him.

Lucien: You can kiss me now.

✂———————–

[T/N: Prince Snow White and Miss Magic Mirror… it’s a reference to his second Halloween date; Prison Date! Also, I love the way it seamlessly fits in the theme of ‘lover is like a mirror’ from last year's kiss SP; Blooming Amidst Turbulent Desires MQ... perhaps by seeing your lover's eyes you can see the real and complete you :”. And unique to Lucien, it could be that only through seeing his reflection in her eyes can he perceive the colorful version of himself]

✂———————–

=[Part 3]=

After buying some apple cookies at the farm store and making a reservation for apple cider making tomorrow, we drive to Dr. Lawson's lab.

The asphalt road under the shade of the trees glistens in the summer light. In the distance, sailboats glide on the river and people cycle along the riverbank.

Perhaps it's due to the fluttering anticipation in my heart, but the half-hour drive feels like it's over in the blink of an eye.

✂———————–

Lucien: Dr. Lawson is giving a lecture in London this week, and the current head of the lab is my senior, Colt. After graduation, he stayed on to continue the research.

Lucien: But he happens to be leading a group of students in an academic exchange with another lab today…

Lucien pauses for a moment, moves the gift bag he just placed on the desk to the side, and takes a sticky note off the computer screen.

Lucien: [quietly reading the sticky note] …..

He waves the sticky note at me, and I can clearly see the lively handwriting on it: "Enjoy: )".

Lucien: It seems like no one will be back today. In that case, let's graciously accept this invitation to enjoy ourselves.*

[T/N: "恭敬不如从命" means “it's more respectful to follow a request than to decline it out of politeness.” In this case, rather than refusing Colt's invitation, they graciously accept and agree to enjoy the day as requested]

✂———————–

The white walls make the spacious corridor even brighter. Along the way, the walls of classrooms and laboratories are adorned with various awards and patent certificates.

It seems that just by passing through, one can feel countless figures with unceasing footsteps, moving forward persistently and rationally, knocking on one unknown door after another.

✂———————–

Lucien: The desk by the window was the place I most often sat in the lab. Because I always sat there, it eventually became my ‘workstation’.

Lucien: Even if I arrived late, everyone would save this seat for me;

Lucien: [chuckles] But I don't really have a fixed seat in the library. I've never known if those people who are already looking up information early in the morning are actually early risers or if they just never went to bed;

Lucien: Occasionally, when the weather was nice, professors would take us out to the lawn for class;

Lucien: This vending machine used to swallow coins. I wonder if it's been fixed…

Lucien leads me through the corridor, past the small garden, into classrooms, laboratories, and the library…

Perhaps even he himself hasn't realized it, but returning here has made him happy.

It's in the little things he doesn't even realize he's doing: the way his steps quicken without him noticing, the instinctive caress of his fingertips against my palm, the soft murmurs he makes when he notices something different from his memories.

And even the hint of joy as he reveals those past memories with me.

He leads me by the hand through every nook and cranny of this place, making me feel as if I'm walking through his youth.

Finally, we arrive at the dormitory building.

Lucien: Generally, everyone lives here. They're mostly single rooms, so you have a lot of privacy.

MC: I remember you mentioned it before, so is this the common lounge area?

In this not-so-large space in front of us, several sofas and coffee tables are neatly arranged, and the bar counter displays simple everyday items.

Lucien: Mm, usually everyone relaxes here while waiting for experiment results. Occasionally, we also play a round of NOU.

MC: Pfft, I didn't expect this kind of leisure activity.

Lucien: [chuckles] To be precise, it's a traditional activity.

Sensing an interesting topic, I quickly shake his hand and press for more details.

MC: What else? What other things do you do?

Lucien thinks for a moment, then suddenly smiles.

Lucien: There's actually one interesting thing.

Lucien: In the past, before important experimental results were concluded, everyone would tacitly let a certain colleague touch the experiment machine a few more times, and then pray to it.

Lucien: And often, the results wouldn't be too bad, and there was a high probability of exceeding expectations.

MC: Hahaha, so he's the ‘lab koi’ you were talking about!

[T/N: It’s a reference to the “Lab Koi” call from last year!]

Lucien nods, the warm white light tracing the contours of his face, making his features appear even softer.

I can hear the nostalgia in his voice that he unintentionally revealed, and I know that he might be thinking about a lot of things at this moment.

I'm reluctant to break this brief silence*, my gaze subconsciously drifting towards this lounge, as if I could catch a glimpse of the genius boy who had once been here.

[T/N: The phrase "不舍得" (bù shě de) expresses a reluctance or unwillingness to part with something precious or cherished. While the English translation "reluctant" conveys the general idea, it might not fully capture the way MC cherishes this rare moment of Lucien being so nostalgic that she's reluctant to break🤧]

Suddenly, my attention is drawn to the wall next to the bar counter.

It's a small display wall. Besides showcasing some achievement certificates of past researchers, there's also a handwritten message board and some photos.

It turns out there will always be someone who earnestly preserves and longs for the past, with all its time and traces.

I quickly find a familiar figure among them.

It's a slightly blurry photo, almost as if it were a frame grabbed from a video.

The boy surrounded by the crowds slightly widened his eyes, a bouquet of flowers was thrust into his arms as he let the others boisterously tease and laugh around him.

Lucien: [chuckles, his voice exclaims a little in surprise] ...So, I really was quite surprised back then.

Lucien quietly walks up behind me at some point, his gaze intently fixed on this photo.

The world is truly a wondrous place. It appears to operate according to established principles, yet it often defies logic.

Those emotions that he never understood in the past are now brought before him in some fateful way, regaining their meaning and significance.

Lucien gazes at the girl beside him, observing her happiness and surprise, witnessing all the beautiful emotions that have blossomed because of him.

But she has no idea that her existence has allowed him to see how beautiful the world is.

Lucien's gaze slowly returned to the photo.

Countless colorful ribbons flutter in the air, shimmering and sparkling. The colors, engraved with blessings and well-wishes, seem to transcend time, flowing into his eyes in this very moment.

He speaks softly.

Lucien: It turns out that day was actually so lively.

✂———————–

The last scene is about his Last year’s Birthday Story! He graduated with his PhD on his birthday. This graduation was celebrated by his seniors and professor. At that time, everything was monochrome in his eyes. However, visiting the place with MC and seeing his graduation photo with her brings color to a memory that was once only in black and white. He now realizes how lively and vibrant that day truly was.

✂———————–

=[Part 4]=

MC: Are you saying that Senior Brother Colt and Senior Sister Caroline being together was something specifically emailed to you?

Lucien gives a helpless smile.

Lucien: Their reasoning was that I'd receive the information faster by email, and it turns out they were absolutely right.

MC: Hahaha!

We walk back, laughing and chatting. Along the way, I listen to Lucien share stories from his past that he seldom opens up about, about the later developments of his companions, and their current situations.

Some things he tells me without much recollection, while others he needs to think about for a moment. But it seems that the process of remembering makes him a bit happier.

One intersection away from the farm, we pass by a market and stop to buy some food.

Lucien: I'll take the things to the car first, wait for me here.

MC: Okay~ I'll be right here at the market.

While waiting for Lucien to get the car, I notice a stall at the market.

A silver-haired grandma is engrossed in weaving bracelets, her stall filled with dazzling beaded ornaments that shimmer under the soft glow of the glass lamps.

Suddenly, an idea strikes me, and I walk towards the stall.

✂———————–

MC: Ah, it's so hot.

As soon as I enter the house, I hurriedly turn on the air conditioner and fan.

Although the temperature here is still quite pleasant compared to the summer in Loveland City, I’m probably still jet-lagged that I feel a little dizzy.

Struggling to fight the rising drowsiness, I sort and organize the purchased items with Lucien.

Lucien: How about having dinner at the farm's eco-restaurant tonight? That way you can sleep earlier and won't be too tired.

Lucien: Or should we go somewhere farther to try some local specialties?

MC: Either is fine with me~ But before we eat, I need to do something important first.

I arrange the washed apples in a fruit bowl and pull Lucien to sit down with me.

I fish the woven bracelet I bought earlier from the stall out of my pocket. I pull his arm towards me and carefully, with a sense of cherishing, fasten the bracelet around his wrist.

Lucien clasps my wrist in return, his gaze shifting from the bracelet to me, as if waiting for an explanation.

MC: It's just... I suddenly wanted to give you something.

MC: Maybe it's because I saw your photos in the lounge earlier, or maybe it's because I heard so much about your past today.

MC: Even though I knew what those days truly meant to you, it wasn't until I actually went there that I realized…

MC: Everything about Lucien has been well treasured.

He's looking at me, hanging on to my every word.

MC: I'm so lucky to have picked them up again and to have pieced them together with you.

MC: To let them become you, the complete person standing before me.

Gazing into his eyes and seeing the one and only figure reflected there, I feel surprisingly calm and settled inside.

I gently caress his wrist twice.

MC: You see, I tied this knot myself! And I picked out this little agate bead super carefully. Don't you think it's pretty?

MC: It can be like the apple that falls on your head and sparks inspiration or the one that tempts you to be curious about everything.

MC: But now, it is also the "apple" I am giving to you.

MC: [smiles softly] Lucien, I hope the present me can also become a special fragment, forever remaining in your memories.

Pinkish-purple hues gently paint the horizon, and a beam of light happens to fall in, illuminating the agate bead.

The smooth texture is brightly highlighted, making the color seem to dance, leaping into those beautiful dark eyes.

Lucien: [softly] Indeed… very vibrant.

Lucien: Like an apple.

As he says this, he looks at me, his brows and eyes curving into a beautiful arc, leaving me momentarily unsure of what exactly he's referring to.

MC: Then let’s go eat…!

My cheeks start to feel warm as I belatedly realize what he means, and as I try to rise from his embrace, an irresistible force pulls me back onto his lap.

The arm wrapped around my waist tightens slightly, deepening the embrace.

Lucien: [whispers seductively] Before that, I also have something important to do.

He lowers his head, kissing the little agate bead cherishingly, then gently moves his kisses to my fingertips resting on his wrist, his lips slowly trailing upward, inch by inch.

Each kiss is feather light and slow, as if he’s carefully tracing every detail, until every part of my skin is stained with his warmth.

Lucien: MC.

He gives my earlobe another gentle peck before pulling back slightly, creating a small distance between us.

Lucien: [softly] Today, I've felt the significance of those seemingly meaningless moments from the past.

Lucien: It turns out there are many other people in my dreams.

[T/N: This part is what I mean by the date being the extension of last month's MQ (The Sea No Longer Distant MQ). It can be said that on this date, Lucien finally understands what MC means in that MQ. It's like... growing a 'heart' and feeling emotions that he doesn't comprehend before. He's lucky to have many people willing to ‘dream’ together with him🥺]

His abrupt change of topic leaves me momentarily confused as if he’s speaking in riddles. It takes me a moment to catch up and understand what he’s talking about.

Memories of the beach from a month ago flood back. I look into those eyes that are still fixed on me, and I seem to see emotions in them that weren't there before.

Lucien: You're right. People are complex, and they're also greedy.

Lucien: Because of you, I've accepted many things, and as a result, I desire even more.

Lucien: I'm curious about what other changes I'll experience because of you, and what surprises you'll bring me.

Lucien: And besides curiosity, there's also expectation.

I tilt my head up and kiss the corner of his lips.

MC: Then keep being curious about me.

MC: I like that you're curious about me.

I reach out to touch Lucien's face, wanting to look more clearly into his eyes.

Lucien: [whispers softly] Miss Magic Mirror, can you tell me…

Lucien: In your eyes, what am I like at this very moment?

I can't help but laugh.

MC: Right now, your eyes are the color of the entire sky. They're so beautiful.

MC: Your hair is bestowed with the warm glow of the setting sun, looking soft and fluffy. Your lips…

As I talk, I give him another kiss.

MC: It makes me want to do this.

Lucien also starts laughing.

MC: Lucien, right now, everything about you is complete in my eyes, and I can see you clearly.

He leans down again, his warm and moist breath brushing against my neck as he kisses me, causing subtle tingling sensations on my skin.

I instinctively try to pull away, but as I reach out to hold onto the back of his neck, he firmly holds me in place.

My legs dangle, unable to find a foothold, forcing me to use all my strength to hook onto his lap, while my other hand blindly grabs onto the curtain.

The crimson sunset spills over us unrestrainedly. As if dazzled by the spots of light, Lucien lifts me towards him, shifting a little as he holds me.

Amid the rocking motion, his leg accidentally touches the nearby coffee table, making a noise.

The sudden weightlessness makes me instinctively tighten my arms, causing him to gently bite my collarbone.

His scorching breath brushes against my neck like a feather, his scent overwhelming and filling every corner. It mingles with the fruity fragrance in the air, creating an even more alluring aroma.

Out of the corner of my eye, the goldfish in the fish bowl seem startled as well, swaying and swinging, leaving behind two tangled and intertwined trails*.

The skin grazed by my fingertips starts to burn, and I'm getting hot too.

Lucien: [whispers hoarsely] MC, you make me feel a gentle gaze.

Right now, we probably can't see each other's expressions, but it's as if we can see everything.

His low, hoarse voice resonates against my neck, and his moving lips make my throat vibrate, as though his words and voice have become my own.

Lucien: [x2] Make me feel truly seen by you, deeply loved by you**.

Lucien: [x3] Make me… feel happy and satisfied.

He traces a trail of delicate nibbles along my neck, kissing the path where life itself flows.

I feel those affectionate yet slightly demanding marks being etched again and again. For some reason, I find myself speaking without thinking.

MC: Bite me, Lucien.

The rustling of clothes suddenly stops, and his breathing also ceases, as if he is holding his breath.

I know my face is burning bright red, but I only shyly embrace him, moving myself even closer to him.

MC: I've also been seen by you and possessed by you.

In the sweaty air, I hear his long, drawn-out breath.

But in the next moment, they are all swept into my lips and tongue, obtaining all my oxygen in a different way.

Lucien: [kisses and pants] It is because you possess me that I am complete.

Lucien: [x2] Please keep possessing me forever… MC.

Lucien: [x3] In this world, only you will possess this kind of me.

———FIN———–

[T/N]

*: The fish in the bowl description might seem out of place, but it's not! It alludes to '鱼水之欢' (lit. 'the joy of fish and water'), which is a Chinese idiom that describes the joy and intimacy of sexual intercourse or the metaphor for the act itself. It's also an idiom that is a metaphor for the intimate and harmonious emotional or sexual life of men and women.

**: This is my favorite line in this because of the way it emphasizes Lucien's feeling of being understood and cherished 🤧 “看见" (kàn jiàn, to see) has the connotation of being acknowledged and truly understood. I think, for Lucien, being ‘seen’ and understood is significant; understanding the world is his thing as a scientist, so when someone makes an effort to understand him, it means a lot to him. Then the use of directly spoken “爱” (ài) which is a very, very sentimental word to say compared to how the west uses ‘love’ regularly… and the way it also encompasses a sense of enduring love, a sense of care, cherishing, and protectiveness🥺

Those last lines!!!!! Under her gaze, he feels utterly seen, completely known, and thus, entirely himself. It's because she possesses him fully that he feels complete. While others in his life may hold only fragments of him, she alone possesses his entirety. As the fox says in "The Little Prince," “But if you tame me, then we shall need each other. To me, you will be unique in all the world. To you, I shall be unique in all the world.” It is through her 'taming' that his completeness becomes something uniquely hers and hers alone.

And as Lucien mentioned in the Radio Broadcast Date, his form of possessiveness goes beyond one-sided control or dominance. Rather than just possessing her, he longs even more for her to possess him. To let her influence and 'change' him. Their possessiveness is a two-way thing: just as he is insatiable and wants all of her, he also craves to belong to the one he loves and to surrender himself entirely. After all, possessiveness is also a form of exceptional cherishing of the other party (his words in radio broadcast date, not mine), and he enjoys the feeling of being cherished and loved in this way.

#those last lines are CRAZY with the panting and kissing noises hjdhjbdsbsdhsf #why this man happiness make me more teary-eyed than when he straight up sad sob sob #his unconscious happiness just make me WEEP #mlqc lucien #mr love queen's choice #mlqc cn #mlqc spoiler #mlqc #mlqc translation #mr. love queen's choice #mr love lucien #mlqc xu mo #mlqc spoilers #Youtube

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shiraishi-kanade · 8 months ago

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AWAKE NOW: an (almost) line by line analysis by yours truly, pt.1

If you've been following me at all, you probably know that Awake Now is my favourite An Shiraishi commission and that I always ramble how symbolic and incredible its lyrics are, among other things. Well, it's time for me to actually explain why I think it's so great!

This is part one tackling only in-game version; I'll later make an addition to this post expanding on the full version lyrics, because there is also a lot to unpack there and I don't want to do all what work in one sitting. Sorry.

[Disclaimer: for a quite a long time, the commonly accepted translation of this song has been facing criticism, and quite a lot of lines have been changed into what I believe is more accurate later. More corrections may be yet to come, but this post will use the translation available at 27.10 by Hiraethie, with edits by Violet and 25239x.]

Lazy Rainy My Soul is

now in a bad mood

From this new feeling called Lament

(New feeling called Lament)

The first verse of the song is referencing An's growing unease she experiences during the time of Bout to be Beside you; while she doesn't know why she feels that way at the beginning, a big emphasis is made on how she never felt that way before, because even having a partner is something that is a new experience for An.

The supposed relationship full of perfection

got complicated on its way

This line references the way An perceives her own and Kohane's partnership, as well as just their general dynamic: they started off strong but already faced some conflict during Singing in Sync, the very first event of VBS, during which An had to confront her overprotectiveness; now this relationship is starting to get even more complicated with An's anxiety and "hazy feelings" thrown into the mix.

Not only that, it's also important that this line went to Touya - who went through his own issues in his relationship with Akito.

Still staying passionate, I Try

A general callback to An's attitude to losing and having roadblocks:

🎧: I hate to lose, but I usually take a more positive approach to think and work harder to do better next time.

(btby episode 4, official tl)

As well as, in this particular situation, she only sees one way to get over her feelings: to stay passionate and keep singing. This line is later brought up again in Rekka with "My silence and passion, I kept them inside my heart" line.

It's not like you're the one at fault

This is An's admitting that Kohane is never at fault for making An feel the way she does; that she has the full right and ability to make progress and keep improving as much as she wants to, and An could never blame her for it. At the same time, An is bitter at herself for having these feelings at all, which we later see in WTWG.

Trip Step, I want to do that again and again

If we could light up the night together

For eternity, then...

An wants to be Kohane's partner and keep singing with her despite the anxiety she brought into her life. If we look at the phrase "light up the night" to mean performing and bringing excitement to people (which it very well could be, seeing the overall symbolism of fire and light has in VBS's story), it becomes apparent this refers to An wanting to stay partners with Kohane forever, especially considering these lines in the event itself:

👤: Have you found a good partner yet, An?

🎧: No, not yet... It's taking longer than I expected...

🎧: But I have a feeling that we're gonna be singing together forever once I do!

***

🎧: That she's [Kohane] the only one who can be my partner...

(same event, chapter 5)

An is willing to go to extreme length to keep being Kohane's partner - so they can "light up the night" together.

Falling in love with the sound of my wings

that I outstretched to the skies,

This line goes to Kohane as well as Touya, but refers primarily to Kohane's discovering her own talent and (rightfully) enjoying all the new experiences and emotions it has brought into her life. It's also a clever play on Kohane's name, seeing as if she had a kanji spelling instead of hiragana, it most definitely would have included the character 羽 - "wing" or "feather". This same wordplay is then later used in Hollow:

預かる背中のその羽が

azukaru senaka no sono hane ga

This is confirmed by the song's producer and the very same character is used in Awake Now, so it's very unlikely it's just a coincidence - at the same time, "outstretching her wings" definitely refers to Kohane gaining new abilities and exploring new opportunities with Taiga.

the flowers of my dreams start overflowing.

I’ll make them sublimely

beautifully bloom so,

Seemingly, An has gotten everything she's ever wanted: she found a partner and a team, and townfolk are starting to take her dream more seriously - but her feelings about Kohane are overwhelming and distracting her from that, even during practice. Even so, An is determined to make that relationship work.

The first line here also went to Kohane and Touya, likely reflecting how their dream was found somewhere later than An and Akito's was, so that development is even more spontaneous to them than to the first two.

don’t forget that I’m right next to you, okay?

This is both reassurance to Kohane that An will always be by her side and believing in her, and a plea by An for Kohane not to forget her as she keeps growing and moving forward, and for Kohane to keep An by her side. It's a very nice double edged sword of a line and probably one of my favourite ones in the entire song.

Also, it also has Akito in the background, which is just... *Gestures at Stray Bad Dog event*. And this moment in BTBY too:

🥞: She's having an effect on the rest of us, including me, which means you, her partner, probably have it worse...

🥞: You feel like you're getting left behind... Like I did a while ago...

Akito went through something very similar, though not identical - that's likely the reason he was able to notice An's worries and help her in the first place.

Even if our touching backs begin to separate

Kohane is starting to pursue training with Taiga outside of An's reach, and An is starting to bottle up her feelings about Kohane - they're no longer as emotionally close as they used to be, and that's okay. Might also refer to the difference in skill level that is not there yet but will become quite apparent soon: their touching backs begin to separate... Perhaps even going in different directions.

Awake Now

The name drop and the meaning behind the song title: An is now aware of the feelings she experienced back in Awakening Beat and the true reason behind it, as unpleasant as it may be.

This doesn't end with my longing alone

This is perhaps one of the most interesting lines in the song, as it's the one that has faced the most misinterpretation, previously being translated as "I will never stop yearning for you."

Nevertheless, a corrected translation makes a lot more sense. An refuses to be the only one "yearning" in her and Kohane's relationship; she wants to keep inspiring Kohane and make her go even further, for Kohane to keep yearning for An and her singing, too.

🎤: Since you want to be someone she can “respect and be proud of”, An, you want her to like and be excited by the way you sing.

(same event, chapter 6)

This later comes back as a major theme in WTWG:

🎧: (But you know what, Kohane?)

🎧: (I'm not satisfied with that.)

🎧: (I want to drag it out of you, too.)

🎧: (This new power of yours, all sorts of feelings you've never felt before, all of it, all of it!)

🎧: (I want to drag it out of you, with my song!)

(WTWG, chapter 7, tl by Lozy Bug on YouTube)

...and more throughout the same chapter. In other words, while Kohane's singing make An experience new feelings and emotions, An doesn't want to be the only one of the two this happens to - so... She starts working towards doing it right back at her. But in BTBY, this specifically refers to the "I want to keep singing with you forever" feeling, too.

In other words, even the game version of Awake Now is basically An's Shiraishi character arc condensed into one song; it breaks down the point of conflict in BTBY down to it's bare essentials, and expands on motives that will later come back in play over a year later - and that is why I consider this song to be the best An Shiraishi comm.

And we haven't even gotten to the full version.

#jay rambles.txt #jay's character analysis #jay's character analysis.txt #an shiraishi #project sekai #pjsk #proseka #project sekai an #puroseka #vivid bad squad #I spent an unreasonable amount of time on this and it's not even done. anyway #*sips cocoa* I love Awake Now So Much can you tell

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starlostlix · 4 months ago

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BSD 121.5 SPOILERS BELOW!!

So I want to talk about the new chapter because what the actual fuck.

So first of all.... THIS

Atsushi doing this callback with that gaze is insane, and akutagawa's reaction shows he's losing the idgaf war. They're finally realising how much they mean to one another and it's so important, but MORE IMPORTANTLY...

AKUTAGAWA'S EYES ARE FULL OF LIGHT

HIS. EYES. ARE. ALIGHT.

It's not just a bit of light. ITS FULLY LIGHT!!!

This is so important for Akutagawa ong. I don't want to take up too much time with this though because there's a LOT to talk about.

First, the design of ameno-gozen's realm, the fourth dimension. I LOVE IT! It's so mysterious and looks kind of glitchy which is perfect for this vibe. Dazai explains that most people can't see anything here so Atsushi's limited visibility with this art style works well.

So basically this dimension is where the past present and future intersect 'orthogonally' (I had to search this up, it means 'at right angles') and all of time is 'folded upon itself'. Atsushi now, as the only one who can see anything in this dimension, is now able to technically access parts of the past and future at once (my theory is that Byakko has some relation to the fourth dimension, perhaps being created within or being something similar to Gozen). Also note that in the 3rd image 'Dazai' is able to hear Atsushi's thoughts (strengthening the idea id seen of this being Byakko speaking through a visual hallucination of Dazai, especially when this dazai insinuates that it is not him that knows these things but Atsushi himself). Interesting what 'dazai' says about the speed of sound in this dimension basically means it's a lot slower here. Also apparently the mission is to find the 'core' of the divine being here and (i assume) destroy it? No clue how that SSKK fight from the end of the anime is supposed to play out like that but I will see how this goes.

So interestingly everyone else who has been struck by the Amenogozen sword has become stuck in this dimension unaware of what/where they are, and don't have the awareness that Atsushi has (main character moment). Essentially the infinite past and future versions of themselves are 'folding' onto one another (I don't quite know what this specifically means, but I imagine it like Jayce, Ekko and Heimerdinger in the hexcore room in Arcane s2 ep3). But now, since Atsushi is conscious, Atsushi has access to the past and future in this space (leading to the possibility of a lore dump to end all lore dumps next chapter, hopefully about Fyodor's backstory/plan) and he has to choose which way to go to find the information he needs. 'Dazai' tells him to 'feel strongly' as 'that's what you do when you want to experience the past' - and I feel that is such an interesting way of thinking about it in this series. Atsushi himself has suffered from PTSD (as have many characters) and often strong feelings can link to the traumas they possess, but it's not just negative feelings. A lot of characters also have positive memories from strong feelings, including their strong feelings about protecting others as Yokohama's defenders of sorts, and forming bonds with others in that process created the ADA as we know it. I don't really know how else to talk about it but I think it's a really interesting thematic line. Asagiri has some really cool writing.

Honestly this chapter is so cool and I can't wait to see where the series goes with this! My personal theory for next chapter is Atsushi finding the way to the past and we get essentially a lore dump. I think it will be Fyodor's backstory wherein Atsushi's view is spliced with comatose Sigma going through the information he got from his ability and stumbling upon the same information/memories as Atsushi is (also perhaps to cement the parallels between the two like Dazai talked about!).

#bsd #bungou stray dogs #bungo stray dogs #bsd spoilers #bsd manga spoilers #bsd manga #bsd 121 spoilers #bsd 121 #bsd atsushi #bsd dazai #bsd akutagawa

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themusingsofacurlyhairednerd · 1 year ago

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Datura Pt 14

Author's Note: If your read ACOSF and got to that part where Cassian is mind controlled and thought, hmm how could this hurt me more, look no further. Had to make it angsty before we get fluffy, right?

Warnings: Allusions to Assault, Character Death, Canon Typical Violence/Blood and Gore. A lot of angst; like a lot.

Masterlist/ Previous Chapter

There's a callback to Chapter 1 in here, but since it's been so long since I wrote it, here's the chapter again, just for a refresher ;)

---------------------------------

Revenge had kept you warm all those nights in the dungeon, had kept your chin up during every humiliating thing that red headed bitch had put you through. You’d spent hours and hours dreaming up all the ways you would make her pay for turning your life upside down, for tearing the Courts apart, for laying a hand on your mate. In your dreams it was a swift, clean death that wiped away any chance of survival. But standing in the dark tunnels of the Mountain’s lowest levels, the blood of her men dripping from your claws, this is the last thing you want.

This is not swift justice, this is not satisfying revenge, it’s a bloodbath. Males reach for their swords and you tear them apart with your hands, claws cleaving through armor and flesh with little resistance, the splatter of it chilling against your changed skin. Every sense is heightened, every smell and sight changed and distorted, the splatter of blood stings like pin pricks, and yet the beast that has lived caged within your chest all these years delights in it. Your head screams at you to stop, yet your body moves as if it enjoys the hunt.

Hybern said all of them, and your collared body responds accordingly, leaving nothing left of the sentries that patrol the lower levels of the Mountain. There are beasts and monsters here too, hiding in the dark corners, huddling around fires to stay warm as autumn creeps in, all dispatched with a ruthless efficiency that makes your stomach churn, and yet you still can’t force yourself to stop.

The darkness of this place that had once felt so soul crushing and disorienting now makes the muscles in your shoulders relax. The beast within you chuckles as it slips into the dark shadows as if they’re a caress of a lover.

A sentry walks your direction, unawares. He’s dead before his next breath.

With no physical control of your body, you try desperately to call for your mate, to find whatever shred of a bond is left, if there even is one, but you feel it go nowhere. Before, it was like dropping a bit of water into a pond, the echo of your call disturbing the ether of the physic plane until something out there felt the ripple. But there is no ripple here. It is as if your calls bounce off a wall of steel. If there is a bond left, it is as much a prisoner to Hybern’s will as you are, no matter how much you mentally bash yourself against it.

Your body moves without your consent, deeper and deeper into the Mountain. Your hands move on their own volition, yanking previously locked doors off the hinges to allow you to tear apart whatever prisoner, guard, or beast lays within. Some of them are still sleeping when you come, completely unaware they’re being hunted until it’s too late. Some try to fight. None get far. These newly awakened powers leave little room for fighting, all you have to do is direct some of that ether between your fingers in their direction and they turn to a bloody mist. You are a far greater monster than anything in this Mountain has ever been, and there’s no chance that anyone will be warned you’re there until it’s too late.

Time is a concept that exists outside of you, however long it takes to clear the lower levels, the winding, endless tunnels filled with bodies, feels like both a blink and an eternity. It had been sunrise when you’d entered, it very well could have been evening already and you’d have no idea. All this body knows is the hunt, and it moves tirelessly through floors you’ve never seen, with soldiers and war bands and monsters you’d never known existed, until the halls start to look familiar. The prison first, your old cell still damaged. The training room, with its dust stained weapons and crumbling pillars. Every floor up is a new terror, a possibility to come across a face you know.

“Please,” you beg whatever entity will dare listen to you. “Please, let him be out. Let him be anywhere but here.” Everything you touch dies, if anything happens to Rhys…

Blood drips off your aching skin. Moving like this makes your muscles feel like they could pull away from your bones, this form too much for your mortal body to keep contained. It should be tiring, yet, your legs still move you forward as if you haven’t been tearing through an army for hours, unhindered by your discomfort.

“Please stop,” you whisper when you find sleeping quarters for Amarantha’s servants, fangs bared and claws swinging. “Please!”

A blue skinned fae with crooked wings drops to their knees before you, tears streaming down their cheeks. “Have mercy! Please!”

Stop this. Stop this. Stop this!

The collar hums at your hesitation, metal burning, it’s dark power pulsing through your veins like living flames. A growl of pain slips out of you as you extend your hand and mist the begging fae.

Others sprint from the room, screaming. None of them make it farther than the outside hallway.

You can feel blood and gore beneath your feet as you walk past, looking for anyone else on this floor. There’s a couple hiding in a closet, hands pressed over their mouths to keep quiet. A soldier drunk and stumbling with his pants around his ankles. A courtier slipping from a secret lover’s room. All gone.

You’d cry if you could, but nothing slows you, your body moving ever forward until it comes to a hall you recognize, your own claw marks dragged across the walls.

The more you try and fight it, the more the collar burns.

Most of the rooms around your old cell are empty, your own included. In all your revenge plans you’d always pictured yourself destroying it before leaving, but the collar doesn’t care what you want. It shuts the door and leaves the bed and the book written about you for the dust to once again claim as it begins its ascent to the Throne Room.

There are plenty of obstacles getting there, their faces all a blur of sudden terror and agony. No amount of bathing will ever cleanse the feeling of all this gore from your skin, from your soul.

The Throne Room doors finally come into view, the noise you’ve been making in the lower levels attracting the attention of the guards, who stand at the closed doors with their spears drawn. They’d been so imposing, that day the Attor had dragged you into Amarantha’s chambers, but now, they’re as dangerous as flies. You turn them to mist with the same blast of power that shatters the doors, the ancient rock around you screaming in protest. This draws some attention from the dancing crowd, but it’s not until you’ve misted a large chunk of them that the music finally stops playing.

No. No. No.

The crowd parts with a scream, pressing against the walls, scrambling for the exits as you step into that all too familiar room, dripping blood behind you.

“What is the meaning of-” Amarantha’s shrill voice echoes off the chamber walls, rattling the decaying bodies still pinned to the ruined stones of this once sacred hall. There had always been a strange energy to the Mountain, the magic that kept it alive, old and strange, always hidden beneath the surface, but with your new found powers, you feel the echo of it beneath your feet. This place is twisted, the once holy magic from the Cauldron itself rotten and decaying, you crinkle your nose at the smell of it.

The Queen still sits on her throne, the sheer fabric of her blood red dress clinging to her meager curves, as she takes you in. It takes her a minute to understand what she’s seeing, to process the magnitude of what you were and what you now are. Her gaze flicks to her side… where she keeps your mate chained to her throne.

The screaming of the crowd, the pounding of your heart, it’s all a dull, distant echo in your ears. Rhys is wearing a collar, his dark hair messy, knotted atop his head, violet eyes glassy, red streaked; he’s not wearing a shirt, or pants, stripped down to his boxers, his tattooed chest bruised and littered with claw marks.

Oh gods.

What had she done to him?

Mentally, you bash against the wall between the two of you, screaming for him, begging anybody who will listen to let you out, to let you save him.

If he can hear you, he gives no acknowledgment. Even if he could break through that wall between you, there’s no way he could do it in this state. It takes him a long time to process what he sees when his gaze finally drags to you, as if it’s an effort to move his head. His glassy eyes blinking too many times like he’s trying to clear the haze from them to ensure that what he’s seeing is real. He’s as much himself as you are, both of you locked behind a wall of someone else’s making. You’re sure your heart is breaking, if it works at all it’s a ragged, bleeding thing that sits uselessly in your chest.

Amarantha stands and Rhys sways on his knees, trying to get out of her way. You can’t tear your eyes away from the way he flinches away from her hand, the way he dips his chin to his chest.

“What is this?” She snarls. “Guards!”

If there are soldiers coming for you, or just the crowd scattering to let them pass, it doesn’t matter. You raise a hand and mist all of them, the rock above your head shuddering as your power obliterates everything from flesh to rock.

Amarantha’s red painted lips part in shock, a small gasp of surprise slipping out of her.

There are a dozen different things you want to say to her, a thousand different things you mean to make her pay for, but you can’t open your mouth to say anything. There are no words able to pass beyond the burning thrum of the collar fused to your throat.

“This is a new look for you, Little Mouse,” she croons as a ring of fire emerges to wreathe her hands. “Who’d you have to fuck to make that happen? Certainly not Rhysand.”

She’ll pay for every cut, every bruise, every damn hair out of place on his head. The carnage behind you, around you, the blood that drips from your body, it’ll stain your very soul for the rest of your life if you manage to escape this, you know that for certain, but her death? You and the monster that lives inside, will relish every last one of her agonizing breaths. You’ll make her beg for mercy, as you had begged on your knees before her in this room, and you’ll take your time doing it.

Amarantha assesses you with the surety of a seasoned warlord, every step closer intentional, getting in range to take a shot at you. You wait, letting her get close enough, and just when she’s sure of her place on this new battlefield, you lunge for her with a speed that shouldn’t be possible, even for a fae. She barely has time to blink before you slash your claws across her face. You go right for her eye, aiming to maim, to make it hurt. She screams as your claws tear through flesh and bone, body spinning to get away from you and your free hand comes up to grab her by the hair and hurl her back towards the dias. She stumbles, barely managing to catch herself on the steps leading to her throne.

Rhys scatters as far back as the chain will allow him to avoid her, but his gaze remains fully fixed on you. A familiar brush of night chilled power brushes over your mind, asking for entry and you try your best to throw a door open, to let him in, but that wall remains between the two of you. You can feel him there, on the other side, trying to reach you, but the wall won’t come down.

There’s no time to try another way to reach him either, not when Amarantha starts throwing fire balls at your head. “You stupid, little bitch!” She screams. “I take you in, I offer to train you, to befriend you and you thank me like this?”

The eye on her ring swivels to look at the damage you’ve made in its master’s face in a move that looks strangely… impressed.

You dodge the first couple of throws she makes, letting them hit old cushions and tables. The next throw, you reach out a hand and catch the ball of flame. The fire would have blistered your skin, should make you scream in agony, but in this form, like this? You draw that power inside you as easy as you draw a breath, the crackle of flames like a drug in your veins. It’s intoxicating. When she throws more, her anger becoming more and more tangible and her shots more wild then the last, you take those in too, savoring it until it bubbles up in the pit of your stomach and you have no other choice but to hurl it back at her in a blast she just barely manages to shield herself from.

Distracted with keeping the shield up, you rush her again, drawing in the power she expels from her shield with ease so that there is nothing stopping you from getting a hand around her throat, lifting her up into the air and slamming her down against the marble floors so hard they crack beneath her. Amarantha screams around the hand clamped down around her windpipe as you pick her up and slam her down two more times.

She is still a formidable opponent, she manages to summon an ice pick and jam it into your wrist to free herself as you reel away with a howl of pain.

Rhys is still trying to reach you, throwing all his mental energy into breaking through, even as you watch his body slump a little more and more next to Amarantha’s throne. You want to scream for him, tell him to stop before he hurts himself anymore, but the words get lost as the collar’s power burns through you in retaliation for not immediately killing Amarantha. The pain of her ice pick in your wrist is nothing to the heat that emanates from the collar, the pain the only thing in all this time to make your legs shake. The pain doesn’t dissipate until you land a punch in Amarantha’s face, her nose breaking under your knuckles. The collar demands blood and it will have it.

No one in the crowd moves to help her, those that remain stay pressed against the walls, watching in horror as the two of you fight it out. There’s a strange sort of glee in the air, as the oppressed relish in their oppressor’s certain demise. If there are any guards left, they don’t come to save her.

You swing for her head again, but she dodges at the last second, your fist cracking the marble beneath you a second time.

Spitting blood, she manages to get off the floor, fists raised to protect her ruined face.

You snarl at her, one of the few sounds the collar will allow, and she throws as much ice and snow at you as she can, mingling it with bits of fire. She lets her claws sharpen at her fingertips, trying to make herself into a beast as formidable as you, but it won’t save her. Her blows do little and you can take satisfaction in the fact that she can no longer hurt you in this form, at least. You absorb what you can and let the rest bounce off you as you stalk closer, pushing her further back until she stumbles on the steps leading to her throne. Fitting, that she die here at the base.

She throws a blast of darkness at you, a blast of your mate’s power, twisted and wrong in her hands and it’s the only thing she’s thrown thus far that makes your body tremble. The collar rattles at your throat, shaken but not loosened. You growl out a shuddering breath as you push through the waves of energy and push your hand right into her chest. Bones break and split beneath your hands, her blood warm as your hand sinks into her chest cavity.

Amarantha gasps in surprise, in pain, as your fingers wrap around her still beating heart. Her dark eyes widen with fear, mouth hanging open as blood pools in the corners of her lips.

“Please,” she gurgles. She knows she’s going to die either way, but now, for the first time, she’s powerless. As powerless as all the people she has harmed over the years.

Your fingers tighten, her body as resistant as her shields beneath your hands. All those powers she’s stolen lash against you: A bit of light and darkness, ice and fire and water in a last ditch effort to save herself. Yet, your body pulls it in greedily as you get a solid grip on her beating heart.

None of this feels real, possible. This is something out of your books back home.

“Please,” she rasps. As if she had ever shown any of you mercy, as if she had not demanded that you beg at her feet and then laughed in your face. “Please.”

And there, at the foot of her oh so precious throne, in front of her dark court, you rip the Queen’s heart right out of her chest, silencing that grating voice for eternity.

You don’t even get to relish in the victory, to appreciate for even a second that you are all finally free of her, not when all that power she’d stolen swirls around you. The void that makes up your skin draws it in, waves of ice and water and flame swirling like a tornado around your body. The collar hums gleefully in your ears, as if this was its plan all along. It’s too much at once, bringing you to your knees as the influx of power in your veins has your head pounding mercilessly in your skull. Spots dance around your vision, the world spinning and flipping. There is not enough air in Prythian to help you breath against the influx of power. This was why she was always smoking the mirthroot. No one person could hold this much power at once. It will tear up your insides, ruin your mind, your soul.

“Y/N?” Rhys reaches for you, despite his shackles, his voice slurred. Just like in the Pit, you think it will be horror you see on his face, but it is only concern for you, not of you.

Your mate, wearing a collar just as you are. Your mate who was punished for not keeping you beneath the Mountain. Your mate who’s powers now swirl around beneath your skin like the dark whisper of a shadow. Your mate now splattered with Amarantha’s blood as he reaches a hand out to you, as if he could somehow save you from this wild thing tearing up your insides. The Cauldron had been merciless, cold, and empty, but this is like being roasted alive, the fire too hot, making the water churning around you boil and steam. Ice pricks against your sensitive skin like a thousand tiny needles. It’s too much. It has to be released somewhere.

Rhys calls for you again, crawling towards you, body so much slower than it should be. Distantly, in that small part of you still aware of yourself, you know you need to give his powers back to him. His powers will speed his healing; his powers might just save him from you, but that wall is still there between you and your body. When you try to reach for him the collar pulses so intensely with heat you jerk back away from him, sliding down the steps with a whimper.

Rhys manages to get on his feet, swaying under all that mirthroot. “Y/N!”

His voice is so loud in your ears. Everything is too much. The brush of the throne’s steps against your feet, the swirl of water around your body, even the air in the room feels like it’s pressing against your skin. You throw out a hand, trying to make it stop, sending spikes of ice in all directions.

It must have hit the chain around Rhys’s neck because a moment later he’s stumbling down the steps to take your face in hand, the powers swirling around you be damned. “Focus on me,” he orders.

Your head is going to explode.

His strong hands grip your face, “Right here. Breathe. You’re ok. Just breathe.”

Why is he screaming? Your hands move despite yourself to shove him off you, to try and make the world quiet for five seconds. This is too much. You can’t bear it. You know you’re screaming because the collar retaliates against it, using the powers you’ve stolen to wound you further for the rebellion, but you can’t stop. The Mountain begins to shake and rumble, loose rock and debris falling in waves overhead.

Light and darkness pour out of you in blinding waves, the swaying movement in sync to your heartbeat. It’s a pulse that slams into the Mountain’s own magic, beating relentlessly until more chunks of the rock get hurled away, letting more light in. More people scatter, their screams mingling with your own.

“You can do this,” Rhys encourages, and when you finally manage to get your gaze to where he still kneels beside you. “Just breathe.”

“This is a new side of you Rhysand.” The world tilts. The pounding in your head makes the echo of approaching boots feel like every step has been made atop your skull. “I never would have thought you’d be offering up your services as a teacher, I thought you’d prefer to be on your back.”

Hybern walks into view, armor glinting, sword in hand.

No!

“Stop this,” Rhys begs and the sight of him like that, on his knees, makes you want to rip your father to shreds. “Let go of her! That collar will kill her.”

“Only if she fights it,” Hybern says with a shrug.

Blood trickles out your nose in inky black droplets, splattering the floor. When you lean forward and heave, more black goo comes out your mouth.

“I will give you anything,” Rhys pleads.

“Is this love?” Hybern sneers.

He does not wait for an answer as he turns to you and says, “Kill him, Y/N, I’ve waited long enough.”

No amount of mentally bashing yourself against the walls that cage you stop you from reaching out a hand and using a bit of Rhys’s own power to throw him across the room, his body bouncing off the marble.

It feels as if you’re lifting the Mountain just to get back on your feet, body swaying. Blood still drips from your nose. There might never be enough release of all this power to make the pain in your temples fade.

Rhys struggles to get to his feet, arms shaking beneath him. You’ve split open his cheek and temple. He’s barely managed to get up before you hurl more shadows at him, the dark mist lashing like a whip, cutting open his shoulder, his side.

Stop! Stop! Stop! By the Cauldron, he’s your mate! You can’t do this to him!

“Y/N,” Rhys slurs, voice breaking and you’re sure it’s the cracking of your own heart in your chest.

“Stop playing around,” Hybern orders.

Your body moves despite your efforts, lunging forward, fists flying. Rhys does his best to dodge, but he puts up no real effort, letting blow after blow land when he gets too tired to keep up.

Fight back. Please, by the Cauldron, fight back!

You manage to get a hand around his throat and you slam him so hard into the wall it cracks, his body nearly limp in your grip.

Stop. Stop. Stop!

“It’s ok,” he rasps. He’s not even trying to pry you off. “It’s not your fault.”

You’re going to die. If he dies, at your hand, you will not recover from this. Hybern might as well have killed you back at the Temple, there will be no saving you.

Violet eyes meet yours. There is no fear there, only understanding, only compassion.

You mentally throw yourself at the wall stopping you from regaining control over your body, bashing against it with everything you have. The collar’s power burns through you like boiling water in your veins. For your mate, your selfless, self-sacrificing mate, you’ll take whatever agony it can throw at you. It can’t end like this!

“I love you,” Rhys says, hands brushing over your claws. “I’m sorry I couldn’t save you.”

No. No. No!

Your claws tighten around his throat, drawing blood, as he gasps for air.

The collar rattles against your skin from how hard you’re fighting it, the metal hissing and screaming in your ears. You’re not going to let this happen. After everything you’ve been through, you can’t let Hybern win. He’s just a man. You’re a goddess, you will not be shackled to some mortal’s will. He will not take your mate from you, even if you have to fight Death yourself for him.

Darkness leaks from you. Your other fist slams into the wall next the Rhys’s head as your body spasms under the collar’s control.

“It’s ok,” Rhys whispers.

Spots swim across your vision, so damn fast they start to look like shadows. The world spins. The fire in your veins is unbearable. So much so that your body’s self-preservation finally kicks in and the hand around Rhys’s throat finally unlatches to let you grasp at the collar.

Rhys collapses, coughing at your feet as you tug at the metal fused to your skin, trying to pull it off. It’s not full control, but if you can keep pushing…

The room keeps spinning, end over end, the blood red marble at your feet now at the ceiling. Your stomach’s in your throat as your knees give out beneath you. You think you might be screaming again but the collar hums so loud you can’t hear anything over it. Still, you claw and yank at it with everything you’ve got.

“Stop fighting, Y/N,” Hybern orders.

Every breath feels like a battle. “Fuck…” the metal peels away from your skin like you’re ripping off a bandaid, skin coming with it. “You!” You snarl, voice ragged and gone.

He’s not going to beat you.

You get a claw beneath the metal, tearing through your own skin, it’s the only thing sharp enough to reach through the void.

“That’s enough!” Hybern screams.

The High Lord’s powers are yours, not Hybern’s, not the collar’s, not a product of the Cauldron. Yours. You push as much of Rhys’s darkness into your palms as you can, let that dark, glittering power slither its way beneath the collar.

Rhys manages to get up again, face bruised and bloodied. “Y/N!”

After everything, you’re not going to let him die, no matter what it costs you.

You get both hands around the collar, push whatever power you have into your palms until the heat of Autumn’s flames make the metal soft in your grip. Hybern is still yelling orders, but the don’t matter. If this kills you in the end, at least you’ll go knowing he didn’t get his precious Death Goddess. If you go, he looses.

With one last, rattling scream, you rip the collar off and the darkness pulsing from your body swallows you whole.

---

It’s all darkness. Not the Cauldron’s darkness. Not the Void that makes up your being. Not the darkness of your mate. It’s empty. Cold. Quiet. It has no beginning or ending, no borders or boundaries. It flows and ebbs like a tide, carrying your broken body along.

Broken. It’s a strange feeling, teetering along the edge of death itself, the pain a reminder that you’ve not fully topped over into nothingness yet, but it is there, pulling you closer and closer with no tether to the living on the other side of this dark veil.

And yet…

There, above your aching head, spins a single, glowing flower.

In this haze, it’s hard to remember where you’ve seen it before, yet you know, somehow that it’s meant for you.

“Come. Come and see.” It’s that phantom voice from your dreams again, always beckoning, tugging that tiny, little thread you feel blooming in your chest.

You reach for the flower, every muscle feeling like it might tear apart the more you move. It spins just out of reach, drawing you along, against the ebbing tide. Perhaps your eyes are playing tricks on you, but the darkness feels as if it’s getting lighter somehow.

The flower continues to beckon, further and further into the light until you have to shield your eyes against it…

---

Gaining consciousness feels suspiciously like being dropped from nothingness against the icy bite of the marble floors. Even being remade inside the Cauldron didn’t feel entirely as jarring as whatever that was.

Strong hands stroke your cheeks, moving your hair aside from your aching forehead. “Please, please, come back.” Rhys whispers, voice cracking.

His tears drip along your cheeks and it takes all your effort to drag an eye open to look at him. “I’m not…” it feels like you’re talking around a throatful of gravel. “I’m not going anywhere.”

Your mate lets out a sob as he drags your aching body into his arms, chest heaving as he cries into your hair. Over his shoulder, you can see the destruction behind him, the Mountain in shambles, what’s left of Amarantha near her throne. But Hybern is nowhere to be found.

Rhys pulls away just enough to kiss your forehead, your cheeks, “I thought you were dead.”

“I am a goddess after all,” you grumble. You certainly don’t feel divine by any means. “Kinda hard to kill me.”

He laughs through his tears, as he holds you tighter.

You let yourself lean into his touch, eyes closing. The worst of it is over, and yet, it all hits you at once. “I’m sorry,” you rasp into his skin. “I’m so sorry.”

“You’re safe,” he says, kissing the top of your head. “That’s all that matters.”

“Hybern-”

His arms tighten around you, “Don’t worry, Darling. We’re going to make sure he pays for everything he’s done.”

------------

*Thank you all for sticking with this story, I know my posting times have been sporadic lately, rest assured I will see this through. =)*

Tag List:

@mariahoedt, @lovelydove, @twsssmlmaa, @sleepylunarwolf, @judig92, @willowpains, @daughterofthemoons-stuff, @annnnnaaaaa88, @myheartfollower, @uniquecolorwizard, @eternallyelvish, @waytoomanyteenagefeels, @lovemesomeevesy, @localfangirl09, @isa1b2h3, @starswholistenanddreamsanswered, @slytherintaco, @iluvewmanblog, @thebeautifulmysteriesoflife, @kitsunetori, @lilah-asteria, @dianxiaxie, @msoldier, @amara-moonlight, @darling006, @92404-blog1, @genniecokkie

#Rhys x reader #rhysand x reader #Rhys x reader angst #rhys x reader smut #UTM!Rhys x reader #acotar rhys #rhysand fic #acotar fic #acotar fanfic #my writing #my fic #datura series

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phasmakari · 1 month ago

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Deltarune chapter 4 ending spoilers under cut!!

So so been pondering about the chapter 4 ending a lot lately. I've been waving back and forth between the "Susie sees herself killing a friend" and "Susie gets killed by one of them" theories. I've also seen a lot of theories about Susie being a sacrifice to save Dess, and I want to give my opinions about that first. I think it may have some credibility thanks to that shady ass scene with Kris dialing a suspicious number after Susie grabs Dess' guitar and Carol appearing out of thin air despite Noelle saying she won't be home until later. Though if Susie was supposedly a sacrifice for Dess' return, why would Carol act so harshly towards her instead of trying to gain her trust and have her be an easier sacrifice? Her shooing Susie away did only make her more insistent about spending time with Noelle though, so maybe that could be the idea behind that.

Susie seeing herself kill a friend could work, but if that was the case I'm pretty sure she would be more demanding for answers. Ralsei constantly talking about how nice she truly is makes me think that maybe he'll end up being killed by her and he's wondering how such a nice person could do something like that. But Ralsei would not be that closed off about the prophecy's end if he was indeed the one being killed by her. He'd simply accept it as his reason to be alive and try to brush it off as his fate and nothing else.

The "Prophecy's End" following right after the one when Susie finds love made me think they were connected. Most likely, Susie will get killed for the greater good by the one she loved with the depths of her heart, platonic or romantic. It could also mean a symbolic form of love or maybe a callback to Undertale, where the true meaning of the word "love' wasn't what we first thought it was. But despite all that, I can't get myself to believe that the person killing her is Noelle. If that was the case, Ralsei would know more about Noelle than only the weapons she could equip. I feel as if maybe Kris' soul or Ralsei will be the one that kills her eventually, accidentally or intentionally. But then, Susie saying, "Me and Kris wouldn't let it happen," makes me think differently too and I AM GOING INSANE.

I should also keep it in consideration that whatever Susie saw consisted of a single glass; it's not like she saw a whole powerpoint slide show there. So, it should be a straightforward sentence that manages to ruin her more than a book could.

Feel free to share what theories you guys have because I've been staying up all night thinking about this ever since I finished the game...

Edit: Been replaying chapter 4, and maybe the human heart in the "love finds it's way to her" part means our possession taking over her somehow? Or maybe she ends up taking Kris' soul in the end to either free them, save the world or Undertale Chara-Asriel style merge their souls? DAYS HURRY UP I NEED CHAPTER 5

#deltarune #deltarune chapter 4 #deltarune spoilers #going mad going mad

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canmom · 8 months ago

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booksbooksbooks - "yeah ok uh. you're worthless! how about that!"

I read Tell Me I'm Worthless by Alison Rumfitt! I have previously talked about Brainwyrms on here, her second novel; this is her first, and honestly they are such similar books (thematically, structurally, stylistically - it's possible even that they are in a shared continuity) that a second comment almost feels redundant - but then it turned out I had a lot to say when I got into it. Spoilers below, though I think most of the effect of this book is how it's told rather than what happens.

(Also: the recent bookcrit posts will sometime soon be making their way to canmom.art for easier reading - I've rather dragged my feet on that but Soon(TM).)

So this is a haunted house book that's about fascism. You know it's about fascism before the book even begins, since it says as much in the content warning. More specifically it's about British fascism, personified in an evil house called Albion at the edge of Brighton that corrupts all around it, drawing people in and bringing out the fascist mindset in them.

It would be reasonable to fear this might end up as a polemic loosely packaged as a novel - even if an absolutely on-point and warranted polemic. You can absolutely see how characters fit into the 'argument': a white trans woman who has not fully escaped her racist upbringing on the one hand, her Jewish-Pakistani girlfriend* who runs into the arms of the TERF movement on the other, their blonde cis third wheel who is the first to be fully corrupted by the House. A plot hinging on conflicting accusations of rape; the house itself being established through a series of eugenicist murders. And on top of that, in between parts you get some quotes from, variously: Félix Guattari's Everybody Wants to be a Fascist, Isabel Fall's Helicopter Story, Umberto Eco's Ur-Fascism, a Stewart Lee skit, and William Blake's A Little Boy Lost (primarily for the 'Albion' pull I think).

*actually a deep closeted trans guy, wouldn't ya know it

I think it would be easy to find this directness kind of annoying, but what makes it work for me is largely its style. Rumfitt has a hell of an ability to set a mood and environment, to convey the all-too-real bitterness and pain of its characters in circumstances I recognise. It is a story more than willing to veer into delirious fever-dream streams of consciousness or to spend a few pages quoting some fetishist imageboard rant at length. But more important is the genuine and raw anger of the author that seems to run through it: when the narration slips into addressing the reader, it feels like the intensity of feeling can't be contained in fictional devices anymore. The word 'sharp' is surely a cliché, but this is the kind of book to leave you looking up and going 'phew' between chapters. It works because it is able to make you feel the bleakness that its narrative demands.

(Possibly a relevant comparison at this point would be Sálo, but something to develop another time.)

At the same time, it's a book that is so blatantly About Stuff that it's almost impossible to read it simply as a novel. It has a certain degree of mystery structure (what happened in the House? what became of Hannah? who raped who?) and escalating waves of intensity to pull you along, it's got setups and payoffs and callbacks as the ideas raised early in the story bloom again in the final blast of words, but it's not really something you can simply take as a haunted-house story. Some of the biggest horror scenes would be kind of completely ridiculous without the metaphor-drenched context.

We can describe the main beats, all the same.

the bit where I summarise the plot

Alice and Ila are two survivors of an ill-fated expedition into an abandoned house. Alice (trans girl) is haunted by something which manifests in the form of a stain on the wall, and when she covers it by a picture of a racist singer from the 80s who she once admired, his phantom (it's presumably Morrissey, but they book doesn't ever name him). she gets by through shooting sissy hypnosis videos for clients who have her say all sorts of dubious racist shit. Ila (cis) has been welcomed as a token brown woman for the TERF movement, getting interviewed on the radio and invited to conferences. Both of them remember being raped and multilated by the other during the visit to the House - more on that anon. The third member of the party, Hannah, entered with them but never left the House.

Alice's closest thing to friends are a hetero couple of hard partiers; the guy Jon is into knifeplay and it's clearly not something his partner is all on board with. She tries to hook up with a girl but the Morrissey-haunting scares her away, providing some setup for the concepts of haunting this book will use. Ila, meanwhile, is almost raped by another TERF after recounting her story at a conference; the woman in question preemptively DARVOs her on social media so she won't tell. Some other cis(?) girl who Ila had deliriously called a tranny during sex (thanks House!) seconds it. Throughout all this, Ila has been frequently messaging Alice asking to talk again.

The narrative jumps around; we gradually learn more about the circumstances of their previous trip into the House (named Albion by its first two inhabitants), and its history: built by a gay guy in a period that would get you arrested and named Albion by his 15-year-old lover, then the site of a series of eugenicist murders (with explicit allusion to Bluebeard); in modern times, the random suicides it inflicts on the people in the buildings around it, etc. It's a real bad House

So, Hannah (cis, straight) had been feeling third-wheeled by the couple Alice and Ila. We get some flashbacks as Hannah: that time Alice and Ila had sex on the beach and Hannah totally heard it all, that time Hannah hooked up with a black guy and Alice and Ila were kind of assholes to him... When they enter the house together, Hannah becomes separated and drawn to the red room at the heart of the house. When Alice and Ila enter, Hannah is fully claimed by the House and physically transformed into a human swastika, and the narrative splits in two as both Alice and Ila enact brutal rapes on each other; in one version, Alice cuts 'ARBEIT MACHT FREI' into Ila's belly, in the other, Ila cuts a symbolic vagina into Alice's scalp. The two of them leave the House with these injuries, and the narrative pointedly refuses to tell us that one is the real course of events, or that something else happened.

Ila contacts Alice and convinces her to return to the House to put an end to it. They try to have sex and they're not feeling it; then they have nasty politicised sex, which gives the book its title:

“Call me it, please,” she says. “Call you what?” “You know. You know you want to, as well.” She hesitates for a moment. But Alice is right. She does want to. “You fucking tranny,” Ila moans. “God. Fuck. Please.” The pleasure is nearly unbearable for Alice. “Do it again. Tell me what you think of me, what you really think of me. Tell me I’m nothing. Tell me I’m worthless.” “You,” Ila grabs Alice’s hair, “are a fucking worthless tranny.”

Finally the two go into the House and we enter a kind of fever dream of an alternative fascist-ruled timeline in the green and pleasant lands where Mosley plays on the radio, Alice never transitions and marries Hannah and kills herself, Ila is deported to unknown quarters, and then in a parallel vision they both embrace while respectively self-disembowelling and bleaching -

then, finally we get a version where they escape alive and burn the House, only for its curse to continue to affect the next building to be built there, which gives rise to a bomber who bombs the Pride parade where Alice and Harry (formerly Ila) are walking together. But they hold each other in the ashes. t4t end.

You get all that?

I'm leaving out various dream sequences, flashbacks, and meditations on the state of things, like the factory or the, 'shitty transvestite pigs', which could honestly be said to be more important than the narrative itself.

fascism then

So for a book that is so much about fascism, what does it actually have to say on the subject? The facet of fascism examined here is mostly of the online-radicalisation or unspoken-sentiment type, the thing you tell yourself is a joke until you stop telling yourself that. The characters are carrying intrusive patterns of thought, taking different but similar forms for each. The House, or the ideology, feeds on their interpersonal resentments and drives them towards self-destructive cruelty.

In the narration that is (at least at times) their train of thought, they ask themselves why they stay in the House, or get drawn back. The closest thing to an answer comes, in Hannah's point of view, shortly before the dual rape scene:

Alice tried to kick open the door, but it wouldn’t move, however hard she kicked. It felt like there was nothing on the other side of the door – that it wasn’t a door at all, but the border to the world, and the inside of this room was the entire world. If you were to open the door you would find… what? The world outside is dark and unknowable. In the room you are safe. You are subject to violence, abuse, mistreatment, hurt, pain, all of the above, but you are safe from what is outside the room and that is what matters, inside the room is the pain you know, outside the room is the pain you do not know, it’s not a hard choice to make in the end, to sit here ‘neath the burning sun of her body, (...)

But more than that, fascism is some kind of permanent infestation. The House itself is at once England (as the name Albion suggests) and the persistent, seemingly eternal infestation of fascist ideology, which are pretty much one and the same - a country so racist that it will vote to kill its own immune system right before a global pandemic, a country so racist that the very ground stinks, a country so racist that your seemingly left-liberal parents have a map of the British Empire hanging on their wall (excerpted from the middle of a run-on-sentence too long to reproduce here).

So Alice and Ila confront their dalliance with fascism by returning to the House, and in a sense purge themselves through this catabasis; but fascism is not destroyed when the House is ruined, or burned down, or replaced with flats, and keeps growing back to consume more lives.

Mostly the thing the book seems to have to say about fascism is it's fucking everywhere and it's terrifying, a sentiment that is hard to disagree with. But it also has a fair bit to say in depicting its dynamics in the modern world.

What of this dual rape scene then? There is a scornful paragraph at one point about how the social-justice rules of engagement totally fail, mockingly describing how you could plug the two characters into an intersectionality calculator to determine who has narrative authority here, ending with this remark:

So, there’s just two girls leaving a house and maybe you don’t have to take a side, maybe you can empathise with them both and hope they get the therapy and help they need and can learn to forgive one another. No. You can’t do that. Are you a fucking idiot? Are you that fucking stupid that you genuinely think you can do that and that something like that is possible?

At the same time as presenting this situation of absolute ambiguity, the book doesn't seem shy about acknowledging there are straight up bad actors, whether Jon or the older TERF; recurring more than once is the idea of the moves a rapist might make to silence a victim or witness. All sorts of lines: "I'm too important to the movement, think of what would happen", or blatant lies, "it's the only way [the unconscious person] can get off".

All of this, frankly, accords with my experience of the world; these are all things that happen. If it revels a little in setting up these little ironies in its account of the TERF movement (elsewhere we see Ila making up stories to post on a forum that is obviously Mumsnet), it is also painfully cognisant of the ugly dynamics of accusations. Elsewhere this very website gets a shoutout! In an Alice POV chapter:

When I was about fifteen, I used the website Tumblr. It still exists, as far as I know. It was a strange place, and it’s hard to even describe how the culture of it felt when you were part of it: at times welcoming and at times unbearably tense. It was the first time I really read about what being trans was, and it was also where I was sent endless anonymous messages telling me to kill myself. People would often accuse others of things, baselessly, and those accusations would stick to them however much they tried to shake them away. One of my Tumblr mutuals was accused of being a paedophile and a Nazi. We hadn’t really talked much at all – she’d re-blogged my selfies a few times, and I hadn’t thought much about that until people started to accuse her. I began to wonder what her intentions had been when she shared a fifteen-year-old’s selfies. She denied these accusations, of course. Anyone would. She claimed that the people accusing her of being a paedophile and a Nazi were TERFS – and the problem was that some of them were. Or had, at least, started to share TERF rhetoric onto their blogs. Which made sense… they had just been exploited by an older trans woman, and suddenly these other older women were telling them, oh, come join us. There’s a pattern to this, and we don’t have to accept it as normal. I didn’t understand it at the time, I was just angry, angry and confused, but I get it now, with Ila spooning me. I understand why she is the way she is. I hope she understands why I am like I am, too. (...dialogue about the House happens...) I stopped using Tumblr shortly after that whole affair, and after having other people creep on me too – most notably a nineteen-year-old fat rights activist who seemed obsessed with my hair. I turned to 4chan and other forums in that vein, where, even if there were Nazis and paedophiles, at least they were generally honest about being those things, even as they remained anonymous. It felt better to know that I was talking to someone who liked to masturbate over little boys than to talk to someone and find that out about them later.

I was a bit older than the fictional Alice when I arrived on here, and I've never had the sense to leave lmao, but this accords well enough with my experience - notably, I strongly recall how a certain opposed accusation of rape/abuse (with knifeplay involved!) torpedoed the simplistic 'believe accusations' worldview I had held onto up to that point. The girls involved became a cause célèbre for two rival factions in the trans scene at the time, with who you believed largely depending on who your friends were, each rallying to defend theirs and cast the others as apologists. Ironically, both those groups would later fall apart.

Whatever parallels I might draw to touchy real life history, we can certainly see here some of the devices this book likes to use: a long personal illustrative anecdote of some messy shit, seguing into a moment of narration and a remark that connects it to the present, and helps sketch its characters as the extrusion of much-larger social forces. It is not easy to adequately capture complexity without getting completely lost in mush, and I think this book manages solidly. (I am tempted to draw certain parallels to works like Psycho Nymph Exile which address similar dynamics, but that would be way more than I want to get into right now).

It is strange reading this book, in many ways. I have only been in Bright a few times, but once was indeed for a Trans Pride, and I remember sitting on the beach described in the book (I went home before anyone started fucking). I may not have shown up to some anti-TERF demo, but I know well the 'tuneless chants' that Ila derides in her early POV chapter. So many trans books are American, and here is one that is furiously British, and that certainly strikes a chord.

With everything so caught up in magic and metaphor, what can we pull out of our own immersion in this book's wash of terrible images? Simply to love each other defiantly, in the spirit of the old songs? I recall talking with @thesiltverses on how horror and dystopian fiction undermines itself by presenting a relief at the end, and I am inclined to agree. There is no relief here, no 'this is what we need to do to counter the rise of fascism'; it is a story that ends only in a tragic moment of defiance, tinged with that little cynical detail, after a fascist bombs a Pride parade:

He goes to her, on his hands and knees, rubble and blood and bodies all around them. The police, the ambulance, the news crews. They are coming. Photographers are taking pictures of them, and they will put these pictures on the front pages of newspapers, and the picture will be with them forever, they won’t ever escape it, two trans people covered in blood and embracing amidst the carnage. The photographer who gets the image wins a prize for it. They don’t know that yet. They only know this: Harry crawls towards Alice with the last of his strength, his arms outstretched and reaching. The rain will come. When it does it will be bloody. The future will be red-tinted and unknowable, but they will be together. Come to me now, mouths Alice. Hold me.

I feel like this is the tone of a lot of recent tranny-adjacent fiction: we cannot stop them coming, but we will live furiously all the same: a story about the possibility of a pocket of change, that two people so thoroughly corrupted by the House could move past it. Is that all we can hope for? If we can win more, it's probably not for a horror novel to say so.

I know I know at least one person who has known Alison Rumfitt, the UK trans scene being what it is. I'm glad her book is resonating with people, if it is only those who show up at queer bookshops (shoutout to Category Is books where I got my physical copy). We are certainly experiencing a moment for grimdark fiction, and while that suits my tastes rather more than the 'cosy', I distrust any self-congratulation about being soooo transgressive and nasty compared to those pathetic wimpy steven universe gays. This, however, is something quite different: it's nasty because it's simply extremely pointed and the subject kind of demands it.

A couple of weeks ago I was discussing with some people at the film festival about how you'd do a film adaptation of this book. Having now read it, I'm scratching my head - it seems rather unfilmable, because so much of what it's saying is caught up in internal monologues and devices of narration that would hardly translate to the screen. But hey, you know what, if someone tries, I want to see.

#fiction #horror #alison rumfitt #novels #sff

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gotham25052 · 7 months ago

Text

Dark Waters Part 5

As the social fabric of Gotham begins to fray and the Joker's intrusion into her life escalates, Anna struggles to maintain control. But is she threatened by the Joker or by something within herself?

Contents: Part 1 Part 2 Part 3 Part 4 Part 6 Part 7 Part 8 Part 9 Part 10

Overall fic warnings: Explicit violence and explicit sexual content.

Chapter warnings: 18+, violence, mild sexual content, brief swearing, heavy themes including contemplation of death

Author's note: Excited to share Part 5! There are a lot of callbacks to earlier chapters in this part, so if you are interested in reading but haven't gone through those yet, you might want to read parts 1-4 first to get the most out of it. The second half of Part 5 is a really special section of this whole story.

This week is fire and ice (not like Game of Thrones, just like literal fire and ice :) )

Dark Waters, Part 5

He could feel it, even from the first time he saw her. The wildness in her, her fierce loyalty, her absolute devotion, he could feel it in her body when he first held her to the wall, he could see it in her eyes. He knew that she relished her freedom in the same way he valued his - she would never accept being penned in. The only prison she would accept was the one she had built for herself. He would have to break her out of it.

All her best qualities were clouded by fear. But it was like seeing the sky on a stormy day, the clouds didn't faze him at all, and the brief glimpses of clear sky appeared even bluer in the grayness.

He ruled the city, but with those eyes, she seemed to be from beyond the city or from beyond this world. When he looked at her, he was lost in their cold blue depths, like the fire in his soul had a short reprieve from the constant heat. He wanted her, he wanted her to worship him, he wanted her to follow every command without question, he wanted to discover all the hidden details of her thoughts, her body. But it was taking so long to pull her out of her stupor that years of neglect had built around her, so hard to find the fire inside her. She was a challenge, but he liked a challenge.

He was busy directing his organization, destabilizing Gotham's institutions and swaying public opinion against the powers that be. This side project was a welcome distraction, a place to pour his overflowing energy and drive. The day to day of managing his growing enterprise was tedious and quite boring in its details. Just like war, he had days of frenzied activity followed by weeks of waiting.

He had been with many partners. Some pretended to suffer at his touch, imagining that was what he wanted as the Joker of Gotham, but he knew better. By the end he always called their bluff. This one, though - when he was near her, it was like touching a pool of still water and watching the ripples disturb the surface all the way to the edge. He knew she would make an excellent lover.

Annie tried to get back to her routine after her last encounter with the Joker. She filled her days with work, taking on extra hours, coming home only when she was completely exhausted. She was hoping that at least looking in the mirror would stop reminding her of their last outing together as she watched the dark dye fade away, but the passage of time didn't seem to help.

She avoided stopping on her commute to watch the waves break onto the rocky seawall. The first time she had tried to go back, she questioned whether it was the wind tossing her hair, or his hands running through it again. She left and had not returned. Being there only reminded her of him now.

But most of the time, she didn't feel at all. She had been able to shut herself off for years. The truth was, she was really just waiting for her clock to tick down when the Joker found her in the ballroom.

Her experiences with others throughout her life, especially men, had alternated between unpleasant and brutal. Keeping herself in isolation soothed her wounds and made her feel as if she was somehow fulfilling her role in life. But deep down, she knew she was really just waiting for it all to end. He had disturbed her peace when she had already given up on this world, and she felt anger boil up under her skin. The tranquility she had worked for seemed to be gone, pulled out from under her.

She guarded herself vigilantly, immediately throwing out any thoughts connected to the Joker. She resented the fact that he had found a place in her mind at all. She was used to exercising extreme self-control. Years of holding in her desire to escape from the Church before she was finally able to leave, and now deprivation and a life of solitude in Gotham - she had been able to hold herself in tight check for a decade.

The nights were what she most dreaded. No matter how tired she was when she went to sleep, she would wake up, breathless and alert, feeling the strange rhythm of his voice in her ear. Was it fear that tortured her? She told herself it was, and blotted out her memory of those nights once morning came. She was very good at dividing herself into parts.

But now here she was washing the tubs that had held the meats and cheeses for the restaurant in Upper Gotham, and the mundane task took just enough of her attention that she forgot to watch her thoughts. Her mind turned in the direction she was constantly avoiding.

She remembered seeing his disheveled hair and calculating face in the front seat of the car. He was so self-assured, avoiding every snare in the streets of Gotham. She felt the strength of his arms when he held her, effortlessly pushing her through the hallways of the news studio; she recalled how his breath flowed over her ear when he dragged his fingers along her neck, slowly following the line of the necklace, his look of absolute concentration in the mirror…

"Annie, we're trying to do dishes here," a voice broke into her daydream. She shook her head as if it would dislodge the memories and focused on the work with twice the energy, pushing all the intrusive thoughts out of her mind.

She finally took off her apron, hanging it in the usual spot. She left the restaurant to catch the evening bus back to Lower Gotham. She stared straight ahead during the ride, feeling the anger spark under her skin, upset that she had let her thoughts wander so freely at work. The bus stopped, and she headed off to transit to the other line that would take her the rest of the way home.

She was looking at the ground, trying to get to the next bus as quickly as possible, when she heard it. The base of a thunderous boom in the distance that was so powerful it broke windows just down the street from her. She felt the shockwave run through her chest and echo in her head. She instinctively looked back, searching for the source of the explosion. A building in the distance was alight, engulfed in flames.

The pink radiance of the sunset mixed with the orange glow of the fire. A series of smaller explosions followed the first blast, each one closer than the last. She stood mesmerized by the dancing flames and the bizarre glow of the sky.

"Get out of the way, bitch, are you crazy?" shouted a man as a he pushed past her, nearly making her fall. Regaining her stance, she continued to study the slow march of disaster unfolding down the street, the sounds unmistakably drawing nearer. The wind whipped past her face, carrying the shouts of those who were caught up in the rush. She realized that the crowd was quickly closing in on her, the distance between people slowly disappearing so that she began to fear that the oncoming mass would crush her.

She started when she felt as if the rush of the wind running past her had been replaced by the touch of a familiar gloved hand, moving her hair away from the side of her face. She thought she was just imagining his presence again, until she heard his voice in her ear. "It is magnificent," he said softly, his tone strangely comforting to her in this chaotic situation.

She turned around and saw him back away from her, lifting up his arms to address the crowd. His words seemed oblivious to the strong wind and carried through the air as if it was still. "She's just enjoying the show," he announced, as if her fascination with the oncoming disaster was the most understandable reaction in the world. The crowd pressed back, away from the figure that stood before them with the recognizable white face and garish red mouth. She saw his jacket billowing out behind him, the waving orange silk lining flickering like the flames, almost glowing.

He grabbed her shoulders, forcing her out of the mass of people, and the fear of being trampled by the oncoming crowd temporarily overcame her caution. She followed his guiding arm to run with him, as those who had surrounded her before stared at them, shocked to see the strange woman arm in arm with the infamous Joker.

They came to a vehicle that looked like a hybrid of an armored truck and a van. He opened the side door to the back and had her inside and sitting down beside him before she could even consider breaking away. She surveyed her new surroundings as the vehicle sped off. The space inside had been hollowed out and benches were arranged around the perimeter. There were a few drop seats in the back, and that is where the Joker had sat down with her. Several men rested on the benches on either side, holding a motley array of firearms.

She gave him an alarmed sideways glance, and he saw the question in her eyes. "We're just a diversion, kitten," he said, pulling his shotgun out from under the seat and setting it on his lap. His words did not provide much assurance.

"What… how did you do this?" she asked, confused about how he could have orchestrated so many explosions on the border of Lower and Upper Gotham.

"Me? I didn't do anything. Chaos has its own way of spreading, once it starts. I just connected the people who wanted some fireworks with the explosives. The pieces came together on their own. Everyone hates Dent's checkpoints."

"It's more than just the checkpoints - there are buildings on fire," she explained, her curiosity overcoming her fear for a moment.

"Well, dynamite isn't very precise. Who knows, maybe some of these people had other axes to grind with the city." He gave her a sidelong glance and stared forward again, making it clear he was ending their brief conversation.

The evening was turning to night as they drove on. The Joker reclined, putting his feet up on the bench that lined the left side of the space. He seemed to be in good spirits, along with his men. He held the gun in place with one hand and lit up a cigarette with the other, joining several of them who were smoking. Though he always seemed to be at ease, she realized she had never truly seen him in his element until now. His occasional nervous ticks were gone, replaced by a fluid calm in the way he raised the cigarette to his lips and held the gun as if it belonged there, close to his body.

His jacket hung down luxuriously, the fabric draped over his reclined figure. She stared at the orange lining, bright against the dusty purple of his pants, shimmering with new color as the streetlights shined through the high windows of the van. She watched the darkness and light play on the glowing surface. She glanced up at his face, seeing his glittering eyes staring forward like an animal at home in the night. He seemed truly comfortable, absolutely contented, in this van speeding through the cold winter streets of Gotham, deciding which area of the city to strike.

He opened his mouth wide, leaning his head back and letting the smoke drift out slowly. Suddenly he turned toward her, a sly smile spreading over his face.

"So you like a man with a gun, kitten?" He said it as if he had discovered a hidden vulnerability in her.

He got up and walked to the front of the van, apparently talking to the driver. The men began to sit up, everyone on alert now, waiting for something. She looked around her nervously. He came back to sit down again, inspecting her face with pursed lips as if he was making a decision. He reached into his pocket and then grabbed the top of her head with his other hand. Her confusion caused her to stay still, and just as she was coming to herself enough to protest, she realized he was putting earplugs into her ears. "You wouldn't have done it right," he said as he finished.

"Now get on the floor," he instructed, as if he was asking her to do the simplest chore.

"The floor, now," he growled, the urgency becoming clearer as the van sped on more erratically. She pushed herself out of the seat and got on her hands and knees on the unsteady floor, not sure what to do. He rolled his eyes and sighed, putting his hand on her back and pushing her down so that she would lie flat. She simply let him guide her - this was his world. He pushed her prone form under the drop seats as calmly as if he was closing a drawer, and then quickly spun away to arrange his men. They were all rising from their seats and positioning their weapons.

From her limited vantagepoint, she could see rushing feet and heard muffled sounds as the van stopped short and the side door opened. She saw them disappear, heading outside, and then heard the gunshots loud and clear. She couldn't believe she was wearing earplugs - the sound of the shots was still deafening. Finally the sounds became more sporadic and then died out altogether. She waited in the eerie silence until the men returned, and she felt some relief as she recognized the Joker's shoes.

She moved herself forward to get a slightly better view of what was happening. She looked on in alarm as she saw the men pull a wounded police officer into the van. Her apprehension seemed well-founded as the Joker came closer to the man, but the officer had the opposite reaction to what she had thought - she saw relief wash over him when he looked up to see the Joker. She realized that this must be one of the officers who was working for him. The Joker quickly removed his gloves and coat and was looking carefully at the wound on the man's shoulder.

The driver had sped away from the scene but now he pulled into a secluded alley. The Joker grabbed a small box mounted on the sidewall of the van and opened it, revealing first aid supplies. She watched in disbelief as he took the cap off a syringe and pressed it into the man's uninjured arm. She could see the officer's body relax, and the Joker proceeded to stuff the wound with gauze he pulled from the box and held a dressing over it, applying pressure to the injured shoulder.

"We'll take him to the casino, Doc Gallo will fix him up," he ordered, and the driver sped off again.

She began to understand the deep bond the Joker had with his men. He seemed to treat them so poorly in every other setting, and at times she had wondered why they even bothered to stay with him. But here was where they were truly doing their work, and the Joker treated them all as equals. He stayed with them during the fighting, and the whole group worked together like a well-oiled machine. Many of the men looked like the outcasts of society, but here together somehow they seemed to fit in, like some forgotten army battalion that was still fighting despite the war's end. She could tell from the relief on the officer's face that he trusted the Joker completely, totally at ease under his care.

They arrived at what must have been the "casino," but it looked like just another abandoned building on the outskirts of the city. They carried the injured man inside, leaving her alone again. The minutes felt like hours to her, and she wondered if they were eating or resting before resuming the journey. Finally they returned without the officer, and the van began moving toward the center of town again. They seemed to have forgotten she was there, and she was happy to remain hidden under the seats.

They were speeding through the night and all sounds were muffled. She felt secure in her forgotten spot, and the long days of work and broken sleep that had been going on for weeks finally caught up with her. She fell into a deep slumber, lulled by the vibrations of the tires on the city's pavement.

He squatted down beside the drop seat, peeking under it to see Annie there. Her soft form, just barely moving with the breaths of deep sleep, stood in contrast to the hard metal edges of the van's interior. The men were surprised to see him take off his jacket and lay it over her so gently, without waking her. He settled himself back in his seat above her as if he hadn't noticed their stares, but then moved his head upward and let his gaze roam over all of them. They looked away, not wanting to trifle with his anger.

She began to wake up, the first weak light of morning showing through the few windows in the van. She could see his feet move away from her as he stood up, walking to the front to talk to the driver again, and she crept halfway out from under the seat, wondering how much time had passed - it seemed that most of the men had been dropped off, with only a few left seated in the front. The Joker was there too, talking with them. A heavy cold had fallen without many people in the back to warm it up. He turned and began moving toward his seat again, grabbing onto the benches to steady himself on the bumpy ride, in a rapid and disjointed walk that was somewhat unnerving to watch.

He bent down, crouching on the floor. "Ah, kitten, finally waking up from your nap!" he tutted with his tongue as if she was a misbehaving child. She suddenly understood why she was so warm when she saw him without his usual purple jacket and realized that it was draped over her. She was embarrassed, quickly removing it and maneuvering around him to pull herself to her feet. She was shivering almost immediately, the cold in the unheated space settling on her. The cheap jacket she had decided to wear to work that day didn't protect against this kind of weather. He stood briskly, bringing the coat up with him and regarding her as if she was absolutely stupid. He quickly wrapped the coat around her and fitted her arms through the long sleeves. He paused for a moment, holding the front edges of the jacket, their bodies close together. She almost stopped shivering for a moment with her shock at his gesture and her worry about what would happen next. But he quickly wrapped the coat around her and pushed her back into her seat.

He resumed nonchalantly lounging beside her. She stopped shivering right away - the jacket was extremely warm, as if the lining was in fact a glowing fire. She felt as if she was transported back to the moment in the ballroom - he had pressed her to the wall and the purple cloth had scratched against her face when he turned. But now the satin lining felt smooth against her skin.

She noticed a faint trace of perfume in the collar, a delicate scent that reminded her of the luxury of the parties she sometimes staffed, the fine clothes and settings that were so far removed from her daily life in Gotham. It woke her up tenfold, surrounding her in a fragrance that came from another world, far from this bleak and empty metal box.

The time passed lazily as they drove, the Joker periodically looking out the window and giving directions to the driver. Suddenly, he stood up. "Here's your stop!" he said with feigned cheer, and put his hand under her arm to pull her up beside him. She realized they were just outside her apartment building. The van came to a halt.

He studied her expression as they stood together. She looked up into the painted canvas of his face and suddenly felt bewitched by some kind of strange magic, as if she no longer had control. Her hand reached up and took a strand of his disheveled hair, running it slowly between her fingers. So beautiful, the shades of blonde and brown and green there. She saw the muscles tense in his jaw and his expression became stern. His hand reached up to grab hers - at first she thought to remove it from his hair, but he simply held it there with a gentle firmness.

The grasp of his hand was easier to read than his inscrutable face. She took it in both of her own and brought it down as if to study it. She slowly removed the purple glove.

She surveyed it carefully, as if it was something from another world, a hand that could inflict such cruelty. But his fingers were not boxy or crude. Instead they were strong and graceful, long like the fingers of an artist. She hesitated when she saw the faint outlines of triangular scars under his nails, so much like her more recent wounds from only a few months ago. He seemed to pull back, and she stopped analyzing. She covered his nails with her hand, wrapping his fingertips protectively. He shifted his eyes from their intertwined hands to her flushed face.

He moved his other hand up to her chin, resting his fingers there and slowly running a gloved thumb over her bottom lip. All the breath left her body. She stood utterly motionless, moving her gaze downward to avoid looking up at him, instinctively aware that they were walking on a knife's edge. She questioned herself, anxious thoughts racing through her brain - why had she reached up to touch him? What had propelled her to act this way?

He removed his thumb from her lip abruptly, instead bringing his hands to either side of her head and running his fingers through her hair, drawing it away from her face. The warmth crept onto her skin and spread down through her neck, but when his fingers reached the back of her head, she felt them close suddenly to make fists. He grasped her hair tightly, yanking her head back as he did it, forcing her to look at him. She took a panicked breath, terrified at his furious expression, his lips drawn back like a vicious dog. In the half light inside the van, his eyes looked utterly black and heartless when they met hers. He let out a grunt of frustration and let go of her. She realized he was roughly removing his jacket from her arms, and suddenly felt the cold night air as he pushed her out of the van onto the street.

"Goodbye, kitten," he called, the anger barely hidden under his measured voice. He motioned to the driver and continued standing by the open door, watching her as the van sped away.

The destruction the Joker had orchestrated made travel much more difficult between the two halves of the city. Three bridges had been damaged, but one remained open. People like Annie who had to commute to Upper Gotham for work found it possible but much more difficult to find transportation.

Once again, it seemed like Dent was taking the situation that the Joker had created and making it exponentially worse with his focus on law and order. After the attack on the checkpoints, he had them rebuilt and announced the beginning of a passport system for Lower Gotham. In a matter of days, a special identity card would be required for anyone from Lower Gotham to pass back and forth between the two sides of the city.

Annie had listened carefully to the news, because she immediately recognized a problem. The police would be issuing the passports. She would have to return to the station, something she was extremely reluctant to do. One day when she was passing through the apartment lobby, she recognized the mayor's voice coming from the small television and stopped to listen.

The reporter asked, "So Mayor Dent, if I want to get this passport and I have a parking ticket, should I be afraid to go to the police station to register for it?"

"No, of course not," Dent replied. The mayor and the reporter had laughed, in a way that only people who had never had more of a criminal record than a parking ticket could laugh about that question. "But those who want to hide anything from the police had better not bother trying to get that passport. If you want to travel freely in Gotham, you need to follow the rules. Those on the wrong side of the law can just stay where they are," Dent said authoritatively.

She felt the weight of his words and knew she was trapped. She couldn't go to the police to get the passport.

Annie felt the walls closing in around her. She was still making it to work, but her commute time had doubled. With the restrictions on travel that would soon become reality, it was clear to her that she would be losing her job.

She didn't know what to expect from the Joker, and after his fury when he had thrown her into the street, she wondered if perhaps he had finally given up on her. She cursed herself for her lack of self-control and the strange affection she felt for him.

And, it was somewhat easier to ignore her feelings, because a new problem was gradually taking all of her attention - she had developed a terrible cough in the weeks since the checkpoints had been destroyed, and it was getting exponentially worse by the day. It was her constant companion, keeping her up at night, taking away her appetite, and making it harder and harder to breath.

She decided that she had to try to make it to the hospital before the passport system restricted her travel. There were no major medical facilities in Lower Gotham, and now with the steady stream of people migrating away from that part of the city, the local clinics were closing without staff to operate them.

She got off the bus, happy to have finally arrived at the hospital. The cold breeze on her face felt refreshing after the hot, crowded bus, but as soon as the bitter air hit her lungs, a coughing fit began that doubled her over and forced her to stop walking. She recovered quickly, though, entering the lobby of Gotham General. The always-bustling hospital was even more crowded today, as the usual emergency room area had overflowed into the main lobby and several folding tables had been set up to handle the crowd. Everyone was afraid that Lower Gotham would be completely cut off from Upper Gotham and its hospitals, prompting people like Annie to come and receive care before that happened.

She got in line at the nearest table, trying to stay focused on the reason she was here in the turmoil of the busy room. She finally came to the front of the line, where she found two men, clearly stressed by the onslaught of people. The first one pulled out what looked like a checklist and invited her to sit down. "What are your symptoms?" he said promptly. She explained the constant coughing, but not being used to seeking medical care, didn't know exactly what to say that would point out the seriousness of her illness. The other man took out an oxygen monitor and placed it on her finger, getting a good reading on her levels. The two men looked at each other, deciding her fate.

The younger man filling out the checklist looked down and seemed to be tallying whatever he had recorded. "It looks like you don't qualify to be seen right now, but we would encourage you to come back in a week if your symptoms don't improve."

The polite sentence turned her stomach. She spoke hesitantly, even though she felt that the answer could be a matter of life and death for her. "I'm sorry, but I may not be able to travel here again after the passport system starts… this may be my last chance," she explained. The older man pulled the younger aside and asked Annie to excuse them for a moment.

"Did you hear her cough? She may have pneumonia, and you know how that could turn out if she doesn't get back here when it gets worse," said the older man quietly but urgently to the younger.

The young man pulled out the checklist, scanning it again. "We have to go by the rules, for everyone, that's the only way this is fair. You know that we are full for today anyway. We can't just keep squeezing people in. She scores under the urgent status, so she can't be seen."

"So what if she's really sick and wants to come back in a week. What if she's some gangster's girlfriend down there in Lower Gotham and he won't let her go to the police station to get the passport. What then? She's gonna die of pneumonia at whatever age she said, was it 27? And that's on us."

"We can't break the rules for one person, it's a slippery slope."

"Ok, Chris, but I'm taking my break. You go tell her no, I don't want any part of it."

The younger man came back to the table, sitting down slowly, clearly bringing bad news. "I'm sorry, miss, we only have room for urgent status patients today and you don't score in that range. Please come back next week if you are still having trouble and we will look at it again."

His repetition and controlled voice made it clear to her that he was not going to change his mind. She rarely expressed her anger, and she didn't do it in any obvious way now, but she gave him a cold stare as she stood up from the chair. She underestimated the power of her icy blue eyes. Her look of betrayal and hatred stayed with him, haunting him in the coming weeks.

She woke up, not knowing if it was morning or evening. Some sun shone through the windows into the messy apartment, but she couldn't remember when she had fallen asleep. She had given up most of her daily routine, and trash littered the floor. She had been here for a week now, since she had returned from her failed trip to the hospital. Her illness had worsened quickly after that outing, and she was no longer able to commute to work. Yesterday, she had received the call she knew she would be getting - Gotham Culinary had let her go due to her absence from her shifts.

She laid back down, her head spinning from recognizing her situation. The Joker's destabilization of Gotham certainly had given her more time, because the authorities were finding it harder and harder to extend their reach into her region of the city. However, at some point, the apartment manager or even the police would come remove her from the building. The movement of people away from Lower Gotham and the closure of businesses meant that it would be impossible to find other work. And entering Upper Gotham without a passport was now impossible.

The cough that had been nagging her for weeks broke out with particular ferocity, wracking her body and contracting her ribs painfully. She knew that there was no way she could get to the only open medical facilities in the city now, all in Upper Gotham. She had seen posters when she visited the hospital about mobile clinics traveling to Lower Gotham, but she knew they wouldn't show up near her for weeks.

And then there was the other thing - the Joker might return. Anything was possible with his mercurial personality. She had hidden her weakened condition from the men stationed outside, afraid that he might come to check on her. She tried to regain her composure and stifle her cough every time she left the apartment.

After her encounter with the Joker in the van, she was even more frightened of him, and she realized, also frightened of herself. How could she have been so brazen to reach her hand up to touch his hair? Why had she done that? Even now, part of her knew - part of her soul seemed to warm, thinking of the gentle pressure she felt when he had reached up and held her hand. She quickly snuffed the feelings out, her mind focusing on finding a way to avoid meeting him again.

She looked around at the small apartment. One thing was for sure - she didn't want to die here, a possibility that was seeming more and more real as her illness debilitated her day by day. She made the decision - she would walk out, walk into the depths of the Gotham winter. Somehow it seemed more free, more dignified, than the Joker's men finding her cold body days or weeks from now. She shuddered thinking of it.

She put on the boots reserved for her commutes to work and her long winter jacket. She knew she wouldn't last long, but tried to plan well, dressing warmly, wearing a hat, and taking some small provisions in her pockets. She didn't really want to admit to herself what she was doing - choosing her own death rather than letting it overtake her slowly.

She still locked the door behind her, instinctively, and slid the keys into her pocket. She didn't know if the Joker's men might be watching her from a distance - they usually weren't just outside her door these days, but she knew they were likely around somewhere. But that didn't matter, they would just think she was going out on an errand.

She maintained control of her emotions, walking out onto the unplowed streets. She quickly felt she had chosen correctly - the quiet beauty of the city covered in snow, with hardly any cars or vehicles, and very few pedestrians even, was exactly what her eyes had been craving. Many people had left this area since the food crisis and now the new passport system, and the terrible weather was keeping those who remained inside today.

The emptiness in front of her reminded her of bleak winters upstate as a child, when she was sometimes able to wonder off on her own and explore the broad fields and scraggly fencerows. As she embarked on the journey, though, the cold air began to tear through her lungs, making it harder and harder to breath. She felt an ominous rattle in her chest every time she exhaled. Her legs also felt much weaker than usual, and she quickly ran into trouble navigating the foot-deep snow all around her. It was the normal level of cold for Gotham but a surprisingly generous amount of snow.

Still, she felt somehow freer, having made a decision and leaving her destiny completely up to fate. She looked around her in all directions, realizing it made no difference which way she went. A quiet laugh escaped her, just from the absurdity of her hopeless situation. She couldn't see where the streets ended and the roads began with the fresh cushion of snow. She picked up her foot, closed her eyes, and half-spun around, letting it land wherever it would. She then followed that path, trudging through the empty whiteness of the abandoned streets.

Based on her condition, she was surprised at how far she made it. She just kept struggling against the snow as if she was fighting her own personal demons, until she simply couldn't anymore. She let herself fall back into its soft embrace, keeping her head and chest up by leaning back on her elbows until she was finally too tired for that too and let her head simply fall back into the waiting snow.

Memories flooded into her mind from the past, mostly of her childhood. Bleak as it was, she recalled moments of happiness too and smiled at the simple joys of early life. She thought over the more recent past and her endless struggles to claim some little piece of life in Gotham. Never-ending commutes to party venues, endless labor that exhausted her - why had she done it? The answer eluded her, turning into mist like many of her thoughts now were.

A flash of color illuminated her mind - then there was him - she had finally come around to the Joker. He travelled across her thoughts like he had strode into the ballroom that night - purple clad and with that red smile, reaching up all the way to the dark unreadable eyes. They flashed with such a fire - in her mind's eye, she began to see the flames crackling through the windows of the burning penthouse, after she had regained consciousness in the alleyway. Those warm flames, too dangerous to touch, but so beautiful, consuming everything… She felt suddenly warm, recalling how warm she had become when the Joker put his jacket around her, the heat seeming to enter her skin and travel all the way to her bones.

Why had she pushed him away? Didn't she want him to hold her, didn't she love feeling the pressure of his body on hers? She had struggled so hard against it - she smiled at her own foolishness - the only streak of color to ever enter her life, and she had run away from it. Now, she could let go, she had no reason to force away her tortured emotions. It was the end of her life. She held his fiery eyes, the sound of his voice, the texture of his clothes, she held them in her mind and dwelled on them, at last letting herself relish the thought of him and freely watch the greedy fires. She really did feel very warm. She managed to pull off her hat and unbutton her jacket, but her freezing fingers and exhausted body lost the ability to move further. She fell back again, her open eyes matching the unbroken blue of the winter sky. But in her mind, she saw only flames.

When his men let him know she left the apartment and had not returned that evening, it was as if he knew what had happened intuitively. He arrived outside her building within minutes. The cold, clear air filled his lungs, giving him new energy. The dark purple of his jacket stood in stark contrast to the pure white of the snow as he stopped there in the streetlight. The condensation of his breath hung momentarily in the air like smoke and the only sound was the muffled crunch of the snow under his feet.

He knew that time was limited. His men arrived. "Smith - take the route to Upper Gotham - Lutz - walk toward the shoreline - Fletcher, go toward the nearest store…"

He ordered them to follow all the logical paths that she might have traveled. He stood outside the apartment building in the snow, having dispatched his men and knowing she could be difficult, maybe even impossible, to find, especially with this sudden wind that had picked up, erasing her footprints.

Night had fallen and with it the brutal winds that sometimes tore through Gotham in the winter. Like a wolf tracking prey, he searched the white horizon with his keen eyes. He could see nothing, no indication of where she had trudged through the deep snow. It had eaten her tracks back up. He closed his eyes, pausing for a moment - and took a step. He had sent his men on all the paths that made sense - he would take this one that fate had simply chosen for him.

He began the trek straight ahead, shielding his face from the blowing snow that the wind had picked up. His hair blew freely, but his gloves and coat provided enough warmth to keep him going. He ploughed ahead, growing more and more concerned that no one had found her yet. He didn't think she would get this far.

Then he saw it - the black material of her jacket, visible above the white horizon. He ran over to where she lay, his eyes opening wide. She was reclined, with snow now freely blowing over her and inside her open jacket, her hair strewn out in hazel strands, contrasting with the blank white of the snow. Her eyes were open, and her face was completely peaceful - the slightest smile was formed on her blanched lips and the usual stress that animated her features was gone.

If he were a kinder man, he would have left her there, in peaceful repose. But he was not a kind man.

He kneeled beside her and began to slap her face - first gently, and then more severely. "Annie! Come back to me!" he commanded, his voice echoing emptily in the deserted streets. He shook her body, trying to see if any life was left there. The tiniest twitch of her expression showed him that there might be hope. He tried to brush what snow he could off of her, and lifted her up like a child. He walked with long strides, seemingly oblivious to the depth of the snow, to the nearest building. It looked uninhabited. He took the gun out of his jacket and broke the glass with the handle until it was completely out of the way, and stepped inside. It looked like an abandoned hair salon. He set her down as gently as he could in a large chair.

He was on the phone. "Yeah, get the helicopter, that's what I said. Gotham General, that's right. The southeast wing, I want everyone out but the doctors and nurses." He hung up, looking at her and wondering what he could do. He had gotten them out of the wind, that was something. He took the gun out of his pocket and placed it in his waistband on his back, quickly taking off his coat and wrapping it around her.

She began to stir, her expression slowly turning from peaceful to confused. "Where am I?" she asked hoarsely.

"You're… safe. You're with me, I'm taking you to the hospital."

Her confusion only seemed to grow. "I can't see very well."

"It will get better," he said, standing above her, alarmed to see the blue eyes darting back and forth but happy to see her begin to come back to herself. The effort of talking suddenly sparked a coughing fit, and her previously still body rocked with raspy coughs.

"Jesus, Annie," he murmured under his breath. The coughing finally ended.

"How did you find me?" she asked.

"Just by chance," he answered.

He ran to the blown-out window. He heard the helicopter he had expected in the distance. His men were lucky they had been able to come through for him.

"Ok, let's go," he said. Her confusion only grew, but she had already given up to fate when she stepped out of her apartment that day. She simply let him hand her limp body over to the man in the helicopter. The Joker followed after her, stepping in just as the helicopter took off again, lifting off of the white blanket of snow and leaving Lower Gotham behind. Her vision was blurred, but she could hear the rotors and feel the movement of the chopper as they sped over the city toward Gotham General.

The chaos in the southeast wing of the hospital had calmed somewhat by the time they arrived. Most of the staff and patients had been moved to other sections of the building. Things seemed to be in general disarray as they wheeled Annie down the hall. The Joker let them take her to a room to assess her condition. He knew they'd need to start IV fluids and probably antibiotics immediately.

After a short time, the staff seemed to finish their work and were filtering out of the area. The Joker strode into the small room, the remaining staff staring at him, terrified. They quickly slid along the walls to the exit, and he did nothing to stop them. He closed the door after the last one departed and looked at her. She was awake, staring up at the ceiling. He sat in the visitor's chair near her bed.

"Annie, don't go on any more of these vision quests please," he said in a frustrated voice. "Was it worth it? What did you see?" He sat back in the chair, reclining. "Did you see the angels coming down for you?" He put his hands together and fluttered his fingers like a child imitating a butterfly.

She focused on speaking with significant difficulty.

"I saw you."

Saying the words seemed to exhaust her and she closed her eyes.

It was his turn to be silent. He reached over toward her hand lying so peacefully on her chest, and then seemed to have a second thought and drew his arm back suddenly. Her eyes remained closed. He got up. "Ok, kitten, I'm going to make sure they take good care of you. I have to go now, it's a … liability for me to be here. We'll figure out a way to get you out when you are better.

"Listen, this is your id and wallet. You are Sarah Lilton now. You need to keep yourself anonymous, or else you'll become collateral. Sarah can disappear when you leave here, and that way you don't have to. Do you understand?"

She nodded her head, too tired to speak more.

He placed the wallet under her shoulder and slipped out of the room.

He strode down the hallway to the nurse's station where he had told them to gather hospital staff. Several of his men were there corralling the staff and doctors into the area.

"Who's in charge here?" said the Joker, and was greeted by silence. It was clear to him who the others were trying not to look at. "It must be you, Dr… - what's your name?"

"Dr. Breall." the man said stiltedly. The Joker rolled two of the nurses' chairs to face each other.

"Ok, Dr. Breall," he said in a sing-song voice. "Why don't you have a seat and update me on Miss Lilton's condition?" He sat down and quickly motioned for the doctor to sit in the other chair.

Dr. Breall licked his lips nervously and took his place in the chair. "It looks like… it looks like she does have hypothermia, which is a serious condition but she is conscious - it's likely she'll come out of it. The pneumonia she likely has is more difficult - her age will work in her favor, and antibiotics should bring her around, but she is close to septicemia with how extensive the illness is… there are no guarantees in medicine…"

The Joker had the knife out in the next second, moving it from one hand to the other, feeling the blade with his fingertips. "You know, Dr. Breall, I'm very familiar with the outsides of bodies. I know exactly where to cut for a slow death or a quick one. I might make a great surgeon actually - you know, let's find out." The rage grew in his voice as he continued: "How about if she doesn't get better, I'll get those nurses over there to help me, and we'll cut you open so I can see how the insides work. Maybe I'll rearrange things a little. We'll do an experiment - we'll see how long you stay alive." He closed his mouth and opened it again, sucking his cheek to make a loud pop that was especially unsettling. "Got it?"

"Yes, got it," the man said, sitting up a little taller. The Joker motioned to him to get up by flicking the knife. The doctor began yelling orders to the nurses, running down the hallway to her hospital room.

The Joker, a slow smile beginning to appear on his face, walked down the hallway to the exit. He'd abandoned the helicopter, knowing the police would now be looking for it. He had a nondescript car waiting below that wouldn't be noticed in the mass exodus from the hospital.

Additional notes: Fun fact, I actually had pneumonia when I wrote some of the scenes from this part a couple of months ago. Fully recovered now!

This is fanfic, so of course I don't own any characters from The Dark Knight (Joker, Batman, etc.). The main female character is original.

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felixcloud6288 · 2 months ago

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Dungeon Meshi Adventurer's Bible World Part 4

Extra comics added to the Complete Edition (part 1)

The Mysteries of Resurrection

This comic is about answering the Shadow Lord's question in chapter 53 where he asked what happens if you resurrect someone who is only partially in the dungeon.

The rules of resurrection are very thorough.

If your corpse is partially outside the dungeon, resurrection will no longer work.

If you die to an incurable disease, resurrection will not cure you and you'll immediately die again.

If your body is cut into pieces, scattered, and someone tries to resurrect you from each piece, you'll only resurrect from one of them.

If you lost a limb outside the dungeon and then die inside it, the limb might grow back depending on how long ago you lost it.

That little ghost in the visual for Kabru's explanation on the first point is a callback to the ghost and Chilchuck ghosts from chapter 4 and MMT4.

The immortality spell in the dungeon is treated like the soul being shackled to the body. My takeaway on a few things is the soul is bound to every piece of the body that still exists and that is still defined as part of that body.

I guess I would say there's a 1-to-1 equivalent of each part of the body and each part of the soul. So if you try to resurrect someone but you're missing part of their body, the resurrection might fail because part of their soul was bound to the missing pieces. And if part of the body gets eaten, then it completely loses its identity as part of the old body and the bit of soul bound to it gets completely untethered.

But as long as the soul is bound to something, the missing pieces of the body can be replaced and become the new body, hence the third point.

If you're resurrected in a way that replaces missing body parts, I'd assume the replaced parts are identified as your body and the old parts lose that identity. So you can only be resurrected in one place because the moment there is a viable vessel for your soul, the whole soul will abandon whatever it was attached to.

I think that's also what happened with Falin and the red dragon. Since Falin was resurrected using the dragon's flesh, some of the dragon's soul got tethered to her. And Thistle probably tried to resurrect the dragon but instead caused the dragon's entire soul to flood into Falin because that part of its body was already alive.

There are also answers about what happens when pregnant people are revived but the Shadow Lord cut Kabru off before he could answer because the answer started with "It depends on how many weeks pregnant they are" and he was about to get into the results for very specific time frames.

And it turns out the ancients thoroughly verified everything about how resurrection works. And they used short-lived races for their experiments.

The Shadow Lord was making a threat, but he was genuinely shocked the ancients actually went through with all these experiments.

Magical Advisor

After Laios became king, Marcille works as his magical advisor. At first, she didn't think there would be much to do since Laios's curse protects the land from monsters, but then she discovered there are certain threats only she can handle.

There are spies everywhere in the form of magic familiars. Suddenly, Marcille had to spend a lot of time erecting magic barriers to keep them out.

And most of them are spies for the elves. They probably set these spies all over the world, or at least the lands of the short-lived races, to keep tabs on everything. And considering how prosperous Merini became based on the end of the final chapter, it would be prime real-estate to try annexing at some point.

Pattadol is genuinely clueless about what Hemea and the rest of the elf government is doing. If anything, her genuinely good nature is being used to deceive Laios's court. She represents the Western Elves and puts on a genuinely friendly face and is an unwitting cloak to hide how the elves plan to eventually stab Laios in the back.

The Origin of His Name

This comic is about how Laios met Shuro and why he's called that.

Basic summary: Laios saw Toshiro at the tavern, talked with him for HOURS, and when he asked Toshiro for his name, Toshiro muttered his name and Laios misheard it as "Shuro". Laios then proceeded to introduce him to the entire party.

Laios took an instant interest in Shuro when he first saw him.

Shuro's character revolves heavily around the importance of setting and explicitly defining personal boundaries. All of his frustrations with Laios have been because Shuro would never tell Laios how he actually feels because of some vague notions about politeness or social cues.

Even their first meeting and how he joined the party are because he can't properly set boundaries for himself. He was willing to politely answer Laios's initial question about being from the Eastern Archipelago, but he at no point told Laios that he wanted to continue their conversation. And he ended up stuck at the tavern for five hours as a result.

And I can understand the discomfort about telling someone who is genuinely interested that you don't feel like spending time with them, but it would have at least given Laios a sense of how much interaction Shuro is willing to engage with.

But because he didn't put his foot down and because he's too scared of the awkwardness that comes from correcting someone, he suddenly found himself being called Shuro and got dragged into going on dungeon expeditions he didn't want to.

And this comic gives a new bit of info on the Touden party's history. Shuro was the most recent member of the group before Marcille joined. And he joined before the hubby hunter member left.

Kuro/Mikbell bathtime

I don't have a proper translation of this page. I'm instead using a rough draft translated from Kui's blog.

Before going into the comic properly, there are some sketches depicting the various bath houses on the island and Kahka Brud.

Areas with Dwarven influence have public baths that use boilers to fill pools with hot water. However, you can't use the public bath if you're too filthy. Areas built by short-lived races tend to use private rental baths instead. They're set up around water sources like rivers. You draw water, boil it, pour it into the wash tub you're using, and drain it back into the river when you're done.

The comic itself is all about the work that goes into keeping Kuro clean. The first issue that comes up is he can't use the public baths because his fur would get everywhere. And then there's the matter that he has to use a lot of soap to get all the dirt in his thick fur before he even starts cleaning his skin. And finally, his fur makes it hard for him to dry off and he's likely to have large clumps of fur come off when he grooms after.

Kuro's body shape is all fluff.

Marcille gave Izutsumi a bath in chapter 72 and the ordeal is probably very similar to what Mikbell has to do to keep Kuro clean.

Laios and Family

This one takes place after the story. Falin gives Marcille her side of the story about their family situation which drove Laios to leave his family behind.

Everything about what happened to Laios and his negative feelings toward his parents regarding Falin is just a horrible misunderstanding. And Laios truly is his father's son.

Laios left home because his father decided to send Falin away to the magic academy. But what Laios didn't know was his father was doing it on the recommendation of a magic expert who suggested she learn to use magic properly and convince the village to not be afraid of her.

And then their father forgot to explain his line of thinking when he made his decision, just like how Laios often forgets to explain his reasoning whenever he blurts things out.

Laios is also his mother's son. She blamed herself for everything and went to extremes to try fixing everything. And since she also didn't say what was on her mind, it only made things worse between her and Laios.

After hearing all this, Marcille decided she needs to have a proper talk with the Touden parents personally. Maybe she should sit the entire Touden family in a room and get them to take turns actually saying their thoughts.

Thistle and Elf Cake

One day, a young Delgal asked Thistle about a cake from the elven lands. When Thistle said he'd never eaten one before, they found a recipe, got one of the cooks to make it, and shared it with each other. They thought it was okay, but they both preferred the local snacks.

Delgal originally did this because he thought Thistle might like something from his homeland. But after they eat it, Thistle says he prefers the food in Merini so Delgal concludes Merini is Thistle's actual homeland, much to Thistle's joy.

Food as a tool for connection is a recurring theme in the series. And this comic is a small example of "food as a connection to culture". Thistle was born elsewhere, but he has no ties to his birthplace. The actual culture he grew up around and was molded by was Merini.

At the time of the story, all the people living in the dungeon were born in it. Everyone who existed before the kingdom was sealed away has tried to escape and lost their bodies. And no one alive within the dungeon needs to eat. So they likely don't have the ability to use food as a cultural tie to the kingdom. It's just another little thing that shows how far away Thistle has slipped away from his original intentions. He's preserving the kingdom physically, but he's been destroying what actually made it worth saving.

Thistle's Sense of Humor

We know that Thistle was originally brought to the Merini court as a jester, but he's more like a bard. Turns out it's because he was a horrible jester because he has no sense of humor.

The Daltian Clan

This one was in the first edition but got moved to before the glossary in the Complete Edition.

This comic gives a very brief synopsis of what The Daltian Clan along with a few characters and Marcille's history with it.

The male lead from the Tribe of Pelkian seems to be most heavily inspired by Forva but with traits from Hareus. Meanwhile, the succubus that attacked Marcille seems to be based more heavily on Hareus but with many of his features exaggerated to the extreme.

Forva is what initially drew Marcille in. He's a positive representation of half-elves and the struggles they face from the major aspects such as never being able to have children to minor things like not being able to comfortably wear ear muffs. The author is a full-elf so being able to create a half-elf character that Marcille could sympathize with is impressive.

I feel like the series being 24 volumes long is a very subtle example of how elves don't grasp time the same way shorter-lived races do. I would assume The Daltian Clan probably has a lot of perspectives and goes into excessive detail about irrelevant things. I'm also basing this assumption on how Kabru had to cut down humongous chunks of Mithrun's backstory because Mithrun went into excessive detail about each member of the Canaries and their relation to each other.

I feel like elf-style story telling is prone to getting hyper meticulous about every detail because elves generally don't know how to respect time. The entire series could potentially have taken more than a Tall-man's life to write and most elves probably wouldn't have been too bothered by that since that's not even one-fifth of their lifespans. And the time and commitment needed to read a 24-volume series is not nearly as noticeable to an elf as it would be to a Tall-man.

I could imagine each volume of the Daltian Clan either being hyper-focused on a specific incident over the entire story and gives every minute detail about that incident, or each volume is just stuffed with pointless information and the actual plot barely moves forward per volume.

Regardless, Falin got bored of it pretty early in, but that's more a testament to her interests rather than the quality of the books themselves.

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#dungeon meshi #delicious in dungeon #dungeon meshi readthrough

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