#look at my lil guys!!!

[gregorygerwitz]

Moustead + Hollywood AU

Jay Halstead had lost count of the number of dangerous stunts he'd done. He'd actually lost count of the number of movies he'd worked on to begin with, and then multiplied by the number of stunts he'd done for each one... well, he hadn't gotten into the business because he was good at math, that was for sure. He did it because he was good at it. He did it because he enjoyed it. He did it because the rush of adrenaline that came with it was almost as good as the connections he made doing it.

He'd been working with Thelma Gerwitz and her productions company for years without a single bump in the road. He was in every standard contract that Elliot Knox's agent drew up after the actor's big break - the fastest growing name in Hollywood had to have the best stuntman in the business for every role, of course. It meant Jay had steady work for as long as Elliot did, and as each contract was signed, he learned more and more about the production company that seemed to be bankrolling the star's entire rise to fame.

"Halstead! Get over here!" "Is there something you need from me, Thelma?" "Show Greg around the set, will you?" "Aren't there PAs for that? They get paid to deal with visitors." "Don't be ridiculous, Halstead. Greg isn't a visitor. My son will be working with the director this week as the liaison with your stunt coordinator. You aren't too busy to give him a tour, are you?" "No, ma'am."

One set tour and one week of his performance being run by another set of eyes for approval is all he'd signed up for. When that turned into three movies in a row, and then a brief stint on some show marketed to teenagers, and half a dozen more movies... Jay saw more of Greg than he even saw of Elliot. That might have had something to do with how much time they spent in Jay's trailer. Liaising. About stunts. And definitely not making out against every surface they could find.

He was just getting tired of that - sneaking around, hiding under the bed or in the cramped trailer closet when someone needed Greg's attention - when it all went wrong.

Elliot was throwing one of his usual fits, something about Jay's jawline showing up too much in a shot and taking the attention away from him. He acted as if anyone even knew Jay was there, as if he didn't brag in every single interview about doing his own stunts. But that was just what the job was - doing the dangerous stuff that no one else wanted to do, and letting Elliot take the credit for it. That was what he expected to do on a daily basis. At least it was a good paycheck.

What he didn't expect was a miscalculation, a rig that wasn't checked thoroughly enough, a harness that wasn't quite up to holding his weight. He was supposed to be caught in the middle of the fall, stop in midair so that the footage could be cut in with a take of Elliot hitting an airbag and continuing with the scene. Instead, the rope just kept slipping through the rig, and it was Jay who was filmed at the end of the fall, but there was no bag to catch him. So, when he fell, he hit solid ground, and the crack that filled his ears at the impact was quickly replaced with the ringing coming from inside them.

A fall like that was more than enough to end any stuntman's career, no matter how much of a recovery he would make. That was a fact that Greg had known before he knew he wanted to work on movies at all. He followed his mother to sets through his childhood, watched movies get made, watched stunts performed by professionals to make for perfect shots. When he brought up the idea of directing a movie of his own, she encouraged that dream, with the stipulation that he learned the ins and outs of it all before he did it on his own.

Greg liked working with the stunt teams almost more than he liked working with the stars. He knew what to ask them to get just the right shot for the final product, knew how Erin, the stunt coordinator on most of his mother's films, liked to communicate with her team. He fit in better with the nobodies, as Elliot liked to call them, than the people who had cameras pointed at them beyond their ten hour filming days.

Specifically, he really liked Jay.

He really liked the privacy of trailers, and getting time alone with someone who didn't want his attention just to get on his mother's good side. He really liked talking about his work, and the directorial decisions he helped make on set every day, even if his name was what had gotten him in that position in the first place. He really liked kissing the man who cared about his input where they couldn't be interrupted or judged by anyone who wanted to insert themselves into his life.

Watching the fall that ended his boyf- best friend's career was a moment he would never forget. It had felt like slow motion, like a bad dream that he was going to wake up from at any moment. But he never did.

Instead, Greg pushed through the worst of his fears and anxiety and stopped by the hospital once a week. He never made it past the elevator, sometimes staring at the hallway that led to where he knew Jay was, but never stepping out of the protective cage. If he did, he might get the ground ripped out from under him, as if he was the one who had fallen, not wanting that feeling back of his stomach in his throat. Maybe he was. Maybe he had fallen even before the malfunctioning rig had taken so much from him.

He got glimpses of Will, the brother he'd seen pictures of but never met. He got quiet updates during lunch breaks on set from Erin. Jay was going to be fine. He was expected to make a full recovery, after more time than anyone would like him to spend in a hospital and a strict physical therapy schedule. But he had his family to get him through that, and Greg knew from the start that he'd never had a chance at being part of that inner circle.

He let himself be swayed by his mother, pushed his focus back to his career and the stunts that had to be filmed for each project. After two years, he could forget about Jay when he was awake, put all of his attention to what needed to be done in a work day, and those eyes would only haunt him in his dreams. It was good for him, or so his mother liked to tell him, not letting himself worry about something he couldn't change. He could gain his own reputation in the industry, start signing onto his own projects, and take on the task of directing a movie from the start of the process to the end.

It was long enough after the incident that he didn't think about it when he was planning a scene with Erin. He didn't even think about it when the new stunt guy on his set took a turn on the track too fast and ruined the shot by bumping into the camera. He didn't think about it while he marched across the set to give the apparent rookie a piece of his mind. He didn't think about it while the car's door was pushed off and landed on the ground - the model was completely totaled, so he was quietly glad that the rest of the run went flawlessly, even the way the vehicle flipped across the tarmac, and the VFX team could fix the botched angle.

He didn't think about it until the familiar body straightened up, and for the first time in years, he was looking at Jay Halstead again.

"I thought you always said you were going to leave it to Elliot to make the dramatic entrances." "This entrance wasn't dramatic." "You showed up on my set, Jay. Two years of radio silence and then you just showed up without so much as a hello before you busted a camera." "I told Erin that the track was-" "I don't care. Last I checked, you were out of the stunt game completely. Get off my set and leave it to my real crew." "Your real crew? Sorry, I was under the impression that you asked for me specifically." "After you never texted me back or returned my calls? Why would I ever want to see you again?"

[chloesimaginationthings]

Michael Afton draws FNAF tape girl for Vanessa,,

[chubbychiquita]

[anneliis18]

Design concepts (with some thought process notes added later) for my part in @hotguycomiczine

[dognonsense]

The aluminium from the cans was very sharp so I had to be careful not to get a cut, but other than that it was pretty easy

Tiktok i just found with a hack on using the bottoms of old cans as the base for diy buttons. Make sure to cover the sharp edge with something!

[taffywabbit]

i have lots of flaws but i do at least take a fair amount of comfort knowing that, if i were a customer NPC in a fast food/retail management game, i would be one of the chill early-level ones that can wait a super long time before they start getting impatient, and you breathe a sigh of a relief when you see them show up in a harder level

[micamone]

hewwo

[cozylittleartblog]

lil columbo sticker design i made for my etsy :) i'm not sure what the market is for columbo merch but if the demand is high enough i'd like to make an enamel pin in the future!

[xeemaee]

Y’know?

Like… him. Y’know?

[suntails]

toot toot!

[puppetmaster13u]

Prompt 177

Now Dan is no coward. He’s not. 

But this stupid child body does have an effect on his reactions to things and honestly it’s a horrible thing that’s too small and too weak for him to use all his abilities. He could barely manage a fireball if he concentrated, yet everything caught fire with a mere outburst! His control was utterly gone, and a tantrum resulted in having to wear a stupid child leash backpack. 

It wasn’t like he was really a child, and it wasn’t like he’d get lost or some stupid shit that Danny would insist. Ugh, this isn’t even fair, technically he was older than him yet was stuck in a smaller body that he kept tripping over! 

Urgh, he’s even insisting on rewarding ‘good behavior’ and shit- must have talked to Jazz or something- because… Oh. No he wants the constellation bear, give! His star bear now, no takes back and, urgh, stupid baby body! 

Well, on the other hand, it’s utterly hilarious how much Danny sputters whenever he calls him Mom, not to mention strangers’ utter befuddlement. He ignores how Danny seems to be trying his best to live up ro the title. 

But! As he was saying, he’s no coward! He’s also not an idiot though, and having no control over his powers isn’t exactly a good thing. It’s really not a good thing when there’s a murderous-looking hero that he thinks he might have maimed in the future- which they apparently remember- staring down at him. So, he has to call in the big guns to fix this. 

“Mom, there’s a creepy fruitloop staring at me!” “There’s WHAT?!” Hah. Take that hero he doesn’t remember the name of.

(Behold the Grumpiest of Babies)

[chloesimaginationthings]

FNAF Phone guy was wild for saying that to Michael..

[xxplastic-cubexx]

Hi!! Your Cherik is so good and gorgeous 🤩🤩 If you don't mind wanna try to draw some Fall of X Cherik please?

thank you so much !!

i have a couple of ideas relating to the fall of x period specifically since theres. A Lot i wanna play with, so i hope this lil thing may be a satisfactory start :]]

and the obligatory bonus:

[999999999inadream]

toby fox needs to add like a bit of narration in deltarune abt kris like "they themmed they/themily down the stheirs" cus i cant go on seeing them constantly get he/himmed in yt comment sections

[cherrirui-official]

I hope u guys don't mind me posting these au doodles while I work on things ahaha

I also gave JD slightly longer hair in these doodles as a funny haha but I don't think it's funny anymore he looks genuinely good with his hair like that ahahaha I hope you're not mad at me for changing his au design a bit

[hinamie]

binding vow