#long time pro

[poorly-drawn-mdzs]

MDZS Severance AU: Get me out of here.

[frameacloud]

Plurality, multiplicity, and systems are not synonyms for DID. They are umbrellas that include DID as well as other disordered and non-disordered experiences of being more than one person or personality in one body over time.

[sneppu]

huhuhu look at this little Sneep test animation I made!! He's being brewed while he sleeps!😭he's so baby in there. Not me finally being motivated to animate again for the first time in 10 years purely because I felt The Overwhelming Need™ to boil Sneeps at 3am. (if you click on it, it's nicer quality! stare at the Sneep!)

u could say that i was,,,, cookin

[stars-obsession-pit]

Hello! Can do a chapter fic off this fic prompt Danny phantom x dc: https://www.tumblr.com/corkinavoid/767516270934556672/dpxdc-legal-power?source=share

This isn’t a one-to-one recreation of that dialogue but it’s based on that as a framework/premise

Batman dropped down into the room behind a pair of figures—a teenage boy and a slumped adult—letting his landing create an audible thump to alert them of his presence.

If the teen noticed, he didn’t react. Even as Bruce approached, he continued to stare impassively at the wheezing figure on the ground, an old wooden bat with flaking green paint on its side loosely held in his right hand. Bruce had already suspected who the figure would be since he arrived, but seeing the Joker so broken was still bizarre. No laughing, no schemes. He didn’t even seem to be attempting to escape his binds, just… lying there, almost as if pinned in place.

Bruce paused a step behind the teen. “I don’t know what the Joker did to you, but this isn’t the right way to go about this.”

The teen scoffed, and Bruce felt a painful lurch in his chest as he was reminded oh so strongly of his son Jason. “And what, let him go kill more people?”

“I know he deserves to face justice, but not like this. Everyone deserves a right to fair trial. No one person should be judge, jury, and executioner.”

The teen turned to look at him with glowing green eyes, and Batman felt himself freeze. He had faced gods before, yet even using that as a comparison felt like an understatement. The boy’s eyes belonged to someone far older than his teenage form implied, and they radiated power. Inevitability.

When the teen—no, the entity—spoke again, his words carried an unearthly echo. “Perhaps, but I’m not acting for just myself.” He paused, glanced down at the Joker, then asked almost conversationally, “Do you know how many people he’s killed?”

Another pause, but before Bruce could even try to answer, the entity continued, “Eight hundred and fifty-six. He’s ended the lives of eight hundred and fifty-six human souls. I can tell you about every single one, if you want. About who they were, what their dreams were before he killed them. About the pain they felt at his hands.”

He punctuated the word ‘pain’ by raising up the wooden bat in his hands and ramming its end down onto the Joker’s arm. He let out a wheeze, muffled by the gag in his mouth.

“I have a duty to my people. I am the King of the In-Between and of all the souls that pass through it—even ones whose stays were as brief as his. I am the rightful arbiter of his fate. And with that power, I sentence him to death.”

He raised the bat again, adjusting his grip so he’d hit with the side rather than the end this time, then paused and let out a chuckle. “Of course, just because it’s based on some justice doesn’t mean I can’t have a bit of fun with it too.” He swung the bat down, slamming it into the Joker’s side, then hooked it under the clown’s torso and flicked him up through the air to slam into the wall. “We all really hate this guy.”

With the entity’s attention fully turned away from him as he sauntered towards the Joker’s slumped figure, Bruce could finally unfreeze himself.

Even if the Ghost King did have the right to pass judgement on Joker, Bruce still couldn’t let torture go on like this. He wouldn’t win a direct fight, but he could hopefully at least grab the Joker and bring him over to the police. Carefully, he reached for some of the smoke bombs and batarangs on his belt and readied his grapple. He’d have to do this very, very fast.

But before he could move, another figure entered the scene. Red Hood, emerging from the shadows on the far side of the room, an unexpected bit of a pep to his step.

“Nice to see someone else who gets that that bastard needs to die. But if I may make a suggestion, how ‘bout you use a crowbar instead of that old bat? It’d be a bit more… fitting.”

[short-wooloo]

I feel that now, in light of certain things, is a good time to note that a red lightsaber is not in of itself proof of a sith

Jedi and sith are not the only Force cultures that use lightsabers, they're simply the most common, more than that, a red lightsaber is just a lightsaber with a corrupted crystal, not something unique to the sith, any dark sider can do that, as we see Dagan Gera do, actually he is in fact an example of what would probably be the most common example of a red lightsaber wielder in the pre-movies era, a fallen Jedi, someone who already had a lightsaber and corrupted its crystal after falling in order to symbolize their break from the Jedi

All of this is to say that the Jedi are not being foolish/arrogant/head in the sand/blind/etc if they don't automatically jump to "SITH!" upon encountering someone with a red lightsaber

[thegoldenelite]

I saw this PICTURE a while back, and it's haunted me ever since. So I went digging around, and I found this reddit post. It's the DDT roster depicted as anime girls!

DDT did a collaboration with a flash game called "Ring ☆ Dream". So these are official! The game was about managing a women's wrestling promotion

(this game is no longer available to play).

Kota Ibushi

Konosuke Takeshita

Tetsuya Endo with Mad Paulie

Daisuke Sasaki

Michael Nakazawa

The rest is under the read more!(Long post under the cut)

Kazuki Hirata

Antonio Honda

Shigehiro Irie

HARASHIMA

Toru Owashi

Masahiro Takanashi

Ken Ohka

Yukio Sakaguchi

Makoto Oishi

KUDO

Keisuke Ishii

Akito

Soma Takao

DJ Nira

Cherry

Yoshihiko

Sanshiro Takagi

Danshoku Dino(Dino is topless but you can't see anything lol)

[gentil-minou]

This is the dumbest argument I've ever heard

I can't think of any hobby more wallet friendly than picking up a pencil and paper. Like this is just plain stupid.

Also, I'm not an artist and I don't have drawings skills, but sometimes I paint little watercolors for myself and I have fun even though they look awful, and that's the entire point.

Also also, since I can't draw and I still want to share my ideas, I write. And yeah it takes practice but THATS THE POINT. There's so many genuine ways you can share your ideas with the world.

Hell, model with clay, act out a dumb video, draw stick figures, do whatever. I promise all of that is a better rendition than a program that isn't actually intelligent and is just giving you results based on keywords like a glorified search engine

Just say you want recognition for something you stole and didn't care enough to put the effort in and shut up

[dukeofdelirium]

and I know that the world needs him, but doesn’t he know how much that I need him, too?

[velidewrites]

ACOTAR x Castlevania Character Sheets: Part 1/6

Rhysand “Dracula” Tepes 🩸🦇

Last year, @damedechance, @shadowisles-writes and I started watching Castlevania together and lives were changed. Today just so happens to be @damedechance’s birthday and I wanted to celebrate her by gifting her this AU! This is part 1/6 of this little story, and I hope you enjoy it just as much as I did making it.

Happy birthday, @damedechance!! I’m so lucky to call you my friend. You’re a beautiful person inside and out, and your talent knows no bounds. Everyone seeing this post is legally obligated to go wish her a happy birthday and report back to receive a smooch.

[pigeonxp]

ok now that bt is FINALLY bones, all i really have to say is fuck yall for real. there are some of yall that arent that bad, but the overwhelming majority of you guys are actually fucking awful. i have had twitter mutuals be harassed by yall, i have had friends harassed, ive seen people i dont even follow being called horrific things and insulting their appearances, and so so much more. one thing that really sticks out is the blatant misogyny that some of you guys present. the amount of men that have gone online and confidently called women bitches and sluts and whores and cunts and hoes is genuinely fucking deranged, and i hope you all know that. there have been bt stans in my replies and my inbox and in my business, telling me that IM in the wrong for stating my opinions on the weird ass shit theyve been doing, telling me that they "dont feel welcome" in this fandom, and that they feel like this fandom is toxic and etc etc etc etc I DONT CARE BRO. i have said it once and ill say it again and again. some of you guys are just not meant to be in fandom spaces. there are block buttons for a reason. you can block people and tags and literally everything under the sun but you continue to SEEK OUT shit that makes you mad or that you dont agree with just so you can hate on the OPs in their replies. you dont seem to understand that people can have opinions on what characters they like and what ships they enjoy, and that other people have the right to criticize them. i am NOT sorry and i will NOT apologize for how i may have reacted. i do NOT feel bad for you. we all told you that this wasnt going to last, the showeunner said it wasnt going to last. the ACTOR said it wasnt going to last. and instead of using critical thinking skills and media literacy training, you got tattoos for this ship, you spent hundreds of dollars on cameos from a nepo baby, and you spent days of your lives hating on and harassing people over a FICTIONAL TV SHOW. instead of being upset at LFJR for leading yall on, you attacked oliver stark for being "biphobic"??@?!?!??!!??!÷*×(!&×,@ for having an opinion on his own character, especially after he spent time becoming genuinely one of the biggest bisexual allies i have ever seen. after he told reporters that he was planning on playing buck as bi anyway, after he made post after post saying how excited he was for bucks storyline, and after he advocated for this character he loves so dearly. you jumped down his throat for no reason. i have absolutely no sympathy for you. i really do hope you follow lfjr back to SWAT and i truly hope he gets every single line and every single scene just to keep him off of my fucking screen. 🫶

[karmaliciouslife]

My fellow elriels will be letting out the biggest, nastiest I-TOLD-YOU-SO's when Elain's book is announced and I won't even blame them.

[sctumsempra]

severus definitely spends breaks/summers so high he’s in a different realm. it’s not alcohol so it’s not triggering and it gives the not connected to your brain or body most autistics and people with shitty childhoods look for. and there’s no way he doesn’t deal with chronic pain or migraines on a regular basis so once he found weed it was game over. also smoking on ur back porch while the sun is setting is so peak that i genuinely think it might fix him a little bit

[sneppu]

I really will just ship anything so long as Severus is part of it, won't I? I dont care who it is, as long as The Sneep is loved. Like please, won't someone just love this creature and mean it.

[angelsdean]

I need people to understand how S&P (standards and practices) works in television and how much influence they have over what gets to stay IN an episode of a show and how the big time network execs are the ones holding the purse strings and making final decisions on a show's content, not the writers / showrunners / creatives involved.

So many creators have shared S&P notes over the years of the wild and nonsensical things networks wanted them to omit / change / forbid. Most famously on tumblr, I've seen it so many times, is the notes from Gravity Falls. But here's a post compiling a bunch of particularly bad ones from various networks too. Do you see the things they're asking to be changed / cut ?

Now imagine, anything you want to get into your show and actually air has to get through S&P and the network execs. A lot of creators have had to resort to underhanded methods. A lot of creators have had to relegate things to subtext and innuendo and scenes that are "open to interpretation" instead of explicit in meaning. Things have had to be coded and symbolized. And they're relying on their audience to be good readers, good at media literacy, to notice and get it. This stuff isn't the ramblings of conspiracy theorists, it's the true practices creatives have had to use to be able to tell diverse stories for ages. The Hays Code is pretty well known, it exists because of censorship. It was a way to symbolize certain things and get past censors.

Queercoding, in particular, has been used for ages in both visual media and literature do signal to queer audiences that yes, this character is one of us, but no, we can't be explicit about it because TPTB won't allow it. It's a wink-wink, nudge-nudge to those in the know. It's the deliberate use of certain queer imagery / clothing / mannerisms / phrases / references to other queer media / subtle glances and lingering touches. Things that offer plausible deniability and can be explained away or go unnoticed by straight audiences to get past those network censors. But that queer viewers WILL (hopefully) pick up on.

Because, unfortunately, still to this day, a lot of antiquated network execs don't think queer narratives are profitable. They don't think they'll appeal to general audiences, because that's what matters, whatever appeals to most of the audience demographic so they can keep watching and keep making the network more money. The networks don't care about telling good stories! Most of them are old white cishet business men, not creatives. They don't care about character arcs and what will make fans happy. They don't care about storytelling. What they care about is profit and they're basing their ideas of what's profitable on what they believe is the predominate target demographic, usually white cis heterosexual audiences.

So, imagine a show that started airing in the early 2000s. Imagine a show where the two main characters are based on two characters from a famous Beat Generation novel, where one of the characters is queer! based on a real like bisexual man! The creator is aware of this, most definitely. And sure, it's 2005, there's no way they were thinking of making that explicit about Dean in the text because it just wouldn't fly back then to have a main character be queer. But! it's made subtext. And there are nods to that queerness placed in the text. Things that are open to interpretation. Things that are drenched in metaphor (looking at you 1x06 Skin "I know I'm a freak" "maybe this thing was born human but was different...hated. Until he learned to become someone else.") Things that are blink-and-you-miss-it and left to plausible deniability (things like seemingly spending an hour in the men's bathroom, or always reacting a little vulnerable and awkward when you're clocked instead of laughing it off and making a homophobic joke abt it)

And then, years later there's a ship! It's popular and at first the writers aren't really seriously thinking about it but they'll throw the fans a bone here and there. Then, some writers do get on the destiel train and start actively writing scenes for them that are suggestive. And only a fraction of what they write actually makes it into the text. So many lines left on the cutting room floor: i love past you. i forgive you i love you. i lost cas and it damn near broke me. spread cas's ashes alone. of course i wanted you to stay. if cas were here. -- etc. Everything cut was not cut by the writers! Why would a writer write something to then sabotage their own story and cut it? No, these are things that didn't make it past the network. Somewhere a note was made maybe "too gay" or "don't feed the shippers" or simply "no destiel."

So, "no destiel." That's pretty clearly the message we got from the CW for years. "No destiel. Destiel will alienate our general audience. Two of our main characters being queer? And in a relationship? No way." So what can the pro-destiel creatives involved do, if the network is saying no? What can the writers do if most of their explicit destiel (or queer dean) lines / moments are getting cut? Relegate things to subtext. Make jokes that straight people can wave off but queer people can read into. Make costuming and set design choices that the hardcore fans who are already looking will notice while the general audience and the out-of-touch network execs won't blink and eye at (I'm looking at you Jerry and your lamps and disappearing second nightstands and your gay flamingo bar!)

And then, when the audience asks, "is destiel real? is this proof of destiel?" what can the creatives do but deny? Yes, it hurts, to be told "No no I don't know what you're talking about. There's no destiel in supernatural" a la "there is no war in Ba Sing Se" but! if the network said "no destiel!" and you and your creative team have been working to keep putting destiel in the subtext of the narrative in a way that will get past censors, you can't just go "Yes, actually, all that subtext and symbolism you're picking up, yea it's because destiel is actually in the narrative."

But, there's a BIG difference between actively putting queer themes and subtext into the narrative and then saying it's not there (but it is! and the audience sees it!) versus NOT putting any queer content into the text but SAYING it is there to entice queer fans to continue watching. The latter, is textbook queerbaiting. The former? Is not. The former is the tactics so many creatives have had to use for years, decades, centuries, to get past censorship and signal to those in the know that yea, characters like you are here, they exist in this story.

Were the spn writers perfect? No, absolutely not. And I don't think every instance of queer content was a secret signal. Some stuff, depending on the writer, might've been a period-typical gay joke. These writers are flawed. But it's no secret that there were pro-destiel writers in the writing room throughout the years, and that efforts were made to make it explicitly canon (the market research!)

So no, the writers weren't ever perfect or a homogeneous entity. But they definitely were fighting an uphill battle constantly for 15 yrs against S&P and network execs with antiquated ideas of what's profitable / appealing.

Spn even called out the networks before, on the show, using a silly example of complaints abt the lighting of the show and how dark the early seasons were. Brightening the later seasons wasn't a creative choice, but a network choice. And if the networks can complain abt and change something as trivial as the lighting of a show, they definitely are having a hand in influencing the content of the show, especially queer content.

Even in s15, (seasons fifteen!!!) Misha has said he worried Castiel's confession would not air. In 2020!!! And Jensen recorded that scene on his personal phone! Why? Sure, for the memories. But also, I do not doubt for a second that part of it was for insurance, should the scene mysteriously disappear completely. We've seen the finale script. We've seen the omitted omitted omitted scenes. We all saw how they hacked the confession scene to bits. The weird cuts and close-ups. That's not the writers doing. That's likely not even the editors (willingly). That's orders from on high. All of the fuckery we saw in s15 reeks of network interference. Writers are not trying to sabotage their own stories, believe me.

Anyways, TLDR: Networks have a lot more power than many think and they get final say in what makes it to air. And for years creative teams have had to find ways to get past network censorship if they want "banned" or "unapproved" "unprofitable" "unwanted" content to make it into the show. That means relying on techniques like symbolism, subtext, and queercoding, and then shutting up about it. Denying its there, saying it's all "open to interpretation" all while they continue to put that open to interpretation content into the show. And that's not queerbaiting, as frustrating as it might be for queer audiences to be told that what they're seeing isn't there, it's still not queerbaiting. Queerbaiting is a marketing technique to draw in queer fans by baiting them with the promise of queer content and then having no queer content in said media. But if you are picking up on queer themes / subtext / symbolism / coding that is in front of your face IN the text, that's not queerbaiting. It's there, covertly, for you, because someone higher up didn't want it to be there explicitly or at all.

[quirinah]

log

[sysmedsaresexist]

Wait until you all learn about Dr Jamie Marich

I'm shocked they haven't been brought up yet by pro endos

Anti endos are going to lose their minds in the worst way