#live music photos

[throughdigitaleyes]

Boston Experiences the ‘Duality’ of Lindsey Stirling

Boston’s MGM Music Hall at Fenway hosted Lindsey Stirling on Tuesday night (8.13.24) as she unveiled the Duality Tour to her Massachusetts Stirlingites.

It had been far too long since I’d caught Lindsey Stirling on a standard tour, so I was especially excited to see what she had in store for us on this one. But then again, the Duality Tour feels like so much more than just your standard tour. Boasting truly stunning production, a jaw-dropping collection of costumes, always breathtaking choreography, heart-stopping aerial-work and a setlist that features a whopping ten of the twelve tracks off of her newest—most personal?—album, ‘Duality’, this tour showcases Stirling’s immense musical and physical talent in an emotionally cathartic manner that’s as relatable in its vulnerability as it is affecting in its positive perspective and sheer candor.

Throughout the show, Stirling and her fantastic troupe of dancers (and musicians) lead us on an ethereal odyssey not only through the story of ‘Duality’, but through Stirling’s entire artistic journey, offering a refreshingly honest look into her professional struggles and personal insecurities while beautifully displaying the talent, strength and determination that got her this far. This is a concert experience that’s as inspirational and technically impressive as it is utterly exhausting and downright fun.

I’ll always be absolutely blown away by the physicality of Stirling’s performances, so it’s no surprise that the highlights of the show came in the form of songs that featured her exhilarating aerial work. She blew the whole audience away with her gasp-inducing work on the silks during ‘Evil Twin’, and her work on the hoops during ‘Shatter Me’ had many on the edge of their seats. But there was so much more, too. I really enjoyed the production on the show-opener, ‘Eye of the Untold Her’ (with its creative shadow play), and ‘Underground’ (its lighting and choreography were stellar). The infectious violin work on ‘Les Fées’ and ‘Untamed’ cemented their status as favorites off of the new album. And the power move of ending the show with a song as positive and full of raw strength as ‘Survive’ was such a satisfying way to close out the night.

Walk Off the Earth (and adorable guests Luminati Suns) opened the show with a bonkers set that immediately grabbed the crowd’s attention and refused to let go. The set was filled with a gleeful energy that wholly embraced the communal spirit of live music. I was especially taken with the creativity and silliness behind their two medleys of covers.

FULL PHOTO ALBUMS from the show can be seen on Facebook: Lindsey Stirling; Walk Off the Earth.

All photos ©Timothy Patrick Boyer, 2024.

[martinworsterphotography]

Photographing Dynamic Music by Martin Worster

Martin Worster's mesmerizing photography of music, which masterfully captures the passion of musicians and the soul of live performances.

With his music photography, Martin Worster puts you right in the thick of everything. In a world full of images, Martin's work stands out for having a great eye for detail and a passion for capturing the unadulterated excitement of live events. Whether it's indie, jazz, soul, funk, or reggae, his images convey a message that appeals to both musicians and music fans. Explore the mystique of live music via Martin's eyes and find out why he's a highly sought-after photographer in California and the UK.

Ready to capture your next live performance or music event? Book a session with Martin Worster today and let your music shine through stunning photography. Contact us now to schedule your shoot! Visit here: https://martinworsterphotography.com/music/

[thebowerypresents]

TEMS – Radio City Music Hall – September 5, 2024

Deftly mixing Afrobeats and R&B, TEMS had already made a name for herself before the gifted Nigerian singer-songwriter and producer’s much-heralded debut LP, Born in the Wild, arrived back in June. Making her way through the North American leg of her world tour, TEMS sold out Radio City on Thursday night.

Photos courtesy of Sachyn Mital | www.sachynmital.com

[mikeywayarchive]

Water Street Music Hall, Rochester, NY // Dec 16th 2004 // Jensen Faye

[yourlocalabomination]

I’d like to formally apologise to Joey Richter for once again working up the courage to interact with him on Twitter.

To further prove my point, may I present this beautiful artistic rendition made by @cowardlykrow

[pinkponycult]

more of chappell's fantastic look from hangout fest!!

[pinkshiftbites]

pinkshift at ottobar 12.9.23 by @koh.kane

[eroticlamb]

hole and drew barrymore backstage at reading festival, united kingdom, august 26, 1994

photo cred: kevin cummins

[dognonsense]

dec 28 2024 new age doom show at grey lab in vancouver bc. Got to scream sing the for the last song which was fun :)! the drummer is eric, my producer whos helping me record my album., hes great at the bottom you can see the patches i made of him that were for sale at the show.

i danced the night away to them as well as doing a life drawing study just like the night before. my practice from the night before helped me get an understanding of the composition and shapes so it was easier :)

and thank you to sasha, yvrpunks from instagram for the videos and photos of me that nite :D

[get-them-out-of-my-skull-0914]

Ray Winters Misha appreciation post

I hate the picture quality omg

There’s so much more I love about Misha specifically and this production in general but that would be way too long

[made-my-peace-with-all-the-bad]

No one and I mean NO ONE understands how much I think about this photo

[wassupmygays]

"Throwing it back to hopping the bus to Herald Square."

photos by Andy Henderson, via the Outsiders Facebook

[anyataylordelrey]

if you get it, you get it okay 😔

[theadamantium]

Harri's Concert Photography // Slipknot // Scotiabank Arena, Toronto // August 2024

www.adamrharrison.com

[jstor]

https://www.jstor.org/stable/j.ctv2pzbkcg.14

As Tumblrinas we’ve surely witnessed the evolution of music consumption into a participatory process.

Naturally, we looked into it on JSTOR and found this 61-page, open access chapter about the state of music post-internet.

Enjoy 🎧

[pinkponycult]

this is literally my superbowl