#literally over a decade

[dropcop]

[luxwing]

Congrats to the TF2 community for finally getting a cosmetic into the game with the trans pride flag hidden on it. About damn time

[starlightvoid]

new dan howell slutty pics and i don’t know how to function

[warren-keplers-funk-band]

hi. this,,

is just the spiritual successor to

[noodles-and-tea]

YOUR MERTHUR ART GIVES ME LIFE!!! <3

THEY’RE SO!!!

[simplydnp]

you're telling me dan left the phouse without phil for once and was looking for him on the horizon anyways?? and then asked phil to find him using binoculars so he could wave??

[nellasbookplanet]

I do think that referring to Essek as irredeemable for regretting his actions only because he was caught and risked losing his friends is both kind of reductive to him as a character and a misunderstanding of the concept of redemption arcs in media.

A person generally isn't changed because you sit them down and hand them a bunch of political theory to read. They change because their circumstances and relationships do. It's like that guy who was deradicalized because he got a bunch of shrimp and started to care for them. It’s our relationships that change us, because they give us not a logical but an emotional reason to do so.

Caleb explicitly says "these people will change you" (or something along that line; I don’t remember the exact quote). Essek, before the m9, didn’t genuinely care about anyone. The people who would die if a war started because of his actions were irrelevant and abstract to him. Caleb, similarly, also started c2 not really caring about others. He had no interest in taking on Ikithon or the Assembly to save others from going through what he did, too preoccupied with his own trauma and his own goals to care. In that sense, he started the campaign in a similar place as Essek post ep. 97: regretful, but too busy wallowing in his own self-loathing to productively do anything to prevent future harm due to his previous actions.

Being with the m9, being reminded of the importance of other people and realizing that they’re capable of caring for them, is what changes Caleb and Essek both. Of course Essek starts out more concerned with losing the nein than with strangers killed in a war. They’re his starting step, the opening through which he realizes that the people hurt by his actions are real, that he cares, that he has the ability to, if not undo his harm, help stop furthering of it.

[originalaccountname]

I think that, once again, Teruko's tragedy suffered from being suddenly dropped at the last second. If she'd been clearly introduced as a fucked up child soldier much earlier, we could have had the time to process that, to see how it messed with her head, get all that "war steals childhoods away" metaphor, and when it finally killed her, we could have mourned it. Because it's a tragedy where she never had the opportunity to grow outside of it and it killed her. But instead we are supposed to process all of that in like 3 pages, all in one day.

[fexiled]

you know what time it is: manhandle that man monday wednesday

lovingly dedicated to @muirmarie bc we were of a singular mind upon seeing this outfit

ref pic courtesy of @autistic-spirk, from the book The Art of Star Trek by Judith and Garfield Reeves-Stevens:

[kyoshi-lesbians]

Ty Lee | all-american bitch

I know my place and this is it

[video description: an amv centered on Ty Lee set to “all-american bitch” by Olivia Rodrigo. The video focuses on Ty Lee's dynamic with Azula throughout the years, and juxtaposes Ty Lee's bubbly flirty persona with her extremely efficient chi-blocking fighting style and shrewd observations. end description.]

cw for flashing. extended video description under the cut

First verse contrasts scenes of Ty Lee, Azula, and Mai as children with scenes of Azula threatening Ty Lee in Return to Omashu, and from then on being a weapon for Azula in her mission. Scenes mainly pull from the trio’s early book 2 action as they chase Aang. 

First chorus: on “Forgive and I forget”: Ty Lee mid-air doing a flip cuts to young Ty Lee landing a flip. young Azula pushes young Ty Lee to the ground and laughs. Ty Lee chi-blocks a kyoshi warrior on "And I act like it. She flirts with Sokka on “Got what you can’t resist” and chi-blocks Katara on “perfect all-american”

Second verse features mainly scenes from the end of book 2 when Ty Lee, Azula, and Mai are in Ba Sing Se disguised as Kyoshi warriors. Many of the scenes show Ty Lee being undignified, contrasting with the lyrics (but fitting the ironic tone of the song). These scenes include Ty Lee jumping into the sludge during The Drill, her covered in mud, and flying through the air with Mai after Appa flaps his tail at them. 

Second chorus: “Forgive and forget”: Ty Lee after her circus performance agreeing to join Azula. Other clips juxtapose Ty Lee during The Beach with Ty Lee fighting during The Boiling Rock. 

“I know my place”: Rapid cuts of Ty Lee and Mai beside Azula, cut to Ty Lee anxiously looking side to side during The Boiling Rock confrontation. On the second “I know my place”: Rapid cuts of Ty Lee hugging Mai, and Mai and Azula preparing to fight. 

“And this is it”: Ty Lee chi-blocks Azula. 

Bridge: Scenes from the fallout of Ty Lee betraying Azula - Mai and Ty Lee being arrested −  cut together with Ty Lee’s emotional outburst during The Beach campfire scenes. During the screaming and fast-paced music, there are rapid cuts of Ty Lee fighting and moments beside Azula, in between cuts shots of Ty Lee crying. 

Outro: Ty Lee bowing to Azula during Return to Omashu. Then Ty Lee crying during The Beach party, and Azula apologizing to her. 

[ghastigiggles]

(p.2) unlearning takes time

[part 1] [...] [part 3 (not done yet)]

[happyk44]

People talking about Grover vibing with Ares over war and the violence of nature (or whatever happened in that scene) and how it was unexpected but still cool are forgetting that in the book he played a hunting game at the casino where the deer hunted people and very loudly demanded humans die over pollution and then shot at Percy with the plastic gun when they tried to get him to leave, like Grover's been wild since day one.

[samble-movedd]

"homura is an evil abuser who wants to control madoka and hates their friends" tired trope, canonically untrue, congrats on falling for the facade put up by a middle schooler.

"homura sees herself as inherently evil and abusive due to her upbringing, past actions, and status as a witch, which is still ongoing even at the end of rebellion" fresh, new, actually closer to canon, doesn't demonize a child for being mentally ill.

[jetkast]

Sometimes I think about how Jin Ling goes by that instead of Jin Rulan and I just vividly picture his young mistress persona going like "yeah my not uncle was an unaware pining cut sleeve and my mom kind of just enabled it so... juijui and I just try to pretend it didn't happen -- it's cringe af" and I die a little in both grief and hilarity

[varilien]

honestly i just wanted to see them w the lego monkie kid facial markings lol

Palestine: Funds | Action | eSims | Info Sudan Resources | Congo Resources

[shinybulbasaur]

Rules: Make a poll with five of your all-time favorite characters and then tag five people to do the same. See which character is everyone's favorite!

I was tagged by @suddenrundown, thanks for the tag! I was so tempted to put "eliot's baseball hair" but I resisted (also polls don't allow strikethroughs. sad). tagging @michinaranja, @vero-niche, @acidmatze and anyone else who wants to play!