#lis meta

[blogquantumreality]

Thoughts about Max and Warren in LiS

So as one does, I replay Life is Strange every now and then because of course I just can't help having my feels utterly trampled upon once more as I get sucked into the amazingly immersive world of Arcadia Bay through the eyes (and person) of Max Caulfield.

And if that wasn't enough I occasionally watch Youtube playthroughs as well because I like seeing the choices other people make playing this game. And it was after watching one such playthrough that I ended up having My Thoughts, Let Me Show You Them.

What I noticed on watching a playthrough of the remaster (I have the OG game and refuse to get the remaster myself, for various reasons) was just how pointedly awkward this scene really is:

Seeing Warren's facial expressions here (which aren't as clear in the OG game, to be fair - which is why I specifically chose this scene from the remaster to illustrate my point) just shows vividly how much of a boundaries problem he has when it comes to Max, and how Max (even if she writes in her diary that she's OK with Warren) is aware of this on at least a certain level.

First of all, she smoothly hands the USB flash drive out to him, not even halting momentarily to consider reciprocating the hug.

Second, Warren clearly knows he's done goofed because he awkwardly begins running his hand through his hair and clumsily changes the subject to his newly purchased car.

And this isn't by far the first time: later on, you can catch a glimpse of Warren peeking out in the general direction of Max's window, and when you stumble on him after that, he is flustered and tries to explain away his just sort of hanging around the Blackwell dorm in the morning instead of hoofing it to class.

I've never been totally sure one way or the other but I've also heard it said that a photo Warren keeps of Max and himself together is photoshopped and not real, which raises some more concerns about how appropriate Warren is with respect to Max.

Also, the Chekhov's Photo Selfie of Max and Warren together comes with some vaguely Nice Guy-ish dialog on Warren's side when it comes to him getting the photo taken and it does make me a little uncomfortable.

I'll wrap this up by saying I don't necessarily think Warren is evil or bad, but I do think shipping Grahamfield has a lot more work cut out for it than Pricefield does, and I for one don't really feel the chemistry is there for more than just friends.

Also, yes, I'm aware that this discourse has been done and worked over for many years now, but this is the first time I've really actually thought through and set down why this particular scene does make me uncomfortable.

[sad-endings-suck]

💕the father, the son, the virgin mother, and the holy spirit✨

(bottom right: art credit to polararts)

[arcadiabaytornado]

Do you ever think about the fact that this is the first optional picture of Chloe Max can take in canon?

Do you ever think about how this is the first picture Max has taken of Chloe in five years?

Do you ever think about the fact that the first picture Max takes of Chloe is one where she’s framed by a golden sky? Despite the fact that Chloe herself is most tied to storm’s, in Max’s lens, she is tied to the sun. Which is, in fact, insane. 

Do you ever think about the fact that the first picture Max takes of Chloe is one on the cliffs? A place heavily tied to their childhood’s and the place where they decide their fates? 

Because I think about it a lot. 

[warpedpuppeteer]

It's interesting how Buck's love interests are all written in a way that ends because of the reason they meet/happen in the first place and then of course, we have Eddie.

Abby, who changes Buck's view of a healthy relationship but then turns around and ghosts him, making him wait for months on end and letting him realize she's not coming back on his own.

Ali, who meets Buck during a dangerous situation in his line of work and then leaves him for how dangerous his work is.

Taylor, who lashes out at Buck for using her as a fake date and saying she thought she could trust Buck to be a friend who then ends up using him for her career and chose to put his friends in danger.

Natalia, who's there to help him embrace and deal with his temporary death but it leads to their break up because of the constant talk surrounding death when Buck's not comfortable with it.

We can't confirm for Tommy till it ends but it's important to note how he offers to get Buck into his interests like flying and muay thai yet doesn't show effort with Buck's interests like dressing up according to the bachelor party theme despite Buck being stressed about it. And we also have the fact that the entire reason they got together was due to Buck's jealousy for Eddie which he then claims to be was for Tommy. Makes me think they are either going to end because of differing interests OR because of the jealousy issue popping up again.

Funnily enough, every scene above has an Eddie parallel:

Eddie co-parents with Buck and not only does this not stop after a dangerous event but Eddie also has Buck down as a legal guardian (healthy relationship - Abby).

Eddie is in the same dangerous line of work and they have each other's backs. This happens right off the bat too.(dangerous job - Ali).

The Lawsuit era and The Dispatch era - both where they "betray" each other but manage to work through it (betrayal/lie - Taylor).

Eddie doesn't pressure Buck to talk about his temporary death until Buck's ready and is more focused about him living than in his death (death doula - Natalia).

Eddie who has different interests than Buck (poker, basketball and UFC/MMA) but also manages to show interest and actively takes part in whatever Buck comes up with; he suggests their outfit for the themed party AND ends up staying there for Buck even when others leave (different hobbies & showing interest/taking part - Tommy).

Absolutely fascinating when you start noticing that Buck's relationships keep failing for one reason or another and then we have him and Eddie who face the same sort of situations but they still come out of it stronger together.

It's clear that there's a reason Buck is able to overcome anything when it comes to Eddie (that conversation with Maddie about being there for each other even at their worst 👀) and we've already established that everything Eddie looks for in a partner is already something he has found in Buck. So really, all that's left is for them to realize that hey, the one I'm looking for is right in front of me! 🤷🏽

And yes, it's been said to death (hah) but you don't find it son you make it. And Buck and Eddie have already made it.

[stalkyarsen-ebook]

I wanted to ask this question today, because Nezha 2 is released in the cinemas in China.

How would 2019 or now 2025 Nezha & Ao Bing react to meeting their espers in their meta forms? And how would they react when it was their mentors espers where part of their esper's new dangerous form?

i didn't see nezha 2 yet, so you telling me ao bing and nezha has new forms is pretty exciting hehehhehehehhe

[secriden]

One of my favourite things about the way Fadel's plan (to "make them [Style] fall in love with us [me]") plays out is that when he dials up his affection and goes all out on the sweet flirtation and tenderness, Style immediately finds it weird and strange and suspicious and off-putting. Fadel pretending to be #whipped actually makes Style pull away like none of Fadel's aggression and violence and outright rejection did -- because it wasn't sincere, and Style could sense that.

When Fadel first drags Style out and starts peppering kisses on his face, Style turns away from his kisses and pulls back/pushes Fadel away from him to start questioning why Fadel is acting so strange. This is the same person who later propositions Fadel in a public bathroom whilst knowing one of the stalls is currently occupied by a stranger, so whilst I fully acknowledge Style probably genuinely did not want his dad to see them necking in his place of work, I'm also convinced it wasn't the only reason.

Because when Fadel allows some honesty to slip out, when he says "Don't you ever think that I'm only like this because of you?", Style actually softens and turns into Fadel's kiss for the first time in the scene. His hands go from pushing upwards at Fadel's neck to clenching softly against his shoulder and upper arm, like he's finally able to relax and hold Fadel closer (you can actually see the difference in these screenshots compared to the ones above). Style stops resisting and sinks into the kiss, lets his eyes almost slip close because something in him recognises that Fadel spoke true.

The same thing happens in Style's bedroom when Fadel continues his charade: Style is smiling, but there's a distinctly uncomfortable and awkward air about it, and he actually pulls away when Fadel continues to sniff-kiss him while going on and on about loving the way Style smells like gasoline. Fadel tries to be clingy again and Style outright calls him out on how weird he's being, so Fadel is forced to backtrack into sincerity:

Suddenly, Style's wariness turns to excitement and interest; he happily agrees to come along and asks what he should get Bison as a gift. Fadel is literally torturing himself to keep up this excessive affection and tenderness (the away Fadel's softness and sweetness just drops once Style goes to take that shower. Ugh. T_T) and gets nothing from Style until he offers something genuine -- a request for time to celebrate someone Fadel truly loves.

In fact, it's the pieces of honesty (or at least I'm assuming that this is also true since he was honest about Bison's birthday), and only those, that Style responds positively to. We have seen Style flirting constantly in previous episodes but he literally has not said anything scandalous or suggestive so far, nor has he initiated any affection even once until this moment.

And the reason why I love all this SO MUCH is because it really shows the evidence of Style's words before he even says them. In the midst of all the secrets and lies between them, ever since he found out about Fadel's secret and decided he was going to keep pursing him anyway, Style has been chasing and chasing Fadel's sincerity. And each precious revelation that Fadel gave him -- his parents' murder, his inability to trust, his desire for something genuine from Style -- has been carefully stored away in Style's heart like nuggets of gold. Which is why Fadel's performance was doomed from the start; because Style was moved by the true things and not the lies, and Fadel's pretensions can have no effect when Style's heart now has the ability to recognise that which he has already grown to love.

[amarriageoftrueminds]

thing I've realised which alters how I see the howling commandos:

if the actors' ages reflect the characters’ ages, then all of the Howlies are considerably older than Steve.

The youngest Howlie (after Bucky & Steve) would be eight years older than Steve (that's Monty). The oldest is eighteen years older.

So they're a bunch of guys in their 30s and 40s who voluntarily put themselves under the command of a clueless 25 year old whippersnapper who's never even been in the field before. 

Or, another way to put it: 

Bucky was asked to pick a team to put under Steve's command and he chose a bunch of much older, seasoned soldiers, because clearly a bunch of kids in their twenties couldn't be trusted to cope with this idiot.

[marinette-buginette]

Kiyi is not a Princess - A Look At the Fire Nation's Line of Succession

It's not even that much about Kiyi. But the creators seemingly got so lost in the sauce that their ideas about how absolutist monarchies work are as good as taken out of Disney movies now. So, let's set the record straight.

The Fire Nation line of succession

When it comes to royal lines, there were multiple elements that went into setting the line of succession: descent, sex, legitimacy, religion etc. For the Fire Nation, the ones we have 100% confirmed are descent and legitimacy (this last one seen with the Camellia-Peony War, where Chaejin was excluded from the succession because he was born out of wedlock). I would have gone on a whim to say sex counts as well, however, it is a bit foggy. In the Reckoning of Roku, it is mentioned that Firelord Taiso believed Zeisan (Sozin's younger sister) would have been a more competent ruler but could never become Fire Lord due to being a nonbender (I didn't actually read the book, so if someone who did wants to pitch in with the exact wording, please feel free to). This implies that being a Firebender is a requirement, but being a woman isn't. However, it also implies that Taiso would have been fine with ignoring the descent part (Sozin was older) if he deemed fit. Skipping the firstborn in favour of the second one isn't unheard of when it comes to succession so sure. And he is the absolute monarch, if he wants to pass papers to change the line of succession, he can. It is unclear to me if there is any power in place to veto or block a Fire Lord's ruling on any matter so for all we know, if he wanted, he could have. Plus, the fact that Ozai got crowned over Iroh because it was 'Azulon's dying wish'. For the religion part, it seems like the Fire Sages have to perform the coronation and acknowledge the monarch.

So to make it more digestible, the line of succession (while Azulon was still alive) is: Iroh → Lu Ten (firstborn of the heir) → Ozai → Zuko → Azula. With Lu Ten dead, Iroh MIA (at the time) then we have Ozai → Zuko → Azula. When Iroh came back, he gets added at the end of this line of succession. I am a bit unclear on Iroh in current times because it looks to me like he rescinded his role in the line of succession altogether with deciding to live in Ba Sing Se and letting politically inexperienced Zuko rule instead of taking over for a few years to create some stability.

Right now, we have Fire Lord Zuko and his heir presumptive (aka an heir that can be displaced if the monarch has children) Azula. Unless he wrote a decree to take her out of the line of succession — which would require a lot more brain cells than the writers are willing to give Zuko, not that he had a lot of them when it came to politics to begin with —then she's next in line. It doesn't matter how much anyone wants it or not, if Zuko drops dead tomorrow, Azula gets the throne.

Now, onto the other matter.

How does one become a Princess?

Option 1: You marry into the royal family. For example, Ursa was styled as a Princess, as she married Prince Ozai.

Option 2: You're born in a royal line. For example, Azula is a Princess because her father is a Prince, her grandfather, at the time of her birth, was the ruling monarch of the Fire Nation etc.

Bonus Option it's complicated: Royals had a habit of having children out of wedlock sometimes. Said children, if acknowledged, could be granted titles (Count of X, Dutchess of Y etc.) . Getting acknowledged and a title does not automatically put you in the line of succession, though. For example, Firelord Chaeryu was forced to acknowledge Chaejin and avoid dishonoring his noble mother and her house, but he excluded Chaejin from the royal family.

So Kiyi is not a Princess. Simple as that. Neither of her parents are of the royal line.

Could she become a Princess?

Well, this gets interesting.

Let's start with the fact that Kiyi got a pretty bad deal in a class-based monarchical society.

First thing, while her mother is a noble, her father is a commoner. Even if Ursa's family became destitute after Roku's death because of political reasons, it does not change the fact that she is still nobility unless Sozin revoked Rina's title, which I am not 100% sure he did. We don't know anything about Jinzuk besides the fact that he was the magistrate of Hira'a. While magistrates do not have to be part of the nobility, they can be. He could have been a second/third/fourth son of a small noble family with limited power/resources, given the position he was given was in a place like Hira'a, which is what I am inclining towards. He could have also been just some guy, but someone appointed him, and as a rule of thumb, you don't just go into the street and pick a random person to appoint to an administrative and leadership role, even if it's a small town. Given that Azulon was set on Ozai marrying Ursa because she was Roku's granddaughter, whether or not Jinzuk was a noble, it doesn't matter all that much in the grand scheme of things. However, in Kiyi's case, it does if Zuko wants to give her a title. It's more stigma than anything because people can be given nobility titles for specific services to the crown etc. But this is not her only issue. Which leads me to...

Second thing, Kiyi is a bastard. Which, in my opinion, would hold even more stigma than her father not being a noble. Ursa never divorced Ozai. As far as we know, polygamist marriages aren't a thing in the Fire Nation, so her marriage to Ikem/Noren is invalid. Could she be granted a divorce retroactively by the Fire Sages? Actually, yeah. Because Zuko named Shyu as High Sage, which was like the one sound political move he ever did tbh. We don't see what the Fire Nation's stance on divorce is, but given that Shyu is a Zuko loyalist, he'd probably grant Ursa retroactive divorce from Ozai. I am not a legal expert, however, as far as I know, retroactive decisions tend to be reserved for correcting a mistake or omission in the written record. She was still married to Ozai when she went and married Ikem. Though technically, she married him under a fake identity (and so did he), which might make the marriage void regardless in the eyes of the law. Idk how Spirit involvement affects legal matters in the world of Avatar, but as things stand right now, unless we pretzel-twist ourselves to make excuses, Kiyi is born outside of legitimate wedlock.

Now, Zuko might not care. In fact, he probably doesn't. He could still give Kiyi a title, including that of Princess. It was not uncommon for illegitimate relatives of rulers to be offered roles/titles once acknowledged. The real question is if he would put her in the line of succession. Kiyi has no business being there because she does not have royal blood.

Could Zuko do whatever he wants, give her the title of Princess and shove her in the line of succession while taking Azula out of it for good measure? Sure, he can. He'd probably love that, in fact. But that leaves two things open.

One, nobility would not take kindly to a bastard child of a commoner with no royal blood being in the line of succession. If we also add the angle of taking Azula out of it, it would just increase their ire. There is already a long list of why the nobility is probably angry at Zuko (and should attempt to assassinate him a lot more than they do), but I think this one in particular has other implications. There might be nobles who are neutral about Zuko. Shamelessly discarding societal norms on a whim might make their perspective swing towards negative. It could make him lose goodwill he might have or potential allies.

Two, it will make the commoners wonder. If this random girl, raised as a peasant, with a commoner father, born out of wedlock, can be put in the line of succession just like that — while discarding a princess of the blood if we are at it — then… is the royal line not that special? The whole premise of a monarchy is that the monarch and their descendants have the divine right to rule. Being part of that bloodline gives you the right to rule. So if that can be discarded, if that bloodline is not all that important… should Zuko be Firelord? And most importantly, does the Fire Nation really need a monarch at all?

Kiyi is not a princess, and for the well-being of Zuko's reign — which is already barely holding together — he better not make her one.

[sexhaver]

the Elite Four Karen monologue about "strong trainers win with their favorites" + Se-Jun Park winning Worlds with Pachirisu (and their consequences) have been a disaster for casual players' understanding of pokemon viability

[poorly-drawn-mdzs]

I ABSOLUTELY ADORE YOUR SQQ HE LOOKS SO FUCKINH DONE WITH LIFE

The recipe for SQQ is: calm on the outside, screaming on the inside.

[legalandnotease]

No, The Sokovia Accords could not "just be changed"

We need to talk about this.

Tony Stark fans are very keen on repeating the claim Tony made in Captain America: Civil War that the Avengers could simply sign the Accords and then get them changed to make them more acceptable at a later point.

Play ball now, negotiate later.

Sounds reasonable right?

Except from a legal perspective this is patent nonsense.

Anybody who has ever had to sign a contract or legal document, or indeed any lawyer could tell you that you it is next to impossible to make changes after the fact. i.e after signing.

You read the contract and you make changes before signing: otherwise that's it. Once you sign you are obligated to abide by the terms of the contract in every point.

Now, there are certain very limited circumstances where you can change a contract after signing, but these are few and far between. It also takes time, money and a lot of legal wrangling. It is a nightmare.

This is why, at the risk of repeating myself, you read the law or contract, and you ask a lawyer to make changes before you sign. Even if this process takes weeks or months because you do not want to be bound to the terms of a contract which may negatively impact you.

What Tony was saying was bullshit, and he knew it. He had dealt with contracts before, and knew how they worked. He knew they couldn't "sign now and change later" so he lied.

Just like he lied about getting Bucky into a psych ward. According to a deleted scene, Bucky had already been sentenced to extadition, and Tony could not simply reverse that judgement. Besides, T'Challa was not going to stand for some white dude telling him what he could do.

[bird-inacage]

The Heart Killers EP7: The Boat Scene 'Do you want to jump or do you want to fall?'

So yep, joke's on me. I was so wrong about how this scene may unfold and the episode in general. Credit to Jojo for keeping me on my toes. I wanted to dedicate a post to this, both for the fantastic performances but also the great character beats here.

BISON'S RESOLVE FOR REVENGE

I kept wondering just how resolute Bison would be. I thought that if he saw how upset Kant was about him getting hurt, he may waver. But it actually seemed to have the opposite effect.

Bison is understandably livid at Kant. I think a portion of that rage is intensified because it's with himself. The betrayal cuts deeper due to his own negligence. He should have known better, and Fadel warned him as such. As the confrontation unfolds, Bison's steely resolve veers towards agitation and restlessness. A twitch. An itch beneath the skin. An almost defiant urgency to squash any margin for hesitancy or doubt - that the sooner this is over with, the less risk there is for him to have second thoughts. Khao does a wonderful job of trickling out only the tiniest of hairline cracks in that resolve, to keep us guessing.

Forcing Kant to jump could also be a test for remorse. 'If I tell you to jump, will you do it or will you fight back or even beg for mercy?' If Bison wanted Kant dead, he could have done it already. We see him consider all the brutal ways he could do so. And yet the one he chooses is actually the least hands on. Watching Kant enact his own demise seems to be a testament to something Bison wants an answer to: a confession perhaps. 'Are you sorry for what you did? Do you regret it? Do you feel bad for me? Was it worth it?' and most importantly 'Do you love me? Did you ever love me?' When someone hurts us, we often want them to admit to their wrongdoing. To take responsibility for the damage they've caused as it gives validation to our pain.

Kant is debilitated by fear, but he's also resigned to his guilt. It's been chasing him this entire time. So he doesn't deny or rebuff what Bison's saying. Doesn't try to deflect or swerve like he's done before now. Neither does he put up a fight for his life. He displays a bedded in helplessness, an acceptance that something you saw coming has finally caught up to you.

When Kant does jump, it seems to take Bison a second to register what's happened. The fact that Kant doesn't come back up. The realisation that Kant may actually drown and die. And he panics.

KANT LAID BARE

(This is my cue to gush about First's acting). I loved his choice of line delivery in this scene. How quietly he speaks. How small, tired, broken and subdued this makes Kant appear. It's such an unexpected but phenomenal choice. It provides a complete 180 to Kant's usual brand of flirty showmanship. That's isn't to say that version of Kant is entirely false but he's definitely been playing up the 'perfect boyfriend' bit. To be as smooth and charming as possible, and to say all the right things to win Bison's heart. This is the first time Bison is seeing Kant stripped of all that bravado. And what's left underneath? Just a man whose desperately afraid.

The sheer terror that First portrays here is so layered and visceral. He doesn't just capture that primal fear of death, but there's so much more you can read into outside of the little he does say. Underlying all that physical and mental torment is trauma, a childlike desperation that renders him completely at a loss.

He didn't have a choice when Chris threatened him to become a pawn. He didn't have a choice when it came to choosing between his brother or Bison. He didn't have a choice to walk away. And now he doesn't have a choice in how Bison wants his revenge. I've talked about the loss of control and agency with these two characters quite a bit, but this is the epitome of having your autonomy entirely stripped from you. Kant is both paralysed by his fear of drowning, but also by his guilt and knowing that he brought this on himself - having sealed his fate when he agreed to the job in the first place.

"I promise when you wake up, the version of me you'll see is the real me." What happens when you strip a person of all their defences? You get down to their rawest form. And now we're seeing it.

Thank god the pair reconcile next week, because this was absolutely agonising to sit through. Firstkhao have done it again, but did we really expect any less?

You can keep tabs on bird-inacage’s BL meta directory for my other long-form posts around The Heart Killers, which I’ll be updating in real time as the show airs.

[asha-mage]

There is a lot about re: Fantaszio that I adore and that has captivated me but one thing I keep coming back to is the game over screen.

A tattered font reading "Fantasy is dead" splashed over a black screen with a soft voice whispering to you a different line asking in various ways, if you accept this outcome. "Do you yield to reality?" "Is fantasy truly just fiction after all?" "Will your tale end here?"

And then you sit there and ask yourself that question too. Do you give up? Do you surrender and move on and let the fantasy die? Do you accept bitter horrible reality, accept that to dream is wishful thinking, accept that it ends here?

And as you do you think of Hulkenberg standing in the crypt because she is a knight and she will not surrender when there is a duty to be done. You think of Strohl in that mine screaming defiance because even if his House is in ruins, and his people are gone, and his lands are ashes he is still a noble, and must seek justice for those who gave him their fealty. You think of Will standing on that tower small and alone in a country that hates everything about him and choosing to keep fighting because it's the right thing to do, even if it means dying.

And then you hit continue because fantasy, dreams, ideals are only dead when you stop believing in them.

[arcadiabaytornado]

Oh to know someone so well you can predict their future.

[xofemeraldstars]

bear with me for a moment im going all invisible string theory:

1. so you're telling me we had this dialogue at the beginning of the episode with buck comparing the cruise rescue (subconsciously actually meeting tommy and tommy risking everything for the 118 aka his family) to being struck by lightning and being dead for 3m17s

2. to then have the kiss happening exactly at 3m18s into the apartment scene at the end of the episode aka he was kissed at the 18th second the same second he was brought back to life??

3. not in this episode but another lightning strike parallel when he's wheeled into the hospital and they stop in the ER that's the moment they get a pulse but also the scene where buck kisses tommy in 7x06 after he shows up even tho he fought a fire for the last dozen+ hours cause he promised to buck he would make it!!

[kindaorangey]

i've mentioned this before but louis and armand's relationship in paris after the trial is so hollow, and at the beginning of their story they had so much chemistry, so much respect for each other, they were having philosophical conversations and romantic walks, they had so much potential. and you can tell it's gone a bit wayward even before the trial, with how louis removes himself emotionally from their relationship, but the trial really yanks the rug out from under them and shows just how Nothing their bond has become.

and i think it's best exemplified by louis warning armand about his plans to burn the theatre and everyone in it. because i can't read that as anything other than, like, the internet joke about a school shooter warning the only person who was nice to him to stay home from school tomorrow. all that potential, all that loneliness, all that they tried at first to confide in each other and heal the heartbreak they both sustained from lestat, and by the end it's as if they're acquaintances, who only know each other just well enough for louis to refrain from killing armand alongside the rest of the coven.