#like literally just the word blood

[starry-bi-sky]

Blood Blossom Au: Baby's First Commissioner Meeting :)

TL:DR This Post: Danny (orphan) gets poisoned with blood blossom extract by Vlad. He runs away from him and ends up under the care of one Pre-Robin Battinson Batman! Starry is loudly pushing her batdad agenda.

(Also known as "Late At Night, When The Nightingale Sings" on my ao3!)

This was a fun rough idea I've been sitting on for weeks, thinking about how Commissioner Gordon and Nightingale's first meeting might go.

---------------

Commissioner Gordon likes to think that he's adjusting to the new normal of Gotham very well, -- the new normal being grown men running around dressed like bats, in military-grade strength body armor, committing acts of vigilantism, -- and slowly, little by little, he was no longer being surprised when this new normal pops up out of the shadows like the world's most terrifying daisy. His shaving lifespan thanks him for it.

....

The kid is a surprise though.

Granted, he seemed to be a surprise to the Bat too.

There's been a string of murders lately, -- which, in Gotham, is kind of like saying there's been another storm during monsoon season. And there's just been another; in some dilapidated building down in south Gotham, with the broken, boarded-up windows and mildew-crawling walls to match. The victim is a man in his thirties, multiple gunshot wounds to the chest, left in the center of the room for the blood to pool out around him.

The place is already secured when he arrives, the building swarmed with officers and the forensic detectives. The Bat emerges shortly after he does -- or, he might've been here the whole time, hiding someplace dark and shadowy. For his own sanity, Gordon doesn't think about it too hard.

The kid is a surprise, and he appears like a bolt of lightning.

He shows up in the middle of a conversation Gordon is having with the Bat.

A whistle, sharp and loud, slicing through the air, meant for open air rather than a confined space. Gordon's ears pierce and protest the sound, and the solemn, murmured chatter floating through the room abruptly cuts off like the swing of a gavel. As he turns towards the sound -- as they all do -- he swears, up and down, that he sees Batman's shoulders jump, just slightly.

At the source, perched on the window, is a boy. A boy in a gray-blue scarf and an oversized black hoodie, one that hangs off his frame and has ace bandages wrapped around the wrists in some attempt to cinch the sleeves. The hood is up, big like the rest of it, and threatens to swallow the upper half of the boy's face whole in the fabric. What upper half Gordon can see, is smeared with some kind of opaque, black face paint. He's holding onto the side of the frame with one hand, on his hip is a grappling hook. A familiar grappling hook.

Gordon has multiple questions, and his officers tense up.

Martinez puffs up, brows furrowing as his face shapes into a frown. Shoulders rolling back. "You can't be here, kid--"

The reaction is immediate, like a spark to gunpowder, the boy yanks his fingers from his mouth and his mouth twists into a scowl. Head snapping over to Officer Martinez, his hood manages to stay on but Gordon swears that as he bares his teeth, the glint makes them look sharper than they should be. His voice is rasp and quiet and harsh; snappish in its hissing; "Put a fuckin sock in it, Martinez. I'm not stayin."

Martinez reels back, and the boy immediately veers his attention off him. Like a switch, his demeanor drops. Despite half his face being covered, his mouth twists into a cringing, apologetic smile. Slanted and off-beat, embarrassed. It'd be disarming if this wasn't Gotham, and if he didn't just hiss at Martinez like he was about to bite his head off.

"Sorry." He whispers, voice deceptively polite and softer now. Gordon has to strain his ears to hear him. "I was looking for him."

He points his finger towards-- Gordon? No, Gordon follows the direction, and finds himself looking at -- the Bat.

The Bat, who always looks stiff as a pole, now looks even stiffer. Somehow. Well, the explains the grappling hook attached to the boy's waist.

"What are you doing here?" The Bat says, gruff and unable to completely smother the stumble of surprise in his tone.

The boy still holds a sheepish smile, and slips off the window ledge. His feet hit the creaky boards with a near-silent thud, the Batman finds his feet and rapidly begins crossing the room.

Gordon notes the slight tremble in the boy's legs as he straightens. He adjusts his scarf, which droops close to his knees now that he's standing, and slings a backpack -- how long has had that? -- off his shoulders. When the Bat reaches his side, he does as he always does, and looms over the boy like a spectre. A threatening mass of shadows cloaked in all-consuming black. Standing next to him, the boy looks teeny in comparison.

The Bat is a man who terrifies even the most hardened criminals, Gordon has seen grown men shiver in fear at the mention of his name. And yet when the boy looks up at him, he doesn't even flinch.

Instead, his sheepish smile melts away like ice under the sun, holding only traces of his previous embarrassment. It remains as a shadow on his face, a small upturn at the corners of his mouth. The boy pushes his hood back just enough to reveal glinting, ice-flint eyes surrounded in tar-black face paint. He holds the backpack up with one arm. "You forgot this."

[lazylittledragon]

hi! I absolutely love your art and I get so happy when I see it come up on my feed! 🥰

if I can ask, why does cyra use a cane sometimes? I just saw your art where gale and cyra are with their newborn and cyra is walking with their toddler and she has a cane and I was curious.

have a good day! 😁💚

thank you so much!!!

i don't think i've said much about it other than 'she almost died' aksdhsh but everything went very wrong when the first one was born and she got sepsis, which can really fuck you up long term and she developed chronic fatigue.

she definitely tells the children that she's got a sword hidden inside it

[tea-cat-arts]

I simply think this fandom doesn't give Wei Wuxian enough credit for the various ways in which he saved Lan Wangji

[luck-of-the-drawings]

OOOH BABY THIS ONE WAS A LONG TIME COMING. NIGHTMARE NIGHTMARE NIGHTMARE!!

YOU THOUGHT IT WAS A DAY LIKE ANY OTHER. A DAY OF ADVENTURE WITH YOUR CLOSEST FRIENDS. OH HOW TIGHTLY YOU HOLD THEM TO YOUR CHEST, AND OH HOW TERRIFYING IT IS TO WATCH THEM GET EVISCERATED BY SOMETHING YOU DONT UNDERSTAND. MAYBE IF YOU JUST LISTENED A BIT MORE, IF YOU LET THE SMART ONE LEAD THE CHARGE, THIS WOULDNT HAVE HAPPENED. ONCE AGAIN YOUR IMPULSIVENESS LEADS TO DISASTER. HEAR ME NOW, YOUNG TIDESTRIDER, YOUR STUPIDITY WILL BRING THE DEMISE OF EVERYTHING YOU WERE BORN AND FORGED TO PROTECT. HOW COULD THE PROPHECY HAVE CHOSEN SOMEONE SO USELESS? I BET YOU WISH YOU CHOSE THE RIGHT LEVER. FAILURE.

[sammygender]

i’ve never been as angry on behalf of a character as i am for sam winchester

[fumifooms]

Makima, devils and self-fulfillment

Dumping some Makima and CSM thoughts after a part 1 binge bc I think about her forever and ever. I’m sure I’m forgetting some devil lore, feel free to correct what i get wrong/what’s been confirmed. On the table of contents there’s why & how Makima got fixated on Chainsaw, her revealing liking for the country mouse and discussion of her nature & emotions & desires. Was the scorpion doomed to be a scorpion?

The most of this post was thought of during a conversation with @saccharineomens and I don’t think it makes sense to jump into the spiral it sent me on without first laying down the interesting groundwork theorizing she did:

"Thinking about how makima herself wants to be deified. I wonder whether she recognizes the difference between Love As Worship and the love that Aki, Power, and Denji had. She says she wants to help humanity by having Chainsawman eat the “bad” devils, but why does she want to help humans? Because she was ordered to by the Prime Minister? No, her drive seems much more personal than that, it seems like she teamed up with the PM for contractual reasons. (In the most recent chapters we see governmental members wanting certain devils to be eaten, too. What was Makima’s relationship with them? She’s too independent to just follow THEIR orders, she’s Control.)

So is she wanting to better humanity for the accolades, or out of the goodness of her heart? She sees the big picture. She sees any small sacrifice as worth it for the end result, and she’s ruthless. Perhaps she thinks that a more sedate human race would be easier to control? But Makima doesn’t loathe humanity. She never acts like she sees all humans as lesser. She loves humanity’s creations, like good food and movies. She just wants Good Things all the time

She says she prefers the country mouse BUT adds a story where she helps exterminate country mice like vermin. She likes the simplicity yet rejects the idea of being simple. Makima the complex individual you are"

~

The story itself seems to prefr the country mouse. Well- it strikes a balance, shows that a risk to live good & fully can be very worth it, but still that stability over ambition is preferable, proning having a simple happy life over fame, a simple job instead of a dangerous one, etc etc. And I do find Makima’s answer on this so so interesting, she prefers the country mouse, but this preference isn’t out of affection or sympathy but because of how relaxing it feels to exterminate them when they cause problems.

Order satisfies her. Her order satisfies her. She likes the action of rooting out disorder. Maybe this is the devil part, like how Power especially wants blood and drinking it, I feel there’s an itch to every devil, and for Makima it’s a very rigid world view/morality/standards & making things follow her rules and submit to her order.

And maybe this is why she’s attached to humans too, why she felt it was worth it to stick with the government- because devils are chaotic by nature (it’s a whole plot point that hell is essentially a free-for-all battleground for example), meanwhile humans are the species that universally rule Earth with systems they invented and instilled. They made then enforced rules, complex and intricate webs of them. She feels alienated amongst devils but she understands the humans’ need for an orderly organised society, and now she wants to be part of it. Control and conquest require social dynamics after all, requires civilizations or groups. War is chaotic while peace is, well, peaceful— Makima resents her sisters for being death, famine and war, things that throw the world in such chaos. She wants a world of perfect order, no matter how much collateral damage there will be if the end result is control.

This is even more interesting if you consider that yes, Makima is untouchable of her own design, she deifies herself with her omnipresent amount of control and the sway over others that she seeks and encourages— There is this urge to dehumanize her for it, that yes, she is the devil of control and that means she was never going to be any different, have any more feeling be any less uncanny. And I love part 2 so much for this, because it shows us the war devil and the famine devil and we see how frankly uncharismatic with poor self-discipline they are, Nayuta too, and it helps us realize just how much Makima’s success was self-made.

She admires Chainsaw Devil, the Hero of Hell, because he had his own code and his own rules and he made Hell, the chaos pit, submit to them unfailingly. Wherever he goes he decides what he does and what happens to the people he encounters but does so consistently, he has his mechanism and his rules that he always obeys, and he fulfills them every time. It’s still a mystery the why of Chainsaw Devil’s behavior back then and how it works exactly, maybe Pochita left hell because he was tired of these rules he lived by like chains, but still, he was a servant to his code. Makima would have been glad being killed and eaten by Chainsaw Devil because it’d have been becoming part of his design, his conquest, his domination, she’d have been part of that —his— order. Through her death she would be shaping his world and be part of a conqueror’s making history. Like how she appreciates the country mice that die for the sake of order. Like how sacrifices must be made to herself, like listing the name of every person whose life was lost to the Gun Devil— All for the ~greater good~, for her vision for the world. Conquest always thinks its reasons are justified.

And she does mention with the country mice thing that she goes out to a friend’s farm every year! She has a human friend?? That she visits yearly and she genuinely likes it?? Ultimately she lives a busy city life because of her goal and drive and her urge & satisfaction with overseeing shaping the world herself, but part of her, like so many characters including Angel and Aki and Reze, wishes she could live a slow peaceful country life. Moviegoing and dogs and mice in a farm- Wouldn’t it be so much simpler if Makima could find fulfillment and happiness in being a farmer, in keeping control of her own farm, getting satisfaction from exterminating vermin and expertly getting everything right, the right crops grown at the right time on the right soil? Here, too, in a way it’s trying to have full control of an ecosystem, but her goals would be easier to achieve and better, without ceaseless sacrifice or much pressure. But Makima wants grandiosity and her goal does matter to her on a fundamental and moral level, she does think she knows what’s best for the world, and with the power to change it why wouldn’t she strive to? Visiting the farm is just a break, just something she does in fall to help out and just in time to see the vermin extermination. It calms her, then it’s back to actual work.

In capitalism, even the one at the very top of the ladder is ultimately alienated from others and often unsatisfied by their lifestyle, always wanting more and more power because surely that’s the extra edge they must be missing to be content— like how Makima thinks she wants to dominate Chainsaw Devil instead of being his equal. And she says it herself too, she likes humans the way humans like dogs…….. And she keeps so many dogs :( Makima prefers the country mice because they’re calming to root out, maybe because she usually mainly deals with city mice. It’s very easy to equate humans to the mice in this allegory because it’s pretty direct and she’s already likened humans to lesser animals compared to her. She’s self-isolating by design for her design but she still craves relationships and contentment, and the dogs are the embodiment or her want for bonds and occasional simplicity because there is no possible ulterior motive, no way they tie back into her wider plan. They’re her personal life— something that feels so alien when speaking about Makima. Personality and individuality and likes and preferences and friends they visit every year. She likes how easily she can train a dog and how they become putty in her hands, at her beck and call, how much they love her and how much she enjoys their love. How simple and straightforward and easy it is. She keeps them because she likes being loved by them and loving them, and she’s gotten and raised so many. A conqueror always wants more and more and more, is never satisfied.

Devils and agency

Like Power the blood devil wanting blood and having a fixation on drinking it like with Denji’s, or how it was shocking that the violence devil was pretty tame and nice and how he himself theorized it was because he was a fiend and possessing a human body… There’s something to be said about nature vs nurture with the devils. The way they reincarnate and always embody their fear makes it seem categorically like nature, that they always always end up fulfilling the role they were named after and born to fill… Outside influence they’re helpless but to conform with. Like the humans accepting their spot in the social ladder and the shittiness of their living conditions and job under capitalism. Makima craved being equals with someone despite being the control/conquest devil, Angel Devil despite claiming to be a devil who likes to see humans dying was haunted by their deaths and wanted to avoid ones like Aki’s. The Ghost Devil being ironically haunted by Himeno, seemingly helping Aki in her memory out of… Lasting affection? Or maybe it was less about being haunted itself and more about it recognizing how Himeno haunted Aki, and acknowledging that, with the memento, paying her respect to the ghost of her. It’s Angel Devil’s devil nature that makes him like human suffering, so then is it his angel nature too to still care about their deaths? Is there truth to this or is that just personality, just our confirmation bias haunting every part of their identity like it might in their own view of themselves too? We do know different reincarnations of devils do have different personalities after all.

Yoru, war devil, is the most interesting one when talking about the nature vs nurture debate with devils. There is how through her we see the perhaps the most the consequences of a devil stopping being feared— we see a horseman for a concept as universal and horrifying as war be reduced to some bird who needs a contract with a human to have any power even just on the situation when meeting Asa. And through the story we get to know her better, and it becomes clear that her goal is fueled in good part by simply wanting to be remembered and respected through fear. Liked, validated, seen a powerful. But what is more isolating than war? Or control? We also see Nayuta accepting others’ house rules. If part 1 shows perhaps the futility of running away from the truth, with Denji’s memory, with escapist coping mechanisms, with passivity and denial under a corrupt system and with abusive relationships- running away from your own feelings and from the reality of things and from all that you are, more complex than simply human or devil or both or neither— part 2 builds upon the theme of cult of personalities, the chainsaw church, etc. The apocalypse is coming, but this celebrity superhero might save us all, or doom us all uh, dunno. The hero of hell reliving the cycle of pressure from responsibilities and expectations, maybe the part will end with Denji running away like Pochita did~

But yes, on the reverse, I think Famine is a very interesting example of how a devil’s namesake may be more innate than coerced by circumstances. One would think that a famine devil would only like inflicting famine upon others, not being famished itself, but Famine has a bottomless stomach that can never, ever be satisfied, sated. I struggle to find a psychological explanation for this, except that maybe instead of her being hungry it’s her feeling empty when she’s not eating, tasting and having that high sensory experience that releases serotonin in humans, sort of like drugs? But I do take this as a step towards the compulsion theory overall, feels like a reach in the consistency otherwise. And compulsion does not mean it’s something that they like nor that it’s something that they fight against, pretty neutral, just a nature that nudges you towards one path. Maybe it’s even just their go-to for entertainment. Maybe it’s the only thing that makes them feel right and whole. But still the debate remains, what is it, a compulsion or an urge or an itch or an active desire or a conscious chosen want? Does it change anything in practice?

And because of all of this earlier, devils being self-fulfilling prophecies with their role is not in unsignificant part nurture, because doing their atrocities is how they stay remembered— feared, powerful, known— hell and devils are a very isolating place and breed after all, and we do see devils can want companionship. Existentially, it’s their purpose and how they justify their place in the world, in the terrifyingly vast and unknowable cosmos.

We still know so little of what makes Chainsaw Devil so special, why his carnage is so self-controlled. Despite a chainsaw maybe being possibly one of the most "nature" thing you can be— a tool to cut things, a human tool that can be helpful for many things, something to be wielding by another at their judgement on what they decide, but mainly something to cut, a tool suited for carnage, to hurt and to destroy. A blade with a toothed chain, spinning around and around and around endlessly on the same road at the same pace. Such a…. Innately circular concept. And yet the Chainsaw Devil is his own, not driven by an urge or by chaos but his very own brand of order, his own unique assigned purpose, a "if you call i’ll come running to help" policy equalizing everyone. He chooses to withhold his destruction and interference otherwise, and then he chooses to be used. If it’s a choice, of course.

Maybe this is what inspired Makima so much, that Chainsaw Devil could decide what to make of himself despite expectations or innate role. Because even Hell he decided & managed to subjugate under his will and whim, with a precise vision and process. When Chainsaw Devil acts like Denji or is defeated, Makima clicks her tongue and loses her admiration and respect. Makima admired and liked Chainsaw Devil, but only as long as he matched her great image of him in her mind, as long as he followed he rules for what she thinks he should be like. She admired him for his unrivaled self-made success, but once he stepped out of that to truly embody self-fulfillment and agency, disappearing from hell to live on his own road at the beat of his own drum… Well. Surely that was a mistake she has to correct. However their second battle ends, the better conqueror will have prevailed and she’s happy about that, all in the spirit of domination and subjugation.

Imo Makima’s biggest tool, similarly capitalism’s most helpful effect for its own purposes, is complacency. Resignation and passivity helps uphold the system and go along the flow of the will of the people in power. Aki and Reze go along with orders even when knowing their job is trash, etc. In Angel Devil especially we see him go along with the flow uncaring about anyhing, and we discover it was in part due to Makima taking away memories that motivated him. If every devil decides this is just how things are and how things should be that’s what they’ll continue to be and do mindlessly, not pursuing a better life like Chainsaw Devil and Denj and not seeking to change the world like Makima. I think even Makima veils herself to a lot of things, she doesn’t like to think deeply about some things, like her desire for connection, or how making bad movies disappear is strenuous and unsustainable and requiring sacrifices at best— how her judgement is as subjective as anyone else. How liking the country mouse and her friend back at the farm and her dogs could be not devoid of sentimality. Wanting bad movies erased is her one biggest show of selfishness, of pettiness and individuality, it’s about her tastes, simple as. About how she can have tastes, and cry seeing a scene of people hug, and want things that aren’t logical, her ideology and mind twisted into a pretzel to avoid acknowledging that she doesn’t live and breathe purely for the mission she’s made a single-minded robot out of herself to accomplish. Nayuta is assertive and selfish and loud, Makima is manipulative and strategically both for her goals and for coping hollow.

Everything in her plans and goals she says is for the greater good, necessary evil, manufactured happiness the way she’ll have decided for people— and that’s the thing isn’t it, like with War, it’s the crack that shows it was all truly about herself after all. Her self-made deification still had the flaw that a self made it. Makima is not omniscient, and it’s not Chainsaw Devil the not-so-fellow-kindred-soul conqueror who gets the best of her, but a city mouse, a dog, someone she would have never thought to respect, Denji.

[tender-hearteddd]

bertholdt exudes the same vibe as the guy who killed the CEO of UnitedHealthcare ifykyk

[plantwriting]

Need the jrwi fandom (and actually people in general) to understand that you can be a shitty parent without being abusive. Need y’all to realize that even abusive parents almost always love their kids. How do I get it through to you that even the good and loving parents are flawed and will make mistakes and hurt their kids. A good person can make a horrible parent and a bad person can make a great parent and a horrible parent can care for their kids and a great parent can hurt their kids and abusers can love those they abuse and abuse victims can love their abusers and nothing is black and white and everything is complicated and no parent will ever be perfect. Do you understand??

[uncanny-tranny]

Every now and then I remember I am significantly older than the legalization of gay marriage in my country and I take psychic damage every time. I am not that old, like my life has just begun.

Just... Remember our rights didn't just descend from the heavens hundred of years ago. It is still a fresh memory, a blip compared to the timeline of the world.

[lotus-pear]

i wish all people who use others' art as a means for financial profit a very fucking kill yourself. i mean it.

[itspileofgoodthings]

I know I’ve talked about this before cause I basically blogged my way through it but there was no catalyst for greater growth for me as a teacher than me having to read my student surveys my second year and being so caught off guard by how cruel so many of them were that I had to leave my classroom and go sob in an empty one for 15 minutes but then when I came back in (and in the following days) when I just felt so absolutely wrecked and wretched and vulnerable and scared but I HAD to keep going that it dawned on me that it literally didn’t matter what they said about me I still had the power of authority, NOT because of my personality or charisma or anything I had heretofore believed gave me the authority, but because it was literally my job and because if I said we were going to read twelfth night aloud or diagram sentences or memorize poetry that was literally what happened and I just cannot explain the bedrock of confidence that gave me because the worst had happened, all my darkest fears came true, and it didn’t matter. They still needed to learn and I had what I needed to make them learn. The job remained unchanged. Changed me forever tbh.

[b0amagination]

Home Is Where The Fanart Is

Happy Fanuary! What's Fanuary, you ask? It's my own little excuse to draw some very long overdue art for my friends, and develop better style with lineart at the same time!

Without further ado, I started with an author whose work captivates me in a truly indescribable way. It would be truly terrifying to a hacker to see how often I'm on her blog rereading an old favorite or an entire story. I will never be able to find the words to explain the magic of her storytelling, but I sure try my damndest every time.

Kirsten @whumblr 's Zayne and Jay of HIWTHI have had a deathgrip on my soul since the first chapter back in 2020 and, though I've drawn them before, once was never going to be enough.

And, well, maybe I figured out the plot of this interaction and impulsively wrote fanfiction. At the end of the cut are a few bonus detail shots as well <3

Content warnings: Belting, forced stripping (partial, not sexual), and canon-typical home invasion.

~~~

“Aren’t you tired of this old song and dance?” Zayne flashed him an unimpressed look, then glanced down at his own outstretched hand. Still empty. 

“I am. Glad you finally agree,” he huffed and brushed past, only to be caught by the collar of his button down. The grip tightened and pulled him, stumbling, face to face with his unwelcome visitor. His eyes cast down. 

“Then why is that belt still around your waist?” 

Jay bristled. He knew damn well how long his day had been, because he’d started unloading it on Zayne the moment he arrived home. If it weren’t for the sudden order that cut him off, his tormentor would have still been listening to that afternoon’s office melodrama. The last thing he needed was to present his battered body on a platter before the long weekend. 

“I have more than one, you know. If you can rummage through my fridge, you can give my closet a passing glance every now and again.” Regret only came on after handing him an open invitation to look through more of Jay’s belongings, but he suspected Zayne had already done more than his fair share of that.

“As it happens, I was looking for this particular belt.” He drew a finger along the smooth leather. “If you’re craving ice cream, an ice lolly just won’t cut it.”

“Does the trick for me,” Jay shot back and turned away down the hallway. “Here, I’ll show you where they are.” His brisk pace far too closely resembled running, and the heart pounding in his throat mimicked that well. He’d hung last time’s belt separately when he remembered he didn’t have the funds to simply keep discarding them. Probably the same reason Zayne didn’t care to use it again.

Just like a cat. The moment something was designated his, his interest dissipated. 

On an instinctual level, Jay knew he wouldn’t make it to the bedroom, but some part of him still had the audacity to be surprised when a hand twisted his hair and flung him toward the wall. Even though his shoulder took the brunt of the impact, the blow to the head was enough to skew his glasses. Jay leaned back and raised a hand to set them straight when Zayne took hold of his shirt and yanked it from his trousers.

“Get off!” In finding a stable place to lean back, Jay had unwittingly trapped himself against the wall where a knee now dug into his hip, holding him still enough to free one button, then another. He wrapped fingers around Zayne’s wrist. “The hell are you doing?!”

“Why don’t you deduce that yourself, Jayboy? Surely you can be a more reliable source than your coworker found.” A fist drove into his gut and Jay lost his grip, allowing the shirt to be shucked off him and thrown aside. 

“You could’ve just asked!” He tried to swallow the clear hypocrisy. Somehow, he only happened to think these plans through about two minutes after initiating them, and wondered how he hadn’t already anticipated the outcome.

“Try giving the same order three times in a row. See how patient you are when your punching bag cusses you out,” Zayne shrugged, reaching for the undershirt next when Jay hugged his waist in protest. He didn’t understand why Zayne held him by the hip instead until nimble fingers flicked out the end of his belt, pulled to free the buckle’s prong, and whipped it out in a single flourish. 

“On your knees.”

“Wait, wait- fuck!” The full length cut across his front, only shielded by thin cotton, but the familiar sting throbbed on his jaw. A tentative touch found hot, angry skin just below his cheek. “That was my face, Zayne!” 

“You clearly don’t care to heed my requests today. I don’t see any reason to return the favor.” He doubled the leather over and tilted his head.

Finally Jay made eye contact, turned his back, and slid to his knees. 

“No. Face me.”

“I’m not letting you bust my lip with a belt!” 

He’d already resigned himself to the shove when it came and caught himself just before he hit the wall again. Zayne’s boot landed on his ankle and couldn’t hold back a smile at the yelp it forced out. 

“Then you’d better get your arms up and make sure I can’t.”

[artem1sc0re]

If I had a nickel for everytime I redrew this scene, I’d have two nickels, which isn’t a lot, but it’s weird that it happened twice, right?

BUT WHATEVERRR, ITS JOSH!!!!

(I got given a compliment whilst drawing the first one so that’s cool :D)

[grecoromanyaoi]

the whole "dark fiction" discourse is just incredibly useless imo esp bc its always paraded by people who arent actually against it but are against of doing it ""wrong"". and by doing it ""wrong"" they mean art by people they dont like for one reason or another lmfao.

[buddiesmutslut]

Thought I was watching a spooky movie about gorgeous queer female vampires with traumatic backstories murder shitty men and feed and take over the world as they should & instead, it ended up being about… complicated family dynamics & how being a man doesn’t automatically make you a shitty person??????? I think????

Idrk but it’s NOT WHAT I WATCH VAMPIRE MOVIES FOR. That ending was such a bummer, it literally started out like it was about how shitty it was to be a woman sometimes & the fear & all the complexities that come along with that & somehow, it still ended up being about men wtf.