#like you obviously LMFAO

[sugarverse]

I think I have mental issues

[ruporas]

trigunned the hades or hadesed the trigun (id in alt)

[tentoohasamortgage]

i'm sorry but every person of the male species i have ever met who 'likes doctor who' does not understand it. they don't get the trauma. they don't understand how important the season 1-4 progression is in terms of the doctor's own character development. they cannot process how complicated the doctor's friendship was with martha or donna's insecurities, and how deeply they shaped her run on the show. they don't get rose tyler. they don't think the doctor loved her. men will say 'yeah haha rose liked the doctor'....... and that's it??? sir did you not watch the impossible planet or satan's pit?? did you skip when the doctor literally said she's his religion? did your ears stop working when he told martha "we were together" or when he told donna that rose was his family???? i'm sorry but season 1-4 doctor who is for the girls and the gays only. men ruin everything then make a 2 hour youtube commentary video on why tentoo is a "clone" I AM GOING INSANE

[thomas-the-goat-of-satan]

I heart Until Dawn and it's collection of comically stupid characters. and I do mean all of them. and I do mean it affectionately. I just. god. the reason that anything can happen to these people At All is because, somehow, Every Single One Of Them decided that it was a good idea to accept an invite to the World's Most Suspicious Event at the World's Most Suspicious Place. "hmm!! I'm sure nothing strange or horrific is going to happen to us up on our rich friend's isolated mountain lodge; why would it?? I mean, sure, we Are going to be up there on the exact same date that we inadvertently triggered the events of his sisters' disappearance, but surely he's not upset with us about that or anything. let's go!!" seven separate people. nobody thought anything of it. it's incredible. impressive, even. I mean, I don't know. me personallyyyyy?? I probably would've received that invitation and thought, "oh, he's For Sure gonna do something to us up there, and he For Sure has the means to get away with it; I'm Not Gonna Go." but. hey. that's just me.

[deoidesign]

I met the me who made different choices

[melkor-did-nothing-wrong]

Soooo if we operate under the assumption that they circulated any form of currency... do we think that Utumno/Angband coins had Melkor's face on them, on account of him being the ruler orrrrrr...?

[knifebaby3000]

studies / diamond, pearl

[beanghostprincess]

I think constantly about Pudding and Sanji being obviously parallels of each other and how fucked up it is that Pudding had to live the life Sanji managed to escape but she constantly gets hate online as if she hadn't been literally manipulated by her mother through the whole fucking arc. But okay. Yes. God forbid women have any sort of trauma response and if they do they're not allowed to have a redemption arc because of course they're extremely evil for making your silly baby boy cry and they don't have a heart even though it's explicitly shown in screen that they do and they regret their past actions.

[nebulo-philiac]

Browsing the megastar tag is so funny because there's always one or few posters with "PROSHITTERS DNI" on all the posts and it always amuses me like ah yes, megastar, the most universally healthy relationship dynamic in all of tf and definitely not problematic and absolutely not considered a proship by 80% of the fandom

[120percents]

i just think it’s so funny that zoro does not even wanna comment on the usokaya situation when usopp explicitly asks and he very pointedly looks away when they kiss and yet he proceeds to butt in every single time sanji flirts with a woman or implies he knows about romance to redirect attention back on himself like god i wonder where your interests lie…

[the-way-astray]

you could theoretically read the series in the order 8.5, 9.5, 9 instead of 8.5, 9, 9.5 because books 9 and 9.5 take place parallel to each other but also sophie and keefe never interact between them so hypothetically there should be no difference (and no spoilers either way).

another thing you could theoretically do is alternate between reading books 9 and 9.5. a chapter here, a chapter there. it would be like reading a longer version of unlocked, with the povs alternating between sophie and keefe.

in fact, in theory, there could be a possibility of even less spoilers if you read it 8.5, 9.5, 9. for example, if vespera makes an appearance in unraveled, and you didn't know she would die yet, it could be a really cool way to see her last minute and have an extra layer about her before her death. whereas if vespera makes an appearance in unraveled and you already know she's going to die, it feels a little more empty. not completely meaningless, but like. kinda empty. like if vespera hints at a larger plan or something in unraveled and you didn't know she was going to die, you'd be super excited to see this plan shake out, but now that we know she's going to die something like that wouldn't hit as hard.

[gingermintpepper]

I would love to hear you talk about Kassandra???

So, what can I say about Kassandra.

Well, firstly, I've been thinking about how I want to answer this question since I got it however many months ago and I figured I wanted to speak about my own interpretation of things rather than formal stuff - half because I don't want to cite anything since going through Iliad based papers brings me little joy and half because I figure I could treat it a bit more casually this way. So here's like, a very brief selection of thoughts I have about Kassandra, Saintess of Troy.

I view her tale as a microcosm of the wider tale of the Fall of Troy from Apollo's perspective. A human is given a choice and, of their own free-will, they make the most destructive decision ignorant of the way they're sealing their own fate and no matter how much their patron will want to save and help them, they will be unable to so much as lift a meaningful finger because the choice made is one that is sealed in Fate and powers far beyond any one god. The themes of doomed love are also shared; Kassandra loved Apollo just as Apollo loved her but she couldn't be what he wanted of her. She couldn't accept what it was he was offering, no matter how much power, honour and love he tried to tempt her with and in a lot of ways, I think of her devastating visions of doom and death(tm) as a physical parallel to the feelings Helen must be tormented with knowing that she will be cited as the reason of such mass death, destruction and violence. Likewise, I see Apollo's inability to save Kassandra up until the end as representative of his wider inability to save Troy. All his love and blessing were not enough, even though all she had to do was take his hand, it simply wasn't meant to be and so I imagine that must be a fresh hurt for him with each beloved mortal he loses during the campaign.

Kassandra is genuinely so interesting? Both as a character and as a narrative idea; she sits almost in the center of so many fascinating parallels and foils that it gets me so excited whenever she comes up in conversation! I've mentioned it briefly before but she forms a very neat triad with Iphigenia and Troilus which runs parallel to the three dominant male powers in Iliad - Agamemnon, Achilles and Apollo. They're what I somewhat refer to as the sacrifice trio, innocents who must ultimately be abandoned and stripped away for the sake of the desire of their sacrificer, in turn revealing something intrinsic about the nature of the man. For Iphigenia, she reveals that Agamemnon truly values his ambition over all, that his image and status as a leader is more meaningful to him than the love of his family (which, of course, dooms him in the end). Likewise, for Achilles, Troilus' sacrifice reveals that no matter the glamour or glory that crowns Achilles' head, his rage is ultimately his most powerful feeling and it burns bright and hot no matter the circumstance, opponent or arena. For Apollo, Kassandra's sacrifice (which is much more symbolic as he is a god and therefore need not actually physically kill her) reveals his position as the 'loser', one who will be scorned and reviled and lose all the things he loves no matter how closely he cherishes or adorns them. He can't protect the mortals he's blessed, he can't protect his children - he can't even save one woman. She also has that aforementioned triad with Helen and Andromache - the sequestered women; doomed to wait and pray but each, in their own ways working to save and support their own in the conflict. They're all haunted by the promise of what awaits them - Andromache's hopes and future lies with Hector and with her son yet she is the embodiment of a war-wife, solid and stoic in her support when Hector returns but suffering deeply knowing each fight could be his last. Helen, of course, carries with her both the suffering of the greek women and the hatred of their men - if Andromache fears death taking the breath from her beloved fighters then Helen bears the weight of death upon her shoulders, all grief and scorn is bore like a crown upon her head and she must bear it. It is her duty to bear it. Kassandra then becomes the suffering of the young women - they who are surrounding on all sides by throngs of death and do not know why it has come, they whose screams intermix with that of the dead upon them. There is no avatar for Kassandra to experience the war through, no reason for her to be stoic or strong or upright. She tears her hair, hysterical at the suffering that is poured into her mind day in and day out, wild and unrestrained where her elders must hold their grief and tame it. In this way, she gives voice to the voiceless, she screams for those who cannot and is reviled for it - a young woman surrounded by death yet ordered not to speak a word of its stench or horror. There's many more things I can talk about too such as the whole Kassandra as Apollo's living Palladium thing or the Kassandra-Electra-Clytemnestra trio or even Chryseis as a reflection of Kassandra and how the taking of a priest's daughter could be seen as tantamount to trying to steal away Kassandra (and how this eventually wraps back around to the actual incident of Kassandra being stolen away and ending up right back under Agamemnon's care just as Chryseis before her) but like, we would be here all day.

Y'all maybe this is a hot take but scorned woman Kassandra is like, the most boring interpretation of her ever. She has so much life and passion in her, so much joy, so much despair, so much love - making her jaded and cynical towards both her fate and her god is such a slap in the face to me of what her character could and generally does seem to stand for. Kassandra never stopped loving Apollo - likewise, Apollo (at least to me) never abandoned her. All in Troy suffer heavy, cursed fates - Kassandra is one of the few who at least had some awareness of how hers would turn out. I like that she's a fighter. I like that she screams and cries and spits and is expressive and ugly in her torment and grief when so many of the women around her cannot afford to be. I like that she said no and despite how much she suffered for it, she never begged for her yolk to be taken from her because she knew that the choice she made was the right one for her. She's raw, she's vivid, she's human and more than anything, that's what I love so much about her.

[grimmweepers]

icl i would give up my f/o to be friends with your self inserts who have same f/o’s as me

[mohntilyet]

DATV Spoilers Just in Case!) I’ve seen a head canon floating around that when solas puts a mage!Rook in the regret prison, it tranquilizes them. What do you think Viago’s reaction to this happening to a Crow!Rook would be?

i think there's a small terrible part of viago that instinctively thinks it was a bad investment/solution to send rook off with varric, since he's lost one of his best assassins. and then of course he hates that this is his first reaction because rook is more than that to him, but he's been conditioned by their lives to worry about his power and the mission first. and then i think he throws himself into trying to prove that he is a better man than that by finding a cure, without being obvious about it, even if his worry actually makes him messier and obvious. a similar outward reaction to what i've seen people headcanon about how he feels when he gets the news that rook is stuck in the fade trap in general (anger, determination, frustration, etc)

the idea of viago as a man who clings to "i rose to this rank for a reason, above the other crows. i'm a killer but with my poisons, i'm cleaner. i'm royalty. i'm better." is so beautiful to me. who he wants by his side/publically allies with is made more interesting to me for that reason. rook and teia make a very short list, so for him to lose either of them (especially to a fate worse than death. like i know there's a cure but i'm not sure if that's common knowledge and it has rammys bro) will inevitably cause a crash out the likes of which thedas may have never seen before <3

[essektheylyss]

Anyway, since we are apparently going hard on 'all bets are off', I'm taking the opportunity to throw out my deeply wishful thinking, absolutely not actually serious, buckwild conspiracy theory, which is that the Luxon heard Ludinus's dumbass monologue through the beacon and went, "Fuck you, bastard, maybe the titans were here before the gods, but I was here before the TITANS" and wrecked his plans.

[kindaasrikal]

After Chen’s tournament, Nya was uncontrollably tense around Kai. She truly believed her brother betrayed and left her for dead and that hurt. More than she was willing to admit. She felt so utterly betrayed, thinking her own brother, her flesh and blood, the only person who was there from the beginning to now, would so easily leave her for dead for someone else. Someone who was more worth it. More useful. After everything was resolved, she couldn’t help the way she would tense around him, or feel unnecessarily jealous when her brother started actively avoiding her thinking she wanted space like usual, even if he didn’t know why as he went to hang out with the others more. Yet when he opened his door at 3am and was swamped with an armful of a sobbing Nya saying he can’t just leave her like that he realised he may have made a mistake. And then started crying guiltily right after.

Sometimes Lloyd would look at the ninja and realise these were his brothers, his sisters, his family. And at one point, they left him alone as they mocked him. He still remembers the looks on their younger faces as they laughed at him, or the way Nya used to look annoyed with him, or when Wu would have no idea how to deal with him. In his depression he pranks them just as horribly as he used to and would lock his door and pout as he reads the comics he stole from Jay’s room with tears in his eyes as the others tell him to fix the messes he made. Then he would open the door, looking like a mess, glare at all of his siblings who now look heavily concerned, and hold a certain finger up before smashing the door closed again.

Kai would sometimes remember how he acted when he and the other met and would feel so down about it. He would go silent and start being overly conscious of everything he says and does to make sure he doesn’t do anything bad and wrong. It disturbs the others both seeing the Kai they’re used too and instead a much more quieter, hesitant one.

Morro constantly feels like he’s being watched, even when he’s all alone in a room he can trust, because he remembers the all watching eye of the Preeminent constantly laying on him as a reminder that he will never be free of the burdens and expectations that lay on his shoulders.