#like we have so many edgy characters already

[youling-the-ghost]

Villain Deku AUs have always confused me because like...did we watch the same show?? Midoriya's heroism is so strong that it allowed him to:

inherit One For All from All Might

pass the UA exam (with the help of his new quirk)

save not one, not two, but three children from deadly villains AND inspired them in different ways

and probably more that I'm forgetting.

I'm not saying that Villain Deku is a bad idea or anything, I really like the concept! I just find it weird how some people say things like "the timeline where Deku is a villain instead of a hero is not far from the canon one" because there's not a single ounce of villain-ness in canon Midoriya's body.

Another main problem that I have with most of these AUs is how they almost always paint All Might as the bad guy: "Oh, he's the one that caused Midoriya to spiral into villainy" and "If All Might had been nicer to him, he wouldn't have turned to villainy" are both sentiments that I've commonly seen before which again, confuses me.

Most of this hinges on the whole "you can't be a hero without a quirk" thing, which honestly? It makes sense to a certain extent. Remember, All Might was quirkless too. He knows how helpless quirkless people are in the world. Midoriya can train until he's on par with UA students without a quirk, sure, but that doesn't erase the social ostracisation that all quirkless people experience. The truth is that the public severely looks down on quirkless people, and that's not something that a single passionate middle school student can fix. Sure, Toshinori could've phrased himself better, but what he was trying to say isn't false; it is very difficult, maybe even impossible for quirkless people to become Pro Heroes given the current system.

[cripplecharacters]

How to Support People with Facial Differences - the Face Equality Week 2024 Special

[large text: How to Support People with Facial Differences - the Face Equality Week 2024 Special]

Today is the 13th of May, which means that the Face Equality Week has just started. This year's theme is “My Face is a Masterpiece” which is probably my favorite sentence ever said about having a facial difference. Huge fan, should be used way more often in my opinion.

Because of this occasion, I would like to share some thoughts about Face Equality that I think are rather entry-level, i.e. you don't need to know much to execute these, but you can still support us.

Stop the stare.

I know it's fun to stare - or so I guess, at least - but maybe you shouldn't. Next time you see someone who has a scar or who's face does not move the same way as yours, just mind your business. We can tell when you're “discreetly” looking.

Don't call us deformed. 

Knowing how the people you're trying to support actually call themselves should be an absolute first step, but most people still fail here. Most of us don't appreciate being called “deformed”. I certainly don't. Say “facial difference”, or “disfigurement” if you must. It's 2024. Leave “deformed” to medical reports from the 70s.

No more “What happened?!”s.

If you aren't a doctor, there's a high-to-100% chance that it's none of your business. It's cool that you're curious - keep it to yourself.

Stop insinuating that we are ugly.

“Support people who are ugly!” isn't very supportive. I would say, not in the slightest. Say “people who don't fit the current beauty standards” if that's what you mean. 

Or, to go with this year's theme, “people whose faces are masterpieces” : )

Use critical thinking online.

Is the reaction photo actually funny, or is it just a person with a craniofacial condition? Is the meme actually a meme, or is it just making fun of a person with a facial disfigurement? Is body-shaming suddenly hilarious to you when the person shamed has strabismus? 

If the entire punchline is “lol they have a disability xd”, it's ableism. Plain and simple.

To go with the point above - your joke is probably not funny.

We get it! You can't help telling us how "you're going to hell for laughing" (which yeah, probably) and how we remind you of the ugliest character you have ever seen. I guarantee you that we heard it, and that you are behaving like an edgy middle schooler who hasn't "found out" yet. It's boring and annoying. Also ableist, but you're aware of that already if you're saying that you're going to hell.

Stop with the goddamn trigger warnings. 

We aren't “body horror”, we aren't “gore”, we aren't something that you need to advise your viewers to use their discretion over. Every “graphic footage: child with neurofibromatosis” and “#tw burn scar” is a sign of ableism and disfiguremisia. People with facial differences deserve to be seen. Ableds can survive seeing a person without a nose.

Do a basic reading on what disfiguremisia is.

New word! And an important one. It's a brand of ableism that intersects with more or less everything, and it means discrimination and hatred of people with facial differences/disfigurements. The bullying, harassment, endless name-calling, and microaggressions are all results of disfiguremisia. The ways in which everything is harder for us isn't some unchangeable rule of how the world works, it's just an extremely prevalent type of discrimination.

Understand that we are people.

I know, revolutionary - and yet impossible for so many people to get. We can be a visual representation of evil when it's necessary, we can be a feel-good inspirational story on a morning talk-show, but not much else, it seems. In reality, we are complex, we have our own lives, we can be happy and sad and have the same exact joys and worries that you have.

Hey, artists - facial differences don't make you evil.

Title stolen from a great essay by Lise Deguire (link). When's the last time you saw a positive character with a facial difference that wasn't inspiration porn? I mean a character that's not edgy, full of angst, a murderer, or a villain. Based on what you see in the media, you'd think that having a scar renders you evil on the spot, but in reality it just makes you loathe how artists apparently think you are like. It's boring, it's overdone, it's ableism. Stop doing this, and start noticing when it's being done. Point it out if your friend is writing their new villain to be an evil burn survivor. This kind of portrayal needed to stop ages ago, but tomorrow will be a great time as well.

Before you reply with “I've never seen this” - Darth Vader, Lion King’s Scar (subtle name, great thing to teach kids!), Freddy Krueger, Voldemort, we could be here forever. You're just not paying attention.

Pay attention to where we are not included.

As discussed, there are some places where you see us all the time. But where do you not see us?

Advertisements (unless it's for a scar-removal cream, of course). Fashion shows. Magazine covers. Romance movies where we are the main character.

We deserve to see ourselves in what's around us in the same way able-bodied people do. Trying to make it seem like we don't exist - that's deliberate. 

Interact with our art.

We draw, write, sing, act in movies, we do everything. Support us in the most tangible way - leave us a nice comment, read our books, listen to our songs. Watch movies where actual people with facial differences star, not pseudoinspirational stories about how “being disfigured is ok” where they shove an able-bodied actor into a full face prosthetic just to not have an actor with a disfigurement on set.

Include us.

As this year's Face Equality Week calls for, include us. In art, in movies, in books, in your life. Show us as positive people who are valuable, who are a part of your community - I guarantee that we are in every one that's out there. The world is hostile and unwelcoming to people with facial differences - be the change, wherever you are.

I know that it is different from the usual posts I make, but I hope it was somewhat educational. I just like to use every occasion that I can to force Face Equality into people's heads. To make this at least a bit about writing to keep the blog's theme, I will say that if you want to write about us, you need to care about us in real life as well. Otherwise, it's pointless and, as representation, genuinely worthless.

Below the readmore are some links/resources that you can click to educate yourself further. A lot of them lead to Face Equality International because they have just about everything you should know. If you want to be a better ally to people with facial differences, I heavily recommend them.

#MyFaceIsAMasterpiece

mod Sasza

https://faceequalityinternational.org/2023/04/why-i-will-not-hide/

https://www.psychologytoday.com/gb/blog/disability-is-diversity/202111/hidden-community-the-movement-face-equality

https://faceequalityinternational.org/2022/05/facial-differences-in-the-media/

https://faceequalityinternational.org/2023/04/advertising-excludes-women-with-faces-like-mine/

https://www.phoenix-society.org/resources/burn-community-bookshelf

https://faceequalityinternational.org/about-fei/international-face-equality-week/

https://faceequalityinternational.org/2023/04/hidden-from-view-women-with-facial-differences-in-the-media/

https://www.phoenix-society.org/resources/i-dont-see-your-scars

Thanks for actually clicking the readmore

[pain-indeed]

What I like most about DMK is that he's essencially a blank slate. There is so little known about him and his personality that you can make up the wildest shit about him and it can't even be mischaracterisation. Basically here's what we know :

Like, he's the mirrorred version of Meta Knight. Does that mean he's like him, but with every personality traits inversed ? Or are they only worsened instead ?

He does'nt have a single line of dialogue. Is he mute, or does he hates speaking ? Maybe he's shy ?

He also sits in the sunshine to draw with the rest of the wave 2 gang. Why ? We may never know !

And that's it. Nothing else. But that's why this character is so interesting to me ; seeing how different people potray him, immagining what he could be like, devouring the little crumbs of theories I see about him like a rabbid animal on a dead carcass...

The only bad thing is that there's a lot of assumptions and misconceptions about him that make my blood boil. Every time someone says " DArK meTA KnIgHt is SOo EeevIiil ! HE CORRUPTED SECTONIA ! TarANza sHOUld KiLl Him ! " without any other source than "trust me bro", I feel a piece of my soul withering away.

I've said it already, but this character has amazing potential. Being the dark counterpart of somebody as well known and respected as Meta Knight could lead to so many interesting stories. Please, for the edgy borb's sake, consider this before making him an asshole without even thinking about it .

[wordslikesilver]

I am once again thinking about Hoarah Loux, the only man Marika ever trusted and the only man she ever loved. It’s such an insane thing to think about the fact that the second last boss of Elden Ring is Some Guy. He is literally just A Human Man. Marika looks at this fucking raving barbarian man and decides to My Fair Lady him into a Lord like the deranged woman she is by assigning him a babysitter to perpetually gnaw on his neck whenever he’s in public. As insane as all that sounds, let’s break down that imagery a little because it’s actually really good! His babysitter is the king of beasts, a lion named Serosh, who digs his claws and his fangs into Hoarah Loux’s body to keep him suppressed and restrained enough in temperament to now be fit to be named Godfrey, The First Elden Lord of Queen Marika.

Serosh is frankly quite mysterious as far as what he actually is goes but as far as story themes go, he’s a really interesting symbol of lordship. The lion basically IS Godfrey’s crown, it’s what makes him Godfrey. The symbolism is essentially stating in a very overt way that this man is more savage than all the beasts of the world. In Elden Ring, beasts with five fingers indicate an enlightened or elevated intelligence, blessed by the greater will. It’s fascinating how it’s basically stating that Serosh is more intelligent, refined and noble than Hoarah Loux, that this man is more wild and savage than the greatest of all the beasts in the world. That only a beast king could teach this man to be a Lord. Godfrey can rip him apart anytime but he doesn’t. It takes more than strength of body to wear a crown and he knows it. He needs Serosh to honour and do right by Marika. He is showing his opponents a courtesy, as he puts it. Morgott takes after his example and so too is Radahn inspired by him. It’s really wonderful imagery.

There’s more to the symbolism. My knowledge of alchemy is, I completely admit, too surface level to elegantly speak at length but I’ve done some light reading online to back up my confidence in what I’m saying. We know Miyazaki loves dark edgy anime like Berserk and I posit that he also gained inspiration from the anime/manga Hellsing, in which the main character recites the line “I am the bird of Hermes, eating my own wings to make me tame.” This line comes from the Ripley Scroll and is theorized to have many meanings but popularly is presumed to mean giving up higher philosophy and knowledge to live normally on the earth as a human. Miyazaki uses lots of alchemical symbolism in his works, Elden Ring especially (go watch Quelaag’s videos!) so I could be totally full of shit about hellsing but I’m completely confident that Godfrey is meant to be an inversion (like literally everything else about his character) of what the Bird of Hermes represents. Godhood is a prison, a shackling. The entire plot is Marika (and Ranni tbh) trying to escape that imprisonment. Godfrey loves Marika enough to chain himself down, to eat his own wings, to pull out his own teeth and claws for her to make himself tame and ascend to lordship.

What’s especially fascinating about him is that he carries Serosh out into the badlands with him, as the opening cutscene shows. Cut dialogue indicates he already knew the Elden Ring would shatter and the tarnished would be beckoned to return. That Marika told him her plan in full before she took from him and his warriors the grace of gold and sent them away. A line from him saying to trust in gold, always, that it will guide our fates to our true destiny has wonderful implications I would certainly love to expand on in another post maybe. Hoarah Loux was just a human man and Marika trusted him enough to tell him everything. Trusted him with her gambit to escape the shackles of godhood. This is the fascinating part about taking Serosh with him. Keeping himself disciplined enough to remain a Lord when he returns. To hold back his aching heart just enough that he could follow through on this dark plan and allow his wife to protect him from the machinations of the greater will by sending him away. Also note that in that opening cutscene, he’s being crucified, with a lion about his shoulders and spear buried in his abdomen. They could not be milking the Jesus imagery harder if they tried. The Bird of Hermes is also thought to represent Christ, more points for that symbolism.

I love Godfrey so much as a character. He loved his sons and he loved his wife. The tenderness that he holds Morgott with is enough to make me cry. How he wished he could’ve seen him sooner, I’m all too sure. He’s the only other character we see guided by grace in the entire game. Marika guides you and her beloved husband, that’s it, that’s how much she trusts him. When he rips Serosh from his shoulders, you understand how Marika felt such faith in him. In Elden Ring, it is through battle that you face the true self of an opponent. Godfrey reveals to you Hoarah Loux, Warrior Chieftain of the Badlands. It is a test. Are you worthy to free her? Can you do what I could not? I have shown you courtesy enough as a Lord. You served me well, Serosh. I relieve you of your burden and feel only gratitude for your service. Now begins the test. Are you, tarnished, stronger than the only man who was strong enough to bear the burden of Lordship? Are you stronger than the only man that Queen Marika ever trusted? Are you stronger than the only man she ever loved?

[anniflamma]

My Thoughts on The Thunder Saga

I've been thinking about The Thunder Saga all day, even though I have a headache, and I can say one thing: I liked it!

I was mostly prepared for the emotional damage in Mutiny/Thunder Bringer for multiple reasons, like collaborating with Jay on the ending of Thunder Bringer. However, I was genuinely surprised by Suffering, Different Beast, and the reveal that Odysseus had already tried to kill Eurylochus during Scylla. I really wanted Odysseus to go full-blown monster mode in Act 2, so I felt satisfied.

Maybe this is a hot take, but I have never really felt bad for Odysseus. The only time I did cry and felt for him was when his mother was singing to him in The Underworld Saga. I've never been fond of the crying, shooting soldier type, both in fiction and in real life. I've watched too many documentaries that made me incapable of feeling bad for people or characters committing cruel acts on others and then crying about it like they were the victims.

The song Suffering was a delight! You immediately knew something was wrong just from the happy tone of the music, especially since we were left with Monster. At first, I thought it was a flashback, and yes, the comment "daughter" piqued my interest. Then I quickly thought it was a dream, but at the same time, something felt wrong.

When it switched to Different Beast, my first thought was, "Did he just shoot Penelope?🤣 " And yes, we now know it was the Sirens! But the imagery is very ironic. I even see it as a parallel with the first saga, with the infant. Odysseus has a whole song about his struggle with the decision to kill an infant that reminds him of his own child, ends up killing him, and then in the second act, he kills a female creature that looks like his wife without hesitation. That, folks, is character development! Yes, Odysseus knew it was a Siren, and we can still tell that he is somewhat tries convincing himself in Different Beast.

"My real wife knows I'm not scared of the water And my real wife knows I don't have a daughter"

Essentially, he is reminding himself that this woman in front of him isn't his wife.

All the cruelty against the Sirens was unnecessary. But that is the point! He believes that the only way home is to be as ruthless as possible. However, bringing unnecessary suffering to both foes and friends was obviously the incorrect decision.

Musically, the song Different Beast didn't really click for me. I mostly found it edgy and not really "cool," if you know what I mean. I've heard it a couple of times but still have a hard time remembering the melody, weirdly enough.

If I ever make an animatic of these songs, it will probably be all together in one animatic. Those two songs are meant to be one, but I understand why they are separated due to the major difference in tones.

The song Scylla was the least anticipated song for me. The snippets didn't really catch my attention. But I did like the conclusion of making Scylla and Odysseus have a short duet at the end. Scylla's cruelty was just a mirror of Odysseus, and he was the one actually killing his men. I think this saga really was Eurylochus' peak in terms of characterization. Eurylochus confesses that he was the one who opened the bag and has suffered with this weight and guilt. Odysseus, in his state of mind, turns away and tells Eurylochus to light a torch, knowing that action will doom Eurylochus. Odysseus straight-up tried to kill Eurylochus already, and I thought it would happen in Mutiny! XD

That moment was cold! No words, no goodbyes, just "Light the torch."

Then we have Mutiny. I really liked it! The callbacks to Luck Runs Out were a bit expected but felt so good when they happened! I've seen comments here and there saying that Eurylochus was a hypocrite due to his comment from the Circe Saga to abandon the men who became pigs. Odysseus even brings that up! But Eurylochus is very justified in calling Odysseus out for his actions.

"When we fought the Cyclops, you were quick to hatch a plan And when we fought with Circe, it was you who left behind no man But when we fought this monster, we didn't take a stand"

Odysseus could have made a plan that at least could have increased the chances of survival for the six men who died. But he didn't, he only thought of himself and betrayed them first, using them as bait to guarantee his own survival. Eurylochus, in the Circe Saga, was a man who was scared, confused, and filled with guilt for opening the bag. So his wanting to take the cowardly route is understandable, but it's nowhere near what Odysseus did.

So then they fight, epic moment, we all love it! And for the second time, Odysseus tries to kill Eurylochus but ultimately fails because Perimedes stabs him in the back. Odysseus is like, "My brothers, why?"

WHAT DO YOU MEAN WHY??? But that is still the point of Odysseus' perspective. He is acting like a ruthless monster now, so he is in a state where he is incapable of understanding or more like thinking of his victims' perspectives. Of course his men would defend themselves from him, of course they would betray him, of course they would backstab him. If you treat your own friends as disposable, eventually there will be a reaction: they will either abandon you or retaliate. It takes an immense depth of pride to feel secure with someone you have inflicted suffering on. And pride is the very theme in this saga!

When Luck Runs Out plays but the roles are switched, it felt a bit nostalgic in a way, but it's still a bit distorted. This time, Odysseus is the one singing Eurylochus' lines, but it's not him being confused and doubtful, instead, he is scared yet manipulative. Eurylochus opens up and is vulnerable toward Odysseus. He feels hopeless, clearly experiencing survivor's guilt.

"Eurylochus: How much longer must I push through doubt? Odysseus: I need to get home Eurylochus: How much longer must we go about my life like this when people die like this?"

When it doesn't work, Odysseus switches from "I" to "we." I love that detail. It's not genuine, and I love it!

Thunder Bringer… I loved it. There, I said it! There is nothing more! LOVED IT! ⚡⚡⚡ I am so happy that I got to do an animatic for Jay for this song!

Thunder Bringer is the song where Zeus punishes the whole fleet for killing (presumably) Apollo's cattle. My theory now is that Apollo doesn't like Odysseus for killing his cows in God Game, and Athena is probably like, "Yeah, but his men did it, not him." And Apollo is like, "Touché."

EDIT: I know that the cattle is Helio's but I speculating maybe the musical will change that to Apollos. Who knows!

Essentially, Zeus literally comes down and sets things straight. Instead of being sneaky and witty like Odysseus usually tries to be, Zeus just gets to the point, "Who gets to live?" And Odysseus points at Eurylochus/the crew, saving himself from Zeus' punishment. Well, I do see that Calypso's island is Odysseus' punishment in a way. It's an ironic one. He comes to paradise and gets a home and a wife… just not the home and wife he wanted. I have some fun ideas for my Thunder Bringer animatic!

Rest in peace, Eurylochus. You will be missed.

[centrally-unplanned]

Japanese website Forest Page is shutting down ~today, a tragic loss of "Heisei otaku memories", as so many are calling it. Launched in 2003, Forest Page was a "Geocities for mobile", a site that hosted user-created websites and gave them tools to allow non-coders to make them. In practice, it became one of the premiere places for fanfiction in Japan, with the stories hosted on author-created sites.

It wasn't quite the Fanfic.net of Japan, as for one the Japanese fandom just never centralized quite the way the 2000's western one did, instead being spread out over a half dozen or so sites. But additionally, it wasn't initially popular for fanfic so much as cell phone fanfiction, because in 2000's Japan the "cell phone novel" was a specific thing. These websites were being made for flip phones, not smartphones, and not only would people read them on those phones, they would often write them. None of that was very conducive to the creation and consumption of a "traditional" novel; so starting in the 2000's Japanese writers started making stories fit for the medium, namely:

Very short

A huge focus on dialogue and inner thoughts, with no/minimal description or scene detail

Using a limited POV of a specific character

Often employing the medium-as-message, like using emojis, structuring the story as IM's or emails, etc.

Also they all had huge gaps between lines, I'm not really sure what that is about:

Probably for readability on the phone given the small screen size? But it was absolutely part of the genre. A few of these novels actually made it big, got movie adaptations, people wrote articles about the "cultural phenomenon", it was the 2000's so Hiroki Azuma had a take on it of course, and so on. It slotted neatly into the vibe of the time of technology changing culture, paralleling discourse around otaku in the same era.

In fanfic those trends met up, and anyone familiar with fanfiction probably read that list of traits of the cellphone novel and thought "oh, this is perfect for fanfiction". Skipping out on description? I don't need it, I know what they look like already. Focus on conversation and POV? Perfect for shipping fics. Short lengths? Yeah, we are shortcutting to the good stuff, that is the point. Mirroring trends in the west, Forest Page's userbase was ~95% female, and the most common content on the site was romantic or edgy-dramatic stories in the franchises you'd expect. The closure page linked above actually summarizes the site's history by year, and lists the biggest fandoms:

Which is exactly what I would expect from a female otaku fanfiction website. Congrats to Pirates of the Caribbean for making it though, freeaboo's represent.

I do think the fact that the site was a website hoster as opposed to a fic hoster did align with the way the Japanese fandom was more "creator focused" and embraced the media mix more. There were "fic circles" a la doujin circles who made their own pages, people would make fanart, fan video games, and so own to host alongside it, and all of it was centralized to the creator; it made following them-as-a-person just a little bit easier. Most websites were simple text, but others did have the full Geocities experience:

Something that was somewhat common were basic visual novel concepts where the reader could make choices, or even insert their own name so they would be the "MC" of the story:

(Dream novels are in fact their own thing in Japan) My understanding is the site was quite popular through the 2000's and into the 2010's, though over time the "cellphone novel" as a concept fizzled out. People got smartphones, more people got PCs, and the constraints didn't make sense anymore - you can read ebooks and normal websites on your phone now after all. You can probably draw a line between these kind of stories and the webfiction/light novel boom of the late 2000's/2010's, something that was equally born on the internet, that streamlines the novel to "shortcut to the good stuff" but without the need to fit on a flip phone's screen. Though I will admit my own understanding of their histories shows them more as two sides of the same "youth demand for new literature" coin.

In 2017 Forest Page launched Forest Page Plus, a new service fully optimized for the smartphone era; but it did not transfer over all the old content, starting the clock ticking on the original Forest Page. My understanding is that in June they announced Forest Page was officially closing down; and from what I have gathered from reminiscing writers on twitter, they did not provide any easy, one-touch way to save any of the content, so people are archiving Wayback Machine links or sharing tips on how screenshot-save stories (I think the rub is they gave people a way to transfer content to FP+, but most don't want to do that, as places like Twitter & Pixiv are the content kings of this era).

As of tomorrow I would bet the large majority of the content will be gone; quite sad given both the quantity of stories there and how many got sometimes millions of readers. I am sure most of the biggest stories are archived at least, but particularly the early stuff was a very ephemeral genre, one that doesn't make sense to revisit once you aren't a 16 year old teen writing and reading fics on a flip phone in between classes. Which means another legion of the ghosts of the Wired is being born today. May we pour one out for a fellow online community that lived and died!

[lyculuscaelus]

Just a gentle reminder that EPIC the Musical is a musical. It’s not a movie script, not a play adaptation, but a musical itself. Which means, to talk about it with anything less is inorganic, is missing an important piece of the story itself. Because it’s not just the lyrics that display the scene—music tells its own story too.

The way the soundscape for each saga (and sometimes different songs themselves) is so unique that it creates the atmosphere for this certain event almost immediately, the experience of which you cannot go through merely by reading the script. With the Cyclops Saga we have a dark and edgy theme, with the Circe Saga we have a more tropical (mostly due to the drums) and at the same time elegant one (due to the strings), with the Underworld Saga we have this very gloomy theme which is straight up Underworld feels…this is very common for music, but it’s just something you won’t get from the script.

The way the delivery of so many lines is so good that you can feel the emotions so vividly—something lyrics alone can’t display. (Which is also the reason why there’re so many lamenting paragraphs in tragic plays and why there’re pauses between spoken lines in writings where writers describe the expression and movement of characters.) The way you can hear the anguish and desperation in the delivery of so many lines from Mutiny, the way you can feel the emotional struggle of Odysseus at the end of Thunder Bringer in the way Jay sings…there’re so many moments where you just feel the raw emotions coming from those lines that you can’t experience it by reading the lyrics and interpreting with wild guesses.

The way the reoccurring motifs and riffs tell so many things that lyrics won’t is already well-known. Danger is nearby motif already gives you the alert of what is to come; storm motif depicts a harsh encounter on sea that it captures that moment so well; that specific motif from those three songs (the beginning of the second verse of The Horse and the Infant, the first and second verse of Survive, the beginning of the second half of Mutiny) is foretelling the turning point of events (and also asking someone to kill the other being)…and then we have characters’ own motifs. Odysseus’s cunning motif shows the moment where he plots the course of action; Athena’s Warrior of the Mind motif already indicates her appearance and more; Polites’s Open Arms motif just destroys your emotions cuz why not; Eurylochus’s Luck Runs Out motif shows the development of the dynamics between him and his Captain…there’re so many to rant about that I just can’t put them all in this one post. As for the riffs, the most famous one is of course the way Athena and Odysseus and Telemachus sing “miiiiind”/“fiiiiiine”/etc. as Jay has already yapped about in his video, which just shows the dynamics between these three characters so perfectly. Hey look, another thing which the script won’t tell you.

And then we have these characters’ own instruments. I don’t even think I’ll need to elaborate on this one. Most of you have known that already and understood how genius this idea is even though it’s not Jay who came up with it. This is totally something you can only experience in the music itself, but meanwhile it says a lot about the scene already. As in Done For where Odysseus’s electric guitar continues playing under Circe’s lines which indicates he has taken hold of the situation already (even though temporarily). It might be a minor thing, but still it’s very well-thought, and sometimes even foreshadowing (like how Poseidon’s trumpets have already shown up in Storm).

…

There’re so many things to rant about this musical that a single post is far from enough to discuss them all. Here I’m only pointing out that EPIC is an organic combination of lyrics and music (and action when it comes to stage production which I believe it will eventually) that it’s impossible to treat them separately while still getting the whole story right. Once again, the piece you’re talking about is not a stage play—it’s a musical that is epic.

[seireitonin]

“Toby/ other characters would be an abuser!1!” A talk on why that pisses me off

Hi. My name is Seirei. I don’t want to share super personal shit on the internet, but due to certain factors in my life I have BPD. (this is NOT self diagnosis. I have been to a professional and for now they think I have this due to certain trauma/ symptoms I’ve shown) This is part of the cluster B personality type. That being said Toby and many other creepypasta characters either canonically have ASPD/ BPD or it’s a generally accepted headcanon that they do. Now this in itself doesn’t bother me if it’s done well and with research. But the problem is most ppl just slap these labels onto them without doing the proper research. I’ve gotten multiple comments on my TikTok like “well I think Toby is an abuser bc he has ASPD/ BPD” I hate that. I hate that so much. You guys say it’s for “realism” but you’re just demonizing mental disorders. You’re demonizing people like me. In you having your “realism” youre hurting me and ppl in the cluster B personality type. ASPD/ BPD doesn’t instantly make you an abuser. These are personality disorders brought on trauma. Especially trauma with parents/ family. People with ASPD/ BPD know that we’re not well all the time. We’re suffering from disorders that affect our lives. From trauma/ experiences that we didn’t ask for. These are DISORDERS. These aren’t fake edgy illnesses that you can slap onto a character with no thought when you want them to be angsty. For example when ppl say “Toby would be an abuser/ not be capable of love because of his ASPD and he went through abuse in his past” not only are you taking away the depth of his character, you’re just straight up demonizing mental disorders. If you read his story, he loves his mom and sister so much. People with ASPD can love. But it does cause him to be obnoxious and rude. But this isn’t coming from a place of malice. He’s a traumatized man w a disorder! This isn’t me saying Toby can do no wrong and he’s 100% healthy. Toby definitely has issues and I’d never erase that. But to call him an abuser because he has ASPD is so gross and you’re just demonizing ASPD to be edgy without doing research on it or the cluster B personality type in general. As I said before, people with cluster B personality type KNOW we have disorders. We live with them every day. They affect our lives, our relationships, ourselves. We know that we fuck up and what we do isn’t healthy all the time. We KNOW. We’re not doing it because we’re “abusers” we’re suffering and hurting. Again this isn’t me saying that everyone with BPD/ ASPD is a good person who’s willing to do the work and grow. There are bad people with these disorders. But that doesn’t mean everyone who has them are instantly abusive. I’m not an abuser at all. Never have been and never will be. But BPD does affect me and the way I act that can come off as hurtful/ unhealthy and I KNOW THAT. Im always actively putting in the work to be better, like a lot of people with ASPD/ BPD. Just because we have these disorders doesn’t instantly mean we can’t change/ be better. Doesn’t mean we’re not humans with emotions/ trauma of our own. Toby obviously had to do some kind of inner work to be able to be with Clockwork the way kastoway portrayed them. (If it’s canon or not is irrelevant here)When you say shit like “Toby is abusive bc of ASPD/ BPD” that’s what you’re telling us you think of us. You see us and treat us like monsters but then talk about how much you love Toby/ other characters for having our very real disorder. ASPD/ BPD can be seen as two sides of the same coin. They have so many similarities but are shown in different ways. Do proper research before you talk about mental health because you’re stigmatizing/ demonizing disorders that are already looked down upon. Toby does canonically have ASPD and possibly BPD but it’s written into his character pretty well(as well as a 13 year old in the 2010s can do) and now that ppl are older we can actually analyze his character/story correctly. But Jeff and many other characters still aren’t getting this same treatment and they need it.Do better.

[hestzhyen]

Chapter 53 Fear Posting

Hello, kind internet void. What a chapter, huh? Not much to say other than I need someone to heal Chihiro's pain pronto.

That's a lie, of course- there's always a yapfest from me. Thanks for tolerating my nonsense as usual.

Hiruhiko Gets Fucked

Ch. 49

Ch. 53

How it started vs. how it's going for our playful psychopath foil

I loved this moment. Instead of shaking the protagonist and making him question himself, Hiruhiko's trolling just shows us that Chihiro is already well aware of how people see him.

Hiruhiko tried to call a bluff with the ol' reliable "I'm just like you" to make the MC question everything he's done, but it backfired in a huge way. He should have been paying attention since the start:

Chs. 1 & 6

Chihiro wasn't just being edgy in these moments early on, Mr. Discount Mahito.

I enjoy when the author has the protagonist confront that they really aren't so different from their sworn enemies. When done well, it helps the character clarify their moral stance and adds depth as they incorporate some of their enemy's ideals into their own worldview. But Sojo already forced Chihiro to do this. So what value would Hiruhiko doing the same have? Is it different just because they're close in age and Hiruhiko said he already understood Chihiro?

Nope. The meaning comes from Hiruhiko posing a different question.

Sojo asked: who gets to have the final say over Kunishige's intent? The answer Chihiro came to is: the one who's willing to go the farthest to fight for their vision.

Hiruhiko asked: are you aware of how evil you appear to be by going so far? Chihiro answers that he is, and always has been.

I'm really pleased with this turn of events! The flippant piece of shit doesn't get to waltz in and completely upend the protagonist's worldview by pointing out that he's killing people for once. Instead, we get an amazing inversion of the scenario that makes me want to cry for Chihiro. I trusted Hokazono-sensei to do a crisis of conscience arc well but this is a much better outcome IMO. It's never too late to try and exploit a character's cognitive dissonance between their beliefs and actions, so good try Hiruhiko. You just tried to fuck with the wrong traumatized MC. Enjoy being two arms lighter for the next few chapters.

Seriously though, fuck Hiruhiko. I appreciate his role in the narrative and I'm looking forward to what he does next, but he's kind of on the same level as Soya for me. I will cheer his death and not mourn one bit when we move on from him for good.

But we shouldn't be glad when people are killed, should we?

On Death and Killing Intent

This chapter had many jaw-dropping action moments but they're all so sad.

In my Chapter 51 post, I went on a bit of a tangent about how the adult cast all seem to have a heavy burden that they're using to try and steer the younger generation. Samura, Shiba, Kunishige, and Uruha all reject the idea of being "heroes" and the first three are shown to be reluctant to take lives if they can help it. Because killing is a wrongful act that leads one to hell. Doesn't matter what one's intentions are- taking a life is an act of evil. The adults didn't want the younger generation to revere them or try to follow in their footsteps.

But Chihiro chose to do so anyway, and he's taken their mindset to heart to help himself commit to the bit.

Doesn't matter that Chihiro tanked all of Hiruhiko's attacks to let the audience escape. Doesn't matter that he held back to avoid accidental casualties. Doesn't matter that he's ridding the world of the Hishaku's evil. He's a killer - a monster- that's going to hell. And he's resigned to it. He doesn't even have the excuse of saving lives or fighting a war to hide behind- he's steeping himself in sin for selfish reasons.

I was wrong about Samura having to teach Chihiro how to buckle down despite knowing he's walking the path to hell- Chihiro can already do it. So Hiruhiko was right. They're both drenched in blood with no chance for redemption. But that wasn't what Chihiro was pissed about last chapter. It was Hiruhiko assuming their reasoning for killing as being the same that got to him.

Chihiro doesn't find pleasure in killing someone, obviously. Not even Sojo, who was an objectively evil child torturer that wanted to use Kunishige's works to massacre innocents. But when Chihiro's alone against true evil, like his fights against Sojo and Hiruhiko, he goes full-on villain mode to meet them where they are. He's walking straight to hell and doesn't care about how it makes him look when the people he cares about aren't there to see him at his worst.

I posted a little bit about how loved Chihiro is even if he won't let himself realize or accept it, and it's true more than ever now. Chihiro's not a good guy. We shouldn't be thinking he's a purely wholesome person. But he's a damn sympathetic protagonist who is in a truly unbearable amount of pain, and I want him to just... let himself cry or something.

We don't mind that he's a murderer since we see him focus on doing what good he can, like taking detours for abused orphans and risking his life to save helpless captives. He's not the same as the vile scum he kills. Chihiro, though... "All scum go to hell!" is one of the earliest taglines of the series. Pretty sure he would apply this to himself, too. He's in a self-destructive spiral and we're just now seeing how far gone his mental state is.

What's that saying... the road to hell is paved with good intentions?

Chihiro and Samura

Seems like Kunishige was (or could have been) quite the warrior himself based on Shiba's comment... putting a pin in that.

Samura's got a ton of death flags, sorry to say. He's just scooping them up and dumping them all over himself. Not gonna stake my life on this or anything but Tobimune is probably going to be usable by the Hishaku somewhat soon... I hope Chihiro gets to reunite with him one last time before that happens though. Surely next chapter is where the gang gets back together...? Hakuri will probably teleport Chihiro to the temple once he's recovered, so it'll just be a matter of Chihiro getting Hiruhiko to talk enough before that happens.

Not that the type of food has deep symbolic meaning, but Chihiro and Samura are sharing traditional tea snacks; probably higashi (干菓子) of the rakugan variety. They're extremely dry and sweet, so I doubt Chihiro enjoyed them- is that why they're untouched? Maybe Chihiro wasn't actually willing to stop looking at Samura as a hero despite what he said? I don't want to make guesses about the meaning of the food being uneaten. I've been too fried by IRL stress to have much time to think about fun stuff lately. Just know that this is another food=connection/understanding moment that's a bit strained instead of comfortable. (Hakuri's still the only person we've seen Chihiro willingly accept an offer of food from and actually eat... hm.)

No wonder Chihiro considers himself a monster if a "hero" like Samura talks about himself like one. Noble beliefs (hi, Hiyuki!) don't shield you from the horror that lurks in your conscience. It's really respectable of Samura to be so blunt about the reality of what he did and try to steer away Chihiro from admiring him, but the consequences we see now are...

None of them could have known that Chihiro would end up like this a little over three years later (hopefully). He took the lesson of "killing=monstrous" to heart a little too well, sadly... so who can help him break that mindset? Assuming the author wants to say that Chihiro's not the villain he thinks he is, at least. Which is reasonable. He might not be a hero, but he's not truly a monster either.

It depends on who else knows about how he's faring and if Chihiro will let anyone in to help. Keep close tabs on how he interacts with Hakuri and Hiyuki, IMO. One or both of them will probably be the key to him at least stabilizing his metaphorical descent into darkness. Even if they can't pull him out, they can walk through hell at his side.

Hakuri's more than willing to do this already- I wouldn't be at all surprised if he considers staying with Chihiro to be the best part of his life so far, despite all the hardships that he will face. He was already in hell when they met and Chihiro helped pull him out of it. Hiyuki's the bigger question since we hardly know anything about her right now. Her faith in Chihiro as someone who only kills bad guys is important, though. As of this chapter, I can see her helping him out if she believes it's the morally right thing to do.

Spaghetti Queen Thoughts

I'm a little surprised we've left Hiyuki behind for most of the arc to this point, so I do wonder where she'll factor in and how much.

She's set up to be just as important as Hakuri was during the Rakuzaichi arc thanks to her strong ties to the Kamunabi. And there are issues with her that are completely unexplored; namely, her convictions clashing with how the Kamunabi operates. Maybe we'll see her again with the other two bearers? Or when things shift back to Kamunabi HQ for the blood test reveal and such?

I wonder how she'll be motivating Chihiro. They squabble like siblings already; she's the only one who genuinely gets under his skin (which is very cute if you ask me). Both of them are headstrong and idealistic, but Hiyuki doesn't seem to be down on herself and what she does nearly as much as Chihiro is. So maybe that'll be the angle... hard to say when there are so many unknowns, so obviously she needs to come back ASAP to give us more insight!

Thanks for letting me ramble, kind void... see you next week if I make it there.

[fragmentedblade]

I think taking the kids to a park or something could make Kalpas a little better. Violent-playing with them may make him laugh. There's no cure for whatever Aponia, Vill-V, Elysia, Kevin and Fu Hua have going on. Su is on very thin ice and needs to chill. Pardofelis is kind of there. Mobius can stay I guess. Sakura is so bland she too can stay but for literally the opposite reason. Eden is on the same page as Kalpas imo

I can't believe Kalpas is literally the most normal and bearable person among the Flame Chasers

[phantomyre]

It is time... to obsessively hyper analyze Vincent. Come on. You knew it was coming.

So first off, while there isn't a lot to glean per se, there are a few interesting design choices that I'd like to go over. One thing that I was surprised about is the complete lack of round shapes/edges. Vincent looks overall a lot more 'sharp', 'edgy', whatever you want to term it. Take his buckles for example. The round edges have been replaced by sharp edges. Artistically speaking, these design choices are meant to depict the character's personality. For example, if you have a soft character, you use soft colors, soft edges, round shapes, etc. If you want a more harsh character, you give them dark or vivid colors, lots of squares, triangles, etc. In Vincent's case, they've virtually removed all of the round/soft edges he always used to have. We will delve further into this as we scan down his body *cough*. Edit: Forgot to point out that he has double the spokes on his buckles, so instead of 4 prominent spokes, he now has 8, which is the symbol of Chaos.

Anyways.... speaking of Chaos.

Continuing to analyze his upper body, the most obvious are his eyes (or single eye). It's hard to tell, but judging by the few clips we've seen along with the still images, it looks as though only his left eye is glowing. Nevertheless, he does have the Chaos inner-glow. While he's always had a touch of yellow/orange in his eyes, it looked more like natural eye reflection rather than an actual glow. This is likely the change the dev team hinted at during an earlier interview. His pupils are also notably very small compared to all of the other characters with the exception of Sephiroth's cat-eye slits. Overall, they've made it a point to give Vincent predatory eye(s) this time around, leaning more heavily into the fact that he is no longer fully human. The material that makes up Vincent's cape and headband seem to be of slightly different material, and the colors are even slightly different. His headband looks to be made of a very thin cloth of fine thread. His cloak, though also seemingly thin and light, is only slightly thicker. His cloak looks to be made of either felt or very fine linen which looks to be heavily worn out (of course). Also, Vincent seems to have snake-skin on his gun-wielding arm which I've only seen the Turks and Sephiroth wear. In general, this luxury material seems to only be worn by those connected to Shinra. Thus, it is likely this is meant to coincide with Vincent's past as a Turk. But in terms of his role as Turk, I will get to that a little later.

I think we can all agree that the weapon he is currently wielding is Quicksilver. It would make sense that he would start off with the same weapon he has in OG, though I and many others were surprised he wasn't wielding his most iconic weapon, Cerberus. While it isn't confirmed, and with the inclusion of many DoC elements, this makes me think that we could get an origins story for how Vincent obtained Cerberus in the first place. We are getting an origins story for Sephiroth's Masamune in Ever Crisis, and we already know the Bustersword's origins, so it's not out of the question. (And there are a lot of parallels to be drawn between Cloud, Sephiroth, and Vincent). Side note: I didn't write this in the graph but you can also see Vincent's left eye glowing through his bangs yet again even from such a distance. Natural white room bounce-light wouldn't have this affect on normal eyes. Rebirth Vincent seems to be sporting his OG button-top which is a design that we haven't seen since OG. It too has a little bit of snake-skin accents. A few other not so important changes are the alterations of his buckles, and the fact that it looks to be more obvious that he is wearing a two-piece set instead of a single piece jumper. Makes it much easier to remove, am I right?

Going down to those luscious DoC hips, some belts are shifted around or missing, but then we have the thigh guard which was responsible for giving Vincent that unusually thick hip appearance. However, he is still sporting that gorgeous slutty tiny waist we all love from DoC. Thank you, Squeenix. The armor on his side is an odd choice, though more than likely it is meant to protect those birthing hips from that extra dangerous looking set of claws--- which I would like to remind is also lacking in round edges. Yet again, all of the round shapes/edges have been replaced by sharp ones. Take the knuckles for example. I will miss his AC/DoC claw. It was less of a bitch to draw. The gauntlet looks to serve not only for offense but for defense as well. It is heavily armored for impact, and as we will see going down the rest of his body, heavy protection and sharp edges continue to be a theme for his new Rebirth look.

Once again, we can see how thin and light the material is on his cloak. It is in contrast to his very elaborate and possibly expensive gear/suit. His cloak and headband seem to be the only things that clashes with the rest of his gear in terms of quality and practicality. While there are signs of use on his armor, it pales in comparison to the possible age and wear of his cloak. As a matter of fact, it almost looks like it is about to fall apart... like it was hand-made years ago. Very different from the heavy material we see in AC and DoC. And then of course there are the sabatons/greaves. While I cannot pin-point it, his armor design seems reminiscent of the Ancients/Minerva for some reason. That aside, the heavily layered armor makes it seem like he will be doing a lot more damage with his claw and legs going forward, on top of being heavily protected. The design on his shin reminded me of an army symbol, but that's neither here nor there. ....And I'm so happy they kept his tiny ankles. In general, Vincent's Rebirth design seems to lean into a Vincent that is much more guarded, 'edgy', and ultimately a lot more reserved, albeit self-reliant. We've seen as much in his room where it doesn't appear that he has only been moping in a coffin all these years. What's more---

--He points a gun at Cloud and threatens the group. This did not happen in OG. Vincent appears to be even more distrusting and hostile this time around. This yet again is depicted in how he is dressed in the heavy armor and ample sharp edges.

And what's with a vending machine and protorelic(?) dispenser in his mancave? Vincent boss fight, maybe? Please? Sure seems like Vincent hasn't been lacking anything... But back to Vincent being a lot more distrusting this time.

Unless this is merely for the audience and new FF7 fans who know nothing of his character, this implies that Vincent doesn't divulge his connection to the Turks and instead calls himself "Security" guard. And not only that, it's spoken as if it's current tense. Not past tense. So yet again, if Vincent is indeed avoiding the term Turk and doesn't even tell Cloud and Co that he used to work for Shinra, this adds to the idea that his level of distrust is much higher than before. At this point, it wouldn't surprise me if joins the party much later, even after learning who Cloud's foe is. And since his connection to Sephiroth aka Lucrecia/Hojo is the mystery factor, he may not even divulge this to Cloud and Co when they first meet until much later. Either way, Vincent might actually prove to be a much tougher egg to crack this time around, along with more layers to uncover. (take that last phrase however you'd like)

[spotlightlowlife]

Unpopular opinion, at this point, Blitzø is an issue.

Not because he's in the wrong, his situations suck more than him, so do some of those around him (*cough*Stolas *cough*Loona), he sucks because he's becoming more and more of an outlet for writers to play out power and sex fantasies with whilst being edgy and always quick enough to have a remark ready for others, always managing to be the centre of attention but will always be the victim too.

In every conceivable way, he's being wronged or he's punching up.

The arrangementship with Stolas is a case of him being a victim but for those who don't see it this way, Stolas x Blitzø is a chance at happiness, pauper being picked, even though their union was and will always be an inappropriate power imbalance which has now been the case since childhood, back where Blitzø was a victim of his dad, yet a few years later he somehow developed feelings for his friend who seemed like a sibling to him, but he seemed to envy him too? Either way we are too root for his unrequited 'love lost' that we can blame on a fire accidentally caused by none other than Blitzø, but we can also push blame others for this accident too.

Fizz and Barbie may be victims of his recklessness, but he means/meant no harm and he had it just as bad as them, hence the 'sorry but..' he offered Fizz.

Substance abuse got to be something Blitzø endulged in before we met Barbie who we had already been informed is an addict, Blitzø got to be both a boss and a victim during his binge which had even the sin of gluttony beat and concerned, yet when we meet Barbie, she is composed, working and has some success in being able to freely travel, having a human disguise and being able to easily manipulate others, which could have all been good, a change of tone from yet another downtrodden character and a change from a sloppy addict that may have expected, only, we had to be told Barbie was in rehab and recently so, we had to be informed that Blitzø looks out for her and is worried even though we never had never saw him track her progress previously. We meet her, there's nothing to indicate that they have spoken since Blitzø's fall out with Fizz, Barbie is pretty much work a similar job to her brother of causing destruction on Earth, yet morals come into play for just one of them? Neurotic, antisocial and traumatised, comes to earth as an assassin, excellent, no content yet and seems well put together but we have been told is an addict, comes to earth the deal, scum.

Barbie made Blitzø sad by not listening to him and washing her hands of him (again, when did they last speak? Has there been nearly 20 years of the same conversation?), which yet again has us pouring sympathy into him.

Then there's the clearly hurt and robbed Verosika, who's upset is totally glossed over because 'she's so iconic'.

The power dynamics are entirely power play, because there are too many characters supposedly of much higher standing who Blitzø easily rubs shoulders with, stands out to and crosses to no consequence, all for no particular reason, the dismissal of what he says and does is reminiscent of a movie where a ghost doesn't know they're dead or a character doesn't realise their friend is imaginary. All excluding Stolas of course but this but this is where the power play sex fantasy is.

Why are they together? Answer, Blitzø's desperation to have his business work, the whole plot to the show.

Like Hazbin, the pilot started out rather strong, it ticked every box mentioned in one episode, they were a wicked bunch but morally grey, the trip to hospital being a prime example, we met humans, we saw Earth, Stolas was a intimidating and regal, Blitzø was reckless with money and decision making, the advert on a low rating station being the prime example, along with blind nepotism.

How is it that this series hasn't had the time to return to its roots since half way through season one?

When does Blitzø get a break from all this trauma dumping and actually get to have other things going on in his life?

Realistically, someone who works has work to talk about, it is a major part of their life. Someone who runs a business tends to put in more hours than your average worker. Work gives you something to talk about, creates new experiences and problems to solve, has you mixing with other and takes up a lot of your time. Where is any of this?

Until it returns to the plot where he is a business owner actually running his business, having interactions with customers and victims, travelling to Earth more regularly, facing actual threats from those who don't care about how sad he is and are actually bothered by his obnoxious ways, I have a questions.

Where are the common teething issues business tend to have, like budget, landlords, tax, inflation, lack of exposure?

How do they pay their day to day expenses, especially since they have so much time on their hands?

Why aren't they out advertising?

How do I.M.P catch the eye of those who just died and how do these sinners pay?

When was the last time we saw a sinner?

Blitzø's direction gives the impression that he's being written for the chronically online people who wish this was them, that they were more feisty, outgoing and desirable whilst others just got them and felt their misery, something that can easily be done as a viewer, throw in the tried and tested powerful and dangerous royalty that worked so well for Twilight and 50 Shades and we have a character who can be vicariously lived through, basically the classic fairytale default damsel who people also want to criticize. It's like he's being reduced to an clownish caricature, looks the vibrant and animated character we were introduced to but that's all just in paper now, he barely stands out in any recent episodes because his presence wasn't nessessary and when he was relevant, it's for his ship or drama from his past.

While waiting to see him with his coworkers who he voyers on because he's sad and lonely, his rude and violent adult adopted daughter, or learn about the trauma surrounding his mother, or whatever is going on with his user dad, or when we will next see his troubled sister who is mad at him, his bitter ex, his best friend/ex friend/rival/friend who lives the life he should be living who he sexually harasses since reconciliation, or his transactionship, or whatever else is pushed on him and there no doubt will be more. What about his present? What about his daily life outside the misery forever sent his way for us?

He should be encountering strangers and a massive variety of situations he can't entirely control on the regular, having to draw upon his smarts, experiences and group dynamic to get out of binds or be efficient, his trauma, sadness and his sass could be a force of good.

How much of his likability is nostalgia, maybe from outside of show? Outside of the pity and sex jokes, what is being done with him?

This may all be harsh and funny enough I actually like this character, but never have I known a series where the solution to making a main character more deep was is a simple case of

'Let them get on with it!

Let them do their job!

Stick to the story!'

Well I do know one other case...

[cookieblobber]

The Possible New Future of the Sonic Franchise - Thanks to fucking Sonadow

WOW! SO…THIS ACTUALLY HAPPENED 💀

A few days ago it was rumored a Sonic Generations remaster was happening and will be revealed in the State of Play, which then revealed Shadow will be playable. It was really unknown what the hell this meant, but many theorized this was going to be a Bowser’s Fury/Kirby Return case: Game from an old console is remastered/ported with a whole brand new campaign that may or may not be related and possibly intertwined with said game’s story or lore.

They were correct.

Oh yea did I forget to mention BLACK FUCKING DOOM IS BACK?????

There isn’t much yet to go off of right now in terms of what’s being planned here besides this excerpt on steam

————————————————

Alright, enough showcasing, what the hell am I talking about by this game (that was just revealed) being a new future for the Sonic franchise? Well, it’s mainly due to these two things: the usage of Black Doom, and this fucking logo

A little bit of a history lesson -

Shadow the Hedgehog (2005)

….wasn’t really a well received game. Besides how many viewed it to be trying too hard to be edgy and dark and gritty, its gameplay was a lot left to be desired. Confusing and lore retconning writing, weird awkward gameplay, you probably already know by now, it was arguably where SEGA/Sonic Team got scared of doing spin-offs with other characters. The concepts and ideas were there, there were still reasons to like the game and like how Shadow improves as a character in the canonical story of the game, it was a small shiny stone in a pile of coal. Besides 06, this was the most development or focus Shadow would ever receive as a character before his massive change in writing in 2010.

Due to the 2010s change in writing style and how characters were written thanks to SEGA to avoid any association from “erm Sonic tried to be serious at one point? Cringe!”, Shadow possibly became the most controversial character of the cast, with him going from a really intriguing 3 dimensional character about trauma, loss, and trying to move on from the past, to many feeling like he’s regressed into a Furry Vegeta or a tryhard loner who doesn’t need friends to help him, the IDW comics being a big example of this. He still had a few good moments like his whole prologue in Sonic Forces, but even then it wasn’t anything intriguing like his story in Sonic 06 where he learns to accept his future might turn out shit, but he’ll always fight back with his team if things get dark (see what I did there?).

Before I continue, I would like to say - blaming Ian Flynn for how Shadow’s written in the IDW comics where he’s more brute and moody…..doesn’t seem correct, imma be real. I know he may have the occasional odd idea of the characters, but it��s very clear the way he’s written is due to certain mandates from SEGA and how characters/the world should be like. If Shadow’s whole moody brute demeanor is truly how Flynn views the character…..how does that explain how he was written in the Archie comics? aka the older comic series Flynn wrote for before SEGA started to get strict with the franchise, aka the series many believe to have had really great Shadow moments? I’m not saying there can’t be criticism for how Flynn may sometimes write characters, but in the case of him being the sole reason for how Shadow is written, that assumption made on him is a lil unfair.

Regardless, in recent times, it’s no doubt that the franchise is starting to rebuild it’s confidence again: acknowledging the old 3D games, including 06, having a more serious story with layers and depth like in Frontiers, Frontiers itself reintroducing Sonic’s friends and their struggles, making them playable once again in a 3D game (again, Shadow was cool to see in Forces but, you could only go so far with a simple reskin of Sonic). Not to mention after the update that brought back these characters, we got Sonic Superstars where the main selling point was that it was a co-op game, and Sonic Dream Team having a focus on the franchise’s more forgotten character: Cream the Rabbit (not to mention bringing back a sorta SA2-style gameplay where 6 characters were grouped into 3 styles of controls). Oh yea also prior to all that, Amy was made playable in the original Sonic genesis games via Sonic Origins.

———————————————

So, what does all that have to do with the future of the franchise, and why is Shadow 05 important here?

First off: Shadow is getting that same treatment as other friends, but possibly on an even bigger level: being a new playable character in an older title and being a big enough deal to get his own story and reintroduce people to what makes him who he is sadly no co-op gameplay but hey that would require completely changing this game from what it was initially was. This is really perfect timing as with the upcoming release of Sonic Movie 3 and Shadow being the next foe for Sonic to face off, Sonic x Shadow Generations will be a perfect title for new fans to dive into and learn more about Sonic’s history and dive further into Shadow’s history, just like what Sonic Origins was for fans who just came back from watching Sonic Movie 2.

This whole thing is also a massive implication that other characters than Sonic may start to get their own campaigns again, building more lead-ups to possibly full on spinoff games. I should say this again: Forces did try to do something with Shadow, but for the most part it was just reusing whatever the game already had to create a quick and easy 3 level prologue that…doesn’t really add all that much to the overall story (at this rate you can probably assume Forces tried to do a lot of things Sonic is now attempting to do, however due to the kinda era it came from, it didn’t have much going for it). Sonadow Generations seems like something bigger and more personal to the character involved, something that could possibly rival the OG game’s campaign.

The fact in this story, they’re going so far as to make Black Doom the main antagonist of this campaign and giving back Shadow’s tribal logo is a massive sign that this is a true attempt to revisit Shadow’s entire legacy. They could’ve easily just made his whole ordeal involve what happened in Sonic Adventure 2, after all that’s what he’s most remembered for, but going as far as to properly acknowledged a lesser known game as being part of the Sonic lore instead of dismissing it simply because it wasn’t well received, it continues to show the confidence this series has started to regain. Sure, it’s weird, it’s wacky, it’s wild, but it doesn’t make it any less something to acknowledge or at the very least make good out of something bad. While we did get hints of Shadow 05 still being part of the canon via the Eggman logs in Frontiers mentioning Black Doom, having him come back officially was still a completely wild thing to see; never in a million years would anyone have thought he would come back as the main villain.

The biggest part of this whole thing is: if SEGA is allowing for Shadow 05 to be fully acknowledged

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this might mean they’re starting to pull back on their restrictions on the character.

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As I stated before, it is very clear they wanted nothing to do with this game or anything similar to it ever again, I mean the fact we never got any spin-offs after this really shows they weren’t gonna come back to other characters ever again. But now…everything’s on the table. If Black Doom is making an appearance, if Shadow’s tribal logo is back as part of his identity, what else could there be next? Will Shadow start to use guns again? Will he ride his motorcycle, and other vehicles like in 06? Hell, will motherfucking Mephiles come back again for this campaign?

Not to mention the description of the game stated that Shadow will confront painful memories, will we see Maria in HD getting shot, or the commander from Shadow 05 who was out to get him making a reappearance? This might be the first time in a whole decade since other human characters (not counting Sage since she isn’t exactly fully human) making an appearance again in the Sonic franchise. Again, we may have gotten hints of them still being a thing with the likes of Frontiers’ Eggman logs bringing up GUN and Maria, but actually showing up in-game means other humans can still make appearances in-game.

(Take this part with a massive grain of salt but I’ve heard that Ian Flynn in the past has expressed he wanted to bring back Black Doom and Mephiles, but SEGA didn’t allow it, now that one of them happened, it proves that there indeed has been less restrictions now)

If there are less restrictions being made on stuff like acknowledging Shadow’s game, what could this mean for how Shadow himself may be written now? We’ve seen how apparently well written Shadow was in Sonic Prime, could this carry over to the games and comics where he has a less frustrating depiction? I mean, the fact Ian Flynn was hired for one massive mainline game (Sonic Frontiers) and suddenly they’re doing all these lore related things for the franchise or going back to pull up any old stuff and see what they can do with it, it shows there is a level of trust between SEGA and Flynn and letting the man cook. And it makes complete sense too, he’s been a long time writer for the franchise since the Archie comics, he seems to have a great understanding of the characters.

If Shadow 05 is getting this level of acknowledgement, what about other more forgotten games? Will we one day see Sonic 06 be better acknowledged, or more likely a character like Silver having a bigger role in something related to the events of 06? I mean for some reason recent episode titles of the upcoming Knuckles show revealed one episode called “Flames of Disaster,” who’s to say they aren’t already looking into 06 for some ideas for not just the movie canon, but as well as the main canon?

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I’m drifting off a little but I’m sure you get by now what I’m tryna say. This game, as it may seem like just a simple small remaster with extra content, may end up creating something bigger for the franchise going forward. Seeing how Sonic Team is behind this remaster and not Blind Squirrel (the people who made Sonic Colors Ultimate; while possibly rushed by SEGA, they’ve also have had a questionable track record with remasters), and hints that Flynn is behind this story, I think we are in great hands with this game. This may be the first remaster to finally be flawless in every level, which I know is a little sad to say when it comes to this 30+ year old franchise, but hey, can’t win them all!

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Before I end this comically large essay, I would like to make one final note on this whole topic. As I was writing this and taking breaks last night, I came across a tweet that was kinda starting to go around about this game.

To summarize, the tweet essentially claimed that Sonic was still stuck in the past. The franchise was still relying on nostalgia pandering as its identity, and due to the contents of Generations being a whole celebration of Sonic’s history (and what unfortunately started SEGA’s cling onto Green Hill and Chemical Plant), aka alleged nostalgia pandering, it proves the franchise’s identity is still about how when Sonic used to be cool. It hasn’t attempted to evolve in the past 14 years.

You can probably guess what my thoughts on that take is after reading this whole post.

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.

.

.

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No.

I don’t think so.

As I already showed, the addition of Shadow’s story more than proves this is still stepping forward. It’s taking an old beloved game and instead of just updating graphics or performance and leaving it at that, they’re making something brand new out of it that may define future ideas for other characters that isn’t about Sonic. Not to mention this game barely attempts to be all like, “Revisit all these iconic locations from your childhood!!!” SEGA is clearly looking at Generations not as that one game they can rely on for easy nostalgia pandering, but as a successful and fun game from the last decade in its own right. I mean to the general public, it’s considered to be “one of the few good Sonic games.”

It can be argued that the addition of Shadow and Black Doom may be pandering to the audience into Shadow but…really? They’re tryna solely pander and play on the nostalgia of a small minority of players who liked a game that was considered to be the start of Sonic’s downfall in the 2000s and make that the selling point of this remaster to the general public? Where some in said general public may argue that they’re about to ruin a rare good Sonic game with stuff that they think no one ever liked??? I don’t really believe it.

Hell, speaking personally, I’ve never played Shadow 05, I don’t own a GameCube, maybe a PS2 but even then I didn’t get much games at the time. While I sorta played around with the franchises growing up, I fully got into it around when Sonic Mania came out (and even then it took me a while to finally play it). So even though I may be hyping up Black Doom’s return, I myself am not coming from any rose tinted glasses or anything, these are just observations from the many discussions I’ve seen online or videos showcasing these games. Same would go for a lot of people into that game as many while loved it, still would acknowledge where it fumbles and how it’s definitely not the definitive Sonic experience to have.

Sonic has begun to evolve, experimenting with new ideas and offering new and different ways to enjoy the franchise. As mentioned earlier, lots of shit happened in the past 4 months. While I agree that something like Frontiers relying on the same old levels for Cyberspace to be stupid, that shouldn’t undermine the actual new stuff it offers for the franchise. I feel like we’re already far beyond the franchise needing to be like “hey remember Green Hill???” as it’s main identity for a game/the franchise. And even then, this shouldn’t mean Sonic can’t look back on previous entries anymore ever again.

Many want Sonic to be like other franchises, like Mario, Kirby, etc, they’ve been also occasionally doing the look back on an old title or old past, so why not let Sonic do the same? We shouldn’t immediately respond to a callback with claims that it’s poor nostalgia pandering, as the take away imo always should’ve been that there should be a balance between original and new and looking back on what worked.

I am happy to say that regardless what this remaster is, we are in good hands again.

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also unrelated as hell but pray for this man, he has not uploaded a Sonic video in 4 months, I think SEGA killed him by over feeding him with content 😭

[tinyfantasminha]

Hi op! Just wanted to say I love your art and your oc, and of course your brainrots over Jack  🫶 they made me like and appreciate Jack a lot more! If it's okay to ask, how did you ended up liking him? Was he already a fave from the start or did he worm your way into your heart gradually? And (if you're comfortable ofc) what made you decide to yume with him?

Hope you have a good new years!! 💕

AAAAAAAAAAAaaaaaaaaaaaaaAAAAAAAAAAAAAAAAAHHH CRYING ON MY KNEES.....!!!!! This makes me so jkgjgjfkdjkfkh,,gfhfgjddjfh ...... thank you so much 😭💕

No matter how many people still say to me they've come to appreciate Jack more because of me I can never get used to it but it's still a wonderful feeling!! Like YES that's what I want !! Love Jack Howl!!

Anon, you just opened pandora's box...... I wished I could answer that in a few words, but I can't. Too much thoughts, too much words I need to get out of my chest. FINALLY THIS OPPORTUNITY HAS COME... *rubs hands*

I might as well put up the whole Jack-loving saga from start to present in chronological order. This is gonna be a VERY long post. (a lot of spoilers and thoughts on book 2 and 3)

To tell the truth, no, Jack was not an immediate fave! I remember seeing the official promotional art for the dorms back in 2019 before the game even released. The ones that immediately got my attention first were Leona, Ruggie, Malleus and Silver. HJDDHHGNJDSD I remember being immediately excited seeing savanaclaw cause they tick a lot of boxes I like… ''ohh??! furry kemonomimi dorm with edgy biker aesthetics?!'' <- is obsessed with leather jackets. But I regret to say that Jack didn't catch my attention, aside from the wolf ears. I-It makes me sad to remember that I judged him at first… 😭 Since Leona and Ruggie are smirking in their official sprite, and Jack looks so overly serious and closed off. BUT BOY, IF ONLY YOU HAD TOLD ME BACK THEN THAT I WOULD HAVE A 4+ YEAR OBSESSION WITH THIS WOLF GUY…………

I had missed the game's launch (march 2020) and only got to know they had already released it when I saw an user on facebook sharing screenshots of their game. Before downloading the game, I decided to watch all of the released main story segments on youtube (god bless Shel_BB's channel). I got invested right off the bat, and as I watched my faves basically fluctuated every week or every a few days... I remember my first (?? was it actually first? I don't remember anymore) fave being Ace because of course hE'S THE FIRST CHARA OF THE MAIN CAST TO APPEAR... that is, until Leona's first appearance in book 1 it ruined my life. I was like ''ah, there he is. Hot lion guy. He's my fave. Can't wait for his chapter'' I SEE A HOT KEMONOMIMI I PRESS LIKE but after book 1 ending, I was so moved by Riddle's backstory that he also became one of my faves?! DAMN GIRL DECIDE

OKAY SO HERE COMES THE GOOD PART, which is book 2. Nowadays I think that book 2 is in fact not good from a writing perspective, Leona's plan is dumb, Ruggie and Jack never got the closure they deserved, it felt too rushed etc. But I wasn't really thinking about it in a critical way, I was just excited to see new characters and how the story would go (good for me ig?? at least I had a good experience). Anyway, I remember taking an immediate liking to Leona and Ruggie but I was still super neutral about Jack throughout most of the chapter. I remember admiring his sense of justice and willingness to betray his dorm, so he was already getting on my good side. sfgsdkjgs I think the first... spark... was the moment when Jack came into ramshackle to personally wake up Yuu. ''I wanted to make sure you didn't mess everything up by oversleeping'' OKAY LIKE BUT WE JUST MET...? I wondered why he'd go that far for a nobody he just met? Then it occurred to me, could it be that he... CARES.... 😱

I thought him being a tsundere was cute. I always had... a thing for characters that look stoic and edgy but are actually big softies. I blame Lucario from the movie Lucario and the mystery of mew for starting my obsession with canine stoic ''I need no friends'' energy characters when in fact they DO need friends And I was also both amused and surprised that he could transform into a literal wolf?! JKDSJKFGSJK I STARTED TO THINK AAWW THATS CUTE FOR HIM... I love fuzzy animals so this was a bonus for me. And then after Leona's overblot there WAS... THIS SCENE--

Something about Yuu pointing out that Jack genuinely smiled and him going all tsun about it stirred a warm feeling in me... I just thought it was the cutest moment in the game so far. This was the point where I realized Jack is a genuinely sweet and caring character. After book 2 ending he had already ranked a lot higher in my tier list.

But it was only during book 3 that ACTUALLY started my spiral to madness made me realize he was gonna be more than just a character I liked.

I want to clarify that when I was watching the main story, I was self inserting as Yuu the entire time, meaning I was trying to imagine myself in their situation and how I would react if I were in said situation. There wasn't anything of substance directly affecting Yuu in book 1 and 2, but book 3 was when it got a lot personal for me. Right off the bat in book 3, adeuce and Grim got separated from Yuu and were forced to be Azul's slaves alongside a bunch of other... idk 100+ students? (or was it 200?) this was the first time since the prologue that Yuu was completely alone, and it made me feel a pang of dread. I'm not proud to say I was never the most independent person, (must be from neurodivergency + always being the pampered youngest sibling of other 4 older siblings 💀) and being socially awkward, I'd completely freeze in this situation. It's just a very stressful and scary situation to be in. That's why I was immediately relieved when Jack appeared. He refused to help at first but all it took was ONE phrase (either tease him or make him feel pity for you) to convince him.

''You've gotten pretty used to how things work in this school. Can't be helped. I'll tag along with you for a bit.''

He said he would tag along FOR A BIT... AND HE LOYALLY STAYED BY YUU'S SIDE THE ENTIRE TIME, UNTIL THE END OF THE EPISODE. I was SO deeply moved by that, you have no idea. When I was in middle school I had really bad social anxiety, like Idia-level. I was the type of person who had to cling on every possible chance of being helped and escorted around in social situations, and I couldn't vocally ask for help, so I had to wait until an extrovert took pity on me and helped me. Once in a school trip, we had to take a train at the metro station and everyone else seemed to have a magnetic card but not me... I thought I was gonna be left behind so I started to panic real bad and have an anxiety attack, and when I pleaded to my extroverted 'friend' for help, they turned their back on me. It was an awful feeling that still makes me feel helpless every time I remember it. So that's why at first I thought Jack wasn't actually gonna help Yuu, and when he... changed his mind so quickly and decided to tag along, it was a very special moment to me. I thought, ''you have no reason to be helping me but you're doing it anyway.'' Feels like in twst most of the characters have an ulterior motive when helping others, but not Jack. He claims he's not worried about adeuce and grim, but he's too easy to read. He cares, even though he gets no compensation, or any kind of reward for this. It made me feel safe around him, like I could rely on him for everything. This was the first heart arrow.

Every time spent with Jack in book 3 I fell more and more in love with him (even though I wasn't aware of it yet). He's a lot more nuanced here than he was in book 2; he shows more sides of him like his silly puppy side (when he was excited to see that octavinelle was underwater and gushed about it like an excited puppy and then got self conscious and awkward about it STOP HEWASJSGJKGSOOSOCVNSMDOSO CUTE) his caring, worried, nervous sides… He also totally did NOT NEED to accompany Yuu in Mostro Lounge's VIP room since Azul had business with Yuu only, and yet Jack was ALWAYS on their side, like a loyal guard dog. Feeling safe and reassured around a person is EXTREMELY important to me. No matter what happens, Jack is not the type to turn his back on you. If you're nice and genuine with him, he will help you with anything and never let you down, it's what I thought.

AND THEN UH.... THERE WAS THAT ONE SCENE WHEN ADEUCE + GRIM + YUU + JACK HIDE UNDER AZULS TABLE IN THE VIP ROOM... THIS IS A SCENE I THIN K A LOT BECAUSE UH... SQUISHED-UNDER-A-TIGHT-SPACE-TOGETHER-TO-HIDE MAY BE ONE OF MY FAVORITE TROPES..... AND I CAUGHT MUYSEFL THINKING NOT SO FAMILY-FRIENDLY THOUGHTS LIKE....DOESS THAT MEAN I'M PRESSED AGAINST JACK HERE,,?!??'/? AGAINST HIS BIG, WARM... tibbies... WHERE I CAN FEEL SAFE AND PROTECTED.... ADNW WE HAVE TO STAY QUIET AND VERY STILL SO AZUL DOESN'T CATCH US OOOooooHHHH....... LET ME REMINGD YOU I STILL DIDNT CONSIDER MYSESLF A SIMP FOR JACK BUT MY CHEEKS WERE AFLAME I WAS RED IN THE FACE AND IT GOT ME THINKING '''''''N-NO WAY I DONT LIKE HIM LIKE THAT RIGHT??? (This was the second heart arrow.)

AND THEN AND THEN AAAAAAAAAAAAAaaaAA…… WHENB YUU AND GRIM ARE KICKED OUT OF RAMSHACKLE AND HAVE NOWHERE TO SLEEP AND SINCE ITS LIKE NOVEMBER IT MUST BE COLD AS FUCK OUTSIDE….. THIS IS BY FAR THE SCARIEST SITUATION FOR ME, I LIVE IN A WARM PLACE IF I HAD TO SLEEP OUTSIDE AT A TEMP UNDER 10 DEGREES CELCIUS WITH ONLY A SCHOOL UNIFORM I WOULDNT JUJST ''CATCH A COLD'' ACE TRAPPOLA I WOULD GET HYPOTHERMIA AND FUCKING DIE PROBABLY, GETTING KICKED OUT OF YOUR OWN HOME WITH NO PLACE TO SLEEP? I'D JUST GIVE UP CURL MYSELF INTO A BALL AND CRY……. BUT TJEN BUT THEN JACK LIKE AN ANGEL DESCENDED FROM HEAVEN OFFERED YUU AND GRIM TO TAKE THEM TO SAVANACALW?????????????? AND HE CLAIMS ITS CAUSE EVEN THOUGH HE SAID HE'D HAVE THEIR BACK, HE DIDN'T FEEL LIKE HE ACTUALLY HELPED THEM UNTIL NOW…. AND ACE AND DEUCE AND GRIM ALL SMIRKED AND TEASED HIM ABOUT LIKE ACE'S VOICE TONE IS VERY REMINISCING OF THE TONE SOMEBODY USES WHEN THEY TEASE SOMEONE ELSE ABOUT THEIR CRUSH I FELT IT IN MY BONESSS… LIKE HEY JACK WHY ARE YOU BEING SO NICE TO THEM IF IT DOESN'T BENEFIT YOU… COULD IT BE THAT YOU'RE (GASP) CRUSHING ON THEM…?!?!? YOU KNOW THIS IS THE ENERGY I GOT FROM THIS SCENE AND IF ONLY THIS GAME WAS ROMANCE-INCLINED THATS EXACTLY HOW THIS SCENE WOULD GO I FEEL IITTTTTTTTTTTT DSAAAAAAAAAAAAAAAJGNNJNJCFNJBCVÇ;CV;/VC;ÑCV~]DF.ÇHFDMHFDNJDHFJHBNDFJ

……..That was the third heart arrow.

My mind is hazy after this. I don't know what else to say for the climax + ending of book 3, I really enjoyed Azul and the tweel's characters, but my mind was still on Jack and how I came to love him after this. I remember hoping that… we would get to sleep in Jack's room (this was before I realized that all of first years room were a shared 4-person room, I thought only heartslabyul was like this 💀) but I was not disappointed to find out we'd sleep in Leona's room instead 😋 is bonked

While Jack was super high in my tier list at that point, he had to share first place with some others for a while… I downloaded the game in july 2020, but it was only during august that I started to actively post art here on my blog and engage more with the fandom. And during that time I was passing through a octavinelle + scarabia phase which was especially strong during august and september if you follow me ALL THE WAY back then…… congrats soldier my faves fluctuated between Jack, Jade, Floyd, Jamil and Kalim constantly and there was even a time where I considered the Ja-trio (Jade, Jack, Jamil) my favorite characters and couldn't choose between them. So what made me ultimately lean towards Jack? Uh, to sum it up it's because he was the least popular. I was in a somewhat big twst discord server back then and although I'm super grateful to have been part of the server and met wonderful people there who are friends till this day, I also had a few unpleasant experiences. Jade, Floyd and Jamil were super popular in the server I was in, so whenever I tried to talk or gush about them, I was talked over. The server was also yume-friendly but I was still figuring out this whole yume thing and who I'd yume. The more I was talked over and ignored in favor of the louder and more popular tweels/jamil stans in the server (I think there was AT LEAST 5 yumes for each of them...) the more I felt unmotivated to keep gushing for them. Whenever I made art of them, people would immediately tag the popular loud stans to gush other THEIR reaction, and suddenly the conversation was immediately shifted towards them. I know this sort of thing is expected in a big server since people already have their circles but man… It made me a lot insecure to yume them.

But whenever I talked about JACK I was actually listened to, and my opinions were validated. Simply because back then there were little to none Jack stans, so most of them looked up to me as reference for a ''Jack enjoyer/simp''. I started to think how unfair it was that the other characters had plenty of love, plenty of attention already while Jack had almost none. No one hated him but no one quite loved him either to consider him their #1. I was baffled because he's genuinely one of the sweetest characters. I know it sounds silly, but I felt compelled to be his advocate. I WANTED people to see just how sweet he is, how he's more than just a big, uninteresting jock that only talks about working out.

I always sympathized with the odd, with the outcasts, with the ones that weren't chosen because they were not like the majority because they remind me of what I went through as a socially anxious aspie kid (I was never really comfortable revealing my diagnosis online but there you have it, autistic vic reveal lol as if that wasn't obvious before ig) do you know the feeling of being in PE class and the two kids forming groups are choosing who they want for their team and you know you'll be dead last because no one wants you in their team? So you end up in a random team not because someone chose you, but because you were the only one left and they needed to fill the space. They don't necessarily want to kick you out of the team, but they don't want you either. You're indifferent to them. This is how I imagined how Jack must have felt like in the fandom. Always ''he's such a good boy'' ''he's so sweet'' but never someone's favorite. I've lost count of how many self proclaimed ''savanaclaw stans'' I met that are just solely Leona stans who talk 90% of the time about Leona, the other 10% about Ruggie and outright IGNORE Jack.

After getting Jack's first birthday card in the first 10 rolls, I decided, well he's gonna be MY favorite. The other popular characters have enough fans, enough people to make art and writing for them. It wouldn't make a difference if one more fan is added or removed. But for Jack, at least back then, it DID make a difference. Finding people in the eng fandom who would do fanart of him (like just HIM, not him being part of a group like savanaclaw or first years) was so rare. And especially finding accounts or blogs dedicated entirely about him…?? I don't remember seeing any of it. This…erasure, this indifference towards him made me feel even more connected to him. I want to keep supporting him, to keep giving him the love that he deserves.

In these 4 years he's been a massive source of comfort to me, if I feel anxious or stressed I imagine his big, warm hand on my shoulder, on the small of my back, patting my head etc… I imagine him motivating me to work harder, to push myself out of my comfort zone, telling me to stop moping and to get up and try again. I imagine him giving me his tail to hold and pet when I need to keep myself grounded. I imagine his disapproving look when I have dishonest thoughts or think about taking shortcuts.

I don't know how to finish this, but if you read ALL of this congrats and thank you for bearing with me lol it took me almost 4 hours to write this entire bible...... if you DID read all of this, I hope I could, if only a little bit, change your perspective on Jack Howl for the better.

I love Jack Howl.

[sabh0]

What's your opinion on the anime? I find it pretty funny, but I can't say that I am not disappointed to see so many scenes missing.

For exemple, I wanted to see Dazai cry laugh at Chuuya's young mistress act, show that it was a joke shared by both of them, rather than one made to us at the expense of Chuuya. They took a genuinely funny moment and made me cringe SO hard for no reason T^T

God i could go on for hours about how Bones ruined this series. I'm obviously thankful we have an anime adaptation but. Well just compare bsd anime to jjk one or smth and yeah.

I will be complaining more under the cut,,

First the overall writing choices:

-Deleting or changing skk scenes to the point im not even shocked when ppl think these two actually somehow hate each other.

-The way they portrayed Sigma. They deleted half of his personality and backstory. And just speedrunned the Sky Casino arc like if seeing that place was giving them nightmares. No wonder he gets mischaracterized now.

-Tachihara's internal conflict about belonging to either Port Mafia or The Hunting Dogs? Bones never heard about it. It's not like IT'S A VERY IMPORTANT PLOT POINT.

-Akutagawa's whole character in the anime is just 'edgy and angry and bad grr'. In the manga he had some 'kind' or even seelf-reflection moments that were ommited in the anime. Like where he realizes defeating Atsushi didn't satisfy him (ship fight, season 1). Or when he gives files about the orphanage Director to Atsushi and says he won't fight him today because he lost someone impirtant to him. Sskk vs Fukuchi fight?? No scene where Sskk r helping each other walk. Instead we get Akutagwa just pushing Atsushi away. Won't even start on that last smile that looked more like another angry expression.

-THE WAY THEY CHANGED "DAZAI'S ENTRANCE EXAM" INTO SOME CURRENT TIMELINE EPISODES. IT MAKES ME SO ANGRY LIKE. THIS NOVEL WAS SO GOOD. Showing both Dazai and Kunikida's characters and partnership so well. But no. Let's just??? Put Atsushi there. Let's delete the fact this thing happened 2 years ago. And let's delete everything that was actually important about it, too.

-also some changes in the Dark Era arc. Like. Lord. Dazai is so much more emotional in the novel. His expressions r described so well. But the anime either shows him from the back at those moments (him finding out Oda was almost killed by a sniper in Ango's room) or just deletes/changes the thing (Oda dying. This scene is so emotional in the novel. From the description u can tell Dazai was crying/on the verge of it as Odasaku died. But in the anime he looks calm and then we get a far aeay frame and he just. Gets up and that's it yeah.) They also deleted the scene of him visiting Oda's grave.

-The way they rushed seasons 4 and 5. Just to give us an episode that goes further than the manga and has the shittiest writing ever when it comes to skk's plan revelation (im so angry about this u guys have no idea. I sincerely believe that if this episode never came out, the manga would go differently bc there's no way that Asagiri who wrote things like Stormbringer suddenly thought that some dollar store vampire make up will fool a guy who's centuries old and literally lived next to vampires. But well!! Seems like these two speeches Dazai gave weren't important at all and now we can just forget about them yippiee)

I could definitely mention WAYY more examples of that but this is already long af. Like guys. I know u cant fit everything in an animated show. It takes time to make it and all but. Bro. The character's in the anime r so shallow compared to their original versions.

.

Now onto the artstyle of the anime.

Lord. U know? It was actually pretty in the first 2 seasons. The official arts at the time were also really nice to look at.

No idea what happened later. Why did Bones suddenly decide that those ugly turtle smiles r gonna become the main thing in the character design. Why so many fisheyes. Atp sometimes i look at the official art and i go oh lord even i could fix it. It really feels like they draw some characters ugly on purpose now (Chuuya being the main victim for unknown reasons).

Tho i must say they have their moments even now. Some last episodes of season 5 weren't really bad, especially the Meursault part (love them for animating Dazai and Sigma dancing so well. And for that 101 animation. And maybe for the heartattack they gave me with 109 and Chuuya shooting Dazai so many times.)

.

On some other things, i really like the music! Bsd openings and endings never miss,,,

[jumpscaregoose]

tss is kind of a weird manga if you think about it. I've been doing that a lot

its main goal is to be a sequel to flowers, and in that a sequel to the original shaman king, but then you read it and that's. really just the tip of the iceberg. tss is already a confusing, messy story if you know what it's doing, but if you go into it only having read og shaman king and flowers (like I did the first time around) you are going to be so lost

takei has this habit of reusing characters and concepts in his work, he's been doing it literally since the beginning. if we're counting each one separately (including alumi), he's written five anna the itakos. the anna that shows up in butsu zone is almost identical to anna from the original oneshot. he does this reduce reuse recycle thing in shaman king too, most obviously with anna and gandhara. and of course this continues into the mainline sequels.

flowers is interesting in comparison to tss, because it is a shaman king sequel in the way you'd expect. it repeats many of the same characters and plot beats as the original (apathetic main character, itako no anna fiance, edgy rival with a goth older sister). hana even mentions a few times that he doesn't want to relive the same beats as his father. compared to tss, the prior work flowers draws on the most is shaman king. for a few chapters. because then we get yahabe.

yahabe is probably the cleanest copy paste into the shaman king universe, excluding butsu zone. it was a oneshot that wrapped itself up after clearly defining its premise while leaving room for the story to continue. except, instead of this continuation being a full yahabe serialization, we just get yosuke in shaman king. yahabe!yosuke and mankin!yosuke could exist on the same timeline, and with how the flowers anime reuses shots from the yahabe manga and ova, that feels like what's supposed to be canon. any deviations from the shaman king canon in yahabe itself can easily be explained away by yahabe being from yosuke's perspective as a non-shaman who doesn't know what the hell is going on. he integrates so cleanly into flowers I didn't even know he was from something else until earlier this year. the same thing applies to death zero, because I fully forgot that was a different thing while writing this.

so flowers has shaman king, and yahabe, and death zero, and it sets up the main plot. and then there's tss.

tss is completely incomprehensible if you haven't done at least 30 chapters of external reading.

or, it's comprehensible, but it's also bad. the reading experience is made so much worse if, for example, you haven't read ultimo and don't know how terrifying not-stan lee actually is. or how important the themes of ultimo are to tss itself. ultimo is a conversation on the objectivity of good and evil, in the same way tss is a battle of ideologies between gods. if you haven't read ultimo, the dong family comes out of absolute nowhere and make even less sense then they do with context.

and then there's senju. the page where senju, when asked what he's learned on his 40 (20 in real actual life) year journey, smiles and says he "can't save people after all" is probably my favourite moment in anything takei's ever written. the weight of that statement means nothing to the reader who's only come from shaman king, because the senju we see in shaman king is sati saigan's spirit ally and nothing else. "I can't save people after all" is an answer to the main thesis of butsu zone, an answer given decades after that manga was cancelled to a collection of readers who might not even know what that is. it's an impactful moment if you've read butsu zone, if you know how it was cut short before takei could take the story where he wanted, if you know the creator has been writing about the same things, about the state of the world and doing what's right and how there are no bad people who can see ghosts, for decades. it makes you think about the thing you're currently reading, the sequel to the one story that author told that made it, that got to say its piece.

because takei's work is kind of cursed. his manga are frequently cancelled, his oneshots never picked up for serialization. the magazines his sequels run in getting cancelled themselves, leaving his stories in limbo. even shaman king, his most successful work, only got its true ending years after it concluded. there is so much in takei's work that has gone unsaid.

when senju stands in front of daremoine and says he can't save people, it's satisfying. it may have been what takei set out to write in 1997, or maybe it was something he thought of in the years between, but either way. this is the ending of butsu zone. this is how its theme's conclude. in the sequel to the sequel of a manga from which its original protagonist was a side character, and underdeveloped plotline. and when you've read butsu zone, it feels good, it feels complete. it hits you like a ton of bricks

this is why I think flowers and super star lose people. because they aren't sequels to shaman king. they're sequels to everything takei has ever written.

to get the most out of super star, you need to have read not only shaman king and its spinoffs, not only flowers, but butsu zone and ultimo and yahabe. hell, to understand shaman king you need to have read mappa douji, or the entire ending falls flat on its face

if you lean into it, this creates an interconnectedness to takei's work, a sense that what you're reading right now is a part of something bigger. whatever is being contemplated currently ties into a much larger conversation about society and morality spanning one man's entire career.

if you don't, you get... a bunch of messy stories. tss makes no bloody sense half the time. ultimo is insane enough on its own, and you're supposed to keep track of that and all the little changes that fit it into this timeline? not to mention the flaws in takei's writing itself, how he tends to pace things weird and leave gaps in his stories, all of it makes tss specifically pretty inaccessible to the average reader.

what is there to take away from this?

I'm not sure, really. I love tss, a lot actually. I enjoy the sense of discovery that comes with engaging in this twisted knot of a story. I think that if you tried to read tss with only shaman king and were frustrated, you should check out yahabe and ultimo and especially butsu zone and try again. you might still think it's a mess, but I think it's worth it to see if that's what lost you

but I know that's also a big ask, that's over 80 chapters of manga to read just to have the backstory for the insane stuff in tss. not everyone's up for that, and that's fair

do I think tss would be more accessible if it only drew from shaman king? yes. do I think it would have been better?

no