#like that fae thing about names
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thatscarletflycatcher · 1 year ago
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Someone has made playlists with radio recordings of news and speeches of WWII, year by year, and while I could talk to you about how listening to these gives a much better sense of the passage of time and the order of events and such, I'm coming instead to tell you about the silly point that is that in the 40s apparently it was NOT the custom to use acronyms for radio stations.
No one talks about the BBC, everyone talks about the British Broadcasting Corporation. And this is how I learned CBS stands for Columbia Broadcasting System, and NBC for National Broadcasting Company.
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bigfatbreak · 6 months ago
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Hello I love your art!!! I was reading through your changeling au and Felix mentions that fae are creatures of mirth. They literally need attention to survive. But what kind of attention? I guess I'm wondering because Adrien has been in the public eye for a while now, but has been personally neglected for even longer. What does that mean for him? Is he starving? Is he in danger of dying? Does he even know it? (I assume not given he doesn't even know he's Fae).
If he is starving / in danger of starving who is the first to realize this?
it depends on the mirth, on the attention, on what it is they seek. Without making things too complicated - I don't like to define everything into neat little boxes after all, there's fun in nuance - Felix is just explaining from his experience, the Fae he was with tended to be "entertained" by certain aspects of their playing, which was the mirth that kept them relevant. Relevancy more than anything is really what keeps their wheels greased.
In Adrien's case though, the reason he's cloying for so many names and to have so many thralls and attendants is because he SHOULD be a more social creature and has been kept woefully alone. He is kinda starving in the way a fae starves - he's relevant, but only in an image his father constructs OF him, which means it isn't REALLY him - and he has no one to play with. No friends, no lovers, and no rivals, makes a very sad fae
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daboyau · 4 months ago
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I got an idea when looking at this post by @tangledinink. I couldn’t rest until I’d jotted it down. The art possessed me like an evil spirit. warnings for body horror, vomiting, general fuckery. 💚
what probably happened directly before Leo found himself in this situation:
Leo: Fairies? No way those sparkly little assholes are real.
The fae who happened to be within earshot: and i took that personally.
Anyway, here we gooooo:
Leo opens his mouth to scream, but the sound won’t come out. He gags on the feeling of it catching inside his throat, and then again when the trapped scream begins to grow thorns. It scrapes its way up, and he claws desperately at his throat, trying to tear the feeling out, falling to his knees as he gags around the forced silence.
The threat of suffocation is enough to tear his attention, however briefly, away from the horror of what is happening to his shell. His body is changing itself on the urging of some other thing’s whims, and even though his nerves didn’t seem to get the memo that a dissolving shell (you know, the thing that most of his internal organs and, like, half of his bones need to stay inside his body?) should probably hurt a lot, he can still feel it.
He retches as the first flower falls from his lips. It hits the ground with a disgustingly wet sound, coated with bile and saliva. It shines wetly, rich orange hues standing out brightly against the black soil. The rest follow shortly after, a painful deluge of familiar colors, and he’s helpless to do anything but dig his fingers deep into the rich soil and try not to let the horrific impossibility of the situation drive him crazy. Tears flow freely, staining his cheeks before they fall to the ground below, greedily absorbed by the cursed earth of this place.
“Oh, dear,” a voice says, too close for him not to have noticed their presence. He tries to jerk back, but he can’t pull his fingers from the dirt. It hurts when he tries. A high pitched whine escapes his throat, but he’s too terrified to be embarrassed by that. The voice shushes him, soothes him, and warm fingers wrap tight around the back of his neck. They come to rest just above where the lip of his shell should be. He sobs at the way his back squirms as heat shoots down his spine and something begins to grow. The furred fingers drag like velvet against his scales as they squeeze, the sharp prick of claws threatening to break skin, and then release him just as suddenly. 
“So much sorrow and pain. And, oh, so many regrets,” the thing says as she circles him, humming a tune that makes his head pound in rhythm with his racing heart. His hands have sunk beneath the black soil, and it has begun licking greedily at his wrists as well. He can feel tendrils of something wet and cold winding themselves around his fingers, and he wants to scream again, but the bursts of bile-soaked colors decorating the ground keep him from opening his mouth. He can feel a petal still clinging to his bottom lip, and when the thing kneels before him, she reaches out to pluck it off, unbothered by the way he shrinks as far away from her touch as he can manage.
She slips it between her lips, and he catches a flash of a blackened tongue as it darts out to meet that single purple petal. Her teeth are sharp when she smiles at him. They hadn’t been sharp, when she’d first approached him in the Hidden City. Nothing about her had been.
In the dim lights of the underground world he and his brothers had only recently begun to explore, she had looked soft. He’d seen her approaching, and the first thought to flit through his head was, aw, bunny. A fluffy, rounded face. Big eyes, dark and deep as a still pond as they reflected the flickering neon of a sign in the shop window behind him. A pink nose had twitched when she’d smiled at him, sweet and kind, and asked him for his name. 
(What had he told her?)
Now, she would be unrecognizable, if not for the same strawberry patterned dress that drapes over her stretched out frame. He’d think to compare her to a hare now, but the hares he’d seen when watching Animal Planet with mikey had never looked like they would take delight in tearing his nails off one by one or plucking out his eyeballs. They had never made his vision swim or his body shake when he’d looked at them. Maybe she’s become more of a wolf.
The soil has reached his elbows. Those cool, slimy tendrils have circled his wrists like shackles. They’re squeezing tighter and tighter, and he feels his fingers throb and tingle as circulation is cut off. 
His mind flashes briefly to raph and how he used to tell them not to wear rubber bands on their wrists, convinced that their hands would fall right off if they got squeezed too tight. He wonders if the things that live beneath the dirt will steal what they’ve claimed, just like she’s stollen his shell. Another sound wants to bubble up his throat at the thought, and he lets it, because what use is a swordsman without his hands?
The hysterical giggles escape as big, iridescent bubbles. They glitter pink and blue and leave a bitter taste on his tongue. They only float a few feet into the air before they fall back to the ground, their attempt to flee the horror of this situation not getting too far at all. Soft green grass rises up from the dirt to catch them, but they do not pop. They rest, suspended on those tiny blades, for far longer than any bubble he’s ever blown before. He watches, transfixed, as his laughter is eventually swallowed by green. It begins to spread.
A hand cradles his chin, and his gaze jerks back to the thing that brought him here. She is watching him intently, eyes darting to take in every tiny change in his expression. She looks curious, in the same way that donnie does when he’s thinking about all the ways he can take something apart, and what he can do with those pieces to create something better. 
Her hand is soft where it touches him. She is gentle as she wipes a cloth across his mouth. It feels like water, soothing and cool, and he finds himself leaning into this tiny offer of comfort among the stomach churning violation of what is being done to him. His eyes flutter, and he distantly registers that the face she wears seems to swim before his eyes with each rapid blink, shifting back and forth between bunny and wolf and something other. She looks like she wants to devour him whole, no matter which face she wears.
From this close, he can see the way her eyes sparkle and dance when she smiles. He can’t help but think that maybe being swallowed whole wouldn’t be such a bad way to go, after all. 
The writhing shackles around his wrists tighten. 
She laughs, breathy and soft, and the sound is layered and beautiful like wind chimes. It conjures a hurricane inside his mind. Her cool breath gusts over his face. It smells like churned dirt and funeral flowers and pustulous rot. He doesn’t know if he wants to gag or breathe deeper. 
“Little blossom,” she croons, cupping both his cheeks, dragging their faces close. He doesn’t resist. She giggles, and she drags those soft hands and those sharp claws down his neck and over his shoulders, fingertips bumping against the disgustinghorriblewrongparasitetumor gathering of delicate buds that have sprouted up all across his back. She pinches one between the pads of her fingers, and he wants to screamcrybeghertostoppushherawaycutherdownandtearthemalloutbytheroots be good for her.
“Little blossom,” she says again, and those dark eyes catch his gaze and hold it as a heavy feeling settles against his skin, across his shoulders, around his neck, and he can’t look away no matter how desperately he tries. But he doesn’t want to try. Her smile stretches wider, wider, and for one brief flicker of a second he can see blood on her teeth as she asks, “Do you believe now?”
.
(Side note just for fun. The flowers that appear in this but aren’t actually described or named are:
Orange marigold, for grief and despair
Purple hyacinth, for sorrow and asking for forgiveness
Red cyclamen, for goodbye and resignation
Yellow zinnia, for missing a friend and remembrance
Bluebells, for gratitude and everlasting love 
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shmowder · 1 month ago
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first I'm forced to learn about stocks just to manipulate the market in this stupid rpg maker game (affectionate) and now I'm having stupid thoughts like "huh wonder how bitcoins are minted" and "So it's just GPUs playing lottery?" while brushing my teeth or taking a piss
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kayzero · 10 months ago
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in the spaces between not working on zwg and not finishing brother’s burden, i’ve been, uh…
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thinking about something new.
#kay original#game development#kay rambles in the tags#Peccatum#Peccatum: Small Town Heroes#name is a work in progress. as most things are.#you can ask me about this project and the ocs i’ve half-imagined if you want to know more about them#but i’m not at the ‘‘ask me about my setting so i can figure stuff out’’ stage yet.#i do know that it’s an rpg. a LONG one too. and it’ll be mission-based kiiinda like FE3H? but not really?#9 party members. each of them have different elemental alignments and each represent a different Game Stat.#everyone has 1 Best stat—2 Great Stats—3 Good Stats—and 2 Poor Stats—and then the ninth stat is a fixed value#i know that two party members are trans. another two members—including the Box Art Protagonist—are disabled#along with the machine party member there is a Dragon who spends most of their time in bipedal form#there is a Fae who spends a large majority of the story hiding the fact that they are in truth a Fae#one of the party members was experimented on as a child and is now part Monster but they repressed the memory so they have no idea#i came up with a shared MP system that has actual story reasons for existing—and it’s gonna be a pain in the ass to code…#i want a relationship system a la Persona except EVERY party member gets a relationship and not just The Protagonist#every party member will have a relationship gauge with every other party member (i guess this is Fire Emblem?)#and then everyone will have a relationship with an NPC that’s unique and exclusive to them#and then they get four relationships with members of the town that you see frequently as you wander around#but it’s a Small Town remember. so the party has to share. there are four categories with three townspeople each so three party members will#have a relationship with each townsperson. but the relationships will be different because the characters aren’t carbon copies of each other#not. not romantic relationships. like friendships and rivalries and sex buddies and apprenticeships and. possibly also romance? mm.#i have to. learn how to code. idk if RPGMaker has a relationship system so i’ll have to figure something else out. maybe RP as a currency...
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trash-bin-ary · 3 months ago
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You can ignore this post it means nothing functionally just need to yell my thoughts out of my brain
Ahhhhh brain blinding grrrr if you’re gonna make figuring out this system stuff hard you could at least have it not affect my gender, cause like that’s gotta be what this is why else would it switch so much on what name it prefers grrrr stick with thinking theyre both great not erm actually that one isn’t the vibe rn, literally another part of me was like yippee and a week or 2 earlier I was sure that was the name I preferred even hmmmm grumble grumble
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simplyghosting · 1 year ago
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I would never show my face online to strangers. I would however wear an elaborate mask and keep people guessing.
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queer-cosette · 8 months ago
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dating someone who has an ExTM is literally just
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smol-tired-binch-blog · 10 months ago
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On the one hand I should probably stop making one-off sona designs but also please consider I like drawing funny little sonas
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dragonspleenistasty · 1 year ago
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I really haven't talked about my writing and worldbuilding much recently, would you believe it if I said I made a whole other fantasy themed world? I have a map :)
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faerociousbeast · 2 years ago
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oh my god one of them mwntioned a fae a different fae. i feel cheated on for some reason which doesnt make any sense. i am being so weird right now i should stop
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kariswritingblog · 1 month ago
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So real quick, I just have to tell y’all about some Natsolith stuff
So we all know that meta thing that I am literally Natsolith’s warlock patron and wingwoman/man/faerie, and all that wholesome stuff where the pact is just about making Natsolith happy blah blah
well i’m pretty sure everyone knows the scene that happens after the goblin/tiefling party, and since I kinda see the world in Natsolith eyes right before the sex scene Id just imagine there’d be an interaction between Natsolith and I that goes like:
“Apologies but I must depart from this realm”
Nat: “wait will the pact still work if you aren’t in my head…?”
“It’s amusing that you care about our pact, Wanderer. Yes our pact still stands, I just have some other business to attend to in the meantime.”
- A few days later -
Nat: “It was because of the sex wasn’t it?”
“…n-no…”
Nat: “I KNEW IT! Sooo if you go away whenever anything intimate happens…*evilly grins* Astariooonnnnn~!”
“OH LORD PLEASE NO- *tries everything she can to yeet herself out of Natsoliths mind*
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deathsmallcaps · 1 year ago
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I tried reading this urban fantasy called Jane Yellowrock or something like that, and she was basically a base-cougar shapeshifter. Like she could spend a lot of time as a cougar comfortably, and it matched her body mass pretty much. When she was little, she had a bobcat or something. Oh, and being shapeshifted gave her twilight-werewolf-kind-of-immortality, though that might’ve just been a her thing. She spent like a century in cat form.
Transforming into other animals was harder. When she needed more mass, I think she ate? And/or used a stone or log lying around and absorbed its mass. It’s been a while. When she turned smaller, she converted her extra mass into a stone and generally tried to get that stone back, because it was magically easier to reintegrate.
She had to keep a body part from the animal to shift into it I think. And she always shifted into that specific individual. And I think she was kind of getting swallowed by the part of her that spent a ton of time as a cat.
I was trying to think about the ole "what would shapeshifters do with their extra mass when they turn into something smaller" and I thought "maybe they just convert it all to energy" and then I thought "uh my guy that's a lot of fucking energy"
#this is vaguely remembered#the series got racist after a while so I stopped reading#tbh it was very hand-wavey Indigenous inspired stuff#like Mercy Thompson but way worse#but I stuck around for a bit because I hoped it would get better#it didn’t#anyways if this kind of stuff interests you#probably the best to check out is Kate Daniels and Mercy Thompson.#they do try a lot more than this series does#but it’s a low bar. Kate Daniels is Eastern European (sorry I don’t remember more)/#Ancient Human probably from the Middle East (her dad is complicated)#and that series does decently with her cultural background and the side character’s backgrounds as far as I could tell#I don’t remember her name but there’s a funny girl white tiger shifter who is South Asian American#and because (?) her tiger form is the type to often have vision problems she has to wear THICKASS glasses and prefers to hang out as a human#(shifters in that world were people across the globe who had been carrying the gene since the last age where magic was around. so her#parents aren’t magic I’m pretty sure. magic and science get turns being in charge every 10k years in that world lol and the time came for#magics turn) and anyway she gets romanced by a hot (jaguar or wolf?) guy in her side story. it was fun#aha! just relooked it’s up. Dali Harimau is actually Indonesian American and likes to drive fast and crash hard & her bf is Jim the Jaguar#then there’s Mercy Thompson. she’s a bit of a stereotype - half Coyote-spirit but raised by her white mom so she doesn’t have a ton of#knowledge about her Dad’s culture really. she did kind of get mentored by an older brother type but he was usually off doing his own thing#but the author does kind of try#tbh she does a lot better with fae and werewolf stuff probably because it’s “easier’’ to work with (note the quotes) but it’s still very#fun to read more me. lots of murder and mystery.#funnily enough Mercy also likes cars. she’s a mechanic when she’s not solving magical bullshit
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miisfits-toys · 10 months ago
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Some world-building thoughts as I solidify/hammer out the details of my personal project...
With The Fae being a prominent group within the lore, it's a no-brainer to distinguish them not just from the "normal" groups, but distinguish each season from one another. Give them that unique visual style for Visual Storytelling......
In order is: Spring, Summer, Autumn, Winter.
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Each of the seasons are split off in their own domains, but all occupy the same "realm." The in-universe name is currently pending, but for simplicity's sake will be referred to as The Fae Realm.
The Fae Realm itself is incredibly... Nebulous. It manifests not as a place, but a series of places. Entering The Fae Realm is less being transported to a Strange, Greater place, as much as it is that feeling of realizing a bit too late "Uh oh, I took a wrong turn and I'm only now realizing I don't recognize this place at all." It's very much about "boiling the frog," and very much a consequence of the nature of the realm itself. A realm supported by finicky and volatile magic,, is finicky and volatile !!
The places that are less volatile are that way from active effort, often public/community spaces that are maintained from a consolidated effort of keeping it maintained. If you want to support your local bakery, you're going to stop by often and shop from them, you know? This is done in both the literal sense and the metaphorical sense; The rotation of bodies and the respective, passive magic from each individual being consolidated helps to maintain a location.
More powerful/innate magic users are far better at supporting locations by themselves, but Fae are such Communal Creatures that it's not really necessary. Everyone is chipping in and no one is getting burnt-out. (As mentioned before, magic here is super finicky, so the more powerful users are just people who know how to "wrangle" it better.)
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The largest/most prominent of these spaces are the season's domains themselves. These spaces are supported by none other than the season's personal representations, the Heralds.
As the representatives and actors for these forces of nature, they are granted far more power than any other magic user. The Heralds are The Seasons, and The Seasons are The Heralds. For these strong, inherent ties, each domain heavily reflects their Herald.
And for some brief descriptions of each domain:
Spring
Formally known as Mirth of Reverdure, this domain is headed by its herald, The Enchanted.
Playful, flighty and frivolous, those within this domain are guided by their whims. The most chaotic of the domains, Fae from this domain have no qualms mingling with the human and living realm, even going as far to bringing them "back home" to get as much as they can out of them. This domain is where a majority of your "doppelgänger" and being "spirited away" myths come from.
The Enchanted is well regarded within her domain; She and her folk are nothing but enablers for one another.
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Summer
Formally known as Her Incandescence, The Incandescent, and Aestiver, this domain is headed by its herald, The Wayward.
A domain of glamour and grandeur, those within this domain enjoy any opportunity to flaunt. Between loud and open celebrations, displays of opulence, and treating non-Fae as novelty, Fae from this domain are very much the meddling type. This domain is where a majority of your "siren" and "changeling" myths come from; They simply cannot help being conspicuous.
The Wayward is a source of contention within her domain. As a domain that has prioritized prestige for many many years, this blatantly unruly force, one that bastardizes the grandeur, is not a welcome one.
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Autumn
Formally known as Eventide, this domain is headed by its herald, The Warden.
Prioritizing order and normalcy, those within this domain aren't of the meddling type; A Fae from Autumn's domain is much more concerned with the goings-on of their home community. Those who do opt to travel to the human and living realm are non-obtrusive, doing so with a purpose. This domain is where a majority of your "helper/house spirits" myths come from.
The Warden is a somewhat controversial figure, primarily for their openly human appearance, and open ally-ship with those "other" deities. Despite this, the relations with The Empress do aide in keeping everything where it should be, so it's not necessarily unwelcome.
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Winter
Formally known as The Mantle, The Gelid, and Penumbra, this domain is headed by its herald, The Huntsman.
Though highly inquisitive, these Fae have strange ways of going about this curiosity. A nuisance even within the Fae realm, Fae from this domain are determined to get what they want, often in overt and messy ways. Treating non-Fae as a novelty, interactions tend to border on the extreme. This domain is where a majority of your "malicious Fae" come from, and they often get pinned as "poltergeists" as well.
The Huntsman, is a source of strife among those within the domain. Though his erratic behavior bodes well for those equally sporadic, this leaves everyone else scattered. One of the names for this domain, "The Mantle," has become "His Tattered Mantle" as reference to the tumultuous state of the domain itself under his influence.
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With the Heralds being a relatively new aspect to the Fae lifestyle, each domain is very much going under their own reckonings. Being a Herald was regarded as a form of medium ship, a way to communicate with/on the behalf of your season/its force of nature; It has never manifested as a walking, tangible embodiment before.
Shifting and moving between domains has always been a neutral act, many Fae unaligned even, but those who do devote to a specific domain are now grappling between sticking with what they know, and sticking with what they prioritize.
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corkinavoid · 6 months ago
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DPxDC Shit Fae!Danny Has Said While Living With Waynes
Danny, making a 'got your nose' gesture: Hey Jason, look, I've got your name!
Red Hood, who suddenly can't remember his own name: What the fuck
Bruce, in a tired dad voice: Danny, please, we talked about this, return your brother's name back
Danny: Oh, come on, it's not like he even uses it
Jason, thankfully remembering his name: And I repeat, what the f u c k
Steph, at dinner: I was wondering, what do faeries even eat normally? Like, flowers and stuff?
Danny, his eyes two black voids inside his eyesockets: The souls of the innocent
Steph: So that's a 'no' on the flowers?
Danny, back to normal and shoving a bagel in his mouth: I mean, I can, but would you want to stay on the crumbs-only diet when you are in a 5-star Michelin restaurant?
Tim: It's actually 3-star. Michelin rating system only has three stars, not five.
Dick: Are you saying that people are basically food joints for Fae?
Damian, at Constantine: It would do you well to choose your wording better when speaking to fair folk-
Danny, very much a fair folk, appearing out of thin air in the Cave: Yolo, s'up bitches, guess who's back in town!
Damian: -even when they do not necessarily do so themselves.
Constantine, looking between them: Are you sure you're the human and he is the changeling?
Tim, 46 hours of no sleep: Hey, if you can take a name from someone, does it mean you can take, like, other things that have no real shape or form?
Danny: Names do have shape and form, they even have taste. Yours is like a ping-pong ball made out of really dense cotton candy with banana-caramel flavor.
Tim, losing his touch with reality: Dense banana cotton candy...
Danny: By the way, I know you wanted to ask me if I could take your need to sleep from you, and theoretically, the answer is yes.
Tim, his whisper full of hope: ...will you?..
Danny: No. Either go to sleep or keep suffering. I'm not here to make your life easier.
Danny, after a half-an-hour rant on the Fae customs and traditions: -and Fae never tell the truth, but also never lie. It's a work of art, you know, say what you want but never in a way that makes sense.
Jason: So Fae just like to fuck with people.
Danny, looking him in the eyes, smiling and winking: Sure, humans are very fuckable.
Bruce, trying very hard not to pay attention to this: Can you make an example?
Danny: Sure. I lied.
Bruce: Where?
Danny: :)
Bruce, feeling like he is about to lose his mind: W h e r e ?
Alfred, right after he heard Dick's muffled screaming in the hallway: Young Master Danny, would you mind returning Master Dick his ability to talk in coherent sentences?
Danny, obediently standing up and walking out of the library: ...okay.
Bruce: How come he always listens to you?
Alfred: He knows what I will do if he doesn't.
Danny, returning to the library: He will change all the silverware to iron-ware. As well as the doorknobs and hairbrushes and lightswitches and everything else.
Alfred: Did you fix Master Dick's shoes?
Danny: I did. But I still think that making all of his shoes left ones was funny.
Alfred: Indeed, it was.
| <-prev | next-> |
There's also a fic now.
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envy-of-the-apple · 2 months ago
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Fun Sized
Dark!Fairy!Gojo Satoru x reader
Word Count: 2k
Synopsis: You save a tiny fairy. Gojo Satoru decides that you and him belong together, regardless of how little he is and how little you think of him. 
(Warnings: Yandere, not many warnings in this one ngl)
The fae are a dangerous bunch. You've heard more than enough stories to be spooked. Sirens will sing beautiful songs before dragging you into the depths. Dragons will burn you to a crisp before a second's thought. Nagas would make sure you were alive until the very end as they feast on your organs. Centaurs would use their powerful legs to stomp yours to mere twigs. Driders would suck your blood until there's nothing left but a husk of your body. 
You've never heard anything about fairies. They didn't live in your region. Their lands were high in the mountains, where humans rarely traveled. Also, they were so tiny, according to the books. The biggest seemed to be barely the size of your hand. They were harmless, you concluded. Harmless to humans. Harmless to you. 
He had been harmless. At first, you thought it was a cluster of leaves in the stream, but as the current drew it closer, you noticed tiny arms and a tiny face. He was unconscious; you didn't even know if the poor thing was alive. 
The Fae are a dangerous bunch, but saving one tiny fairy couldn't hurt, right? 
Your guest quickly proved to be a bigger hassle than you initially thought. 
When you brought him to your cottage, he laid in a basket of warm linen, asleep for hours near the warm fireplace. The blueberry pie was still hot when you turned around and caught him staring at you. 
It was silent for a while, and then you said: 
"Do you like sweets?" 
That's how your tentative friendship with the other kind started. Gojo Satoru (you later learned his name) was a boisterous thing. He did in fact like sweets, which helped bribe his friendship. You're surprised that he ate so much despite his stature. Did all faires have black holes for stomachs? 
He healed up rather quickly. At first, you were afraid that his wings had crumbled due to the prolonged exposure to water. But after stuffing himself full of the blueberry syrup, he smiled widely before flitting out your window. 
You thought that would be the end of it, but then he just came coming back. 
Apparently, your baking skills left an impact on the small creature. He didn't visit often, but when he did, you would always make sure you had something. Whether it be cookies, brownies, or that blueberry pie he was so fond of. Anything was good enough for Gojo's taste palette. 
"In the fae lands," Gojo said when you prodded, "sweets are too sweet. Yours is just enough."  You weren't too sure what he meant by that, but you took it as a compliment. You were sure the fae wasn't something who'd give praises so easily. 
It's not like you were upset at providing food for your tiny friend. Quite the contrary. You loved it when Gojo visited. You found him fascinating, the way he could fly miles and miles above your head. How tiny he was. The amount of times you had to hold yourself back from squishing him between your fingers because of how cute he was scared you. 
And you hoped you were fascinating enough to entertain Gojo. You had to be; you don't know why else he'd keep coming back. Even after gobbling down your cooking, he'd lounge around your home, entertaining you with his stories. You learned of the other magical creatures he was in contact with, the students he taught, and how fond he was of them. You don't know why he was so open about sharing his personal life with you, in the stories fae hated humanity, but you would never complain. 
It doesn't click as to why Gojo's so invested in you until he comes out and says it himself. 
"Instead of me coming back and forth like this, why don't you just come live with me?" He says, "I would cut down my flying time by a lot." 
You stare at him in amusement, sure he's joking. "I'm not sure how I'd fit in your house." You tease. "I'd probably crush all your furniture." 
"I can make my house bigger." He announces. "Don't worry 'bout it, just say yes." 
You stare at him, slowly realizing that he isn't as amused. He's still smiling, but there's no joke. 
"No," you finally say, "I'm not doing that." 
He cocks his head surprised as though he's never had someone reject him before. 
"What?" He asks, "Why not?"
"Well." You clear your throat. "For one, I'm human, and you're a fairie. I don't think Fae would appreciate a human wandering around in their lands." 
"Who cares about all that?" Gojo waves his hands around. "You'll be with me, anyways. It'd be fine." 
"I don't get why you're so fixated on the human realm." His mouth turns into a sneer. "It's all so boring. Nothing ever happens. And our magic is much more advanced than yours." It's true. You can't disagree with that. Satoru didn't wear clothes made out of leaves or vines, unlike the common fairy stereotype. His clothing looked much more advanced compared to your loose cotton dresses. A black shirt with intricate buttons and long sleeves. Along with black trousers. You wonder what material could make his suit so shiny. 
You laugh at his disgust. At that time, you saw Gojo as a tiny child clutching their mother's skirts, a cute puppy. You hadn't yet taken Gojo Satoru as the threat he was. 
"It's because I am human." You say, not offended by his remarks. "So I like being near other humans." 
He groans as though your logic makes no sense. "Yuji and the others ask about you all the time, though. They've been dying to meet you." 
"You talk to your students about the giant that cooks for you? I'm flattered." 
"You're dodging," he warns. You roll your eyes. 
"Satoru, I'm not coming to live with you. It'd be too much of a hassle." You finally say. "Besides, you're not my type." 
"I'm everyone's type." He argues. 
"Not mine." You smile, and then you make your first blunder. 
"I like my men a little taller." 
He stiffens, and you know you said the wrong thing. Your smile fades as does the cheery energy in your cottage. He says nothing, but he's zipping out your window before you can apologize. 
He doesn't return for the longest time. You count the weeks. Guilt weighs on your shoulders, heavy and burdensome. Every day you bake something even tastier than the day before. Not even that is enough to coax him back. 
You think you've lost him forever, when he returns on one sweltering summer evening. 
"Hi." You blink. He's watching you, sitting idly on the window, kicking his tiny feet. 
"Hi." He smiles. 
You're happy enough to grab him with one fist and hugging him to your chest, but as always, you stop yourself. Instead, a shy smile rests on your face. 
"I'm sorry," you say, "I really am...will you accept an apology pie?" 
He grins wider, and you relax. 
He eats, and you're grateful. Something you once cherished in your life has finally come back to you. You might not return Gojo's feelings, but you still care for him. You'd rather die than ever hurt him again. 
"No, you're right." Gojo surprisingly concedes when you apologize for the third time. "We're too different. It'd never work out. Not as the way you are, right now." 
You nod, grateful he's so understanding. "Exactly." 
He's finishing up when he announces he brought you a gift. 
"I've been working on it for the past few weeks," he cheerily says. "It took a while, but it's finally safe for human consumption." 
He takes out a tiny glass bottle filled with something swirling and blue. When he asks you to bring a glass of water, you acquiesce. To your astonishment, when the elixer is poured, the entire water becomes a swirling mass of a color comparable to none other than galaxies. You're so mesmerized by the color, it's enough to stump your voice. 
"For you!" He declares. "You've always been cooking for me; thought I might return the favor, just this once." 
"What is it?" You ask, amazed by the color. You admire the glance, unaware of the glint in Gojo's eye. 
"It's kinda like the wine you have in the mortal realms, but a little less poignant." He gives when you glance at him. "Go on, tell me what you think?" 
You're too trusting, and so you make your second blunder. 
Once you start, you can't seem to stop. The taste is otherworldly, addicting. You drink and drink, not wasting a single drop. You're breathing heavily once the cup detaches from your lips. 
"Amazing." You say before looking at him. His eyes are too wide, but you're too distracted by the taste still on your tongue. "Seriously, what was that? Can I make it here?" 
He scratches the back of his head. "Not really, the ingredients are pretty hard to find." He shrugs. "Besides, it's supposed to be a one-time use." 
Your eyebrows twist, and then the world sinks. 
You're falling. You think you are. You don't really know. Everything feels like it's stretching. The walls of your tiny little cottage get higher and higher and higher. The floor gets more and more warped. You're sinking, sinking through the air. When you scream, nothing comes out. You feel like you're choking because you can't breathe, and then your vision grows black. 
The next time you open your eyes. It's still dark, and to your horror, you realize you're buried underneath something. 
You panic, clawing and tearing your way out. The material gives away easily. It's fabric. Cotton. But there was so much, an undying ocean of fabric. You lift yourself up from the pile and that's when you realize you're completely naked. 
The mountain of cotton you just climbed to the top of was your old dress. 
Everything was gigantic—the table, the chairs. The windows seemed endless. The ceiling looked miles above you, and you know what happened, but your brain can't formulate it because it can't be—it just can't be.
There's a flutter of wings. You always thought he was so quiet before. Now, he's all you can hear. Immediately, you wrap your body with the cloth. It's hard to keep still; your body is buzzing with nerves and you still can't understand. You have to force yourself to look at him.
You don't know why you expected shock, guilt, something other than the pure manic glee on his face. Satoru towers above you, head tilted. He bends down, cupping your trembling face in his hand because he's big enough to do that now. 
"Just when I thought you couldn't get any more adorable." He coos. 
You can see him now. His skin isn't pale, it's borderline translucent. His canines are sharp and pointy. And his eyes. Oh God you've never seen eyes so terrifying before—an endless mass of blue, threatening to swallow you whole. 
He wasn't a cute little fairy. He was anything but that. 
"Gojo..." You start, heart squeezing. "What did you do.." 
You know. He knows. That's why he ignores your question entirely. 
"I'm surprised it worked." He says, mainly talking to himself. "Shoko said it might be a dud, and she was so sure of it, that I mostly believed her." 
"But now look at you!" He roughly pinches your cheek. "You're the perfect size now." 
"Stop." You blubber, pushing his hand off of you. "Don't touch me. Change me back. Change me back." 
He frowns. "Why would I do that? You being human-sized was always such a hassle. Lumbering around. Way too loud. Don't get me wrong, I adore you either way." He proclaims like it's something benevolent. "But this has its charm."
He leans forward, and you scuddle backward in fear. His grin widens. 
"So, am I tall enough for you, now?" 
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