hey guys i just realized ive been genuinely really happy for a month straight and i’m gonna take a moment to just really appreciate that because i went through hell for most of everything before that and i’m not gonna take it for granted that i’m just smiling all the time now without thinkin about it
i’m never getting over how shovel knight decided to make a love story about a socially anxious mad scientist plague doctor bird guy trying to impress a hot goth girl by crafting a potion of unlimited power and then it ended up being the greatest romance ever conceived.
You rotten scoundrel!!! I just read your fanfic “Like a Silent Song” and I LOVED IT SO MUCH!!! YOU SCOUNDREL!!! You write Radar so good, how DARE you!!!
I am attacked by insults and praise at every angle and do not know which to believe!!!! /j
I'm so glad you enjoyed it! ;v; I'm still not entirely confident in his voice, so hearing you say you thought it worked well means a lot to me. Thank you so much!!
ok but what could be the motogp/casey stoner magical girl anime’s equivalent of rgu’s black rose arc……🤔
*cracks knuckles* okay admittedly I read this ask, had it jangle around in my brain for half a day and then read it back and realised I'd zeroed in on the 'casey stoner' side of the line and completely ignored the more general motogp prompt. since then I have had. some more thoughts. but they do come back to casey
so let's set out in proper scientific fashion and figure out what doing a black rose arc even MEANS. briefly summarising the arc, on the most literal level possible... it's the middle arc of the show, wherein characters proximal to the primary duellists get indoctrinated in a sham therapy session into fighting utena, a process symbolised by pinning black roses to their chests. she wins against all of them fairly comfortably in direct combat, managing to destroy the black rose and in doing so free the duellists. at the end of the arc, utena learns that the whole thing was orchestrated by mikage, a scholar frozen in time after burning down a lecture hall and killing the hundred boys within. he seeks to kill anthy, the rose bride, so that he can save his beloved mamiya by making him into the rose bride and achieving eternity. except his memories had been manipulated all along by the puppet masters of the whole show, anthy and akio, so that his memories of mamiya had been bastardised into what seems to be a version of anthy. mikage had been trapped in the school by false memories, has perhaps been dead all along, and had been used as a tool to bring utena closer to being able to achieve revolution. in the end, he too is discarded
which... okay, yeah, it's very hard to describe the show on a literal level, and I think in some ways the black rose arc is the one that's the most open to interpretation? icl it took me about three watches to really wrap my head around what on earth mikage's deal was supposed to be. which means you can also take the motogp crossover approach in several different ways... because of my own academic background, watching it the first time I kinda zeroed in on how the process by which the characters become black rose duellists is one of radicalisation/indoctrination into a cult. the process by which they are prepared to commit violence is built on humiliation, an experience where they want something and feel shame (or are made to feel shame) for wanting it. kanae is subjected to anthy's silently judgemental looks, keiko is made into a fool and an outcast by nanami, wakaba suffers a brutal rejection, and so on... it's not just that they have an enemy, somebody who treats them poorly - it's that a vulnerability is exposed that fundamentally threatens their self-esteem. it leaves them destabilised, unsure of themselves, with a fragile sense of self. when the characters go to seek guidance, they are quite literally being provided with a new sense of 'direction'. they are being guided towards finding purpose
the descending lift is a key part of the process, by forcing the characters to focus in on their negative emotions and let them consume them. the humiliation is strengthened, made more brutal - the voice instructs them to "go deeper" and bare more of their soul. they are expressing their vulnerability in front of a mirror that reflects their most twisted, painful desires back at them. subjected to the reflection of the negative emotions at the self... they are forced to make themselves weak in front of the voice, essentially debase themselves, and in doing so they strip away their own walls and barriers and mechanisms of self-defence. as the lift descends, so do they regress
the most obvious expression of this is the butterfly that becomes a cocoon (and then a leaf). utena is all about the process of becoming an adult, of achieving revolution as a metaphor for growing up, breaking the egg. but here, as an extension of anthy and akio's schemes, instead the characters are forced backwards in time. part of it is again this process of... well, ritually breaking down the characters, chipping away at their sense of self so that it can be reconstituted in a way that is useful to the order of the black rose. part of this is more generally about the show's themes of maturity and adulthood - the characters are being reduced, now governed only by their very worst impulses
it is at this lowest moment that mikage steps in to offer the characters their only solution. the only answer they have to somehow bring meaning back to their lives. all they have left to reclaim some kind of sense of self is to embrace mikage's vision of revolution. so you have a personal experience of humiliation, you have the character being guided towards a figure of authority who is supposedly able to help those in that kind of situation, you have a 'gradual' process stemming from externalised pressure to make the character focus only on their negative emotions, and eventually you have said figure of authority providing the character with the 'only' way out of the emotional turmoil and insecurity they are feeling. this route eventually leads to complete suppression of the self in the name of the cause and also... well, acts of violence. staircase model, my old friend! or if the staircase were a descending lift, I suppose
you may be wondering how I can possibly make this relevant to motogp and, well, *cracks knuckles again for good measure* let's see how this goes. I'm not going to make some big spiel about how becoming a rider (yes, even a vr46 one) is a comparable process of indoctrination or any of that. (there's some very broad comparisons, like how riders cannot choose to be assimilated into this strange and dangerous system but are instead sucked into it as children, following dreams that have been handed down to them by others... but I'm mostly gonna stay clear of that stuff.) what I'm more interested in is... hm, the emotional management aspect of sports, how delicate it is in what it requires of athletes. the eternal question of motivation, how you can bring yourself to put yourself out there and compete again and again - despite the eternal possibility of failure and, yes, humiliation. from here
'the challenge of managing vulnerability' is the key bit. on a very, very basic level, the process of growing up is about managing vulnerability, being able to manage your own emotions... there's a similarity between ohtori academy and the paddock in that they are both sheltered, closed off environments that send its young through unnatural, almost twisted approximations of growing up. their emotions are evoked by artificial scenarios, by competitions that aren't 'real' in the sense they aren't provoked by any naturally existing scarcity - but are instead elaborately designed shows designed to test its participants and, yes, reveal something of them. sports as a pure measure of human achievement is fundamentally hollow; it is only provided meaning by the ridiculously heightened emotions that are evoked by it. the characters transition into their new roles of duellists in a moment of vulnerability and it is only in this raw, unguarded state that they are able to fight
there's also another bit from a post I ended up not publishing in an exciting moment of self-awareness where I went, 'you know what, nobody cares about this', but it still exists in unedited form in my google doc. here (the post was about mozart + salieri, hence the references to music):
the idea here is basically that it's actually incredibly tricky to manage the exact right amount of self-awareness you should have as an athlete - and the emotions that come with it. you need to reveal yourself, to make yourself vulnerable, to be able to compete to your fullest extent. you need to debase yourself in front of a crowd, to accept the possibility of not just defeat but of humiliation, of the embarrassment of losing and how degrading that experience is. now, to stop yourself from actually going insane, everyone will need some kind of explanatory framework in their own head to process defeat. some of these narratives will by necessity rely on our good old friend delusion. young athletes cycle through victory upon victory and defeat upon defeat, often in ways seemingly inexplicable to themselves, which means their self confidence is fluctuating like a yo-yo on acid from generational levels of cockiness to the darkest self-loathing imaginable. some level of baseline self-belief, of thinking you will 'make it' despite all the odds being extremely not in your favour, is really kind of key to the process
the problem, of course, is that... so narrow is the emotional window that provides the ideal performance potential that it makes managing this window both crucial and horrifically difficult. maybe you can perform better when you're angry - or maybe you'll crash. or maybe you'll make a fatal error of judgement. you need hubris, but not too much. calm without passivity or complacency. joy might be the enemy of concentration. shame can motivate or it can make you retreat. your rival can spur you to action or paralyse you in your own inadequacy. and at the core, again and again, lies the concept of vulnerability. the moment you step into the arena, it is with the knowledge that it is possible for you to lose. competition is a moment of exposure, of revelation, of truth. this day may end in the gravel trap. you may humiliate yourself. you do it anyway - and to do so you need purpose, and to make sense of the defeats you need more purpose
plugging the autobiography passage again:
such a good passage, isn't it? to bring it back to the black rose arc... 'analogy' in the loosest of senses - you have moments of 'truth' in different forms. you have the truth found at the bottom of the lift, where the characters reveal their most painful insecurities - but it's fundamentally not a very balanced truth, is it, focused on the purely negative and self-loathing. they don't go out to duel in the name of passion, they are not duellists in the same way juri with her love for fencing is - which you can see from how they need to essentially steal the style of 'their' duellist to fight utena. there's no positive affect there. it's a power gained through vulnerability, yes, but one that is fundamentally self-destructive and exists in an ultimately fragile state of crisis. utena can free the duellists from their roles simply by cutting the rose; the student council members don't stop being duellists just because their roses are cut because this is something they care about for themselves. you can't be completely reliant on others to provide you with purpose in sports - some of it is going to have to come from some internal urge to compete, to win. no parental determination, desire, at times abuse can create an athlete out of nothing if their child is fundamentally unwilling (as ever, agassi's autobiography is very interesting about this). so while end of the world, in all the malevolence and abuse, may proffer a path towards meaning, towards revolution, to the student council members - it would be entirely useless if they did not still have 'hope in their hearts'. desire. the will to win. utena is able to defeat the black rose duellists with relative ease... she might not have entirely selfless motives, but her desire to protect anthy still stands up as being far more robust than a mere desire to lash out in response to humiliation. she wants to be anthy's prince, she wants to live up to this role - and in the end it means she will always be able to dig deeper than the black rose duellists
there's a few other ways we can torture this metaphor, while we're at it. "deeper, go deeper" is a phrase that to me is... very sports-coded, I talked about it in the mind games post I linked - going to the 'dark places' within yourself to win. to find release through the suffering, some form of revelation, reaching some kind of imaginary 'zone', to be able to perform at the highest level. only then can you achieve revolution... eternity, if you will. it's the performances where athletes dig the deepest that immortalise them, after all. but then, for all this talk of balance and some need for positive affect, of course there is a lot of negativity that feeds into the motivational process. the motogp twitter account posted a video today a few days ago by the time I actually post this... of our dear two time defending champion talking about how he primarily uses criticism to motivate himself
there's something ever so slightly comical about pecco talking about how, sure, he'd like to live by his 'go free' phrase and the associated ethos of just enjoying himself out there... but actually, he doesn't motivate himself through all that fun stuff at all. instead, he makes use of *checks notes*
reading something bad about himself
being told something bad about himself
making mistakes
when someone attempts to hit him in the mental side
well, that's nice! welcome back, casey stoner
am I saying pecco is going down the black rose arc lift to motivate himself? well, maybe I am. who's to say. a little bit!
you're getting yourself into the ideal performance window by basically... deliberately exposing yourself to criticisms, to degradation of the self, to the suffering of embarrassment and humiliation, dwelling on your mistakes, on those who do not believe you are adequate (or 'special', as in the black rose arc)... and, well, obviously I'm not saying the lift descent is a particularly healthy process... I'm admittedly a bit wary of the welfare implications of the sports equivalent. I actually had a long conversation last week before last about what essentially amounts to forms of digital self harm, this phenomenon of stars seeking out their 'haters', both within sports and other public fields... and, idk. there's 'being motivated by your rival being a dick about you' normal levels of spite and 'constantly subjecting yourself to what your cruellest detractors think of you' levels that seem distinctly unhealthy to me. without more context, you'd kinda hope pecco's sticking closer to the former type than the latter. casey also was a very spite-motivated athlete, perhaps somewhat in contrary to his assertion that he never got obsessed with rivals and didn't care who he beat. you see it with his whole 'ooh beating a spaniard at their home circuit' schtick, you see it with his 'yamaha rejected me so I'll show them' thing, quite frankly even his 'ah well mind games actually backfire because they motivate the other party more!!' line. he was constantly trying to prove a point to someone.... but was also extremely prone to self-criticism, to putting himself down, to being so perfectionist that it tipped over to being terrified of failing and crucifying himself for any mistakes. some of these things will have contributed to making him as good as he was - the same traits that tortured him also were what drove him to seeking perfection. sometimes, these roles of 'duellist' and 'athlete' may demand a fundamentally unhealthy emotional balance to excel at them
there's also something in how.... hm, mikage wanting to kill the rose bride so he can control eternity. the concept of 'eternity' is also big in sports, both in wanting to secure a legacy and wishing to preserve an un-preservable youth. inevitably, you will be replaced, they will move on from you, you cannot compete forever... mikage is frozen in time - and more than that, time is distorted in the ohtori academy. only a few like mikki even appear to notice it, constantly measuring it with his stopwatch as it continues to fluctuate around him. the uncertain nature of time is impossible to separate from how insular the academy is, from how it is cut off from the outside world, from how all point of reference is lost. sports does a similar thing in many ways, with the insularity heightening the stakes of this conflict, the occupants of that space living to different rhythms than the rest of the world.... the cycles of life and death, how rushed everything is, a youth that has to be captured and bottled before it slips out of your grasp, the calendar of races, of a travelling circus that touches the places it visits without belonging to it... valentino stretched out his career, even beyond a time when he was no longer competitive, due to his love for racing, his passion for it - a state of arrested youth, how he's been given the moniker of peter pan to go along with his own little band of lost boys. right at the opposite end lies casey, who achieved the truest 'revolution' early by leaving the cycle entirely, choosing to forsake this world that had constituted all that was of meaning to him - rebuking those who said he was wasting years of his prime, of the precious youth he still had one hand on, by stepping away. even though casey too had been striving for something unachievable.... the key thing about the 'revolution' is that it is something false, a mirage like the castle hanging over the arena, an ideal to be fought for without ever being attained. for casey, it was a quest for perfection that tormented him - so impossible is it for athletes to accept their own fallibility, their flaws. it can never be reached, because it is not an end point in and of itself. there is no definitive revolution that can be arrived at, no place of satisfaction, no easy way in which the power to revolutionise the world is granted to the duellists. all that remains is the process of working towards that revolution - that, in the end, is the only thing truly eternal
so, what does that process look like? you prepare yourself for the duel, you motivate yourself - either through positive or negative affect. athletes all lust after victory or fear defeat or both. utena ascends the staircase while the black rose duellists descend with the lift. for her, this also functions as a process of preparation, a repetitive yet effective way of bringing herself into the right mindset for the battle ahead and definitely not a way of saving animation costs
to me, it's key that those are stairs, and that there's a silly number of them. the black rose duellists are prepared swiftly, easily, with little effort from their part beyond the own horror of their emotions. they are not trained duellists and merely temporarily assume the mantle. utena has to work to even get to the arena - she has to put in an unreasonable amount of work, if anything. the demands to even be allowed to fight, to compete, are beyond what could be expected of anyone - and yet she willingly puts herself through it, because she wishes to fulfil an ideal she has been taught. the great athlete, the legend, the prince... it might work, she obviously does become an excellent duellist, for at least some of the time, she does manage to protect anthy.... but it's still one of the absurdities the academy is imposing on her, breaking her down as she no longer questions the surrealism of he world around her. she climbs the stairs because that is her role - and she readies herself for the battle she has been assigned
eventually, utena is allowed to both ascend and descend using a lift. now, listen, if you really want to get left field with this, you COULD say that her being allowed to ascend the lift rather than climb the stairs is... her no longer needing quite such an intricate method to emotionally prepare herself for the duel. she's integrated into the system now! she's an experienced duellist! she can get herself hyped for battle in a lift! but it's also a privilege she is being granted by the powers that be within the academy, which reserve the right to bestow meaning onto her, to single-handedly decide how worthy she is. and then, in the penultimate episode, the lift returns as akio attempts to break down utena. now utena is the subject, the patient, the one to be indoctrinated. she is invited to see herself as the princess akio wants her to be. she ends up re-embracing the ideal of prince (temporarily until anthy stabs her)... because that's what her power comes from. she'd never be able to find strength in the process of extreme self-degradation and exposing of one's own insecurities embodied by the descending lift. she needs to fight for positive reasons! some people are just like that, apparently
anyway, my pitch for how you'd black rose arc a specific period of casey's career... I reckon it's 2006, his rookie season in motogp at lcr honda. a seat that he'd had to scramble for, rejected by yamaha and not exactly high on options. he'd just finished second in 250cc to dani (if on inferior machinery) and was like.... well, he was definitely highly rated in the paddock, but perhaps didn't have the reputation of being particularly easy to work with. it's this version of casey:
as ever, casey was fast pretty much from the get-go. he had a very strong debut in jerez, exploiting a gap at the first corner after toni elias barrelled into valentino and finishing sixth. at the second race, after having been severely ill the week before, he rocked up like fifteen minutes before practise due to flight delays and ended up popping his bike on pole. that's also the race in which he had his very first battle with valentino, who came up to him to do the grabby hands thing on the cooldown lap. at the third race, casey came painfully close to winning - but scored his first podium of his premier class career
(side note, there is something amusing to how casey was yapping about valentino's disgusting yellow tainting the ducati when he's draping that australian flag of his absolutely everywhere he can, even in his rookie season. has someone maybe spent a little long away from home and feels the need to strengthen his own sense of self by plastering that thing on every available surface?)
anyhow - after that third race, casey's season went downhill. he crashed frequently enough to bag him the nickname of 'rolling stoner'
Like I had done my whole life I kept pushing and, of course, I kept crashing and I got slammed for it in the paddock and in the press, earning myself the nickname 'Rolling Stoner', which really bugged me. The pressure began to build as people questioned my talent and Ramon started to suggest that I was crashing because I wasn't physically fit enough. I knew this couldn't be the only solution, but l couldn't work out why I kept crashing. As a rookie I wasn't to know any better but people around me with experience should have helped me to understand the tyre issue.
I would come in after a race saying, 'I didn't do anything wrong, I didn't make a mistake. I would know if I had.' But they would say, 'Well, you must have done because you crashed.' All the blame went to me and with everybody telling me it was my fault, I started to believe it. Ramon is a very good crew chief, extremely skilled at setting up a motorcycle, but I wish he'd listened to me a little more.
humiliation!! embarrassment!! others seeding uncertainty in him... being at the mercy of figures of authority who are giving him false guidance, but who he has to blindly follow. feeling unheard, beginning to believe what everyone says about him
he also had just a little bit of a temper back then, perhaps not completely familiar with the working process of top teams. but the crashes were not entirely his fault - they were (according to him) down to michelin seeing his potential but also exploiting his lack of status in the sport to essentially use him as a guinea pig for their new tyres. back then, this was how tyre suppliers handled things, and the whole thing was laughably uneven and unfair. whereas some riders like valentino were so successful and so influential they could generally lay claim to the best tyres (apparently with the exception of the actual title decider), others were at the mercy of the whims of michelin
Michelin had started to realise that I could do the lap times, especially on used rubber, so they started using me as a guinea pig. They would put me on a certain set of tyres for free practice and I would be happy as anything, right on the pace. Then on race day they'd say, 'You can't use that tyre.' They'd insist on us using a different tyre and then we'd find out on the grid that Dani or Nicky or somebody else was on the tyre I was planning to race on. Contractually we were obliged to use whatever tyre they decided on.
[...]
I kept pushing because I trusted them but there was some massive crashes which I thought were caused by the tyre combinations I was given at the last minute.
[...]
I started feeling like a crash test dummy and as the season progressed the situation got worse, to the point where I'd get angry and go off. I got a reputation as a spoilt brat. I am not making excuses but I was frustrated. Dad would come over to Europe to try to settle things down but the fact was I felt the tyres were causing me to crash. My confidence also took a hit and it took me back to the doubts I had in my first season of Grand Prix in 2002. I started to question myself a lot. Was it me or the bike? After a while I couldn't be sure. It was my debut season in MotoGP and I really didn't know what I was capable of. I'd proved I was competitive but the race results weren't showing what I could do. It started to mess with my head and unfortunately it seemed that my crew chief Ramon Forcada didn't have a lot of faith in what I was capable of either.
not only was this harmful for casey's reputation - it was also terrible for his confidence. as the autobiography passages describe, he wasn't getting good guidance about how to make the tyres work for him and inevitably the frequent missteps worked to erode his self-belief. after all, how could he know whether it was his fault or the fault of the bike? he told the team and the press these weren't his mistakes, but he wasn't believed... the paddock rejecting that he was to be taken seriously, enforcing a regression from the new 'adulthood' he had been granted by way of entering the premier class, but was illusory... which is where we get to the black rose element. it's repeated instances of humiliation - because there is something inherently humiliating to crashing. getting a nickname that makes it the thing people most closely associate with him. sinking into his own negative emotions, lashing out in anger at his own team, feeling the sting of embarrassment as well as frustration and self-doubt... and then, towards the end of the season, once again yamaha first seems to offer him a deal before changing its mind. another pattern he can't seem to break. casey has had plenty of self-belief in the past, not just dreaming of a title but believing he was capable of it - to the extent that he attempted to get to the premier class as quickly as possible, because he believed those were the titles that really counted. that's what he's here for... but what if it was all delusion all along, finally meeting reality?
which, yeah - it's those elements that make it very black rose-y to me. it's almost like... a touch of infantilisation, of refusing to take him at his word... he trusts these more experienced adults - in the same autobiography section, he talks about learning not to trust people just because they had a lot of experience. constantly choosing or being forced to listen to these guys who aren't giving him good advice, who don't have his best interests at heart, who don't have faith in him... and it chips away at him, it makes him angry and frustrated and will inevitably have contributed to some of the turmoil of his rookie season. he's being returned to the 2002 version of himself, a newbie in grand prix racing who didn't know what he was doing - and he doesn't know if he has a future in the sport. he wants to believe in himself, but maybe he can't. and it's just... creating this foundation of negative emotion that he would continue to use for the rest of his career to draw motivation from. the insults, the criticisms, the doubters, the haters... yamaha once again closing their doors before opening it a year later to some other young rider whose name escapes me. humiliation turned into a source of motivation. and once the process is complete, he emerges as the primary challenger of the champion (yes, yes, not literally, but vibes-wise obviously still THE big name at the time) in the following season
in the end, ducati gave him the call - he wasn't the first option, but he'd do. utena functions partly as a deconstruction of the type of story in which the ordinary wakaba would be the protagonist (ordinary girl romance protagonist surrounded by larger than life characters)... and the wakaba-centric episodes have akio posit that there are fundamentally 'special' people in the world and all those who can only hope to be special for brief, rare moments. in the meta-narrative of a show like utena, of course that is true, where some people have added significance by dint of being main characters in a story. in sports, too, there may be an unfortunate truth to it - an inevitability to the hand each athlete has been dealt. even if casey was publicly flayed and humiliated and figuratively descended the lift, like utena he was fundamentally still one of those 'special' people, whose natural talent meant none of his confidence was unearned. at ducati, he swiftly showed how he had been judged far too soon by the paddock. unlike the black rose duellists, he successfully challenges the champion. unlike the black rose duellists, he could never have been swiftly stripped of his status as duellist - even if there might be the occasional princess who attempts to trip him up and torment him. still, the bedrock of his determination in 2007, the steel that led him to a title, was ultimately established the year before. he was going to prove yamaha wrong for hanging him out to dry; he was going to prove the paddock wrong for ever doubting him. yes, the passion for winning is undeniable - but so is the spite. in seeking to achieve perfection, he found his motivation for the fight in his own way. and eventually, he would be granted the power to humiliate others... before eventually breaking free of this small world entirely
For once I would like to work at a place where me calling off doesn't result in a guilt trip. Sorry I'm the only responsible employee there but I was literally hyperventilating at the idea of letting my manager down bc I woke up and instantly started bawling about everything and could not face work. And my stomach has been murdering me from all the anxiety I've been dealing with so I literally can barely function anyway.
Been rotating some characters and shows I like around in my brain, but something went wrong and now some wires crossed in unfortunate ways. I’ve been trying to get back into the drawing mood, but considering there is now a jumbled mess of fandoms and characters in my head now, be warned I may end up sharing something unfortunate
Details are in the tags here if you’re curious, just be warned it’s messy…
i’ve been listening to albums i haven’t hit up in years with my nice headphones and my good streaming quality (ptui ptui i spit on you spotify. i drool lovingly on you my collection of 128-356kbps mp3s on my old ipod classic) and my god. my GOD. my podcast era had me forgetting how zooted you can get off music
being alive at the time i gleaned some general elements abt encanto but never actually heard we don't talk about bruno beyond awareness it existed popping off & i think i heard like the title recited off key off rhythm but in a way that indicates speak singing nonetheless lol so upon experiencing it it's like oh but it's the Verses? while the last refrain goes harder but prior to that it's comparatively underwhelming to said verses which feels appropriate like verses / pieces of a larger picture & that a "we don't talk about him" as a disappointing Lid on infinitely richer more characterful & dynamic "but: talking about him" instances. like well personally it'd be like um seven foot frame....anyway besides being able to firsthand go like oh damn Real (the kind of thing you know exists if alive at the time) it's like alright hang on lol. one thing when a core theme is yeah like "is it a refuge if 'especial' vulnerability ultimately gets pushed out rather than made safer" subset like the parties whose even observation of truths (problems) & drawing attention to them is seen as Ruining Things, like if you're painted as Making futures that aren't simply what's desired or reassuring rather than a guidance via just observing & sharing the truth. but then it's like whaddaya mean living in fear of bruno stuttering and stumbling you could always hear him sort of muttering and mumbling lmao like now that's just Association between the Truth Perceiving & Telling behavior & behavior that's just apparently distinctive of the same person. & like Not Accidentally when [what if people were magic] specifics are obviously primarily abt a metaphorical meaning & like, indeed it was made clear like oh this situation isn't Just b/c [boo we hate your prophecies] & that [an Ability that isn't directed towards what anyone Wants / is "weird" even by these magic standards] isn't Coincidentally given to someone who just so happens to already be "weird" in other ways & be set up to have a different perspective & be pushed away due to having the supposed "extra" vulnerability of unmet needs / insufficient support, same as someone who doesn't "correctly" have any kind of magic ability....like yeah banger and also like Oh Yeah Kind Of Devastating re: that metaphorical resonance allowing for like [set the metaphor aside] now hang on with this about this disabled family member lol. misinterpretation to The Ruinerrr / The Problemmm / The Maliciousss etc (i.e. the scapegoatinggg) despite their efforts likely entirely to the contrary. then despite like, efforts aside, Just Existing, always kind of muttering & mumbling like & what of it. & then like oh sorry weird pets. weird [auspicious for adaptable tenacious thriving surviving; either way simply creatures, existing] pets.
truly like As Is The Idea I'm Sure quickly becomes like hands behind back standing at the window Uh Oh Sisters musing on all the [disabled person] metaphorical & already literal elements there. blair witching it in contemplation like We've All Been There whether being so resented for the mere disruption of "existing in a group as the 'abnormal' odd one out" or like people talking shit abt anything associated w/you as soon as you've left the room, which is also made relevant like, this wasn't Only directed at this person when seemingly permanently gone, nor were they unaware / unaffected prior....pacing in the Musing parlor like things don't Have to be compared to billions but i only ever even see so many things & it's like billions sure is like "get scapegoated rword" & then said scapegoating is presented as only beneficial & we hate autists & even beyond that it's like, grabbing billions, Imagine If Things Meant To Be About Something Were About Something. quite a contrast when they are & furthermore like, deliberate thought & Care for [who gets scapegoated & why] & the truth of like, people getting pushed aside & out who have a key perspective & are primed / liable to come through for others similarly vulnerable & the supposedly Ruinous, Problems Generating disruptiveness is actually the strongest effort to make essential changes to a group. & come through with like, it'd be undermining thee point if it was "reassuring" us like oh haha people will be supportive b/c bruno will be more normal, so great that it Didn't like no, no Normality Reassurance(tm), presence of abnormalities(tm), Good, & everyone Can Deal b/c if you don't then it's pushing this person away, is exactly what happens, including even if they're still Around but are being mistreated b/c that is entirely part of that pushing away like anyone's victim blaming is ready to pounce at any time but if someone can't stand to stay / leaves b/c they can't see another option like that's not out of nowhere nor Regardless of what full support & flexibility they were getting lol. these Active Measures everyone loves so much, which are everywhere always & would include Staying & Trying To Make It Work & those efforts would be "disruptive" & resented & Bringing It On Oneself & etccc smh
that is to all say like. Woww when clearly basically the core thread was these beats of like, the crucial site of [thee scapegoated], & why that comes down on someone & how that plays out. endless ideas about how someone weird(tm) & disabled (&/or queer. but there's no Or here lol. & again like it's a Context like, to even be the one person without kids? likely not living up to "full" correct sexuality in that way alone; any oppression's logics of "inferiority" being logics of ableism, ready examples being that "inferior" race, gender, sexuality (& their experiences as people classed as inferior) all being pathologized as disordered) are seen & treated as someone Ruining Things & who cannot belong like whew. bracing. winding. which, i also recall like i was watching with headphones & during this one dialogue pause i was like "?? what's this Extra Sound i heard there" & had to go over it like twice before being hit upside the head like well it Was still the dialogue pause but it was also bruno Stuttering in a very quiet whisper for the duration of that pause before continuing like iiiiiiii x_x
something else I really love about feast and famine is how wwx isn't all 'wow lan zhan you're the best I can't believe you've been putting up with me I'm SO grateful you're literally perfect even though I'm so needy thank you so so so much' bc that sentiment arises in a lot of fics that handle his trauma or mental health and it's SO tiresome not to mention ooc. like it's not there for no reason bc wwx did express gratitude in canon and lwj IS a really good and supportive partner, but it's really refreshing to see wwx in a stable and reliable enough relationship where, except that one time he was triggered and panicking, he literally never once doubted that lwj would support and stand with him, nor did he ever feel the need to even thank lwj for being a good partner, even through the extremely heavy and difficult work of supporting him through what happened
and they DO communicate a lot, it's more that the gratitude is left unsaid because it's mutually understood to be unnecessary. and as much I'm in favor of them communicating their gratitude to each other, I feel like this dynamic for them is so much healthier and more mature and illustrates how strong their relationship is and how much they trust each other. also the idea of lwj as this...saintlike martyr who nobly supports and reassures a self-hating wwx is really tiring. he has his own struggles to be sure, but he has them away from wwx and the writing doesn't frame him as some tragic, self-sacrificing hero for it. like I love lwj but that's what it should be about, right? this was always going to be wwx's story first and foremost and I really appreciate works that let it be that
So this is just my take, but the key to understanding Kabru Dungeon Meshi is understanding that the Touden's party was one of the top parties in the dungeon.
You eventually learn the mission they were on when they encountered the red dragon, and it involved going as far into the dungeon as anybody had gone before. Their party lineup was two top-level mages, Marcille and Falin (okay, Marcille's practical magic skills are kind of questionable, but we're told that Falin was extremely talented within her areas of specialty) Two excellent fighters: Shuro and Namari, and Chilchuck, who considering that he runs the guild, is likely one of the most experienced half-foot trapsmiths working on the island. Laios is party leader, and while he's not the greatest fighter, he's quite good, and his obsessive knowledge of monsters means that he can guide the others. You see how Laois's knowledge helps the party already, now imagine if they had a support caster, a dwarf whose almost certainly a much better fighter than Senshi, and another tallman who is almost certainly a much better fighter than Laois all working on that knowledge.
So with that in mind, lets revisit Kabru and his obsession. Kabru knows people, and can read them very well. He's also got a wider perspective on the nature and danger of dungeons due to his backstory. Kabru isn't here to get rich delving the dungeon, he's here to Solve A Problem. He's a relatively recent arrival to the island, that or his mismatched skillset means that he and his party are much slower to progress through it than the Touden's party. Either way, he spots the Touden party as The Party To Watch when it comes to conquering the dungeon. Laois, as party leader, is obviously of particular concern.
So, Kabru turns all his insight onto Laois and he gets...nothing. Laois cares about money from a pragmatic standpoint, but isn't especially concerned with it. He's easily conned. He's not driven by hatred, greed, or ambition. There's some curiosity there, but it's not the driving curiosity of an obsessive academic, Laois is an enthusiastic hobbyist who has figured out how to make his particular interest into a valuable skillset.
Kabru is looking for the protagonist of an epic fantasy tale, and he finds...just a guy. A guy who didn't feel at home anywhere, and found a place and a life where he was welcome and valued. A guy whose skillset and companions puts him first in a race he doesn't even know he's running. And if you're Kabru, that's infuriating and fascinating in equal measure.
If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
More specifically, I was tricked by a phone-phisher pretending to be from my bank, and he convinced me to hand over my credit-card number, then did $8,000+ worth of fraud with it before I figured out what happened. And then he tried to do it again, a week later!
Here's what happened. Over the Christmas holiday, I traveled to New Orleans. The day we landed, I hit a Chase ATM in the French Quarter for some cash, but the machine declined the transaction. Later in the day, we passed a little credit-union's ATM and I used that one instead (I bank with a one-branch credit union and generally there's no fee to use another CU's ATM).
A couple days later, I got a call from my credit union. It was a weekend, during the holiday, and the guy who called was obviously working for my little CU's after-hours fraud contractor. I'd dealt with these folks before – they service a ton of little credit unions, and generally the call quality isn't great and the staff will often make mistakes like mispronouncing my credit union's name.
That's what happened here – the guy was on a terrible VOIP line and I had to ask him to readjust his mic before I could even understand him. He mispronounced my bank's name and then asked if I'd attempted to spend $1,000 at an Apple Store in NYC that day. No, I said, and groaned inwardly. What a pain in the ass. Obviously, I'd had my ATM card skimmed – either at the Chase ATM (maybe that was why the transaction failed), or at the other credit union's ATM (it had been a very cheap looking system).
I told the guy to block my card and we started going through the tedious business of running through recent transactions, verifying my identity, and so on. It dragged on and on. These were my last hours in New Orleans, and I'd left my family at home and gone out to see some of the pre-Mardi Gras krewe celebrations and get a muffalata, and I could tell that I was going to run out of time before I finished talking to this guy.
"Look," I said, "you've got all my details, you've frozen the card. I gotta go home and meet my family and head to the airport. I'll call you back on the after-hours number once I'm through security, all right?"
He was frustrated, but that was his problem. I hung up, got my sandwich, went to the airport, and we checked in. It was total chaos: an Alaska Air 737 Max had just lost its door-plug in mid-air and every Max in every airline's fleet had been grounded, so the check in was crammed with people trying to rebook. We got through to the gate and I sat down to call the CU's after-hours line. The person on the other end told me that she could only handle lost and stolen cards, not fraud, and given that I'd already frozen the card, I should just drop by the branch on Monday to get a new card.
We flew home, and later the next day, I logged into my account and made a list of all the fraudulent transactions and printed them out, and on Monday morning, I drove to the bank to deal with all the paperwork. The folks at the CU were even more pissed than I was. The fraud that run up to more than $8,000, and if Visa refused to take it out of the merchants where the card had been used, my little credit union would have to eat the loss.
I agreed and commiserated. I also pointed out that their outsource, after-hours fraud center bore some blame here: I'd canceled the card on Saturday but most of the fraud had taken place on Sunday. Something had gone wrong.
One cool thing about banking at a tiny credit-union is that you end up talking to people who have actual authority, responsibility and agency. It turned out the the woman who was processing my fraud paperwork was a VP, and she decided to look into it. A few minutes later she came back and told me that the fraud center had no record of having called me on Saturday.
"That was the fraudster," she said.
Oh, shit. I frantically rewound my conversation, trying to figure out if this could possibly be true. I hadn't given him anything apart from some very anodyne info, like what city I live in (which is in my Wikipedia entry), my date of birth (ditto), and the last four digits of my card.
Wait a sec.
He hadn't asked for the last four digits. He'd asked for the last seven digits. At the time, I'd found that very frustrating, but now – "The first nine digits are the same for every card you issue, right?" I asked the VP.
I'd given him my entire card number.
Goddammit.
The thing is, I know a lot about fraud. I'm writing an entire series of novels about this kind of scam:
And most summers, I go to Defcon, and I always go to the "social engineering" competitions where an audience listens as a hacker in a soundproof booth cold-calls merchants (with the owner's permission) and tries to con whoever answers the phone into giving up important information.
But I'd been conned.
Now look, I knew I could be conned. I'd been conned before, 13 years ago, by a Twitter worm that successfully phished out of my password via DM:
That scam had required a miracle of timing. It started the day before, when I'd reset my phone to factory defaults and reinstalled all my apps. That same day, I'd published two big online features that a lot of people were talking about. The next morning, we were late getting out of the house, so by the time my wife and I dropped the kid at daycare and went to the coffee shop, it had a long line. Rather than wait in line with me, my wife sat down to read a newspaper, and so I pulled out my phone and found a Twitter DM from a friend asking "is this you?" with a URL.
Assuming this was something to do with those articles I'd published the day before, I clicked the link and got prompted for my Twitter login again. This had been happening all day because I'd done that mobile reinstall the day before and all my stored passwords had been wiped. I entered it but the page timed out. By that time, the coffees were ready. We sat and chatted for a bit, then went our own ways.
I was on my way to the office when I checked my phone again. I had a whole string of DMs from other friends. Each one read "is this you?" and had a URL.
Oh, shit, I'd been phished.
If I hadn't reinstalled my mobile OS the day before. If I hadn't published a pair of big articles the day before. If we hadn't been late getting out the door. If we had been a little more late getting out the door (so that I'd have seen the multiple DMs, which would have tipped me off).
There's a name for this in security circles: "Swiss-cheese security." Imagine multiple slices of Swiss cheese all stacked up, the holes in one slice blocked by the slice below it. All the slices move around and every now and again, a hole opens up that goes all the way through the stack. Zap!
The fraudster who tricked me out of my credit card number had Swiss cheese security on his side. Yes, he spoofed my bank's caller ID, but that wouldn't have been enough to fool me if I hadn't been on vacation, having just used a pair of dodgy ATMs, in a hurry and distracted. If the 737 Max disaster hadn't happened that day and I'd had more time at the gate, I'd have called my bank back. If my bank didn't use a slightly crappy outsource/out-of-hours fraud center that I'd already had sub-par experiences with. If, if, if.
The next Friday night, at 5:30PM, the fraudster called me back, pretending to be the bank's after-hours center. He told me my card had been compromised again. But: I hadn't removed my card from my wallet since I'd had it replaced. Also, it was half an hour after the bank closed for the long weekend, a very fraud-friendly time. And when I told him I'd call him back and asked for the after-hours fraud number, he got very threatening and warned me that because I'd now been notified about the fraud that any losses the bank suffered after I hung up the phone without completing the fraud protocol would be billed to me. I hung up on him. He called me back immediately. I hung up on him again and put my phone into do-not-disturb.
The following Tuesday, I called my bank and spoke to their head of risk-management. I went through everything I'd figured out about the fraudsters, and she told me that credit unions across America were being hit by this scam, by fraudsters who somehow knew CU customers' phone numbers and names, and which CU they banked at. This was key: my phone number is a reasonably well-kept secret. You can get it by spending money with Equifax or another nonconsensual doxing giant, but you can't just google it or get it at any of the free services. The fact that the fraudsters knew where I banked, knew my name, and had my phone number had really caused me to let down my guard.
The risk management person and I talked about how the credit union could mitigate this attack: for example, by better-training the after-hours card-loss staff to be on the alert for calls from people who had been contacted about supposed card fraud. We also went through the confusing phone-menu that had funneled me to the wrong department when I called in, and worked through alternate wording for the menu system that would be clearer (this is the best part about banking with a small CU – you can talk directly to the responsible person and have a productive discussion!). I even convinced her to buy a ticket to next summer's Defcon to attend the social engineering competitions.
There's a leak somewhere in the CU systems' supply chain. Maybe it's Zelle, or the small number of corresponding banks that CUs rely on for SWIFT transaction forwarding. Maybe it's even those after-hours fraud/card-loss centers. But all across the USA, CU customers are getting calls with spoofed caller IDs from fraudsters who know their registered phone numbers and where they bank.
I've been mulling this over for most of a month now, and one thing has really been eating at me: the way that AI is going to make this kind of problem much worse.
Not because AI is going to commit fraud, though.
One of the truest things I know about AI is: "we're nowhere near a place where bots can steal your job, we're certainly at the point where your boss can be suckered into firing you and replacing you with a bot that fails at doing your job":
I trusted this fraudster specifically because I knew that the outsource, out-of-hours contractors my bank uses have crummy headsets, don't know how to pronounce my bank's name, and have long-ass, tedious, and pointless standardized questionnaires they run through when taking fraud reports. All of this created cover for the fraudster, whose plausibility was enhanced by the rough edges in his pitch - they didn't raise red flags.
As this kind of fraud reporting and fraud contacting is increasingly outsourced to AI, bank customers will be conditioned to dealing with semi-automated systems that make stupid mistakes, force you to repeat yourself, ask you questions they should already know the answers to, and so on. In other words, AI will groom bank customers to be phishing victims.
This is a mistake the finance sector keeps making. 15 years ago, Ben Laurie excoriated the UK banks for their "Verified By Visa" system, which validated credit card transactions by taking users to a third party site and requiring them to re-enter parts of their password there:
This is exactly how a phishing attack works. As Laurie pointed out, this was the banks training their customers to be phished.
I came close to getting phished again today, as it happens. I got back from Berlin on Friday and my suitcase was damaged in transit. I've been dealing with the airline, which means I've really been dealing with their third-party, outsource luggage-damage service. They have a terrible website, their emails are incoherent, and they officiously demand the same information over and over again.
This morning, I got a scam email asking me for more information to complete my damaged luggage claim. It was a terrible email, from a noreply@ email address, and it was vague, officious, and dishearteningly bureaucratic. For just a moment, my finger hovered over the phishing link, and then I looked a little closer.
On any other day, it wouldn't have had a chance. Today – right after I had my luggage wrecked, while I'm still jetlagged, and after days of dealing with my airline's terrible outsource partner – it almost worked.
So much fraud is a Swiss-cheese attack, and while companies can't close all the holes, they can stop creating new ones.
Meanwhile, I'll continue to post about it whenever I get scammed. I find the inner workings of scams to be fascinating, and it's also important to remind people that everyone is vulnerable sometimes, and scammers are willing to try endless variations until an attack lands at just the right place, at just the right time, in just the right way. If you think you can't get scammed, that makes you especially vulnerable:
People who might be interested: @strugglingwriterwattpad @cattail5 [Timothée masterlist]
some minor Wonka spoilers I guess! If you like it, tell me in the comments, that will make me happy :)
“Can you mend it?” Willy asked, carefully holding his emerald green jacket that had the sleeve seam torn.
The boy had arrived a couple of weeks ago to turn the world of everyone present in the laundry upside down and, honestly, you were already beginning to enjoy his presence. You looked in the background at the blackboard that Noodle used at night to give him lessons in the hope that he would learn to read because, according to the girl's words, because of that he was almost eaten by a tiger. But in the man's words, what was important was the almost part.
However, tonight he had asked you especially to go to his room, because he had a problem that he thought only you could solve.
“I think so, I just have to pass the needle a couple of times” you smiled.
Since your arrival Mrs. Scrubbit had used your sewing skills for her own benefit, because after all you had ended up in that mess trying to save a little to be able to buy the necessary materials to make a pretty dress that would be worth enough to advance in the business. Although, obviously, that had not been possible.
"Thank you! I'm afraid that's my only jacket."
“It will be ready in no time. I’ll just go to my room and come back, okay?” you said kindly, placing the garment in the boy's lap and earning a sweet smile from the aforementioned.
Just as Willy had his little briefcase for his chocolates, you had your own, full of threads, needles, and buttons, which you just had to grab from the floor to get everything you needed. When you arrived back you settled at the little table and he remained attentive to your every movement, pulling out a chair so he could observe what you were about to do.
“There was a boy on the ship who helped me with these things,” he began to tell you, keeping his curious nose on your shoulder “But I never thought about learning. You know, for when I had to be alone”
“Well, it's lucky you ended up here. We are a curious collection of workers,” you murmured ironically, referring to all the people gathered there against their will by the work of fate "What did you do on the ship?"
"Cook. Mostly sweet things, but I also know a couple of useful non-chocolate-related recipes. I was the chef,” he said, and you laughed at the exaggerated way he pronounced the last bit.
Willy began to tell you about some of the adventures he had had on the high seas and you listened attentively as the tip of the needle went in and out to join the fabric. It only took a few minutes to get his clothes looking like new, taking the liberty of repairing other places that also needed it.
“Put it on,” you asked, trying not to look at him too much when he did so or pay attention to the way the jacket fit him perfectly.
"It is perfect! You can't even tell it was torn, huh?” he said with emotion, feeling with his hands as much as he could. “How much do I owe you?”
“Oh, it's nothing.”
“I insist,” the man murmured. His curly hair bounced across his cheeks as he sat next to you and he lifted his small briefcase off the floor, opening it to reveal all the little bottles of ingredients. “Your talent for mine. It's a fair exchange."
You had to admit that the chocolates you had eaten were a complete delicacy, but a part of you didn't want to get used to that luxury or you knew that when Willy was gone you would miss his sweetness. In the literal and figurative sense.
Locked in that laundry it was impossible to meet many people your age and Noodle was your greatest company, as if he were a little sister to you. But now that he was there, there was a certain happiness in chatting with him, much more now that his ingenious mind had devised a way to get you out of there even if it was just for a few hours to see the light of day and get coins from the sale of the chocolates to free you of the enormous debt to Mrs. Scrubbit.
“What flavor do you want to try today? Do you want me to add some unicorn skin glitter? Rays of sunlight from a twilight on the seashore? Tears of an African crocodile?”
“Just give me something you think I need,” you replied softly.
Willy thought about it for a moment, because it wasn't the kind of answer he would have expected. What was he supposed to give you that night? A little hope? Happiness? Nostalgia? It was difficult to decide.
Through his bright eyes you watched him reflect and just a second later his hands began to work. You noticed there was a hint of mischief in his smile as he poured milk, chocolate, and the contents of a couple of jars into the processor, glancing at you from the corner of his eye from time to time.
“What are you going to do when we get out of here?” he asked suddenly, not neglecting the tasks.
“Working in a sewing workshop, I guess.”
“Why don't you open your own fashion house?” Willy suggested carefreely, as if it were a very easy thing to do, “You are a great dressmaker.”
“And you are a great dreamer”
“It's my best quality,” he exclaimed, almost offended. You waited a moment before answering.
“I just don't think it's that simple. It requires effort, time, and a lot of money…”
“We will have everything,” he interrupted you, with that optimism that characterized him. Suddenly he stopped what he was doing and one of his hands traveled to take yours. “When I open my factory, we will all be able to fulfill our dreams. And you are going to have a fashion house, I promise you.”
“You make a lot of promises,” you responded, blushing.
“And he planned to fulfill them all. I always do it"
Maybe there was something about the softness of his grip on your hand or perhaps the sparkle in his eyes that made you look away out of sheer nervousness. He seemed to be good and innocent, to the point that he probably didn't even realize how close he was to you or how inappropriate the position would be if Noodle ever walked in.
A tap interrupted your moment and then he abruptly pulled away, excited to show you the product he had just made. It was a pretty circular candy that was bright pink and seemed to be emanating smoke from the inside.
"What's that?"
“You'll have to try it to find out,” he murmured, as he extended the treat in your direction.
You had to admit that you were somewhat curious to discover what the man was offering you, so you took it between your fingers carefully, and even under his watchful gaze you took a bite.
At first it tasted like ordinary chocolate, but then it took on a strange tone, which made you feel a certain warmth in your chest that spread to your cheeks. It was a most pleasant feeling, like bubbly joy combined with the embarrassment of a hug.
You thought for a moment about what flavor that could be, without any success, until after a few seconds you realized that it wasn’t a flavor in itself, but a feeling, an experience... Was it love that Willy had given you?
“How does it taste?”
“Yummy,” you responded, covering your mouth so he wouldn’t see the wet chocolate on your tongue, but also to hide your smile “Delicious, actually. What does it contain?”
“A special and secret ingredient”
"Oh, come on! Aren’t you going to tell me?”
“I just want to know if I got it right,” he murmured and you frowned slightly, not understanding him “About what you asked for. Did I give you something you needed?”
You had to bite your lip to keep from smiling again, your cheeks feeling hot from the simple fact that he was looking at you. You thought that this could even be a love potion that you had consumed without thinking about it, just because he was the one who was offering it to you.
“We could say yes”
“We're even, then,” he exclaimed as he waved the sleeve of his jacket and you nodded in amusement, eating the rest of the chocolate he had made for you.
A yawn leaving your lips made you aware of how exhausted you were and although you didn't love the idea, you knew it was time to leave.
“It's late, I should go to sleep before we wake anyone up.”
“Yes, yes, of course,” Willy said quickly, getting up from his seat to accompany you to the exit. “I'll see you tomorrow.”
“Rest,” you said kindly, and, gathering courage, you leaned forward a little to say goodbye with a hug that he gladly returned.
As you walked down the hall to your shabby, damp room, you thought that it probably wouldn't have even taken a love potion to fall for the charms of the pleasant chocolatier. You just needed one of his smiles.