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badnewswhatsleft · 3 days ago

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rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be?

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails.

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can...

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band.

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music.

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special.

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

#sir the ''schlubby dad'' in question is getting on stage and GROWLING. people are dying and creaming and dying and cr #time capsule #read the charts #fall out boy #patrick stump #pete wentz #joe trohman #andy hurley

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luvmanifesting · 2 days ago

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“But Nothing’s working!!”

LOA explained

Pure consciousness explained

Well duh you made that assumption so now nothing is going to work for you. The sad part about this community is most of you are searching for the same thing over and over and over when creators are literally giving you the answers IN their blogs. like what more do you want? Do you want someone to say you need to listen to 432HZ to manifest your goals? that you need to dance in circle and chant 999 times for your desires? No. The Law of assumption is literally always active. like ALWAYS. Everything you assume is going to be put out there because its an assumption.

What really irks me is when people say you have to “gaslight” yourself into thinking you have your desire, which kind of contradicts the whole point of law of assumption, why would you need to gas light yourself if you know you already have it..? yeah.. those two things don’t mix. Let me go over what an assumption is.. which clearly seems so hard for this community to understand.

The Law of Assumption is when you assume something to be true without needing proof.. Why do you lack critical thinking skills when the whole law basically explains what it is.

You don’t get what you want. You get what you decide. Why is the law of assumption being so overly complicated for no reason. None of yall did this with the Law of Attraction so why are you doing this with the Law of Assumption?? This also goes with inducing pure consciousness.. i hate bringing this topic up so much because people will take my words and make it into the world’s hardest problem in history. Imagine one day you DECIDE to induce pure consciousness and you say “hmm okay today i induced pure consciousness instantly! :D” And then imagine you get comfy and just breathe and then you suddenly induce the pure consciousness. wow so easy right? because you didn’t say “i want to induce pure consciousness” instead you said it like it ALREADY happened. Wants and Decisions are very different so keep that in mind.

What is pure consciousness? basically just a state detached from the physical world NO you’re not leaving the physical world, no you’re not teleporting, you’re basically in like a state of where worries don’t exist and you’re your “highest” self.

Clearing up misinformation.

No you don’t have to be in a deep relaxation

No you don’t need subliminals

No you don’t need a “void” routine

No you don’t need sats

No you don’t need to affirm mindlessly throughout the day

No you don’t need to meditate

No you don’t need frequencies

No you don’t need to be lucky

Yes you can swallow

Yes you can move

Yes you can breathe

Yes you can have inner conversations

Yes you can count to 2 billion

No it won’t start over if you sneeze

You’re literally human doing any of these things won’t affect your outcome when inducing pure consciousness. Whoever said you need to be lucky is beyond stupid btw. Whoever said you need symptoms to induce it, is… WRONG!! you are taking pure consciousness and seeing it as the most hardest thing in the world when its not, you literally induce pure consciousness when you’re asleep you’re just unaware because you’re sleeping.

Example putting the sleep state and pure consciousness (they are not the same thing but do have similar remedies). Imagine you’re getting ready to sleep after showering and doing your nightly routine if you have one. Your main goal after all of that is to just basically GO to sleep right? you’re not even worried about how you’re going to go to sleep you’re just going to do it. Now imagine you’re going and inducing pure consciousness what you should mainly be focused on is NOTHING, not time, not what, if, how, it, so, why, then, where. NO! just let go guys..

Just Breathe, its okay you will (WRONG WORD) you already have it all, just live. its okay reminder the 4D is the true reality and the 3D has no choice but to reflect to what is shown in the 4D or what is SAID by you.

#pure consciousness #loa #loa tumblr #manifesation #void state

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loycos · 3 days ago

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fuck it, sex scene analysis:

since cait and vi don't actually have that many scenes this act, why did they choose to show us this? cause like always, there's more than just horny lesbians (finally!) getting to break all that tension.

so we joke about top\bottom bullshit all the time, but in this scene it actually matters to both characters. first of all, i think it's pretty clear vi "tops" here. if u don't see it, let me spell it out for you.

when vi first kisses cait, there's a short period where their kiss looks unsynchronized.

cait is clearly just taken by surprise, right? well, i don't think so. she came in that cell with a VERY flirty tone. she was making moves, ready to play her game. what u see in the very few first seconds is caitlyn trying to set the pace and getting completely DENIED. vi doesnt let her, so she submits to vi's tempo.

in here, cait's chasing vi's lips, but vi already decided it's neck kisses time. again, vi sets the tempo, caitlyn follows.

^oh u wanted some soft touches? tough luck, cupcake, we're doing this now.

this pattern repeats during the entire sex scene, and the message is clear: cait's not in control, vi is. why does that matter? it's important for their arcs. for starters: cait's a topsider, vi is from the undercity. this is just a very clear "subversion" of what you'd expect from that power dynamic.

second, think of how these 2 girls' arcs played the entire season. caitlyn has been in control since act 1- in their relationship, since vi's guilt led her to pretty much agree to anything caitlyn asks, but also socially. she inherited her mom's position as the head of house kiramman. she was promoted to a commander position of a strike squad and then to basically the main ruler of piltover under marshall law. when caitlyn is in a bad space mentally, the first thing she does is try to regain control. most of the time, her bad mental state was caused because she lacked control ("none of this is on our terms!"). she has so much control of so many things in her life, but does she want it? in most cases, it's almost like she was forced\stumbled into it.

and vi, poor vi, has only known lack of control since she was a child. no matter how hard she tries, things always slip out of her hands, and she's the one to suffer for it. she spent her entire life trying to make other people's lives better, at the expense of her own. she was fucked by the circumstances of her life, that she had no control over, so many times. and her sister just locked her in a cage and told her to stop chasing her. vi would usually run after her sister, yet again trying to amend her, but for once in her life, she makes an active decision and chooses caitlyn. putting her wants and needs first. and it is very important that this decision feels DELIBERATE on vi's part, and not just a compromise.

so vi gets control, and caitlyn lets go of it. it's what they both needed.

Had a feeling I might find you here. I really believed she'd help. Say it. You told me so. I was an idiot to trust her. I went behind your back. I choose wrong every time. And because of it, I've lost everyone.

VIOLET & CAITLYN in ARCANE 2x08 "Killing is a Cycle"

#and thats why i theorize thats the only way a sex scene would make sense narratively between them #they still switch guys dont take it too hard #but yall forgot that caitlyn in her dictator sexy top era is one big mask #arcane #arcane spoilers #arcane season 2 spoilers

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myth1cs · 1 day ago

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That one back Tattoo (Son Chaeyoung x M!Reader)

I swear I'm working on that F!Reader fic. This is smut ... Sorry? (Should I still bother apologizing or...) Word Count: 2,088

Sitting at the bar with my girlfriend Dahyun was something that always made me happy.

"Y/N you're so silly sometimes!"

Dahyun was drunk enough to the point that anything was funny to her. I should have cut her off sooner but seeing her like this was just so cute. "Come on Dahyun lets go home."

"I don't want to go yet Y/N-yah! Can I get another shot?" I giggled at her question. "Come on Dahyun I think you've had a bit too much to drink." I had to pick up Dahyun and carry her back to our apartment. She showed little protest by lightly hitting me on my chest.

"I don't want to leave yet Y/N!"

Having to put up with a drunk Dahyun's protest was something I got used to after a few nights out. Luckily her sleepiness eventually got the best of her and she was sleeping in my arms.

Arriving back at the hotel I went in the elevator to get to our apartment on the third floor. But before the door closed another woman entered the elevator with us.

She was a rather short woman. Her clothes didn't leave much to the imagination. She was showing a lot of ski-

"Are you going to press the button or should I?"

I was quickly pulled out of my thoughts. Must've been staring for too long. "O-oh r-right you can press it first." She nodded at me and clicked on the button for the third floor. "What a coincidence we're on the same floor."

"Really? Well what are the chances of that? You know some people don't think things happen by "coincidence" do you?"

A rather odd question to ask but I guess I'll entertain her thought process. "Well I think some things are meant to happen but I don't think that everything that happens in our life is set by the universe or whatever."

"By the way who's that girl you're carrying."

"She's my girlfriend."

She hummed at my response and the elevator door opened. "Well if you'd like to discuss further you can come to my room at 308."

"Room 308? That's right next to my room 307!" Seriously? What are the chances my and this girl I just met are neighbors?

"Well who knows maybe it's a sign from the universe. By the way I never got your name."

"It's Y/N, and yours?"

"You can call me Chaeyoung. Anyways you better get going carrying your girlfriend must be tiring."

Once she said that she left for her room and I went into my apartment. When I got in I placed Dahyun on the couch and covered her up with a blanket.

I wasn't able to get Chaeyoung out of my mind. She was so attractive her tattoos, small figure, and those lips of hers were such a turn on. No wait what am I thinking?! Dahyun is my girlfriend I shouldn't be thinking of other women like this.

Feeling my cock get hard I went to the bathroom in order to relieve myself. Pulling down my pants and grabbing a hold of my cock I started to work on relieving myself. "Ugh ~ ah ~ Chaeyoung you're such a damn bad influence. You're making me have thoughts of cheating on my girlfriend because of you!"

Eventually I was able to cum and quickly started to work on cleaning up the mess I had just made.

I've been avoiding Chaeyoung for the past few days. Seeing her makes me think of inappropriate thoughts. I can't help but think how warm her pussy must feel. I bet she could suck my dick so well. Agh! Damn it why am I thinking of it again.

I suddenly bumped into someone.

"Shit sorry my bad I wasn't watching where I was going."

"Y/N is that you?"

Looking at the person I bumped into I realized it was Chaeyoung. Shit

"Oh sorry Chaeyoung I have to go-"

Suddenly she grabbed my arm and turned me around so I was facing her. My face was getting warmer and I can only hope she didn't notice.

"Hold on Y/N what's the rush? And why have you been ignoring me for the past few days?"

"Chaeyoung it's complicated."

"Want to talk about it?"

I shouldn't do it. Everything points to me not agreeing with her. I have a loving girlfriend already. No I can't say yes I can't!

But before I could even answer Chaeyoung started to drag me along with her. I wasn't able to get any words out so I just went along with her for the time.

Eventually we arrived at the front of her apartment. She grabbed her keys and unlocked the door. Her room was mostly similar to the one me and Dahyun had except her room was a bit more bare than ours.

She dragged me to her couch and sat me down. Chaeyoung sat next to me and crossed her arms.

"Y/N I don't understand why you've been ignoring me. If you didn't like our first interaction and didn't want to talk to me that's one thing but I feel as if you're purposely going out of your way to ignore me!"

I looked at Chaeyoung in the eyes. Should I tell her? No that's stupid and would be pretty awkward. What would I even say "Yeah the reason I've been ignoring you is because I just get thoughts of cheating on my girlfriend with you."

"I just thought you were a little weird. I didn't want to associate myself with you." A bit rude but I needed Chaeyoung to also get away from me. If she also starts to distance herself from me it would make my life way easier.

"That's a bit rude Y/N. But thank you for telling me even if it does hurt my feelings."

"Yeah, sorry Chaeyoung."

I got up to leave her apartment as silence fell between us. But before I could go she suddenly spoke up.

"Wait before you leave do you at least want to have lunch with me?"

I guess I owe her one. I mean I did say something quite rude to her just now I could at least make up for it by staying over for lunch.

"Sure"

Chaeyoung nodded and got up to go to the kitchen. I couldn't help but stare at her butt as she walked there.

"Do you have any preferences or allergies you want me to be aware of Y/N?"

"No, anything's fine."

She started to cook up something. I sat in silence as I watched her cook. While Chaeyoung was cooking she bent over making her shirt slide up.

I saw her exposed back which had a tattoo. Something about it was interesting to me.

"Why did you get that back tattoo Chaeyoung?"

"Found it interesting. Why, you want to get a closer look Y/N?" She gave me a certain look. If I didn't know any better I would say she's trying to tease me.

My face started to warm up. "Uhm ... kinda."

Chaeyoung started to walk up to me. Her hips swayed in a rhythm that kept me hooked.

She sat down on the couch with her back facing me. She took off her shirt exposing her bra. "Go on Y/N inspect the tattoo to your hearts content."

I felt my whole body get warm.

I put my finger on her back tattoo,I traced the outline. It was quite an interesting design. "What's it called?"

"The birth of evil. You know Y/N I have more tattoos but I'd have to strip for you to see them."

"Well what's stopping you?" I asked more as a joke.

"Absolutely nothing." Chaeyoung turned around facing me before she started stripping off her remaining pieces of clothing. Her body was more attractive than I originally thought. I couldn't focus on her tattoos and was only able to focus on her body.

"Y/N my tattoos aren't on my chest."

"I - uhm - agh." I tried coming up with an excuse but I wasn't able to think of one. My cock was starting to get hard and I tried to quickly hide it before Chaeyoung noticed.

Suddenly she put her hands over mine. "Mmm Y/N I heard you moaning my name the night we met. I'm telling you our meeting was fate."

Chaeyoung grabbed my hand covering my extremely hard cock and removed ir. She let out a coo "It's so big. I wonder how it'll look when it's free."

I started to panic as she started to pull my pants down. I shouldn't even be here when I have Dahyun. But a part of me wants this moment to never end.

My cock sprung out of its constraints and Chaeyoung licked her lips. "My my Y/N a bit eager to cheat on your girlfriend aren't you?" I wasn't able to form words because I knew she was right. I really wanted her.

"Go ahead and kiss me you little play boy."

I latched my lips onto Chaeyoung's perfect lips. They were so soft and perfect for me. Chaeyoung took my shirt off and moved her hands to my chest and pinched my nipples.

"Ouch Chaeng that hurt." I muffled into her lips. Though she didn't listen and only pinched harder.

She started to rub her hands all over my body. "Ah! Ah! Your hands are so perfect!"

I took my lips off of hers and started to move them down to her small breasts. They were a little bit bigger than Dahyun's but not by much. I put my tongue on her nipple and swirled it around and used my other hand to squeeze her other tit.

Chaeyoung moved her hands down to my cock and swirled her thumb on the tip. Some cum started to leak out and it helped her pick up the pace.

"Oh Chaeng your so damn good at this."

"Am I better than your girlfriend?"

Me and Dahyun have never had sex before and I didn't want to admit that I was still a virgin to her.

"Uhm - you're getting there."

Chaeyoung smiled at me "Judging by your long pause I'm guessing you're a virgin. Don't worry I'll be gentle."

She pushed me onto my back and put her mouth around my cock. "Mhm it tastes good. Virgins cocks always taste the best." I felt myself losing control over her words. She was slowly swirling her tongue on my tip and sucked really gently.

I used my hands to push her head down and Chaeyoung took my full length. "Yes just like that Chaeyoung." My cock hit the back of her throat and her muscles tightened around it.

Her saliva coated my whole cock. I started to push her head up and down on my cock roughly. Tears fell down Chaeyoung's eyes as she face fucked me.

Pulling her off my cock she started gasping for air. "Chaeyoung I want to feel your tight pussy on my cock."

"Y/N ... you're so horney! Is your girlfriend that pathetic?"

"Dahyun has never wanted to have sex with me."

"Poor baby Y/N. You deserve to release all of your cum." Chaeyoung got up and aligned her pussy to my cock. She lowered herself engulfing it all in her small tight pussy.

"You're so damn tight Chaeyoung!"

"Now Y/N let me show you what your girlfriend has been depriving you of." Chaeyoung started moving up and down. Her fluids were now all over my cock. I reached for her small and soft butt and started to give them a light squeeze.

Chaeyoung yelped at my sudden movement but went along with it. I started to squeeze harder leaving red marks on her butt. "I'm going to cum inside of you!"

"Yes Y/N fill me up with your thick semen!"

I spanked her ass hard and unloaded a long thick stream of cum inside of her. Chaeyoung's eyes started rolling back. "It's so warm Y/N!"

After 10 seconds the stream stopped and Chaeyoung collapsed on the couch. "Y/N do you believe me now? Our meeting was fate."

"I believe you Chaeng. But we have to keep this under wraps I don't want Dahyun to find out about us."

"Fine by me Y/N my lips are sealed. Just make sure to come visit me every now and then."

I collapsed on her and hugged her naked body and we both fell asleep.

------------------------------------------------------------------------------

I don't know if people prefer 1st or 3rd person writing so I'll just alternate between the both of them.

Anyways enjoy Chaeyoung, I'm facing delays so I don't think I'll have something up anytime soon but I'll try to finish the Thanksgiving smut on time.

#kpop smut #smut #girl group smut #twice #twice smut #twice imagines #twice x reader #female idol smut #chaeyoung #chaeyoung smut #dahyun

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anyaskalliope · 3 days ago

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Mel and Jayce Deserved Much Better

After experiencing horrors and walking through valleys and shadows, I truly hoped Mel would break down this season and unleash her emotions. Especially since she spent the entire season unlearning hardness with Jayce being so openly affectionate and emotional. This final act was honestly a slap in the face.

The one person she hoped would offer her that safety net to do this completely shuts her down. Mel was always cognizant of his feelings, constantly looking out for him, advising him, and teaching him. She shared with him her deepest insecurities and vulnerabilities. I can understand if Mel and Jayce are both going their separate ways because of the Noxus plot but to have him be this cold, and distant, and show a lack of understanding toward her plight is bizarre.

Mel comes back with a changed appearance and a different demeanor, and he doesn't even ask what happened. He seems to not care. Jayce isn't even giving her a chance to explain herself and just keeps coming at her and you can see the moment when Mel puts all her walls back up. Don't even get me started on the fact that he held the hammer in his hand for most of the time.

Their interactions during this act paint Jayce as one large hypocrite. He benefitted from all of Mel's teachings, from her providing comfort and affection, to her investments in Hextech. Asking her why she didn't save Viktor like she had something against him was wild.

This is the same Mel who offered comfort to Jayce when Viktor was severely injured during the explosion. The same Mel who immediately understood why Jayce left after their night together, recognized the importance of Viktor to Jayce.

If Mel could protect everybody in that room, she would. When she explains her lack of awareness of her abilities to him, he just keeps going on and on.

And the apology with the "passenger" line was just bad. It lacked a certain level of remorse that I would expect from Jayce of all people. Where is that good-hearted man who could tell when people aren't feeling their best, that person who always wanted to help people and make their lives better?

I think the Survivor Jayce is not the Jayce that Mel fell in love with, this is another man. The Jayce she fell in love with died at the bottom of that cave. The survivor Jayce is Viktor's passenger.

Jayce abandoned not just Mel but also his mother who protected him many times to be with Viktor in the afterlife?? In what universe is Jayce pulling that shit?

Now Mel's heading off to Noxus. A nation that doesn't align with her values and morals and would most likely have to harden herself to rule or have influence there. I hate it all. I hate that Black women always have to be strong. We actually had an opportunity to see a Black woman who grew up in that environment slowly shed those walls with a man who actually loved her and was openly affectionate and vulnerable. I'm so sad that it was taken from us. I'm sick and tired of the strong Black woman trope.

With how mischaracterized her motives and actions towards Jayce are, I for one cannot say that I'm excited for a spin-off series with Mel as a main character. Not with this writing team and this fandom.

To me, this show ended in season 1 with Zaun becoming independent, Jinx not firing the rocket, and Mel and Jayce growing together as individuals and as a couple.

#Mel Medarda #Jayce Talis #MelJay #Mel x Jayce #arcane #Let Black women be in love #I'm tired of the strong Black woman trope

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whokilledsamara · 2 days ago

Note

I love your Homicipher hc, they are so good! Would you be willing to do some N/ SFW for Mr. Chopped too? Like you did for some of the others? I understand if you don't want to or if it makes you uncomfortable, thank you anyway!

MR. CHOPPED N/SFW HCS

a hc list of Mr. Chopped x reader {an: SORRY GUYS IM POSTING MAINLY HCS RN,,, fics for me take a lot longer than usual so im just posting hcs to atleast get some reach.}

warnings! : smut, cunnilingus/blowjob, idk,,, cuckhold

{an: freaky shit,,,, like hes just a head so its kinda hard to fuck. did give him a section for IF he had a body.. MAINLY HIM GIVING HEAD,, i didnt rly know how to write this im sorry!! def will write more tho,,, im into him ngl}

SFW

what it would be like to be in a relationship with Mr. Chopped.

it would be relatively hard to be in a relationship with him for obvious reasons, though not impossible!

the thought of you makes him happy, and especially when you hold him.

he would have Mr. Silvair help most of the time. usually for the romantic aspects of things though.

while Mr. Silvair doesnt quite understand the relationship, he is glad to help.

being a talking head will obviously raise a few insecurities, so just reassure him that you indeed do love him! he gets his feelings hurt easily.

he absolutely loves when you play with his hair. if you put bows in it or decorate it, that will make it all the more special for him.

the first time he bit you when he was sleeping, had him crying for hours. he felt so bad that he harmed you in any way, and it took a while for him to "recover"

he loves kisses! he always shouts things like "Up, Up" or "Desire, Carry!" just so he can kiss you.

if you manage to get a hold of make up or something, he would absolutely love for you to do his makeup. {he likes to feel pretty}

he is a very sensitive boy, also a crybaby. how cuuuttteee...

if Mr. Silvair gives him a body, {ignore that one ending... we dont talk about it} then he wpuld be even more excited to see you.

the moment he gets a body would mean so many hugs and affection as a thank you for saving him.

he gets picked on a lot by the others so he usually tries his best to come to you.

NSFW

sex...?

sex is definitely a hard concept with him.

while yes, it is possible, just not in the way intended.

you could see him more as a pure object for your pleasure honestly, and he wants that.

whether you are amab or afab, he is perfect for the situation.

ive seen this referenced by another writer, but he would be like a "rose toy" or a "fleshlight" as people call it.

its a secret pleasure to watch you go at it with someone else. {ex: Mr. Silvair or someone.}

if he is gifted a body though, he definitely will pay you back for saving him in the first place.

personally he would be a soft and sensual lover with his new body, rarely going rough unless specifically asked to.

he is more of a giving top. definitely not dominant but is a top. he cares more about your pleasure than his. though, he does get all giddy when you wish to go down on his or something.

he is open to literally anything you want, he would have very few limitations on what he would do, but everything is open for discussion.

again, definitely either wants to watch you have sex with someone else, OR wants someone else to watch you and him go at it. {he would prefer Silvair.}

he definitely likes when you pull his hair or use him. will be submissive sometimes.

he is the type to cry during sex...

omfmg i love him sm

{ made by @whokilledsamara }

#homicipher #smut #homicipher x reader #mr chopped head #mr chopped x reader #mr chopped x y/n #mr. chopped #mr. chopped x mc #mr chopped smut

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raven-at-the-writing-desk · 12 hours ago

Note

I wanna see what’s Ace’s family’s reaction when they found out Ace is dating reader Heheheh

I decided to have only Ace's brother present, since Mr. and Mrs. Trappola have yet to receive strong characterization.

Family means Nobody is Left Behind or Forgotten.

The Trappola brothers sat across from one another upon red velvet chairs, and you, between them. They were both intently focused on building a house of playing cards—a task that Ace had warned took “serious patience, coordination, and a gentle touch.” (You had rolled your eyes and responded, “Great. You let me know when you’ve found someone that has all that.”)

Ace carefully laid a Two of Spades down, formed a triangle with a Three of Clubs and a Four of Diamonds. His hand slowly retreated, and the triangle stayed. He expelled a sigh, directed away from the cards so as to not disturb them.

You would have clapped for him, but Ace had discouraged you before the game had even started. So instead, you tapped your index and middle fingers together. Still giving applause, but not nearly enough to rattle the house of cards.

“Your move.”

“Huh, you’ve gotten better at this,” his brother mused. He toyed with an Ace of Hearts, expertly twirling it between dexterous fingers. “Too bad. I was really looking forward to smoking you in front of your new friend.”

“In your dreams,” Ace sneered, passing you a glance. “The last thing I’d want is to look uncool in front of my partner.”

His brother drew himself up in his seat. The card in his hand, stilling. “Your partner? Since when were you two a thing?”

“Oh, you know… since a while ago,” Ace casually replied. “And honestly, I can’t really blame’m. Who wouldn’t fall for my dashing good looks and roguish charm? I’m a catch!”

His brother regarded you with an almost pitying look. “It’s not too late to change your mind,” he advised.

You burst into laughter. "I think I'm good. Ace is an idiot, but he's at least my idiot."

He raised an eyebrow. "So you've got a sense of humor. You'll need that if you're going to put up with Ace all of the time. Congrats, you passed the first test."

"Whaddya mean 'put up with' me?!" Ace protested, puffing up his cheeks. A pout--adorable, you think.

"I mean it exactly how I said it. It's practically a full-time job dealing with you," his brother replied cheekily. "You gotta prepare people for it, or else they won't know what they've signed up for."

"Oh, come on! You're making me sound way worse than I actually am."

"This, coming from the guy who ghosted his ex?" He smirked, and you could see the family resemblance in it. The slight narrowing of the eyes, the way his mouth angled. "I dunno, I was half expecting you to stay single forever after that royal screw-up, lil' bro. You're lucky you found someone willing to take you~"

Pink exploded onto Ace's cheeks. "H-Hey...!" he hissed, leaning toward his brother. "Did you seriously have to bring that up?! Have a little more tact, will ya?!"

The older Trappola grinned. "Gotcha."

You realized why.

Ace's sudden movement had sent a slight breeze against the card house. It wobbled from top to bottom--then the structure collapsed in on itself, the cards all folding into one another. Within seconds, the house was a pile on the coffee table.

Ace fell to his knees with a pathetic wail, scrambling to salvage his hard work. His brother looked on, chuckling. A card, still in his hand.

"I didn't place mine yet," he declared triumphantly, "and since you made the house fall, it's technically my win!"

"Y-You sneaky...! You taunted me on purpose!!"

"Yeah, and it worked like a charm." He flicked Ace on the forehead. "You were too busy trying to flex in front of your S/O. It was easy to take advantage of that. You always were a cocky, predictable brat."

"Grrrrr..!!"

"Ace, it's fine," you soothed him, a hand on his arm. "You did your best. It doesn't change how I feel about you."

"Tch, there you go being all sappy again... You're so lame sometimes," Ace grumbled--but he covered your hand with his. A small gesture, but a reassuring one.

"Hahah, look at you two lovebirds," his brother teased, wagging a finger at you. Then he reached out and roughly ruffled Ace's hair, despite his complaints and attempts to swat him away. "Happy for you though, lil' bro! You gotta tell me how this love story started--"

#twst #twisted wonderland #disney twisted wonderland #disney twst #twst x reader #twisted wonderland x reader #Ace Trappola x Reader #Ace Trappola #Reader #self insert #NRC Family Day #twst interactions #twisted wonderland interactions #twst imagines #twisted wonderland imagines #twst scenarios #twisted wonderland scenarios

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shysuccubusstuff · 15 hours ago

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Yandere! Mr. Crawling

Content: SFW hcs + Established relationship + Overprotection + Manipulation + Baby trapping + clingy! Mr. Crawling + Gaslighting + Somnophilia + Stalking + Death + Breeding kink + Slight size difference.

Summary: Human! Mr. Crawling who tries to keep his deep love secret from you

Note: I hope all of you are having a good day!! I'm trying to do my essays but they're so boring... Let me know if you have any suggestions/things you want to say to me, I love answering to people!!

SFW:

Human! Mr. Crawling who falls in love as soon as he sees your face.

Human! Mr. Crawling who decides to try and keep you safe and protect you from all possible dangers. This ranges from leaving small gifts for you, buying you something to eat when he hears a rumble close to him, or buying you a drink if he has seen you working so hard on keeping up with all the classes, to sometimes intimidating the other guys that kept trying to get closer to you.

Human! Mr. Crawling who tries his hardest to speak to you, even if it's just a few words to make sure you know he's listening to you. Nodding his head and keeping his eyes completely focused on your face.

Human! Mr. Crawling who tries to make himself look smaller, crunching a bit and walking with his back a bit arched, not something that can be easily noticeable for others, but just enough to reduce the height difference between the two of you.

Human! Mr. Crawling who is finally able to make you feel safe with him, allowing him to get into your bedroom, even to the point of making a sleepover. He just had to try his hardest not to act in any weird manner.

Human! Mr. Crawling who keeps following you like a lost puppy. You can almost see two ears and a tail appear when he acts like a small puppy, being easily excited when you compliment him, even if it's for the smallest things.

Yandere! Mr. Crawling who begins to feel how his pure love becomes something more twisted the moment he realises more people keep getitng interested in you. He looks so kind when you look at him, but as soon as you turn your head, his gaze becomes much darker, his expression is always serious, his brows slightly furrowed as he tries to keep himself restrained.

Yandere! Mr. Crawling who takes advantage of you great "friendship" and starts to try and get rid of your friends. He keeps on interrupting when you meet with your other friends, creating different reasons why he just couldn't wait to meet you, as he truly needed you.

Yandere! Mr. Crawling who takes advantage of his sickly aspect to make you worry about him, calling you to ask you for small gestures, making sure that they are small enough to avoid you from refusing him.

Yandere! Mr. Crawling who is finally able to ask you out. He made sure to get rid of each and all your friends who could get in the way of your relationships, after all, he is everything you need, right?

NSFW:

Yandere! Mr. Crawling who had already seen you way before both of you met each other in class, his phone filled to the brim with pictures of you. The fact that most of them involve you in embarrasing positions while the rest are of your sleeping face. They definitely have no effect on him, hell no (just ignore the raging bulge he gets from seeing your lips slightly parted, totally normal reaction).

Yandere! Mr. Crawling who put a small chip on your phone while you were sleeping. How was he supposed to keep you safe if he didn't know where you were the whole day? Don't be so dramatic, he was just doing it for your sake :((

Yandere! Mr. Crawling who killed someone in front of you. He was stalking you around town when he saw that strange man grabbing you by your wrist and taking you to the closest dark alley. Before he could think, his hands were already gripping his throat, his face turning blue as his grasp got even stronger. When he finally was sure that man was no longer alive, he turned around, a happy smile on his lips as he waited for your compliments. He was now on his real height, allowing you to notice how he was over one head and a half taller than you, despite that, he made you pet his hair, forcing you to smile as the body of the strange man got colder.

Yandere! Mr. Crawling whose obsession only increases the moment the two of you decide to date. His arms are now always around your waist, his hands always touching you, no matter if you are alone or in front of other people. He just loves hugging you from behind, his dick rubbing against your ass, grinding against you as soon as he saw you do something he didn't like.

Yandere! Mr. Crawling who forces his cock inside you, filling you load after load just to prove that you're truly his one and only. He doesn't stop until he sees his seed dripping from your hole, your eyes rolling to your skull with fat tears rolling down your cheeks from the overstimulation.

Yandere! Mr. Crawling who keeps blabbering about impregnating you during sex, he doesn't even care about your gender, he WILL impregnate you. He will defy Mother Nature for you, filling you one after the other and not pulling out until the next morning.

Yandere! Mr. Crawling who masturbates with your clothes the moment he misses you, he doesn't care if you have been away for barely a few hours, he just misses his sweet darling so much :(( Not his fault that your clothes are filled with your sweet scent...

Yandere! Mr. Crawling who masturbates to your sleeping face while the both of you sleep together. He loves feeling you close to him, all relaxed as your expressions sometimes change to one of pure bliss... He hugs you from behind, beginning to grind against your ass as an attempt to keep himself in check. This of course doesn't work, which forces him to use his own hand to masturbate, slowly getting on top of you so he can get an extremely detailed view of your sleeping face.

#fanfiction #x reader #smut #homicipher headcanons #homicipher smut #homicipher #mr crawling #mr crawling x reader #mr crawling headcanons #yandere smut #yandere x reader #yandere x darling #male yandere

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sweemmy · 1 day ago

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⋆｡ﾟIn their love, they bloom like a dark rose, its thorns only striking those who try to escape. ﾟ｡⋆

— Vi, Caitlyn, Sevika, and Jinx.

VI.

Vi would do anything to protect you, but her obsession consumes her, driving her to see threats in every corner, even where none exist. In her mind, danger lurks in the shadows, always watching, and you are the only one who can escape this threat... even if it isn’t real.

Her irritable nature compels her to act impulsively, before her mind has the chance to halt the torrent of emotions. She doesn’t hesitate to confront anyone, even if they are just a stranger who has approached you out of curiosity, convincing herself that anyone who crosses your path is a danger, no matter how harmless they seem.

Vi clings to her justification, arguing that her control is merely an expression of love, that everything she does is for your own good. But beneath those words lies a dark echo, as if she cannot fathom a world where you don’t need her, where her influence is not vital to your survival.

Her gestures of affection, far from being tender, are invasive and violent. Her hugs, excessive and tight, feel as if she could crush you. The words she whispers in your ear, filled with intensity, steal the air between you, with a fervor bordering on obsession, as if she’s marking you, immortalizing you in her world, only for herself.

Though her exterior is one of hardness, beneath that mask beats a deep fear: the fear of losing you. She knows that without you, her world would crumble, empty, incomplete. “If you don’t want me near, just tell me… but don’t expect me to stand idly by while someone tries to take away the only thing that gives my life meaning.”

CAITLYN.

Caitlyn becomes ensnared in her own whirlwind of thoughts, convinced that her obsessive love is the only thing capable of offering you the care you deserve. She sees herself as the only one who can truly understand and protect you, regardless of the boundaries she must cross to keep you by her side.

With a sharp, calculating mind, Caitlyn weaves invisible threads around your life, orchestrating every detail so subtly that you're barely aware of her control. From the people you allow into your circle to the places you step foot in, everything is meticulously designed to keep you under her sway.

Using her charm, Caitlyn spins a web of carefully chosen words, manipulating your perception with a smile that conceals the darkness lurking inside her. She has no qualms about distorting the truth, lying, and creating parallel realities, all to ensure you remain bound to her, oblivious to the trap you've fallen into.

Her control over you goes beyond the physical; Caitlyn becomes an emotional necessity, feeding your dependency with gestures that seem loving but are, in reality, invisible chains. She makes you feel as though you cannot breathe without her presence, turning herself into an irreplaceable part of your life, a constant shadow you cannot escape.

Anyone who dares to get close is seen as an immediate threat, and Caitlyn doesn’t need to resort to open violence. Her deadliest weapon is her influence, capable of destroying slowly, without anyone suspecting a thing. "Why waste time with them, darling? I’ll handle everything. It’s much better if you follow my suggestions; I promise everything will be fine."

SEVIKA.

Sevika sees you as hers—like a treasure no one else deserves to touch. Her obsession is a dangerous blend of control and overbearing protection. Should anyone dare to put you in harm's way, she will become the shadow that eliminates any threat, without remorse and with brutal precision.

Any intruder who gets too close will be stopped by her mere presence. The intensity of her gaze and the unyielding strength of her stance instill terror in even the bravest hearts. She needs no words: her silence is a warning, and her actions, the verdict.

Believing the world is a deadly trap for you, she begins to build a cage of isolation. Every argument she makes is wrapped in false sweetness: "It’s for your own good, trust me," while the chains of her obsession tighten a little more with each passing day.

Flowers and sweet words are not her style, but her actions speak louder than anything. The moment she senses you’re in danger, she will unleash an inhuman fury, showing just how far she’s willing to go to protect you.

Her emotions are a storm hidden beneath a mask of cold serenity. Every action is calculated, every decision made with precision. "I don’t need to shout to show you how much I love you. You see it in what I do, don't you?" she murmurs, her voice calm yet carrying a weight that leaves no doubt about the intensity of her devotion.

JINX.

Jinx would always watch you with eyes filled with obsession, as if you were her precious toy, meant only for her. Her love is no simple feeling: it’s a wild, unpredictable whirlwind, packed with emotional explosions and flashes of madness. She cannot stand anyone else getting your attention, and her “jokes” toward those who dare to come close often end in a macabre, lethal spectacle of destruction.

Within her chaos lies a desperate search for stability, and you are her anchor, but always on her terms. Trying to pull away or challenge her twisted world only triggers a collapse in her mind and a violent need to reaffirm her control over you.

Her love manifests in disturbingly creative forms: bombs adorned with hearts, explosive devices bearing your name, or "trophies" taken from those she deems rivals. Each one is a sickening declaration of how deep and dangerous her affection runs.

Her greatest fear is abandonment, trapped in the loneliness that haunts her. If she senses even the slightest hint that you might leave, she’ll do the unthinkable to make sure you stay by her side. It doesn’t matter if she has to chain you—literally or figuratively; in her mind, the end always justifies the means.

Jinx won’t hesitate to destroy—even herself—to keep you close. Her desperation drives her to dark extremes, hurting others or putting her own body at risk. “Do you see this? I did it for you. Now you can’t deny how much I care. You’re not going anywhere, are you?”

#arcane #arcane x reader #arcane caitlyn #arcane vi #arcane sevika #arcane jinx #caitlyn x reader #vi x reader #sevika x reader #jinx x reader

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messyoungie · 2 days ago

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HABITS TO DROP WHEN GETTING YOUR LIFE TOGETHER

➝ CREATING UNAUTHENTIC & UNINTENTIONAL GOALS

the biggest mistakes you can make when creating goals is making goals that aren’t true to you and making goals for the sake of making goals.

it can be so exciting when you decide to get your life together. I mean, of course it is! there are so many possibilities! but when you start planning, don’t just write down the goals you see circulating on social media. what works for someone else may not be what works for you. don’t make your goals and habits based on what’s trending or popular in the self improvement community.

think about what you actually need for a minute. what is actually necessary? your goals and habits aren’t here to be glamorous, they’re here to help regardless of how simple or small they are. the point of thinking up new habits is to improve your life, so be intentional with your goals. what will practicing this habit or achieving this goal give you?

when you’re first starting out, your goals don’t have to be anything too crazy or intense. for example, let’s say you want to become a pink pilates girl and get into fitness. you shouldn’t jump right into it and say your goal is to work out for 2 hours 5 times a week. let’s consider some factors first. have you been living a completely sedentary kind of lifestyle? then try looking for exercises that’ll wake up dormant muscles. your goal should then be to repeat those exercises for how ever many times a week. then you’ll work your way up from there. (it’s important we don’t harm the body, so be mindful with your fitness goals.) what about your schedule? how much time can you actually give to working out? can your body even endure working out for that long?

anyways, hopefully you see what I mean. when creating goals, it’s not about having the “aesthetic” habits and goals that you may see on tiktok or tumblr. it’s about doing what is actually good for you and what’ll help you the most with where you are now in your journey. so please put some thought into your goals and where they’ll take you. creating unauthentic and unintentional habits will also mean you’ll be less likely to keep practicing them after a few times. at the end of the day, that doesn’t help you achieve anything and you’re left with a broken promise you’ve made to yourself. which leads me to my next point…

➝ NOT KEEPING YOUR WORD WHEN IT COMES TO YOU

let me start off by saying this— if you don’t even listen to yourself, why should anyone else? (harsh, ik)

a HUGE reason as to why people have no self confidence is because they don’t listen to themselves or keep the promises they’ve made to themselves. if you have no self trust, how could you have any self confidence?

now, building discipline can definitely be a challenge so if you want to start somewhere easy, nip your false promises in the bud and stop yourself from making them. that’s what I did when I was first trying to stop this habit. when my addiction to tiktok was at its peak I would always tell myself the usual “ten more minutes and then I’ll stop scrolling.” when I wanted to stop making false promises, I knew I had no control or discipline so the only thing I could do is be real with myself. I’d cut myself off when I heard myself say “five more minutes” because I knew it wasn’t going to happen. if I wasn’t going to quit my bad habit, then the least I could do is be honest with myself.

the things that you are constantly telling yourself, whether they’re mindless or intentional, matter.

so, stop telling yourself seemingly harmless lies. unnecessary false promises that you know are false will only fill you with tension.

➝ SEEING FAILURE AS AN INVITATION TO GIVE UP

this applies to so many things.

you wanted to be consistent with your reading goals but haven’t read a chapter in a week? dont give up. don’t tell yourself that being consistent is too hard for you, that since you missed a week this habit isn’t for you. make your goal a bit easier or give yourself another chance.

you wanted to spend more time doing art but it’s not turning out how you expected? dont give up. dont give yourself the title of a “bad artist” and never pick up a pencil again. move forward, give yourself another chance.

you wanted to quit your Instagram addiction but after a couple days you went back to scrolling for hours on ig reels? Don’t give up. dont tell yourself that this addiction isn’t gonna go away, don’t go back to the bad habit because you slipped up. give yourself another chance.

I think a lot of us (myself included) tend to give up at the first sign of failure, instead of reminding ourselves to keep going. it’d be wonderful if you could get it right on the first try. if you could read ten books a month right away after not reading a book in three years. if you could watch hours worth of tutorials and sketch the perfect portrait on the first attempt. if you could uninstall instagram for good and never feel the urge to go back. that would all be so amazing, but it’s not always the reality. expect the best from yourself and do the best you can, but also give yourself some compassion. keep in mind that you won’t always do things perfectly right away and that’s one thousand percent okay. when you feel yourself slipping up on your brand new goal, don’t end it there at the first failure. allow yourself to move forward, because the only other direction to move is backwards.

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hyperdramas · 1 day ago

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1-800-got-stress | jeon wonwoo

pairing: jeon wonwoo x reader

warnings: non-idol au, college/professor au, slight romance (?), english professor wonwoo x teacher's assistant reader, tiny sprinkles of humor, one-sided crush (?), wonwoo is very dense when it comes to reader's romantic feelings (not really though), reader still loves him anyways, cute ending??

now playing: return of the mack, mack morrison

dedicated to: @k1eev (<3)

"After the lecture, I want you all to come see my assistant before you leave. She has the next module printed out and organized for you all." Wonwoo's deep voice is the next thing you hear once you snap back into reality, and many of the college student's eyes dart away from you as you look around, more than likely aware of how long you've been gaping at the English professor.

Jeon Wonwoo was the person always on your mind now—ever since you started as his teacher's assistant earlier this month, you've always been thinking about him.

He was everything you weren't—calm, professional, disciplined and put-together. He knew what to say and how to say it, and what to do and how to do it—you were ninety-nine percent convinced that there was nothing Wonwoo couldn't do.

Not only was he annoyingly perfect at his job, but he was annoyingly handsome too—he was handsome to a massive amount of people, students and other professors included. He had sharp eyes that seemed to grow even sharper with the perfect amount of tiredness, and hard-edged features that you had memorized now with how much you had stared at him when he worked.

Time went slow as Wonwoo talked, deep voice echoing through the lecture hall as he gave his presentation on the deeper story of Romeo and Juliet, asking his class questions as he gaged their attention span.

You thought about how nervous you would feel under Wonwoo's gaze. Your face just heated up at it, imagining how you wouldn't be able to look him in the face without feeling completely inadequate.

It was already hard for you to look him in the face, and you were his personal assistant.

"Please finish the last essay I assigned at the beginning of the month. Since we're starting a new module this Friday, I want everyone to be on the same page." Wonwoo's voice was monotonous as students started to pack their things, and you placed the stack of module papers on the desk, letting the students grab and go.

The class filtered out slowly, some staying behind to ask Wonwoo questions and garner advice from him. You watched them quietly, straightening the closet as you dipped in and out of their conversations.

You had just heard another professor enter the room, asking Wonwoo to go out with her tonight for a drink, (to which he politely refused), when Wonwoo had addressed you.

"Are you doing alright? You've looked really tired today." Wonwoo's thick, stern eyebrows are flat as he stares at you blankly, and you try to read his sharp eyes for any flicker of emotion for a quick second, giving up as you give him an awkward smile.

"Oh, I'm fine, Mr. Jeon. I'm not even tired—just a bit distracted, that's all." You reassure him, and Wonwoo nods, looking down at his watch as you finish straightening up your desk.

"You should get some rest. It's not good for you to be tired and trying to assist me, is it?" Wonwoo has a faint smile on his lips when he says this, and you try not to blush or melt under his hot gaze against your skin, fiddling with your collar awkwardly as you nod.

"Here, let me help you with those." Wonwoo's voice is directed to the stack of heavy books teetering on the end of your desk. You nod to him gratefully, allowing him to pick them up as you walk to the other side of the room, unlocking the storage closet door.

He held the books without strain, face still as he waited for you to finish putting your share of books down. Wonwoo followed you, cologne wafting in the air and drifting under your nose as he turned off the lights.

"Thank you for today. You did very well." Wonwoo's voice was sweet as he smiled at you, and you returned the gesture stiffly, making your way back to the desk as you grabbed your things.

"Of course, Mr. Jeon. You did well too, I mean—you did well with the lectures and everything. You teach everything in such a fresh way, it's tough for anyone to not be compelled or interested in what you're teaching." You were a sucker for Jeon Wonwoo, and it was starting to show more and more now—how were you supposed to be normal about him?

"It takes a lot to make the lecture engaging and informative, so I'm glad you think that of me. Many students call me the boring teacher." Wonwoo's voice is lighthearted as he finishes straightening up his desk, and you chuckle, mostly at the absurdity of his words.

"You're quite the opposite of a boring teacher, in my opinion. Your stories and explanations are way more animated than the textbooks could be." Were you showering your superior-turned-crush with embellished compliments? Yes. Did you want him to notice?

...Not really.

"You sure do have a lot to think about me, don't you?" Wonwoo's voice is still playful, even if it has a neutralness to it. You blush slightly at his words, earning a smile from Wonwoo as he smiles. "I'm just teasing you. I appreciate everything you say to me."

A slight pink tint to Wonwoo's cheeks brings an even brighter one to yours, and the two of you fall silent, obviously sensing something between you. Wonwoo's eyes rake over your form, and you shyly look up at him, dark brown eyes behind his frame still making you warm inside as you sigh (dreamily and deliriously, as you might add).

You had made Wonwoo—Professor Jeon Wonwoo, the boring, scarily neutral English professor—blush from your compliments. You would be wallowing in your achievement if you weren't also blushing at the moment.

"Well, I, uh—" You stumble over your words, also stumbling over your book as you pick it up from the floor. Wonwoo watches you quietly, glasses sliding down his strong nose bridge slightly as he watches you head towards the door. "I should get going. It's getting late, and I have to be back here early tomorrow."

"I'll walk you to your car." Wonwoo nods, following suit as he slips his jacket over his broad shoulders and picks up his briefcase. His dress shoes hit the wooden floor as he follows after you, and he turns out the light, leaving you two engulfed in darkness for a few seconds as you stumble back, stepping on Wonwoo's foot.

He grunts harshly under you, and you scramble back, lights in the hallway illuminating your embarrassed blush. "Oh my god, I'm so sorry."

Wonwoo just smiles again, smile lines sending butterflies that go straight to your stomach. "No worries. You couldn't see because of me, and I'm sorry." His cologne is so strong and so him you can't think straight, but you do your best to string your words together.

"Well, Mr. Jeon, I'll see you tomorrow," The two of you had just left the building, now by your car as you unlock the door. Wonwoo watches you with sharp eyes, clearing his throat as you turn to him.

"If—If you'd like, we should converse over dinner sometime. Not as coworkers, but as good friends." Wonwoo's sentence brought a rude awakening to your world, and you stood in shocked silence for a second, processing what he said to you as you blinked blankly.

Wonwoo considered you to be a good friend—you would have never told by how unfazed he was by most things, but he considered you to be more than a coworker or partner. He saw you as a friend. A good friend who was asking you to dinner.

"Yeah, we—we should, Mr. Jeon." You agree, and Wonwoo clears his throat, sharp eyes daring away as he adds, "Oh, and you can call me Wonwoo. We're comfortable with each other now, so we can drop the formalities."

Not only were you Wonwoo's good friend, but you were such a good friend you could now call Mr. Jeon by his real name, Wonwoo. Too many green flags were going off in your head, but could Wonwoo sense he was giving you all these green flags? It only made your crush on him worse.

"Well, I'll get going, Wonwoo." Even his name on your lips felt sweet, and Wonwoo nodded, giving you a small wave as he closed your car door.

"Until tomorrow." He smiles softly again, and you melt into your seat, smiling as you nod back. "Until tomorrow."

feedback & reblogs are appreciated! love u lyrnation <3

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star-eyed-angels · 12 hours ago

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The Masked Ballerina

Mafia!Yunho x ballerina!reader

angst, light fluff 6k

TW: mentions of fighting, abuse, violence, swearing, weapons. As usual, please let me know if I missed something.

Please read at your own discretion.

Where Yunho's search for excitement leads him to the Ballet.

AN: Heavily inspired by the Ice On My Teeth MV. In my mind this exists in the same universe as my Mafia!Hongjoong fic. The chess lore goes hard in this one. Enjoy lovelies 🤍

Also in case anyone cares, the song reader dances to is Masquerade Suite: Maskarad at about 1:18 is when Yunho starts tapping and 1:23 is when he sees their face

MASTERLIST

It’s very rare that Yunho goes out alone. Normally he travels with his guards, a new rule put in place after the Wooyoung incident. He understands its another layer of protection in case someone decides to get a little too close. especially if one of their enemies decides to put a hit out on him. Which of course has happened more times than he can count, but his guards don’t let anyone get within talking distance. It's always kind of fun to him. Watching some dumb soldier try to charge at him. Part of Yunho wishes his guards would just let them through. That way he could have a little fun. Just the thought makes his hands twitch. God is he aching for a good fight. But he knows that would never happen. They would never allow it. It’s their sole duty to protect him. One of their eight bosses who are far too precious to lose.

Yunho sighs at the thought. His breath coming out in front of him in the cold night air. He knows it's silly to want to get into a bit of trouble. With the power he holds he should be excited at the people who bow before him. But he can't help but want something more. A change of pace. Like tonight and his new habit of sneaking out once he knows the others are busy or sleeping. It started on a whim, his restlessness driving him over the edge. It was normally pretty bad, but this night he swore if he didn’t do something he would go insane. He found himself creeping down the hallway, waiting for just the right moment when he knew the guards would step away before making a dash to the street. He spent the next few hours wandering the city. The solitude was refreshing, not having anyone hovering over him. While it gave him a little rush the first few weeks , the thrill has already started to fade. His little nights out becoming something too close to a routine.

He’s done his best to spice it up a bit, trying to find different routes. But with legs as long as his, there’s only so much he can do before he’s seen it all. The more he dwells on it, the worse he starts to feel. He tugs the hood of his sweater farther over his head, huffing in annoyance. With his mood slowly souring, he thinks it’s best to run back home. He finds himself turning towards the dark alley. It shouldn’t come as a surprise that he gravitates towards the shadows. He’s always been his skill, hiding in the shadows until he strikes. Of course nowadays he’s more of a boss, giving people his orders. And while it’s nice, can anyone really blame him for missing the action? I mean he’d even be happy to even do a simple hit. Give him a rookie task, hell he’ll take anything at this point. He realizes he sounds a bit like an addict. But God would it kill to have just a bit of excitement in his life?

He turns to walk into the alley. He's so distracted he doesn't pay attention to the figure hiding in the shadows.

“Hold it.” a voice calls out.

He’s pinned swiftly against a wall. A small breath knocked out of him, as he stumbles into it.

Yunho looks down to see a gun pointed at his chest. He’s so caught off guard it takes him a second to register what he’s looking at. His eyes trail up the arm holding the gun, finding a masked figure in front of him. At Least a head shorter than him and clearly in way over their head.

He looks up at the sky, a baffled smile finding its way onto his face.

This isn’t what I meant.

If Yunho didn’t know any better he’d think he’s in a comedy movie. One where he’s the bud of all the jokes.

“I wouldn’t be laughing if I were you,”

Ah yes the tiny thief.

Yunho looks back down, the person digging the gun into his chest. He only blinks in response.

“Don’t make this harder than it needs to be,” they snap, “Just give me your money and no one has to get hurt.”

Yunho grabs the hand holding the gun, nudging it out of the way.

“I don’t have any money. Now if you’ll excuse me-” he starts to say, but is swiftly cut off.

“What? Are you stupid, I said-”

Yunho rolls his eyes, any other night he’d probably entertain the idea of a brawl. But tonight he’s tired and just wants to be back home. This person clearly either doesn’t know what they’re getting themselves into. He supposes it’s the plain clothes he chose to wear out that make him somewhat unrecognizable. That and the fact that he doesn’t have his usual entourage hanging around him.

Before they can get another word out he grips their arm, raising the gun up to the sky. He tugs the thief towards him, forcing them to stumble into his chest. They gasp in shock, grip loosening on the gun with the movement. Yunho pulls it away with ease, disarming it and dropping the remaining bullet in a single breath.

“What the fuck,” the masked figure says, clearly bewildered.

They look up, staring wide eyed up at him. It’s only then that Yunho takes notice of their eyes. One a normal color. And the other a stark contrast. Gray in color, mirroring the dark clouds above the pair. The snow continues to fall around the two, silence filling the air. It's in this brief moment that he’s able to really look at them. In the small window of the ski mask he sees the bruises around their eye, the skin clearly swollen and discolored with a black eye. It's easy enough to guess that a person must have given it to them, he’s seen enough beatings to know. As bad as he feels, he doesn’t have the energy for this.

“Look. It’s been a long day. I’m tired,” he starts softly.

Yunho calmly lowers their arm, dropping the gun into their open palm. He takes a step backwards, de-escalating the situation.

“I’m just trying to go home,”

The thief looks down at the gun in their hand briefly. They glance back up at him, eyes now teary.

Yunho gives them a tight lipped smile, gently letting them go. He walks past them, the thief, turns only able to watch in shocked silence. Yunho only makes it a few steps away before he feels the need to stop. He can’t explain it, but there’s a nagging tug he feels in his mind.

He turns to face the thief, who stands there silently, still watching him. They somehow look smaller like this, vulnerable, defeated. He thinks back to the bruising he saw underneath the mask. It doesn’t take a rocket scientist to know something is more is going on than just a petty crime.

“For what it’s worth, I hope whatever it is you’re going through gets better,” he says sincerely.

Despite the actions of the masked figure, he understands what it’s like. Desperation is an old friend of his. A friend that led him down an uncertain path, that thankfully ended in his favor. But he knows it isn't that way for everyone. He gives them one last smile, hoping it conveys more than what his words would.

“Have a good night”.

With that he turns around continuing to walk down the alley. The thief continues to watch him go, watching him disappear into the cold night.

Yunho’s walks don’t last another week. He’d been able to squeeze in two more days of walking before he’d given up. Far too bored. The short-lived adventure was nice while it lasted. But again he finds himself looking for something else, something outside of his normal routine.

That's how he finds himself squished into a small seat, front row to a ballet Jongho had been begging to see. Something very common for their household. He’d only tagged along because Seonghwa had to miss it, a last minute meeting with Hongjoong and another group.

And while this isn’t his usual thing, he will admit the show is quite good. To his right, San is clearly not as impressed, He’s only become more restless as the first hour passed by. Now practically squirming in his seat. He leans forward in his seat, glancing around at the others.

“Do we have to sit through this whole thing?” San asks, doing a poor job at whispering.

“Shhh,” Jongho says from his left side.

“Is it at least almost over?” he prods.

“Shhh!” Jongho shushes, louder than the first time.

“But it's boring,” he says, having given up on whispering all together.

Jongho leans forward in his own seat, shooting daggers at San.

“It’s not boring, you just don’t know how to appreciate art,” he snaps. He gives one last glare before turning his attention back to the stage. Mingi snickers from his seat on San’s right.

San pouts, sulking back into his seat. Yunho can’t help but smile at the exchange. He nudges his shoulder, leaning closer to him.

“Lighten up, it’s not that bad. I’m sure you can find some part of it to enjoy,” Yunho whispers. Mingi grins leaning over as well.

“The dancers are quite pretty," he says, nodding towards the stage.

Yunho rolls his eyes as San perks up at the mention of the dancers. It’s like he’s just noticed their existence after the past hour.

“Not what I meant, but to each their own I guess,” he chuckles quietly.

San pays him no mind. Now hyper focused on the performance, or performers, in front of him.

Yunho watches the dancers, enjoying how easily their movements flow with the music. He recalls the dream his teenage self had of dancing. He was quite good at it too. He even had a scholarship waiting for him, hell he’d all been packing to leave for school. But alas life doesn’t turn out the way it does in movies, now does it?

A series of hiccups and stumbling led him to where he is now. One eighth of the biggest family in the country. A rook in a set so carefully crafted, that nothing could stand in its way. Never in his life did he think he’d end up here. But when he glances on either side of him, seeing his brothers makes him think that there was nowhere else he’d rather be.

Despite the performance in front of him, he finds his mind wandering, still longing for something new. Anything really. He knows he sounds ungrateful, bratty even. But goddamn would it be nice for a sliver of excitement.

Fate is funny with her timing as per usual. Clearly having enough of Yunho’s whining she’s intending to smack Yunho right in the face with his desires.

At that moment the dancers step forward right to the edge of the stage. Bodies dipping into a bow with the sway of the music. The costumes glint with the stage lights, drawing Yunho’s attention back to the present.

Yunho ignores the low whistles undoubtedly from San and MIngi. He does his best to refocus on the performance. He taps his fingers along to the music, counting the beats of the dance in his head.

It truly is comical the way the way the music builds, unknowingly leading Yunho to his fate.

The dancers look up at the next beat and Yunho comes face to face with the person in front of him. A ballerina with an eye color that wouldn’t shock anyone, if it weren’t for the other resembling dark storm clouds in the sky. A set of eyes that he’s only seen once, but he could never forget. Yunho feels his heart skip a beat, a small smile tugging at his lips at the memory.

Now this is exciting.

Yunho also takes notice that the bruising is nowhere in sight. Aside for some light swelling, it’s practically invisible. He presumes it’s whatever makeup and other styling that’s required for the show. The dancer takes no notice of Yunho, clearly engulfed in the performance. In three beats the dancer is off, prancing to the other end of the stage. Yunho’s eyes now glued to them. A moth to a flame, a spark.

Yunho continues to watch, taking notice of the way they glide. As if they were a wind up toy, made only to dance across the stage. The costume only adds to the image. While Yunho knows each costume is made to fit like a glove for every performer, this one is different. For this ballerina it doesn’t appear to be made, but to simply be a part of them. Everything about the way they bring the performance to life looks so effortless. This clearly suits them, in his opinion.

The performance ends in a flourish, the audience erupting into a deafening applause. The dancers gather on stage, taking their final bows. Yunho glances on either side of him. Jongho no doubt will stop the conductor and offer his appreciation. San and MIngi both speak in hushed whispers, already planning their approach with whatever dancer that's caught their eye. But Yunho only has eyes for one dancer. He easily slips away from the others, off to meet his masked ballerina.

“That bastard, that’s what he did to you?” Minji asks, turning your face in her hands gently.

When you’d removed your makeup she’d all but elbowed her way through the others leaving for the night. She’d all but dragged you into her own dressing room, a murderous look in her eye as she scanned your face. After a bit of fussing, you reluctantly tell her about your interaction with your director. How after a bit of back and forth he’d swung his fist, leaving you with a swollen eye. if looks could kill, you’d swear Mr.Hak would be dead if he were in the room with the way Minji glares. You’d done your best to hide it from her, knowing she’d react this way.

You grab her hands, pulling them away from you.

“I’ll be fine, it’s nothing a little makeup can’t fix,” you say calmly.

She makes a face immediately, a lecture forming on the tip of her tongue.

“I know what you’re going to say. But you know I can’t leave. Not yet at least.

“I know. But that doesn’t mean you let him do this to you either y/n,” she says bitterly.

“It was my fault, I kept pushing it and-” you don’t get to finish, Minji cutting you off.

“Like hell it was! I don’t give a fuck how long he’s been in charge, Hak has no right to be doing this to anyone,” she fumed, face growing red with each word.

"Minji. I promise I’m okay,” You say soothingly. She sighs, taking a few calming breaths.

“At Least let me give you something. I don’t have much, but hopefully the money will help you out,” she says, starting to walk towards her bag. You grimace, the thought of taking from her when she’s struggling just as much as you makes you feel sick.

“You will do no such thing,” you say. You walk over to her, stopping her from looking through it.

“But-”

“I’ll find a way to make it work. You know I always do,” you say, giving her a small smile. Minji contemplates, before giving in.

“Fine, but please tell me if you need help. And I don’t care who he thinks he is, you say the word and I’ll kick his ass myself,” She says.

That gets you to laugh, rolling your eyes.

When you first started, you'd learned rather quickly that Minji was hot-headed. Fierce in a way that you weren’t. You think perhaps that is why she befriended you so quickly, sensing you’d need a backbone of a friend. Minji was like an older sister. Someone who wanted the best for you, even if her way of showing it could be a little over the top. But you loved her regardless.

“Thank you Minji, really,” you say, pulling her into a hug. She hugs you back, holding you close.

“Okay, well I’m heading out hun,” she says, letting you go. She slings her bag over her shoulder.

“Get home safe,” you say, opening the door for her. She flips the lights off, leading you back out into the hallway.

“You too. Don't stay here too long,” she says, giving you a pointed look.

“I won't,” you say.

You walk her until you reach the door to your dressing room. She stops, turning to give you one final hug. With one last squeeze, you let her go. She gives you a final wave, before turning and leaving.

When she’s out of sight, you sigh, shoulders dropping. You’re quiet as you open the door to your dressing room. You flick on one of the smaller switches, the lights of your vanity illuminating the room.

You walk over, dropping yourself into the seat unceremoniously. You glance at yourself in the mirror, looking over the black eye for what feels like the hundredth time. The memory of that night, playing in your head like a loop. When you’d first graduated from your arts program you’d been so excited to start your career. It had been hell to make it through. Your heterochromia made it a nightmare to be a dancer. Every audition and casting left you feeling defeated. Each director or choreographer turning you away due to your condition. You’d had to claw your way to performing on a stage, fighting tooth and nail to just be given a chance. It was exhausting but it was worth it. Or at least you thought it was.

Now as you stare at yourself in the mirror, the version that stares back at you is almost unrecognizable. How could you have ended up here? This couldn’t possibly be what life had in store for you, could it? Suffering for the sake of doing what you love? You could already see the way this vicious cycle was eating away at you. Cracking your soul into pieces bit by bit. You needed to get out. But only a miracle could save you at this point.

You shake your head, doing your best to shake the thoughts with it. You lean down, tugging the shoes off your feet, and the tights along with them. You groan as you sit back up, muscles still sore from the performance. With a small grunt, you take the last bit of your outfit off, throwing the top to one of the chairs across the room. This late in the night you know you’re one of the only people left in the building, leaving no reason for you to rush to get dressed. You pull your robe down from the corner of the vanity, sliding it onto your shoulders.

“That was a lovely performance,” a voice calls out, making you jump out of your skin.

You whip around clutching your robe closed as tightly as possible.

A figure emerges from the shadows slowly, coming to stand a few feet in front of you.

In the dimly lit room, you can make out the features of a man. He easily towers over you, dressed in all black like a shadow come to life.

You recognize him as one of the men you tried to rob a few nights back. It takes you a second, with his appearance being a stark contrast to the man who stumbled upon you in the alleyway. Here he looks put together, black suit, hair pushed back, and expensive watch gleaming on his wrist. It's then you take notice of the insignia on his coat. The A against his heart is simple. A circle surrounding it, stitched in a darker shade of black. But the sight still makes your blood run cold.

Holy shit, you’d tried to rob a member of Ateez, the most powerful family in the country. As if your luck couldn’t get any worse. Part of you wants to laugh at the entire situation, but the fear you feel keeps you rooted in place, scrambling for any escape.

“I didn’t think ballerinas were the type for armed robbery,” he hums thoughtfully.

You subtly shift your hand to the side of your chair, fingers trembling as you reach under the armrest.

“This is a private dressing room, you need to leave,” you say, doing your best to appear calm.

The man hums, reaching into his pocket. He pulls his hand out, holding it in front of him.

“Looking for this?” he asks.

Your heart sinks at the sight of your knife in his hand. He twirls it with ease, flicking it open to insect the blade. You press your hands into your thighs, swallowing nervously.

“Please, I’m sorry. I don’t want any trouble,” your voice trembles as you stare up at him. He turns his attention back to you, taking in your fearful demeanor.

He smiles, making a show of closing the knife slowly. He carefully sets the knife down on the shelf beside him, being slow in his movements. You eye it suspiciously, glancing between him and the knife.

“Don’t worry I’m not going to hurt you. I just want to talk,” he says calmly.

You nod slowly, still eyeing him warily. He nods back, still keeping his distance.

“Do you know who I am?” he asks.

Of course you know. Everyone in the country knows his name along with the other seven. The rook who stands in front of you is not to be messed with.

“Jeong Yunho,” you answer.

The way you say his name sends a bit of a thrill through him. He likes the ways it rolls off your lips.

“Hmm so you do know my name,” he says tilting his head to the side.

You can only give him a small nod. He begins to walk around the room examining the interior as he goes. You can’t help but keep your eyes trained on him. While he promised not to hurt you, you’d be stupid not to be on guard.

“Did you know who I was the other night?” he prods.

“No,” you answer quickly. You were desperate, but not desperate enough to mess with him. You curse your past self for being so oblivious. He chuckles, the sounds sending a shiver down your spine.

“It takes guts to step to a man twice your size like that,” he says, recalling your stupidity. He turns his sharp gaze towards you, further pinning you to your spot.

“But considering I can see the way you're shaking, I think there’s something else,” he says.

“What were you looking for when you came at me?”

“Nothing, I- I wasn’t looking for anything I swear,” you say a little too quickly.

Yunho glances at your swollen eye, letting out a sigh. He knows you’re lying, but he can’t blame you. There was no doubt he was a man to be feared, but right now he needed you to trust him.

“Look. I can tell you’re smart. So I know you wouldn’t have just decided to mug a stranger for fun,” he says, coming to stand in front of you once again.

“So what is it that you need, sweetheart?” He says softly.

You contemplate answering him. If he were here to hurt you, he would have done it already. He clearly wasn’t the type of man to waste his time. Despite your better judgement you choose to trust him.

“Money. I needed money,” you say quietly.

He tilts his head thoughtfully. The movement kind of reminds you of a puppy. If you weren’t partly terrified, you’d think it looks kinda cute in a way.

“You don't make enough, dancing?” he asks curiously.

“No, not really,” you say, feeling a wave of embarrassment wash over you.

“And the black eye, is that part of it?”

You freeze, looking at him in fear. Instinctively you wrap your arms around the edges of your robe, tucking it tightly against you. He notices the way you curl in on yourself. His gaze softens, offering you a sympathetic smile.

“I’m not here to judge you,” he says softly.

“They’re from the director,” you confess, quietly. He nods in understanding. He hesitates clearly wanting to say more. After a moment he clears his throat.

“May I?” he asks, nodding towards your face.

You think for a moment, before giving him a small nod.

He’s careful as he steps forward, doing his best not to startle you. He leans down, one hand coming to lean against the back of your chair. You feel goosebumps rise against your skin, as he lowers himself to be eye level with you. His other grabs your face gently, tilting your face from one side to the other. He’s delicate with the way he handles you. Strong hand gentle as he holds your chin with his fingers.

“He did this to you?” He asks finally, warm voice fanning across your face.

“Yes,” you answer, scared to speak too loudly. You feel your skin grow warm the longer he scans over your face. His cologne invades your sense with the proximity, it feels intoxicating in a way you can’t describe.

His face hardens, a look of anger flashing across his features. It scares you for a moment. But something about the look makes you want to soothe him.

“I asked for more after our last performance. He usually never aims for the face. I just wouldn’t drop it,” you explain, thinking back to a few nights ago.

Yunho is quiet, eyes scanning over the marks carefully. A fierce need to protect you burning inside him. He can’t explain it, but there’s something drawing him to you.There’s something about you he just can’t shake. A pull so strong, he doesn’t think he could fight it if he tried. Though he doesn’t think he’d want to anyways. He also takes the time to really look at you, finding you even more attractive up close. He’s already seen your eyes, but seeing them up close and personal, he can’t help but find them more alluring. After another moment of admiring you, he lets your face go, still keeping his proximity.

“Is it just you? Or are there others?” he asks.

“A few. Most of them quit before the first season is up. But some of us can’t,” you answer.

He only nods, clearly thinking something over. The gears turn in his head quickly, looking for a solution to your problems. After a moment, you see a twinkle appear in his eye. A mischievous twinkle that excites you, if you're honest with yourself.

“What’s your name?” he asks, breaking the silence.

“Y/n,” you say softly.

“Y/n”, he repeats.

The way your name drips from his lips, sends a jolt through you.

“Will you let me help you, Sweetheart?” he asks.

You don’t know what it is about him, but you find yourself trusting him. How crazy it is to trust a man like him. He could hurt you, with a snap of his fingers you’d be destroyed in an instant. But he could also be your miracle. You suppose you have nothing more to lose at this point.

You give him another nod, this one determined.

“Good,”

“Come with me,” he says, offering his hand out to you.

Going against every rational part of your brain, you take it. His hand is warm in yours. Something about it feels right, his larger hand holding yours ever so gently. Yunho thinks the same as he looks down at you. He’s so used to holding weapons, things that cause pain. But your hand fits so perfectly in his. Like it’s natural, like it was made to be there. He gently pulls you up from your seat, ready to take his new found excitement into action.

“Come in,” a voice barks out from the door in front of you.

You grimace, glancing at the men behind you. Yunho stands with three of the other members of Ateez, who you were introduced to. After getting dressed, Yunho led you to the others, who all looked at you with curious gazes. From there he had explained his crazy plan to all of you. Or at least you thought it was crazy. The other three didn’t even bat an eye. Jongho even looked excited, beaming at the plan laid before him.

Yunho looks down at you as you give him a small nod to enter. You open the door, walking inside. The other three follow you in. Mr Hak, your company director doesn’t bother looking up. He continues going through the work in front of him, only pausing to take another drag of his cigarette. The door clicks shut behind the last member.

“Who is it?” he barks out again.

“It’s y/n, sir,” you say, eyeing the men behind you again.

Your boss scoffs, rolling his eyes at the sound of your voice.

“This shit again. Look I already told you, you work for me got that? Everything you make comes to me. I own you. Now get out of my office before I-” he starts, voice booming in the small office.

He finally looks up, mid rant, doing a double take at the scene before him. His face goes pale at the sight of you and the four men that tower behind you. You don’t blame him. The sight of them had you shaking where you stood.

“Gentlemen, what a surprise. To-” he pauses, having enough sense to extinguish the cigarette.

He stumbles out of his chair, hastily coming to the front of his desk. He clears his throat as he does it, clumsily dropping into a deep bow.

“To what do I owe this pleasure?” he asks nervously.

They take over easily, polite smiles on their faces.

“Mr Hak, is it?” Yunho starts, eyeing the man before him.

“We just wanted to stop by. And bring our praises for the show,” he says adding a touch of sweetness to his voice.

“Yes, a spectacular performance indeed,” Jongho says, clapping his hands together.

“Thank you, we do our best,” Mr Hak says, sounding far too prideful. The response makes you roll your eyes.

Jongho hums, eyes sharp as he watches Mr. Hak.

“Of course. And that’s why we’re glad to be buying it off of you,” he says casually.

You do your best to hide the smug grin at the way your boss reacts.

“Buying?” he asks, clearly confused.

“Yes the theater, the shows, the performers. All of it.

“While I appreciate the offer, it's not for sale,” he chuckles.

“Nonsense,” San says, stepping forward.

He stalks towards Mr. Hak’s desk. Confidence leaking through each of his strides.

“I think you’ll find we’ve arranged a rather gracious deal, isn’t that right Mingi?” he states, glancing over at the taller member. Mingi hums in agreement, coming to stand next to San. Similar to Yunho, he towers over everyone with ease. The closer he gets, the more Mr. Hak shrinks in his spot. With the four in front of him he’s easily surrounded. Like an animal cornered.

“We have, but if you feel as though it needs some rearranging we could always have Hongjoong Hyung stop by. I’m sure he can squeeze in a few moments with his busy schedule,” his voice calm, but the implication clear.

You swear you see your boss’ heart stop as his eyes go wide. He lets out a nervous laugh, quickly waving his hands in front of him.

“That won’t be necessary,” he says quickly.

Smart choice, you think to yourself. Even an asshole like him wouldn’t be stupid enough to go against what the men behind you ask. Especially Kim Hongjoong of all people. There was no dealing with Kim Hongjoong. You’d heard the stories of those he visited, none had ever lived to tell of their exchange. That thought sends a shiver of fear through you.

“Good, then we have a deal,” Jongho says, clearly ending the conversation.

“Our men will escort you out,” he says, snapping his fingers. The door opens once again. Two guards walk in calmly, looking to the trio for orders.

“See to it that Mr. Hak collects all his belongings,” San orders, no longer smiling.

“He should have no need to return to this building after tonight,” Yunho adds, throwing a pointed look at your ex-boss.

The guards nod, moving towards your Mr.Hak quickly. With orders in place, the others begin to file out of the room.

“Pleasure doing business with you,” Jongho calls out over his shoulder, continuing to walk out without a second glance.

Yunho sets his hand on your shoulder, nodding towards the door. You follow him and the others out of the room. You glance back to see Mr. Hak warily eyeing the guards. You continue watching until the door to the office closes behind you.

The members continue walking down out into the foyer of the theater, .leading you outside

“So you’re really buying the theater?,” you ask, breaking the silence.

Jongho shugs, glancing up at the bright sign above the building. He has a soft glance in his eye as he eyes the theater appreciatively.

“I practically come here every other week, it was bound to happen eventually,” he says, waving his hand dismissively.

“Will you close it?,” you ask warily.

“Of course not,” he chuckles.

“And the other performers?,” you probe, Minji crossing your mind along with all the others,

“They’re jobs are safe, they will have the choice to stay or seek employment elsewhere. But no one will be forced to leave, you have our word,” Yunho says, soothing your worries.

You nod, letting out a shaky exhale. For the first time in months things were looking up for you. You were free of Mr. Hak, and you could continue to do what you love without being miserable.

“I can’t possibly thank you enough,” you say, emotion creeping into your voice.

You bow to them, taking a moment to wipe at the tears building in your eyes. The four smile at you, being unable to find you anything but adorable.

“We're not as scary as we look,” San says, throwing his arm around you in a friendly manner. “Well except maybe Mingi,” he says, glancing at the taller man. Mingi glares, reaching over to swat at him. San ducks out of the way, moving between Yunho and Jongho.

The action causes you to giggle. Maybe they were right about not being as scary as they look. Something about their presence felt comforting. Part of you wished you could get to know them a little more.

“So I guess this is goodbye then?” you ask somewhat disappointed.

“Well we do own the theater now, so we’ll be seeing you around,” Yunho says a little too quickly. You don’t notice the way his ears grow red at his mini outburst. The others do. Each of them giving each other knowing glances as they slowly make their way further down the street. Yunho mentally facepalms, knowing he’s never going to hear the end of this later. The next moment makes it worth it however.

You laugh, the twinkling sound making Yunho’s heart race in his chest. God was he screwed.

“I suppose that’s true,” you hum in agreement, a knowing look in your eyes. Something about seeing the tall man bush had the butterflies fluttering even harder in your stomach.

“So I’ll see you around?” he asks, rubbing the back of his neck nervously.

“I look forward to it,” you say, smiling brightly. With that you turn and walk down the street. You offer goodbyes to the others, before making your way across the street, an extra skip in your step. Yunho watches you go, content to watch you leave. Something telling him the adrenaline he feels is here to stay.

#ateez x reader #ateez imagines #ateez scenarios #ateez fanfic #ateez fic #atz x reader #ateez au #atz scenarios #atz imagines #atz fanfic #atz fic #atz au #✍🏼#writing

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