#like im barely even a person

[effervescent-fool]

.

[iliothermia]

I won't be able to finish this drawing before the convention, which will take up my next 5 days.. But I want to talk a little about him.. I've been thinking about golems and Frankenstein, and the trans body, projection and misunderstanding, villainization and death.

The concepts of Frankenstein's monster and the golem have been swimming in my head for a while, and their lore intertwining.. The tragedy of existing being seen as a monster no matter how you try,.. And the Golem, a protector of his people and a servant whose only flaw always rang a bit close to home as an an autistic person-- being too literal in execution of his orders. He's tired and struggles with a yearning for death. His havdalah candles will be out.. The first flame of the week, a spark of starting over again-- The flame brings him fear. As much as he's kept himself together he doesn't know how much longer he can keep doing it, he fears failure- but the fear of what may happen if he's gone is even more terrifying. He's lived a long life, and over time the one who formed him has sculpted him to the golem's own wishes.. From nothing to the man he is- but even with that effort, to outsiders he's still a monster. His skin is different shades of clays from varying riverbeds as his people have travelled.. Golems are unformed, imperfect.. but even as outsides can be polished the insides can still be broken

[deoidesign]

Doing master studies the only way I know how: Stealing them and making them my guys.

(Barberini Faun)

(The Fallen Angel - Alexandre Cabanel)

(Covent Garden - William Bruce Ellis Rankin)

[buckbuckleybegins]

I’m starting to think there was something really fucking weird in those cameos like hypnotizing subliminal messages or something bc WHAT DO YOU MEAN YALL CRASHING OUT THIS HARD ABOUT A WHITE, RACIST, SEXIST, ABLEIST, TRUMP-SUPPORTER MAN THAT CAN’T ACT??????????!!)?!:!!!!/!/!

WHAT IS GOING ON???????

[mamawasatesttube]

it's like, i really do enjoy most of the bats as characters and i really do like a lot of their comics. but also i am sooooo tired of them being hailed as better than literally everyone else. both in fanon but also in comics (modern ones are esp egregious imo, like WHAT was that shit about batman and the joker being the most dangerous men on the planet. hi. have you heard of lanterns? speedsters? supers? actually if i keep listing groups who could kick batman's ass we'd be here all day). they're like kudzu. that shit needs to stay in its native environment (funky little neo-noir detective stories) and stop being an invasive species (putting down everyone else to make them seem cooler). put bruce wayne back into a murder mystery setting that isn't about saving the world but is about saving one person or one family that no one else would've saved right now or so help me god. the whole invasive species cross contamination thing is unhealthy for both him And the other ecosystems he keeps getting transplanted into. please. it's so dark in here

[thepartyishere]

aro in a "cant feel a difference between friendships and romance" way

ace in a "too trans and dysphoric to even think about sex with another human person" way

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[athina-blaine]

for my money, labru is head and shoulders above other ships involving them simply due to the unmatched yap potential, i imagine them feeding off each other's energy like they're slipstreaming in mario kart until they start going fast enough to break the sound barrier

[starry-bi-sky]

for clone Danny, Clone Damian

I give you

Edit Clone Talia as somehow Girlfriend of Danny, just think of the comedy

nah brO BECAUSE LITERALLY I HAVE THOUGHT BOUT THAT. Literally since the conception of Clone Danny, I have thought about it. If only for, as you said, the COMEDY of it all. Plus I love writing romance.

Literally my motto for my aus is: A) is it plausible, B) is it FUNNY (and a secret third option C) is it ANGSTY)

Clone Talia would be an offshoot au of Clone^2 because idk how she'd fit into the original timeline, bUT, she'd exist. And to avoid confusion I'll call her Nasra - I thought about Tameka (which means twin) but I like Nasra better. "Talia and Nasra" just flows so nicely doesn't it?

Idk WHY there's a clone of Talia running around -- maybe the LoA made her, maybe n unknown organization who hates Batman and knows he has romantic ties to Talia, and started making a clone of her to fuck with him and then she got nabbed by a portal when she was still Danny's age and in the middle of training. She might be like Connor (??) and have memories and thus her training is more proficient than baby Dames.

Either way, regardless of how she was made, I think it's hilarious if she, much like baby Dames, immediately attacks Danny on sight. She falls into his city and Danny only has a moment to go "goddammit not agaIN" before he's fending off a very confused, very violent Nasra. Fortunately he's able to actually try and talk to her and be at least somewhat successful -- Nasra knows english. although even if she didn't, Danny would still be somewhat successful since he knows Arabic.

Also Bruce and Danny are the battinson bat because i think that is also hilarious and 'wet rat' is STILL the perfect energy for Danny as Phantom - especially in the early days when he's running around in all but jeans and a hoodie. (and god watch me go on a rant in a separate post about his outfit and reasonings for being Phantom when he has no powers later on because it makes me go FERAL. and his active choice to look as inhuman and ghost-like through his behavior as phantom and the decision to wear such a creepy mask as possible)

(like seriously, imagine walking home late at night while danny was still in his early vigilante days (and even now when he's got damian and a better suit) and seeing a skinny figure in the shadows with sunken in black-and-glowing-green eyes, and a bone white, skull-like face, crouched on all fours like a wild animal about to pounce. THAT is the level of creepiness I was going for for clone danny)

In my head, Sam offers to house Nasra and Nasra stays with her. SAm is able to convince her parents to let her stay, or she pulls a Danny and just straight up smuggles her in and her parents are none the wiser. I also think it's funny if they have unspoken BEEF with each other. Only to later become like sisters. Nasra teaches Sam the martial arts she knows, and also Danny joins in too with Damian because goddamn he needs it even IF he's learning stuff from his mom (as per the most recent snippet post I made).

OH AND DAMIAN AND NASRA. I think it's equally as funny if they ALSO have beef with each other. Nasra is a clone of his mother (of whom he might have complicated views on due to being a clone but still is his mother) and Damian is a clone of Nasra's "son". This beef largely starts from Damian's own refusal to want to share his Danny with another clone, especially with a clone of his MOTHER.

Danny and Nasra don't become lovers for a good, long while I think. They're besties first before they even consider the idea of dating -- not only just because of the whole "uhhh our counterparts dated so it'd feel kinda weird and forced if we dated" and also because Nasra, with her newfound freedom, is busy trying to figure out herself.

A big theme here in clone^2: discovering your identity and who you are as a person when the only thing you own that's unique is your name (which isn't even the case for Damian), and figuring out if your choices are your own or because you're a clone and its something your original would have done. Nature vs Nurture and the illusion of choice and whether it really is one or not.

Also Nasra also becomes a vigilante. Danny appreciates the help but is also tearing out his hair because what the fuck is up with these assassins and becoming vigilantes?! Nasra goes by "Nesha". She's similar to Red Huntress at first where she kinda does her own thing, but is lowkey forced to team up with Danny about it because she doesn't have any proper ghost hunting equipment with her.

And then a duo becomes a trio, and Danny is spending more time with her. And they steadily become friends. Very snarky friends who are very bratty to each other, but friends. Damian still doesn't like her so Danny spends extra time during patrol keeping the two of them from making insults at each other.

"Nesha please stop fighting with a nine year old. Wraith, quit insulting Nesha."

Nasra also uses like, weaponry as Nesha which exasperates Danny a little because why are you using swords??? They're already dead its not gonna kill them,,,, If you cut off their heads its just gonna piss em off, its re-attachable. Let him ghost-proof it first too. But well, its still gonna HURT he supposes. He's still a little exasperated.

And MMM i'm sorry lmao im so focused on Nasra becoming her own person than the actual romance aspect of it all. Nasra cuts her hair short for the same/similar reasons that Danny keeps his long - to try and gain a semblance of autonomy and identity that's away from their original. Danny has his alternative rock-kinda geeky look and Nasra's got, from influence from Sam, a more alternative fashion style. Although she still leans into being feminine, which is a good challenge to Sam's belief that feminity = bad, and gets her to unlearn those bad habits since her new adoptive sister is feminine while still being an unapologetic badass.

And ykw I think Nasra gets into rollerblading and loves it. She rollerblades constantly. Damian is furious because skating is his thing (even if what he gets later on is a skateboard - skater boy damian ftw. i can see him wearing flannels and graphic tees as a teenager. very grungy/skater aesthetic. He also has a much more relaxed and teen-y speech pattern compared to DW's more formal way of talking. He also spray paints as his form of artistic medium.) and he refuses to have Nasra be a copy of him.

They will sort out their differences eventually. LMao.

Anyways they eventually do get together, but not before Danny finally has his run in with Mister Wayne. Which, they only meet because Danny starts destabilizing, and thus needs Bruce Wayne's DNA to help stabilize himself. Which that meeting in and of itself is pretty chaotic on its own, but then add clone Damian and Nasra? Bruce needs coffee.. or alcohol.

Because picture this: its late at night, you're on patrol with the rest of your family. It's like, two in the morning. You suddenly get a call in from your butler, Alfred, informing you that not one, not two, but THREE children -- two of them in their late teens and the other one not even ten yet -- showed up on your doorstep. One of them is unconscious. They are all clones.

The girl and the boy are twins - and are clones of YOU - and the girl isn't even technically YOUR clone she's a clone of your clone - and also this clone of you is your college friends' kid. And then the youngest boy is a clone of your youngest SON. Bruce is running across rooftops when he gets this call and does a literal 180 degree turn and touches the ground because he basically did a figure skating turn, and sprints back towards the manor because what the fuck? He needs to check this out.

And then half a day later a clone of your fucking ex shows up on your doorstep demanding to see the clone of you - the boy that is, not the girl - and then immediately gets into a verbal lashing with the clone of your son. Like what a fucking DAY. Your kids are equally as baffled but also laughing their asses off -- except your bio son, who is very unhappy about this turn of events and keeps getting the stink eye from his clone.

Like??? I'd quit right then and there.

While Danny recovers he's staying in Wayne manor and Damian is very reportedly not leaving his side. Ellie has to leave to help take care of Amity Park with RH, and then Nasra is also very determinedly not leaving his side either. This is her friend dammit. The first thing she does when he becomes lucid is insult him, and he insults her back - they're bantering. It's how they flirt later on. None of the Bats know how to deal with this situation.

[geodaio]

Ok I was rewatching X-Men: First Class (the cherik brainworms got me) and I am very curious...

You can define his flirting "working" however you would like, this is for science okay. Please elaborate in the tags about your answers if you feel so inclined

[greyedian]

MAN I'm seriously so sad about season 2. Bc I wish act 2 had the same emotional impact on me as it appears to have on so many others. But rn I'm just somewhere between unable to care and actively annoyed by some of those writing decisions. Seriously the more I think about it the less I like it.

[heliumcake]

i know i already drew fanart of it but i keep thinking about the fact that i’m just SURE katsuki loves letting izuku rant about whatever topic comes to mind and just listen to him and i feel like drawing an entire comic about it i can’t have enough of that headcanon

[ganondoodle]

was feeling 'fine' (all things considered) then spent 3 hours daydreaming about oc stuff without moving and inch and now i feel very much not fine, i really cant win can i :(

[oceanwithouthermoon]

sometimes i think about how the people who hate on my takes on here would talk to each other and its always phrased like the twitter fandom drama i see but completely irrational and it makes me giggle

"calling kusuke abusive just because he shot his brother with a lethal weapon, plotted his murder, planned to use their grandparents to assist in hurting/killing him, and tried for years to expose his secret to the entire world against his will and through knowingly hurtful means in order to destroy everything he cared about is so stupid! what a stretch!"

"the saiki k fandom is so damn sensitive. i shoot my brother with massive guns all the time and its not abusive because he just blocks it!" HELPEKSJJSJSKSKKS

[peachieflame]

im going to guess this is Sokka in his 20's but oh my fucking godddd he looks so good 😭

this is exactly how I imagined adult Sokka to look like in canon. can someone knock me out til this movie comes out pleeek.

[cuntstable]

its like if youre gonna use sa as a repeat Thing that happens in your story, thats more or less an inescabable thing for the characters (particularily women) in it then one would hope you as the author would have like something to say about the subject. like maybe a point to make about it or the lasting trauma of it or the process of recovering from it. if the characters it keeps happening to just sort of freak out and then move on OR their struggles with it are off screen while the actual assault was shown in full detail then idk. is it worth putting in there? death and hell on you as a writer