#like idk but something about this just feels so lacking.

[julymusings]

dark chocolate cherry

i want to bring you flowers from the mountains, bluebells, dark hazels, and rustic baskets of kisses. i want to do with you what spring does with the cherry trees.

or; your boyfriend shows up when you just want some alone time [3.2k]

jason todd x fem!reader; reader gets her period and describes painful symptoms; just fluff; jason "words don't come easy so here's acts of service" todd this is supposed to be earlier in the relationship which is why he's still a little shy but i think she knows he's red hood? idk man. i was just going with it; can you guess what inspired this? (everything is awful) and this is like…not that good

The day started at 2 AM when you woke to shooting pains in your abdomen and blood everywhere. It continued until 2:45 while you cleaned yourself, changed clothes, put on a fresh pad, took some painkillers, and changed the sheets. It paused for about an hour until you woke up again at 4:00, courtesy of Gotham’s patented night-life that had taught you to completely tune out the sound of police sirens. Tonight, however, they weren’t tuning out.

The sirens quieted at 4:10, by which angry tears collected in the corners of your eyes as you flopped around in bed in an attempt to get comfortable. No matter what you did, there was always something wrong; the pillow was too hard, the blanket was too scratchy, the position hurt your arm.

From 4:11 to 4:12, you screamed into your pillow.

By 4:15 you had settled in front of the TV with a bowl of dry cereal (it took everything in you not to cry over the lack of milk in your fridge), a heating pad, and your favorite comfort show queued up.

At 8 AM you managed to drag yourself to work, where you half-assed the day’s tasks, took a 15-minute break to cry in your car, then dipped out a half-hour early.

Now, at 5 PM on a Friday evening, you’re curled into the fetal position in front of your TV with your comfort show resumed and your trusty heating pad cranked to the highest setting. Prepared to spend the entire night here, you already changed into pajamas and kept a couple blankets within reach. Your phone buzzes on the coffee table, and you stretch to reach it, careful not to lose your comfortable position or roll off the couch.

Jason About to leave Be there in 20

You groan out loud. You want to throw your phone across the room, but decide against it because no amount of hormones from hell are worth six hundred dollars. You’re still angry, though, for being so stupid as to forget about the date you had planned for tonight. Scrolling up to earlier messages, you see another text from today wishing you a good morning and telling you he was excited to see you tonight. But, too down to bother checking any messages today, you had missed it.

You I can’t tonight anymore I’m sorry I don’t feel great

After hitting send, you place your phone on the ground, not even having the energy to reach for the coffee table again. Or the energy to lift your arm back up, apparently, given how it hangs limply over the edge of the couch. You feel guilty about cancelling, but you are in no state to go out tonight. You’re used to the symptoms of your period hitting so hard. As much as you and Jason care about each other, you’re not sure you’re ready for him to see you like this. You’ve managed to plan your relationship around your hormone cycle so far, but today it came early.

Your phone’s buzzing is muffled by the rug, and you almost don’t hear it. Jason’s photo is displayed on the screen.

Your hanging hand clicks ‘answer’ and puts it on speaker so you can take the call without moving from how you're curled up.

“Is everything okay? What’s wrong?”

“Nothing, I’m fine, I just don’t feel up for going out tonight. I’d rather stay home.”

“Did something happen?”

“No, I just got my period so I’m not really in the mood.”

“Okay, we can stay in tonight. What do you feel like eating? I can pick something up.”

“No, Jason…I want to stay home alone tonight.”

There’s a beat of silence on the other end of the line.

“Okay…did I do something?” His voice comes out a little smaller.

“No, you’re fine, I promise. I just don’t feel like seeing anyone right now.”

“…Not even me?”

Your hand presses against your temples to soothe the building tension headache. The self-doubt in his tone brings the anguish of the entire day bubbling up your throat. You feel like the worst person in the world. Exactly how you don’t want him to see you.

“Jason…it’s not you. I just…I feel like shit right now, honestly. Everything hurts, I’m miserable and sad and angry at everything, I’m breaking out all over.” You feel yourself welling up at all these little stresses coming out. “I’m craving everything but feel too sick to eat anything…I feel pretty disgusting right now, and frankly, I don’t want you to see me like this.” You finish your rant with a sniffle. You wipe your nose, trying to hold back the sob that’s threatening to break through. But at his silence, your worst, most improbable fears claw their way to the surface: he hates you now. You scared him away. You exhale heavily into your sleeve as more tears spill.

The phone is quiet for a long moment.  Then; “I could never find you disgusting,” he says, gently. “But if that’s what you want, then we’ll reschedule.”

“Thank you. And sorry.”

He speaks with a tone you can’t quite parse. “Don’t apologize. Just feel better.”

-

-

-

It’s one hour after your phone call, and at the first knock, you know who it is. Who else could it be? With that soft, somewhat hesitant, one-knuckle rap on the door. Only one person knocks on your door like that.

“Jason, I told you not to come here,” you say a little more cutting than you intend to, but your back and shoulders feel like they’re about to snap under a phantom pressure and the frustration of your request being outright ignored leaves a burning bitterness that channels itself into a violent wrenching open of the door.

He jumps a little at the abruptness of your greeting. One look at your face and he visibly deflates.

“I’m sorry…I know you said not to come, but…” his gaze casts downward to his hands. You follow; he’s clutching a reusable grocery bag. Peeking out of the top is a gallon of Neapolitan ice cream. The ice cream carton’s condensation seeped through a small patch of the cloth bag and dripped onto the other items; a bushel of greens, among some other fruits and vegetables, as well as a parcel of brown paper that was fastened closed with a twine string. You return your gaze to his face.

“I think—” he cuts himself off, free hand coming up to rub the back of his neck. Then he drops his hand and sighs. “I’m sorry. This was a bad idea. You told me not to come here and I ignored you, but I thought…” he trails off, probably hoping you’ll say something so he can gauge your reaction.

You just stare at him.

He shifts his weight back and forth. His hand twitches.

“Okay, yeah, I’ll—”

Then, you burst into tears.

Jason’s eyes widen. He reaches out to touch you, then stops himself. “Oh, fuck, I’m sorry! I’m sorry, this was stupid. Please stop crying, I’m so sorry—” He’s panicked, trying to calm you down with apologies and soothing assurances that he will leave immediately and never go against your wishes again. All the while you stand in the doorway, blubbering like a toddler with a skinned knee, new tears forming faster than you can wipe the old ones away.

He once again raises a hand towards you, before it stutters, then clenches into a fist as if it takes all his strength to fight against the instinct to be close to you, fighting against the string that tethers him to you. He drags his hand down his face, then it falls back to his side.

“Okay, I—I’m leaving now. I’m leaving. Do you…want this?” He holds the bag out to you.

With it now in front of you, its further contents are visible. You manage to tamp down your tears enough to get a few words out.

“Did you—hic—buy me groceries?”

“Yeah…” There’s a wince in his tone, as if he’s only now realizing that his gesture is not translating as he intended.

You look back up at him with pursed lips and knitted brows, sniffling. Sure, the ice cream you can understand, but…you have no idea what to make of the rest.

The bag drops back to his side. “I figured…it’s just— it’s the stuff that you’re supposed to—” He strokes his palm over his mouth, eyes screwing shut for a moment. He huffs at himself, then continues. “I mean I’m sure you already know all of this, so maybe you already have all these things, and now I’m realizing how unnecessary all this was, and I shouldn’t have assumed—”

“Jason,” you say. Your upset has since been overshadowed by something else, though you can’t tell what it is. And your crying has stopped, but its lingering effects have you feeling congested and a little foggy. You’re half expecting this to be a fever dream that you’re moments away from waking up from in a cold sweat.

“—because obviously you know what helps you feel better much more than I do—”

“Jason.”

“And you— yeah?” His eyes are a little harried when they find yours again. But off your tired and still-confused look, he gets the message and collects himself.

“Right, yeah, I just thought that…maybe I could bring you some of the stuff with all those minerals that are supposed to help women when they’re…menstruating.” He briefly breaks eye contact at the end of his sentence, red rouge creeping up his neck.

You can’t help it; you start to giggle. You can’t remember the last time you heard a man use the term ‘menstruating’ in a non-medical context. And the fact that he’s so shy about it— upset as you may be (though not at him), there’s no denying how adorable your boyfriend is. His head shoots back to you as your laughter intensifies. He blushes harder.

“It’s not that funny,” he mutters.

You step away from the door, finally closing the space between you, and wrap your arms around his torso. Your head nestles into his chest. He gently drops the grocery bag on the ground and reciprocates your hug. He rests his chin on your head, which fits perfectly under his. Like two puzzle pieces clicking into place. You breathe him in.

“Sorry I’m such a mess,” you murmur into his shirt.

He breathes into your hair. “You have nothing to apologize for. And you’re not a mess.”

You look up, chin resting in the space between his collarbones. He looks down at you with a small smile, but some wariness is still etched into his features. Fear of unwittingly upsetting you again. He brings up a hand to push some hair out of your face and tuck it behind your ear. His hand remains there, toying with the hair that falls below your shoulder.

"Thank you for the food,” you whisper. The moment feels too intimate to speak any other way.

“I’m sorry for not listening to you. I just…” He imitates your quietness, like his admission is also too vulnerable to say loudly. “I really wanted to see you. And I hated the idea of you feeling bad about yourself, or being in pain. I didn’t mean to upset you.”

Your eyes feel wet again. The first instinct is to hide your face, maybe press it to his chest once more. But, for some reason, you don’t. You want him to see you like this, messy and emotional and upset. You want him to see every part of you, and you want to see every part of him, the good and the bad.

“You didn’t.” A tear slips past the effort to keep it at bay. He shows no reaction to it, eyes never leaving yours, other than a quick swiping away with his thumb. “No one’s ever done anything like this for me before. That’s why I was crying. Not because you showed up.”

“That doesn’t seem right. This is nothing. You deserve even more.”

With no words to fully, adequately communicate the blooming in your chest, you stand on your toes, reaching up to him for a kiss. But given his stature, your lips only reach his chin and brush over its underside.

At your quiet whine, he chuckles and leans down to meet you in the middle. The kiss is soft; filled with the innocence of fresh blossoms in the spring, and the sweetness of its borne fruit.

You pull away when a vicious cramp roots you back to the present. Your limps tighten around Jason with a groan.

“I need to go back inside. I’ve been away from my heating pad for too long.”

His shoulders sag when you step away from him. “Oh, um…do you still…want me to leave?”

With a simple exhale of humorous disbelief, you grasp his hand in yours and tug him to your front door. He’s like an excited puppy, eyes brightened and perking up as he grabs the grocery bag and happily trails after you.

He goes straight to the kitchen, pulling out a chair at the counter for you to settle into, then sets the bag on the counter. The ice cream carton has dampened most of the cloth by now, and likely the rest of its contents, but rather than attending to the groceries, his first action is retrieving your heating pad from where it rests on the couch. He unplugs it from the wall outlet and brings it to you. You curl up on the chair with it pressed flat against your lower stomach. It only takes a minute for the pressure in your hips to abate.

Then he moves to the groceries. The ice cream immediately goes in the freezer, and he unloads what’s remaining onto the counter, one by one, and you take note of each item. There’s spinach, carrots, apples, oranges, dark chocolate, some kind of meat wrapped in brown paper, and, strangely enough, an entire block of cheese.

You give him a quizzical look, picking it up to read the label. “You got me…cheddar cheese?”

He retrieves a cutting board and knife from its spot next to the sink, then takes the cheese from you. “Good for certain symptoms.” He slices open the plastic wrapping and cuts out some cubes with skilled efficiency. He does the same with an apple. “They all are,” he says, referring to his entire haul. He completes the makeshift charcuterie board with a couple squares of dark chocolate and slides it across the counter.

You look down at the cutting board, thinking about everything he’s done for you; everything you never even had to ask for. The words sit on your tongue, encaged by your clenched teeth; an admission that coils itself around your spine and squeezes tight, restricts your breathing and pumps your heart at thrice its speed. But you feel yourself welling up again, and the first bout of tears already exhausted you so much that all you can manage is, “I don’t know what to do with all this. I don’t have the energy to make anything good.”

But he just smiles and says, “That’s what I’m here for, honey. Can I make you something?”

You nod. He gets to work. The immediacy of his actions, how he takes no time to decide on a dish or find a recipe, makes you think his previously stated intentions of ‘just dropping this off’ were less genuine than he lead you to believe. Nevertheless, you munch on the snacks he laid out for you and watch him work. The cheese and apples are a surprisingly cohesive combination, the meshing of sweet crispiness and savory creaminess eliciting a contented sigh from you. You try to ignore the way Jason smirks in the corner of your periphery. The chocolate is incredible, yet unfamiliar. You read the label on the packaging: 80% Dark Chocolate with Cherry and Almond Filling. Even if you hadn’t tasted it yet, the quality of the packaging itself would have been enough to let you know that this chocolate is extremely high-quality. Like, special-order-from-Europe quality. Not stop-at-the-grocery-store-on-the-way-home quality.

“Where is this from? Did you buy this today?” You ask him through a mouthful of the rich, melting chocolate.

He doesn’t look up from the carrots he’s dicing. “Uh…no.”

Anyone else would attribute his avoidance of eye-contact to standard kitchen-knife caution. You are not anyone else. You could blindfold him, spin him around ten times, put a sharp knife in his hand, and he could still pull off a perfect julienne. You look closer. His cheeks are dusted with pink.

You let out a laugh. “Jason, you’re not embarrassed about liking fancy chocolate, are you?”

“No! Not at all,” he says, ceasing his chopping. He looks up, but not quite at you.

“Then?”

“‘Then’ what?” He asks.

“Then why are you being so shifty right now?” You try to catch his gaze.

“I’m not!” He defends. “It’s just chocolate! Do you like it? I’ll bring you more.” He’s stealthy with the way he avoids your eyes; you almost can’t notice how hard he’s trying not to make eye contact.

“Jason!” You reach across the counter, having to rise off the chair slightly, and take his face in your hands, making him look at you. When he does, he wears a sheepish smile.

“It’s…” His removes your hands from his face, holding them in his. He mumbles something, turning his head to the side. But you catch the tail end of it, a goading grin already creeping up your face.

“What was that?” You tilt your ear towards him, exaggerating the action.

“It’s Bruce’s.” He, in turn, exaggerates the enunciation, rolling his eyes at your simpering. “I…found it. In his pantry one day. And I liked it, so I took it. And then I…kept taking it. Every time I visited.”

You pout teasingly. “And you’re ashamed to admit that you think he has good taste in something?”

He doesn’t say anything, only hiding his face in his shoulder. You pull on your intertwined hands and he gets the message, skirting around the kitchen counter to come closer.

“You are so adorable, you know that?” You say. You reach up and pinch his cheeks. He swats your hands away, but there’s no mistaking his broad, childish grin for anything but affection.

He breaks off another square from the chocolate bar and holds it to your lips. You bite off a small portion, then push it back to him. He takes the remaining piece in his mouth and his eyes close for a brief moment as he savors the sweet, tart, and nutty flavors. You simply watch, entranced by him. Then, he kisses you. You lean into it, hands sliding up his shirt to grip the fabric and bring him even closer. His hold finds your waist.

He tastes like cherries and dark chocolate.

He breaks the kiss to rest his forehead on yours, and you want to tell him that. That, and so much more. But from the look on his face, the way his eyes find yours and the tips of his ears have a similar heat to the one in your chest, you can tell he already knows.

when it comes to jason's post-pit-repressed-teenager characterization (aka despite being older he's still as inexperienced and confused and insecure about the world outside of vigilantism and w/ women as a 15 y/o would be) (aka my favorite characterization tee hee), i think that he's mature about periods, knows they're normal and not gross or shameful etc, but still gets shy about saying the actual word, for no other reason than the 'shy around women' part always makes me giggle

also bruce is keeping the chocolate stocked specifically because he knows jason likes it and will keep taking it because he loves his son even if his son doesn't love him (he does he's just in his angsty teen 'i hate this family you don't understand me' phase rn)

divider is from here

quote at the beginning is pablo neruda <3

[yournightmary]

Vi NSFW!Alphabet

content warning:: nsfw obviously, not proofread because it’s painful, badly written maybe idk?

AN:: i’ve had 42 hours on cai last week. i am not okay

A = Aftercare (what they’re like after sex)

⇢ ˗ˏˋ she’s the sweetest. it’s like all of her tough girl walls are crumbling and she becomes a literal teddy bear. cuddling and talking is a must, a shower if you’re up for it.

B = Body part (their favorite body part of theirs and also their partner’s)

⇢ ˗ˏˋ on herself she likes her arms the most, it’s a simple decision. it’s the strongest part of her body. she’ll stand in front of the mirror and just flex with a shit eating grin. also loves the way her muscles and veins pop out when she’s fingering you.

⇢ ˗ˏˋ on you- and i’ve already talked about this- she loves your thighs and ass. could not pick one or the other, they come as a package. she’ll kiss, bite and lick your thighs every time she goes down on you. and if you wear clothes that accentuate your curves? get ready to get your ass slapped every time she walks by you.

C = Cum (anything to do with cum, basically)

⇢ ˗ˏˋ i don’t think she’s a squirter. not matter how many times you try, how much water she drinks or the position- she just won’t. which is totally normal!! she does get really wet really easily though.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

⇢ ˗ˏˋ she would really like it if you got a tattoo specifically for her. maybe her name or a few of those cogs she has herself. not so everyone could see it and know you’re hers, nuh uh- she’d want it to be somewhere hidden, like on your ribcage or low on your hips. just for her to see and know about it.

E = Experience (how experienced are they? do they know what they’re doing?)

⇢ ˗ˏˋ she definitely missed out on a lot of things when she was younger, maybe had a few hookups or a prison wife along the way. she might stumble around, not really knowing what to do- but what she lacks in experience she makes up with enthusiasm.

F = Favorite position (this goes without saying)

⇢ ˗ˏˋ either something where she can see your face or see your ass, depends on what you want more in the moment. ideally though? cowgirl in front of a mirror so she can look at both of her those things.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

⇢ ˗ˏˋ it all depends on the mood. you were play fighting and it turned into fucking? she’s giggling and throwing jokes left & right. you were away for some time and she finally gets to touch you? there isn’t a single word coming out of her mouth (other than praise maybe) because of how focused she is on making you feel good.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

⇢ ˗ˏˋ HAPPY TRAIL.

⇢ ˗ˏˋ she’s not really the one to shave or even trim. she’s got good hygiene and it’s not like hair=dirty or disgusting. the hair is a darker than the one on her head, obviously, but it still has that fuchsia undertone.

I = Intimacy (how are they during the moment? the romantic aspect)

⇢ ˗ˏˋ very, very romantic. it one of her ways to show you just how much she loves you, so she tries her best.

J = Jack off (masturbation headcanon)

⇢ ˗ˏˋ she doesn’t really masturbate, which is surprising with how horny she is. if she’s really desperate and you’re away or not in the mood, she’ll just rub one out- nothing else.

K = Kink (one or more of their kinks)

⇢ ˗ˏˋ she’s not really that kinky… she does like to manhandle you a bit more than she would like to admit. it’s just the way she can turn you into putty (and that you trust her enough to do it) that gets her going.

L = Location (favorite places to do the do)

⇢ ˗ˏˋ anywhere in your home. she isn’t really into the idea of getting intimate outside of her own space.

M = Motivation (what turns them on, gets them going)

⇢ ˗ˏˋ everything and anything about you. just the idea that she’s the one making you feel this good, pulling those sounds out of you, that you trust and love her enough to do those things- it’s the best she could ask for. her goal in life is to make you happy and she will achieve it.

N = No (something they wouldn’t do, turn offs)

⇢ ˗ˏˋ she hates the idea of doing something to intentionally cause you pain. she hurt enough people in her life- she’s not gonna do it to you, even if you beg.

O = Oral (preference in giving or receiving, skill, etc.)

⇢ ˗ˏˋ she’s getting the ‘best carpet muncher’ award, no questions asked. she loves to give, doesn’t mind receiving. she gets messy with it- i’m talking kissing, licking and even slurping. if you’re up for it she’ll even properly fuck you with her tongue.

P = Pace (are they fast and rough? slow and sensual? etc.)

⇢ ˗ˏˋ she’ll give you whatever you want and she’ll give it good. to her it’s all about pleasing you, so her needs and wants go to the back of her mind.

Q = Quickie (their opinions on quickies, how often, etc.)

⇢ ˗ˏˋ sure, why not? if any of you feel the need but don’t exactly have the time, she’s more than fine with it. she does like to take her time though, so they’re not more usual than normal sex

R = Risk (are they game to experiment? do they take risks? etc.)

⇢ ˗ˏˋ experiment- yes. take risks- ehh, not really. she doesn’t want to hurt you or make you uncomfortable by accident, so usually she’ll stick to what she knows. but if you want to try something she’s more than willing.

S = Stamina (how many rounds can they go for? how long do they last?)

⇢ ˗ˏˋ do i even need to say anything? she can go at it until your legs are shaking, your face is stained with tears and there are no legible thought in your head. she herself doesn’t last very long. she was deprived of that kind of touch for so long that she can cum from the simplest things.

T = Toys (do they own toys? do they use them? on a partner or themselves?)

⇢ ˗ˏˋ she has a strap and she will not let you use it on her. she just doesn’t find that comfortable. maybe has a small bullet vibrator she received as a gag gift or bought out of curiosity- it’s for both you and her.

U = Unfair (how much they like to tease)

⇢ ˗ˏˋ oh my fucking god she’s such a tease. literally the book definition. loves to hear you beg and to see your hips chasing after her touch. but if you try to do the same to her? oh- she’s blushing and shying away from you.

V = Volume (how loud they are, what sounds they make, etc.)

⇢ ˗ˏˋ usually she tries to hold back her noises but does a shitty job at it. and when the strap comes in? she’s whining like she’s actually fucking you with her dick

W = Wild card (a random headcanon for the character)

⇢ ˗ˏˋ in my head she is not a sub i’m so sorry guys. i just can’t see it. at all. she’s a switch leaning dom at best.

X = X-ray (let’s see what’s going on under those clothes)

⇢ ˗ˏˋ she is strapped the fuck up, you cannot convince me otherwise. but i feel like she would wait and buy the strap once she’s actually with you, just so you could pick exactly what you wanted. she chose the color though- it matches her hair.

Y = Yearning (how high is their sex drive?)

⇢ ˗ˏˋ very high, but in a giving way, not receiving. she can do it all day, every day. not even letting you get out of bed.

Z = Zzz (how quickly they fall asleep afterwards)

⇢ ˗ˏˋ it all depends on the day. sometimes she’ll fall asleep right after taking care of you, sometimes she’ll stay up for hours cuddling and pillow talking with you.

i’m a virgin

[mythalism]

There’s a theory going around (what with DATV shut out of the game awards) that the writing sucks so hard because EA or BioWare forced an AI rewrite after firing a chunk of the writing staff. I won’t say I fully beleive it, but I will admit that quite a lot of the dialogue in Veilguard feels…off. It’s hard to really describe.

I know EA had mentioned wanting to use AI writing in their games, but I figured that meant future games. Any thoughts on this?

this is devastating to me but i hate to say... i can see it. and feel it, more importantly, which i think is the key with AI. a few things that make this seem plausible to me are that bluesky post from epler that has since been deleted talking about how he agreed with the biggest criticism of veilguard (without specifying what he was referencing) was something he agreed with, and trick and another dev chimed in and added that not only did they all agree, but they tried to fight it and lost. we are never going to know exactly what this was referencing, but i think it does allow us to infer that there was a significant amount of friction between EA and bioware. the kotaku article on vg's development from 2019 also has a rather telling couple of lines: "I kept hearing one interesting sentiment from current and former BioWare staff: They felt like the weirdos in EA’s portfolio, the guys and gals who made nerdy role-playing games as opposed to explosive shooters and big sports franchises. BioWare games never sold quite as well as the FIFAs and Battlefields of the world, so it never felt like they could get quite as many resources as their colleagues at other studios. High-ranking BioWare staff openly wondered: Did EA’s executives really care about narrative? Did they really care about RPGs? Those questions have always lingered, and still do today." so... yeah. that feels relevant to me with this.

the second is the datamined dialogue people have been finding that reveal what is frankly a far better written game and more in-depth dialogue. some of it is still cheesy and marvel-esque, but theres so much MORE of it that shows a much more coherent vision for the plot that for some reason is just.... gone? and i have no clue why. idk if we will ever know this for sure, and it is genuinely difficult to pick out AI from any other kind of profit-focused corporate writing other than just.... intuition. you can often feel the lack of humanity within it. and considering we know what bioware writing feels like and its the reason so many of us are here on this website yapping about their stories and characters... and how veilguard feels like something is just missing... yeah. i dont think its outside of the realm of possibility

[clocky-soul]

Okay so first of all, Arcane Season 2 Act 3 Spoilers!

As much as I loved the second season I feel like it did have quite a few problems?

I pray you can make sense of this insanity, me not being a native English speaker may shine through my bad.

Here’s some things I didn’t like (it’s mainly the last episode):

- no deep talk between Ekko and Jinx?

Okay so maybe they thought that the first episode (which I really liked, might be timebomb bias but also just glad for Ekko to have his episode and we got to see what was going on with Jayce) would be "compensation" for the lack of their interactions in this episode? It didn’t, it felt like there was a scene missing, which is a feeling I get throughout the entire second season. There was a LOT of shit unsaid at least to us, now Arcane doesn’t always need dialogue but leaving the whole thing out just seems like they were rushing.

-no scene with the firelights and Ekko

While I feel like this could have easily been a montage but still, no cool lil thingy of jinx and her team coloring shit, what do all the markings mean? (Some we can guess obviously but still they are just there)

-no Sevika and Jixn scene?

Like really? Oh look they hung out the second act, they won’t notice them not interacting now? No mention of Isha at all throughout? I suppose mentioning her specifically isn’t needed but like nothing? Really?

-No Vi and Ekko scene?

They interacted like once in the entire fight and post fight forgot the other existed ig, I mean obviously she told him that Jinx "died" (I’m certain she’s alive btw, will get into that) but we didn’t even get to see that?

-characters got no conclusion (some)

Okay so maybe it’s intentional, but I feel like the only characters who got a "conclusion" are Vi and Cait (when’s the marriage btw), they have obviously stated that there will be more series similar and also in Runeterra but like, it feels like Ekko, Jinx (who’s definitely alive and am not just coping), Jayce and Vik and also Heimerdinger (what happened to the Lorax? What of the tree) are waiting for another season or something.

Now maybe they’ll use them as tools to connect to different stories (which like feels like it could work well for Jayce and Vik (if those 2 are even alive god knows what happened to em)) but I feel like it won’t work for Jinx? I mean I could see it working but like bestie just jumped on an Airship and poof ig (if that is what happened pretty sure) she just hasn’t been on her own like ever and I feel like if she was she’d just crash? Idk how to describe it, like she didn’t "heal" after Isha so idk where she’s off to, I understand the whole "breaking the cycle" thingy but, it feels just very sudden and not planned out? Like, we don’t have time to make people talk so they just have to disappear (nevermind Ekko being miserable atm, idk how close they would have gotten again in the unseen talk they had)

I just feel like there are scenes missing between Jinx and like half the cast (especially Vi, Ekko and Sevika), allegedly one of the main characters and barely talked in the final act (excluding the alternate universe thing). I don’t know maybe I’m weird but it feels like nothing happened, like I’d see Season 3 pop up suddenly.

I overall feel like Zaun and Piltover still have a lot to offer story wise (some characters from the game (that are in Zaun) don’t even appear in Arcane), now maybe they don’t wanna go over every champion (don’t feel like they need to but you never know, there were like 30 in here).

-Warwick is dead ig?

I mean fair but like really? I feel like that whole sequence at the end was not necessary? I don’t know I’m still figuring out how to feel about that specifically.

As much as I had fun and loved a lot of this season, you can tell it was supposed to have more seasons, while some things concluded well some just didn’t and new problems showed up.

-Now, I love, love, love Isha, and she fits in super well, but at what cost.

I understand very well why Isha was here and I loved her for it, however I feel like her role could’ve easily been given to a different character (mainly Ekko, and this is not me wanting Timebomb) introducing new characters in an already shortened story is kinda eh, especially if screen time for other characters suffers (Ekko, Jayce, Heimerdinger) and the small scene between Ekko and jinx kinda proved that to me? Instead of having her suffer over Ishas death it could’ve been Silcos, act 3 could’ve been Act 2 (minus the final battle obviously), I don’t exactly have a script ready but maybe some of you understand what I mean? Or get my way of thinking at least. And the everyone close to me dies thing could be like cancelled out by Ekkos Z drive (in my head anyway, just makes sense to me).

-if they intentionally left some characters "open" (read as: don’t feel fully developed or took steps back from their development)

I hope, HOPE, they make them interact with each other gain in a different series, because i feel like they aren’t done with each other, it just doesn’t feel like it. Like Vi and jinx and obviously Jinx and Ekko, not to mention fucking Vi and Ekko. (Still salty they didn’t talk afterwards but gg ig)

Characters develop thanks to the characters around them and I feel like making Jinx just suddenly bond with other characters outside of the characters we have met seems Meh? Like bro there a construction site back home go there. Maybe she goes on a journey of self discovery (which I’d be fine with as long as she goes back to Zaun in the end, idk bout everyone else but to me Jinx is the embodiment of Zaun and leaving it would destroy her character (like as in that’s bad). I feel like I should expand on this but I’m so tired rn.

I just feel like it should have ended differently? Like I feel like Vi would definitely stay up Topside with Cait, and Jinx and Cait could’ve easily just had a truce? Like I’m not expecting Jinx to become Silco and lead Zaun (Ekko or Sevika are clearly much more qualified, jinx is more of a mascot.) but I feel like she could easily become an ally to The Firelights, and as Viktor stated, she could use her capabilities to build. A healing jinx easily could, she did repair and modify Sevikas arm so that’s something she could do (she clearly had fun and as she said "its something I could fix"). I feel like you could still expand here either way.

-Also Mel didn’t even get to speak one last time rip. Ambessa is also dead ig.

If they carry on with Noxus I feel like this works fine, Mel is after all now the new Queen or whatever Noxus has. Warlord? Idk with this I’m actually fine? Like I find this acceptable just wish she’d had more time (they could’ve made the last episode 2 hours long and I feel like we would’ve had something better).

-Overall, even if it was only the last act, they had a lot of meat on a bone that’s too short.

They had a lot of things they wanted to do (needed to do) but didn’t give themselves the time, one extra season would’ve given characters more development and would have made a lot of this stuff better in my opinion. I know a lot of hardcore fans are looking at the season through rose colored glasses and I did too, but because I love arcane as much as I do, I can actually admit when stuff wasn’t good, I don’t need to convince myself everything was done well when it wasn’t.

Now it wasn’t anywhere near bad or even mediocre it just wasn’t what it could have been.

The way they could maybe fix some things is with an extra collection of small episodes? Imagine this (maybe I’m delulu, did not sleep)

A collction of 3 short videos that cover some stuff I wish I saw: 1 (Caitlyn deciding she didn’t wanna be besties with Ambessa), 2 (Ekko and Jinx preparing for the battle, (I feel like maybe they had no idea how to make jinx act in this but I digress)), 3 (more conclusive aftermath of the battle we have been building up to for 2 seasons)

Overall it is not what it could have been if you ask me, now maybe they aren’t done with the characters (not the world, these specific babies), which I am hoping, as I said earlier I feel like there’s some people that still need character development. And also I don’t wanna say goodbye but that’s a different ache in my chest, also the way Caitlyn was talking it sounds like we should be expecting a second series with these characters (with some new ones why not), I just feel like THESE CHARACTERS ARE NOT DONE YET. And I’m not talking abt a cameo in the background, I’m talking abt a role as at the very least a side character.

These characters are the ones that introduced us to this world (unless you play the game obviously, I do not). And I feel like that gives them the right to have better written conclusions.

Feel like I’m repeating myself at this point. Probably forgot something too but whatever maybe if I remember I’ll add it.

I also just get so sad at the thought of Jinx being alone after everything she’s been through like Ekko will absolutely take you in rn sweetheart, we miss you come home (please tell me I’m not wrong abt ur ass being alive pleaseee)

If anyone read through all of this disorganized mess, I hope it made at least a bit of sense.

[2-dsimp]

Yujin is like...so ideal to date??? Hes got a perfect dating energy/ vibe!

Dunno about marriage tho, what does he think of it?

What would he do if darling was only having fun and not very serious? Say the darling is motivated by pleasure and appears to be loyal to yujin for the time being because she hasn't got tired/bored of being with him yet, but once she does she'll just leave without looking back. She doesn't want to settle down and have huge commitment issue (probably from past trauma or something idk) and refuse to think long term or face serious questions/plan the future, so if he suddenly get super serious she'd probably back out too (like avert the question and then silently dipping asap)

What would he do?

In his line of work Yujin never really thought about marriage. Isn’t really accustomed to the idea of it since he doesn’t know first hand what a marriage would look like. As he lacked both his parents to showcase it to him, thanks to them deserting him.

Secondly the darling described wouldn’t even be considered as his type of darling in the first place. As the Hacker would get an immediate ick. He hates the feeling of being used, and being expected to produce results just for someone else’s satisfaction. He lived like that for the majority of his upbringing and he refuses to live like a pawn just for the entertainment of others.

Despite his spontaneous nature Yujin craves stability. And he’s specifically looking for the type of darling who can give him that or match his freak.

[djevelbl]

Alright, so, final thoughts, the short version: gET ON WITH THE NEXT SEASON, CHOP CHOP STORY BOY--

Seriously tho, GREAT story — there's something about it that has made me go existential crisis levels of poetic over it that NOTHING ELSE has made me go which like. props to Evbo, he's doing great! I WILL be going feral over that ending and Parrot and that Clown cameo and Zam and all things I liked and so on so forth, like always. I wanna make character designs but it feels... wrong, I guess, in a sense to give them all designs beyond the cubic space they inhabit — I don't do well with simple and detail-free designs (like Zam's and Wemmbu's like seriously, 5 year old in paint level of detail smh /aff) and I believe that giving them ANY amount of detail they don't already have is doing their characters a disservice?? ESPECIALLY with clothes???? Idk how to say it or explain it, but the fact they don't wear armor is VERY intentional, right? I mean, PVP typically involves armor and the fact that acquiring armor is OPTIONAL is intentional for whatever reason so, again, in my head giving them any more detail than they have (or lack I say as I side-eye Zam and Wemmbu) is a disservice to how PVP Civilization works. But that's honestly just me

More spoiler-y territory up ahead, gonna put in one of those good ol' "click here for more!" thingamabobs that tumblr has. Don't say you weren't warned.

Alright, now that all the cool kids are here, let's discuss details:

When I say I went "existential crisis levels of poetic" over this thing, I mean "I wrote a whole thing about being a spectator willing and wanting to help, but unable to due to the nature of being in different levels of reality" type shit, might drop it on my ao3 (y'all should go by my ao3 i have fun stuff there and might start dropping some other stuff as well wink wink ok. self promo over) and it was honestly fun! Will DEFINITELY do some MORE of that around this new episode! Unironically frothing at the mouth waiting for a new season to start slowly being drop-fed to us like little fish being thrown those fish food chip things idk I'm too drunk to think (not really. but it's fun to say anyway)

I LOVED Zam but tbf I've been loving that motherfucking asshole bastard /aff this WHOLE TIME so like. nothing new lmaooo. I ALSO love Clown's little cameo! (not counting it as a SPOILER spoiler cuz like. it's 2 mins or so in. I won't count that shit as spoilers c'mon) but uh. ALSO nothing new lol I'm a HARDCORE (not really) Clown fan I WILL be bought and EASILY swayed over with the promise of Clown content, I'm REALLY that easy; anyway it was really fun and OFC he's an antagonist smh — he's either a bad guy protagonist or an antagonist, NEVER on the same side as the protagonist/a good guy who DOESN'T wanna murder ppl (I see what kinda theater kid he is. I KNOW WHAT YOU ARE MR. CLOWN. YOU CAN'T HIDE FROM ME)

I said it already but I'll say it again: Tabi had ALWAYS been fucking sus to me from the start, what with being SO AT THE READY to exploit Evbo's respawning ability for her own gain and all that, so her backstabbing him ain't a surprise to me; but what someone (I'm too lazy to get to the computer to give proper credits or quoting. y'all are gonna have to make do with paraphrasing) said in the comments is actually fucking interesting: Evbo respawned; after the cut to black Tabi is seen holding her diamond axe and while that serves to show the audience what she was really born as, it could very well also show that Tabi gave Evbo a mercy — she let him respawn. She — potentially — didn't kill him with The Eternal Sword, and instead delivered the final blow with her diamond axe: an object that would allow Evbo to come back from death. She's gone soft.

That's gonna be her downfall, one way or another. Clown was right in doubting her — while she's physically strong and knows all the techniques, she's not detached enough from her emotions that she's fully capable of pretending to form friendships without actually making friends; aka: she can pretend she doesn't care, but something deep inside of her does care what happens to Evbo. Until proven otherwise I'll take this scene as bEING RIGHT MOTHERFUCKERS, I READ TABI LIKE A FUCKING BOOK LET'S GO--

So all in all I'm gonna be OBSESSED over this for the next while — well done Evbo, well fucking done

The end to the story. whatever happens, I guess it happened — I have hopes, idk where they're placed or what they mean, but I have them.

Whatever happens, I know Evbo is going out with a bang.

[shesalittlelost]

Hotd is just not team black centric enough for me to give two fucks about it but I'm disappointed coz I've been waiting for it since the first time it was announced. Too much greenies is such a turn off. Nobody cares!! We need more of the best and cuntiest Targaryens not the lewser group.

[biggest-gaudiest-patronuses]

main take aways from Halloween (1978) rewatch:

michael myers is canonically 21??? this bitch should be at the club

*sees tiddies* ***MURDEROUS RAMPAGE NOISES***

that's it that's the movie

outside of the fact that everyone who has sex is murdered by the narrative, this is a surprisingly chill portrayal of female sexuality? these teen girls are horny and actively enjoying Getting It On with their boytoys. no pushy boyfriends sneaking in through their bedroom windows--these ladies are taking the initiative to sneak out and GET SOME. one of them gets laid and then immediately orders her boyfriend to get her a beer. (yes she gets Slashered soon afterward, but so does the boyfriend so honestly, gender equality.) yes the Final Girl is the only one not having sex, but she's not bullied for that, nor are her friends slut shamed except possibly by being murdered by the narrative

actually the only character who is shown being morally condemned on-screen is michael myers. specifically FOR his violent overreaction to other people's sex lives. (people he is spying on). metaphorically, the villain is American Puritanism sticking its judgy nose into other people's business.

aka Michael Myers Is A Republican

but actually the real villain is the doctor. guy's a judgemental, shaming, pathologizing asshole. and he's been in charge of michael's care since he was SIX YEARS OLD? kid never had a chance. i'd go on a killing spree too

also the parents. where are the parents? it's halloween night and all the teenage girls are home babysitting their younger siblings? come to think of it, michael's first victim was his own older sister, whom he killed while she was babysitting him. teen girls are really shouldering a labour burden here. maybe parentification is the true villain

side note: mike commits his first murder wearing a clown costume...which is never referenced again? his 'iconic' costume is a generic mask and wig and jumpsuit, when we coulda had a Killer Clown Michael Myers??? travesty

i like how the Final Girl and her friend casually smoke weed in her car. yeah she's an honor student and her friend is the sheriff's daughter. yeah they smoke weed. so what it's 1978

(to reiterate, mike is 21 and should be at the club. im not saying he shouldn't be rampaging, im saying it's sad that he broke out, tasted freedom for the first time in his life, and immediately snuck back into his childhood home to go rampaging. let's have a remake where he goes to a nightclub and has a few beers. maybe some slutty dancing. then rampage)

oh no he's hot

[arnaerr]

Rellana, Twin Moon Knight & Rennala, Queen of the Full Moon

prints ✦ full process on patreon

[bumblydumbly]

i think that if kabru saw that “laios meeting falin for the first time” strip he’d be sobbing uncontrollably

[deoidesign]

.

[unordinary-diary]

Blyke and John: Parallel Characters

I’ve written multiple entries about this,

[x] [x] [x]

But I’m back to make a comprehensive analysis about the glaring similarities between these two. I’ll try not to repeat myself here.

‼️SPOILER WARNING for the whole series‼️ but this mostly focuses on the story before John’s suspension.

Firstly, this scene:

ch. 121

This conversation takes place near the beginning of the Joker arc. It’s after John targets Zeke, after he targets Juni, and the day before he goes after Seraphina’s kidnappers. The timing is important.

“If someone hit your best friend, would you let it slide?”

That question is supposed to remind us what John does to people who hurt Seraphina: hunting them down and sending them to the hospital. Blyke shooting a destructive beam really close to John was an example of a trait they share: they both blow up violently when people mistreat their friends.

John’s downward spiral carries strong themes of hypocrisy. He’s angry at the world, he’s angry at himself, and as a coping mechanism, he chooses to believe that everyone else is as bad as he is. That means that most of the traits he hates others for are the same things he hates about himself. In this scene, Blyke is unintentionally calling out this hypocrisy: “What I did is no different from what you do”.

But Blyke’s just trying to connect with John here, he has no idea what John’s been doing. And John, of course, doesn’t give a shit about what Blyke has to say. This line was here for the audience to notice.

They’re both so similar, but their similarity immediately causes tension between them because, well, John was on the wrong end of Blyke’s protectiveness.

I really love the way this was written— there are so many flashbacks to this scene, but they remember it differently. John remembers the part that hurt him— he’d describe it as “the time that jackass shot a beam at me”. Blyke remembers the part that hurt him, or rather, hurt Remi: “the time that jackass hit Remi for no reason”.

Blyke and John are both hotheaded characters with strong ideals. They’re similar enough that Seraphina points it out:

(ch. 80)

As Blyke grows as a character, he becomes more like John: sticking up for low tiers and speaking out against the injustice in the world. But while Blyke is doing that more, John is going in the opposite direction, until they are fully opposed to each other.

Speaking of Blyke’s character arc, it took me a few rereads to actually understand what part of him changed. His kindness, selflessness, bravery— all of those things were there from the start. Blyke’s character arc was about becoming more aware of his surroundings, and how his carelessness can harm others. Blyke was never malicious, but after X-Rei and integrating more with the school, he becomes aware of people suffering around him and how he unintentionally contributes to it. He becomes less reckless, privy to the flaws in the system he grew up not questioning, and uses his power more responsibly. He even comes up with a more controlled way to wield his ability. The part of Blyke that changes is his maturity.

Part of John’s character arc is also about being careful. It’s not as close of a parallel as other things are, but one of the things that John works on during his redemption arc is holding back. Both of them learn self-control throughout the series, and for John, that means acting early before his emotions spiral out of hand.

Adding onto my first point about the two of them wanting to protect their friends— the fact that they can’t do that makes them both angry and desperate. For most of the story, the “block” that prevents John from protecting Seraphina is in his head. It’s his own trauma that holds him back. The block that prevents Blyke from protecting his friends is, guess what? Also John’s trauma! Parallels abound.

Another thing I noticed in Episode 80 is this:

Notice that when Seraphina says “I’d take that over strength any day,” John is looking at the camera. He’s avoiding Sera’s gaze. Seraphina is saying she prefers honesty over strength. John is very strong, and very dishonest, but Seraphina thinks the opposite because John is so dishonest. John appears to be reflecting on this disconnect.

In relation to this analysis, Seraphina is actually pointing out a major difference between Blyke and John. Beyond that, she’s praising Blyke’s traits, (less strong but very open) above John’s traits, (strong as fuck but a liar with his pants on fire). Furthermore, John really cares what Seraphina thinks of him. Knowing that she would think less of him is the main reason why he spent so much time and effort preventing her from catching his lies.

This leads into my main point here: Blyke is the “goody-two-shoes” version of John. Or, more accurately, the person that John wants to be. Blyke has a clean track record and doesn’t really get into trouble. He is respected and left alone by the school without being hated and feared, he de-escalates conflicts without taking things too far, he doesn’t lose control, he’s someone Seraphina thinks highly of, hell, even his grades are better! Blyke represents everything that John wants to be, and the person that he could have been if he’d gone down a different path.

But, crucially, John is also what Blyke wants to be. Well, not wholly, but his ability? His strength? It’s one of the things John hates about himself, but Blyke wants that strength so desperately that he risks his life for it over and over again.

They’re both desperate to be like each other, even when they hate each other the most. Neither of them have any idea how alike they already are.

I don’t know what Season 3 holds in store for us, but I do hope that John realizes that Blyke embodies who he wants to be, because mutual jealousy would be a very interesting dynamic to explore in my opinion. I also hope that it ends up being something they can bond over, by helping each other accomplish their personal goals. (Blyke being another helper in John’s character arc, and John helping Blyke train.)

A side note: John beat up Blyke four separate times. That’s more than any other character, which is interesting because John’s main rival is supposed to be Arlo. For reference, John has beaten Arlo twice, three times if you count the time when Seraphina intervened, and he only beat him unconscious once. But John beat Blyke to the point of passing out all four times, the worst of which being a shot clean through his chest. (shoulder? Unclear. S1 finale).

It’s odd, isn’t it? Out of everyone, Blyke is the one who John physically hurt the most. John’s only grudge against him is an old memory from episode 33, of an event that didn’t actually harm him. John’s grudge against Arlo is much more serious and again— that’s his main rival. So why is it that he’s so much more violent towards Blyke?

The problem here is that I’ve been thinking about these fights as “John picking on Blyke”. And that’s… kind of true? But while Blyke didn’t start any of these fights, they were all consensual in a way. He didn’t seek to fight John, nor was he ever happy about fighting John, but he was always a willing participant.

(138, 153, 206, & 211)

In three out of these four fights, John didn’t even expect to be fighting Blyke going into it. This is significant because while Arlo is John’s main rival, John absolutely fills that role for Blyke. Blyke’s own agency is what leads to most of these events. The reason, narratively speaking, why they fight so much is not for John’s character, but for Blyke.

For John, his reason for fighting Blyke so much is not narrative but moreso symbolic. John is angry at everyone and everything, but ultimately the person he hates the most is himself. It’s only fitting that the character most like him would bear the brunt of his wrath.

As John is having his positive character arc (suspension and post-suspension), he is becoming more like Blyke, and the two of them reach a point where they’re even more similar than they were at the start of the series.

In the Rowden amusement park, John does start to realize how similar they are:

(249)

Additionally, I want to draw your attention to the parallels between this scene:

Blyke and John’s argument in chapter 249

(which the image limit won’t let me add, scroll until you see red hair.)

And this scene:

Argument in ch. 121 (it’s at the beginning)

Two sides of the same coin.

Furthermore, in the S2 finale, Blyke is shown being taken to Keon. There is an implication that by Season 3, Blyke and John will share Keon-related trauma as well. Despite my pessimistic predictions, I do hope that this is a similarity that can bring them together rather than tear them apart.

[lunalikestowriteanddraw]

You’d think that, between Gideon and Kremy, Gideon would be the easier one to get a read on (in terms of feelings towards certain situations and party members), but no. I can read Kremy like a motherfucking book. The way he spins lies and half-truths like a spiderweb; the way his tone will shift subtly depending on who he’s talking to, what they’re talking about, his feelings on the situation/subject/towards the person, etc; all of it. Kremy is so fucking easy to read for someone who’s supposed to be a silver-tongued conman.

But Gideon? His tone doesn’t shift all that much. He generally has a happy, confused, or entertained tone in his voice, with the exception of when he’s angry, frustrated, or upset.

Idk, maybe it’s harder for me to read Gideon because I listen to the podcast (it’s just easier for me since I can listen while driving or working), so I have to rely on tone shifts and other verbal cues. That, or maybe it’s because all of my past blorbos have been emotionally constipated men, who would only express their actual feelings about a situation based on tonal shifts, body language, and reading into what they’re saying.

[icewindandboringhorror]

I occasionally wish to reach out to old friends/acquaintances I haven't spoken to since high school/some other even earlier time in my life, but I have SOOO little social energy even for required tasks (like making dr phone calls or etc), I never have any leftover for extra ones, and it would be very odd to message someone I haven't spoken to in like 5 years out of the blue but then take 4 entire months to respond back lol.. My natural curiosity with nostalgia/collecting details of the past/etc. (literally if I were born a little earlier I would definitely do scrapbooking or something lol) is very strong, but, alas, not strong enough to beat out the Social Issues Demons apparently

[moe-broey]

Conflict test..? Moe fucks up Badly test.

[melobin]

i do believe you all followed me because of writing sorry you have to deal with the deeply mentally ill girl that comes with it.. slight rant in tags ? i guess ? ily all anyhow