#like idk but something about this just feels so lacking.

[amourningcrow]

some thoughts on the lucanis romance. caution! spoilers

you know, i've seen a lot of people complaining about how lucanis's romance is somewhat lacking and i agree, at least a little - i can't say i enjoy the scene where you lock in his romance (could have been a banter) and i honestly didn't get that it was supposed to be a 'i'm scared of wanting you' kind of romance until the end where he actually said that (i was constantly sleep deprived while playing though, so maybe that one's on me) - but i don't really think more scenes were really necessary. i loved the last one and the one in the middle was also pretty good, even though i didn't like how scripted it was.

what i really, really miss in this are the party banters. you know, like the one with alistair and wynne, where she teases him about checking out the warden?

imagine for a moment: davrin and lucanis

'they're fine.'

'i- what?'

'they're fine. you keep staring at their legs, but the venatori barely even graced them. you can stop checking every time they climb up a rock or bend to pick something up.'

'of course! i was checking on their injury! that damn venatori, nearly got them, huh?'

... (awkward silence)

'right.'

oooor maybe taash and lucanis?

'you're not being subtle, you know'

'excuse me?'

'saw you sneaking in with rook's favourite food yesterday.'

'so? i make everyone's favourite every once in a while.'

'not in the middle of the night just after they tell you, you don't'

... (stony silence)

'yeah'

ooooor i dunno, harding and lucanis?

'lucanis?'

'hmmm?'

'it would be okay, you know. if you liked someone and told them how you feel. hypothetically.'

'what? what are you talking about?'

'nothing. i just... thought someone should tell you.'

'mierda, harding, there's no one like that. so this is completely irrelevant.'

'hmhm, sure. but in theory, if there was... i'm pretty sure they like you, too. and you both deserve to be happy.'

i'm obviously not a writer, but i really think some stuff like that would have helped to set up the romance more. i tried so desperately to look through the game and find something, and maybe i just haven't discovered it yet! but the few banters i did find were all after the relationship was officially established. i don't know. i'm really disappointed because i think the potential was there, it could have been such a sweet, angsty slow-burn but they just.. didn't set it up right? the yearning™ feeds on other people seeing exactly what is going on and rolling their eyes at the idiots involved not getting on with it (/getting it on lmao). maybe something like that was planned but they had to cut it because all the companions had to get their 'making it official' chat at the same time? and pretty late in the game, too. that would sort of explain why his relationship with neve was more fleshed out as well. idk. that and my added frustration that i can't really roleplay my rook the way i want (in my roleplaying game) probably means i'll just have to write some stuff myself. and wait for someone to search through the audio files so i can get my grubby raccoon hands on all the banter i didn't hear yet 🤞

[3gremlins]

feel like im having a DA2 experience again where I really liked it and was in my little "this is good" cocoon where i played it many times only to emerge from underground and find everyone else hated it (i mean ive found the other da2 cicadas since but at the time it got really slammed). i've been really enjoying DA:TV so far ( lol tho obvs have notes) here's an early thoughts review, may be a bit spoilery, def rambley, trying to stay vague on stuff still (i think i'm about half way maybe? im trying to not look things up and doing it blind on my first run through. it's hard to tell b/c i went hard on all the side quests and am now way over level for the msq)

the combat system is a little jarring at first and i still miss at least being able to switch to and play as party members if your character dies (instead of the god of war style of full wipe), but i've gotten used to it (it's more annoying for boss fights, regular combat it's very zippy and fun). the targeting at least on controller is kind of annoying sometimes- i'll think i'm pointing at one enemy only to have rook turn and fire at nothing or companions to hit an add instead of a boss. I wish we at least had more control over how it queued who it was hitting. some of the arenas are obnoxious design wise - there's bosses that teleport to you and they give you like a tiny little box to dodge around, not the most fun. i do like that you can punch way above of your weight class sometimes which reminds me of DAO a little bit (like how you'd just wander into a fight or hit a gong and be like oh no, those enemies have skulls over their heads, oh well YOLO). sometimes it doesn't work out but when it does it's very satisfying. It's nice to be able to conquer something mechanically even underleveled (smol fromsoft vibes) Having always been a big fan of the strange composition parties (i.e not just war/rogue/mage), i like that this is now even more viable (and not just me being cheeky "we're having a leather party!" of all squishy rogues). but like the main thing about bioware games is the companions/interpersonal shit and i'm enjoying the heck out of that .i only do main quests to get more side quests from companions (or more side quests in general so we can troll around for more banter). i like petting griffons (and cats and dogs) and playing games with manfred*. I wish the gift system was more interesting like DAO or DA2- i was so excited to see it again and then it was a little disappointing to have them barely react when you get them stuff.

my current fave party are rook and the poison boys (emmerich and lucanis) since they're a rogue too and we just stack necrosis, bleeds and other elemental effects on things till they disintegrate. i like the lighthouse, it feels much cozier than skyhold. I love that you can just wander up to companions having convos and awkwardly eavesdrop. I do miss the little interactions/quests you could get with cole esp*** i think the animations are a little lack lustery? Idk there's something with the face model morphs that sometimes feels weird but the voice acting is strong enough that I don't notice too much. i do miss some of the more bioware-y cheeky things like item descriptions or weird notes near random silly environmental tableaus (there's a little but i just want to read all the notes! there's some in the grey warden areas where i was just like WAIT I HAVE QUESTIONS but there was no plaque about them T.T). where are the stacks of cheese (i do appreciate the fereldens love cheese jokes tho and harding getting so excited when someone says something nice about ferelden) i was esp bummed that there were no random things to read in the black emporium and it's all codex entries instead (that's my favorite tiny bit in DA2 where there's junk you can click on and xenon says weird shit to you). i also wish more had been done with accents of npcs- like i wish all the antivans had similar accents or your crow rook had an antivan accent, stuff like that (having a lot of "ferelden" generic british accents everywhere is disappointing. takes you out of the immersion a lot) My biggest gripe is probably the pacing - I wish it had more horror/mystery pacing like dao and da2 had- the reason we're all scarred by the brood mother is b/c the build up to that was so so creepy (also the necromancer bit w/hawke's mum in DA2). They gave us time to be unnerved or afraid and I do feel the evanuris reveals have been a little rushed so you can't really feel that worried about them (some of the side quests get close to this but still not quite there**). I wish they'd let them breathe a bit more instead of rushing from one giant world changing event to the next. Some of the reveals have been not so great- like lore that the fandom has poured over for 15ish years explained in one line?? i wish there'd been more build up of rook as a character too, maybe even a time skip from a prologue to finding solas kind of thing. the first trailer made it seem like that's what was going to happen but then it in media res'd us in a strange way. the first 10 hours of the game are probably the weakest imho, it took it a bit to get rolling and feel more natural. I appreciate that the first major decision doesn't really let you scum save for it (bit of a jump scare for me lol).

I also don't really need this much varric anymore, i kinda wish we had a different narrator if we have to have one. He feels really awkward to just have there and not doing anything(and not just kill off or have something happen to him? he got stabbed by the dagger and harding only touched it is what i'm saying). at least let him get better pjs and slippers or something Idk it does feel like bits of previous iterations they were working on are still there and they don't completely serve the plot well. And ofc there's the decisions not meaningfully carrying over thing- which is a huge bummer. But in reality they've never been good at that- the characters from previous games we see in new games don't really carry through their plots/arcs that much (it's more like cameos or they're a new person now) and the world states are usually effectively the same just with aesthetic faction swaps. I was sort of hoping we'd get some solavellan SOMETHING but it doesn't look like we will get much at all past the stuff in minrathous. i feel like if they were going to only include the one choice it really should have had more impact on the story. (i am also still a clown and want to talk to solas constantly still even tho he has no reason to talk to my rook at all, i do not care, i love a sad woof. i wish we could just casually visit him in the fade. i wish we could switch to lavellan and visit him in the fade, idk something. need more gareth david-lloyd pls) the interpersonal character decisions have been the only ones that mattered much and then only within the constrains of their own games- the bigger world changing stuff is usually the illusion of choice. It would have been nice if they let us have one protagonist carry through but i can also see why they liked changing it up and felt stuck in that format. tl;dr: i'm really like it for what it is but it's def got flaws. Parts of it feel super polished while other bits do not- i think knowing how game dev works that they had to make decisions on what was going to get prioritized and some of it works while others not so much. I wish the pacing was better for sure but i love the characters/companions which is generally what bioware is best at. sad it won't get meaningful dlc, i don't really care about mass effect 5 tbqh. So far I like it better than inquisition for the most part- it feels like a bigger/more polished DA2 in a lot of ways if that makes any sense (with similar budget/pacing issues, but the environments are more fun). as i mentioned in my other post, i really appreciated the trans/non binary inclusion into the story/cc tho. like that can't be discounted, even if the rest of the game has issues. (all the holes in the narrative make me want to do fan art and fan fiction tho so idk, maybe that's an okay thing. maybe dragon age is best at inspiring us to sandbox around in it)

*side note, i am surprised at how much i like emmerich like holy shit what a lovely soft nerd of a man! going to have to play through a few times and romance him and also bellara for sure (romancing lucanis this time round) i find myself shipping my companions with each other more than i normally do too. I just want them to be happy! I wish they'd let us have polyamory, like i could see little polycules in this squad so easily. i need to give bellara hugs and lucanis head pats. taash deserves head pats too, but my rook will need a ladder.

**i am going to cry if they do with the griffons what i think they're doing with the griffons. like straight up, feeling like it was a cursed wish to have them now T.T *** do we think the caretaker is cole? the character design makes me wonder (like the hat/silhouette is very cole like but maybe not. maybe i just want it to be cole lol) there's def characters i want to see show up that aren't going to and then bioware is like "what about this fan favorite??" and i'm like "eh".

[persistentplums]

So we all gonna not look into Ben that deeply especially since he is the only one who seems to check in with Dermontt or am I the only one who is looking deeply into the existence of Ben. Ben who are you buddy….i wanna know.

Ben shows up in moments about the boys (Dermontt counts here). 1) Dean figuring out about clones & finding Rusty is a clone, 2) Dermontt check in 3) Hank reassurance. Special mention to 4) Rusty creation of the boys

To me Ben bc of his minimal info feels like the most classic mystery mad scientist trope appearing when you feel lost to specifically these men. Ben knows probably most than anyone, I want to know his deal. But the lack of info makes me think just like…he’s a mystical figure oooooo 👻

It also has made me hone in on every time we see him his mindset in the small scenes he has or read far into what he says. Jonas cared for him, Ben cares about the Ventures as a whole to stick around, he considers them family (kinda) from the watch scene.

Idk who Ben is, I think it’s interesting his interactions are mostly with the boys. Like Brock knowing they’ll probably be fucked up I think Ben when he does Interact with them tries to put in something positive for them. It’s spinning in my head deeply about it too, reassurance and confidence.

I do like the fan theories of Ben being: Benton Quest (hilarious and dark actually) or my REAL fav Ben Edlund creator of The Tick which look wise I see it and if you google simply Ben Venture bros he shows up after the character wiki lol!

[shesalittlelost]

Hotd is just not team black centric enough for me to give two fucks about it but I'm disappointed coz I've been waiting for it since the first time it was announced. Too much greenies is such a turn off. Nobody cares!! We need more of the best and cuntiest Targaryens not the lewser group.

[biggest-gaudiest-patronuses]

main take aways from Halloween (1978) rewatch:

michael myers is canonically 21??? this bitch should be at the club

*sees tiddies* ***MURDEROUS RAMPAGE NOISES***

that's it that's the movie

outside of the fact that everyone who has sex is murdered by the narrative, this is a surprisingly chill portrayal of female sexuality? these teen girls are horny and actively enjoying Getting It On with their boytoys. no pushy boyfriends sneaking in through their bedroom windows--these ladies are taking the initiative to sneak out and GET SOME. one of them gets laid and then immediately orders her boyfriend to get her a beer. (yes she gets Slashered soon afterward, but so does the boyfriend so honestly, gender equality.) yes the Final Girl is the only one not having sex, but she's not bullied for that, nor are her friends slut shamed except possibly by being murdered by the narrative

actually the only character who is shown being morally condemned on-screen is michael myers. specifically FOR his violent overreaction to other people's sex lives. (people he is spying on). metaphorically, the villain is American Puritanism sticking its judgy nose into other people's business.

aka Michael Myers Is A Republican

but actually the real villain is the doctor. guy's a judgemental, shaming, pathologizing asshole. and he's been in charge of michael's care since he was SIX YEARS OLD? kid never had a chance. i'd go on a killing spree too

also the parents. where are the parents? it's halloween night and all the teenage girls are home babysitting their younger siblings? come to think of it, michael's first victim was his own older sister, whom he killed while she was babysitting him. teen girls are really shouldering a labour burden here. maybe parentification is the true villain

side note: mike commits his first murder wearing a clown costume...which is never referenced again? his 'iconic' costume is a generic mask and wig and jumpsuit, when we coulda had a Killer Clown Michael Myers??? travesty

i like how the Final Girl and her friend casually smoke weed in her car. yeah she's an honor student and her friend is the sheriff's daughter. yeah they smoke weed. so what it's 1978

(to reiterate, mike is 21 and should be at the club. im not saying he shouldn't be rampaging, im saying it's sad that he broke out, tasted freedom for the first time in his life, and immediately snuck back into his childhood home to go rampaging. let's have a remake where he goes to a nightclub and has a few beers. maybe some slutty dancing. then rampage)

oh no he's hot

[arnaerr]

Rellana, Twin Moon Knight & Rennala, Queen of the Full Moon

prints ✦ full process on patreon

[bumblydumbly]

i think that if kabru saw that “laios meeting falin for the first time” strip he’d be sobbing uncontrollably

[deoidesign]

.

[unordinary-diary]

Blyke and John: Parallel Characters

I’ve written multiple entries about this,

[x] [x] [x]

But I’m back to make a comprehensive analysis about the glaring similarities between these two. I’ll try not to repeat myself here.

‼️SPOILER WARNING for the whole series‼️ but this mostly focuses on the story before John’s suspension.

Firstly, this scene:

ch. 121

This conversation takes place near the beginning of the Joker arc. It’s after John targets Zeke, after he targets Juni, and the day before he goes after Seraphina’s kidnappers. The timing is important.

“If someone hit your best friend, would you let it slide?”

That question is supposed to remind us what John does to people who hurt Seraphina: hunting them down and sending them to the hospital. Blyke shooting a destructive beam really close to John was an example of a trait they share: they both blow up violently when people mistreat their friends.

John’s downward spiral carries strong themes of hypocrisy. He’s angry at the world, he’s angry at himself, and as a coping mechanism, he chooses to believe that everyone else is as bad as he is. That means that most of the traits he hates others for are the same things he hates about himself. In this scene, Blyke is unintentionally calling out this hypocrisy: “What I did is no different from what you do”.

But Blyke’s just trying to connect with John here, he has no idea what John’s been doing. And John, of course, doesn’t give a shit about what Blyke has to say. This line was here for the audience to notice.

They’re both so similar, but their similarity immediately causes tension between them because, well, John was on the wrong end of Blyke’s protectiveness.

I really love the way this was written— there are so many flashbacks to this scene, but they remember it differently. John remembers the part that hurt him— he’d describe it as “the time that jackass shot a beam at me”. Blyke remembers the part that hurt him, or rather, hurt Remi: “the time that jackass hit Remi for no reason”.

Blyke and John are both hotheaded characters with strong ideals. They’re similar enough that Seraphina points it out:

(ch. 80)

As Blyke grows as a character, he becomes more like John: sticking up for low tiers and speaking out against the injustice in the world. But while Blyke is doing that more, John is going in the opposite direction, until they are fully opposed to each other.

Speaking of Blyke’s character arc, it took me a few rereads to actually understand what part of him changed. His kindness, selflessness, bravery— all of those things were there from the start. Blyke’s character arc was about becoming more aware of his surroundings, and how his carelessness can harm others. Blyke was never malicious, but after X-Rei and integrating more with the school, he becomes aware of people suffering around him and how he unintentionally contributes to it. He becomes less reckless, privy to the flaws in the system he grew up not questioning, and uses his power more responsibly. He even comes up with a more controlled way to wield his ability. The part of Blyke that changes is his maturity.

Part of John’s character arc is also about being careful. It’s not as close of a parallel as other things are, but one of the things that John works on during his redemption arc is holding back. Both of them learn self-control throughout the series, and for John, that means acting early before his emotions spiral out of hand.

Adding onto my first point about the two of them wanting to protect their friends— the fact that they can’t do that makes them both angry and desperate. For most of the story, the “block” that prevents John from protecting Seraphina is in his head. It’s his own trauma that holds him back. The block that prevents Blyke from protecting his friends is, guess what? Also John’s trauma! Parallels abound.

Another thing I noticed in Episode 80 is this:

Notice that when Seraphina says “I’d take that over strength any day,” John is looking at the camera. He’s avoiding Sera’s gaze. Seraphina is saying she prefers honesty over strength. John is very strong, and very dishonest, but Seraphina thinks the opposite because John is so dishonest. John appears to be reflecting on this disconnect.

In relation to this analysis, Seraphina is actually pointing out a major difference between Blyke and John. Beyond that, she’s praising Blyke’s traits, (less strong but very open) above John’s traits, (strong as fuck but a liar with his pants on fire). Furthermore, John really cares what Seraphina thinks of him. Knowing that she would think less of him is the main reason why he spent so much time and effort preventing her from catching his lies.

This leads into my main point here: Blyke is the “goody-two-shoes” version of John. Or, more accurately, the person that John wants to be. Blyke has a clean track record and doesn’t really get into trouble. He is respected and left alone by the school without being hated and feared, he de-escalates conflicts without taking things too far, he doesn’t lose control, he’s someone Seraphina thinks highly of, hell, even his grades are better! Blyke represents everything that John wants to be, and the person that he could have been if he’d gone down a different path.

But, crucially, John is also what Blyke wants to be. Well, not wholly, but his ability? His strength? It’s one of the things John hates about himself, but Blyke wants that strength so desperately that he risks his life for it over and over again.

They’re both desperate to be like each other, even when they hate each other the most. Neither of them have any idea how alike they already are.

I don’t know what Season 3 holds in store for us, but I do hope that John realizes that Blyke embodies who he wants to be, because mutual jealousy would be a very interesting dynamic to explore in my opinion. I also hope that it ends up being something they can bond over, by helping each other accomplish their personal goals. (Blyke being another helper in John’s character arc, and John helping Blyke train.)

A side note: John beat up Blyke four separate times. That’s more than any other character, which is interesting because John’s main rival is supposed to be Arlo. For reference, John has beaten Arlo twice, three times if you count the time when Seraphina intervened, and he only beat him unconscious once. But John beat Blyke to the point of passing out all four times, the worst of which being a shot clean through his chest. (shoulder? Unclear. S1 finale).

It’s odd, isn’t it? Out of everyone, Blyke is the one who John physically hurt the most. John’s only grudge against him is an old memory from episode 33, of an event that didn’t actually harm him. John’s grudge against Arlo is much more serious and again— that’s his main rival. So why is it that he’s so much more violent towards Blyke?

The problem here is that I’ve been thinking about these fights as “John picking on Blyke”. And that’s… kind of true? But while Blyke didn’t start any of these fights, they were all consensual in a way. He didn’t seek to fight John, nor was he ever happy about fighting John, but he was always a willing participant.

(138, 153, 206, & 211)

In three out of these four fights, John didn’t even expect to be fighting Blyke going into it. This is significant because while Arlo is John’s main rival, John absolutely fills that role for Blyke. Blyke’s own agency is what leads to most of these events. The reason, narratively speaking, why they fight so much is not for John’s character, but for Blyke.

For John, his reason for fighting Blyke so much is not narrative but moreso symbolic. John is angry at everyone and everything, but ultimately the person he hates the most is himself. It’s only fitting that the character most like him would bear the brunt of his wrath.

As John is having his positive character arc (suspension and post-suspension), he is becoming more like Blyke, and the two of them reach a point where they’re even more similar than they were at the start of the series.

In the Rowden amusement park, John does start to realize how similar they are:

(249)

Additionally, I want to draw your attention to the parallels between this scene:

Blyke and John’s argument in chapter 249

(which the image limit won’t let me add, scroll until you see red hair.)

And this scene:

Argument in ch. 121 (it’s at the beginning)

Two sides of the same coin.

Furthermore, in the S2 finale, Blyke is shown being taken to Keon. There is an implication that by Season 3, Blyke and John will share Keon-related trauma as well. Despite my pessimistic predictions, I do hope that this is a similarity that can bring them together rather than tear them apart.

[lunalikestowriteanddraw]

You’d think that, between Gideon and Kremy, Gideon would be the easier one to get a read on (in terms of feelings towards certain situations and party members), but no. I can read Kremy like a motherfucking book. The way he spins lies and half-truths like a spiderweb; the way his tone will shift subtly depending on who he’s talking to, what they’re talking about, his feelings on the situation/subject/towards the person, etc; all of it. Kremy is so fucking easy to read for someone who’s supposed to be a silver-tongued conman.

But Gideon? His tone doesn’t shift all that much. He generally has a happy, confused, or entertained tone in his voice, with the exception of when he’s angry, frustrated, or upset.

Idk, maybe it’s harder for me to read Gideon because I listen to the podcast (it’s just easier for me since I can listen while driving or working), so I have to rely on tone shifts and other verbal cues. That, or maybe it’s because all of my past blorbos have been emotionally constipated men, who would only express their actual feelings about a situation based on tonal shifts, body language, and reading into what they’re saying.

[icewindandboringhorror]

I occasionally wish to reach out to old friends/acquaintances I haven't spoken to since high school/some other even earlier time in my life, but I have SOOO little social energy even for required tasks (like making dr phone calls or etc), I never have any leftover for extra ones, and it would be very odd to message someone I haven't spoken to in like 5 years out of the blue but then take 4 entire months to respond back lol.. My natural curiosity with nostalgia/collecting details of the past/etc. (literally if I were born a little earlier I would definitely do scrapbooking or something lol) is very strong, but, alas, not strong enough to beat out the Social Issues Demons apparently

[melobin]

i do believe you all followed me because of writing sorry you have to deal with the deeply mentally ill girl that comes with it.. slight rant in tags ? i guess ? ily all anyhow

[solar-halos]

paul isn’t percy’s step father he’s the father that stepped up

[moe-broey]

Conflict test..? Moe fucks up Badly test.

[mistyscenter]

I don’t know if you’re still doing this, but I’d love to see your reasoning for ‘Talks’ in D tier. (As someone who also agrees that it’s kinda a weird/bad moment, I want to see your thoughts on it!)

I'm always open to discussing my reasons for liking or hating certain moments so I will absolutely answer!!

Ok so "Talks" was always odd to me as a moment because I never quite understood why Terry and Miranda fought in the first place (and I still don't, or if anything it seems...silly? Like something a young teenager would fuss over not an 18 year old) not only that but the only interesting part about it is if you fight with Cove, and even then I understand Cove's reasonings to get upset and it makes sense character wise but it's so...it feels out of character? Again it is mostly because I don't understand the conflict in the first place because it's so minimal as a conflict. We could have had real conflict.

The fact that the main conflict is about Terry getting stressed over how to get home and Miranda trying to help feels...eh? It took me people telling me what the conflict was about for me to understand. And again it feels juvenile and something you'd be able to discuss with a Friend after a night's sleep, not saying that it can't be realistic but it feels more like something a 14 year old would be hung up over than an 18 year old.

The conflict would have worked ten times better if it was about their immediate future, you're going back into the themes of growing up into an adult and you also make these characters feel like actual 18 year olds. They still wouldnt know how to properly deal with fights, but it's also way more realistic if like, Miranda mentioned a college program while hanging out and Terry getting more and more upset as she talks about it but doesn't want to ruin the evening but Miranda notices and tries to make him talk about it only for them to fight. And I just came up with this and we can still have MC and Cove fight and reflect in how their mental state is about this and also how they both feel about moving out from their childhood homes. LIKE FUCK WHY DID WE HAVE THEM FIGHT OVER WHOS GOING TO PICK TERRY UP RATHER THAN THIS??

I'm especially saying this as someone who is 19, like I'm sorry the conflict in "Talks" doesn't make sense and it feels like everyone is overreacting over something so small?

I don't hate the idea, but conflict in our life is always awkwardly handled, then again I think step 3 is the step Kab/GB Lady wrote while in burnout (same goes for Baxter dlc) so step 3 is just a very awkward step that tumbles between great (charity, reflection, happiness, drinks, planning) to alright (hang (both versions), errands, sightseeing,road trip) to straight up mid (talks, late shift,boating, mountains (though mountains is less that and more like "why the fuck is MC spending nights away with someone they barely know?")). With that said it is my favorite step and it does have good moments it's just a hit or miss most times

[suddencolds]

~