#like i get that he’s an adult but he’s still her kid … just because she has a second family doesn’t mean she can abandon the first

[still-a-dreamer-even-now]

she wants to understand, she tried to understand, she begs them to tell her what happened to them in the country and they all look at each other having a silent conversation she will never understand and edmund makes a joke that doesn’t quite ring true about their time and she wonders once again when her younger son became a diplomat and her children became a parliament

“the war changed them” she says to anyone that knew them before “i hardly know them myself anymore”

and she says it with false laughter and haunted eyes and a heavy sense that she has missed something crucial and the people that knew them don’t quite get it, “they’re growing up” they say “war changed everyone” but helen pevensie has never seen children who eyes tell her they’ve truly, really lived entire lifetimes at 15

i helen is so terrified her kids grew up without her while still being so young like they lost their childhood it was robbed from them but in reality their childhood was rich and wonderful and lovely and lively and yes even magical and they grew up at a normal rate and then were forced to live through that growing up again in a world less beautiful and she’s afraid they missed their childhood but really truly it was she who missed it

because every time they’ve started trying to explain it to sit her down and tell her, every time she frustratedly throws down a rag while washing the dishes and begs peter to act his age in a way most kids will never hear it said (be a kid!! for goodness sake be a kid, peter!!) and he opens his mouth to speak and then closes it again and shakes his head with such a noble tilt and tells her not to worry and that he’s fine and that’s he’s nearly old enough to worry about adult matters now anyhow

because how do you explain to your mother that you’re not really a child (i’ve grown so much in your absence mother) without sounding like you didn’t need her, without sounding like you’re telling a story or a joke instead of the truth (i wish i could show you our palace, our friends) and how do you tell your mother you learned swordsmanship from a mouse, or learned diplomacy from a centaur, that the trees taught you to waltz, you like your tea that way because of a dear old faun, won’t she think you’re playing? joking, teasing her relentlessly? isn’t it easier for her to think you’ve grown than for her to be so concerned that you’re still so childish? and wouldn’t it be wonderful if she would just believe you? but you know she won’t, so you sit silently at the table and hum a lullaby to yourself in a language you wish you could teach her and wonder if a lifetime apart is too long to get to know someone again

you have invited strangers into your home, helen pevensie, mother of four.

without the blurred sight of joy and relief, it has become impossible to ignore. all the love inside you cannot keep you from seeing the truth. your children are strangers to you. the country has seen them grow taller, your youngest daughter’s hair much longer than you would have it all years past. their hands have more strength in them, their voices ring with an odd lilt and their eyes—it has become hard to look at them straight on, hasn’t it? your children have changed, helen, and as much as you knew they would grow a little in the time away from you, your children have become strangers.

your youngest sings songs you do not know in a language that makes your chest twist in odd ways. you watch her dance in floating steps, bare feet barely touching the dewy grass. when you try and make her wear her sister’s old shoes—growing out of her own faster than you think she ought to—, she looks at you as though you are the child instead of her. her fingers brush leaves with tenderness, and you swear your daughter’s gentle hum makes the drooping plant stand taller than before. you follow her eager leaps to her siblings, her enthusiasm the only thing you still recognise from before the country. yet, she laughs strangely, no longer the giggling girl she used to be but free in a way you have never seen. her smile can drop so fast now, her now-old eyes can turn distant and glassy, and her tears, now rarer, are always silent. it scares you to wonder what robbed her of the heaving sobs a child ought to make use of in the face of upset.

your other daughter—older than your youngest yet still at an age that she cannot be anything but a child—smiles with all the knowledge in the world sitting in the corner of her mouth. her voice is even, without all traces of the desperate importance her peers carry still, that she used to fill her siblings’ ears with at all hours of the day. she folds her hands in her lap with patience and soothes the ache of war in your mind before you even realise she has started speaking. you watch her curl her hair with careful, steady fingers and a straight back, her words a melody as she tells your eldest which move to make without so much a glance at the board off to her right. she reads still, and what a relief you find this sliver of normalcy, even if she’s started taking notes in a shorthand you couldn’t even think to decipher. even if you feel her slipping away, now more like one of the young, confident women in town than a child desperately wishing for a mother’s approval.

your younger son reads plenty as well these days, and it fills you with pride. he is quiet now, sitting still when you find him bent over a book in the armchair of his father. he looks at you with eyes too knowing for a petulant child on the cusp of puberty, and no longer beats his fists against the furniture when one of his siblings dares approach him. he has settled, you realise one evening when you walk into the living room and find him writing in a looping script you don’t recognise, so different from the scratched signature he carved into the doors of your pantry barely a year ago. he speaks sense to your youngest and eldest, respects their contributions without jest. you watch your two middle children pass a book back and forth, each a pen in hand and sheets of paper bridging the gap between them, his face opening up with a smile rather than a scowl. it freezes you mid-step to find such simple joy in him. remember when you sent them away, helen, and how long it had been since he allowed you to see a smile then?

your eldest doesn’t sleep anymore. none of your children care much for bedtimes these days, but at least sleep still finds them. it’s not restful, you know it from the startled yelps that fill the house each night, but they sleep. your eldest makes sure of it. you have not slept through a night since the war began, so it’s easy to discover the way he wanders the halls like a ghost, silent and persistent in a duty he carries with pride. each door is opened, your children soothed before you can even think to make your own way to their beds. his voice sounds deeper than it used to, deeper still than you think possible for a child his age and size. then again, you are never sure if the notches on his door frame are an accurate way to measure whatever it is that makes you feel like your eldest has grown beyond your reach. you watch him open doors, soothe your children, spend his nights in the kitchen, his hands wrapped around a cup of tea with a weariness not even the war should bring to him, not after all the effort you put into keeping him safe.

your children mostly talk to each other now, in a whispered privacy you cannot hope to be a part of. their arms no longer fit around your waist. your daughters are wilder—even your older one, as she carries herself like royalty, has grown teeth too sharp for polite society— and they no longer lean into your hands. your sons are broad-shouldered even before their shirts start being too small again, filling up space you never thought was up for taking. your eldest doesn’t sleep, your middle children take notes when politicians speak on the wireless and shake their heads as though they know better, and your youngest sings for hours in your garden.

who are your children now, helen pevensie, and who pried their childhood out of your shaking hands?

[aingeal98]

Babs messed up a lot in Batgirl (2000) but I constantly think about what it must've been like from her perspective. Being unable to connect with this girl who's wearing your costume, then bit by bit falling in love with her, but still failing to fully understand her and hurting her at every turn. What is it like to love someone who wants to die? How do you stop her without driving her away? What do you do when you call her stupid and do drive her away? Thinking about in #25 when Cass paralyses her, and how Babs has to hear her go, probably thinking it was the last time she'd ever see her. Batgirl (2000) Cass-Babs I miss you...

OUGH Cass and Babs is so much like you never asked for this... You never asked to care so much about this kid and there were so many ways that it was difficult to connect and yet despite everything she wormed her way right into your heart and you can't save her. You love her but it's not enough. You try and try and try and it is never enough she will always need something more than you can give her.

The Babs and Cass scene in batgirl 25 kills me. I think listening to Cass walk away to her death while being unable to stop her is the first time Barbara fully understood what Dick felt when he found out Jason had died. Only it's worse because not only is it family you care for dying in your old mantle, the legacy you created that started so positively ending in tragedy, but you are the sole adult figure in this girl's life trying to stop her from committing suicide. You are screaming and banging on the glass and trying to get her to accept that the guilt she carries is not something she deserves to die for, but she won't listen. She can't. And there's no one else to help you. Every other adult in her life either doesn't realise or is in denial about just how deeply unwell this child is. You are alone and you are responsible and despite your best desperate attempts she leaves anyway.

They make me feel so many emotions. Thank you for the ask!

[dianawinchester03]

Season 2, Episode 20 - What Is And What Should Never Be (Part One)

Series Masterlist

Author's Note: Hi beauties! Another late update because I started working full time again and I barely even have time for myself. I'm warning you, my updates are going to be much slower from now on. I'm so sorry😭❤️

I know the season finale is next but I will definitely try my absolute best to finish them in time but the only day I get to write now is literally Sunday since its my only day off 💔i said it once, and I’ll say it again I HATE ADULTING

Alright, enough of my rambling. I hope you guys enjoy it!! <3

____________________________________________

Third Person POV

Joliet, Illinois

Lynyrd Skynyrd’s ‘Saturday Night Special’ was blasting through the Impala’s deck as Dean drove. His phone rang and he instantly picked it up upon seeing Y/N’s contact. “Yeah?” Dean answered, “There’s a cop car outside” Y/N whispered into the phone that was on speaker, currently holed up in her motel room with Sam and Jo.

She slightly creased the curtain, standing at the window with a worried expression. “You think it’s for us?” Dean asked. “We don't know” Sam responded, moving from his bed where he and Jo sat to speak into the phone next to Y/N. “I don’t see how it could be for you guys. You ditched the plates, the credit cards.” Jo chimed in. Sam and Y/N let out a breath of relief when the cop car drove away.

“They’re leaving. False alarm” Y/N told Dean as Sam moved back to his bed. “See. There's nothing to worry about, sweetheart” Dean assured her. “Yeah, being fugitives is a fucking dance party” Y/N sassed, pacing the room. Sam snorted at her humor in agreement as he flipped through the books on his bed along with Jo. They were currently hunting a Djinn.

“Hey, chicks dig the danger vibe.” Dean chuckled, “Isn’t that right, Jo? You can’t tell me knowing Sammy is a wanted man isn’t getting your knickers in a twist” Dean’s amused voice boomed through the speaker. Jo blushed and flipped him off even though she knew he couldn’t see her before she rolled her eyes.

“Don’t talk about my knickers, prick!” She retorted as Y/N buckled over in laughter. “That’s not exactly a no, asshole” Dean teased, hearing Y/N’s laugh in the background. Sam threw himself down on his bed, covering his face with a pillow and groaned. “I can’t listen to this,” he complained in a muffled tone.

“Leave the lovebirds alone” Y/N joked after sobering up from her laughter, this made Jo toss a pillow at her as Sam groaned again. Y/N quickly dodged it, blowing Jo a playful kiss. “You got anything?” Y/N asked, changing the subject. “Are you kidding me? How could I? You got me sitting through, like, 50 square miles of real estate here” Dean sassed, making Y/N roll her eyes.

“Well that’s where all the victims disappeared” Y/N pointed out as Sam finally uncovered his face and returned to flipping through his books. “Yeah, well. I got diddly squat. What about you guys?” Dean asked, Y/N looked over at Sam hopefully. He shrugged before gesturing for her to hand him the phone. She did just that.

“We got just one thing. I’m pretty sure of it now. We’re hunting a Djinn” Sam told Dean. “A fucking genie?” Dean cackled, “Yeah.” Sam nodded as Jo tossed her feet up on his lap and Y/N dug through her bag to get her cigarettes. “So what? You think these suckers can really grant wishes?” Dean mused as Y/N lit her cigarette.

“We don’t know. I guess they’re powerful enough. But not exactly like Barbara Eden in harem pants” Jo chimed in as Sam ran his hands up and down her shins. “Yeah, I mean, djinn have been feeding off of people for centuries. They’re all over the Koran” Sam added as Y/N propped herself up on the window still. “My God. Barbara Eden was hot, wasn’t she?” Dean muttered.

“Damn straight. Way hotter than that Bewitched chick” Y/N agreed from across the room. Sam scoffed in annoyance as Jo rolled her eyes, the two shooting Y/N a judgemental look. “Are you two even listening to me?” Sam chastised Dean and Y/N. The psychic pursed her lips, trying to hide her amused smile as she took a drag from her cigarette.

“Ahem. Yeah. So where do the djinns lair up?” Dean asked, clearing his throat. “Ruin, usually. The bigger, the better. More places to hide” Sam explained to him. “Yeah. I think I saw a place a couple miles back. I’m gonna go check it out” Dean told them. Sam’s hands paused on Jo’s shin as he and Y/N’s eyes widened with panic.

Y/N quickly crushed her cigarette in her ashtray, darting over to snatch the phone from Sam. “Are you stupid?! Come pick us up first” Y/N said firmly, “Nah. I’m sure it’s nothing. I just wanna take a look around” Dean assured her. Sam, Jo and Y/N shared an unsure look as Dean hung up the phone.

Y/N sighed heavily, stuffing her phone into her pocket. “I’ve got a bad feeling about this” Sam muttered, worry plastered on his face, “Me too” Y/N agreed.

-

Meanwhile, Dean pulled in-front of the old warehouse. A storm was coming as the thunder clapped. He abruptly exited the Impala, shutting the door as he took out his flashlight. Dean clicked on his flashlight, shining it around the dark surroundings before heading towards the building.

The large door on the front of the building was already open, slightly creaking as it rocked a bit back and forth thanks to the wind. Dean stepped in, immediately noticing all the cobwebs and piles of dirt and sand everywhere. He glanced around with his flashlight, noticing the piles of clothing lying among the debris, and the sound of footsteps made his ears perk up.

He immediately clutched his knife dipped in lamb’s blood, clenching his jaw. Dean stepped closer to the sound of the footsteps, his footsteps light and his ears on high alert. The footsteps continued, and Dean felt his heartbeat start thumping in his ears as the dread started to fill his stomach.

Suddenly, the djinn lunged out from behind a pile of clothes. It was a flash, one moment Dean was simply walking and the next his back was slammed backwards against a wall. The back of his head stung and he was briefly disoriented, dropping his knife as white spots danced in his vision.

Dean grunted as the Djinn’s hand gripped his throat, trying to fight the monster off. The Djinn’s eyes flashed a dark shade of blue, along with his hand. Dean struggled and grunted as the Djinn pressed his glowing tatted hand to his forehead, the hunter’s eyes rolling to the back of his head as he fell in a sleep-like state.

____________________________________________

Dean’s Dream World

Lawrence, Kansas

Dean gasped awake in the middle of the night to thunder clapping. His eyes wide as he struggled for breath. He found himself in an unfamiliar bed with a naked woman next to him. He tilted his head in confusion as he leaned down to see who the woman was, the last thing he remembered was getting attacked by the Djinn.

Dean’s jaw plummeted to the ground when it turned out the woman next to him was Y/N, a blanket lazily draped over her chest, her back facing him. Dean began to panic instantly, wondering how in the fuck he ended up in bed…naked…next to Y/N fucking L/N.

His eyes drifted down to her lower back to see her anti possession tattoo was not there. His heart was in his ass at this point.

He sat up quickly, his eyes wide as the realization of the situation hit him. He put his hand up to his head and groaned. He glanced at Y/N’s sleeping form and swallowed the lump in his throat when he saw her eyes were shut. “Motherfucker” He mumbled, glancing at the clock on the bedside table.

4:32 A.M. He slowly removed the covers, silently standing up and grabbing his jeans off ground and quickly got dressed.

-

Now fully dressed, Dean exited the bedroom, strolling around the unfamiliar house. Not in any way used to the environment. He had no idea what the hell was going on. He switched on a light and did what his mind instantly told him to do. He called his little brother.

“Dean?” Sam answered, confused as to why his brother was calling him at this ungodly hour. “Sam?” Dean whispered in relief, trying to keep his voice at bay. “What’s going on?” Sam asked, concerned. “I don’t know where the fuck I am man” Dean told him. “What? What happened?” Sam gasped, now worried.

“Well, the uh, the djinn. It attacked me” Dean told him, running his hand over his face. “The gin? You’re drinking gin?” Sam’s brows furrowed. “No, dumbass. The djinn! The scary creature, remember?” Dean exclaimed lowly. “It put its hand on me and then I woke up in bed next to Y/N!!” Dean explained, his heart pounding out of his chest.

“You mean your fiancée?” Sam snorted. Dean’s eyes widened and his jaw dropped to the ground in surprise. “My WHAT!?” He exclaimed, eyes going even wider if possible. “My fiancée? When the fuck did that happen” He repeated, absolutely flabbergasted.

“Dean, you’re drunk. You’re drunk dialing me” Sam shook his head as he laughed. “No, I am not drunk! Quit fucking around!!” Dean exclaimed lowly, “Look. It’s late. Alright? Just get some sleep and I’ll see you tomorrow, okay?” Sam brushed it off, instructing his brother to sleep it off. “Wait. Sam! Sam!!” Dean gritted his teeth but the line went dead.

-

Palo Alto, California

Sam chuckled to himself, shaking his head as he sighed deeply before shutting his Criminal Law and Procedure book.

-

Lawrence, Kansas

Y/N heard Dean arguing and slowly awoke, eyes wide with confusion as she sat up and looked around. She realized Dean wasn’t in the bed with her anymore and her stomach dropped. She glanced at the bathroom, it was quiet so he couldn’t be in there. She then saw a faint light coming from the hallway.

Outside, Dean groaned as he looked around nervously. He quickly stuffed his phone into his pocket, his eyes landing on a stack of mail that was placed neatly ontop of the dining room table. His eyes widened again when he picked it up to see, ‘Y/N L/N. #53 Barker Ave. Lawrence, Kansas’ written on the first letter.

Inside their shared room, Y/N pulled the covers off her body before wrapping her light blue robe around her and slowly padded out into the hall, peering into the kitchen to see Dean rifling through mail.

“Lawrence?” Dean muttered to himself, sifting through the mail. ‘Dean Winchester. #53 Barker Ave. Lawrence, Kansas’ was written on the next letter. “What the fuck????” Dean mumbled, his heart stopped when a sleepy voice behind him said. “Charming?” He spun around to see Y/N, clutching her robe to her chest.

“What are you doing up?” Her soft voice of concern honeyed his ears. “Hey…Y/N” Dean said sheepishly as his ‘fiancée’ approached him. His heart beating out of his chest. “Y/N. I just- uh-” Dean stammered, “Oh, you can’t sleep, huh?” She cut him off in a sultry tone, running her hands over his chest. His eyes glanced down at his left hand to see a very familiar ring placed neatly on her ring finger.

The ring his father gave him the day he died belonged to his mother. Sam was indeed not lying when he said that Y/N was his fiancée. Dean’s breath got caught in his throat at Y/N’s touch and the tone in her volume. “Yeah,” Dean chuckled nervously. “Well, why don’t you come back to bed and let’s see if I can do anything to help?” Y/N suggested, her voice low as she snaked her arms around his neck.

Dean shivered involuntarily when Y/N wrapped her arms around his neck. He felt his whole body stiffen as her fingers traced the nape of his neck. His cheeks began to heat up as his eyes looked down at her, the blue robe she was wearing hugged her body perfectly. The low tone of her voice sent a small jolt down to the pit of his stomach.

“Well- um- Princess- ” He mumbled nervously as he tried to make an excuse. He didn’t get a chance to say anything again when she attached her lips to his. Dean’s eyes widened as Y/N’s lips crashed onto his own. He let out a small gasp of surprise against her mouth at her sudden movement.

His brain shut down as his hands automatically moved to grab her waist. Dean shut his eyes, groaning in the back of his throat at the feel of her lips finally against his. But it didn’t feel right. It felt off, he knew the Djinn had something to do with this but he couldn’t wrap his mind around it since the love of his life, the woman he believed didn’t him love back, Y/N fucking L/N’s tongue was down his throat.

The kiss deepened as she parted her lips for him and slowly began to pull him back towards the bedroom. Dean’s brain was screaming to stop. This wasn’t what he wanted, but the feel of her lips against his. The way her tongue was exploring his mouth. It was driving him crazy. And he couldn’t stop himself from kissing her back.

His tongue slipped into her mouth, moving against hers. He moaned low, the sound getting muffled by the kiss. He backed her up against the wall of the hallway, pinning her there with his body.

SNAP OUT OF IT WINCHESTER!

“No, no. Stop” Dean whined, forcefully peeling himself away from her. He couldn’t do it, he couldn’t have sex with her. As much as he wanted to, so fucking badly. He couldn’t do it. Not like this.

Y/N’s eyes widened in surprise and her smile faded from her face at his words. “Huh?” She said, her voice barely above a whisper. She leaned her back against the wall and tilted her neck to look up at him. “Why?” She asked confused as he ran hand through his hair, putting a decent amount of distance between y/n and him.

She stepped closer to him again, placing her hands on his chest. “C’mon baby.” She whispered in a seductive tone, a small smirk on her lips, “What’s wrong? You’re not one to deny sex” She asked concerned. Dean swallowed the lump in his throat as she spoke, his breathing becoming a bit more labored.

“Y/N, I- ” He began, his mind racing to find words to explain the situation. But then Y/N pressed chest to his, her palms pressing into his chest. Dean’s mind immediately went blank as she looked up at him with those damn eyes. That damn look is gonna kill him. “I’m just tired, sweetheart” Dean lied fluidly, praying she’ll take the bait.

Y/N’s expression softened a bit as she stared up at him. She could tell it was a lie, by his facial expressions, but she didn’t push him for answers. “Oh, baby” She said tenderly, her hand moving up to caress his cheek. “Why don’t you come back to bed then. I’ll just hold you. How does that sound?” She asked, her voice sweet as honey.

Dean’s heart skipped a beat as she placed her hand on his cheek. Getting held by Y/N didn't sound like a bad idea right about now. His eyes flicked down to her lips, wanting to kiss her again.

God, it’d be so easy.

He closed his eyes for a moment and inhaled deeply, leaning his head against hers. “You go ahead, I’m right behind you” He whispered. Dean wanted this to be real, he was praying it was. Y/N’s lips curled into a soft smile at his reply. She brushed her thumb over his cheek before standing on her tiptoes to kiss his forehead softly.

“Alright, don’t take too long” She whispered, patting his shoulder before making her way back to the bedroom. At the doorway, she gave him one last glance before heading back into the bedroom.

Dean groaned under his breath as he watched her disappear into the room. What the hell was he supposed to do now? Dean’s mind was racing. This was all wrong. How the hell did he end up naked in bed with his friend who he was secretly in love with but also his supposed ‘fiancée’?

This was all some sick game the djinn was playing with him. Dean knew they possibly granted wishes, it was no secret that Dean wished for y/n to be his…could it be? Could the Djinn have actually given him what he desperately wanted? Even though he never said it out loud, is it possible the Djinn knew somehow?

Dean began to investigate the house, peering around the living room. He took in the pictures of him and y/n that were placed neatly around the room. Pictures of them on vacation with y/n wearing a big floppy hat, pink two piece bikini and Dean in a matching white shirt with pink swim trunks on.

Dean’s heart nearly leaped out of his chest as he picked up a photo of him and y/n at a beach. It was summer, both of them were soaked, and both was wearing bright smiles with shades on. Dean’s hand trembled as he observed the picture.

He set it down before walking over to the bookshelf, he let his fingers brush over the spines of each book. He was trying to look for a clue, anything to tell him this wasn’t real.

He went back to looking at the pictures. A small smile gracing his face when his eyes landed on a frame that held a picture of the two hugging. Y/N had a big grin on her face, holding out her hand to the camera, showcasing her engagement ring while Dean’s eyes were trapped on her. The starstruck gaze he had on her in the picture was oozing with love and admiration. The two seemed to be at a concert in the picture.

Dean felt his heart swell as he took in the picture. He had no recollection of any of these memories. Curiosity got the best of him, so he turned the picture frame around and took the picture out. Written on the back was ‘Bon Jovi, Nashville Tennesse. February 14th, 2006. She said yes!’ In his handwriting.

His heart leaped to his throat again as he read the writing. This must be when he proposed to her. He sat down on the couch, a wave of emotions washed over him. His fingers trembled as he stared down at the picture in his hand.

Dean’s eyes scanned the room once again, his eyes landing on a particular picture. He thought he was gonna cry upon seeing it, his entire world stopped. Dean Winchester dropped the picture frame, the glass shattering on the ground and instantly left the house.

____________________________________________

The Impala pulled up to the Winchester residence, the L/N residence right across from theirs. Both houses were still intact, the L/N residence not burnt to a crisp. Dean shakily stepped out of the Impala, shutting the door behind him.

He walked up the porch and began banging on the door harshly, ringing the bell a few times until the light came on outside. The door opened to reveal a very alive and well Mary Winchester, a worried expression etched on her face. “Dean?” She said softly, sleep potent in her voice, clutching her robe to her chest.

Dean's eyes widened, tears welling up at his emerald irises. “Mom?” Dean gasped, “What are you doing here? Are you alright?” Mary asked her son, concerned. Dean gulped, unsure of how to feel at this exact moment. “I don’t know” He croaked. “Well, come inside” Mary ushered him inside. His body was stiff, still in shock but he managed to pull himself inside.

“Y/N just called and said you took off all of a sudden” Mary said as she shut the door behind her. “Y/N? Right…” Dean muttered, he can’t seem to tear his eyes away from his mother. His very alive mother. “Let me ask you a question. When I was a kid, what did you and Mrs. L/N always tell me when you put me to bed?” Dean asked as he swallowed hard, he wanted this to be real.

Mary’s brows furrowed in confusion as she folded her arms across her chest, “Dean, I don’t understand-” She was cut off, “Just answer the question” Dean snapped. His mothers eyes softened, “We told you angels were watching over you” Mary answered, Dean felt as though he was about to break down into pieces.

“I don’t believe it” Dean almost sobbed before pulling his mother into a tight hug. Mary grunted in surprise as her son’s strong arms engulfed her. Confused from the random show of appreciation, “Honey, you’re scaring me” The motherly tone in her voice echoed through his ears as she gently rubbed his back. “What’s going on?”

“You don’t think that wishes can- can really-?” Dean stammered, his words getting lost in his throat. “What?” Mary asked confused, “Forget it” Dean smiled, pulling his mother into a hug again that he longed for since he was a little boy. “Forget it. I’m just, uh— I’m happy to see you, that’s all” Dean held back his tears as he buried his face in his mother’s hair.

His brows creased, his breath constricting in his throat as he melted into the embrace before pulling away, “You're beautiful” Dean chuckled tearfully before pulling away. “What?” Mary gasped confused. The padding of footsteps made Dean’s ears perk up, his head swung around to see M/N, squinting her sleepy eyes at him.

F/N wasn’t in town, he was coming back tomorrow and M/N never liked staying alone in her house. So, it became tradition whenever either of their husbands went out of town, M/N and Mary would sleep in each other's guest room. Clutching her own robe to her chest, “Dean, what are you doing here?” Y/N’s mom asked him, equally confused.

“I-uh” Dean started, his words caught in his tongue again as he saw Y/N’s mom. Her hair was tousled, her eyes were tired and squinty from being dragged out of a dead sleep. “Mrs. L/N!?” Dean gasped, now engulfing his soon to be mother-in-law in a tight hug.

She was alive. His mother was alive. It was all surreal.

M/N chuckled and patted his back as she returned the hug with her own. Mary just stared at the two with a slight smile on her face. “It’s great to see you too, hun. But why are you here, now of all times?” She asked as she pulled a little away to look up at him.

“Uh- I uh- just missed you guys” Y/N’s mother chuckled at his words and pinched his cheek. “Aren’t you a sweet thing?” She teased, her lips curving into a small smile. “Did Y/N kick you out of the house again?”

Dean’s smile faltered slightly. He felt on the verge of tears again, the only thing keeping him grounded was the feel of M/N in his arms. Just the mention of Y/N set him off again. This time his lips started to tremble when he spoke.

“No- uh- I just-” He began but his voice was cracking. M/N could sense he was on the verge of tears and gently caressed his face. “Okay, sweetie calm down. You’re alright” She whispered in a motherly tone.

Dean felt his bottom lip tremble again. He hasn’t been comforted like this since he was four. He leaned into the comfort of his future mother-in-law. His eyes fluttered closed as M/N’s fingers gently touched his skin, he could practically hear her say ‘You’re okay, baby’.

“I’m fine,” Dean assured her shakily, pulling away from her gently. A broad smile on his face as he cleared his throat, wiping his mouth. His eyes scanned the room, staring at the picture frames that were propped up all about. “Hey, when I was- when I was young, was there ever a fire here? Or at your house?” Dean asked them.

Both women shared a confused look, “No. Never” Mary told him as Dean walked around the room. He saw a few pictures of both their families.

Of him and Sam as kids with their parents, seemingly on vacation.

One of Sam and Y/N, they looked to be in their teens, smashing cake in each other’s faces.

Another of Sam and Y/N wearing a graduation cap and gown, both holding up high school diplomas, Dean wasn't in this picture.

And another of Dean and Y/N, he was wearing a light colored dress shirt, dark jeans. His arm wrapped around Y/N, grins spread across their faces as he wore her graduation cap. This time, Y/N was holding up her degree.

A few more were framed of Sam, Dean and Y/N going to prom. Looking almost exactly like the ones they took years ago.

There was another one of the trio sitting on a couch, their arms folded across their chests and Y/N was sitting in the middle of the boys. It reminded Dean of a picture Bobby made their take years ago as teenagers.

There were more of Y/N and her parents, along with some of all three kids when they were young and another unfamiliar little girl who looked quite similar to Y/N with F/N and M/N. Dean tilted his head in confusion but brushed it off.

Dean’s heart swelled as he looked at the pictures, “I guess I was wrong” Dean mumbled, his eyes widened when his eyes landed on a picture of F/N and John, wielding softball bats, “Dad and Mr. L/N are on a softball team” Dean gasped. He turned to Mary and M/N who seemed to be still confused before clearing his throat.

“Their softball team. That’s funny to me” He covered up his stammering as he took in the picture. The idea of either men on a softball team was wild to him. Mary’s eyes landed on the ground as a sympathetic look took over M/N’s face. “He loved that stupid team” Mary mumbled, M/N noticed her friend’s look of heartbreak and gently placed a comforting hand on her shoulder.

Dean’s face dropped, his eyes snapping back to his mother. “Dad’s dead?” Dean asked, both Mary and M/N tilted their head at him from his question. Dean quickly recuperated, “And the thing that killed him was a-” He tried to find out. “A stroke. He died in his sleep, you know that” M/N said, shaking her head at him as tears welled up in Mary’s eyes.

As much as hearing his father was dead hurt him, Dean was happy to hear that his father didn’t go out the way he originally, “And F/N?” He asked M/N hopefully, “Out of town, you know that, it’s why M/N is here” Mary said, furrowing her eyebrows at her son. Dean nodded sheepishly before saying, “That’s great”

“Excuse me?” Mary gasped, Dean’s eyes widened when he realized how his words must’ve sounded. “That- that’s great. That he went peacefully, I mean it- and F/N fine….it’s sure beats the alternative” He said softly, placing the photo back down. Mary and M/N shared a knowing look, “You’ve been drinking” Mary pointed out.

“No, I haven’t. Mom” Dean sighed, assuring her. M/N nodded, not wanting to press anymore. “I’m just gonna call Y/N and have her come pick you up, okay?” M/N said calmly, taking her hand off of Mary’s shoulder to pick up the landline. “Wait. No. No, don’t do-” Dean quickly stopped her, holding her hand gently to place the landline back down.

“Don’t do that. Don’t do that” He begged, taking a proper look at her. “I wanna stay here” Dean told them, their faces contorted in confusion again. “Why?” Mary asked. “Because. I-i- I miss the place” Dean sheepishly lied. Mary and M/N shared a look again, both confused at what the hell was going on.

“It’s okay. You two go to bed, okay?” Dean assured them, moving to sit on the couch as he continued to scan the place with his eyes. Mary walked over to her son, placing a gentle hand on his face. “Are you sure you’re alright?” She asked him, the maternal tone potent. Dean’s heart swelled, his eyes softening. “I think so” He croaked, holding back tears again.

“Okay” Mary said sweetly, placing a kiss on his forehead. Dean leaned into the touch and the kiss, still trying not to cry. Mary pulled away and gave her son a small smile, “We’ll be in our rooms if you need us. I love you” The mother told him. M/N nodded in agreement as she and Mary turned to slowly walk out of the room.

“Me too,” Dean said softly. “I’ll get you a blanket” M/N told him gently. “Thanks” Dean croaked out, his voice low as he heard their footsteps fade away. He let out a shaky breath as his head fell into his hands.

He let himself take in a moment to process everything. Seeing his mother and m/n alive again, seeing them full of light and life again. Hearing that his father passed peacefully. Knowing that F/N was alive and well himself. This was the life he always longed for. The life he always secretly wanted.

Dean exhaled another shaky breath. ‘You’re okay. They’re all okay’ He assured himself, wiping his mouth as a tear rolled down his cheek. But it didn’t feel right, that little voice at the back of his head was telling him that this is not what he thinks it is. Not what he wants it to be.

He looked up when he heard footsteps re-enter the room, his eyes landing on Y/N’s mom as she walked toward him with a blanket in her hands.

She stopped at the edge of the couch before she gently laid the blanket over him. Dean’s body tensed as he felt the fabric being pulled over his lap. A feeling he hasn’t experienced for a very long time. M/N seemed to notice his tenseness, her eyebrows slightly furrowing, “What’s wrong?” She gently asked.

“Nothing” Dean replied, his eyes not leaving the blanket that rested against his legs. “Just tired” He muttered, shifting his body so he laid down as he leaned against the pillows. M/N gave him a soft smile. “I know that” She said softly before leaning down and placing a kiss on his temple.

Dean melted at the feeling on his skin again, closing his eyes and relishing the comfort he got from this simple action. It’s a feeling he always craved but never got. M/N gently pushed his hair away and gave his cheek an affectionate pinch. “Get some rest, honey, okay?” The woman told him gently.

Dean opened his eyes and met M/N’s loving stare, fighting the urge to cry again. “I will” He mumbled, a lump in his throat slowly forming. M/N smiled and gave him one last pat to the cheek before she pulled away, turning on her heel to head down the hall to the guest room. leaving him alone in the living room.

The second she was gone, a soft “Fuck” escaped his lips as a tear rolled down his cheek again. Dean allowed himself to succumb to the comfort, his mind finally stopped racing, the darkness of a peaceful sleep taking him over.

-

The next morning, Dean woke up on the couch. He shot up from his position after his eyes fluttered open.

It was real? It wasn’t a dream? What the fuck is going on?

He ran a frustrated hand through his hair as he stared at the picture frames again, his heart still aching from the comfort he’d received. He shook his head. “No. Something’s not right” He whispered to himself, his eyes landing back on the picture of him and Y/N on prom night.

He did the only thing he could think to do in a moment like this. He called his little brother. Dean fished his phone out of his pocket, dialing in Sam’s number but it went to voicemail. “Hey, it’s me. I can’t come to the phone-” He shut his phone, taking a deep breath.

He had to figure out what the fuck was going on, what this djinn did to him, or gave him.

____________________________________________

“Well I don’t think I’ve seen you in my class before” The professor said to Dean, leaning back in his chair. Dean sat across from the professor in his office, immediately going to the Lawrence local college for any answers on this Djinn. “You kidding me? I love your lectures. You- you make learning fun” Dean chuckled, pointing to the teacher who chuckled in response.

“So, what can I do for you?” The Professor asked. “What can you tell me about djinns?” Dean asked, clasping his hands in front of him as he leaned into his chair.

-

Now infront of several books filled with lore, “Well, a lot of Muslims believe the djinn are very real. They’re me times in the Koran” The Professor explained, “Yeah, yeah, yeah, i know. Get to the wish part” Dean said impatiently. “What about it?” The professor furrowed his brows. “Do you think they could really do it?” Dean asked.

The professor looked baffled, “Uh…no. No, I don't think they can really do it. But, you understand that these are mythic creatures?” The Professor pointed out. “Yeah. No, I know, I know. But, uh, I mean, in the stories” Dean clarified. “You know, say you had a wish, uh-” He cleared his throat, gulping before continuing.

“-but you never even said it out loud. You know, like that- uh. Some loved ones never died or something awful never happened. Or…uh...the girl you love starts loving you back? Is it possible?” Dean asked, swallowing harshly. “Supposedly, yes” The Professor shrugged. “I mean, they have godlike power. They can Alter reality however they want. Past, present, future” The Professor explained.

“Why would the djinn do it?” Dean queried, leaning down to look at the books as the Professor eyed him suspiciously. “What, self defense? Or maybe it’s not really evil” Dean muttered, hoping that he could stay in this reality. This beautiful, dreamlike reality. “Son?” The Professor asked, concerned. “Hmm?” Dean hummed.

“You been drinking?” The Professor questioned, his brows raised. Dean had to stop himself from laughing, “Everybody keeps asking me that, but, uh, no” He assured him with a cheeky smile.

-

Dean was now outside the college, opening the trunk to the Impala. He snorted upon opening it when his eyes landed on a couple of old magazines and trash in the trunk. “Well, who would’ve thought, Baby? We’re civilians” He chuckled, shutting the trunk.

Dean felt as though someone was watching him, so he looked across the street to see a young girl, looking almost terrified yet calm, staring right back at him. Dean looked shocked and confused as to why this young girl kept her eyes trained on him. Assuming she could be in trouble, he began to approach her.

He moved to walk across the road without looking at both sides and almost got hit by a red pick up. The tired screeching on the road as the driver hit the brakes. The driver beeped their horn and yelled inaudible curses at him as he stood in the middle of the road.

“Ah, sorry” He apologized, holding up his hands apologetically before turning his eyes back to the little girl, only to see she was now gone. Nowhere in sight. Dean felt something off in his stomach as he walked away.

____________________________________________

Now back at the Winchester household, Dean greedily and contently ate a sandwich prepared by his mom. He leaned back in his chair and allowed himself to relish the feeling of a home cooked meal. One of Mary’s favorites to make him, a chicken salad sandwich with extra pickle. A loud moan of content left his throat.

“Mmm. This is the best sandwich ever!” He exclaimed, his mouth filled with food. Mary chuckled lightly from where she was at the sink. “Thank you. M/N made you a pie before she left for the airport to pick up F/N. I’ll get you some”

“Pie?” Dean mumbled, perking up at the mention of it. He hadn’t had M/N’s pie in years, the only person who could almost replicate her recipe was Y/N. And he loved her pie but nothing could compare to M/N’s pie. Mary hummed in response and disappeared into the other room for a short moment.

He waited anxiously in his seat, his eyes bouncing back towards the doorway every other second, waiting for the woman to reappear with the pie. “I tried to get ahold of Sam earlier. Where-? Where is he?” Dean asked through a mouth full of food as he chewed.

“Oh, he’ll be here soon. M/N is picking him up too” Mary replied, setting down a plate of warm apple pie in front of Dean. “Good. Thanks mom, I’m dying to see him” He replied, picking up a fork and dug into the pie immediately. A small hum of contentment escaped his throat.

His eyes fluttered shut, his lips curled into a smile, “Sweetie, uh, don’t get me wrong.” Mary began, sitting across from Dean at the dining table. “I am thrilled you’re hanging out here all of a sudden” Mary said softly, placing her hand on Dean's shoulder before gently brushing her son's face. A content smile spread across Dean’s face, his cheeks still stuffed with pie as she said this.

“But, uh, shouldn’t you be at work?” She asked. “Work?” Dean’s face dropped. “At the garage” Mary said as if it were obvious. “Right. The garage. That’s where I work.” Dean chuckled awkwardly. “Yeah. I’ve got. the day off” Dean said as he took another heaped forkful of pie into his mouth. “Mmm” He moaned as his mother chuckled.

“That’s good. The boss man deserves a day off with how hard you work” Mary said. “Bossman?” Dean mumbled again, confused. “Yeah” Mary chuckled. “The one you and F/N own after your dad left his shares to you in his will?” Mary stated as if he was supposed to know this. Which he was, but obviously, Dean was confused.

A nervous laugh escaped his throat as he tried to compose himself, attempting to act as normal as possible. Mary tilted her head when she saw his bewildered look again before continuing, “Are you sure you haven’t been drinking?” She questioned a second time, her hand still gently resting on her son's face.

A lump formed in his throat as he looked at her. A feeling welling up in his chest. “Yeah, I’m sure, mom” He mumbled, forcing a smile. Mary looked worried for her son, wondering if he started drinking frequently again. But she nodded before pulling away, not wanting to rile him up as his eyes landed on the lawn outside the window. Picking up his pie, Dean padded over to the window.

He leaned down to get a better look before saying, “That lawn looks like it could use some mowing” Dean said excitedly as he stuffed his piehole with…..pie. Mary looked surprised at this, “You wanna mow the lawn?” She asked, amused. “Are you kidding me? I’d love to mow the lawn” Dean said enthusiastically like a kid on Christmas.

“Knock yourself out. I think you’d never mowed a lawn in your life” She snorted, sipping her coffee. Dean shrugged at her words but ignored them, he was just so excited to mow a lawn. The domestication of it all was heartwarming for him.

-

Dean reeled the chain back of the lawn mower, happily pushing the machine around the grass. He struggled a bit but quickly got the hang of it. He noticed a neighbor across the street throwing out trash, so he happily waved to the man, who awkwardly waved back at him.

Dean didn’t think too much of it, instead. He continued mowing the lawn.

-

After finishing up the yard work, Dean sat contently, relaxing on the steps to the porch of his mom’s house. A beer in his hand, He took a swig, “Ahhh” he breathed out. He let his head roll back, his eyes fluttered shut as he took in a deep breath, letting his eyes travel back to the lawn, the sweat on his forehead glistening as it hit the setting sunlight.

His thoughts got interrupted by the sound of a car pulling up, his eyes darted back towards the driveway. His eyes widened when he saw a car pull into the driveway, someone he believed to have been gone appeared. “I don’t believe it” Dean gasped as M/N pulled up with Jessica, Sam, and F/N. Jessica was alive and well.

Dean instantly pulled Jess into a tight hug, grunting as the college student gasped. “Jessica,” Dean said with relief. “Good to see you too, Dean” Jessica chuckled awkwardly, wiggling in his tight grip. “You’re okay” Dean mumbled in her hair. “Dean. Can’t breathe” Jessica groaned, causing Dean to finally let go.

Sam looked a bit confused at his brother, who now had a huge smile on his face, which was pretty rare when it came to him. Dean’s eyes landed on Y/N’s father, who was helping Sam unload the trunk. An almost tearstrucken expression was on Dean’s face, “F/N” Dean pulled him into a bone crushing hug as M/N smiled at the affection Dean displayed.

The two never had that since they were always at each other’s throats, oppositely contrasting real life. F/N’s eyes widened in disbelief and surprise at the hug. He instantly brushed him off, leading Dean to be confused. “It’s Mr. L/N to you, son,” He said sternly.

Dean’s smile faded as he looked at Y/N’s dad, slightly shocked. He took a step back, letting out an uncomfortable chuckle as he muttered an apology, “Right. Sorry, Mr. L/N” Dean said, rubbing the back of his neck awkwardly, shooting a glance at Sam who shrugged in response.

M/N’s smile dropped at his rude response, she smacked her husband on his arm roughly. “Be nice!” She chastised him as Sam and Jessica shared an amused look. F/N winced and rubbed his arm where his wife smacked him before he let out a laugh, “Hey! I was nice” He protested. The corners of Dean’s mouth curled into a smile as he shoved his free hand in his pocket.

M/N rolled her eyes in response at her husband’s usual stern behavior to Dean before turning to him. “Tell your mom we’ll be right over, honey. We’re just gonna put his stuff away” M/N said gently to Dean, pointing to their house across the street before patting his cheek.

“Of course” Dean smiled, running a hand through his short cut hair. “See y’all in a minute” He called over his shoulder, watching as the married couple walked across the street with the luggage. M/N was firmly pointing at her husband for being rude while he said lowly, “What’d I do? I was nice” F/N protested.

But M/N wasn’t having any of it, “You were rude, and you know you were. You’re always like this with the boy” M/N said, shaking her head at her husband. Dean’s brows furrowed, confused as to why Y/N’s father seemed to not like him. But he brushed it off, shaking the thought.

“Sammy, look at you!” Dean then turned to his little brother, patting him on his shoulder. “You’re with Jessica, that's- I don’t believe it” Dean chuckled as Sam smiled. “Yeah” Sam said a little awkwardly. “Where'd you guys come from?” Dean asked the crew. “We just flew in from California” Sam Said as if Dean was supposed to know that.

“California! Stanford, huh? Law school, I bet” Dean exclaimed excitedly. Sam slightly scoffed at his enthusiasm, “I see you started off Mom’s birthday with a bang, as usual” Sam said with a bit of judgment, gesturing to his beer. Dean blinked twice, “Wait, Mom’s birthday. That’s- That’s today?” Dean stuttered.

Sam raised his brows at his brother, “Yeah. Yeah, Dean. That’s today. That’s why we’re here. Don’t tell me you forgot” Sam shook his head at him in disapproval. Dean gulped slightly, feeling guilty for not knowing, even though there was no way he could’ve even known.

____________________________________________

Later that night, the Winchester’s and L/N’s were dining at quite an exquisite restaurant for Mary’s birthday. The table was filled with chatter and laughter, “Wow, that- that looks awesome” Dean said sarcastically with a grimace as the waiter set down his food, which was practically asparagus on a stick. The table erupted in laughter as Y/N gently placed her hand on her fiancé’s thigh.

“Alright. To Mom, Happy Birthday” Sam put up his wine in a toast, “Happy Birthday” Y/N and Jess both said to her as everyone raised their glasses. Mary smiled happily, letting the warm feeling spread through her chest as she thanked her family. Jessica then leaned over to place a kiss on Sam’s lips.

Dean looked at the pair with awe, a warm feeling in his chest, he was beyond relieved to see his little brother happy. Though, he did wonder about Jo. But he put two and two together in his head, realizing that they met Jo on a hunt. So since they have a normal life, they never met.

“I was really worried about you last night” Y/N said softly to him, causing Dean to break his gaze away from the couple. “Oh, I’m- I’m good. I’m really good” Dean assured her, his heart skipping a beat at the feeling of her hand gently caressing his thigh. “Okay” Y/N nodded, though she didn’t believe him, but she decided not to push.

Her eyes flickered down to Dean’s very unappetizing looking food, a coy smile on her face. “Why don’t you say later we get you a cheeseburger and we can watch American Pie on Blu-Ray” Y/N said in a suggestive tone. “Oh God, yes” Dean almost moaned at the thought, causing Y/N to snort in response as lightly bit her lip.

Cheeseburgers and American Pie were code for “food and sex” when it comes to them. But Dean didn’t know that yet.

“How did I end up with such an amazing woman” Dean said with awe. A smile spread across Y/N features as she gently squeezed her fiancé’s thigh. “I’ve just got low standards” She joked. Dean snorted as He looked at her lovingly, a small smile on his face as his eyes roamed her features.

“What?” Y/N asked suddenly as she caught Dean studying her. He shook his head in response as he said softly, “Nothing. Just admiring you, as always” Y/N’s eyes softened at his response before leaning over to place a small gentle kiss on his lips.

F/N narrowed his eyes at his daughter and soon-to-be son-in-law, but said nothing as he glanced over at the young couple, shaking his head slightly as he took a sip of his wine. His wife shot him another stern look, firmly pointing her finger at her husband in a manner that said, ‘Behave’. F/N sighed deeply, giving an almost bored look at his wife before turning back to his food, a grumpy look on his face.

Sam cleared his throat, “Alright, Jess and I actually have another surprise for Mom’s birthday” Sam began before turning to Jess. “Uh, you wanna tell them?” He asked her. “They’re your family” Jess said shyly, “What? Tell me what?” Mary asked curiously, Sam then lifted Jess’ hand to display her engagement ring.

Dean’s jaw dropped as gasps were heard around the table. “Sam!” He exclaimed, his eyes moving from Jess’ hand to his little brother, shock still written on his features. Y/N placed her hand over her mouth, excitement radiating off of her as Mary and M/N clapped their hands together, a huge smile on their face, “Oh, my God! You’re getting married!” Mary cried, bringing a hand up to her lips.

The older woman instantly got up along with M/N And Y/N. “That’s so wonderful!” Mary exclaimed as she pulled Jess into a hug. “Thank you” Jess smiled as Mary let go. “Congratulations, honey” M/N Said as she hugged the young girl. “Thank you, Mrs. L/N” Jess giggled before turning to Y/N after her mom let her go.

Y/N pulled her into a tight hug as she exclaimed, “We’re both gonna be Winchesters!” A smile spread across Jess’ features as she pulled away, “I know. I’m so excited!” Jess gushed. Y/N pulled back and held Jess’ hands in hers. “Let me see that ring,” She said expectantly.

Jess giggled as she held her hand out before Y/N gently took it, admiring the ring. “It’s so beautiful” Y/N commented, letting go of Jess’s hand and turning to Sam. She gave him a quick thumbs up as Dean got up to give Jess a tight bear hug, lifting her up slightly from the floor as Mary hugged Sam. “I just wish your dad was here” Mary said to her younger son.

“Yeah, me too” Sam said softly to his mother, hugging her tighter before pulling away. Dean then moved to shake his little brother's hand, “Congratulations, Sammy” Dean said sincerely as Sam eyed him weirdly at the term ‘Sammy’. “Thanks,” Sam said gratefully, “I’m really glad you’re happy. Even if it’s not with Jo, I know you loved Jess” Dean’s words spewed out of his mouth without thinking.

Sam raised his eyes at his brother, confusion written on his face, "What are you talking about?” He questioned, "Who’s Jo?" Dean’s mouth slightly went agape when he realized what he said but he didn’t get a chance to clear up his words, due to the girl from earlier that day appearing at the corner of the restaurant.

Dean’s eyes wide fed as he pushed past his brother, immediately rushing over to the girl. He brushed past a few people, his eyes leaving the young girl for a split second, only for her to disappear again, gone into thin air.

Everyone at the table looked at Dean with confusion as he turnt back to them gulping, F/N especially with a look of disapproval aimed in his direction as he crossed his arms over his chest, shaking his head.

____________________________________________

The two families were laughing and chattering as they reentered the Winchester residence. “So, Dean, what was all that back at the restaurant?” Sam asked his brother as they walked into the living room, all the ladies were talking amongst themselves as he said. “Oh, I thought I saw someone. I’m sure its nothing” Dean assured him.

“Well, I had a lovely birthday. Thank you” Mary said sincerely to everyone. “Goodnight” Everyone Said in unison as Jess And Y/N blew kisses to their future mother-in-law. Mary smiled as she started to rub her eyes. “Goodnight” She said, blowing kisses to everyone before wrapping her arms around M/N, drawing her in for a tight hug.

“Thank you for baking the cake, it was delicious” Mary said to her best friend with much gratitude. “It was my pleasure as always, Mar” M/N squeezed her back before letting go, moving back to cling to her husband as Mary walked up the stairs. A little yawn left her lips. “I think you and I should hit the hay” F/N chuckled, gently wrapping his arm around his wife’s waist, letting her lean against him.

“Agreed” M/N said, a small smile on her face before turning to her daughter. “Goodnight, baby” M/N said softly. “Goodnight, Mom.” Y/N said as she leaned in to hug her mom, a smile on her face. She then plastered on a fake smile towards her father before awkwardly hugging him.

“Have a great night everyone, love you y/n/n” F/N said to his daughter gently, a bit of despair in his eyes. “You too, daddy” Y/N responded half heartedly. Her dad sighed before shooting Dean one last glare. He then opened his door for his wife, before walking out behind her and shutting the door behind him as Dean smiled awkwardly.

“Yeah, well. I’m beat” Sam said tiredly, “Ready to turn in?” He asked Jess. “Sure” Jess nodded. “Alright, night guys” Sam smiled at everyone, “Goodnight” Y/N muttered But Dean’s face dropped. “Hey, hey. Wait a second, wait a second. Come on, it’s not even 9 o'clock yet.” Dean protested. “Let’s, uh, let’s go have a drink or something” Dean suggested.

Y/N shrugged in agreement, not minding the idea of hanging out with everyone. “Maybe another time,” Sam said, a little irritated. “Come on, man. Look at us. I mean, we both have beautiful women on our arms. We’re both engaged. Let’s go celebrate!” Dean chuckled, smacking Sam on his chest lightly.

A silence fell in the room due to the way Sam was looking at Dean, “Guys, can you excuse us. I just wanna talk to my brother” Sam said to the ladies politely. “Sure. Come on, Y/N” Jess shrugged, gesturing for both her and Y/N to leave. “Thanks,” Sam smiled but Y/N narrowed her eyes at Sam.

“Don’t start, Samuel” She whispered in a warning tone before following Jessica out of the kitchen. Sam raised his hands in defense, “Won’t do anything” He assured her as she, as well as Jess, left the room. Y/N him one last pointed look over her shoulder before shutting the door behind her.

Sam turned to his brother, an irritated look on his face. “Okay, what’s gotten into you?” He questioned. “What? What do you mean?” Dean asked, confused. “I mean, this whole…warm fuzzy ecstasy-trip thing” Sam narrowed his eyes at Dean. “I’m just happy for you, Sammy,” Dean smiled, patting his brother on his arm. Sam rolled his eyes with a tight smile.

“Yeah. Right. That’s another thing. Since when do you call me Sammy?” Sam scoffed. Dean's brows furrowed, his heart dropping. “Dean, come on. We don’t talk outside of holidays” Sam pointed out. Dean blinked twice in shock, “We don’t?” He asked surprised. “Well, we should. I mean, you’re my brother” Dean chuckled, trying to ignore the tugging pain in his chest.

“You’re my brother?” Sam huffed, shaking his head. “Yeah,” Dean smiled. “You know, that's what you said when you snagged my ATM card. Or when you crashed my car. Or when you bailed on me and Y/N’s high school graduation.” Sam pointed out his multiple mistakes as Dean’s mouth went agape again. “Yeah, that kinda does sound like me,” Dean admitted, rubbing the back of his neck sheepishly.

“Well, hey man, I’m sorry about all that-” Dean tried to apologize, stepping closer to Sam but he cut him off and stepped away. “No. Look. It’s alright. I just— you know, I’m not asking you to change. I just, uh….I don’t know. I guess we just don’t really have anything in common. You know?” Sam said, shrugging. Dean felt his heart drop in his chest again.

A lump grew in his throat as Sam moved to walk away. “Whoa, whoa, whoa. Yes, we do. Yes, we do” Dean stammered, pulling Sam back. “What?” Sam raised his brows. “Hunting” Dean took a chance. “Hunting? I’ve never been hunting in my life, Dean” Sam scoffed. Dean swallowed harshly, his heart caught in his throat,

“Yeah, well, we should go sometime. Me, you and Y/N. I think you guys would be great at it” Dean said sadly, this made Sam even more confused. “Y/N? We've barely talked since high school since you two hooked up on our prom night” Sam snorted.

Dean’s heart felt like it had been stabbed as Sam’s words sank in. “What? You guys don’t talk?” He asked in disbelief. Sam shook his head, burying his hands in his pockets as he looked at his brother, still confused. “Why not?” Dean asked genuinely, feeling another pang of pain in his chest, he was trying to wrap his head around all the things that had been said tonight.

He thought that he and Y/N were the best of friends, hell, they were practically siblings, so why would they not talk?

“People just…drift” Sam shrugged, eyeing his brother weirdly. “That fucking sucks, you two were like ring on finger” Dean gaped, shaking his head. “Yeah, well, people change,” Sam said, crossing his arms over his chest. A silence fell between them as Dean took in the newly found information, “Get some rest” Sam said softly to his brother before leaving the room. The shock still evident on Dean’s face.

____________________________________________

It was later that night, Dean and Y/N were back at their own house while Dean sat on the couch in the living room. His mind was racing and stuck on that dreadful conversation he had with Sam. His heart was caught in his throat, a sick feeling churning in his stomach at the fact that he and his brother were not close and neither was his brother and the love of his life.

Y/N noticed Dean was a bit in his head as she entered the living room, a sigh escaped her lips as she padded over to the kitchen. She opened the fridge and took out two beers, she then popped the bottle cap open with a silver ring on her right hand. She then headed back into the living room, offering her fiancé the beer.

Dean’s eyes snapped over to her, his expression softening. “My favorite. I guess you know me pretty well” Dean said softly as he accepted the beer, “Afraid so” Ashe teased, plopping on the couch next to him. “You alright, baby?” Y/N asked gently.

Dean gave her a thin smile before bringing the bottle to his lips and taking a sip of the beverage. The conversation with his brother had really been bugging him. How could they have not been talking? When did they stop talking? And when did Sam and Y/N stop being friends?

“Sammy and I don’t get along. And you guys stopped talking” Dean said, glancing down at the bottle in his hands as Y/N sipped from her own bottle. “Well, you don't really spend a lot of time together and me and Sam sorta just…drifted. It happens, people change. I mean, I just think you dont know each other all that well” Y/N said gently, a small frown on my face.

“And for the record, he doesn't know what he's missing” She added, offering Dean a smile, which he returned. “I could fix things with us. I can make it up to you guys….to everyone” Dean said confidently, nodding. Y/N furrowed her brows in confusion. “Okay…what's gotten into you lately?” She asked with a small chuckle.

“This isnt gonna make a lick of sense to you, princess. But I kinda feel like I've been given a second chance. And I don’t wanna waste it” Dean said wholeheartedly as he stared at Y/N lovingly. Calling her ‘princess’ felt wrong here to him but he didn’t care, he wanted it to be real so bad. “You're right, it doesn't make any sense. But I’m all in” Y/N chuckled.

Dean grinned at her words as he placed a gentle hand on Y/N's thigh "Have I ever told you how beautiful you are," he said softly, his emerald eyes filled with tenderness. Y/N smiled shyly, a light blush spreading across her cheeks, “You only say that every hour” She teased, taking another sip of her beer. “Not that I’m complaining, it gives me an ego boost” She joked.

Dean chuckled along with Y/N, the sound of her laughter music to his ears. The thought that had crossed his mind earlier in the day resurfaced, prompting him to ask her a question. “Hey, princess,” he began. Y/N looked at him expectantly, curious about what he was going to say. “I gotta ask…why does your dad hate me?” Dean asked, tilting his head a bit.

Y/N let out a sigh, a slight frown on her face as she recalled the strained relationship between her father and fiancé. "It's complicated, babe. My dad's just a bit of a control freak, especially when it comes to me" She explained with a hint of frustration.

Dean looked confused, he was used to F/N being controlling in reality but the man never seemed to hate him before. If anything, he adored Dean. So F/N hating Dean right now was foreign to him. “You know, since that night..” Y/N said lowly, Dean was even more confused now.

"Since what night?" Dean asked, a frown forming on his face as he tried to decipher why F/N’s behavior had drastically changed towards him. Y/N took a deep breath before answering, the memory still a bit raw. “Don’t you remember the night of my prom?” She asked. "Well…not exactly" Dean admitted, trying to recall the event, only to come up blank.

Y/N gave him an incredulous look, “You don't remember?” She asked in surprise, her tone almost sounding hurt. Dean’s heart sank at Y/N’s reaction, he hated the thought that he’d done something to hurt her, but he genuinely had no memory of what took place on prom night, at least in this world.

"Look, I'm sorry, princess," Dean began, moving closer to Y/N and taking her hand in his. "I seriously can't remember a thing about that night. Can you tell me what happened?" He asked gently. “We lost our virginities to each other and Dad caught us a couple weeks later hooking up at a motel, how could you not remember that?”

A mixture of realization and shock washed over Dean as Y/N's words sank in. It all made sense now why her father hated him with a fiery passion. “And then he kicked me out the same night when he said he didn’t approve of our relationship” Y/N further explained, caressing Dean’s hand with her thumb.

"Jesus... no wonder he hates me" Dean muttered, running a hand through his hair in disbelief. It all made perfect sense now. But the memory of that night was still a complete blank for him.

"I personally don’t think that's why he doesn’t like you. I think it's because you proved him wrong” Y/N assured Dean. Dean furrowed his brows, puzzled by Y/N's statement. "Proved him wrong? What do you mean?” he asked, genuinely curious as he rest his beer down on the table. “Jesus, charming. What’s going on with your memory?” Y/N chuckled.

Dean cracked a small sheepish grin, realizing how dense he sounded. "Right, sorry. Go on" he chuckled, giving her hand a squeeze. “After he cut me off from my trust fund and John cut you off from yours. You worked your ass off and put me through college. Dad never thought you had it in you, but I knew you did. He has not choice but to respect you, but Dad being Dad is too prideful to admit it”

Dean’s expression softened as Y/N recounted their history. After what Sam told him, it messed with his head. Realizing he was practically the family fuck-up, the black sheep…it hurt him to say the least. But now knowing that Y/N stood beside him through all he had supposedly done and he did whatever it took to support the love of his life despite getting completely cut off, Dean felt a sense of pride and accomplishment in himself.

He felt like he was worth something, because everyone including God himself knows how Dean Winchester thinks of himself. A proud smile tugged at his lips, his loving gaze never leaving Y/N’s face.

"I'll do whatever it takes” Dean said tenderly, squeezing her hand again. She giggled lightly at this, resting her own beer down besides his, “I know you will, and that's one of the many reasons why I love you” Y/N said softly as she brought her hand up to cup Dean’s cheek, he automatically leaned into her touch, nuzzling into her hand like a kitten.

“And I love you too, more than anything" he replied tenderly, placing a soft kiss on her palm. “Besides, Adrienne was always his golden child” Y/N said with a bitter tone and a scoff as she pulled away. Dean furrowed his brows, confused by the new name she had mentioned. "Who's Adrienne?" he asked quizzically, his curiosity piqued.

“My little sister.” Y/N said as if Dean was supposed to know that, rolling her eyes. His eyes widened in surprise. Y/N had a little sister??? His mind then went back to the little girl in the pictures at his mom’s house, that must've been Adrienne.

“The one who tried to sleep with you last time she was in town” Y/N added bitterly. "It's always been ‘Adrienne this, Adrienne that’ “ she imitated her father's voice. Dean's smile dropped as he processed Y/N's words.

He couldn't recall the interaction with her sister or any prior mention of her, but the idea of anyone trying to come between them made him feel rather possessive.

"She tried to what?! ” Dean exclaimed, a hint of anger in his tone. "Relax, baby” Y/N chuckled as she placed a soothing hand on his chest. "You shut her down pretty quick, if I recall. You drunkenly said I was ‘the one’ and then proceeded to scream your lungs out at her, I think I’m safe” she replied, amused by his reaction.

“It's why you put a ring on it” Y/N teased, gesturing to her engagement ring, admiring it in her hand. Dean smirked as he watched Y/N admiring the ring on her finger. "I knew it would look good on you" he said with a hint of admiration in his voice. Seeing her wear the physical symbol of their commitment filled him with a sense of contentment and belonging.

“I’ll never forget you kneeling down in that stadium while Bon Jovi was playing ‘All About Lovin’ You’ and you asking me to marry you.” Y/N reminisced, resting her head on Dean’s shoulder. A warm smile played on Dean's lips as Y/N recounted the proposal. Even without his memory of it, he could tell it must’ve been special.

The fact that he had chosen such a romantic setting because he was never a huge Bon Jovi fan but Y/N loved the band’s music. The fact that he chose something so close to her heart filled him with a sense of satisfaction. "That sounds like a pretty perfect moment" he said, a hint of longing in his voice.

"You were so nervous" Y/N chuckled. "You kept shaking your hands and your leg kept bouncing up and down," she added, recalling the proposal with a fond look. Dean shook his head with a mock frown, "Shut up" he muttered playfully. “You know….I get it” Dean said softly, tracing circles on her hip with his thumb.

Y/N hummed in response, enjoying the feeling of his touch on her skin. "Get what?" she asked curiously, lifting her head from his shoulder to look at him. “Why you’re the one,” Dean responded, connecting his eyes with hers, this gaze filled with love and admiration. Y/N felt a warm sensation in her chest as she returned his gaze, his eyes so full of love and tenderness. "Oh, really?” she asked, teasing him a bit.

Dean grinned as he nodded, attaching his lips to hers. Y/N let out a small gasp of surprise, which soon melted into a soft moan as she returned the kiss eagerly. The way he took charge sent a shiver of anticipation down her spine, her heart hammering in her chest.

Dean's hand on her hip began to wander, gently caressing her body through the thin fabric of her clothing. His other hand moved to cup her face, tilting her head to deepen the kiss. There was a voice at the back of his mind that was screaming at him to stop, telling him this wasn’t right as Y/N straddled him.

Dean's mind waged a war with itself, her presence in his lap both tantalizing and guilt-inducing. He wanted her, craved her, and yet he couldn't shake the nagging thoughts that told him it was wrong, Dean couldn’t bring himself to do it just yet.

He pulled back from the kiss, panting lightly as he looked up at Y/N. Her cheeks were flushed, her lips slightly swollen and parted in a gasp. "We gotta stop,” he said quietly, his voice filled with both desire and restraint. Dean brought his lips to her neck, “Mhhmm” Y/N panted, groaning slightly as she rocked her core against his growing erection.

Dean stifled a moan as she rocked against him, his hands on her hips gripping just a bit tighter. "We gotta stop..” he repeated, though his body was clearly at odds with his words. “I know, I know, i've got work” Y/N sighed, placing a gentle kiss on his lips.

Dean returned the kiss, his fingers moving to run through her hair, the silky strands slipping through his fingers. "You gotta work now?” he asked, his voice thick with desire but also confusion because it was nearly midnight. “I told you, I’ve got the night shifts on Thursday” Y/N responded as she reluctantly peeled herself away from him and headed over to the closet.

Dean’s brows furrowed as he picked up his beer from the table and followed behind her, “You work nights at the uh…” He began as he stepped into the closet to see Y/N with a hanger in her hand, nurse scrubs attached to them, “…hospital.” He finished, an impressed grin on his face. “I’m engaged to a nurse. That is so respectable….and hot” Dean muttered to himself as he eyed Y/N’s ass while taking a sip of his beer.

He wondered to himself why Y/N decided to go into nursing due to the fact she always had a love for music, but Dean shrugged it off.

______________________________________________

Authors Note: Okay soooo, Tumblr told me that my post was too long so I had to split this into two parts.

Part Two Here!

Taglist: @hjgdhghoe @rach5ive @tiggytaylor @star-yawnznn @quarterhorse19

@deangirl96 @bitchykittenconnoisseur @globetrotter28 @hobby27 @mrsjjkwinchester

@juwu-theliciosa @magiccliopleurodon @nesnejwritings @karrah89 @whattheduckisupkyle

@iloveyou2mia @thelittlelightinthedarkness @lmhf1 @littletomboy2 @zigzoggy

@hey-its-zoe @modiddys-blog @thvxr @tommysaxes @cookiemonstermusic258

Xoxo

[ebonyheartnet]

Jazzy still called him a baby, but Danny knew she was wrong. He was big enough to reach the microwave, and he could do his homework on his own. He could! He could totally do it! It was just boring is all. He could even read his own bedtime stories, okay? He was prakti— practa—

He was nearly an adult! Seven meant he was halfway there!

Danny didn’t really need to be babied anymore. It’s just… Jazzy said routine was good for them, and doing the voices just for her felt silly. He was being a good brother, okay? Okay.

“Stop squirming while I’m trying to read!” Jazzy snapped.

“Stop reading while I’m trying to squirm,” Danny taunted.

“Why you!”

Danny tried to get away, but Jazzy’s arms were too long. He couldn’t stop the giggles bubbling up if he’d tried.

“Do you yield?” Jazzy said in a fake deep voice.

“Never!” Danny laughed.

“Then you shall fall to the tickle monster!”

They rolled around on Danny’s bed, trying to get at an armpit or anything they could reach. He made a break for it, but the edge of the bed was too close.

“Danny!”

“I’m okay!” he said, nearly knocking his head into Jazzy as he popped up.

Danny didn’t fight Jazzy as she pulled him up. He knew it’d be faster if he just let her fuss for a second.

“How are you okay?” Jazzy asked. “You bruise so easily, and last time you were crying.”

“Maybe I grew up,” Danny said with a grin.

“That’d just mean there’s more of you to bruise, dork.”

“Fine,” Danny huffed, “I’ll tell you, but only if you keep it a secret.”

Jasmine frowned.

“Danny, do we need to have the talk again?” she asked carefully. “Secrets are dangerous for kids to have.”

“Not all of them!” Danny snapped.

“Yeah, but you’re seven.” Jazzy softened. “You’re really smart, okay? Sometimes that makes it harder to make good choices about risky things.”

“How does that even make sense?” Danny asked.

“Smart means you’re really good at making sense of things, right?” Jazzy waited for him to nod. “That means that sometimes you can justify—that means come up with a good reason for something—you can justify things too easily.”

“So I’m so smart that I can make something bad sound good?” Danny asked, scratching his head.

Jazzy nodded, looking smug.

“I still think that’s dumb, but okay.”

“I mean yeah, it kinda is.” She shrugged. “Brains are just long, electric spaghetti monsters. They’re trying super hard, but like, they don’t get a manual for their meat Gundam.”

“Gross!” Danny giggled.

Jazzy grinned as she leaned against the headboard and pulled Danny into her lap. He tried to wiggle out for a second, but they both knew it was just for show.

“So,” Jasmine said carefully, “are you gonna tell me the secret?”

“Can I show you?” Danny asked excitedly. “You’ve gotta cover your eyes though, it’s super bright!”

“Eyes covered.”

Danny grinned as he cried out his catchphrase and bathed the room in light.

“Going ghost!”

After she calmed down, Danny was happy to hear that Jazzy wanted to be part of his superhero team. She even agreed that secret identities were important, and that everybody who knew should play along—even their parents. No talking about it, except to her, Sam and Tucker to keep the secret, “because grownups might not break character.” She even wanted to work on training his powers to be sneakier!

Maybe they should try transforming without the light? Jazzy told him it hurt her eyes through her hands, and she was still kind of crying.

Maddie and Jack just had a wild realization that might’ve just changed their view on ghosts completely.

They’ve teamed up with the ghost kid, Phantom, a few times now. He’s nice for a ghost, sure, but they still aren’t so sure about if it’s genuine or not. One thing they’ve noticed is that when they’re not fighting, Phantom has these odd little… habits.

One of these habits that had them scratching their heads the most is when they touch him and then run, Phantom will chase after them both, touch them back or touch the other, and then put distance between him and the two ghost hunters with an excited, hopeful expression. He usually doesn’t fly and instead runs, which is odd considering how much faster he is in the air. This only happens when they’re not fighting, when things are as peaceful as they can be with a ghost kid around.

Tonight, it happened again. Maddie tapped Phantom on the shoulder and ran into the van to check on one of their inventions after hearing something inside. Phantom turned his attention to Jack and tapped him on the arm before running away from him. Jack decided to chase after him to see what would happen and Phantom seemed extremely happy and started laughing.

When Maddie looked outside and saw Phantom letting Jack chase him on foot while laughing and telling him to go after Maddie instead, it clicked.

Phantom wasn’t doing some weird ghost ritual.

He was playing Tag.

[maxwell-grant]

The Penguin Episode 7: "Top Hat" Breakdown

There’s a constant referencing of stunted childhood about Mr. Cobblepot – a baby grown enormous, grotesque and as needy as he ever was. The Hugh Hefner of crime. But the Penguin’s sublimated the desire for the tit for a desire for cash, power and empire. And this is why he’s Gotham’s greatest – and most outlandish – gangboss - TheMindlessOnes

The Penguin is the greatest Batman villain for the simple reason that he's the meanest. What the Penguin has that no one else has is a simple abundance of pure, unadulterated spite. In Batman's world there's madness, obsession, will and strength - but ultimately it all comes back to crime, pure and simple. The Penguin's motivations are pure because he simply resents the whole damn world and will not rest until he gets his. The Penguin is a criminal, nothing more and nothing less, with avarice in his heart and hatred in his eye. - Tegan O'Neil

VLADIMIR CVETKO: We wanted Francis to never allow Oz to use his disability as a crutch, and to always have him be strong and move past it and use it to his benefit. But it is isolating. Like, it is. And so he'll never be the same as his brothers. And so there's an inherent jealousy of just his situation that's there - The Penguin Podcast Episode 7

RYDER ALLEN: He loves his brothers, but he loves his mom way more.

COLIN FARRELL: I think he probably all his life feels a little bit broken, and so he's constantly, constantly, looking for his mother's approval and her love. I think he's seen very up close and personal how his mother has toiled to provide for him and his brothers, and wants to give her a better life - Inside Episode 7

Massive props to all the actors here but especially to Ryder Allen, who is absolutely incredible as young Oz. It would be so, so easy to let this take on Colin Farrell's Penguin slip into pantomine but he makes it work brilliantly without feeling at all like an impression. He is so believable he even makes the adult version more believable. Like, that is the same guy, give or take decades of grime and grit and scars, but that's still the same little turd, just before he was truly practiced in hiding his simmering resentment, but already fast learning.

"My big strong bull of a boy", words that in Episode 01 embody such a dark aspect to their relationship began all the way here with Francis simply encouraging her sad little kid with a bum leg. I said as much in prior entries that it's Francis who lights the fire under him, that she is the force that pushed him from mere self-preservation into city-conquering ambition for her sake, and we see the most innocent form of that motivation here. Just a disabled kid whose mom loved him and wanted him to love himself more.

So the previous episodes had already given us small glimpses of what Jack and Benny were like when they were still alive - that Jack was presumably the older sibling and a baseball player and the de-facto "man of the house", given how readily Francis accepted the idea that he had gone downtown on his own to get the power back, and that Benny was presumably younger and more innocent or sweet, given she mistakes Victor for Benny and asks him to dance with her. The opening scene very much confirms and expands on these traits and already raises up Ozzie having a resentment for them, and where does that come from. That cocktail of self-preservation and insecurity and spite and overcompensating that defines him.

Because it's not even just that his mom loves them and he wants her to love just him, it's not pure greed, it also comes back to how little he thinks of himself, and how he's hyper aware of every advantage others have over him - He can't be the upstanding man Jack is, and he can't be the pure innocent source of joy that Benny is. He can't be trusted to talk to Rex like Jack, and he can't successfully drag her away from work to have fun like Benny. He can't go out and be relied on to take care of his mom like good and strong old Jack, and he can't run around the house like sweet and happy little Benny, can't join the three of them when they play and instead has to sit there and stew in rejection over all this love and affection he can't have.

I didn't think we'd get a glimpse of Rex, but the one we get is so fucking perfect. What we see so far shows he was basically just a piece of shit gangster, a cartoonishly evil Greaser extra with nothing special about him, he was just a guy Oz projected hardcore into because he got stuff done for Ma (and he wasn't even great for his mom, he underpaid her! Same shit Victor complained about with his own dad). Oswald stares at his money and his cigar and his attitude and already wants to be chummy with the guy while Rex doesn't even look at him, he talks to Jack only, and Francis doesn't want Oswald to be involved with him. But even so, he's the closest Ozzie has to an older male role model he looks up to.

And so it doesn't matter that Rex Calabrese's car wasn't actually made of gold,, because Oswald will grow up to tell his next little brother, the next Benny, about the gold cadillac of the man who blessed his block. It doesn't matter that Alberto Falcone was 100% right about Rex Calabrese being just a small-time asshole, because Oz elevated him into a post-mortem myth.

Really, he's doing the same thing Sofia does and that Bruce did, elevating paternal figures into personal saints and guiding lights on their great life missions, with Bruce shattered when he learned about Thomas' mistakes and how said failings shaped everything currently wrong with the city, and Sofia describing her abused scared but loving mother as "a force too great for the Falcones to handle")

I think, way more than the murder, this is the part that most speaks to me about this guy being fated to become The Penguin, that on some level beyond explanation this is just what he was going to be, that he can already think of nothing else but wanting to be this guy. Dude came out of the womb wanting to be a criminal.

Crucially important to where this is going is the fact that there was real love between these brothers. They play flashlight tag instead of regular tag so that Ozzie can be included. Jack is constantly trying to protect him, always shielding him from Rex, warning him that he's a bad guy, taking the two in the tunnels to protect them from the rain, telling them that Ma deserves way better than what Mr.Calabrese plays them. Benny wants to play zombies with Ozzie, wants them to go to the arcade and play Double Dragon forever, puts him up first at tag. And even if all Ozzie wants is to stay and help Ma, even if all his brothers do is get in the way of the only thing he wants, he also wants to play with them, he wants for Benny to think that Rex's car is cool, he is proud to tell Jack that he knows about Rex being a gangster, he wants them to like the things he likes and he wants to be involved when they play.

Just as important is the extent to which Oz was genuinely hurt by what they did at the tunnel - that to him, they pretended to include him in a fair game that was actively unfair, they broke the rules by leaving the area and then broke them further by hiding somewhere he couldn't physically get to and cheating at what they agreed to and laughed all the while, and that's why Ozzie angrily closes the door on them at first, to punish them for doing this to him.

Everything they do here, even Oz's decision to lock the door on them, is childish, because they're just kids playing around. Jack and Benny even apologize and say they'll start over, but then, what will become the pattern of his entire life begins. Naturally, we hear a rendition of his theme when this happens.

KEVIN BRAY: I don't think that Oz had an intention of taking his brothers out in that moment. We've all known that child as a child. We've known the child that just strikes too hard or hits somebody with something and never thought the consequences would cut them open and they'd have to go get stitches. And he didn't have the impulse control, you know, to think this through. - The Penguin Podcast Episode 7

LAUREN LEFRANC: In his mind, they go down the ladder into a deeper part of the tunnel because they know it's hard for him to get down there. That's not true, but that's what he thinks, because he personalizes things. And this is reflective of what we see from Oz in 101 with Alberto. Alberto demeans him, and Oz impulsively shoots him. As the water begins to rise and he knows the rain is coming down and he has every opportunity to stop it, he lets that impulsive act become permanent. It's not that he actively kills his brothers. It's that he actively does nothing to stop it. - Inside Episode 7

Penguin with the Iceberg Lounge built atop the 44 Below where the fucked up shit he's covering up happens / Penguin with the Underground Railroad built atop the foundation of his original moiders he's covering up

Thinking about a description that stuck with me from the podcast, that Francis sent him like a stealth bomber into the world. So stealthy that he even bombed her life and she didn't notice

"They're your boys, and they're freezing" For the entire show this has haunted Francis again and again, even right in front of Oz

I kinda expected, given the Pain and Prejudice mention, that Oswald was going to be indirectly or directly responsible for killing his brothers, and that this was going to have a vastly better idea for that concept, and that it did. I've seen lots of people describe this as the show asserting he was ontologically evil from birth and that's, well that's just dumb, and that would be too easy, that attributes foresight and planning to Oz's decision that simply wasn't there, and wildly misunderstands much of the point of the show. Oswald is not beyond reason or empathy or humanity or feeling, precisely the opposite - he is all too painfully human, all too painfully real, in the atrocities he does and the ones he does nothing to stop.

He just is fearless, and I think it has to do with his empathy. You’re going to go, “God, I hate this guy, but I see where that comes from and that does not make it okay.” There’s a sense of tragedy within all of that. -Matt Reeves

Oswald's decision to lock his brothers in a fit of cruel and stupid spite after they insulted him (even if by accident) mirrors his decision to shoot Alberto after he's insulted and his decision to rat out Sofia after being insulted. Oswald walking home and deciding to do nothing while telling a different story, because it ultimately benefits him to do so, mirrors his decade of silence over Sofia's imprisonment and his complicity in Carmine Falcone's murders while telling Eve a different story. It is, indeed, the worst thing Oz has done yet, but nothing about it is fundamentally different than the patterns by which he's acted since Episode 1.

It wasn't that his brothers were mean, not intentionally anyway, or even Oswald was always planning to kill them, he very clearly wasn't. But A: They did something that really hurt and upset and offended him, and so were the first to find out what happens when you do that to Oz. And B: They were the first people to be in the way of something Oz wanted, the only thing he ever really wanted which is his mother's love, and so it's good they had to go. Not a premedidated crime, not even something he actively wanted, but it was a happy acident turned chance, and he wound up taking it and doubling down on it.

It's evil and fucked up to the degree I think works best for Penguin being evil and fucked up: Not sadistic and over-the-top cruel, not the Joker or any of that fetishistically elaborate revenge bullshit he's had since Joker's Asylum, but as someone who profoundly does not care about what he has to do or who gets crushed along the way for him to get what he needs. Does not go out of his way to murder for the sake of it, but will not blink at whatever body count happens to get him what he wants, more indifferent than actively malicious and that doesn't actually make it a lot better.

I believe Oz to this day still loves his brothers. I believe he means it when he says "I lost em too", it's just he doesn't think about the contradiction involved.

As someone who never liked the hypothermia/forced into always going out with an umbrella origin (always thought the latter one was real forced and dumb as far as justifications for the umbrella-theme went), it's cool they actually did incorporate that classic Penguin origin element so strongly here. In the broadest strokes possible, they managed to work in "Penguin's mother lost her family due to hypothermia and so her smothering concerns for Oswald pushed him into situations where he was frequently belittled and mistreated until he became more and more insecure and spiteful and twisted"

That's the cornerstone around which everything is built, the rest of his life. And it certainly is the foundation, or the springboard upon which he is launched into the world, that decision that he makes as a child in that moment, and the reasons why he does it – so that he can have the isolation of his mother's love directed solely towards him." I think he washes his hands of it totally, and has convinced himself that it didn't happen the way it did. It's that grave. But it's in there somewhere – the darkness. - Colin Farrell

Something I should bring up is also the Portuguese title given to this episode: instead of translating Top Hat (which would be Cartola), they called it Manda-Chuva. Manda-chuva is a conjoined slang term for boss, big shot, head honcho, that kind of thing, but it translates more literally to "Rain sender/commander" (Manda = order/sender, Chuva = rain). Like you're the guy who makes it rain in the village, you command the rain and everything else. Fucking excellently horrible name choice here, like it better than the original title.

To quote @book--wyrm

the juxtaposition of the tapdancing and the raindrops and the slamming and the shooting and then the hum of the TV and the buzz of the streetlights (get back home when those go on) and the rushing of the water into the grillthat shot of the jar outside the window, all filled up with water, two toys floating in themthe highest point in his life. when his mom is still happy and whole and he doesnt' have to share her untainted love and he doesnt' have to think about the consequences of what he's done while his brothers are drowning in a sewer under the city

him literally turning away from the camera after the shot of his brothers screaming underwater, turning away from who he might have been—the steady, honest man, and the bright, innocent child as they drown horrifically, to stare at a glitzed and glamoured version of who he will eventually become

Oswald's first crime, the first time he learns he can get what he wants by skipping the line. That he actually can have everything if he just does things a certain way. It's the first time he won, the first time he managed to take out his enemies/competitors and won what he wanted for it, pushing his brothers out of the nest so he could hog mama all to himself.

Nobody has to know, nothing that could be done, they hurt me first, it didn't happen like that, I deserve this, I'm making her happy, I can take care of her.

"The city took them."

All he was doing was punishing them for playing a mean hurtful prank on him. And then he went home. And then at some point realized they were not going to come back, but he kept going. Isn't it warm here, with Ma? Isn't it everything he ever wanted? Look at the tv, the man with the top hat dancing away the night. Isn't it cool when he shoots down everyone in the back? Isn't it cool, this larger-than-life thing he will map his life around, showing him how much it rules to be like this? His very own Mask of Zorro, in Fred Astaire shooting his back-up dancers, The Gentleman Criminal taking form as he commits the most horrific despicable betrayal of his life. The fantasy he will spent the rest of his life grasping for and projecting on pieces of shit like Rex Calabrese and Carmine Falcone in the hopes of one day taking their place, while he at every turn works to destroy and undermine it.

It sprung from a very base animal selfishness, resulting from a perfectly understandable childish impulse, carried to unimaginably horrific proportions set to define the rest of his life. Ozzie Cobb never wanted to murder his brothers, but he got away with it, because The Penguin can get away with anything.

Oswald commits his first spiteful horrific childish self-serving murder, on the same day a sharp-dressed backstabbing criminal in a top hat dances before him and his adoring mother. He's seeing his future, the reward he gets for his first crime, and he likes it very much.

LAUREN LEFRANC: Without it sounding cheesy, love matters to him, and that doing right by whatever the (mafia) family traditionally would do isn't the most important to him. And that there's a brazenness to it, that he can do what he wants, and he can be with who he wants, and he'll make his family a mixed family. And that there's strength in that as well. That makes him a different man than we may have seen in different iterations of Salvatore Maroni -The Penguin Podcast Episode 7

"Fuck your guilt, just bring me an army" - That singlemindedness that makes Oz such a piece of shit, while also making him someone that you can follow and even look up to, a guy who can plausibly sell himself as Da Good Boss. He doesn't give Victor shit for what happened to his Ma, won't hear excuses and he doesn't care for them, we gotta get this done now. Like at the grave scene in Ep3, he doesn't want Victor's apologies, he wants him to get his shit together if he's gonna stick around (by what he thinks is entirely Victor's choice). He has no time for guilt or second-guessing or a conscience, not his nor anyone else's.

"Gentleman" is a term that's only been brought up once in some episodes and in the most bitterly ironic tones possible, here turned against Oswald by Sal berating him for having betrayed his gentleman's promise and thus now he'll get the same deal, which helped put something in perspective: Sal Maroni is right, he is a gentleman. In fact, if anyone in the entire show, if anyone in Gotham, could be described as a "gentleman criminal" the way Oz so desperately aspires to be, it would be Salvatore. And not only does he fail partially because of that, but Oz has nothing but contempt for him, only sees him as a sentimental preening idiot (exactly the way Carmine did) and not only that, he will spend the remainder of the episode dragging him down to his level and causing him to die for it.

I love that Oz tries twice to turn Sal against Sofia and it never works, not even a little. Zero pretense that she's not in control and Sal is fine with it, he just wants Oz dead more than anything else.

Definitely a good time to bring up that, the first time the name Oswald Cobblepot was ever introduced was in the Batman Sunday Classics newspaper strip, issue #119 in 1946, in a story about The Penguin's aunt who raised him, Miranda Cobblepot, coming to visit him after ten years, and him begging Batman to not reveal to her that he's a crook and hold off on arresting him until she's out of town. It's the first time we were also shown anything about Oswald's background and a maternal figure in his life, here seen as comically overbearing as well as completely oblivious to his criminal life, helping fight off mobsters and leaving while telling him to help his good friend Batman take these hoodlums to jail.

Miranda never really showed up again outside of this strip, but some of these ideas eventually carried over to mainline depictions of Penguin's mom, namely his dutifulness towards her and her control over him and her total obliviousness to his criminal deeds, which has always defined her. I bring this up because, while we've obviously seen before that Francis is his confidant and knows and encourages her son's brutality, dancing in giddyness when she hears about the Falcones being killed by him, it's a brutal contrast to her telling Sofia here that yes, she knows full well about the worst thing he had done up until the opening of this episode, she knows he burned alive a mother hugging her son, and she couldn't be prouder. Even now, she is the ultimate force in Oswald's life, the only authority he answers to and his guiding motivation, even as we learn now she was his greatest victim.

Francis burns with such eternal undying spite and hatred, the force that turned her boy from simple self-loathing self-preservation into city-conquering ambition, and she burns so strongly she trounces The Hangman in a verbal boxing match and cracks the façade that will be later shattered in the episode. Francis is tragic and sympathetic and loving only because she is interrupted with bouts of crushing despair and guilt and delude love brought on by her illness literally forcing these feelings on her, because otherwise she would be as good as, if not better, han her son at this. At steamrolling everything and everyone fueled by hatred, and hers still burns strongly at everything and everyone, except the person who most ruined her life.

Dr.Rush subtly but very clearly suggesting having Gia killed, lmao. I think it's good to have just one total pathosless bastard in the proceedings, when every other character has so much tragedy and history and whatnot. He has 100% wholly sublimated his guilt over the Arkham atrocities he was a part of into a drive to help his victim Sofia no matter what, and not actually improve as a person or rectify the problems he was a part of, thus becoming someone who can justify any atrocity because he's doing it in the name of someone else he must avenge and do right by.

A thing that @davidmann95 brought up for last episode that became extremely relevant for this one

this ep also illuminated Oz's true power for me: he understands more than anyone else the power of This Fuckin' Guy, and thus builds all his rhetorical swerves and master plans around painting someone else as that

he can't make people stop hating him, but he can make anyone the person you hate slightly more

His power is hate and spite, as is true of the Penguin, as he gets from his Ma. The one that fuels him, and the one he can stoke on others. Every reason they gave on that meeting as to why he's the most hated crook in town was twisted into an additional reason why they should hate the people he's up against more. Here, Oz tries to turn Sal against Sofia, and it doesn't work, so he buys a distraction by reinforcing his status as That Fucking Guy. Sal has him dead to rights in every sense, and Oz stokes up so much hatred that the guy actually fucking dies from it.

Hey Vic, don't you hate that your parents died over nothing? Don't you hate that the Falcones get everything and you get nothing? Hey Sofia, don't you hate how these old bastards treat you? Don't you hate how our friend Alberto got killed? Hey Crown Point, don't you hate how you've been abandoned? Don't you wish there was someone helping you get back at the bastards that left you to rot? Hey Gangs of Gotham, don't you hate those bastards up town wiping you out even more than you hate me and each other? Hey Sal Maroni, don't you hate ME? Let me remind you of why you fucking hate me so badly your heart's gonna explode.

Brought this gentleman Salvatore down to his level so hard that he made classic Sal Maroni, the seething vengeful bastard who will burn your face off if it's the last thing he does, into existence.

CLANCY BROWN: Oz is an American. He wants to win, and he wants to win on his terms, and he wants everybody to know it. That's why he throws the body out, you know. He throws the body out, for crying out loud. That couldn't have been easy. He throws the body out where everyone can see it.

LAUREN LEFRANC: No one is seeing this happen, so that then you sense Oz's delusion, right? He's talking to a dead man, and then he shoots him anyway, because he wanted to shoot him because he wanted to. And so, he got what he wanted, and he made it happen, even though it's not actually the way he imagined it. And then, what Clancy's saying, he throws the body out and then takes credit, like, "I killed him. I did it." And from that point on, in Oz's mind, he killed Sal Maroni. There is no other alternative. No one else is going to know that Sal died on his own. This is part of Oz's constructed narrative. - The Penguin Podcast Episode 7

I love how Clancy Brown put it, that Sal was all heart and passion and rage and so eventually it just had to go out. Perfect death. He is not the guy who can burn himself forever in the name of vengeance, he is not Oz and Sofia, he is not a Batman villain - he's the guy who dies to make way for them, and here, he dies denying Oz the satisfaction of taking him out. C'mahn man, twice already the big bad bosses of Gotham die before he gets to actually kill them, first Carmine and now this. Popping punk scrub bitch Alberto just wasn't that satisfying, and Sofia's just making everything too weird. With the Falcones gone, this was the guy he wanted to genuinely brag about killing to his mom, and now it's just gonna be another lie and delusion that Oz spins into reality.

Also further contextualizes why Oz is gonna be the guy who picks fights with Mr Vengeance. All he wants is to prove himself, but all his biggest opponents so far died on him before he could get satisfaction. He's happy to profit from the ring and from taking credit for killing Sal, and he may even rewrite his memory so as to delusionally believe he actually killed Sal, but the truth of that moment was personally wildly unsatisfying. He needs to be the big shot who clawed his way up there, he needs to be alone at the top, and he needs to push everyone out of the nest, like he did his brothers.

The station coin he pulls out of the car attached to his lie that the city took his brothers, and the ring he pulls out of the same car with the lie that he killed Sal Maroni

Just once in his life, he wants to say "I got you, I FUCKING GOT YOU!" to a big bastard who thinks they're better than him and died by his hand, and to actually mean it and have it stick, no asterisks attached.

Rules that even before we can fully understand how deep in Batman Villain territory she is, Sofia is dressing up in wild hair and black furs and heavy eye to visit Gia. It is still visibly her covering up and dressing more conservatively than her past outfits, but she is so inseparable from her trademarks at this point that she goes to a children's mental hospital looking like she's hunting down the Baudelaire orphans for their inheritance money.

Sofia fully replicating the same attitude that was weaponized against her to cover up her mother's murder, and then when she sees the scars and realizes the degree to which she's created another Sofia, pivots instead to embracing her while telling her as openly as possible that yeah, I killed your mom and dad, you should be happy I did, they were scum, please be happy I murdered your family, you're free now like me. She won't accept becoming the same monster that they were to her, so instead she opts to become a different one.

As much as Eve was wrong about Sofia being the Hangman, she was right that she thinks in black and white: her worldview is based around compartmentalizing everyone between Victims and Victimizers. She very much placed Eve in the latter category at first and everything she was doing in that conversation at first, prodding her about performing for men, about her relationship with Oz, about her shallow lies to men, about being good at saying what people want to hear, seeing her as an extension of Oz, everything was to confirm and strengthen her already existing bias and intent to kill her, until The Hangman came and in part she realized that killing Eve would firmly make her a Victimizer.

Everyone she has killed up until this point? Victimizer. Alberto, who was very much complicit and aware of the fucked up shit Carmine did? Victim, because maybe he couldn't have known, he fought to keep her alive and get her out, she loved him, and he was killed by a Victimizer. The Crown Point followers of Oz she'll bomb later in the episode? Victimizers. Julian Rush? Victimizer, but he knows his place. Sal Maroni? Victimizer turned Victim. Oswald? Victim turned Victimizer a decade ago. Francis shook her up, but she can still justify doing horrific things to a mentally ill woman because she raised the monster who did all of this to her and is proud to have done so, ergo, Victimizer. But in Gia, her comic book view of morality shatters, because she's confronted with a Victim who is so because Sofia was her Victimizer and this is not fixable.

And to her detriment, Sofia has enough of a conscience to be aware that she created another Sofia, and so she speedruns self-awareness and reverts to the old Sofia, which causes her to start dying on the spot under the weight of everything that has happened to her and she's become. And so it falls to Dr.Rush to actually do what he should have always done for her and save her, as well as put her back on tracks to do the most fucked up thing she has ever done, steering her back into the mindset she needs to survive this.

She wants two wildly contradictory things, she wants to be free from it all and she wants her eternal revenge on her nemesis and she will forsake the former in pursuit of the latter. Her most sincere desire is freedom and peace away from this fucked up world her dad created for her, but she will never make it if she stops, and the only way she will make it is if she buries the part of her father's legacy that is still actively around and ruining her life. All she wants is to be free and she never will be until she kills him, until she kills everything he embodies in her life, and in her quest to kill him, she will most likely throw it all away.

As @book--wyrm put it, "Oswald is pursuing his dreams, and Sofia is running away from a nightmare". Sofia dreams of Arkham, of the yellow wallpaper, of Magpie chanting Haaangman inside endless dark metal walls. She dreams of her mother's corpse, of being hanged and murdered in her place, of Alberto's murder, and everything that causes her to scratch and tear at herself until she wakes up. Oswald? He dreams of Fred Astaire tap dancing and shooting his back-up dancers, and to even think of anything else is unthinkable. Nothing else matters.

But in spite of struggling with a conscience and an understanding of morality that Oz fundamentally lacks, I also like that Sofia is more imaginative in her cruelty than he is. She is sadistic to a careful, measured, elaborate extent Oz hasn't really learned to be yet. Even the burning of Nadia and Taj, as horrible and sadistic and premeditated as it is, was still rooted in self-preservation and a failsafe in case they backed out on the deal and petty revenge for stealing his shit and ruining his deal. But Sofia took the time to have Dr.Rush hypnotize Francis so they could learn the most thematically appropriate location to torture and kill the two and then engineered an outcome just to psychologically torture him before blowing him up, knowing he'd find a way to survive even that and setting this up just to flush him out of hiding.

For those keeping score at home, in this episode, Sofia Gigante attacked his sidekick with a crowbar, sicced her goons to beat him up and steal his shit, kidnapped his mom and had her sidekick, the Arkham doctor who begged to be her Harley Quinn, do hypnotic mental torture on her, baited Oz into a trap within a trap within a fake surrender and with an accompanying speech about how the old game is gone and she is playing new ones, bombed his Batcave and his loyal army, banked on him surviving that so she could send someone to pick him off as he escaped, and is now taking him and his mom to a showdown at a deeply and thematically important place for them, which is also a fucking theater by the way. I've been raving about her being the real Batman Villain of the show since Episode 03 but at this point, she is more Joker than the actual Joker in this saga. She's fully thrown herself into happily and merrily pulling a grand horrible caper on him and his entire life and everything he cares about with little practical consideration to her own criminal empire but extensive thought given into the panache and thematic meaning of what she's doing, it's amazing.

Fun thing to think about, whether Oz would have left Victor to die down there along with everyone else, or really just if he would have bothered to warn him before he bolted to the hole made just for him. We've already seen Oz quickly sell out one of Victor's friends out to die, someone who could have been Victor himself if he had gotten away. We've already seen in the burning of Taj and Nadia how monstrous Oz can be without Victor around. And now here we see how quickly and efficiently Oz can ditch all "the good people of Crown Point", the people who actively put themselves in danger to save him from Sal, to die at a moment's notice.

Credit to @book--wyrm for pointing how the bottom two rungs of the ladder he climbs are broken. The first two bodies he ever climbed over to get what he wants.

And thus we see by their last scene together how Oswald and Francis's present relationship began. The moment he transformed into the amalgamate of everything she lost and needed in her life, when he needed to step and be everything that Jack and Benny and dad and Rex had to be for her, because it's just the two of them now and forever, Kids raised by financially struggling single mothers often very much have to pull double or triple duty and work to compensate for much of what a husband or uncle or support network are supposed to do (speaking from personal experience here), and so from an early age Oswald already had to transform into the character he'd play as an adult.

He has to be the replacement man of the house who leaves her to get shit done for her, and he has to be her sweet boy who tends to her emotional needs, and he has to be her big strong bull of a boy who survived and stuck around and now grounds her in reality so she won't lose herself, and he has to be the provider and caretaker that her husband failed to be, and he has to be her Rex Calabrese who won't take shit from anyone and make sure she gets what she asks for even if it's by illegal underhanded means, and it's too much. Following his first crime and his first victory, we thus get the first moment that Oz began to spin far too many plates to keep his life in one piece and avoid consequences for the shit he put himself and someone else in.

He broke her due to his need for her love, and she broke him due to her need for his love. He turned her selfish and cruel and broken like him, and she turned him into someone who would never, ever grow up and change past this. Oswald's maturity and Francis' hopes died with the two and now, as Oz said to Benny 2 back in Episode 3, "there is just this - survival".

So obviously the climax of the show / Oz's relationship with his mom is gonna happen in a theater club, of course. Of course it's the same place that he swore as a child his eternal mission to do right by her.

Though he lacks the money and the umbrella gadgets and bird armies and supervillain resources, they've managed to firmly establish what the Penguin has in extreme abundance, the superpowers in his soul that allowed him to make his way through the world and win.

Ozzie's failings are human failings, Ozzie's attitudes are human attitudes, everything done in the flashback, even the closing of the door, was fixable. But The Penguin is unmatched at getting away, with an almost preternatural ability to fuck people over to get ahead, to slip from a catastrophe and land right into another one. This is a guy who is, in his own way, every bit the absurd uncanny freak that any other version of Oswald Cobblepot has ever been, and if his lack of evening wear and verbosity makes him distinct from classically-flavored Penguins, everything that matters to the character is and always has been there.

This is a guy who is better than anyone at "the wiley schemes and the quick, last minute escapes, who always has a trap door, an unbrellachute, some other trick up his sleeve to thwart and evade his dark nemesis at the eleventh hour". This is a guy deep in unshakeable childish delusion and devotion to the hustle, who burns a bottomless black hole of ambition in his gut and who was born with cigarette ash for blood and a top hat instead of a heart. He may not have been born evil, but he was born ready. Ready to be the embodiment of Gotham's criminal element, to be a child's idea of a master criminal in much the same way Batman is a child's idea of crimefighter, born ready to do this shit forever and ever.

[pixi4]

**OBX SPOILERS**

Can we talk about the fact that Obx4 is not about good plot, writing or character based story. It's about shock value and fan service.

JJ Maybank, who literally hasn't had a moment of happiness in the 4th season, gets killed by the end so that were shocked and hooked for the next season.

We get one shot of him dead, his friends barely even crying and them BOOM gets buried in the fucking ground in the place that's not even his home, literally plopped into the fucking ground like a piece of rock. Audiences don't even get time to process his random ass death and suddenly John Bs stupid ass monologue shows the flashbacks of JJ and how he was a good friend and all that shit.

If people who WROTE this fucking show can't understand that JJs character goes FAR beyond just being a good friend, then I guess I'm not even surprised by the end.

We were CONSTANTLY shown aspects of JJ that in some other universe would've been properly explored. He's clutches his chest constantly, perhaps suggesting he's got a heart thing or breathing difficulty, his home life is shit and not a single adult gives a fuck. John B is practically stalked by the CPS in season 1, but no one bat's an eye at the fact that Luke abuses JJ. He's got dyslexia and kleptomania which is only ever played for laughs meanwhile Cleos kleptomania is regarded as a serious thing she had to do to survive. He can never sit still and constantly switches back and forth, obviously ADHD coded. Whenever gang argued before, JJ used to pace around and put hands over his ears suggesting he has some bits of PTSD from unstable home environment.

All of THAT exists and is true about JJ yet in John B fucking monologue he's reduced to just "a good friend" ????

Literally NOTHING of his trauma is explored or even touched upon aside from that bit in season 1. NO ONES trauma is explored except for Sarah's (no hate to her) and John Bs.

Fuckin bs.

Imagine being given up by your dad (who killed your mother btw) to a morally questionable man such as Luke, who then proceeds to beat you and emotionally manipulate and torment your for years, neglecting you and abusing you. To then suddenly being told you're not actually his and that all that beating and abuse COULD'VE been avoided had someone actually wanted you. Then you meet the said biological father only for him to lie to you, manipulate you, gaslight you, scam you, attempt to kill you once and then fucking succeed in killing you..... The amount of disrespect for JJs character.

Fuckin Luke, the biggest abuser is JJs story is alive and well and FUCKING JAIL FREE??? WHILE JJ IS IN THE GROUND???

The angry faces of others and Kiaras "revenge" implies that season 5 will be about seeking revenge and sinking further into darkness in order to right the wrongs of JJs murder. But guess what?? Sarah's pregnant. That storyline itself is basically ensuring that happy ending is in sight. For basically all of them, because as Kie said: takes a village (to raise a baby). Motherly vibes are gonna spread their positive energy and then they'll heal and John B will most likely give another boring ass monologue about how People die but they also live and heal and shit and how everybody deserves happiness with shots of the gang raising the kid and riding off into the sunset....

Guess who fucking deserved happy ending THE MOST out of all of them???

JJ fucking Maybank.

Every season of obx focuses on on Pogue. 1.- John B, 2.-Pope, 3.- Kie. Imagine waiting for your own season only for your character to constantly be dealt the worst of cards, be perpetually disregarded and have shit go from worse to worse to in the end fucking die randomly???? If I was Rudy Pankow I'd fuckin sue.

The shit that pisses me off the most is that it's so painfully obvious that Rafe will inevitably get a redemption arc and his own happy ending, possibly even with Kie since people love to ship her with a man who's a) mentally and emotionally not at all alright b) is a murderer who never served his time and got one of her friends framed for it causing him to literally be chased out of his own home for crime he did not commit while he was still a minor c) has tried to kill her d) has tried to kill her best fucking friend, who is his own fucking sister

Infatuation with sociopath men in media HAS to stop. But it most likely will not stop any time soon and JJ is yet another victim of shipping wars.

I can't even read stupid ass fanfics anymore because I'll always remember that JJ is not alive in the Canon anymore.

Who ever gave the green light in the making of the end of season 4, sincerely and disrespectfully, I fucking hate you.

My disappointment is immeasurable and my day is ruined.

[chai-berries]

all my friends support palestine and know neil druckmann is a zionist (new link)

Tricks and Treats and Lots of Popcorn Balls to Eat (#24)

Halloween Dusk, 6:58 PM, Anderson Home, Dining Room

You’d think your wife loved Trick or Treating more than your kids, the way she’d strategically planned out the route around the neighborhood. You were sitting at the dining table, applying black whiskers to Isaac's face. He was going as a Black Kitty Cat — with an extremely cute and fancy bow tie collar. Abby was balancing your other two — Genevieve was a baby Chick, her favorite animal, and she was happily sitting in Abby’s arms, all ready to go. Elijah was having a bit of an issue with one of his many legs attached to his torso. He was going as a spider that is also a human. Not to be confused with Spider-Man. Something you and Abby had to clarify with Elijah on multiple occasions. You were dressed like a witch that matched Isaac and Elijah’s costumes, while Abby was dressed like a Farmer to match Genny’s.

“There, all done!” You capped the eyeliner pencil, letting Isaac step back and look at himself in the mirror. “Oooh I love it, Mama. Thank you.”

“You are so welcome. Now go get your puffer vest and your bucket, okay?”

It was going to get pretty cold once the sun set, so each of the kids had a puffer vest or shawl that matched their costume.

Once all eight of Elijah’s arms were secured, the group of you started out the door and out onto the streets where kids and families were already milling about. The neighborhood you guys live in is close to the elementary school, thus the neighborhood became the best place for a little kid to trick or treat within the past 20 years or so. Now it’s a perfect set up with the best candy, houses hosting child-friendly games, and even a few of the older folks host a cake walk at the soccer field park. To give the parents and adults some Halloween magic, one older woman makes halloween themed baked goods and fresh coffee and hot cider. Abby was an absolute fiend for her Popcorn Balls, buying one for you and three for her. You both get Butterscotch and Abby gets the rainbow marshmallow one — for gay reasons — and a chocolate drizzled one she treats like it’s a fancy dessert.

The night takes a turn an hour into the walk. By now the kids have a good amount of candy. Elijah has a bit more because some of the houses were for “Big Kids” and Isaac wasn’t ready yet. Genevieve was too busy trying to waddle away from you to care about the candy. You were in the middle of chasing her down someone’s drive away when you heard Isaac start to cry, followed by noises of anger from someone you didn’t expect — Elijah.

You turn the corner onto the sidewalk to see Abby crouched down in front of Isaac who was crying. You run over to them and scan his sad face for any reason for the crying, but see nothing obviously wrong. Then your eyes and ears are both on Elijah, dressed as a spider-human, who is scolding a teenage zombie that was covered in life-like guts. Even though he’s smaller than the teen, the older boy’s face looks embarrassed.

After checking in with Abby, who is successfully calming down Isaac, you walk towards Elijah, Genny still in your arms.

“Elijah?”

He stops talking and turns to you. His angry expression changes to relief, tears of frustration bubbling in his eyes. “Mama! He scared Isaac! He jumped out at us and scared Isaac! He has friends with him too!” You reach out for Elijah, who turns to glare at the boy before running into your body.

You lock eyes with the teenager and raise an eyebrow. He now looks more scared and you don’t know if it’s because of you or whatever Elijah had been saying to him. Or it could be Abby, who is now standing upright and glaring at the boy, just a few feet behind you.

“Is this true?”

“Ye-yes. I-I’m so sorry. I swear I didn’t mean to make the kid cry. I just wanted to spook them, ya know, because it’s Halloween. I’m so sorry.” He seems genuine enough and Isaac doesn’t seem as scared anymore. You still think that Elijah and Abby could stand to simmer down more.

“I understand it’s Halloween, but you are in a neighborhood filled with elementary school kids. Have some sense next time.” You look around and only see older kids walking with their parents. This neighborhood was practically little-kid-only on Halloween.

The teen nods rapidly. “Yeah. I didn’t wanna come but my friend made a bet.”

“Where are your friends now?”

“Probably five blocks over.”

“Good friends you got there.” You give him a wry smile. “Okay, here’s what’s gonna happen. I will accept your apology on behalf of my kid. And I will let you go. However, no more scaring kids dressed like farm animals, okay? Sounds good?”

“Yea-yes.”

“Okay now you better go because I can only hold my wife back for so long,” you nod your head back to Abby who is holding Kitty Cat Isaac in her arms but she somehow looks like a Wolf Soldier with that expression on her face.

The teen locks eyes with Abby and his face drains of color. You have to bite the inside of your cheek to not smirk.

“Yes. Thank you. So sorry!” He says the last part to Isaac and Elijah before running away down the sidewalk. You walk back to Abby and Isaac. You stop in front of her and free your hand holding onto Elijah to smooth Abby’s furrowed brow.

“Easy there, mama bear,” you joke. Her brow softens.

“More like you’re mama bear; standing up for our cubs,” she says and boops your nose. You automatically scrunch it, making Abby laugh.

You blush under her loving eyes. “To be honest, if anyone is Mama Bear it would be Elijah right now,” you look down to Elijah. “I am very proud of you, Eli. You are very brave to stand up for your brother. I’m sure he appreciates it.”

At the mention of himself, Isaac looks down at Elijah. “Thank you, Eli. Momma, can I go down?” Abby lets him down. Once on the ground, Isaac wraps his arms around Elijah in a tight hug.

“Do you guys want to continue?” Abby asks after a moment.

They break away and Elijah grabs one of Isaac’s hands to hold.

“Yes, I am good now!” Isaac confirms. His hand squeezes Elijah’s in excitement. His tears are gone and a smile has replaced them.

You and Abby share a smile between yourselves.

“Okay,” you say. You boost Genevieve higher on your hip. She’d been supporting a concerned frown for her brothers, but fortunately never felt the need to wiggle out of your arms and run off like she did before. “Let’s go get candy!”

Halloween Night, 10:13 PM, Anderson House, Living Room

“Ugh,” Abby groans. “I love Popcorn Balls!”

She takes another large bite out of the popcorn ball, looking like a less dignified Snow White eating the poison apple. Laughter bubbles out of you as you watch her try to catch the loose pieces her mouth misses.

It’s your laughter that must remind Abby that she’s not alone. She turns her head to you and raises an eyebrow.

“What’s so funny?” She asks.

You don’t answer her at first, learning forward to pick off a piece of Popcorn Ball that was sticking to her chin. She had this look on her face that could rival Isaac’s goofy, innocent expressions. Which often features a joyful grin that they just happen to share.

Once her face is clean of a few more pieces, you answer her. “Nothing. You’re just so cute.”

Her confusion makes you laugh again. “I’m cutely funny, not funnily cute and that was your funnily cute laugh. And you just did it again.” Her lips quirk upwards. You know she’s teasing you.

Rolling your eyes, “I am not starting this again with you.” You make a move to get up off the couch and Abby stops you from moving. Now she’s really laughing. Her fingers dig into your sides, tickling you.

“Baby, I’m sorry. I was messing. C’mon, here, where's your Popcorn Ball?” She looks around the couch. You both had settled down on the couch after putting the kids to bed. All three of the kids’ candy buckets are sitting in front of you on the coffee table. It was a yearly ritual that, after you tuck the kids into bed, you and Abby stay up and sort through all the candy.

It’s half because you have picky children and it’s better to give Elijah the Three Musketeers now, than wait for him and his brother to painstakingly trade them. And Isaac really only eats things with peanut butter and chocolate combined. Since Genny doesn’t get candy because she’s 2, when they get non candy treats like color changing pencils that change with heat, or trinkets you can show her that light up or any cute figurines, you put them in her bucket.

Once you guys pick through all the candy, you trade between yourselves the leftovers that the kids don’t like.

“Ya know?” you muse aloud while looking for a piece of chocolate in the leftover pile. “We have some brave kids.”

Abby’s knee nudges yours. “Yeah, we do.”

You find the chocolate bar and tear it open. You break the bar in half and give Abby the other piece, without a second thought.

She says thanks and pops her half in her mouth like a baby bird getting fed. You choke on your piece of chocolate, trying not to die from chocolate while simultaneously laughing at Abby’s face.

The noise makes Abby turn towards you, eyes wide.

You manage to swallow the chocolate without much damage. You reach for your cup to wash down the remnants.

“You okay?”

“Yeah,” you start laughing again. “Why did you eat the chocolate like that?”

“What?” Abby blinks at you. Then a look of realization grows on her face. “Were you laughing at me and that made you choke?” Abby huffs and rolls her eyes in faux irritation.

You give her a pout. “I’m sorry, my love. You are just so cutely funny. I can’t help it.” You move until you’re able to lean against Abby and curl up against her side. She pointedly looks away, but her lips quirk upwards. And she still wraps her arm around you, like it’s second nature.

Still seeing that she’s going to make you work for it, you cup the side of her face and pull her cheek to your lips. You loudly kiss all over her cheek, exaggerating the smooching noises until Abby starts laughing at the sensation.

“Okay, I forgive you,” She moves her cheek away from you. You watch as her hand come up to cup your own cheek and she pulls your face towards her to kiss you soundly on the mouth. You fight to keep your lips from smiling, kissing Abby back with just as much love.

After a moment or two, you break away. You press a few light kisses to Abby’s face, pointedly on freckles that dust her cheekbone like a constellation.

“Mmm,” Abby preens under your affection the same way she’s done for years that you’ll never get tired of.

“Mm, I love you,” you say against her skin, between kisses.

“I love you too.” Abby tightens her grip on you.

“Mm. I love you more, my cutely funny wife,” you joke.

Abby nods her head stoically. “That’s fucking right.”

“Happy Halloween, baby.”

“Happy Halloween.”

[phalangemedes]

hello!! this is true but also the intense and fucked up pressure of being 'gifted kids' absolutely and irrevocably messed them up.

You can be loved and cherished and in a stable environment and still have too much expected of you as a literal child fill of underdeveloped skull jelly. They burdened these bumbling baby pre-teens with the knowledge they were about to be in charge of EVERYTHING they had ever known. Like it was the greatest honour to be bestowed on them. And they believed it BECAUSE THEY WERE KIDS.

Palamedes wasn't just an adroit necromancer he was also SMART, he was clever and caring and dedicated and he was pushed and pushed and pushed to become something so important so young. And he was told it was an accolade, something to be proud of, what he should have always been aiming for. ‘You are the best so be the best’. The only reason he wasn’t an egomaniac ( which isn't to say yer boy doesn't have an ego, he does, it's just because mostly he's been in an environment where he's been RIGHT alot) is because Cam didn’t let him. Their love language is argumentative, it’s why he thought Harrow was ready for tea parties and sleep overs even though she was still on ‘that is definitely a murderer, I can tell. For reasons.’ And it made him self sacrificial for the greater good, against his own good, it made him think not only SHOULD he help but that if he couldn't he was a failure.

Dulci is SUCH a good example of this, because he was A LITTLE TINY BABY and he heard of this woman and he thought his need to fix her was love. That's so sad??? And it obviously became love, because he loves very fully anyone he thinks even vaguely likes him back. But that must have been such a MINEFIELD for Dulcinea?? And she was the first 'adult' who was sweetly kind to him, who treated him like a kid, listened to him and talked to him, expected nothing more than a letter back. She didn’t tell him ‘yes I expect you to make me live’ she said ‘thank you’ when he made things to make her life better, but she never let him get close enough his everything was sucked into being her carer.

And Cam... Cam was a sword fighter on a planet of data analysts. A BIG, STRONG, taciturn girl who was fond of the (inevitable) future Master Warden. And she was never an Alexandrite, so she was never seen as TOP TIER, never trained as a consort, and that would have been expected for him. Her own ego is also… strange. She’s aware of her ability but she doesn’t think she’d good enough, not in a ‘I have weighed myself up against the world and found myself lacking’ way either in a ‘Well it’s okay because at least Sextus has a clue.’ Generally she would have been DROWNED in expectations of what her station was. Either was a 'you have to git gud' or a 'you wont ever be good enough'. I wonder how much of it was why she became his cavalier primary, better to be thought of as unworthy as his cav without the pressure to spread your ‘inferior’ genes right???

Also they are the most fucking neurodivergent little shits in the world?? and whilst their obsessions and dedication past the point of mental and physical wellness were seen as a good sense of duty, it was not, and no adults were telling them 'hey how about you eat and sleep and stuff!!' because it was seen as a virtue to be obsessed.

If you're on planet library and your special interest is Learn Everything you're getting A*'s. If your job is Book Boys Stab Fiend and you're good at stabbing? You will be encouraged past the point of failure to get better at being a Stab Fiend.

And I don't think there's any BETTER way this is expressed than with Paul's birth. That is an act of LOVE and an act of WAR. It's an act of kindness, it isn't a sacrifice of their individuality, it's the best they have. Pal doesn't have long in Babs, Camilla is a kebab without a necro to fix her. And their choice? is to become a demi god surrounded by the family that put them in that position and their enemies. They put them in a situation who's only out was failure. And they said naahh and chose their own failure, together, hand in hand.

It’s the wedding you have in secret when your family hates you and your partner, it’s going to a family function 10 years later wearing your rings with a ‘Oh yeah we got married’ because it was for you but holy fuck you want it to hurt them too.

Smothering is no less or more than neglect, just different.

what drives me insane is that most of the codependent pairs in tlt were set up to develop that kind of relationship in one way or another except for cam and pal. they weren’t the last two children on their planet! they don’t have the excuse of having been raised as a matched pair! they didn’t even keep each other company for ten thousand years! they were two friends growing up in a stable environment among people who cared about them and somehow they still managed to achieve levels of codependency unknown to god by like. age 13

[impossiblycolorfulpanda]

The way Bryke treats Zutara shippers in general is just slightly disgusting. Making fun of them whenever the opportunity arises and using the ship as the butt of jokes too many times like… that’s a solid 70% of your fanbse you’re making fun of. They’re the reason you’re even on the map. Shut up Bryke. I don’t know about 70% of the fanbase, but even if it were only a small portion it’s still just…rude and unprofessional to mock your fans? I think about this a lot because I was 16 when the show ended and I know a lot of other Zutara shippers were also teenage girls, and Mike and Bryan were adults. Two grown men making fun of teenage girls who liked the show and the characters they had created. I don’t care how “obnoxious” some of the fans might have been to them - and I’m sure there were fans who were also out of line - but Mike and Bryan were the adults and they chose to act like children, and mean, spiteful children at that.

Ya telling me, and you know what else? They are a big reason why Zutara is so popular in the first place. Bryke are the primary showrunners, what they say goes, they are in charge of approving/allowing what scene goes in the series.

They didn't have to make Zuko say "I'll save you from the pirates" right before trying to uncharacteristically bargain with Katara with an uncharacteristically clam demeaner while unintentionally proposing to her, since the necklace reveals to be a betrothal necklace.

They didn't have to let Zuko and Katara be locked in a cave together with crystals that almost look similar to the crystals from the cave of two lovers. They could've been locked in two jail cells far away from each other.

Speaking of which, Oma and Shu didn't have to be colored red and and blue respectively in one of the flashback scenes (the red one even looked like Ozai) and have their respective nations be at war against each other. You could tell they really, really wanted that story to parallel to Kataang but did a piss poor job of it. For one, Aang and Katara's nations never fought each other, not like how the Fire Nation and Water Tribes were going at it.

Zuko didn't have to be vulnerable with Katara in that cave and briefly explain his banishment and still act calm around her. She didn't have to offer to heal her scar with the only spirit water she had. Jet's ghost be like. "Are you kidding me?! Thanks a lot!" Katara didn't have to be the very first person to touch his scar before bringing the water out and Zuko didn't have to let her touch it and neither of them had to stand their for 5 seconds as the music amps up.

Katara understandably threatened to waste Zuko if he looks even slightly suspicious, and yet she pays no mind with Zuko bringing both Aang and Sokka to life threatening side-quests beyond Katara's supervision, both of which end with Aang getting over his pyrophobia and Katara and Sokka being reunited with their father and Sokka reunited with his girlfriend. Bryke let all of this happen.

Zuko didn't have to be the one to give Katara the means to find emotional closure and finally overcome her trauma. Katara didn't have to open up to him about the much more grisly details about her mother's death and have Zuko compliment her mother's bravery, all before Katara finally decides to forgive Zuko.

They didn't have to have June tease about Katara and Zuko dating multiple times. They didn't have to allow Zuko and Katara share the "parental figure for the gaang" mantle. They didn't have to spend the last scene Aang and Katara have before making out with them having another heated argument while Zuko and Katara spent their time working together to usurp Zuko's way to the throne.

They also didn't have show parallels/symbolism, after parallels/symbolism, after parallels/symbolism.

It's Bryke's fault that Zutara caught so many people's attention and they have the nerve to mock and ridicule them for disagreeing with their personal self-insert fantasy that does not matter to the narrative. The whole thing with basing Kataang off of a little boy having it down bad for an older big-sister-like figure who doesn't feel the same way doesn't help Bryke's case at all either.

[ominous-feychild]

Hi, guys. It's me, Barlowe.

No fun aesthetics, none of that. We're addressing the election today.

I never thought I'd be political on my blog—and, in fact, avoided it except for where I really wanted to get things out to everyone, like Project 2025—but circumstances have forced me to step up.

For those who want to see my actual Writeblr intro, you can find it here. This post is getting pinned to my blog for a while.

So, hi. Barlowe here.

I'm an autistic lesbian with health issues I'm too poor to treat.

I'm currently in a relationship with a Mexican-American woman.

My older sister, although we don't really get along, is trans.

I do not care about my relationship with her. What matters is that she is in legitimate danger. Because of the results of the election.

My girlfriend? She's in danger, too. She had people yell and spit at and shove her during Trump's first term, and she had little to nobody she could turn to for help. Like me, she's chock-full of struggles and disabilities. So much so that I almost want to say she's had it even worse than me in that regard.

But I won't be comparing struggles here; that's not the point.

My little sister is still a teenager. She lives in Florida.

As a 13-year-old, she had people call her a slut for wearing a tank top.

A tank top.

It's Florida. It's hot.

She was 13.

Do you know the amount of rage I felt when I heard that?

I'm a nonviolent af grown-ass adult and I wanted to track down those kids to beat them tf up. I wanted to teach them a lesson to never treat my little sister like that again.

But they aren't the source of the problem, do you know that?

The source of the problem is their parents. The media. The internet, and echo chambers full of disgusting, sexist pigs who reduce women—and girls—to nothing more than sex objects for men.

“Grab 'em by the pussy.”

Did we all forget that?

Did we all forget how disgusting that pathetic excuse for a man is?

Did we ignore all of his crimes, all of the things he's done?

Why? Because Harris is a black woman? Because she's mixed? Because she's flawed? Because she didn't deserve to win?

Listen to me.

That's not good enough.

Maybe she didn't deserve to win. But do you know what?

Nor did Trump.

Trump deserves to be IN JAIL.

He's racist, he's xenophobic, he's sexist, a rapist, a homophobe, a convicted felon, and so, so much more.

And yet here we are.

How did millions of people vote a man like that into office?

I would've gone running for the hills at just ONE of those things?

... but that's not the point.

We're here now, except... things aren't quite as clear-cut as we've been led to believe.

There's an interesting saying that goes something like:

“People most often expect from others what they know of themselves.”

And what did Trump most love screaming at the hills?

That the votes of 2020 were rigged.

And he said to “find votes”.

Well, it looks like he found them.

Or, at the very least, he's gotten rid of Democratic ones.

There were bomb threats called in on democratic-leaning polling locations, machines “didn't recognize” ballots, democratic ballots were rejected for inane reasons, and ballots were burned.

Do you think a man so obsessed with so-called “rigging” wouldn't engage in it himself? Whether he truly believed it or not—which, it's been proven that he didn't, and only claimed so to rile up his cultish followers, causing January 6th—who's to say he wouldn't do it himself to “even out the playing field” so to speak? Who's to say a man like him wouldn't claim election fraud 4 years in advance just to pull the wool over all of our collective eyes later?

I'm not saying that he hasn't won.

But I am saying it's not goddamn over.

There's petitions you can sign demanding for recounts [EDIT: THEY DELETED THE LAST ONE!!!! THIS IS A REPLACEMENT!!!]. You can contact Harris to beg her to not take this lying down. You can—and SHOULD—contact the White House directly.

Listen to me.

Check out Project 2025.

My sweet, lovely girlfriend has been shoved and verbally abused—harassed into literal agoraphobia that she's already slipping back into just because of the election's results—by people who ate up the hateful rhetoric of the Right.

She lives in a Blue State.

Even while my trans sister was male-presenting, she was treated differently—coldly—before she cut her hair short again. Suddenly, people would smile at her on the streets again.

She's since started transitioning, and what about now?

My little sister was physically bullied while she lived in Texas.

They, too, are lucky I was never around for that.

Now, in Florida, I doubt she fares much better.

My friend, who's a teacher in Texas, has been forced to publish under a pseudonym and try their complete and utter best to hide their writing so they're not fired for her job. Why?

Because the MC's nonbinary.

My friend is terrified for their son, growing up in a world like this. They're terrified to have another kid—which they want—because 'what if it's a daughter?' They don't want to bring a girl into a world like this.

And they don't want to risk a pregnancy that can end their life.

People all across the states are being forced to give birth to the children of their rapists... or die because of complications in the womb.

Babies are being forced to die slowly in the womb rather than humanely, through “abortion”, after it's clear they're dying, but “still have a heartbeat.”

Queer folk, PoC, and immigrants have been targeted and live in fear for their lives. They deal with VERY real violence and harassment, even if you don't see it yourself.

This is all the lasting effects of Trump's first term as president.

He and his followers spread a hateful rhetoric strongly aligning with Hitler's before the man took over. They fearmonger and sell out minorities as the reason everything's wrong in this country.

They make minorities a scapegoat, and make them into targets.

Regardless of the actual results of the election, these so-called “victories” for the Right only embolden the bigots to act more and more egregiously.

It doesn't matter if you're “one of the good ones”. It doesn't matter if “most Republicans aren't like that”. It doesn't matter what you think.

What matters is reality.

And reality is: a Trump victory means victory for the extremists.

They ran with it the first time.

What do you think they're going to do with it this time?

This all isn't to sound doomeristic, though—I think we still have a chance. I think Trump's rigged this thing for a reason. I think we need to push for this stuff to be exposed.

But it's going to take everything we have, guys.

Sure, maybe Harris isn't perfect. She's questionable af in a LOT of places, and I personally hate her stances on Palestine. I'm sure most of all of us do. But, do you really think Trump will be any kinder?

Do you really care to doom everyone else off of the miniscule chance that he'll decide to help them?

Listen: Harris isn't trying to turn the States into the next fascist dictatorship. Trump is. Harris isn't showing EVERY single “preparing for a genocide” red flag. Trump. IS.

Petition for recounts. Tell Harris not to give up.

And contact the White House telling them this is not acceptable.

Complain about the bomb threats. Complain about the lost ballots. Complain about the tampered-with ballots. Complain about the burned ballots, complain about the rejected ballots, and don't stop fighting tooth-and-nail like Trump kicked and screamed after the 2020 election.

Don't give up. It's not too late.

And, to my followers?

Let me make this abundantly clear.

If any of you voted for Trump? If any of you wanted him to win, or for Harris to lose?

Then get the fuck off my blog.

I don't give a shit what kind of relationship we've had in the past, or if you liked my writing, or any of that.

A loss for Harris is a win for Trump—it's that simple.

You aren't morally superior for choosing not to vote for Harris no matter WHAT reason you had for it. You aren't morally superior for finding her dubious, for hating her views on Palestine, or for refraining from choosing either of the two evils.

You're a coward.

An enabler, comforting yourself by telling yourself “at least you didn't have a hand in {whatever turned you against her}”.

Sure, you didn't kill the sheep.

But you left the gates open for the wolves.

And that makes you responsible for their deaths.

You knew the risks of leaving the gate open. But you did it anyway.

And, to any of you who voted for Trump?

I want you to know I HATE you.

No matter what, no matter who, no matter WHY.

I consider you all equally responsible for anything and everything that happens as a result of his presidency if it comes to be.

It isn't “just politics”.

It isn't something you can just wipe your hands clean of.

Maybe you don't have to face the consequences for the things that come from this, but I, the people I love, and countless others do.

It's not “just politics”.

It's our fucking lives.

And I hope, one of these days, you learn to regret it as much as the rest of us.

So, to those of you who left the gate open?

Do yourself a favor.

Get the fuck off my blog before I find out you did.

[ceruleanwhore]

I’ve been thinking for a while about Alice’s Adventures in Wonderland and Through the Lookingglass and specifically how these stories get adapted into other media and how seemingly every adaptation ages Alice up to make her a young adult rather than a child in ways that invariably feel inaccurate. I think the problem is that the original stories from Carroll are all about how a child views the world and how strange and confusing everything is to them since they don’t yet understand what stuff is and how it works, and that is then amplified and reflected in her dreams. The caucus race, for example, is how a lot of children probably view politics, like it’s this weird, arbitrary competition with no real point and confusing rules and processes. This is the same sort of thing we see with stuff like the court scene, or painting the roses, or even just the way that she keeps growing and shrinking because growing up is confusing and the eat me/drink me stuff is a great way of showing how confusing it is for children to still be little and yet be growing into a larger body that they aren’t used to. As such, an adult version of these stories would have to be completely different since that core theme would have to change and so would Alice’s perspective along with it.

One way this could work is by having Alice be a teenager on the cusp of adulthood, so then the core theme shifts to something around the transition from childhood to adulthood, the confusing nature of all the new tasks and responsibilities you have as an adult, and gender roles and expectations. Carroll, at least in my opinion, used these stories as a way to make poignant social commentary in how he showcased the ridiculous nature of society and all its arbitrary, confusing rules and norms through this lens of a child’s dream. Having Alice be a young woman on the verge of becoming an adult could also very well lend itself to similar commentary, especially when it comes to gender norms and patriarchy, but that commentary would look different from how it did in the original. The setting of Wonderland works for a child and Carroll’s original story, but that setting would have to change for an older Alice, and that’s where I feel that all the adaptations I’ve seen with an older Alice just don’t get it right. I think Tim Burton’s live action films are a good example of what I’m talking about where they make her older for no real reason but then infantilize her and make her very childlike so they don’t really have to change Wonderland itself aside from adding a plot. 

That’s another key point here — it isn’t just that Carroll’s novels don’t have a plot, it’s also important that they don’t and everyone who keeps adding a plot to these stories is missing the whole point. It isn’t a linear narrative, it’s a glimpse into how the main character is processing the world around them in the middle of their greater story that we the audience never really get to see because the whole point is that little glimpse. We aren’t supposed to have the whole story of Alice growing up or learning how things work or any of that; we are only meant to see this little bit of how confusing and stressful that whole process is for her, and everyone keeps forgetting that. The whole story ends with the culmination of her anxiety about that process and how she feels like she doesn’t know anything and she’s constantly in danger of getting in trouble because she just doesn’t know stuff yet but then she is delivered from that fear and danger by the end of her dream. The whole point is that, at the end of the story, she is still a child who is growing up and yes, it is stressful and difficult, but she is home and she is safe and she is able to come out of that anxiety and go back to just being a kid without a blade at her neck. 

We never see anything remotely comparable with adaptations that feature an adult Alice. For one thing, I think a lot of people tend to feel judgmental about the ‘it was a dream’ ending but, for these stories, I think it’s very important that this is all just a dream and not a real place. Having Wonderland be a real, tangible place that Alice goes to where she can choose to stay at the end of the story defeats the entire point of the freaking story. If the point of the story is how the main character is processing the difficult experience of growing up or even transitioning from childhood to adulthood, then it is necessary that the character return to their normal life at the end of this story. Now, if we have an older Alice on the cusp of adulthood, I could see a version where she learns a thing or two in that dream and comes out of her dream with a different perspective, but Wonderland is very much not supposed to be a place where she chooses to stay because it’s meant to be a more stressful rendition of her own world. In some ways, I feel like Coraline does a better job of telling this story with an older protagonist than any of the actual adaptations I’ve seen and I do think that, with an older Alice, it would be necessary to venture into more of a gothic lens or even horror.

I’ve recently been reading The Haunting of Hill House by Shirley Jackson and I actually feel like that is a pretty good take on Alice’s Adventures in Wonderland with an adult protagonist who ‘chooses’ to stay in ‘Wonderland’ at the end, even though I’m pretty sure Jackson wasn’t directly inspired by Carroll with that story. An adult Alice choosing to stay in Wonderland works, in my opinion, if that ‘Wonderland’ is as awful and stressful, or even horrifying, as it is meant to be and yet the protagonist still chooses to stay because that awful world is still better than her normal life. The way that Nell is originally disgusted and horrified by Hill House but, by the end, is desperate to stay because the house wants her and she craves that deep level of belonging more than she fears this horrifying place is the sort of thing that, to me at least, can work in an Alice-inspired story. Regardless, I think it’s easy to look at Carroll’s stories as adults and just see silliness and whimsy and forget that, to the protagonist, it’s frightening and stressful. I think people also lose sight of the nature of the stress, confusion, and fear that Alice feels in those stories and feel the need to add a plot, like having her fight a war, because they forget that the whole fucking story is man vs. nature and man vs. society and those are the fucking conflicts; we don’t need ham-fisted plot and conflict.

Anyway, I’m just really sick of people adapting stories they don’t even bother to understand (like Mike Flanagan with Hill House 👀) and how something can be adapted so many times and yet, still, no one has done it correctly. At least Quinrose’s Wonderful Wonder World series managed to showcase Alice really growing into adulthood and carving out a place for herself while developing as a person without sacrificing her morals and convictions, so that’s cool but did we really have to make it an otome game? I find it fascinating how many variations of this story end up aging Alice up for the purpose of then having her get into a relationship with some character from Wonderland and end up staying there. Heck, even freaking Ever After High has it baked into the story that Alice still lives in Wonderland with her son and, with all the Storybook of Legends shit, it’s pretty clear that the original Alice was not a small child when she first went to Wonderland based on Alistair’s age. EAH is another one that almost gets it right because they do have the right amount of age-appropriate stress and anxiety tied to the environment and structure of Wonderland, which I appreciate, but then it’s a physical place and also the characterizations and relationships don’t feel very accurate. But yeah, I just wish someone would really do it right because it’s been bugging me for ages.

[motherfuckingbrad]

me, every december 9th:

reblog if u would watch stop-motion christmas films with abed every year on December 9th <<33

[autisticrosewilson]

So do you guys actually think that Jason's entire story, relationship to the others, and philosophy amounts to him being a rebellious teen who wants his dad's attention? Like are you 100% serious? I thought you were joking about that but too many of you are saying it with your whole chest.

And what the fuck is this "Bruce antagonizing Jason is fanon!" Shit I've been seeing? You guys are aware that a parent can love their kid and still be a shit parent right? I know you guys don't want to fathom the thought that maybe your blorbo might also occasionally have to face responsibility for consistently endangering children but let's not start being delusional now.

Bruce does love his kids, that doesn't mean that he hasn't hurt them. And I'd also argue that for the most part he feels in the right for it, and he's said multiple times that he believes it's for their own good, so you can't even argue that he's sorry about it. It's okay for you guys to admit that your PERSONAL INTERPRETATION of the character wouldn't do that but don't sit here and pretend that it's not a facet of the source.

[cordyceph]

went to bed and woke up in a cold sweat realizing that claudia's play, the birdie one, is both a direct analogy for her story and also foreshadowing of her death WHILE ALSO nodding to pauls death

claudia'a single minded, desperate drive for freedom eventually lead her directly to her death. she was "nailed down" by lestat (by LOUIS, actually- lestat only kept her for him.), and tore herself free at the loss of her 'foot,' being a stand in for the personal pain she suffered for freedom

no matter what she or anyone did, she was going to die painfully, because she was so desperate to be free that everything was suffocating. lestat, louis, romania, the coven. the only thing that didnt rot in her mind was madeline, because... there simply wasnt time. madeline was fresh and new and, given time, would have probably suffered the same heel-turn claudia gave to everything.

of course thats because she shared louis' hopeful outlook. being free of her parents? would fix everything. when it didn't? maybe if she had louis, it would be worth it. but its not, lestats still here, louis is still in love with him... killing lestat, thatll fix it, and she and louis will be happy in romania, right, the homeland for vampirekind? not quite, so better try paris, the city of love. that doesnt work. the coven, though, will give her what she wants, right? she'll be happy with other vampires?

the only person who makes her happy is? a modern version of lestat? a weird white woman she met on happenstance, who has little to no care for societal norms or faux pas. a blunt, kind of funny, kind of sad woman who lost her family but has a capacity for enduring because what else is she going to do? die? no, she cant do that. she had no friends because she was weird and offputting and had dangerous rumors, no hangups on loving claudia, no hangups on dying or being a killer.

that's... just lestat. without the immortality and the specific traumas, of course, but like. claudia's most beloved person was a funhouse mirror of her most hated. which really speaks volumes for what they could have had, because it wasnt just a clash of personalities. it was lestats bpd clashing with hers and both of their attachment to louis clashing. if lestat had been better at sharing, if louis had been better at loving both of them, if claudia had been less angry at the world for nothing but existing? maybe they could have been a good family. a happy one forever, just like they all wanted, but were unable to give each other

[quietwingsinthesky]

i do love canon amy & rory but god, does some part of me wish they really had gone with the idea of the doctor picking up a child as a companion (and then later, that child’s best friend with a huge crush on her.) with the rest of the season really not changing at all, except now it’s amelia pond with an angel in her head killing her and lost alone in the woods. it’s little rory who dies and is forgotten and becomes a toy soldier. if this is going to be a fairy tale, then let it be one. children have never been safe in fairy tales.

[mokutone]

I am so entranced by ur style it's crayzay . . . I adore how you draw Sakura and Kakashi they're so silly goofy

thank youuu!!!!!! :^D i love drawing them, especially interacting together, i think there's SUCH a wealth of possibility that kishimoto failed to exploit in his storytelling that could lead to detailing parallels between the two of them—and woudln't it be a bit fitting if she ends up being, in many ways, the one most like kakashi? the one left behind?