#like i could go on forever

[dreamersvinyl]

when i first told my friend about charles and max and showed her pictures, gifs and videos she was SHOCKED they were not publicly together and i think that says a lot

[kimjunnoodle]

World's messiest divorce™

[unraveling-plot]

The Murderbot Diaries was like here's a person. The person doesn't feel like a person.

The person is starting to believe it's a person, and its pronouns are still it/its. It's uncomfortable with eye contact, it hates being touched, it doesn't like social interaction, it doesn't have great control of it's facial expressions. And the person's friends all know this and respect it, and it can show affection how and when it feels and it's ok if it isn't "normal." It isn't questioned or doubted in its care because of this.

The person processes emotions through media, and uses it to figure out what to do in social situations. It has complicated feelings about what it was meant to be and reconciling that with who it wants to be. It doesn't always feel like a person but it's starting to accept that it is one.

Also it has laser weapons in its arms.

[saint-hymn]

mercy, mèrci

[xxplastic-cubexx]

personal happiness or what the fuck ever

bonus:

[thelesbianluthor]

I know some people think that Emily's desire to play another character instead of Fig was the reason why she was so all over the place and lost, especially in the first half of JY.

But I honestly feel like her arc was actually incredibly needed and necessary to close her character evolution in a satisfying way. (While still leaving open doors for possible future plots with the Dawn and Sandra Lynn stuff)

Fig has been struggling to find herself since the first moment. She has had to come to terms with being a completely different race than what she thought before and deal with all the consequences of that. She had to grow out of the toxic habits that were born out of her deeply rooted insecurities that finding out about her identity and lineage caused. She had to learn to be kinder to herself. I love sophomore year, it's my favorite season for so many reasons, but I feel like Fig's arc in JY was actually her best one.

Fig being so lonely at the start of the show and her innate devotion made her becoming so focused on holding others' needs over her own an inevitability. She was always aimlessly moving through life, so talented and gifted in many ways but with no real purpose outside of being the protector.

The way JY explored her struggles with introspection and her need to devote herself to others to such an extent that she ignored a curse on herself for far too long was beautiful.

Finding Ankarna, becoming a paladin of dawn and justice and coming to a point where she could let herself choose what felt right instead of what her friends needed was incredible to watch.

I feel like Junior Year gets a lot of criticism because the overall vibe from the IH was lighter and they were having a lot of fun throughout, but the story of the season was actually beautiful to me and the overall character work was so interesting.

[teaboot]

you're so like. inspiring. or i wish i could be inspired. you reblog that post with the blue critter and you're like "im glad i was born on this planet". how do i manage to get that mindset. how do i manage to not want the pain to stop at any cost and enjoy what's still possible to enjoy

It's my first time here and I'm never coming back

[ricky-mortis]

Curtwen Week Day 4: Haunted

[rameiixo]

xiaolumi resurrected from my heart for the new year!!

[glossc1]

im not really interested in engaging in moral discourse surrounding the relationship of zeus and ganymede bc 1. i like to leave things up to the viewer and 2. the inherent horror and tragedy of being the “most beautiful boy to exist” is more interesting to me since we’ve seen it play out horribly in real life. i take inspiration from björn adrésen, quotes from the young river phoenix, the lives of castrati and antinous more than anything lol.

i see ganymede being taken as something that mirrors the inevitable “death” that either occurs literally or metaphorically to beautiful young men. they either “die” by aging out of their perceived beauty or die in some tragic way that preserves their young grace in peoples minds. ganymede cannot die in the traditional sense as he is immortal, but him being taken is a “death” of sorts in that the memory of his beauty is frozen in time. the ganymede inside everyone’s heads will stay the same forever and can be deified both literally and figuratively.

so did zeus “kill” ganymede or save him? is there love in the “kill” and greed in his conservation? is there liberation in “death” when you are the most beautiful boy to exist? can you ever be liberated? is ganymede dead or alive?

[surreal-duck]

some business to take care of

[ganondoodle]

did a little sketch yesterday that i really liked and tried to get it done today just so i got literally anything to post- but i fell into the trap of 'making sketches to elaborate and thus really stiff and non fun' (for me), ... soooooo .. im redoing the whole thing

but the idea was a mummy ganondorf for my (yes still existing) totk rewrite; i wanted to make him more scary looking and also emphasize just how horrid it must be to be kept in between life and death by having your heart grabbed by a cold and vengeful magical hand for thousands of years (in this case the ancient queen .. which i also tried to sketch despite not showing up aside from her dissolving hand)

the spell starting to fail and his body being more damaged in some parts (jaw being only the bones left for example) and his chest open from being slowly eaten up by the queens magic, the ribs contorting around it like its a gravitational pull- sounds cooler than it looks bc this sketch did not work out, so im saving the details for the .. hopefully, better version

[iwouldliketoeatrandy]

Inspired by this post, I wanted to fancast Iron Widow! I really liked these picks, especially Nini who would do a great job as Wu Zetian, but didn't want to just copy and paste.

Li Meng as Wu Zetian

She was a wonderfully cruel and charismatic villain in The Double and I would love to see her rage and passion in Wu Zetian's character.

Yu Shi as Li Shimin

Ok listen I think he's handsome, but also he could do it.

Tan Jian Ci as Gao Yizhi

For our wealthy scholar. His 2023 and 2024 characters were polar opposites characterization wise, and I'd love to see him continue to challenge himself with a unique character like Yizhi.

[lazylittledragon]

How did you get your tattoo apprenticeship if you don't mind sharing? I've been trying to get one for ages and I want to know if you did anything in particular with your portfolio or anything :)

i'm going to be 100% honest that i just got really lucky, i was still on the mailing list for a studio i'd been tattooed at before and i got an email that they were taking on apprentices so i went for it

i didn't have a LOT of tattoo designs at the time but i sent in what i did have and also some of my graphics/illustration stuff, then i had to make a flash sheet and also do an interview, and at the end of the interview they offered to take me on :3

(important: it wasn't my first application, i reached out to every studio that i could commute to and had just had a failed interview and i'd been slowly building my portfolio on and off for about 3 years so it took a LONG time)

[poorly-drawn-mdzs]

Wei Wuxian 🤝 Maleficent: Not being invited to a child's birthday party but showing up anyways (to make things worse).

(for @youremysunshine8)

[theshinysnivy1]

Professor Layton when you start the series: what a nice puzzle man. Lovely puzzle gentleman. Does the silly point thing and solves the mystery. Funny guy :)

Professor Layton at the end of the series: is there any aspect of this man’s personality that he didn’t construct out of grief, carrying on the legacy of those he loved even at the expense of his own identity? Even his name is a fragment of someone loved and lost. He’s a walking coping mechanism. What the hell.