lead balloon (the tumblr post that saved me)
if this comic resonated with you, it would mean the world to me if you donated to this palestinian family's escape fund.
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no creative notes because this isn't that kind of comic.
I know I don’t owe any of you anything but I still felt compelled to write about my long term absence. And I feel far enough away from the dangerous spot I was in to be able to make this comic. I have a therapist now, and she agreed that making this could be a very cathartic gesture, and the start of properly leaving these thoughts behind me. I am still, at seemingly random times, blindsided by fleeting desires to kill myself. They’re always passing urges, but it’s disarming, and uncomfortable. I worry sometimes that my brain’s spent so long thinking only about suicide that it’s forgotten how to think about anything else. Like, now that I've opened that door for myself, I'll never be able to fully shut it again. But I’m trying my best to encourage my mind in other directions. We'll see how that goes.
I am still donating all proceeds from my store to Palestinian causes. So far, I've donated over $15K, not including donations coming from my own pocket or the fundraising streams which jointly raised around $10K. In the time since I made my initial post about where this money would be going, the focus has shifted from aid organisations to directly donating to escape funds.
If you'd like to do the same, you can look at Operation Olive Branch, which hosts hundreds of Palestinian escape funds or donate to Safebow, which has helped facilitate the safe crossing and securing of important medical procedures for over 150 at-risk palestinians since the beginning of the genocide.
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Today my therapist introduced me to a concept surrounding disability that she called "hLep".
Which is when you - in this case, you are a disabled person - ask someone for help ("I can't drink almond milk so can you get me some whole milk?", or "Please call Donna and ask her to pick up the car for me."), and they say yes, and then they do something that is not what you asked for but is what they think you should have asked for ("I know you said you wanted whole, but I got you skim milk because it's better for you!", "I didn't want to ruin Donna's day by asking her that, so I spent your money on an expensive towing service!") And then if you get annoyed at them for ignoring what you actually asked for - and often it has already happened repeatedly - they get angry because they "were just helping you! You should be grateful!!"
And my therapist pointed out that this is not "help", it's "hLep".
Sure, it looks like help; it kind of sounds like help too; and if it was adjusted just a little bit, it could be help. But it's not help. It's hLep.
At its best, it is patronizing and makes a person feel unvalued and un-listened-to. Always, it reinforces the false idea that disabled people can't be trusted with our own care. And at its worst, it results in disabled people losing our freedom and control over our lives, and also being unable to actually access what we need to survive.
So please, when a disabled person asks you for help on something, don't be a hLeper, be a helper! In other words: they know better than you what they need, and the best way you can honor the trust they've put in you is to believe that!
Also, I want to be very clear that the "getting angry at a disabled person's attempts to point out harmful behavior" part of this makes the whole thing WAY worse. Like it'd be one thing if my roommate bought me some passive-aggressive skim milk, but then they heard what I had to say, and they apologized and did better in the future - our relationship could bounce back from that. But it is very much another thing to have a crying shouting match with someone who is furious at you for saying something they did was ableist. Like, Christ, Jessica, remind me to never ask for your support ever again! You make me feel like if I asked you to call 911, you'd order a pizza because you know I'll feel better once I eat something!!
Edit: crediting my therapist by name with her permission - this term was coined by Nahime Aguirre Mtanous!
Edit again: I made an optional follow-up to this post after seeing the responses. Might help somebody. CW for me frankly talking about how dangerous hLep really is.
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
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SV fic where Luo Bingge discovers that Shen Jiu had a long-lost half-brother or something, and subsequently decides that he's going to infiltrate the minor sect which this "Shen Yuan" belongs to in order to get close to him and then indulge in revenge fantasy 2.0 when it inevitably turns out that Shen Yuan is like Shen Jiu (i.e. a horrible abusive scum teacher).
So Bingge uses some magical object or technique or other, makes himself look like a scrawny 12-14 year old, then puts himself in Shen Yuan's path in hopes of convincing the man to take him on as a disciple. The idea being that after Shen Yuan abuses him, Bingge will be justified in reenacting his Shen Qingqiu Revenge Arc again and maybe finally feeling some closure about the whole thing.
Yes, this is a very deranged plan. No, no one is going to tell the emperor of the three realms that. Bingge also wants it to be clear that this has nothing whatsoever to do with his recent escapade in an alternate universe, except that he was inspired to find Shen Jiu's relative as a consequence of that. But he's absolutely sure that this guy is going to turn out just as rotten as his brother, given the opportunity. That is definitely the only reason he is doing this!
Flash forward about four years. Bingge's retainers are begging on their knees for him to actually come back and do some administrative work. The harem is running itself at this point and they're all very terrified of the situation with Liu Mingyan and Sha Hualing (i.e. ruling with lesbian iron fists) and whatever the heck Ning Yingying is up to (no one is certain but it's something). The outer provinces are rebelling. Mobei Jun's somehow found another weird human surnamed Shang to cavort with, except this one is basically running admin for the entire northern kingdom now and no one's even sure if they're fucking or if it's some kind of mind control situation or what.
Bingge is annoyed. He doesn't have a good explanation for why a bunch of demon lords would be showing up on the doorstep of Tiny Cultivation Sect to beg him for anything. They're going to spoil his cover! And they're interrupting his schedule! It's already four o'clock and he hasn't started on Shizun's dinner yet! Shoo! Get lost!
Anyway, eventually some of his demon followers get desperate and dramatically kidnap him. Shen Yuan is horrified and grieved when it seems that his precious disciple, so like white lotus Luo Binghe from the novel, has been captured by demons. He tries to track the assailants down, but they've covered their tracks too well. In the end, there's only one path left to him to pursue: taking this matter to the protagonist!
Yes, the protagonist! Because the thing is, Shen Yuan noticed the similarities between his disciple and the book character he so admired. Not only that, but he did manage to glimpse Bingge one time from afar. It wasn't anywhere near to a real interaction, but it was enough for him to notice the strong resemblance between the protagonist and the mistreated little lamb who showed up at his doorstep. A resemblance for which there can only be one explanation:
Shen Yuan's disciple is one of Binghe's kids!
Yes, he had it figured out since fairly early on. Not only was there a resemblance, and not only were their dispositions quite similar, but also the boy showed a lot of signs of some demonic heritage. Shen Yuan was just working up to broaching the subject, partly because he had been trying to avoid any direct or even indirect interactions with the emperor, and partly because he... became somewhat reluctant to part ways with his student. Sue him! He got attached! And anyway, he knew how missing child plots usually went. There was probably someone in the harem who was out for his disciple's blood, and it wouldn't be safe to send him back into that mess until he was strong enough to look after himself.
But as is inevitable, the plot seems to have reclaimed Shen Yuan's student all on its own.
He just... needs to make sure that it isn't a tragic outcome. It seems it falls on him to make the emperor aware of his son's survival, and subsequent peril, and help launch a rescue!
Which also means approaching Luo Binghe in person, which he knows is very risky indeed, due to his connection to the infamous Shen Qingqiu! He'd been avoiding the protagonist at all costs for that exact reason.
But if it's his only hope of rescuing his disciple, he will simply have to take the risk, and hope that enough time has passed that Luo Binghe doesn't read too much into a shared surname and a passing resemblance. Or that restoring the emperor's long-lost son to him will be worth seem lenience for the crime of being connected to Shen Qingqiu. Maybe if he's lucky, he will even be allowed to continue visiting his disciple! (Ha, yeah right! More likely, Luo Binghe's going to take his head for hiding his own kid from him for so long!)
Anyway, cue Luo Bingge running around swapping between his Emperor and Disciple forms, dramatically trying to orchestrate a situation where he can fake the emperor's death and go back to the sect with Shizun as his disciple, or something, only for it all to blow up in his face because Shen Yuan keeps flinging himself between Bingge and potentially fatal threats that could plausibly kill him???
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no bc it's not too late. i found your heart, it's still beating. there's still time. come with me. life doesn't have to feel this way. it's not supposed to feel this way. the person you want to be, the person you're capable of becoming has been inside you this whole time. look inside, open up; you're not hollow or empty you are full of life and love and color and everything you thought you could be and so much more. and it's not too late. you can still find yourself. there's still time. you're not gone. your heart is still beating. but you're dying. you're dying slowly, and quickly. and time isn't right. and you're so much more than this. you were so much more than this. you ARE so much more than this. you can escape. we can escape. you don't have to be alone, none of us do. we can be free and ourselves, away from the shackles of where we once held ourselves, of where other people kept us. there's still time. but time is moving fast. and time is moving slow. time is moving constantly. everything is shifting, moving. nothing is stagnant. except for you. but you don't have to be. you are everything. you are nothing if you don't try to be. you are whole. and you are wonderful. and you could be everything you could've ever dreamt of. and there is still time
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