#life can be a lot sometimes

[galedekarios]

this is probably a bit out of left field, but i wanted to thank everyone who sent me a message, be it a lore or character question or simply kind words.

i promise i'm getting back to answering them soon.

between monsieur's passing, family emergencies and work, i've been struggling to form coherent thoughts in the little free time i have, much less put them into words.

anyhow, i just wanted to let you know that you aren't being ignored and i do appreciate it when people interact with me on here. 🖤

[poorly-drawn-mdzs]

Have you seen my little lad?

[First] Prev <–-> Next

[fisherrprince]

Instead of writing a fanfic like a normal person this oneshot turned into two separate, contextless things,

[cubbihue]

Does Timmy have any friends in fairy world?

Timmy is more of a socialite than a friend-getter. He can easily make connections with others, and can slip into established groups and create a dynamic with them! The kind of guy who is always invited to events but not related to anyone.

The closest he's gotten so far is Sanderson.

Bitties Series: [Start] > [Previous] > [Next]

[uncanny-tranny]

I think it would really benefit people to internalize that mental illnesses are often chronic and not acute. Some of us will never be able to jump the hurdle of managing illness, much less sustaining a sense of normalcy. Many of us will never "recover," will never manage symptoms, will never even come close to appearing normal - and this is for any condition, even the ones labeled as "simple" disorders or "easy-to-manage" disorders.

It isn't a failure if you cannot manage your symptoms. It isn't a moral failure, and you aren't an awful person. You are human. There's only so much you can do before recognizing that you cannot lift the world. Give yourself the space to be ill because, functionally, you are.

[rebornofstars]

sometimes i scroll thru my tumblr dash & think to myself with a bit of awe how lucky i am to be surrounded by a world full of beautiful ppl doing beautiful things. & yeah no there's no punchline to this one actually. i just love u

[souenkun]

Takashi living the warm, full-of-love life that reiko couldn't have (as far as we know in the current canon) feels very much like the grief that dawns for children when they finally realized how much sacrifice their parents didn't always tell them just to give birth and raise them.

Like, technically speaking, reiko only gave takashi a world of problems by passing down the sight and the book of friends decades after her death, but takashi also grasped the wholesome and the awful parts of interacting with both humans and youkai from the memories she had left behind, scattered among all these eternal monsters she had defeated, leaving in them unintentional, but important life lessons for him to find later on in the future. If it weren't for all those societal rejections that reiko received from humans and the hardships from youkai that led her to start the book of friends, takashi wouldn't be able to avoid repeating her mistakes (and, consequently, could be just as comfortable with isolation like reiko was), let alone make the precious balance we now see him have in the present time, where he can make genuine connections with humans and youkai while also maintaining a balance to them. Do you get what I'm saying 💔

[aroaceleovaldez]

because in TKC most Eyes match the gender of the god they host (and just in general in-universe it seems most immortals and hosts in possession/possession-like scenarios are the same gender) this implies that the two outliers we know of - Zia (rejected hosting a goddess but was able to host a god instead) and Percy (Eye of Nekhbet) - may be trans. so uh happy pride to Zia and Percy specifically

[stickmenyaoi]

about absence; presence. Lover; Warrior

Inspired by.

[javierduffy]

sketchbook sillies

[gingermintpepper]

As usual I read your tags always and so you said Apollo did not ask for resurrection of Asclepius and Hyacinthus so i just wanted to share this. About Asclepius death I read it on theoi.com, that earlier authors don't make him resurrect as a god but that's a later development mentioned only by Roman authors like Cicero, Hyginus and Ovid. But still Apollo has a role in Ovid's version

Ovid, Fasti 6. 735 ff (trans.Boyle) (Roman poetry C1st B.C. to C1st A.D.) : Clymenus [Haides] and Clotho resent the threads of life respun and death's royal rights diminished. Jove [Zeus] feared the precedent and aimed his thunderbolt at the man who employed excessive art. Phoebus [Apollon], you whined. He is a god; smile at your father, who, for your sake, undoes his prohibitions [i.e. when he obtains immortality for Asklepios].

So here it is actually because of Apollo the decision was taken to resurrect him as god. And with Hyacinthus, I don't think I've read about Artemis playing the primary role. I know in Sparta there was a picture of Artemis, Athena and Aphrodite carrying Hyacinthus and his sister to heaven.

This is not on theoi.com but I saw on Tumblr it's from Dionysiaca by Nonnus

Second, my lord Oiagros wove a winding lay, as the father of Orpheus who has the Muse his boon companion. Only a couple of verses he sang, a ditty of Phoibos, clearspoken in few words after some Amyclaian style: Apollo brought to life again his longhaired Hyacinthos: Staphylos will be made to live for aye by Dionysos.

So since he is singing inspired by amyclean stories it probably means in that place it was believed Apollo was the one to bring back his lover to life.

Apollo as god of order was very important so i think it shows how special these people (and admetus too) were to him that he decided to go against the order for them 🥺

ANON!! Shakes you like a bottle of ramune!! BELOVED ANON!!!!! I'm littering your face with kisses, I'm anointing you with olive oil and honey - you absolutely made my night with this because, not only did I get the pure serotonin shot of having someone interact with my tags (yippee, wahoo!!) I also got to have that wonderful feeling of "oh wow, have I misunderstood something that was integral to my understanding of this myth/figure this whole time or is this a case of interpretational differences?" which is imo vital for my aims and interests as someone who enjoys mythological content and literature.

I'll preface my response with this: Hyacinthus is by far the hardest of these to get accounts for because his revival itself, as you very astutely point out, is generally accounted for in painting/ritual format which muddies the waters on who interceded for what. I wasn't actually familiar with that passage from the Argonautica - and certainly didn't remember it so thank you very much for bringing it to my attention!

That said, what I've come to understand, both about Hyacinthus and about Asclepius is that in the accounts of their deaths, Apollo's position is startlingly clear.

For Hyacinthus, it is established time and again that Apollo would have sacrificed everything for him - his status, his power, his very own immortality and divinity. Ovid writes that Apollo would have installed him as a god if only he had the time:

(Ovid. Metamorphoses. Book X. trans. Johnston)

Many other writers too speak of how Apollo abandoned his lyre and his seat at Delphi to spend his days with Hyacinthus, but they also all agree that when it came to his death - he was powerless. Ovid gives that graphic account of Apollo's desperation as he tries all his healing arts to save him to no avail:

(Ovid, Metamorphoses Book X. Apollo me boy, methinks him dead. trans Johnston)

Bion, in one of his fragments, writes that Apollo was "dumb" upon seeing Hyacinthus' agony:

(Bion, The Bucolic Poets. Fragment XI. trans Edmonds)

Even Nonnus in the Dionysiaca speaks constantly of Apollo's helplessness in the face of Hyacinthus' fate where he writes that the god still shivers if a westward wind blows upon an iris:

and when Zephyros breathed through the flowery garden, Apollo turned a quick eye upon his young darling, his yearning never satisfied; if he saw the plant beaten by the breezes, he remembered the quoit, and trembled for fear the wind, so jealous once about the boy, might hate him even in a leaf...

(Nonnus, Dionysiaca, Book 3. trans Rouse)

And the point here is just that - Apollo, at least as far as I've read, cannot avert someone's death. He simply can't. Once they're already dead - once Fate has cut their string - all Apollo's power is gone and he can do nothing no matter how much he wants to. And this is, as far as I know, supported with the accounts of Asclepius as well!

Since you specifically brought up Ovid's account, I'll also stick only to Ovid's account but in Metamorphoses when we get Ovid's version of Coronis' demise, he writes that Apollo intensely and immediately regrets slaughtering Coronis. He regrets it so intensely that he, like he does with Hyacinthus, does his best to resuscitate her:

(Ovid, Metamorphoses Book Two. Apollo's regret)

And like Hyacinthus, when it becomes clear that what has happened cannot be undone, Apollo wails:

(Ovid, Metamorphoses Book Two. Apollo wept.)

Unlike his mother, Asclepius in her womb had not yet died and so, with the last of Apollo's strength, he does manage, at least, to save him.

(Ovid, Metamorphoses Book Two. Apollo puts the 'tearing out' in Asclepius.)

But it goes further than even that because Ocyrhoe, Chiron's daughter, a prophetess who unduly gained the ability to directly proclaim the secrets of the Fates, upon seeing the baby Asclepius, immediately prophesies his glory, his inevitable death and then his fated ascension:

(Ovid. Metamorphoses, Book Two. Ocyrhoe's prophecy. trans Johnston)

Before she too succumbs to her hubris and is transformed by the Fates into a horse so she can no longer speak secrets that aren't hers to share.

These things ultimately are important because it establishes two very important things: 1) Apollo can't do anything in the face of the ultimate Fate of mortals, which is, of course, death and 2) even when Apollo is Actively Devastated, regretful, yearning, mournful, guilty or some unholy combination of all of the above, when someone is dead, he accepts that they are gone. Even if he is devastated by it, even if he'll cry all the rest of his days about it - if they're dead? Apollo lets them go. In Fasti, when Zeus brings Asclepius back, he does not say Apollo asked him to - Zeus, or well, in this case Jove, brings Asclepius back because he wants Apollo to stop being mad at him.

(Ovid, Fasti VI. Apollo please come home your father misses you. trans. A.S Kline)

Even Boyle's translation which you used above in your findings hints that Zeus made Asclepius a god because he wanted Apollo to stop grieving. (i.e 'smile at your father', 'for your sake [he] undoes his prohibitions')

And like, Apollo was deeply upset by Asclepius' death - apart from killing the Cyclops in anger, in book 4 of the Argonautica, Apollonius writes that the Celts believe the stream of Eridanus to be the tears Apollo shed over the death of Asclepius when he left for Hyperborea after being chastised by Zeus for killing his Cyclops:

But the Celts have attached this story to them, that these are the tears of Leto's son, Apollo, that are borne along by the eddies, the countless tears that he shed aforetime when he came to the sacred race of the Hyperboreans and left shining heaven at the chiding of his father, being in wrath concerning his son whom divine Coronis bare in bright Lacereia at the mouth of Amyrus.

It all paints a very clear picture to me. Apollo did not ask for either of them to be brought back. Though bringing them back certainly pleased and delighted him, they are actions of other gods who are moved by Apollo's grief and mourning and seek to mollify him. Him not asking doesn't mean he didn't want them back which I think is a very important distinction by the by, but it simply means that Apollo knows the natural order of things and, even if it hurts, he isn't going to press his luck about it.

Which, of course, brings us to Admetus. And I'm really not going to overcomplicate this, Admetus is different because, very vitally, Admetus is not dead. Apollo can't do a thing once Fate has been carried out and Death has claimed a mortal but you know what he absolutely can do? Bargain like hell with the Fates before that point of inevitability. And that's what he does, ultimately for Admetus and Alcestis. He sought to prolong Admetus' life, not revive him from death or absolve him from death altogether and even after getting the Fates drunk, he's still only able to organise a sacrifice - a life for a life - something completely contingent on whether some other mortal would be willing to die in Admetus' place and not at all controllable by Apollo's own power.

All of these things, I think come back to that point you made - that Apollo's place as a god of order is very important and therefore these people are very special to him if it means he's willing to go against that order but, I also wish to challenge that opinion if you'd let me. Apollo's place as a god of order is very important and therefore, I would argue, that it is even more important that it is shown that he does not break the divine order, especially for the people that mean the most to him. The original context of my comments which started this conversation were on this lovely, lovely post by @hyacinthusmemorial which contemplated upon Asclepius from the perspective of an Emergency Medical personnel and included, in their tags, the very poignant lines "there's something about Apollo letting go when Asclepius couldn't that eats my heart away" and "you do what you can, you do your best, but you don't ever reach too far" and I think that's perfectly embodied with the Apollo-Asclepius dichotomy. Apollo grieves. He wails, he cries, he does his best each and every time to save that which is precious to him but he does not curse their nature, he does not resent that they are human and ultimately, he accepts that that which is mortal must inevitably die. There is nothing that so saliently proves that those who uphold rules are also their most staunch followers - if Apollo wants to delight in his place as Fate's mouthpiece, he cannot undo Fate. And, if even the god of healing and order himself cannot undo death, what right does Asclepius, mortal as he is, talented as he is, have to disrespect it?

The beauty of these stories isn't that Apollo loved them enough to bring them back. The beauty is that Apollo loved them enough to let them go.

[poorly-drawn-mdzs]

I'm a doctor, not a miracle worker.

[First] Prev <–-> Next

[malenjoyer]

Hello! I hope this doesn’t sound weird, but I just wanted to tell you about how your style has inspired me so much!! Probably an ask you’ve gotten a lot, but I just have to know; how do you go at line work? It looks so good when you do it. Like, you’ve perfected where to leave gaps, what should be thick and thin, what should be subtle shading, etc. I’m so jealous! Do you have any suggestions on how to improve in this area? I’d love some insight!!

Thank you! That's very unexpected to hear but also kind of nice! :D That's the first time anyone has said that to me.

For line weight, Mark Morales covers it very well here

Aside from using line weight to show light source, you can also use it to emphasize stuff, which is what I like doing. I think it's essentially the same logic though- I just bend the rules often to make it work the way I want it to. Lots of trial and error and fixing stuff.

As for the gaps, I don't really know how to explain it without sounding a little weird. I think it's just something I developed as a habit where areas where you're supposed to connect with thin lines, I just don't finish it. Most of the time I don't finish my lines, because I don't need to. I live and embrace the karma of not connected line art when I color it.

I think my style boils down to How do I draw good with the least amount of work which sounds questionable, but the less I focus on whether each individual line connects or looks good, the more stamina I have for the rest of the drawing.

If you've got this hamster, you're like 60% of the way there.

Real answer: probably try doing gesture drawings with the least amount of lines possible with 2 minute timer to simulate what happens in my brain when I do line art. you can try to apply the line weight stuff and think okay where would I apply thickness to show shadow or emphasize curves

[gideonisms]

As always wishing there was a socially acceptable way to simply say "I'm about to get weird and act strange for a little while and it will look unsettling from the outside but I promise it doesn't hurt anything and I'll be back to normal later" or "it is going to take me so long to complete this minor task that doesn't really affect anyone else, but I promise it will get done eventually, all is well" or even "the way I am doing this will seem counterintuitive to you but trust me that there's a good reason"

[the-final-sif]

what is your opinion on the situation?

I've been at work all day so I haven't been able to sit down with stuff fully, it also seems like Caiti is planning to release a statement later today with more information I think? So I'd like to get her response there, but based on what I've seen so far I think I fall more on the side of "people made some dumb choices and should learn from them" than anything else.

Consent is messy and it gets messier when people start lying or are drunk. In this case, both Caiti and George were drunk. From what I understand, either Caiti had a 21+ wristband from the vidcon party, or her friend group did and assumed since she was drinking with them, she was also 21+.

Honestly, when it comes to the matter of underage drinking, I don't think it's even remotely fair to place blame on Dream/George for that. The blame there lies with Caiti deciding to drink while under 21, and on her friends, Ghostie and the other person present who were both over 21. Unlike Dream/George, both of them knew Caiti and knew exactly how old she was and were letting her drink. They were also letting her drink with no one sober and no one making sure she got home.

Now, Caiti is 18 and also I'm not a goddamn square, I'm not gonna stand here and be like "oh no drinking at 18 clutch my pearls" but like, if people are going to blame other people for that situation, that very much lies with Caiti's friends who knew they had an underage person drinking with them. I feel like people are weirdly assigning blame to Dream/George for not like, iding every person they hang out with (particularly if she had a 21+ bracelet at vidcon, which would mean she already got IDed). While completely avoiding placing any blame on the people who 100% knew they were taking an 18 year old drinking without a doubt.

Putting that aside, from my understanding George's side is he believed at the time that she was having fun, and the most they did was cuddle on a couch with other people there. He believed at the time that everything was cool, and that she later decided she was uncomfortable with what happened.

Honestly, I don't really think that's an unfair reading. At this same party, her best friend was there and from Ghostie's own words, she also didn't realize Caiti was uncomfortable until several months later when Caiti told her. If her best friend didn't notice she was uncomfortable or see anything wrong, then I find it hard to think anyone else would pick up on it.

There's certainly risks taken here that I wouldn't have taken. I think that George needs to do better with checking for consent and maybe vetting the people you're hanging out with. Although I also understand that doing a full background check on everyone you ever meet is an absurd requirement and if, at the time, they trusted the person that they actually invited, I get how that shit happens. Per consent, given that he was also drunk, I get how it may've appeared to him that he had consent. I do think it's still something to work on, but I'm also perfectly aware that in real life, people are often going off vibes and social cues, and sometimes those don't mash.

I also think that Caiti's friends have been pretty shitty throughout this. They take no responsibility for having let an 18 year old drink and then ditching her. They are absolutely milking drama out of this shit and they have a weird obsession with blaming Dream for shit he had no fault in.

As for Dream, I don't think he did anything wrong here. Full stop. If Caiti's best friend didn't notice that she was uncomfortable or unhappy, it's insanely unreasonable to expect Dream to have managed that. He was also drunk and hanging out with people, and he had no way of knowing Caiti was underage. None of that shit was his fault, and his statement seems very measured and reasonable. People are trying to blame him for things that he had absolutely no part in, and the UK group are absolutely trying to pull that shit.

Overall, sounds like several people involved made dumb choices, I hope they learn and grow. Otherwise all of this honestly sounds like shit that should've been talked out privately and not tossed to the internet for speculation. Human beings are messy and will fuck up sometimes. This feels like a case of miscommunication and people making risky choices that left people with some hurt.

Again, I may change my mind with further evidence presented, but that's how it feels to me.

[mblue-art]

out w these tall clowns 🌲🌸