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solelifauna · 17 days ago

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When you say the love interest might be worse, does that mean "being mean to reader" wise or "being possessive over the reader" wise?

ERMMM...both I'd say. The love interest for the Werewolf AU is Jon Kent. He's about the same age as the reader and older than Damian by one year (From the time-skip space mission that he went on that aged him). But bro, this boy is fucking nuts.

Yes, Kryptonians aren't werewolves in this universe, but Lois Lane is. And a strong one at that, coming from a military family and all that jazz. So Jon Lane Kent is literally one of the strongest beings on earth, being half-kryptonian and half-werewolf.

Now i know what youre thinking.

But wouldn't Jon also be outcasted from werewolf society/wouldn't the bats not like him cause he's a half-blood?

WRONG!!! Yes, Jon is a half-blooded werewolf, but the other half is Kryptonian, one of the strongest species in the universe. If anything, his breeding makes him a very respected figure and the Bats definitely find him worthy. He and Damian are still the best of friends.

Now Jon's relationship with (Y/n). Yikes. Funnily enough, it was (Y/n) who started crushing on Jon first. She'd see him around the manor often, and she'd watch as he interacted with the Waynes or messed around with Damian. From what she could see, he seemed nicer than her family, so maybe she could be friends with him right? Plus, he's super cute!

And of course, this doesn't end well. I mean, this is a dark au. First off, Superman doesn't quite see humans as equals. Werewolves, they have his respect, and all the other races too. Yes, Clark Kent's adoptive parents were humans, and yes he loved them, but they were weak. Fragile even. And he made sure to instill that teaching in Jon as well.

Did Jon love his grandparents? Absolutely, but that meant that Ma and Pa stayed confined to Smallville and their house. They were too weak, they needed to be protected.

Lois also helped push Werewolf culture onto him as well. Weaker werewolves and humans were subservient to the stronger, and if necessary, could be killed and eaten. Jon didn't quite get the eating part, finding it quite gross actually, until he had his first taste of flesh. And, yikes, the boy was hooked.

In his mind, humans were either things to be taken care of (like pets) or food.

What's even more scary is that he's sweet around his family and friends, but those he deems as lesser? Well, let's just hope you don't catch him in a bad mood or piss him off. Which is why when weak, pitiful, abandoned (Y/n) Wayne comes up to him, he's insulted.

Why on earth did you even think you were worthy of talking to him?

Yes, he's seen you watching them, lurking around the manor, keeping your distance. It was quite annoying actually, he could practically hear your heart leaping out of its chest every time you saw him. He knew your intentions, trying to make friends with him.

He just looked down at you, eyes pooling with something nobody could explain, whilst you smiled at him and made small talk. Or tried to make small talk.

"Damian, should I snap her neck? Or is your family still insistent on the old laws?" Jon says.

You freeze, eyes widening in fear. Ah...you've made a severe lapse in judgment.

So much for a new friend.

"You know what? How 'bout I just go?" You quip nervously before trying to run off.

It's too bad Damian grabs you by the back of your shirt, basically choking you in the process. You let out a strangled noise as your body loses balance and lurches backward. When Damian lets go, your having a mad coughing fit, trying to get as much air as you could into your lungs.

Damian only makes an annoyed sound while Jon watches, a sick type of glee in his eyes. "When the time comes friend, you may feast with us. Now (Y/n), apologize to Jon."

You do not even have to think twice about that. "I'm sorry-I'm sorry! I shouldn't have approached you, I'm sorry." And at this point, you're crying. (reader is 14 when this happens)

And god doesn't that make Jon smile. He wouldn't deny, that you were pretty (I mean, you do have half of Bruce Wayne's DNA). But as much as he'd consider coveting you, you weren't worth that honor, no, he'd much rather taste your sweet, sweet flesh. (He could practically smell it wafting off you).

But alas, he'd have to wait.

But of course, in normal yandere fashion, he goes from wanting to eat you to wanting to eat you. The obsession starts to change around (Y/n)'s 16th birthday party that the Waynes throw. It's customary that all children do some public ball or whatever, so this was yours. Jon and his family are there obviously, and you're there as well, looking as miserable and tired as usual (and still somehow being the most beautiful thing in the building). However, he sees you light up in a way he's never seen you do before when your (what he's guessing) friends show up. They're human. They're weak, like you.

Seeing you interact with them, hearing you talk normally(super-hearing, duh) without fear, watching the way you laughed...He realizes he wants. And he wants bad.

Looks like you've got a new problem now.

Anyways, this is all I got!! I don't want to spoil the story more than I already have, but yeah, say hello to "absolutely bonkers Jon Kent". Hope you enjoyed!!!

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greeneyessmize · 6 months ago

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Debling is not a bad man. He is not a "bad" option. He's forthright, shows attraction to Pen, has interest in her intelligence, and has a sense of humor that compliments her own. Yes, he also has oodles of money and a title.

But, he isn't giving her even the slightest promise to try for love. He's going to be gone 3 years at a time. And Penelope is the richest woman in London, per the books and likely the show as well.

These last three things mean he is also not a good option for Penelope.

She wants love. She is very clear with him about this, both when they discuss romance books and in their final dance. His replies are that he is happy she has a passion for her reading and then that she is beautiful.

While Pen says she values her privacy, what she actually values is her independence. Privacy allows you to keep a secret. Independence allows you to openly be yourself.

Pen. Does. Not. Need. Money. She needs an escape from her overbearing mother and petty sisters. She is choosing to marry in society so that she can still participate in it, and thus continue LW, but she has more than enough money to leave England entirely should she wish.

Colin is entirely in step with Pen as soon as he understands that he loves her. They were already best friends with all the humor, warmth, and affection that comes with that bond. He adores that she is so smart and witty. He is seriously so very attracted to her as evidenced by him going feral not long after their kiss.

He's not going to leave her behind. Even book Colin is very clear, Penelope is his home. And he will not be parted from her willingly. They would travel together, never apart.

He has money of his own, but no title. Penelope doesn't need either of those things as mentioned above. But he is a part of society, which is a nice bonus for her LW work.

Colin loves Penelope with all of his heart and soul. He gave it to her on a platter without her even needing to ask. He just had to know he loved her to give her all of him.

I think it's inevitable that Penelope will have independence to be herself with Colin, too. It's their destiny. Will it be a struggle? Yes. Will it hurt? Undoubtedly. But Colin and Pen are meant to be equals. That is what friends to lovers has to contain. Friends to lovers is balance, harmony, a dance.

Picking between Debling and Colin is like picking between a beautiful maze like mansion with too many rooms where sighs echo off of gorgeous furnishings but is so, so empty and cold and the small cottage that fits just right and is filled with cozy warm fuzzy feelings with a blooming garden outside and an always warm hearth and a sweet little sofa with your favorite comfy blanket and it is always Sunday morning with no chores to do.

Even if Penelope had been presented both options side by side, which she wasn't, she always would have picked Colin. Pen was only picking Debling when she felt to her very bones that Colin was not an option. Then Debling removed himself as an option which made Penelope believe she had no options at all until the carriage scene.

To Pen her choices were: haunted maze mansion or nothing then cottage of her dreams or nothing. Of course she was going to reluctantly accept the mansion over nothing and of course she was going to leap at her dream cottage as soon as she knew it existed.

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marypsue · 2 years ago

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So if you follow me (and aren't just stopping by because you saw one of my funney viralposts), you probably know that I've been writing a bunch of fanfiction for Stranger Things, which is set in rural Indiana in the early- to mid-eighties. I've been working on an AU where (among other things) Robin, a character confirmed queer in canon, gets integrated into a friend group made up of a number of main characters. And I got a comment that has been following me around in the back of my mind for a while. Amidst fairly usual talk about the show and the AU and what happens next, the commenter asked, apparently in genuine confusion, "why wouldn't Robin just come out to the rest of the group yet? They would be okay with it."

I did kind of assume, for a second or two, that this was a classic case of somebody confusing what the character knows with what the author/audience knows. But the more I think about it, the more I feel like it embodies a real generational shift in thinking that I hadn't even managed to fully comprehend until this comment threw it into sharp perspective.

Because, my knee-jerk reaction was to reply to the comment, "She hasn't come out to these people she's only sort-of known for less than a year because it's rural Indiana. In the nineteen-eighties." and let that speak for itself. Because for me and my peers, that would speak for itself. That would be an easy and obvious leap of logic. Because I grew up in a world where you assumed, until proven otherwise, that the general society and everyone around you was homophobic. That it was unsafe to be known to be queer, and to deliberately out yourself required intention and forethought and courage, because you would get negative reactions and you had to be prepared for the fallout. Not from everybody! There were always exceptions! But they were exceptions. And this wasn't something you consciously decided, it wasn't an individual choice, it wasn't an individual response to trauma, it wasn't individual. It was everybody. It was baked in, and you didn't question it because it was so inherently, demonstrably obvious. It was Just The Way The World Is. Everybody can safely be assumed to be homophobic until proven otherwise.

And what this comment really clarified for me, but I've seen in a million tiny clashing assumptions and disconnects and confusions I've run into with The Kids These Days, is that a lot of them have grown up into a world that is...the opposite. There are a lot of queer kids out there who are assuming, by default, that everybody is not homophobic, until proven otherwise. And by and large, the world is not punishing them harshly for making that assumption, the way it once would have.

The whole entire world I knew changed, somehow, very slowly and then all at once. And yes, it does make me feel like a complete space alien just arrived to Earth some days. But also, it makes me feel very hopeful. This is what we wanted for ourselves when we were young and raw and angrily shoving ourselves in everyone's faces to dare them to prove themselves the exception, and this is what I want for The Kids These Days.

(But also please, please, Kids These Days, do try to remember that it has only been this way since extremely recently, and no it is not crazy or pathetic or irrational or whatever to still want to protect yourself and be choosy about who you share important parts of yourself with.)

#also Kids These Days please if nobody's told you: you can't send cheques through email #and if somebody sends you one through email They Are A Scammer and Yes They Are Scamming You #that's not related I just am constantly tearing my hair out about how many people of ALL AGES don't know that #something something something invoking the fuck word in the hopes it will keep this poast from search #i love how the internet has created Magic Words Of Power #unfortunately most of those words perform the action of 'summon jackass idiots to comment on your post'#i am paraphrasing the comment that was left on my AU fic because I am too lazy to go looking for it right now but #it was very similar to that wording #this is just a thing that has been rattling around in my brain and it was finally smoothed out and polished enough to come out

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letteredlettered · 3 months ago

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Hi! I would love to read a JC and WWX post and how it is diff from what you’ve seen in western media!

I'd already started writing a JC post, so I wrapped that in to answer your question.

I follow a few JC fans so I see the backlash to the haters more than I see any haters, but apparently there’s some question in some people’s mind about whether Jiang Cheng loves Wei Wuxian, and I find that a little silly. That said, I think that to understand MDZS’s JC at all, you cannot just read the surface, so if you’re not thinking about him as a person or giving him any consideration beyond what other characters say and think of him, you’re not doing him justice. You’re also not going to see that he loves WWX and also loves several other people quite deeply, because a) JC's never going to be affectionate in his dialogue, b) JC's not going to even be affectionate in his body language or minor actions, and c) WWX, the main viewpoint character, is never once going to think about whether JC likes him or loves him.

Lots of posts have outlined better than I will how deeply loves not only WWX, but also his family, in particular JL. The short version is: JC’s his major flaws are all related to him loving his parents and getting shown very little affection in return—none at all from his father and only some in a backhanded way from his mother, usually in comparison to WWX.

As for Jin Ling, JC threatens him all the time, and even shoves him around a bit, but Jin Ling obviously adores JC and feels adored. JC is the one Jin Ling goes to when he's crying; JC is also the one who leaps to JL's side when JL is hurt. JL knows he's in trouble with JC when JL does something unsafe, but JL knows that his own safety is the most important thing in JC's life. Tellingly, JL rarely takes any of JC's threats seriously, and even tells other people said threats are bogus.

Then there’s WWX. Even while JC is berating WWX endlessly for making their clan look bad, he is literally carrying around WWX on his back. He is protecting WWX with everything he has. He sacrifices himself to the Wens to WWX won't get caught. After their falling out, after WWX lied to him for years and got their sister killed, JC still can't even stop himself from protecting WWX when WWX might get hurt by JGY's guqin string.

The guy is willing to throw himself on the fire for anyone he loves. Just heaven forbid he express any of it. But because he does not express love through speech, Wei Wuxian (who I will point out is a talker) doesn't understand this about Jiang Cheng—and this is shown to be a consistent flaw that WWX has. He also does not understand that LWJ is in love with him, despite LWJ defying all of society to follow him around and lift him onto donkeys whenever WWX gets droopy.

But I'd add the pretty much no one, other than Jin Ling, understands this about Jiang Cheng. If the cultivation world had understood JC, they would not have believed that JC and WWX had actually had a falling out. Part of the reason people don't know him is the same reason JC has such a terrible time with everything—WWX steals everyone's attention, praise, and fear wherever they go. No one is really looking at JC to admire his devotion or his loyalty, because WWX is there, doing it better than him, always. Imagine LWJ+WWX hadn’t defeated the Tortoise of Slaughter and had just been holed up in that cave for six days. All anyone would’ve talked about was how deeply JC must love his shixiong to make it back in such record time. It would all be “heroic rescue” this “unflagging loyalty” that. But instead, LWJ+WWX had to really just steal the limelight.

In fact, the book is partly about the fact that people don't analyze people's actions too deeply. They believe what they hear. They believe what they want to believe. JC really can just say "I reject WWX" and they believe it. JGS can really just say "WWX is evil" and they believe it. Everybody says LWJ is perfect, so they believe he can't be a cut-sleeve who is in love with WWX. And WWX, who knows better than anyone that rumors aren't true, believes it too.

Even after WWX's death, JC's reputation is locked onto WWX. I do think this is JC’s own fault, given that he can’t accept his brother’s death and is obsessed with him but idk. Canon demonstrates that there’s a huge difference between what JC says he’ll do if he finds WWX and what JC actually does, and it’s not because LWJ is in the way. But no one really seems to pay attention to the difference between what JC says and what he actually does when the chips are down, except JL, so it’s no wonder everyone says he has torture dungeons, no matter how ludicrous that is.

I think what makes JC’s love for WWX particularly complex, and particularly incomprehensible in the eyes of the cultivation world, is WWX's position in JC's family. JC thought of WWX as a brother. He loved him like a brother. And yet JC was deeply aware that WWX wasn't his brother. JC's mom made sure that JC was deeply aware of that at all times, and you know what, so did his dad. And then, the rest of the cultivation world constantly talked about the fact that WWX was not a part of the family, that the Jiang Clan raised him like a son but he was really the son of a servant. MXTX expertly shows that this fact gets trotted out whenever WWX does something questionable--when WWX is brilliant, he's a lauded member of the clan, but when he is bad, he is of low-birth and adopted through charity. The truth is, it’s an unusual relationship for a world in which there’s a pretty big different between your clan (blood relatives) and sect.

How can JC hold both of these truths in his head? What makes it bearable for JC is that when they grow up, JC will be the Sect Leader and WWX will be his right-hand man; they will do everything together; they will be brilliant together; they never have to worry about blood or debt then, because then it won't matter whether they're brothers or best friends; the difference won't matter. They can both be the head of a family that they love. Except that doesn't happen.

JC’s parents die, and WWX disappears. I will, at this point in my understanding and credit to Jiang Cheng, say that the part about JC I find hardest to swallow is that he partially blames his parents' death on WWX. Yes, WWX stayed behind in the cave of the Tortoise of Slaughter to save LWJ, and yes, this meant that Wen Chao and WLJ have a particular grudge against him, which they use as partial excuse to attack Lotus Pier, but by god, that's a stretch. Lotus Pier would have been attacked anyway, and the fact that JC even partly blames the attack on WWX has far more to do with what his mom said about WWX showing off for the glory and bringing down the wrath of the Wens than it has to do with reality. YZY is going to say anything she can about how WWX being a hero with the Tortoise of Slaughter was actually a bad thing, because it's so fucking painful for her that WWX is a fucking legend when her son just . . . isn't.

As JGY points out, they were in fact the strongest sect once WWX comes back from the Burial Mounds and fights the Sunshot Campaign with JC. They could have been the power couple of JC’s dreams, but just as YZY pits JC against WWX, the cultivation world after the war pitted WWX against themselves and by extension, JC, and JC buys into it. I find this super understandable, and I think it’s pretty unfair to expect JC to be more understanding of WWX, given that WWX is constantly lying to him. Similarly, I think it’s pretty understandable that he doesn’t understand the plight of the Wens, given that WWX doesn’t explain it to him at all. From JC’s POV, WWX just leaves, at a time when JC really needs him, and he does it on a crusade for unrelated people—as though he never considered himself part of the family in the first place.

And you know what, that may be WWX’s POV too. He loves the Jiang family like his own family, but he’s also deeply aware that he is not blood. MXTX makes it very clear in canon that WWX felt that he owed the Jiang Clan, and not in the way you owe a family. That is—he doesn’t owe them his existence, but he thinks he does owe them his core and his cultivation. And he gives it all to JC.

I outlined above that the relationship between JC and WWX is unusual in the cultivation world given that they each feel like the other is family but are consistently reminded of the fact, and pressured to believe, that they are only sect siblings and that WWX is actually a subordinate. I also haven’t found many relationships like this in other media—though I’ll point out once again that my experience is mainly with western media. I think the closest things I can think of are stories in which the parties are of a different class but are raised together for whatever reason—because they actually are somewhat related but one of them has low class relatives, or because they were not as well-supervised in their youth but one of them suddenly comes into money and is forced to leave his low-class BFF behind, etc.

Given that this relationship is unusual, you don’t see a lot of situations like WWX’s, in which WWX feels like he owes the Jiang family his golden core and then gives it to him. But there’s another element to this sacrifice that I’ve only seen in one other piece of media, and that’s the fact that WWX knows that JC can’t live without being special, and WWX thinks he can handle it.

There is so much in western media about brothers giving up their lives to protect their brothers (Supernatural), or even just giving up their dreams and ambitions so that their brother can follow his own dreams instead (It’s a Wonderful Life). But these sacrifices are always framed as “I love him so much,” or “It’s my duty” or “I couldn’t live with myself if he didn’t get what he wanted” and sometimes even, “I can handle the suffering and I don’t want him to live with it.” But there’s something about WWX’s “eh it’s not a big deal to me and it is to him” or his “bro’s kinda petty and can’t get over himself, whatchu gonna do” that feels stupidly singular.

WWX never says it isn’t a big deal. He never said that it didn’t hurt or that he didn’t make a sacrifice. He never said JC was pathetic or a loser or anything that diminishes JC or makes him less than he is. What he says is that JC is always competitive and comparing himself to others, which is true. But the other sacrifices in fiction that come close are a little more “I don’t want you to have to suffer” or even “I’m strong, and you’re weak, so I’ll take on this burden for you.” Meanwhile WWX doesn’t think JC is weak, and while WWX doesn’t want to suffer, he certainly doesn’t want to suffer himself. The sentiment feels closer to “you need to feel special so I’ll make that happen for you,” and there’s something about it that is a little condescending.

I mentioned that I’ve only seen this kind of thing one other time, and it was in a baseball anime called Touch that aired in Japan in the 1980s. Touch is a story about twins, one of whom is smart, talented, and works hard. The other twin, Tatsuya, is good in school and good at baseball, but at first seems like a lazy guy who only cares about joking around and having fun. Then you find out he’s a genius and a one-in-a-lifetime talent, but just never bothered to focus on anything because he’s so stupidly good at everything that he would just show his brother up, and his brother cares about excelling and Tatsuya doesn’t, so he just…was careful to never apply himself to anything.

WWX isn’t Tatsuya, in that when they’re on an even playing field, WWX doesn’t really seem to have any compunctions about showing off. But as soon as the playing field becomes uneven, he also has no compunctions about destroying himself so that JC’s competitive spirit is satisfied. There’s something about it that has a flavor of “I’m better than you,” even if it’s never what WWX meant to communicate. No wonder JC feels like a clown.

Like, in the end, WWX kind of did make a fool of JC, even though WWX did it out of both love and loyalty. I'm not sure I've ever read or seen anything else where such a sacrifice has such ambiguity, and it really makes the WWX+JC relationship one of the most complicated I've seen.

#jiang cheng #wei wuxian #mdzs #long post

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indierpgnewsletter · 9 months ago

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Playing Rabbits in an RPG from 1976

(This continues our 2024 series, 10 Games From The First 10 Years. First published in the Indie RPG Newsletter)

It is genuinely surprising to me that in 1976, within two years of D&D coming out, someone published a game about being rabbits. It makes a little more sense when you realize that it was inspired by Watership Down and the designers were, I believe, zoologists or something similar. But having read it, the premise is the least interesting part of this game. It has so many fascinating little ideas.

Bunnies & Burrows is a game about rabbits … but these aren’t just rabbits, they fight, explore, gamble, study herbs, see the future, parley with beetles, find love, have children – and the list goes on. The end result are characters that ironically feel more human than you’d imagine.

As I play more games, I learn about games, sure, but I’m also learning a lot about myself. And a rule of thumb has slowly emerged: I want to play games that lead to interesting, surprising, unique things being said by the players. I’ve sometimes phrased it as “people want to say cool shit at the table”. I’m people.

Bunnies & Burrows starts with D&D as a jumping off point – there’s that old, familiar rolling 3d6 down the line to get your stats. But that’s more or less where the similarities end. You have rules for fighting but it’s not D&D combat – this game is often described as having “the first martial arts system” but what this means is that fighting is mostly weapon-less and involves declaring actions that flow into each other as patterns or c-c-combos. Basically, some actions set up other actions – you can’t Rip into another rabbit unless you already pulled off a Bite & Hold in the last turn. Some actions like Run aren’t possible if you’ve just done a Pin or a Rip in the previous turn and so on. I didn’t actually get to play out a fight but these rules got me grinning.

And the whole thing is like that. The study and application of herbs is meant to be a little puzzle where through trial-and-error and dice rolls, you slowly figure out what’s good for you and what isn’t. The languages and persuasion rules mean that certain characters can become envoys to other species. Because a language can mean the difference between things turning violent and a peaceful negotiation between rabbits and a mother scorpion that has accidentally wandered into their warren.

Don’t get me wrong. Most of these little pieces are eccentric and inelegant – always more convoluted than you’d like but still a major leap forward in playability because in the end, it’s a d100 roll under a target number. All the fiddliness – and there’s a lot of it – lies in the absolutely esoteric ways this game invents for calculating that target number. But I find it easy to forgive this in an old game, especially when the most interesting part of the game doesn’t lie in the mechanics but the negative space the rules seem to create.

The donut hole in the centre of this game – fruitful void? uncrowded centre? – is the question: What is rabbit society like? This is a setting question – or rather, a system of relation question – that is never asked but it must be answered. The mechanics have some opinions. For example, every player picks a profession when they make a character – Empath, Seer, Storyteller, Scout, and so on. Some of this comes from Watership Down, which can, of course, be your ready-made answer – it’s the unstated but obvious setting sourcebook for this game. But if you don’t go down that route, you’ve got a juicy problem: What do we value? What do we despise?

#indie rpg #ttrpg #ttrpg community #ttrpg design #ttrpgsolidarity

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dr-spectre · 2 months ago

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The way that this single image makes what the Squid Sisters have gone through even more emotional is somehow shocking to me.

Like it really makes me think, "Damn... These two have been through a lot together.... both good.... and bad...."

Started off as nobodies who were filled with so much anxiety and doubt, thinking that it might not work out. To then becoming the most popular Idols the entire world has ever seen, they became SO popular that it ultimately damaged their relationship, causing a massive rift between the two and they slowly drifted apart... Callie was ridden with so much attention and work that she couldn't take it anymore, all the pain and loneliness was too much for the 19 year old girl from Inkopolis... She broke down and the worst parts of her, the angry bitterness inside of her was brought out via a desperate old enemy that needed her help to save his people from certain death. She willingly went with him because she would rather get to know and help her enemy rather than spend another second in the society she grew up in.

Marie became filled with so much panic and fear about her cousin that it took up every waking second of her life when she went to Calamari County to see family. When Callie never arrived, she must have been so scared... so anxious... fearing the worst about her cousin...

When Marie found out what truly became of Callie, it must have been the worst day of her life. Marie wanted to fix their broken relationship so badly, she was on the brink of tears during Tidal Rush, she desperately wanted to remind Callie all of the times they times that they had together, that she is a Squid Sister and she doesn't want to fight her anymore.

Once Marie shot off the shades, Callie was still angry, dazed, confused, in pain... only left to sing and dance as that came natural to her. However, once that heavenly melody played, all of those good memories flooded back in, all of the hardship they went through, the performances they've done, the Splatfests they held, it all came back to her, filling her with joy and energy. She leaped into the air and decided that she wants to be with her cousin until her final breath, no longer she wanted to fight.

Since that night, the two have healed their relationship and are stronger than ever. They have planted the seeds for the next generation and will be there to nurture them, so that no one repeats the same mistakes that they did....

"We've come far, you and I, on our journey."

"Sights and sounds, highs and lows, all that we've seen."

"Nothing at the start, in the void of night."

"But then out there, in the dark, a path came to light."

"Did you think back then we'd be here? Guiding others in our shoes?"

"Tiny, tiny seeds, left on the trail, someday to bloom."

#splatoon #splatoon 3 #squid sisters #callie cuttlefish #callie splatoon #marie cuttlefish #marie splatoon #long post #text post #grand fest #grand festival #grand fest splatoon #i love them #they mean everything to me #screaming crying throwing up #actually crying #autsitic

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vintagetvstars · 2 months ago

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In light of James Earl Jones recent passing I thought it would be nice to celebrate his life and career by highlighting some of his major TV works.

Unfortunately most of these shows have not made the leap to online streaming and it’s possible they may have never even been released in any form of physical media. I hope one day we may see these shows available for viewing again but for now I’ll share what I could find of them.

Gabriel’s Fire (1990 - 1991)

“The main character, Gabriel Bird, was played by James Earl Jones. He was a former Chicago police officer who, over twenty years prior, had been wrongfully sentenced to life imprisonment for the murder of a fellow police officer. In fact, he shot the officer to protect a defenseless mother and child whom the officer was about to murder in cold blood during a 1969 police raid. Unbeknownst to Bird, the raid had been merely a pretext for the police to attack the members of a militant black nationalist organization.

This incident in the character's background was inspired by the 1969 death of Black Panther Party leader Fred Hampton, who was shot and killed during a raid upon his residence conducted by Chicago police and other law enforcement personnel. On the show, the street on which the raid involving Bird had occurred was identified as "Hampton Street".

After serving about twenty years in prison, a human rights lawyer decides to work for his release as his testimony is needed in another case. At first, Bird opposes any attempts to release him, as he became accustomed to life in prison, but after his release takes place against his will, he begins to get used to life as a free person and uses his time away from prison to help other people who are wronged by society or the authorities.

When Bird is released, he starts working as a private detective, hired by the lawyer who had helped free him.” (Source)

James Earl Jones won the Emmy for Outstanding Lead Actor in a Drama Series for his role in this show.

While this show is unfortunately unavailable on streaming services I was able to find someone who had uploaded a recording of the first episode on YouTube (unfortunately I could not find the rest of the series at this time). There do not seem to be any DVD or physical media copies of this show.

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Paris (1979)

“Los Angeles Police Captain Woody Paris (Jones) is the supervisor of a team of rookie detectives, led by Sergeant Stacy Erickson (Cecilia Hart) and including officers Charlie Bogart (Jake Mitchell), Ernesto Villas (Frank Ramirez), and Willie Miller (Michael Warren). Hank Garrett portrayed Deputy Chief Jerome Bench, Paris' superior, and, in an unusual turn for police dramas of that era, Paris' home and off-duty life was given considerable attention, with Lee Chamberlin portraying his wife Barbara. Paris additionally moonlighted as a professor of criminology at a local university.” (Source)

This show is also unavailable online and I could only find DVD listings on a few obscure sites so it’s unclear if any physical media of this show truly exists. However I did find a short clip of its theme (unfortunately it’s just a short clip of James Earl Jones in the intro sequence followed by the rest of the music over a blurry image of him).

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Pros and Cons (1991 - 1992)

"Gabriel Bird is a former Chicago police officer, who, over twenty years prior, had been wrongfully sentenced to life imprisonment for the murder of a fellow officer. He was exonerated and subsequently became a Chicago private detective (as seen on Gabriel's Fire). Bird then moves to Los Angeles, where he teams up with another private eye, Mitch O'Hannon. Bird also marries his love interest, Josephine, She had been the proprietress of a café where Bird had begun frequenting shortly after his release, at first for her good, homestyle cooking, but soon, primarily for her companionship." (Source)

Once again this show has not made the leap to streaming and there have seemingly been no DVD or physical media releases of it. However I did find a clip of a short promotional spotlight for the show.

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Heat Wave (1990)

"Heat Wave is a 1990 American thriller-drama television film about the 1965 Los Angeles Watts Riots" (Source)

Heat Wave was a made for TV movie and also starred: Blair Underwood and Cicely Tyson.

James Earl Jones won the Emmy for Supporting Actor in a Movie or Miniseries for his role in this movie.

This movie is available for streaming on Amazon, Apple TV, and Fandango at Home. And it looks like there are some DVD copies for purchase on Amazon, Ebay, and other sites.

Here is a promotional trailer for the movie.

CW: Police Brutality and Racism

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I hope this has bean able to shine a light on a lesser acknowledged section of James Earl Jones extensive acting career and legacy. And I hope one day those shows of his that have been seemingly lost to time may yet see the light of day once again.

#Youtube #james earl jones #breaking news #vintage tv stars poll

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