#knowing is definitely worse.

[trevisos]

i DO believe in my heart that magpie someday thwarts an assassination attempt on first talon lucanis by coming face to face with one zevran arainai. undecided on where this goes but i do think they would get on like a house on fire so i suspect it ends with them pulling a few bottles of wine from the villa dellamorte cellars while lucanis takes one look at the situation and decides he doesn’t even want to know

[moonlight-stalker]

# Dcu x Dp 177

Danny is having mix feelings his parents believed that his powers were the cause of ecto contaminated and was making him sick and slow killing.

While the bat's and birds think that he is also sick they belived that the powers he has have made him think he is dead and have given him something called walking corpse syndrome

The batfam believes that Danny is a meta with Cotard's syndrome and are trying to convince him that he is not dead. While also making sure that he does not die for real because of starvation or injury/infection.

Cotard's syndrome ( aslo called walking corpse) a rare mental disorder in which the affected person holds the believe that parts of their body are missing, or that they are dying, dead, or don't exist

[algoreithms]

late night cecilia post because i'm brainrotting so fucking bad. she's the worst

+ slapshipping nonsense below the cut because i am a degenerate

[biggest-gaudiest-patronuses]

what i like about movies like Heathers is they ask "what if teenage girls committed atrocities?" and then they take a good hard look at teenage girls and conclude that what's already going on is worse

[senseearly]

For a moment, imagine yourself in Mithrun's brother shoes.

Your brother - stronger, prettier, more charismatic, but also distrustful and disdainful of everyone especially you - is to be sent to the Canaries. It is the rule, it is the duty of all noble houses. But you know what goes on there, Mithrun knows what happens there. Yet you see him off, bidding a temporary farewell as you do, because someone from the House has to go and it won't be definitely you. Mithrun knows this, you know this. And you wonder, very briefly, if Mithrun hates you now more than he does already.

Your brother - powerful, agile, a good soldier just as he is as an heir, if he could only be an heir - suddenly disappears. The unit he belonged to suddenly disappeared. And you're speechless because - how? why? No one wants to answer you; they will instead try to bring back a body, they promise to you. But that is not what you want. You grieve for your brother. but your own family doesn't grieve with you. Wasn't Mithrun family too?

Then you found out: MIthrun is alive.

Your brother - now weak, despondent, his eyes always looking for something that is not here nor there - is to be sent home where people can take care of him. It is not your first choice, you want him home. But he is - sick. Not quite there. He needs someone who can look after him and you look at yourself - your gait, your constitution - and you know it can't be you. So, you follow the advice of your family and pour out all your resources to find him the best of healers and caretakers. You ask yourself, almost daily, if Mithrun would ever return to who he once was.

Your brother - strong, pretty, uninterested of anything and anyone else aside from what he calls 'the demon' - is now better. He can walk on his own now, eats without throwing up on himself. The color on his skin is back and the scars of his injuries have faded into thick bumps and discolored skin. But he still isn't quite there; still needs help and probably will for the rest of his life. And you can live with that. You can provide that. Just as long as he comes home.

But doesn't. Your brother - now a husk of his former self, and you hate thinking of him that way, but you can't help yourself, the Mithrun you knew is gone - runs straight back to the Canaries. His mission is not over, he says. He doesn't care how long it takes, he says. And you see him off, again, because someone from the House has to go and it still can't be you. Mithrun knows this, you know this, and you can't help but wish, very briefly, if things would've been different if you went instead of him.

[orangepajamas]

[casually gets overstimulated]

[biblically-accurate-dca]

@vanweek2024 day 6 - spare

vanny goes bowling !

[tempestmothstorm]

crazy how the sanshee plush is one of the few actual direct confirmations on what a non-act 2 Natsuki’s home life is like because of how cagey she is on literally everything. Like this isn’t anything surprising or something you wouldn’t be able to extrapolate from the games but unlike everything else we know about her the implications are right there on the tin.

They literally did the character bio trope where where all the likes are normal but the dislikes are about their very specific trauma it’s just so funny they did that on the plushie card

[yyamssoup]

knives posting AUUUUUUUUUUUUUUU

[andromeda3116]

look, i know everyone said that the new interview with the vampire show was incredible but holy shit i was not prepared for how incredible this show is

like, not only is louis interesting now, he is incredibly compelling! his once-bland internal dilemma is now given actual weight because it's not just the same old Thou Shalt Not Kill But I Am Hungry story, it's tempered through his righteous fury at how black people have been treated all these years, how many people have wronged him and laughed and expected him to laugh along, how his ties to the community that once saved him are now turning to nooses around his throat, how his family that he once provided for and relied on have now come to fear him

that, combined with his explicit homosexuality, and with lestat being the only one who seemed to accept him and love him for all that he is, and how that is both comforting and incredibly toxic and combined with sam reid's insane charisma and mania and gravity as lestat that make it completely understandable why louis would still be drawn to him in spite of everything

and how they've used the changes from the original to this one to examine how memory shifts regarding someone who was so intense and formative in your life even if they were ultimately so controlling and abusive but still left such huge gouges in your personality like knives

like

fuck

this is the best-written show i have seen in a long time like this is top-tier writing holy shit

[smokbeast]

Me hearing will wood's laplace angel and just makes me think about the potential of sun having unhinged moments of utter RAGE if something goes really wrong or if a certain thing doesn't go his way or someone he cares about gets hurt

[cartsandhorses]

dare I say art museum date number two?

[arachred]

can i be so honest for a second and talk about how the danganronpa fandom had (has) one of the worst cases of devastating mischaracterization in fanwork that ive ever come across or is this a hyperfixation of mine that i should just stay silent about until i get over it again

[froschli96]

You know what, fuck it, I have to speak my truth! (this is gonna be a rant, so anyone who actually likes assassin's creed revelations and/or the secret crusade, be warned or maybe don't read this at all)

remember how altaïr talks to king richard at the end of ac1, and richard is like "[humans] come into the world kicking and screaming, violent and unstable. it is what we are. we cannot help ourselves."? and how altaïr answers "no. we are what we choose to be." and how that ACTUALLY has meaning bc he himself was "violent and unstable" at the beginning of the game but he has learned and is now CHOOSING to be a better person who cares about others and humanity at large? remember how his calmness and gentleness was something that he ACQUIRED over the course of the story?

and remember how in revelations they then suddenly had a PRE-AC1 altaïr say about the first of his targets "no man should pass from this world without knowing some kindness." and be all wise and calm and collected during a nice little chat with al mualim, who suddenly acts all fatherly? (like, this is suddenly supposed to be a positive relationship? what??)

also, during the confession the target says to altair: "you put too much faith in the hearts of men, altaïr. [...] humans are weak, base, and petty." and altaïr answers: "no. our creed is evidence to the contrary." KJASJFJDKL???? like, it’s almost insulting how close this exchange is to the one with richard. you know, the one that was actually earned after a whole game of character development. like WTF??? cool congrats now that development means nothing. like, apparently that was just altaïr reverting BACK to being the exemplary assassin who understands and believes in the creed that he was apparently just born as. (i also hate how having a young inexperienced altaïr saying this implies that altaïr's faith in humanity is a sign of naivete instead of a sign of the wisdom he has gained after being confronted with counter arguments for a whole game, and also something that distinguishes the assassins from the templars who use humanity's supposed wickedness to justify controlling them like in AC1, but whatever)

altaïr’s development in AC1 mattered BECAUSE he is not NATURALLY a good person, it actually said something about humanity's capacity for both bad AND good and how humans don't have to be forced to be good through mind control bc they can by their own free will choose to be better when taught how and when allowed the freedom to grow. but no. apparently altaïr has just always been calm, wise and gentle. and he just sort of forgot about that during AC1 bc…. ? bc of adha?? bc of abbas???

oh don’t get me started on the whole abbas thing. (it doesnt even make sense that abbas is so hung up about his father and "his family’s honor", like what about the whole point of al mualim not allowing parents to be close to their children bc it would make them weak? like, my dude, you’re not supposed to HAVE any family aside from the brotherhood)

they used the throwaway character that had like 5 lines and made him into altaïr’s main antagonist in revelations… like, abbas wasn’t supposed to be this ONE dude who had personal beef with altaïr, he was just supposed to show how while altaïr’s revered by many, a lot of his brothers also hate him, bc 1) altaïr is a shitty person at this point and 2) bc there’s no real feeling of community and family in this version of the brotherhood, but just a pervasive sense of competition and jealousy — these assassins don’t care about their goal of safeguarding humanity bc they’re too hung up on petty squabbles and divided by rivalries (you know, the things that made malik hate altaïr even before solomon’s temple and that he overcomes in the end which enables him to forgive and to reconcile with altaïr so they can work together and stop al mualim? (you ever just think about "we are one. as we share the glory of our victories, so too should we share the pain of our defeat. in this way we grow closer. we grow stronger." and cry? bc i do. all the time. malik, the man that you are))

and now abbas is altaïr’s childhood best friend turned lifelong enemy?? like, bowden bent over backwards to come up with an explanation for why altaïr is an arrogant ass at the beginning of AC1, when the explanation is right there: he was raised to kill without asking questions and was constantly praised for how good he is at murder, which resulted in him becoming arrogant and disregarding human life. like, it doesn’t have to be some shakespearean family feud type shit. and guess what, this "simple" explanation actually plays into the story’s themes, who’da thunk!

(like, abbas might not have been a "fleshed out" character in AC1, but he had a specific function and now that function is gone. mr bowden, mr mcdevitt, you know characters are allowed to simply exist to tell us something about their worlds and the systems they live in and sometimes that’s more important and also more interesting than having every single character have a detailed backstory to explain all their behaviors, right?)

with all of this revelations loses all nuance in regards to the levantine brotherhood and also the creed in general. like, altaïr being a master assassin at the beginning despite being a terrible person and not actually understanding the creed is a criticism of the brotherhood and the creed itself. like, it said something about the order that someone like altaïr was able to get that high in rank, simply bc he's good at killing, which also tells us what is considered important in the al mualim era assassin order. when you make altaïr’s arrogance the result of his personal conflicts instead of how we was raised by a brotherhood that only valued one's ability to kill, you lose that characterization of the assassin order itself!

and by suddenly making al mualim a semi good "father figure" you also downplay his manipulation of not only altaïr but all those under his care. (altaïr says something about al mualim being "as a father" to him exactly twice in the codex, but he doesn’t mean by that that he WAS a father to him, what he means is that he was the CLOSEST THING he had bc HE DID NOT HAVE PARENTS, not because his mother died in childbirth and his father was executed when he was young btw, BUT BECAUSE IT WASN’T ALLOWED, like his parents actually lived but weren’t allowed to be close to him, he says he came to view al mualim’s "weak and dishonest" love as enough and even better BECAUSE HE HAD NOTHING ELSE, BECAUSE AL MUALIM ISOLATED HIS ASSASSINS FROM THEIR FAMILIES. al mualim "loved" him bc he was good at killing people for him! hm, i wonder if this could be trying to say anything about cults and indoctrination and the inherent contradiction in fighting for peace and free will by taking children away from their parents and raising them to become killers?? like, altaïr wasn't ~the special orphan boy~ taken in by al mualim bc his father died a hero's death, it was "the way of the order" to have al mualim be the closest thing to a parental figure for everyone to ensure absolute loyalty! altaïr saying al mualim was like his father is not supposed to make you go "oh, he must have actually been a good guy for altaïr to consider him a father", it should make you go "oh that's kinda fucked up that he considers the dude who made him into a killing machine and who manipulated him a sort of father figure"!)

and then in revelations they suddenly portray that relationship as positive and healthy??? like, it would be one thing to give it some nuance by delving into the psychology behind al mualim’s "love" and maybe showing how al mualim did care about altair in a complicated, fraught sort of way (like, you know, there’s a lot of interesting things you could say about al mualim at several points addressing altaïr as "my child" in AC1 and how that parallels Garnier referring to the people he drugged and abused as his "children", and what that says about how the templars view the people who they say they want to save and in whose best interests they supposedly act (in any case, al mualim doesn’t use that phrase because he has any real parental feelings but rather to patronize and to invalidate any objections, like in a "mother knows best" way))

but they even fucking DARE to parallel that relationship with that of altaïr and darim in revelations, by having the reflection in the puddle of darim hugging altaïr showing altaïr hugging al mualim…. like their relationship wasn’t inherently abusive but just tragically cut short because al mualim was just "corrupted by the apple"… like WHAT???? so it’s not the very real problems like grooming, manipulation and indoctrination and the hierarchical structure of the brotherhood itself (all of which are antithetical to the assassin ideology), it was just the evil apple all along. great. that’s DEFINITELY a lot more interesting.

god im sorry i really dont want to spread negativity but this is driving me INSANE. like, somebody please tell me im not crazy bc i feel like somehow most of the fandom is in agreement that revelations and the secret crusade have better storytelling and characterization than ac1.

SPEAKING OF WHICH, can we talk about how, even IF we completely ignore AC1 and treat revelations altaïr as his own character…. the narrative still doesn’t really work?

basically, the whole point of his story in rev is that "he gave his whole life to the brotherhood", this obsession led to him not using his time with his family which has him ending up dying alone in a dark library and this in turn makes ezio reevaluate his life choices…. except. he doesn’t? neglect? his family? or whatever? like, his devotion to the assassins is sort of painted as this tragic flaw that leads to a lonely death bc it supposedly comes at the cost of his family, but… his wife has joined the assassins, (at least) one of his sons is in the brotherhood and even when he goes to protect the assassins against the mongols, he takes his family with him (except for the son who stays behind bc he has a family of his own and who, ironically, ends up dying bc of that)… like, you can’t describe altaïr as a good husband and father in the database and have his son tell him that "everything that is good in me began with you, father" when they say goodbye, and then want to make us believe that he put his family behind the brotherhood and that that is a character flaw that leads to his tragedy.

because you HAVE to have a character’s tragedy be the result of a character flaw. like. that is how tragedies work. otherwise it just becomes tragedy for the sake of tragedy which is… boring bc it has no purpose. and we know it is SUPPOSED to have purpose bc ezIO FUCKING QUITS BEING AN ASSASSIN AFTER WITNESSING IT!

it’s like they want to have their cake and eat it, too — they didn’t want to actually make altaïr a bad husband/father, but still wanted to make his life a tragedy where he loses his family which is why instead they outsource all responsibility to abbas who now has to be the reason for ALL the deaths.

like, they try to make at least maria’s death kind of sort of the result of altaïr’s rashness or whatever but like… these guys KILLED THEIR SON and TOLD HIM THAT ALTAÏR HAD ORDERED HIS DEATH. like, altaïr losing it in response to that is not rash, it’s fucking logical and justified! if anything the scene made me angry at maria for trying to stop him. like, GIRL, he was YOUR son too??? but god forbid we give female characters actual real emotions, she has to fill the role of "voice of reason who dies for altaïr’s man pain" i fucking guess.

like, it’s this weird mix where his tragedy is simultaneously painted as his own fault but also not really bc abbas is the one responsible for all the shit that happens. it just… it just doesn’t really go together.

the only way to make his story make sense narratively and to give it actual purpose is by looking at it in the context of ezio’s story, bc the things he sees in altaïr’s memories are supposed to be a revelation (ha!) to ezio specifically. and i guess that’s maybe the crux of it all — altaïr’s story in revelations was conceived of first and foremost to support ezio’s story and development. which is probably also why many people maybe don’t notice bc, having skipped ac1 and started with ac2, the majority of people mostly care only about ezio and only really appreciate altaïr’s story in as far as it serves to push ezio forward. (tho i’ve also seen a few people say that ezio is also written kind of weird in rev, but i’ve never really been an ezio girly myself so i can’t speak to the truth of that)

like, altaïr dying alone in the library doesn’t really have to make sense for his character, i guess, bc it’s only really supposed to be a cautionary tale for ezio.

so, i guess, for once, they actually had a MAN dying for another man’s character development, which is pretty woke actually. ubisoft, i take everything back jksdsfjhgdsahfhsdhfghfdsgjhsdgjh

[weepingtalecowboy]

Four meets the colors

I decided to be absolutely evil so here you go fanfic prompt :

What if four was never capable to combine into link but they didn’t even get the opportunity to take turns because everyone controls different body parts and they have to coordinate absolutely everything together and pulling the four sword back just to be four people again isn’t something they can just do

They learned to live with it but no matter how hard they try to make it look naturally

they still move in a way that feels wrong even when they are trying hard to cooperate

Their feet have slight delay

their hands have trouble gripping stuff in a way that looks naturally and one hand might grip the wrong side of a box ending with nearly dropping it

Their face can show different and several emotions at once and they can sometimes be heard mumbling to themself

And because of that they are perceived as unsettling or unstable by their own village

Their father couldn’t truly understand or accept them because link his child essentially died and they know it no matter how hard he tries to hide it

Their grandpa is getting older and even though he grieved his grandson he still wanted to accept them and when he is gone they would only have Zelda left

And she spends most her time in the castle ruling Hyrule

Shadow is not coming back ever again

And because of that spend as much time as they can on blacksmithing to not have to worry about things

But when linked universe happens they meet a version of them that has everything they could possibly want

Like their own bodies and lives

Shadow is still alive

The village doesn’t fear them

Vio,Blue , Red and Green all get to go by their own names

And four has to go by link

It’s genuinely paining them because it just doesn’t seem fair

Main while the colors hate how four is looking at him

Because they used to think that link would understand and support their decision to stay apart

But obviously link feels to good about himself as the perfect and superior hero of the four sword

And they all start hating him for it because it means that their decision wasn’t approved by the one person it mattered from the most

The chain feels the tension but doesn’t really know how to fix it so they separate both

And when they all get to four’s Hyrule they feel ashamed of how bad they are viewed by their own village

Because the colors are loved but they are not

So they tell them that when they put the sword back they never became one

The colors feel absolutely horrified when they realize the implications

Because four's existence sounds like their worst nightmare

And it makes them feel sick

That a version of them could be so screwed over by their own existence

And shadow isn’t even with them

And their dad doesn’t even want them to exist

Man and they thought they had it rough

Four gets to meet shadow and has a mental breakdown over it

Shadow is also very disturbed by the situation

Also they keep four there is no way hylia can stop them (it still is extremely weird when they interact with their counterparts because they like don’t always have the same expressions )

but also four is all fucked up like red is delusional (he was doing his own thing the entire adventure in the manga), blue has an obsession with keeping things under control(getting frozen and swallowed by a ghost is not fun) (which is why he is so obsessed with cleaning because it gives him a way to control the environment ) , Vio is depressed about shadow,green has a hero complex (he is link if you delete all personality traits except hero)

That combines into a mess of having their own personality but not enough to be their own people (just how they can’t even live without coordinating link's every step)

Yeah that won’t be fun

The colors have it easy in comparison

[nerdie-faerie]

Now offering low quality, low effort Doctor Who memes. Insp

Bonus: