#kinda really fucked up about it

[vvitchering]

I didn’t get the job

[autisticsonic]

My take on a Sonadow fankid! She actually existed for a while now, but the trend gave me motivation to finally draw her!

Most sonadow fankids are purplish and tube-grown, so I decided to make her neither!

Background for the story under cut, in case it gets long!

So in this AU, stories from the more recent games happen when Sonic and Shadow are at most around 20 years old. Back then Sonic was rambunctious and reckless as we know him to be, and Shadow was a depressed, traumatized emo kid. While at first they were rivals as depicted in the games.

Over the years tho, just like their friends, the two matured. They started getting along a lot more, and became official friends, which eventually lead to dating. They both were afraid of getting serious though, so they took things slow and casual. Due to some of their unresolved issues, they couldn't get any closer. But not for much longer.

Some of it has been brought on by a Particular Event, and some of it due to restructuring how they go about saving the world, but things changed. As Forces has shown, putting so much responsibility on One Guy isn't wise. Sonic felt so quilty for failing, but it never should've been his job alone, so they created an organization, to share the load more evenly!

The org became global, with local groups of heroes being recruited all around, meaning that now the characters we know and love now had more time to take care of their personal lives.

While for some the change hasn't been much, Sonic, and to a lesser extent, Shadow, struggled quite a lot. Many of things happened in between, but eventually both of them grew to quite enjoy the domestic life.

They moved in together, and started taking things to the next level, now that both have done some healing and therapy. They found that they get along quite great. After a bit longer, they decided to start a family :)

Shadow came up with the name. He wanted to honor his sister's memory, but Mar-Mar was also a symbol of all his progress. He did go to therapy to make sure that he can handle them sharing a name, to see if it's a good idea, and well, it was!

She's now 4 and very loved, and her dads love each other very much as well. For a certain Sonic though, things won't go so great.

[art-is-kayos]

Checking up on his commission

[runeaxx]

I think they'd be best friends

[littlecrittereli]

Guardianship au,,,,,save me guardianship au,,,,,,,

If you don’t mind the questions, how’d the Tortuga gang react to Chris tagging along? I assume they understood Chris would be joining them early on into Martin being accepted, but I imagine the situation was more like. Martin snagging a new job on the Tortuga >> realizing he can’t take this job and leave his brother alone >> Chris says don’t worry just take me with you >> Martin nervously asking heyyyyyyyy is it cool if my little brother comes with?

Obviously everyone had to be cool with it eventually, but do you know what Aviva, Koki, and Jimmy had going through their heads when a mildly emo, 14yo Chris rolled in with a deeply anxiety-ridden Martin?

This is kinda the awkward phase of the team's relationship where they know Martin is struggling, but he's not willing to let them help just yet.

The second Chris finds out about the Tortuga it becomes his life-mission to convince Martin to let him go on the trip (it will not be difficult at all to convince him)

Martin is just hesitant because he wants to make sure he's not being selfish in his decision to join the team. Of course Chris wants to go too, but Martin is trying to think of his best interest.

Of course, he eventually realizes that the team genuinely cares about them and he's willing to let them help out with Chris, and then the found-family can commence!!!

[haunted-xander]

What's there to be afraid of?

[tradingjack]

how bout them apples

[whilomm]

oh okay heres one:

"sleepaway camp"= you go there for at least a few days, a week, sometimes several weeks, and sleep there, as opposed to a """camp""" where you go for the day and your parents or whoever picks you up afterward (those arent really camps, but like. idk when i went to "space camp" it was a weeklong but not sleepaway). in the U.S. at least, the typical image of a sleepaway camp involves staying in cabins, dunno how common it is/what it looks like in other countries.

for the first few i just mean like. not necessarily a stealth church camp, just like. idk, a camp where theres also an Assumption Of Christianity and just general vibes without being actually church camp. So, there might not be daily services and jesusy dedicatwd activities, but maybe theres still a prayer said over meals and shit. Which i assume might exist...

(oh and @reblogforsamplesize if u wanna)

[bacchuschucklefuck]

this has been a roller coaster of a design journey but finally I can present you: class swap artificer!adaine and rogue!fabian

[v-poreons]

I haven't drawn Floyd that much take some warmups

[silverware-is-interesting]

i've never really made a comic before, well, i have, but nothing i had intention to show anyone else

[kurikorso]

nostalgia slapped me upside the head a little while ago so i had to draw my favorite dudes ft. the gecko effect

[loverboybrightsideghost]

ballister has those huge sad wet puppy eyes but let’s be honest that man is not pathetic. in fact i think he’s really cool and smart and capable.

[thegreatestheaver]

[marley-manson]

Hawkeye not being emotionally repressed as a person, but still being emotionally repressed because he's in a situation that causes him to feel impossibly intense emotions that can't be fully expressed without ruining his or others' lives.

Because to really express his true feelings he'd have to scream until his voice gave out, desert, kill a general, etc. Constantly feeling like he's barely holding himself back, keeping himself from exploding through the relatively minor shows of rebellion and antagonism towards people like Frank, and his humour. "Joking is the only way I can open my mouth without screaming."

Hawkeye's breakdown in GFA is a fitting cap for his character for many reasons, and I think this is also one of them. It just makes narrative sense, as someone who does need to express his feelings and who is trapped in a war zone, that at some point he had to fully snap and drive a jeep through a wall.

[skrunksthatwunk]

thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.