#just... character traumas could show in such unique ways.

[pennpenn]

I keep dreaming up Limbus Company sinner gets isekaid into Genshin Impact AUs

I sadly don't have the full set of 12 plotted yet, but I've started designing the ones I'm invested in.

Everyone having locations and then casually dropping that Outis is in the Arataki Gang. Give the old woman a gun again. She deserves it. ❤️

I also think she would get along with Shinobu.

It would be an entire lore dump on their general isekai'd lifestyle, their new social circle, if they share their history, and the possibility of them using specific weapons or visions. (Some characters have notes on skill/burst/idle animations)

Currently I am drawing each character with a basic weapon that is either tied any WAW egos a character has or an item that is related to their backstory.

[novy2sirius]

ACTING ASTROLOGY

— your fifth house planets

· your 5th house planets can tell about your acting talent and the type of films you’d do best in. if you want to know what type of characters you’d specifically play best and another acting astrology technique, click below

· types of characters you’d play well

· tw: porn (18+ only), trauma, cults, and gore

₊˚⊹☆┊5H SUN

one of the main themes in your life is putting forth your talent by expressing yourself. you naturally have a talent for entertaining others. you attract lots of attention and can be very famous. acting or entertaining others is likely a huge source of happiness in your life. you would do best in film genres such as drama, comedy, romance, action, and children’s films as well

₊˚⊹☆┊5H MOON

your soul has a natural desire to express itself emotionally and creatively through art. you have a face that makes others easily be able to read your emotions which can make you an amazing actor if you are able to feel all the emotions a character feels and fully immerse yourself into that characters energy and aura. this is also a popular fame placement in general. you would do best in film genres such as melodrama, romance, family, and indie as well

₊˚⊹☆┊5H MERCURY

you naturally have the right mannerisms for acting in such a way that when people watch your films it comes off very realistic as if they’re watching a normal video of someone. this placement can indicate starting out on social media or in short films before making it big in the film industry. often people with this placement always wanted to be the main character or take on as many roles as possible in their school plays. you would do best in film genres such as comedy, reality, and short films

₊˚⊹☆┊5H VENUS

you have a talent for all artistic careers, but this is an especially common placement among actors. you would do best in film genres such as romance, romantic comedy, musical, artistic, lgbtq, and dance films as well

₊˚⊹☆┊5H MARS

you have a talent for putting passion and enthusiasm into your expression when acting. you would especially play aggressive roles better. you would do best in film genres such as action, thrillers, horror, gore, slasher, war, medical, lgbtq, and superhero films

₊˚⊹☆┊5H JUPITER

you have an abundance of acting talent. this is a common placement among those who were in theater growing up. this can indicate gaining lots of popularity from acting and gaining success from it more easily than others as well. you would do best in genres such as adventure, thrillers, athletic, comedy, religion and action

₊˚⊹☆┊5H SATURN

this can indicate your job involves acting since saturn represents work. you may not become successful until later in life when acting with this placement though. sometimes it can also just indicate playing more serious characters though instead of a late start in your acting career. you would do best in genres such as history, historical fiction, biographical, documentaries, indie, and also silent films

₊˚⊹☆┊5H URANUS

this can indicate being in films/shows that are more popular on things like netflix or hulu rather than in theaters. people with this placement have the ability to play really unique roles. you would do best in genres such as sci-fi, thrillers, lgbtq, and pornographic films

₊˚⊹☆┊5H NEPTUNE

people with this placement have a natural talent for lying and deceiving others, so they can be really talented actors. you have the ability to put on a good illusion through your self expression. you would do best in genres such as fantasy, fiction, animation, mystery, spiritual, disappearance, and also musical films

₊˚⊹☆┊5H PLUTO

you have the ability to play really powerful characters. you’re good at transforming yourself into someone you’re not and putting on a good show. you would do best in genres such as crime, mystery, horror, action, superhero, vampire, cult, sexual, and thrillers as well

₊˚⊹☆┊5H NORTH NODE

your life purpose could involve acting and entertaining others. you have a natural talent for expressing yourself creatively in artistic ways and through the arts

₊˚⊹☆┊5H CHIRON

you have a talent for putting your inner wounds that have caused you emotional pain into your acting. the more trauma these people have the better the actors they are. you would do best in films that are more so on the sad side

© novy2sirius

[ambrosia-ghostie]

i don't think people outside the fandom understand what we are actually upset about. plays/films/tv shows have had similar endings for literally ages. at least two of my favorite musicals (once on this island and hadestown) do, in fact. tragedy can be beautiful, if executed correctly. but that's not it. the ending on its own is not why we're upset. we're upset about what came before the credits rolled and all that was lost and not addressed beforehand. dave. ray. sloane. i could go on. that's why we're asking why this season even exists... because it just created more gaping holes in the existing plot while also throwing in a bunch of new unanswered questions - and ooc nonsense - that will never be resolved. not to mention, the conclusion essentially tells us: if you have trauma, the world is better off with you not existing at all... you're broken and you always will be in any timeline. that is a very dangerous message. i was a lost fan, i was a game of thrones fan, but this is different. because of the way the umbrella academy is constructed, the events that unfolded in season 4 taint what came before it. so, i'm pretty on board with pretending it didn't happen because i personally wish it didn't. i don't know if i'll ever emotionally invest in a tv show again, tbh. television is unique in that your life unfolds as the show does year after year. i think the writers/producers/etc. forgot this... by making these characters cease to exist, you also erased a part of all of us. and that's devastating.

your grief right now is valid. don't let anyone else tell you otherwise.

[pinkiemachine]

I’ve only done some light reading on Selina, but even so, details on her past seem few and far between. Maybe there’s a reason, maybe I just haven’t looked hard enough, whatever. Someone can enlighten me in the comments. What I do know, however, is that she’s eluded to have experienced some form of abuse as a child. Now, this research came on the heels of brushing up on the rest of Batman’s rogues’ gallery and I gotta say, abuse as a backstory comes up a lot. And I’m just sitting here, like, “There are so many unique people in this world with unique traumas and hurts that this feels almost cookie cutter.” Am I wrong? I just wanna be more specific and explore problems more intimately. So… Selina Kyle. What to write for her backstory? I thought a lot about who she is as a character present day—her playful aloofness, her decision to become a cat burglar, breaking rules as if they don’t exist, always on the run, never settling down with anyone long term, stealing nice things for herself—it led me to this backstory: When Selina was a child, she was horribly neglected. Her father was almost never around and her mother was depressed, anxious, under the influence of alcohol quite often, and wished she never had a daughter. Selina found that it was always easier to live as though she were invisible. If she never got caught making a mess or being noisy or causing problems, her mother would never get mad at her, or even a acknowledge her, and neither would her father if he ever showed his face. She never received birthday gifts—or if she did, they were pitiful—and all of her attempts of reaching out via gifts to her mother and father were rejected. She was never loved and grew to believe that the only way she would ever feel cared for is if she just took care of herself and only herself. She was good at being invisible, and so she became good at stealing. She treated herself to nice things whenever she felt like it, and she rarely ever got caught. She never made close friends. She never really fell in love. She built up walls so high that no one could ever break them down… until she met Bruce. Suddenly, here was a guy who could consistently catch her red-handed. Who told her she needed to stop robbing people. Who believed she could be better. Who saw her. And even though she kept double-crossing him, escaping his grasp, and escaping justice, she found that it was a little bit harder to return to crime every time. She had always found him attractive… but the longer they chased each other around Gotham, and the longer he showed that he wasn’t going to ignore her or give up on her, the more that attraction turned into a deep feeling that Selina had never felt before. True love. She was scared of it. She didn’t know what to do with it. It was completely the opposite of everything she had ever known, and she secretly didn’t think she deserved it. After all, she was a criminal. She was a “bad guy.” Someone who stole from others for pleasure and profit. And yet Bruce believed she was a good person deep down. He believed she had the capacity for change. And in time, he would find himself falling in love with her too. By the end of their story, naturally, those walls had come crumbling down and they had each learned how to love again, something they both thought would never happen to them. 💜

[sexiestpodcastcharacter]

Sexiest Podcast Character — Unscripted Bracket — Round 5

Propaganda

Glenn Close (Dungeons & Daddies):

#Propaganda for Glenn Close: one of the other PCs mentions multiple times how hot he is #Actually several characters point it out but especially Henry #Also the only person in a podcast that has to put a disclaimer about not being a BDSM podcast to have had sex during the course of the show

Young hot rocker dilf

Loyal to his dead wife <3

Does in fact smoke weed

BARD!! HES A BARD. HE WAS LEAD GUITAR IN HIS BAND (that he was kicked out of)

His band was a Christmas cover band btw.

Literally the fandom had hot Glenn summer which consisted of drawing him being incredibly hot and sexy

Anti government (ofc)

Kind of cringefail (Disney adult) (was on dilfs of disneyland)

Young and sexy not your style? Then how about HIM AFTER YEARS LOCKED IN A TIME PRISON WITH A DAMN HANNIBAL MASK ??

Lost an eye and wears a fucking eyepatch

One incredibly buff arm

Has a pet rat named after his son <3

Immeasurable amounts of trauma in this man- becomes progressively more unhinged

OH OLD HUMAN BARD ISNT CUTTING IT? FINE

HE BECOMES A FUCKING DEMON

A COOL HOT ONE-EYED DEMON WHO WANTS TO KILL HIS DAD (also sexy)

HE CANONICALLY ENDS CHRISTIAN HELL VIA CHRISTMAS

IS ALSO WAY OVERLEVELED

Becomes a demon hunter for the rest of his existence

Also nonwhite !!! We are done with cringefail whiteboys !!!!!!!!!

I can’t put into words ok just know he is the best plz love him.

Okay but Glenn made a minivan cum by talking to her so

HE HAS A BOOK THAT HE MARKS X’S AND CHECKS FOR EVERY DAY TO SEE IF THAT DAY WAS A SUCCESS OR NOT. TO SEE IF HE DID GOOD THAT DAY. ITS ALMOST ENTIRELY X’S. HE WAS CUCKED OUT OF A SON. AND A DEAD WIFE. HE DIDN’T EVEN GET TO KILL HIS DAD IN REVENGE. There’s absolutely nothing going for him except his sex appeal in his life. Nobody he loved remembers him. He lost his eye. All he has is a pet rat and friends who admit they don’t really like him that much. He was kicked out of his own band. The band was named after him. He was kicked out of the Glenn Close trio. All he could do was deez nuts the big bad and be sexy. If nothing else, then pity him. Look in his eyes. Look at his heart and soul. He did not do the BDSM episode for this I’ll tell you what. Do this for my his sake. Do it for Nick Jr, who needs the prize money to pay for his rat snacks. Do it for his son. For Morgan. Ganbatte.

Glenn is the goofiest sexiest character there is and I will die on this hill! I will ride into battle for him! what Dndads created is truly unique and Glenn is a key part of that and for that he deserves to win. I said it before and I'll say it again - GLENN SWEEEEEP

Can we talk about how he says ‘baby’ casually? Like he just calls people that?? That’s HOT. THAT IS HOT!! He’s also bilingual and knows Japanese!!!! He’s a big dumb idiot with a lot of charisma!!!!!! HE WORKED AT A BDSM PLACE FOR TWO SEPARATE ONE SHOTS. HES SO SAD BUT PLAYS IT OFF LIKE HE’S CHILL ALL THE TIME!! HE DOESN’T THINK OF HIMSELF AS SINGLE BECAUSE HE DIDN’T DIVORCE HIS DEAD WIFE!!! He’s like.. the perfect guy. We need this win.

I’d also like to add the fact I made this. Which is the first 11 episodes edited to (almost) only have Glenn in them <3 which is a level of insanity I hope to reiterate. These took hours to make. I wouldn’t do that for anyone else.

Mod Note: While I will still take "bad dads are sexy" propaganda and "bad dads aren't sexy" anti-propaganda, I kindly request no more discussion on whether or not he was a bad father. This is a sexypoll, not a parentingpoll. If you see a post you strongly disagree with, you can just not reblog it.

Mod Note 2: This tournament is about fictional podcast characters. Please do not vote for the real actress Glenn Close.

Amber Gris (The Adventure Zone: Ethersea):

Middle aged woman who punches sharks to death. My hero

If you love me you'll vote for amber gris I swear to everything holy on earth amen

Amber is butch, instant win

Amber Gris has a negative charisma modifier and she pissed her pants on purpose in order to trick a guard and knock him out. She tied up a dude. She once killed an evil magic shark (they're out for murder. not like real sharks) by punching it and then picked it up and smashed it into another shark, also killing it. She talks in a southern accent. She calls people guppy because it indicates a lack of respect. She has a big pair of magical green arms that come from her stomach. She got a fancy jacket and immediately ripped its sleeves off. She has a gay thing going on with one of the political leaders in the city. She gets in fights with people and doesnt do vulnerability and tries to lay low and not get in any social trouble she doesn't have to. She jumped through a portal into a new world because she could. She's now the god of said world, alone with only afformentioned political leader, who was previously possessed and she had to fight. She spends her time in a bar called the Cloaca. She calls people she doesn't like claspers, because it means shark penis. She and her friend, an old man named Uncle Joshy, sneak attack each other and yell VIBE CHECK! She tries to talk fancy to impress people and she's really bad at it (verily).

She’s everything and more. She’s irreverent. She punches sharks for a living. She becomes God. What more do you need in a butch.

amber gris propaganda: she is straightup the physical embodiment of "women want me, fish fear me." also she's an appalachian post apocalyptic sea captain. that's just objectively cool.

AMBER GRIS IS PUNCHES SHARKS AND IS (one of) THE MOST BADASS BLACK WOMEN PCS IN DND SHOWS IVE EVER SEEN. SHES INCREDIBLE AND A WIN FOR DYKES EVERYWHERE

amber's creator said she was based off of the type of working-class woman you commonly see in appalachia where "this is the sort of woman that you see walking past CVS, and you know that a truck could hit her and it would just split around her as she continued to go pick up whatever she had to do that day." and that's pretty hot

guys Amber becomes lesbian god of the new world with her childhood “”friend””

#amber gris is LITERALLY a middle-aged butch #she would win this entire tournament in a just world

Last time Amber got horny was when she killed that shark

"it was a savage bummer though, don't-- trust me, there's nothing that great about a history. You know? I got one. What did I do, killed a bunch of sharks? Last time I got horny, god and christ I can't even tell you-- well, it was when I killed that shark. But! Hey. We're all just kinda figuring it out."

Moonshine Cybin (Not Another D&D Podcast: Bahumia):

She's a hot elf with mushrooms growing on her. She has 1 level of barbarian. She's bisexual. She shapeshifted into a dragon and ate a god.

how tf does the post not mention Moonshine’s giant boobs her greatest asset

Moonshine has canonically gone down on a woman for a solid hour without asking for anything in return. Moonshine edged a dryad just by kissing them. Moonshine faced down someone being controlled to kill everyone in his path and told him if he still wanted to hurt her, she would take his blows as a friend. Moonshine makes jambalaya for her family and friends. Moonshine mispronounced someone’s name for a month and that woman still wanted to hook up with Moonshine. These are just a few of the reasons why Moonshine is sexy.

shes illiterate

canonically huffs dirty water from a bong

has big tatas

wears a belly chain with a demon trapped in it

almost became the queen of hell

ate a god

turned into a pregnant moose & gave birth

The woman she went down on for an hour asking nothing in return is still hung up on her, 200 years later. Moonshine is unmatched

To be clear the woman whose name Moonshine mispronounced for a month and then hooked up with is the same woman she went down on for an hour, and the same woman who is still flustered over her 200 years later. The rizz is unparalleled. She’s also incredibly kind and accepting of others, and goes out of her way to bolster her friends. The party always requests one big bed.

moonshine cybin is a druid who learned counterspell through sheer force of will. moonshine cybin turned one of the four horsemen of the apocalypse into a dolphin, flew him 60 feet up into the air, dropped him on the ground, and then spit spores into his face to kill him. moonshine cybin turned into a dragon and bit the head off of a double god. moonshine cybin was willing to confine herself to an eternal hell to save the world. moonshine cybin is a dragon rider. you know what you must do.

Amber and Moonshine Together

Look at them. They should not have to fight when they could be gay instead. Imagine the power they would have combined... Every lesbian in a hundred mile radius of the post would swoon. It may be an odd alliance, but from an Ethersea fan to Bahumia fans, i believe this will strengthen both our odds. I have always been insane about Amber Gris but through this poll I have also learned about Moonshine and come to love her too. Take my hand... We can do this together...

OKAY HEAR ME OUT MOONSHINE AND AMBER WOULD GET ALONG SO WELL

appalachian sapphic solidarity!

Art of Amber and Moonshine from @pirateknight.

[denpamen]

Dolph Laserhawk’s body language in episode 3 and why it’s actually really interesting:

To start, I want to point something out. I’ve seen the scene between Dolph and Alex construed as romantic, or Dolph considering reconsidering getting back with Alex, but I cannot help but believe that Dolph is in fact, absolutely terrified.

This glossy, wide-eyed look is not the look we got from Dolph in episode one when he was feeling romantic, content, and relaxed. When this happens, his face, eyebrows, and eyes are Relaxed.

In fact, we only see him make this face in episode 3 and only ever in the presence of Alex after Jades death in episode three. He is even frozen enough to give Alex time to lean in and kiss him. And you might be asking, who cares, he’s scared of Alex? So what?

Well, there’s a multitude of reasons why Dolph’s body language matters so much. But the first thing my mind immediately goes to is the difference before and after Jade’s death. How does he react around Alex before Jade’s death? Well it’s simple, tunnel vision around revenge just gives him anger, nothing else, no fear, no sadness, just anger. He doesn’t care about anything else at this point.

This shift, especially following the scene where Dolph looks at Jade’s blood on his hands (pointed out by another user, I’d link the post but I can’t find it.), shows an incredibly important shift in Dolph’s character. Not just that he starts to give a damn, but this forces him to look inward. He was raised to be a cog in the machine, nothing but a crutch to Eden’s or Alex’s plans, nothing he did ever mattered or changed his inevitable fate, and it still doesn’t, but it changed others’. His callousness and inconsiderate actions killed Jade. This is the first time he’s been hurtful and cruel without there being a puppet master, this is the first time where instead of being helpless, he realizes he can hurt people with just his words and actions and not his gun.

He’s afraid. He starts to care.

This starts the chain of events that makes Dolph care enough to break out of the VR and save bullfrog, on top of being genuine to Sarah, even touching her shoulder (wow!). The change in his eyes, all by themselves, represent this change.

However, there is something much much deeper I’d like to talk about. Something that I actually haven’t seen pointed out. One that is integral to Dolph himself, rather than the overarching plot.

Why is Dolph so scared of Alex? Genuinely, why? He’s so much stronger than Alex, they aren’t dating anymore, why is this a fear we only ever see in his eyes when he sees Alex? I mean we’ve seen Dolph scared before, but it’s not the same at all if you ask me.

When he looks scared in those scenes in episode 3, it’s in a way that makes him look almost, small. Why?

Because what Alex did to Dolph, all of it, is unique to Alex. What we are seeing isn’t just fear, the reason he shrinks away from Alex’s touch, the reason he gets that specific look in his eyes isn’t just fear. It’s trauma. It’s that traumatized boy who was taken away at a young age inside of him, it is not a grown man who’s afraid of pain and death, it’s a boy who’s scared of being lied to and having his feelings hurt again. This is something really, only Alex could ever bring back out. The fear after Jade’s death only just cracks his shell.

I think this stems from the unique dynamic of someone who’s been manipulated and emotionally abused and the perpetrator. When one is abused, especially in the ways Dolph was, even when there is no possibility of being hurt and abused again, the fear lingers, not of the abuse but the memory to be relived. The look of their eyes and the feeling of their hands is world ending, it guts you inside and out in a much worse way than dying ever could. (Especially since Dolph tries to get hit with a missile right after this). Dolph is terrified because every time he has to look in Alex’s eyes, he has to relive it. No pain or threat of death can recreate the raw emotion around years of lies and manipulation.

Listen, I know Dolph leaves a lot to be desired in terms of background story and writing, but I think the way his character shows trauma is mind blowing. It is very subtle, in a releastic hurtful way. Seeing Dolph Laserhawk, who’s not even scared of death, shrink in terror at the touch of someone who hurt him, is a good parallel to how many people would genuinely rather die than go through it again. Dolph touched my soul a lot, and the body language in this episode was beautifully woven to tell his story. I hope we get more of this in season 2. (God forbid I even discuss episode 4.)

[ancientgoddessofegypt]

Astrology Theories : The Sun & The Moon

Hey! So todays astrology theory post will focus primarily on the moon/sun and the aspects and signs pertaining to it.

Let me start off by saying, people who carry the aspects connecting the sun and moon together, will be easily likeable, as well as someone who can be a team player and be a beacon for people. There is a sense of inspiration that comes out of them because the blending of these two come together and makes for something totally unique for the individual and their experience. There is a special persona that comes out of these characters who hold this placement, and the way they share it is magnificent.

Sun Conjunct The Moon - To be, this gives the energy of someone who is the first born in the family. Could naturally be a caretaker, could become a leader and be in these roles easily because of their inner nature. Could process their emotions differently, and may need small amounts of alone time, depending on the sign they both are in this can show a bit differently. These characters are born under a new moon, so their can be experiences we're they can reimagine and start over their lives for the greater good of themselves and possible the world.

Sun Opposite The Moon - Big personalities. Big possibilities. Bigger lessons. You get the picture. Everything seems more intense because of the power trip the full moon gives the sun, but they both work hand in hand together and make things powerful with their magic. Now I can assure you, they are not to be messed with. Their energy can create waves because they are use to the tides always shifting in different directions. They gotta make it work in order to balance themselves out. This ain't a walk in the park, got it? Inspiration moves right through them as they are processing their own vibration and people will tend to catch this energy and want to know more about them.

Sun Square The Moon - Creatrix. Beautiful liars. Sociopaths. Can be likeable, can be unlikeable. It depends on the upbringing. There is so many different ways to express the complexities of this placement, because they are used to being the black sheep as well as the golden child at the same time. Could very much so like to have it their way, but the world forces them to appease to others.. and vice versa. They have relationship issues do to parental problems where the parents put their needs before the child. They could of had strange upbringings with the family and learned how to occupy their time with developing their personalities their own way and keeping that unique personality to themselves. They could be selfish, they could be sweet. They could be generous, they could be mean. You never know what you're going to get with them, or when those tides can change. Cause it all depends on how their feeling, after all.

Sun Trine The Moon - Attractors. Manifestors. Healers. Creators. The people with this placement seem to have an eye for detail. Could potentially erase years of trauma and guilt from their family tree, and could strive to create better for the future head. Could be very good leaders, and someone who just knows what they want.. and they're not afraid to get it. They have great potential to be somebody in this lifetime, and could use this potential to help others see this light within them as well. They have to choose the right people in their space so that they can bloom more, it just works that way. Truly being who they are, is how they will maintain a lifetime of success. Reaching for the stars is in their nature, because they know that they are one themselves.

Sun Sextile The Moon - Healers. Potential. Channelers. Potion Makers. Could be deemed crazy. The Sextile gives a promise that these individuals can utilize this energy and can create excitement around what it is they desire. This aspect is good creating space and community for people like them. And can be somewhat of a mirror for anybody who needs to channel that energy into something new. Could be very delightful and fun to get alone with it. Could be shy and full of nervousness. Could be someone who gets their needs met by sharing their emotional needs with others. They need a safe space to survive.

[shesnake]

sorry to talk about star wars on main but

Leslye Headland is truly the funniest person alive for saying on record that oshamir was inspired by reylo. like it's the most transparent marketing line to simply tell you that they're "enemies to lovers" (pending) and to bait the reylos (who are arguably the strongest voice in the disney era fandom... like look what they achieved [derogratory]) into caring about non-white characters because yeah The Acolyte Does need the numbers.

and sure this is bringing people into the show for the wrong reasons and also deterring people from the show for the wrong reasons but it's a TRAP lol ms Headland has a comically large shovel-shaped lightsaber and is digging a hole in the ground right in front of us all. and I am DIVING IN HEAD FIRST before she's even sprinkled leaves over it. because oshamir is nothing like reylo, because The Acolyte is nothing like disney era star wars!

The Acolyte is critical of the jedi order and the absolutism of the dark side. it's not about Anakin but it does Understand Anakin and what went down in the prequels (unlike the kenobi series which essentially nullified his whole corruption arc...) and the jedi order's unique form of oppression through repression. up until this point we've only seen our protagonists being lured to the dark side through grooming and sabotage by a sith actively turning them away from the jedi.

but in the acolyte, our protagonist Osha has already been fucked over by the jedi without the influence of any sith! they killed her family, they killed her PEOPLE/RELIGION, they left her sister Mae to die (after they already decided she had terrible vibes), and they abandoned her as a "failure" because after all they did to cut her away from her life THEY DIDN'T WANT HER because she was affected by the trauma THEY CAUSED.

and they did say to Sol from the start that she was too old to be recruited. how many other padawans must they have done this to while they were too young for that trauma to grow and could still be groomed to believe in the force in the way the jedi order do. Sol is horrified at Qimir/The Stranger for killing a child and he just shrugs and says "you brought her here" because it really is on him.

but yeah Osha at this point in the story with her lived experiences is an adult who cannot be manipulated like that, by a jedi OR a sith. and so what other approach can Qimir really make to lure Osha over to the dark side except to... talk to her? sure there's a seductive subtext to it, but this is the first time we've seen someone with the force, sith or jedi, have to present their case like an adult To an adult.

and as the no.1 jedi order hater this is SO compelling to me because everything Qimir has to say is SO true and yeah manny is hot and amandla is hot and when you think about it he did kind of give her a knife lightsaber because he wants someone on that same level of enlightenment with him which does expose him to creating someone who could very well destroy him but he's taking that risk with her because he does Know her already from what he sees of himself and he's just going to get to know her better and they're both just going to keep talking it through and developing that set of beliefs together in That Beautiful Separation They Felt and she'll learn more about him and his particular history his real name and the scars on his back and also there's what he represents as a minority in the world and Headland's connection to him as a lesbian and how it feels like they don't want you to exist and let's not forget the colonial metaphors the manifest destiny of the way the jedi operate she'll see how alike they are and she'll be able to come into herself as an empowered user of the force and that'll be thanks to him and the journey will be Glorious!

but none of that is going to change the fact that before he made this intellectual/civilised/human/seductive approach with her as an adult HE STILL GROOMED HER SISTER and Osha is NEVER going to forget that because if she and Mae are the same person she's the only one left to remember he did that to her/them and I cannot fucking WAIT to see her lightsaber turn green when she finally runs it through his chest god bless 🥰

[paragonraptors]

YEHAW DA:V REVEAL THOUGHTS BELOW!!

Overall: Feeling so excited for this game. I'm climbing up the walls. I can't believe that was 20 minutes, it felt like 10. Need this in my hands yesterday.

What I liked:

-Holy fuck wow wow wow the hair looks like nothing I've seen in a video game before.

-Combat seems very different but also a natural progression of gameplay past. Real-time turn-based was always a little on the clunkier side, and while it never really bothered me, moving towards something more ME-style was expected. Very excited about being able to aim a bow. Would like to know what difficulty they were showcasing bc I'm considering jumping right into a Nightmare run.

-Now that I've been soulsborne-pilled the prospect of a parry mechanic has me buzzing.

-I feel like people are gonna dunk on the "stiffer" animation, but I prefer it so much more than the BG3/HZD constant wobbling. It'll make the key performances stand out instead of mostly jangling keys in front of a baby and letting the big moments get lost in the sauce. (Not that the aformentioned games didn't have good animation, just. If your characters don't need to move their whole body to convey dialogue I'd prefer if they didn't.)

-The sublety in the facial animations is CRAZY.

-The roleplay dialogue seems really reactive!! And the cuts to inject the unique dialogues feels smooth. I'm sure there will still be moments where it's easy to tell, but still cool. Seems like they're gonna be paying more attention to your personality type like DA2 too.

-So excited about Harding and Neve as companions and can't wait to meet everyone else.

-Neve's staff/wand makes me excited to see what kinds of focus options we'll get as a mage AAAA.

-God the costumes have so much swag. One of my hottest of many BG3 takes was that the costumes were overall flavorless. (Really hoping they didn't change the Grey Warden uniforms though that would really disappoint me.)

-Cinematography looks fantastic. Lots of well set up shots.

-NGL I felt something when Solas showed up. Wasn't expecting that. And while not perfect, I liked his interaction with Varric. Their relationship from Inquisition really slips under the radar if you're not bothering to look.

-Varric has never gotten over the trauma of what happened with Anders and it breaks my heart in a good way. God you could see it in his eyes!! [chef's kiss]

-However, I definitely have to kill Solas now for what transpired in this preview.

What I'm iffy about:

-The voice peformances feel a bit stilted. Not really what I'm used to from Bioware and I feel like it's important when the animations are more subdued. Hopefully this feeling will change when I get more of the game.

-The dialogue also felt a bit dumbed down. "Solas is doing his ritual!" "Yes. Solas' ritual. The ritual that we have to stop." Again, hopefully this is symptomatic of a tutorial level/trying to onboard newbies quickly and not the whole game lol. While I prefer this to dialogue that tries to sound smarter than it is, I'm really hoping we see an overall improvement from Inquisition.

-Sort of wish they went with the Andromeda dialogue system instead of bringing back Inquisition's, but I do like that it seems all dialogue options are getting tonal indicators again and they're not as easily conflated with morality. (Though I imagine people will STILL interpret it that way.)

-A little confused about them introducting Minrathous' panopticon shit and then immediately swerving into Solas' ritual. Would have liked some breathing room on that kind of worldbuilding.

- While I'm generally open minded about the change, I Do Not Love not being able to switch to playing companions. Might turn around on this if your ability to issue them commands opens up the closer you are to them/the more you grow into a leadership role. I do like that it seems you will eventually be able to command when they use abilities a la OG Mass Effect bc that was my biggest beef with the Andromeda gameplay, esp on Nightmare/Insanity difficulty.

-Not crazy about the new Pride demon design where are their leggies.

-Not really a Criticism, but they are definitely setting up for Varric to die and while I get it, narratively, I'm NOT HAPPY. Dragon Age has been almost allergic to scripted deaths so it's also gonna feel like being dunked in an ice bath. EVIL STUFF. IN DENIAL.

[d0enti]

“True Beauty” -"I do not fear death."

⋆˚࿔ Pretty knife from Kuro𝜗𝜚˚⋆ :: knife to kill your own heart

― ʚ summary ɞ ― Ciel x reader "Aishiteitanoni"

― ʚ words ɞ ― 1k+

― ʚ warning ɞ ― Major character Death

― ʚ author note ɞ ― this trend is all over tik tok with project sekai, butttt I decided to do it with our Victorian child, so enjoy~!

karameta kodou sasageta mono

You were Ciel's new betrothed after he and Lizzy broke off, based on what you know Lizzy found someone she actually loved romantically and realized she only loved Ciel platonically, after you became Ciel betrothed he offered you to live with him in his manor, and you didn't mind that at all it was nice, getting to wake up and see Ciel still tired trying to wake him from his sleepiness, usually working out greatly because Sebastian would open the curtain and the morning shine would usually wake Ciel up, you didn't have to worry about always having to give Ciel attention because he didn't need that, it was a nice life

wasurenai yo ano kioku mo

You remember many memories with Ciel, some that were funny and some that weren't, you remembered the cold winters him remembering the accident and you comforting him, Ciel may be cold hearted but aren't we all? After all that's just how being human is, being cold towards people except yourself, you remember all the dinners you had with Ciel and the delicious breakfast Sebastian made for you both, you remember helping the servants and Ciel telling you to not to, saying it's embarrassing for someone like you to do that but in reality he was worried, you will get hurt

karadajuu ni kizamitsukeyou motto, motto motto

You remember events in which you in fact got hurt, scratching your knee or having a little cut, Ciel would be a bit worried telling Sebastian to bandage you up, and to not let you get injured again, while it was odd for Ciel to show so much love you understood him too, he already lost his previous betrothed while yes it's because she found true love for herself, but what if something similar happen to you, yes he would he happy but he also loves you too much

nigasanai yo anata no koto

Ciel grew to care for you so much, ordering Sebastian to make sure you are safe and to never hurt, no matter what happens you are to be safe, and of course Sebastian listened

"yes, my lord"

Ciel also learned to try to show you some form of affection, he's still not comfortable showing a lot because of trauma he went through, but a little kiss won't hurt especially if the person is you, the one fiancé he won't dare to let go of, unless forced too

toraretakunai yo watashi no mono

Ciel remembers when he once heard a sound outside of his study, calling Sebastian immediately to look for you and take you to safety him too, when you were safe hidden with Ciel he would put a protective arm around you, to make yourself feel safer

"I promise I will protect your love, no matter what or how"

hitotsu ni narou mi mo kokoro mo motto,motto motto

Sebastian would be a liar if he said, you don't smell like his master you start spending so much time with Ciel, you unique smell just went away unless you are wearing a perfume, but even then Sebastian can smell Ciel scent on you, but finding it difficult to find your unique smell, making it obvious you and Ciel are getting closer, maybe even becoming one

kawakikitta omamagoto

Eventually the Phantomhive servants heard good news, you were officially moving into the manor, the servants could see the little smile on their master face while giving you a tour, even though you already been in the manor, Ciel wanted to show you around again as an official welcome to his manor and life, Ciel loved you dearly and knew he wanted to live a long life, with you but... You don't always get the stuff you want, and with the case of Ciel he tends to lose everything he cares about, unknowingly to Ciel someone got to you, someone who wanted him dead for a while, and what the best way of ruining Ciel life other than having his fiancé against him? And well that's happened

aishite ita. aishite ita no ni.

Sebastian was helping the servants with a little annoyance, until her heard the sound of a stab and ran with the servants towards the main entrance, only to see you on top of Ciel stabbing him with a sword, Sebastian was about to attack you until Ciel spoke, with a shaken tone probably because he was losing blood

"Sebastian... Don't you dare hurt them!"

"My lord"

With a weakened movement he took his eye patch off

"That's an order!"

And well Sebastian couldn't exactly do anything

koushite yaru, uragirimono wa.

Everyone watched as Ciel slowly closed his eyes, giving them clear proof that he was dead, with that said they also noticed a little thing, even when you were stabbing him, killing him he had a hand on your waist keeping you close to him, before it fell down even more proof that he was dead

kaeshite kure watashi no omoi o.

Even after he was dead you kept stabbing Ciel, you kept going, getting blood all over your outfit, letting out your anger on Ciel's dead body, Sebastian wanted to stop you and so did the servants but Ciel ordered them to not do it, love can get you blind, and Ciel was the best prove he loved you so much, so much that he let you kill him, I guess it's worth to say how Sebastian learn, that love is humanity greatest thing and worst one too, he wonders how Ciel felt when you attacked him

aishite ita, aishite ita no ni

After a few minutes you randomly stopped, and your eyes widened with realization... You just murdered Ciel, you killed the one you love

"Ciel...? Ciel please wake up..."

"lady/sir [Y/N] , Let's get you cleaned up"

"no...No! I'm not going nowhere!"

Sebastian was about to walk up to you and pick you up, getting you washed and put into nice clothes again, but before he could do that you grabbed the sword again and stabbed yourself in the stomach, falling onto Ciel everyone rushed over to you but before they knew it, you died too. And this is how the Phantomhive name disappeared together with the [L/N] name, with those who were supposed to get married burried together, and the manor becoming a museum, where people can learn about the history of Ciel Phantomhive and his fiancé [Y/N] [L/N]

zutto….

[arjwrites]

— Good to know bc im here to request another Castiel x Winchester!reader (oldest sister) hehehehe...

Remember when Castiel became a human and that reaper April used him? I was thinking about the reader in her place, where she ACTUALLY likes Cas and takes care of him. The reader really loves him and doesn't care that he's a human now with no angel powers, he's still the man/angel she loves and care (I'm still mad that Dean kicked Cass out of the bunker)

It's his first time being human, he deserves some love 😞 (And I rlly need some comfort aughhh)

I think I wrote too much, sorry! It's just that I really love human Castiel, he deserved more ❤️‍🩹 — 👼 angel anon

Lessons on Humanity- Human!Castiel x Reader

Summary: Human!Cas arrives on your doorstep in need of a helping hand. Taking him under your wing, you offer him more than he bargained for.

Warnings: None (I don't think???) GN!Reader, no use of Y/N

Word Count: 3.9k

A/N: Well, this took forever. Idk why this gave me the WORST case of writer's block ever, but.... I think I just wanted it to be perfect for you, angel anon!!! I hope you enjoy hehehehehe <3333

Leaving hunting behind had been a tough decision, but leaving your brothers and Castiel behind had been even harder. But after all the years, your body screamed for rest, and your heart mourned the years of loss and trauma. It wasn’t like you had completely up and abandoned them- you still took their calls, visited the bunker from time to time, and took on many a research request (which had always been your specialty anyways). But you had grown so tired of the life. And as much as moving into the bunker had been a massive improvement from the endless series of motel rooms you’d grown up with, living in a concrete man-cave with your brothers had proven difficult. And you had always craved a home- somewhere that could be uniquely yours. This had led you to settle down into a sweet cottage, a bit off the beaten path in a quaint little town- not too far from the bunker, but far enough. It was cozy, nothing fancy by any means- two small bedrooms, a slightly outdated kitchen, and a snug little living room you had furnished with thrifted couches and a secondhand TV. What it lacked in elegance, it made up for in character. It wasn’t much, but it was home.

It was a Friday night. You had just gotten off work, ordered a pizza, popped your favorite playlist in your speakers, and were currently dancing around and vacuuming your living room. Ah, domesticities. It was always a nice feeling to be done for the weekend, to have a job you could hang up for a few days and not worry about until Monday morning rolled around. Not like hunting, with its worries that clung tight to you all hours of every day. After finishing your cleaning task, you flopped to the couch, clicking through the TV to find a suitable show to binge alongside your food. 

Two crisp knocks at the door pulled you from your search. That was quick, you thought to yourself. You practically skipped to the kitchen to grab your purse, wanting to hand the delivery driver a few extra dollars for the particularly speedy service. But when you swung the door open, more than just the chilly evening air sent a wave of shock your way. 

“Oh my God,” was about all you could whisper. In front of you stood Castiel, though he didn’t look much like his usual self. He wore a sweatshirt you didn’t recognize and had a slightly unkempt, unshaven look to him. But beyond his appearance, it didn’t feel like Cas. His shoulders were slumped over as if he was carrying the weight of them for the first time. He wore an expression so tired, so hurt, that your heart broke at the sight of it. 

“Cas, honey. What happened?” 

“I don’t have my grace. I… lost it. They told me I couldn’t stay. I didn’t want to bother you, but… I didn’t know where else to go.” 

“Oh, Cas. Come in, God, come in.” Your brow furrowed as you gestured for him to enter, concern filling your body. What had you missed? Why didn’t he have his grace? Why wasn’t he with Sam and Dean?

Cas gingerly stepped through your door, barely making it inside the threshold before turning to you, as if he was waiting to follow your lead.

“Come, come sit,” you beckoned him after you, leading him into the living room and patting a seat for him on the couch. He sat, glancing around your room before landing his gaze back to you. You could tell there was something different about him- it was like he was seeing everything around him for the first time. 

“So tell me what happened, Cas,” you hummed, gathering every ounce of soothing calm you could muster in hopes you could offer him some comfort.

Cas jumped into his story, telling you all about Metatron, the angels, and him losing his grace- all the things you had missed out on since stepping back from hunting. You nodded along, listening intently, compassionately, quietly- that is, until he told you about the events that lead him to your doorstep.

“He kicked you OUT?” You rose to your feet as he said this, unable to contain your anger in your seated posture. You felt the rage bubble from the deepest part of your stomach, rising quickly to your chest. Poor, sweet Castiel, who tries so hard and deserves so much. Cast out like he was nothing. It was enough to drive you into a blind rampage. Cas, on the other hand, remained seated, eyes fixed to the carpet, dejected. 

“I just don’t know what to do. I have all these… feelings I’m not used to.” 

“Of course you don’t, honey. It’s all so new. I’ll help you figure things out, alright?” You thought for a moment about what may be most urgent. “Cas, how long have you been human for?”

“Well, a few days now.”

“And have you eaten? Drank water? Slept?” 

“I had a candy bar.” 

“Oh, you poor thing, Cas. Look… Sit tight, I’m going to get you a glass of water, and I have food on the way. Do you like pizza? No, you don’t know if you like pizza, do you…” You let your voice trail off as you hustled to the kitchen, fixing him a glass of water and returning it to him hastily. 

Cas lifted the glass, inspecting it, before tipping it back and downing it in one go. You watched the water slide out of the cup, disappearing down his throat in record time. There was one basic need supported. 

“Alright, Cas, why don’t you sit there and relax for a little? I’m going to go make up the guest bedroom for you. Is that alright?” You tilted your head to the side to better gauge his thoughts on the matter. Cas returned you a soft smile and nodded. You let out a subtle puff of breath in relief before retreating up the stairs. 

As you grabbed bedding from the linen closet and began to stretch the fitted sheet over the mattress, you couldn’t help but allow your body to take over the menial routine, while your mind fluttered off elsewhere. The angry pit in your stomach persisted, a deepening disgust for the way the angel had been treated, including by your brothers, of all people. But nestled in your chest above your swirling stomach sat your heart, which swelled at the thought of Cas, here with you. In all honesty, he had always meant a lot to you. You had so much admiration, so much reverence for the angel- of course, now that he wasn’t exactly an angel, that didn’t change anything. That was never what it was about. You saw deeper than just Cas’s angelic power- you saw him. Grace or not, there was no changing that. This was still the same angel, the same man, the same being you had always known. Only now, he really needed someone to be there for him. And you intended to do that- slowly, surely, gently. 

Your thoughts were interrupted by the sound of your name being called from down the stairs. Instantly, your mind snapped to the worst-case scenario- call it a lingering hunter’s instinct. You raced down the stairs, only to find Cas perched on the couch, exactly where you had left him.

“Someone knocked on the door,” he whispered wide-eyed, as if it was some sort of intruder behind the door, waiting politely to be let in so he could go about his business.

You breathed a sigh of relief, willing yourself not to get frustrated at the poor man- he had no idea. Scared, lost, confused Castiel. 

“It’s just the pizza, sweetheart. Don’t worry,” you replied, giving him a soft smile of encouragement. 

With the pizza paid for, food on your plates, and your favorite mindless comfort show on TV, you and Cas began to settle in for the night. You and Cas. It was insane to see the angel in such a domestic setting. The two of you were sat at opposite ends of the couch, nibbling pizza in silent unison. You weren’t sure what to do or say, overwhelmed by Cas’s newfound presence, heartbroken by the things he had experienced, and overall just worried for his wellbeing. But, out of fear of pushing his limits- he had already been through so much the last few days- you fell into a comfortable silence that padded the space between you. 

That silence was broken by a yawn coming from the other end of the couch. Cas’s face contorted in a decidedly un-angelic expression, before drawing inwards in confusion. A giggle inched its way towards your lips, but you suppressed it.

“You must be tired, Cas. Let’s go up to bed,” you hummed. Quickly and efficiently, you snapped off the TV, balanced your drinking glasses and plates on top of the pizza box, and slid everything into its rightful place in the kitchen. Re-emerging to the living room, you extended a hand to Cas, pulling him up to his feet before turning to lead him up the stairs. 

“This is your room, over here,” you pointed, ducking in the door to show him around. You snapped the bedside lamp on to illuminate the space. “The bathroom is just down the hall if you need to use it. And my room is just next door, if you need anything at all.” 

Cas’s eyes scanned the room before settling back on you. He threw a tight-lipped smile, murmuring his thanks. He was bashful, certainly overwhelmed by the avalanche of human emotion and sensation he was experiencing. You really didn’t want to push it, but there was one more thing you wanted to offer him. 

Crossing the room, you pulled Cas into a hug. You felt his hands hover for a moment before he rested them across the middle of your back.

“I’m sorry, Cas. You didn’t deserve any of this. But I’m here to help you, whatever you need, okay? You deserve to have someone be there for you.” It was a desperate plea for the man to recognize his self-worth, to provide him with a bit of comfort during this terrifying transition. Your words weighed heavy in the room, anticipating a response that never came. But, you could’ve sworn you felt Cas’s shoulders dip and the muscles of his back soften into the hug. 

After a minute, you pulled away, snapping back to your lighthearted self. You wished the man a good night, retreating from the room and closing the door behind you. Crossing the hall and tucking yourself into bed, it wasn’t long before you drifted to sleep.

-

You rose early the next morning. Usually, you would stroll downstairs in your bathrobe or whatever mismatched pajamas you slept in, but this morning you hopped in the shower straight away, dressing and fixing your hair. Once you made your way down to the kitchen, you got to work pulling together a breakfast you thought Cas would enjoy- pancakes, bacon, and some fruit, all while brewing a pot of coffee. You weren’t sure he’d have much of a taste for it yet, but you certainly were in need of a cup. 

As you neared the end of your preparation, you heard the guest bedroom door swing open. Cas descended the stairs into the kitchen, somehow looking slightly more disheveled than when he had arrived on your doorstep the night before.

“Good morning, sunshine!” You offered, hoping he would take it in jest.

“Hello,” he responded. His eyes were puffed with sleep, his hair stuck up in every possible direction, face dotted with yesterday’s stubble that was inching into scruffy beard territory. Looking at him was a clear reminder that you needed to help him figure out how to clean himself up today. 

“How’d you sleep, hun?” In any other conversation, this would be a simple pleasantry, but in this case, it was an earnest inquiry.

“Not well. I think I had a dream. It was terrible,” he replied. His gaze remained vacant.

“A dream?” You thought for a moment- was it the sensation of dreaming that he wasn’t used to? Or was it a nightmare? “Tell me about it, Cas.”

“Well, I don’t remember a lot of it. I just remember I was running. And when I woke up, my heart was pounding and I was sweating and I couldn’t breathe. But I didn’t actually run- just in the dream.” 

“Oh, Cas, honey, you had a nightmare.” You approached him, reaching up a hand to run a thumb over his stubbled cheek. “If that ever happens again, you can always come into my room. I’m right next door.”

“How will that help?” He inquired.

“Well, sometimes it’s nice to talk about it, if you want. Or, sometimes it’s just nice to be around someone else, so you don’t feel like you’re facing it alone.”

His nod in response sent a surge of care through your body. Rather than sitting there, gushing over him, you figured you’d channel your worry into something productive- getting him fed. 

“Well, I made some breakfast. Have a seat, I’ll make you a plate.”

You pulled out a chair for him at the table, gesturing for him to sit down, before scrambling to pull together a plate piled high with a stack of pancakes, a few slices of bacon, and some strawberries and bananas you had carefully sliced. You rested the plate in front of him, giving him a minute to inspect it, before returning to grab food for yourself. 

“Well, what do you think? I figured chocolate chip pancakes would be a safe bet. Everyone likes chocolate chip pancakes.”

Castiel clumsily sliced another bite from the pancake, lifting it to his mouth. He chewed pensively, mulling over the question.

“How do I know if I like it?” 

You thought for a moment.

“Good question. Does it make you feel happy?”

He nodded. “I think so.”

“Well, Cas, I think you’ll find that one of the great joys of humanity is the opportunity to figure out what makes you happy. We don’t get a lot of say in what goes on down here, but we do get to pick our favorite foods, favorite colors, favorite people, and fill our lives with those. It’s the small pleasures that make the difference.”

He considered your words for a moment, before spearing another bite with his fork. You giggled to yourself. It was adorable to watch him navigate the things you took for granted with so much fascination and uncertainty- something as small as taking a bite of food required all of his concentration and contemplation.

As you sipped your coffee, you considered the task that lay before you. It was your job to teach Cas how to be human- something you wouldn’t necessarily call yourself an expert on. With hunting dominating your upbringing and occupation thus far, you certainly hadn’t had the normal human experience. But you took the challenge in stride, knowing that Cas had much to learn. 

-

Saturday had come and gone. You had spent the entire day teaching Cas a crash course in human life skills, covering important topics like brushing your teeth (which proved more difficult than you thought it would be), remembering to drink water (you struggled with this yourself most of the time), shopping (the two of you thrifted him a whole wardrobe), and anything else you could think of as you went about your usual routine. 

As the day wound down, you and Cas sat on your back porch. The emerging twilight buzzed, and a warm breeze filtered through the trees and wrapped itself around the two bodies curled up in the lawn chairs. You were tired, he was tired, so another comfortable silence had settled into its now familiar place between the two of you. You could faintly hear the sound of children laughing and a mother calling after them, voices muffled by the distance that separated you from these neighbors down the street. You smiled to yourself, and Cas took notice. 

“Thank you for helping me today,” he offered hesitantly, as if afraid to disturb your thoughts.

“Anytime, Cas.” You were still a bit lost in thought as you responded.

“Can I ask you a question?” 

“Hmm?” 

“Why does being human feel so… Heavy?”

There was something about his tone of voice that snapped you out of your daze. Turning to him, you instantly recognized the worry that was weighing on him. 

“I just… I used to be a soldier. I had divine purpose. I’ve always had something to work towards, and now… I don’t know what I’m doing anymore.”

“Life is a complicated thing, Cas. Most people spend an entire lifetime figuring out their purpose. You may be thousands of years old, but you’ve only been doing the whole human thing for a few days. Be patient with yourself.” 

“You seem to handle it all pretty well. Leaving hunting, making a life for yourself. You have it all figured out,” he frowned.

“Want to know a secret?”

He nodded, silently, eagerly. 

“I’m not handling it well. And I don’t have it all figured out. Nobody does. That’s the whole game. That’s life. You take what you’re given and you do what you can with it. But the beauty is, you get to choose.” 

“How do I know what to choose?” 

You smiled in spite of yourself. 

“That’s the big question. No one knows what’s right for you except you.” 

Cas’s hand reached across to yours, giving it a squeeze that sent your heart aflutter. Fingers intertwined, you settled back into the evening, pensive.  

- 

Sleep that night hadn’t come easy by any means. What had started as worry had now spiraled into full-on anxiety, warding you away from slipping into sleep. Each time you closed your eyes, your mind drifted down the hall to Castiel, separated from you by nothing more than a dozen footsteps and couple pieces of drywall. It was as if you could feel his inner turmoil. And beyond that, your heart ached for the man. All you wanted to do was go to him, be with him, comfort him. But the fear that you were taking advantage of his newly human state still plagued you, so you lingered rigid and sleepless in your bed. Just as you rolled over to attempt comfort and hopefully find some sleep, there was the faintest knock at your door- so quiet, you barely registered it. 

At first, you weren’t sure if you had actually heard the sound, but when the noise was followed by slow footsteps shuffling away, you snapped up in bed.  

“Cas! Come in,” you called. After a second, the door swung open.

“I had another one. A nightmare.” Cas spoke matter of factly, and yet, very soft and reserved. He lingered in your doorway, timid, waiting for you to give your blessing on his entrance.

“Oh, come in, sweetheart. Come sit.” You patted the space beside you, the noise muffled by the thick, fluffy comforter. Cas made his way into a seated position on the bed.

“Do you want to talk about it?” you asked, hesitant to pry but insistent on providing support.

“No.” His response was tense and succinct without being rude- you knew he was processing a lot of feelings, and wanted to give him grace.

“That’s okay. Would you like some time to think through it? Or would you like to be distracted?” 

“I’m not sure.”

“Take your time. I’m here.” 

There was a beat of silence. Giving him space was your top priority, as much as you wanted to leap across the bed and into his arms. 

“Maybe, distracted?”

“Sure thing. I’ll put on a movie, we can watch for a bit.” You snatched the remote from the table beside you, flipping through a few movies you thought Cas may enjoy, before settling on a lighthearted Disney movie. Your finger pressed play and adjusted the volume to a dull hum. 

You watched for a while in silence. As the movie was picking up, breaking out into a cheerful musical number, your eyes darted to Cas. Expecting to see him enamored by the animated wonderland, you were taken aback when his eyes locked with yours instantly. It was like he had been looking at you the whole time. 

“Hey, Cas.” He wouldn’t look away, and the eye contact was entrancing.

“Hi.” His voice was gruff, a mix of sleep and something else you weren’t entirely sure of, though you were starting to get an idea. 

“How are you doing?” 

“Better, now. Because I’m with you.” His words sent a wave of warmth through your body as you felt yourself inching closer to him, subconsciously. Clearly, he felt the same pull, as you both shifted to face each other directly. 

“Can I ask you about another feeling?” He was usually bashful with his questions, but this time, his voice was steady. His eyes were fixed on you with an almost palpable intensity, a kind of focus that made you fidget, suddenly so aware of yourself. 

“Of course,” you responded. He was now just inches away from your face. 

“What is this feeling I get when I’m this close to you?” His words were slow and genuine, and yet in some ways, it seemed like he already knew.

“What do you mean?” 

“It feels a lot like the nightmare. My heart beats fast and I can’t breathe. But it’s… Different. It’s good. I like it.” His eyes flickered as the words melted you.

He was so close to your face you could feel each breath tickle your nose and lips, as if pressing gentle precursors to tease you into taking the next step.

“Can I try something else you might like?” You could barely speak above a whisper.

He began to nod, lifting his head, but before he could complete the motion, all your defenses came crashing down, and you melted together- lips and limbs intertwining as one. And for the first time since becoming human, Castiel truly felt peace.

-

There’s something special about humanity. Sure, it has its ups and downs. There’s pain, fear, grief, death. Cas knew all those things already. They were what scared him most when he lost his grace. But he could have never known this, without experiencing it for himself. 

The early hours of the morning crept into the bedroom. Everything about the room was warm and soft- a kind of heaven that rivaled even the real thing. Cas watched as the rays of sun slipped through the window to kiss your skin softer, sweeter, more intimately than he ever had. Yet. 

There were many things about being human he hadn’t been prepared for. He had lost purpose, drive, direction. When he was first stripped of his grace, it had felt like his newfound heartbeat was mocking him with every pulse. But now? That heart served to pump more than just blood through his veins. His heart beat for you. His whole angelic life, he had been guided by divine word, but nothing had ever felt as holy as you, here, sleeping in his arms. You had taught him humanity, alright. And now, he finally had the chance to do something, to feel something, to experience something more beautiful than he could’ve ever imagined. He could love you.

Cas let the sounds of your breathing lull him back to sleep.

[shutupineedtothink]

More ep 8 + 9 thoughts, in no particular order:

Rio looks at Agatha the way Agatha looks at other people when they say something angry or misunderstood or untrue about her — mainly, hurt. It’s fine, I’m fine. By not accepting her nature, Agatha’s doing the exact same thing to Rio that people have been doing to her for centuries and if that ain’t trauma i don’t know what is.

I’ve heard people say it was out of character for Rio to go all evil witch in ep 8, but I think it was a choice. She was so hurt by the deal Agatha wanted from her to never see her again, she said you know what, fine. You think I’m evil? I’ll be evil. Let’s play. But even as she puts on this show she’s saying things like I’m the natural order of all things and you love me, and why don’t you want me? And again, this is an Agatha move. Putting on the show of the evil witch to hide her pain underneath. Calls back to ep 1 too, when she says I can’t kill you, but I can make you wish you were dead.

I tend to kill my coven members. So do I. — That boy and Agatha are mirrors what did I tell you. 🙌🏼

I still can’t quite wrap my head around what she was thinking when she tried to give him up to Rio. Did she see him start to turn himself in and know that that’s what Rio needed him to do, so she changed to her evil side to make him second guess himself? Or did she genuinely think screw this in that moment and then changed her mind? I don’t know, and I don’t think we’re supposed to know, and that’s really interesting actually.

And Billy! Basically manipulates her into sacrificing herself for him using Nicky! My dude you really aren’t that nice. In that sense… he really got all of them killed.

I say more about this in my general show overview post which is coming soon, but once I was able to let go of where I thought Agatha should go as a character, I realized a couple things: a) her journey isn’t over, so this wasn’t supposed to feel like a complete arc and b) I think the point of her character is that you just can’t pin her down in one category or another. She’s not fully evil, she’s definitely not good but she can make good choices, she’s not a complete villain but she’s not a hero or anti-hero either. She’s truly unique in the MCU in that sense. And interestingly, it seems like Billy is going in a similar direction. We’ll see.

So Agatha is the “maiden mother crone” of the last episode right? We’ve now seen her in all three stages, she was the mother up until she died and now is the crone as a ghost playing the Guide to Billy. I’m gonna go with that.

There’s a .2 second look of pain on Agatha’s face when Rio tells her Lilia is dead. That’s when she found out. She does care about them, she’s just definitely not going to show it in front of anyone else.

Lots of great line repetitions in these last two eps (covenless witch, get used to this feeling, etc), but one I could have used again was Rio’s “te veo” — she does say the line about watching Agatha just as closely as you watch everyone else, which was great. But idk I wanted that to come back one more time.

See my previous post for my Nicky thoughts but it seems like the more discourse comes out the more we all agree that is Rio’s child just as much as Agatha’s. The question then becomes, was he just created from their love and magic, or for some other reason? Personally I would love to see more play out with Nicky and him possibly being “a demon, or an agent of Mephisto” and that’s why Agatha can’t face him. She needed more time to figure out how to change his fate but she couldn’t. It’s almost a Bucky/winter soldier situation, but instead of hydra it’s literally the Marvel god of the underworld controlling him. There’s a movie in there somewhere for sure. (MCU witch movie??)

The music banged in these eps especially the choral opening to ep 9, so cool.

Am I the only one wondering why Agatha is RunNInG when she’s in labor? Like where’s she going, who’s she running from? Just an interesting opening.

It’s Agatha All Along in several ways: Agatha (and Nicky) originated the ballad, Agatha used the ballad to kill witches for centuries, she was telling the truth all along about the road not existing, she was the one who bound Jen, and she knew all along it was Billy who made the road. Not exactly the character transformation I was gunning for, but I see the vision now.

The Peggy Carter cosplay I live 🤌

I still don’t think Agatha outright intentionally killed Alice. I still think she either genuinely didn’t have control in that moment, or Billy subconsciously made her do it to make her the villain. (Edit, Jac basically confirmed option 1)

I LOVE that she’s a conwoman. It makes so much sense for her character and even in a more genuinely evil context I love a con.

Agatha says she was going to kill them in her basement on day 1, but Lilia stopped them. If they didn’t attack her, would she have found another way to take their power? Idk but it seems more to me like she’s just trying to make Billy feel better.

I’m itching for more, but I do love the emotional moment between them in the basement at the end. Agatha lets just a little bit of her true feelings peek through, and Billy gets a little perspective as well.

Ok, I’ve now listened to the full 3.5 hour House of R pod on the finale, including their interview with Jac Schaeffer, and she confirmed a lot of my thoughts here so. Nice.

OMG Jac said this thing about the Road being Agatha’s lie that Billy made real and I got CHILLS

I’m expecting some baller fan edits for this show now that it’s over absolutely can’t wait

I could probably say more, and if I think of more stuff I’ll add it in comments. But also look out for that full show review post.

[unabashedmoonlight]

I think tua made the sibling dynamics too healthy too soon. They were all isolated, made to compete with each other, abused, each others' only true company for years and the only ones who could understand each other. Then after the academy parted ways, most of them didn't interact. It was heavily implied in the first season that this is after a decade that Allison is meeting Klaus yada yada. Diego, notably, still harbours resentment and anger and so does Viktor and I am sure others do too.

All of this apparently got fixed in season 2 because they got stuck in the past and didn't meet each other for years/months. I Get what they were trying to do. Years/months of being alone and stuck while not knowing if the others are alive or if they will ever meet again will give way to some of the kinder feelings.

But what do you mean they all just forgave Viktor. I don't consider that scenario to be 'Viktor ending the world' but how come They don't? Being stuck should have given way to feelings of some anger and misplaced blame too. They all lost other people too, they lost their entire world and they were not angry about that?? Some of them should be blaming Luther too? Some should go blame Allison because she fired the bullet? Again, I don't blame any of them but they all should be blaming each other imo.

They weren't bombarding Klaus with questions about Ben? Neither were they furious with him?

They should have been more angry, clingy, guilt-struck, trauma dumped on each other because of their unique experiences while also not really talking about their feelings and I think some of this they did do with Klaus (and kind of Five but he should have been more unhinged at all times) but then missed the mark on everyone else.

And of course, they are going to have fun childhood memories but these are supposedly children who got half an hour of free time per WEEK. Most of their fun and beloved memories should be a bit more extreme/violent than the ones they were constantly recalling.

It just comes off as way too unrealistic and I know tua is not a show that cares about that, its camp is half its appeal but the other half is its characters and their dynamics and I think they messed that up in season 2.

It was still fun, don't get me wrong but I suppose it could have been more fun.

[charmac]

just wanna say I agree wholeheartedly with your tags on that fandom post. I have been following sunny on here since 2015 and there is a constant cycle of sensitive, and frankly delusional people, who claim the show, make crazy headcanons and justifications to make it tolerable and acceptable to them before they eventually shun and condemn the show altogether. it was very bad in 2018 and made me withdraw from the fandom lmao. I remember being most annoyed with the endless woobifying of charlie and the absolute condemnation of dee above everyone else. like, they're all bad. that's the point of the show. I just don't understand how they could stomach it in the first place

You are a warrior, dude.

The reason it took me so long to join Sunnyblr in the first place was the fact that ~early 2020 I was rarely seeing anything here that was based in canon, mostly weird headcanons that made no sense to me, and Reddit genuinely seemed like a more based place to exist for this show.

I literally needed a friend to give me specific accounts to follow because the tag was (and, sorry, lowkey still is) a nightmare. (Though to be fair I’ve been in fandoms on Tumblr for over a decade and literally never liked scrolling tags.)

I got into Sunny and I fell in love with Sunny because of canon. Because it’s so fucking weird and fucked up but it’s FUNNY, and there’s genuinely nothing like it. The characters are horrible stupid terrible people but they’re actually deeply complex and rich to study, so much so that you feel extremely compelled in a multitude of ways to dedicate yourself to some part of them, or all parts of them. But.. if you strip them of those core identities, of what the characters stand for, that compulsion is gone, void, irrelevant.

Because it’s the extremely raw, almost purely acting on basic instinct, unfiltered humanity, worst parts of the self, inability to recognise or follow societal norms aspects of these characters that are relatable. It’s relatable in a way that *should* make you uncomfortable, feel unsettled, and maybe a little relieved that these parts of people can be acknowledged... That’s a unique and interesting feeling, something people engage with media like this to explore and expand upon, and it’s often something that genuinely helps or supports people who wrestle with a lot of the heavy concepts Sunny satirises (and sometimes just, shoves at you head on).

When people start to disregard all of this, for whatever reason they do, that’s when you end up with the Fandom using Sunny Characters as an “ability to project” or (much worse) a “near blank canvas to play with” (because, yeah, if you strip them of their literal reason for being created and continued existence, ofc you lose their whole identity!?)

The problem seems to be that either 1) they just don’t understand the show well enough to get that they’re disregarding this aspect of the plots and characters, and so they genuinely don’t recognise that the fandom for Sunny exists because of these terrible compulsions and insane trauma exploration and that’s why we enjoy discussing and playing with these characters or 2) they do understand this but they can’t engage with it without some kind of personal moral conundrum or extreme discomfort, so they have to sanitise or completely alter the characters to enjoy them.

The thing is, if you fall into category 2, you just don’t belong in the depths of it all, and it’s an unfortunate truth you have to face. If you cannot enjoy canon, if the actual show makes you extremely uncomfortable and you’re only here for a gay ship or to project your gender and sexuality onto one character, you need to go stan something else. I say that with the greatest intentions for you. As Anon here has stated, it’s an insane cycle in this fandom over and over, you’re just going to upset yourself and resent the show and the people here, because we like the canon and the fuckery because that’s what the show is for. That is the literal point of the show at the end of the day.

Now if you’re in category 1, I heavily encourage you to actually *talk to people about the show and the characters*, read analysis, watch the episodes with different frames of reference and in alternate states of mind. Do your own analysis or character work, try and just write out the plot of your favourite episode and put to words *why* you like it. Hell, try and write a fanfic or a spec script from the mind of one of the characters, even if you think you can’t write.

Honestly, honestly, honestly, if you genuinely like this show at face value but you’re only engaging with fanon because you feel like you ‘shouldn’t’ openly enjoy the canon because it’s seen as ‘bad,’ the best thing you can do is have a conversation with someone, or multiple people, who get the show.

That being said, I do wanna open this shell Discord I’ve made to people. For people who *enjoy* the canon, who want to discuss actual Sunny (and also have fun with it, of course!) you’re welcome to join.

A lot of you get it. I’ve made some amazing friends in this fandom and regularly have extremely stimulating and insanely throught provoking convos with the people I’ve met here. I love it, it drives my insane passion for this show and I am eternally grateful to have found people who love this show for what it is. I hope, if you’re struggling to figure out why you like this show or struggling to accept that you like media like Sunny, you reach out or join a conversation and learn to love it too. And if you don’t, if you genuinely hate the canon of this show and only like the version of Macdennis you saw in a dozen different Tiktok edits to Taylor Swift songs, I really hope you move on for your own sake.

[coralcatsea]

I'm not one to just move on so easily from a passion I've had for over a decade. There may be more active fandoms, but I can't quite use them the same way I can with this one.

Even if I really love a story and its characters, a lot of times the most I'm inspired to do with it is draw a picture. I'm typically not that interested in roleplaying or writing a fic because I don't have enough to add that I would be motivated to write a story for. There aren't always many blanks to fill unless I'm super invested in some kind of ship, which doesn't usually happen.

Sure you can do AUs, but Hetalia just feels better made for them?

Something like Death Note is self-contained and told its story. Hetalia can literally encompass all of time. There's no end because history is ongoing.

When it comes to The Hunger Games, something like an actor AU is so far removed from the story. It often feels like canon universes are just too ingrained in the characters, so that if you remove them they lose a major piece of who they are.

The characters in HG are mainly seen under pressure and intense situations, and it could be hard to convert their trauma into a normal world actor AU. Even if it's in the same dystopian universe and you just alter circumstances, making the characters professional actors could cause them to be too different.

One might think that's the case with Hetalia, as countries are bound to be different from humans, but in the source material they are shown in both historical and completely normal situations. Hetalia is full of all kinds of things, every part of life, both serious and not. We get to see them act like regular people, and that's the sort of thing that gives us an idea of how they would be in other universes. We even have canon AUs.

Even with nationverse, there are so many blanks to fill and details to add, because Hima can't possibly add everything.

Hetalia has some amazing potential and perks. It may not be the only fandom that allows for extra creativity, but it still feels pretty unique and special.

I can easily get into other shows/movies/etc., but getting into their fandoms to this level is an entirely different story. Sure, you can be creative in any fandom if you really try, but Hetalia just lets it happen so naturally.

[transmutationisms]

wanted to ask what your thoughts are about the show’s subtextual implications of csa? its never mentioned really but it kind of just hangs in the air with the other abuse and the cultural of sexual violence and abuse of everyone and everything else. i personally don’t believe logan even abused any of them that way, but obviously with people like mo and that whole group of men at the funeral, it was still something the kid’s grew up around and were vulnerable to, and i think because of that logan Did perpetuate csa against them, in a way. like even if He never touched them, by putting them in such close proximity to predators and he himself being complicit in a culture of sexual violence both in his personal life and his company, he still betrayed their trust that he would protect them from that.

but idk, do you think there’s a possibility any of them were actually victims of an assault or harassment?

this is kind of a huge topic, but: i think what the show is getting at wrt sexual violence and childhood trauma is the idea that growing up in a context that enables and even encourages rape is itself sexually traumatic, and that type of immersion in systemic violence has a profound impact on the psyche with or without specific or discrete instances of direct interpersonal violence. which is to say, yes, i agree that there is a very real way in which all of logan's children have experienced sexual violence simply by virtue of being part of his company and his family (part of the capitalist structure).

i do agree that the presence of the 'wolf pack' is significant (the kids weren't allowed to get in the pool around them, etc), but even beyond that, i think the show is suggesting that it would be impossible to grow up in an environment where 1) sex is equivalent to violence, and 2) business is expressed through this language, and 3) familial love is secondary to the business concerns and so also expressed through this violent language—and not be traumatised by that. capitalism is itself already traumatic, homophobia and transmisogyny / transphobia are traumatic, and logan's rigid hierarchical ideas of masculinity and strength are elevated expressions of these systems.

anybody in waystar's orbit will have a relationship to sexual violence and trauma—and a child, who lacks legal personhood and bodily autonomy, is quite clearly going to experience this entire upbringing as violent and traumatic. like, even if logan's childrearing was 'successful' on his terms, ie produced an heir capable of the kind of emotional repression and capacity to inflict violence that logan valorises, that would still itself be a traumatic outcome for that person. the ideology governing waystar is alienating and intrinsically violent. how could you grow up in a world where the powerless are denied personhood and subject to rape and murder and not have that shape how you—again, a child denied autonomy and power—relate to your body, your sexuality, and your concept of self?

so, as to whether the kids did experience specific and direct events of child sexual assault, rape, etc—i honestly just find this line of questioning uninteresting because it's speculation. i've already said i don't find the 'explicit' csa reading necessary in understanding roman's character, and that the incestuous sub/text with him is there on purpose not to indicate that the roys are uniquely incestuous but to suggest that capitalist family structures inherently create this type of desire and propensity for abuse. i would extend basically analogous arguments to the other roy kids, and indeed, to any character on the show. all of the roy kids are sexually traumatised and this is explicitly because they grew up in a company (which is to say also a family and an economic system) that is violent, specifically sexually and specifically to those designated weaker and lesser-than.