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#just thought it would be fun to share my learning process
x-crowmancer-x · 2 years
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Ok, so I've been doing reading into the Classpect system in Homestuck and have a vague understanding of how it works now. Here are my notes that I took while learning and what I use when assigning classpects at suface level before reading deeper at DahniWitchofLight's blog (here: Classpects Masterpost)
-HS Classpects NOTES-
(Homestuck Classpects Guide by ME :o)
-CLASSES-
Bard: brings destruction, summons those who destroy
Prince: destroyer of Aspect, breaks things
Thief: Steals Aspect only for self
Rogue: Steals Aspect for others, Robin Hood basically
Heir: Defenders with Aspect, shield, representors of Aspect
Page: Gives Aspect to, passers, creates use of Aspect
Seer: User of Aspect for strategy, fortune telling, future sight
Maid: Use Aspect on others
Sylph: Healing with Aspect, helper
Knight: Fighter with Aspect, uses Aspect to fight, tend to be closed off brick walls
Witch: Breaks the rules of Aspect, cheats
Mage: Protection from Aspect, receiving knowledge
-ASPECTS-
Space: Volume and physics in game, moving and scaling
Time: reboots, starting over from before the beginning, adding more time to game
Mind: thoughts, consequences of actions, thinking, logic
Heart: emotions, personality, feelings, identity
Hope: direct action, determination, conviction, belief manifestation, faith
Rage: chaos, think of a Barbarian's rage, power
Breath: changes to game overtime, impactful, changemakers
Blood: the power of friendship, teamwork, unity
Life: Healing ability, ability in general (certain costume part can be any color)
Doom: fate, bad things happening, wisdom in tragedy
Light: fortune, luck, knowledge, favorable outcome
Void: Secrets, keeping knowledge from players, hiding
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This is how I understand the Classpects according to the Wiki, Dahniwitchoflight's Blog, and fandom speculation really. I hope this makes sense to anyone else lol. I'll try to post Classpect art when I can.
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lightbulb-warning · 1 month
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i used to freehand comics all the time as a child and since the part i liked was the drawing part i would just draw panel after panel because i didn't want to stop drawing to think about icky icky words, plus the story TOTALLY still made perfect sense! to me! and noone else, but 'whoooo caaaaares omgggg its not like comics and sequantial art are a communicative meeediummmm lmaoooooo'. i spent my entire childhood telling myself stuff like "oh pfft I know this story by heart- ill SIMPLY remember the dialogue and write it later" ...and. I can't help but admire baby maiora's (call that a minora ba tm tsk) fucking audacity? hubris? confident wrongness? kid couldn't even remember to finish the comics in the first place? INCREDIBLE levels of unearned self assurance, wish that were me, genuinely- what an icon!!! anyway i think i have forever cursed myself
#maiora garrulates#the maiora overthinks the process of writing dialogue saga continues!!!!!!!#im so tired. i have been overthinking this shit in circles i have not been making any progress in any which way lmao!#im bitching and moaning for funsies this is not that serious in the Grand Scheme Of Things i just wanna improve at my fav thing#and ❤️ Unfortunately ❤️ my favorite thing in the world involves learning MY MOST HATED *NEMESIS*!!!!!!!!!!!!!!!!!! verbal communication. ew#words are fun! i LOVE words! toys!!!!! im using words right now and i didn't combust!!!!! wow look at that!!!!!!!!!!!!!#putting words in SEQUENCE? multiple times?? filtering THOUGHTS into SENTENCES???? sentences that a character would or wouldn't SAY???#AND THEN THERE'S ANOTHER CHARACTER SOMETIMES???? AND THAT BITCH ALSO HAS THOUGHTS AND FEELINGS????? AND THEY ALL HAVE PERSONAL IDIOLECTS#AND TONES THAT S U P P O S E D L Y ARE IMPLICATED BY MANNERISMS AND VERBAL HABITS AND CIRCUMSTANCES (AND THERE'S WRONG ANSWERS! ALSO!!)#AND THEY'RE IN A CONTEXT!! AND THEY'RE INTERACTING WITH EACH OTHER AND INFLUENCING EACH OTHER!!!!!!!!!!!!!!!!!!!!!!!#THE CONVERSATION COULD VARY GIVEN ENERGY LEVELS WHETER OR NOT SOMEONE'S FOOT IS FALLING ASLEEP THE F U C K I N G WEATHER#“oh dialogue is easy just say it out loud to yourself until it 'sounds normal' ^^”#screaming crying throwing up NONE OF THIS IS INTUITIVE TO MEEEEEEEEEEEeeeeeeeeeeeeeeeeee....!#ok dramatics over its out of my system! for now!!!#this is all easily explained bc i just. draw a lot more than i talk to people. so like. OBVIOUSLY i have more practice drawing#so drawing comes natural! talking does not! subsequently dialogue is Hard! No FUCKING Shit Sherlock!!!!! (affectionate)#so yeah. im using y'all (the tumblr void) as practice! hi!!! words at you!!!!!!!!!!#so yeah thanks for baring with me while passing by my corner of the internet#i do love self indulgence this is fun check out my navel gazing actually no do not look at my belly button#anyway i just think this is mildly interesting. some of my writer buds have the same “not good enough” allergy towards visuals#but they use it to be mean2me >:( same bitch that “omg i cant i suck at drawing i can't do this-” does the “uhm. just write? lol.” 2 meeee#we could have peace and love on planet earth and a common experience and yet you KICK miette for being bad at words!!!1!!! </3 heartbreak!!#what the fuck was i talking about even#oh yeah. perfectionism within creatives i guess. LMAO JK i am talking about NOTHIN!!!!G i am just putting Words Out Here ehehehehehe#its practice >;)c#all this bc ive been doodling comics for myself again and im V!! PROUD OF THE ART!!!! wanna share- but DIALOGUE!*⚡sfx!!*....... so! options#a) leaving it blank. no there are NO microphones in the budget. b) leaving blank *balloons* so that the Rythm is there. implied convo!!!#c) ...doing it badly. (tragic)(heartwrenching)(teeny tiny bruise 2 the ego) *dramatic single tear cleches fists * its the only way.........#...we shall see! literally none of this is all that serious i am procrastinating!! <3 playing with my tuoys!!!!!!!! silly time!!!#/all lh! am reaching 30 tags so that is all for THIS episode of the maiora bitches about dialogue saga thank you for joining me!!okilyBuhBY
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annabelle--cane · 8 months
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"the magnus protocol had a whole ARG beforehand? what?"
yes! it did!
"oh so I need to have participated in this whole big thing to actually understand the podcast?"
not at all! from the official post-mortem put out by RQ, "while the ARG was not something that was necessary to participate in to understand the magnus protocol, it was designed to contain a wealth of background story and context that would enrich any player's listening experience."
"a wealth of background context that would enrich my listening experience 👀👀👀 how can I learn about this?"
SO glad you asked. sadly, many of the materials made for the arg have been taken down since the game ended 😔 (ex., the official OIAR, magnus institute, and bonzoland websites. (edit ii: I found partial wayback machine captures! see below) though @strangehauntsuk is still up!), so we're a bit low on primary sources, but in terms of learning about what happened:
for a starting point, I would really recommend this video by @pinkelotjeart
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it's super accessible, it was made in real time as the game progressed and follows the solving and revelation of clues as they happened, it hits all the major points of the mystery and moments of community insanity while eliding some of the nitty gritty puzzle grinding, 10/10 would recommend.
here's the official summary put out by RQ, and I'd recommend reading through this once you've already gotten a basic handle on the flow of the story and the basic connections between major clues and events. it's got some fun behind-the-scenes info and lays out the thought process behind the puzzles in simple terms
here's the full masterdoc of all puzzles and resolutions put together in the statement remains discord server. masterdoc my absolute BELOVED, masterdoc my bethrothed, masterdoc my soul mate. I'd recommend this as a second port of call after the above video as it either contains all details about the puzzles or links to other expanded docs that do.
here's the narrative summary doc that lays out all the plot and lore discovered in three pages of plain prose. if you just want to get to the good bits as fast as you can and get blasted directly in the face by contextless lore bombs, this is the doc for you. if you don't want to start with the video, I'd say this is another good entry point.
once you've got the lay of the land, some of the game materials that I found particularly interesting include:
the in-universe east germany expat usenet forum, with all content translated into english. most of it is irrelevant space filler with occasional extremely sus lore, but I still found it fun to read through. love to soak in some fictional forum drama.
chdb.xlsx, the spreadsheet of the names of all the children the protocol 'verse magnus institute was studying/experimenting on. EDIT: here is a version of the sheet without any annotations and with all of the names in their original order, kudos to @theboombutton for catching that the commonly shared copy had the order swapped around.
klaus.xls, a (very corrupted) spreadsheet with what looks like the classifications of a bunch of old OIAR cases.
EDIT: have a few more saved materials from the game that I forgot to include.
an in-universe audio ad to apply to the OIAR that ran before archives episodes and kicked off the whole game.
an in-universe video ad to apply to the OIAR, this one is an official upload that's still up from the game itself. you can subscribe to the OIAR's official youtube channel today, if you so chose.
the robo-voicemail greeting from the OIAR's phone line.
EDIT II:
here is a wayback machine capture of the OIAR's official website.
here is a wayback machine capture of the bonzoland website.
(pretty sure both of the above captures just archived the home pages, though I haven't tried clicking all of the links. I'd say they're still worth looking at, the home pages give a good window into the vibes.)
once you start poking around in these documents, you'll find a bunch of links to others with further information, the materials I've included here just contain what I feel to be the most relevant details to getting a broad feel for the whole game. once again, huge shout out to the statement remains server, I was barely in there as the ARG was in progress and only ducked my head in every so often to find links like these. true mvps of the fandom.
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scatteredskittless · 6 months
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Hii can you do a alastor x reader where the reader pays to much attention to catlastor( that cat memes are all over my feed)
Alastor x Reader that adores Catlastor
A/n: I LOVE THAT FUCKING CAT OMGGG ♥️‼️ he’s just a silly little guyy (my cameraroll has been taken over by him)
Warnings: None, just Alastor being a little jealous over a cat 💀
Fluff✔️ Comfort❌ Angst❌ Smut❌
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📻𖤐 A strange looking cat that also looked an awful lot like Alastor showed up at the Hazbin Hotel. Nobody really knew where it came from. It just kinda appeared one day and everybody’s learned to deal with the critters presence.
📻𖤐 You, on the other hand, adored this little guy
📻𖤐 Constantly hanging out with the silly kitty that defied all laws of physics simply because it felt like it and showering it with affection once it decided to let you… it became rare to see you without catlastor, as you decided to name it, by your side.
📻𖤐 Which in turn meant you were spending less time with the actual Alastor.
📻𖤐 At first, Alastor didn’t care much for the creature. Sure he found it odd but it wasn’t a concern to him..
📻𖤐 That was what he thought before all the attention that used to be given to him by you was transferred to that damn cat.
📻𖤐 I mean he knew you were a cat person but cmon… the real things right here! He could not believe he was starting to grow envious over a cat version of himself…
📻𖤐 He wouldn’t say anything about the situation though, maybe occasionally poke fun at catlastor or make comments about how much time you spend with it but not much else other than that.
📻𖤐 Though he would make more of an effort to spend time with you than he usually does to “win” you back. Such as taking you out to eat at his favourite cafés in cannibal town, going on walks with you around hell, stuff like that.
📻𖤐 Once he realizes his efforts are in vain, he’ll be a bit stumped. Why does it still seem like you prefer the cat over him?
📻𖤐 Eventually though Alastor does learn to share you. And also begins to take a liking to the creature that just so happens to eerily resemble him in the process.. even if it did look like it was ripped straight out of a children’s sketchbook.
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Please do not repost, translate, or plagarize any of my fanfictions/writing/headcanons without permission ◟( ˃̶͈◡ ˂̶͈ )◞
ᯓ★ Scatteredskittles
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tamberella · 7 months
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Congratulations on your author debut, I'm so excited for your book!! 😇💕
Would you consider talking about the whole process of becoming a book illustrator /children's book author?
Thank you so much, I really appreciate it!! And I'd be happy to share the process!
It all started for me with my 3dTotal artbook. 3dTotal is a small publisher in the UK, and they mainly focus on collections of artists' work. They use Kickstarter to fund each book, and my agent (the amazing Seth Fishman at Gernert) discovered me through the Kickstarter for my artbook Windows to Worlds!
He asked if I had any interest in working on graphic novels or picture books, and I had already been thinking about picture books! He found me my first picture book project with Penguin Workshop, Mother of Sharks, written by the awesome Melissa Cristina Márquez, which came out last year!
While I was working on Mother of Sharks, I was also talking with him about developing The Bakery Dragon, based of course on this painting, which was (and is) one of my proudest artistic moments.
For a little background on the painting, I painted it right after a really challenging couple of months medically - I was dealing with medical complications from my chronic illness for about 6 months, and I wasn't able to finish a single painting the whole time, I was just too exhausted from hospital visits and being in pain. That painting was the first piece I was able to actually complete (both emotionally and literally) in about half a year. So it always held a really special place in my heart, and I really wanted to keep living in that little world. I think there's something in it that is very special to me, about being outside in the cold, seeing warmth and love through a glass barrier, and wanting desperately to reach it.
With Seth's guidance, over a couple months, I developed a pitch for it. The script developed slowly alongside the designs for characters, locations, etc.
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(Early version of Ember above! He has changed a bit!)
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I thought I had already read a lot of picture books, I've always loved them, but I read hundreds and hundreds during this process. There is something uniquely fun and challenging about telling a complete narrative in 48 pages (which is already a long picture book, many are 32!) My book also pulls some elements from comics, such as speech bubbles, which I found to be incredible assets for humor and character development.
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My pitch included designs, some early example spreads, and a rough script with story beats and jokes! My agent took it out into the world, and the publisher we ended up going forward with was Knopf, an imprint of Penguin Random House! I absolutely love the Knopf team and the beautiful books they put out! My editor, Katherine Harrison, really understood what I wanted to accomplish and has been so incredibly helpful in her guidance!
And from there... through rewrites, dialog adjustments, and lots and lots of drawings, it became a book! I'm happy to answer questions about the process! I'll leave you guys with a little preview from the interior of the book! (And of course you can pre-order it here, gotta learn the author skill of always including that link haha!)
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dduane · 2 months
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I just wrote a thousand words on my trek fanfic and I feel incredible. How do I maintain moment like this without burning out? any advice appreciated. Also I'm interested to hear your thoughts on how medicine is handled in the Star Trek Franchise. Part of my fan fic is an exploration on the operations of a big hospital vessel (some of my favorite background set pieces in Trek)
Let me take this in two parts.
First of all: don't worry about burning out any time soon. It sounds a bit like you're experiencing the flip side of performance anxiety—the "Having Performed" anxiety, where some nervous fragment of your writer-mind runs around tearing its hair and moaning "But what if it stops?!" ...This is way too familiar: I think we all get it from time to time.
The simplest thing to say about this is: Don't sweat it. You didn't get where you are as a writer overnight, and my guess would be that it takes at least as long to reach a genuinely non-writing state as it took to reach the writing one.
Also, and in particular, the kind of momentum most writers find themselves dealing with is not necessarily visible as words on the page. The Writer Brain has many forms of continuing creativity that don't show on the surface. Work, sometimes quite important work, is continually going on in the background without any exterior sign that even you can perceive. (Which is probably one of the things that drives a lot of writers furthest around the bend. We are all black boxes, full of processes we don't fully understand and routinely can't supervise or control. All we can do is learn to live with it, and keep on working.)
The thing to remember about your fanfic work (and indeed, of all writing work, but it's most obvious with fanfic) is that it should be for having fun. And yeah, you'll suffer and twitch and sweat your guts out over it as well! But regardless of facile simplistic bullshit "inspirational" mottoes about finding a job you love and thereby never working a day in your life, writing is usually work, and it's okay for it to be work... because some work is both worth doing, and worth doing well.
Meanwhile, especially at the fanfic end, you get to have the fun anyway! Fanfic, as we (mostly) make it and share it these days, is pure gift. It's grace made manifest. When you read it, you know that a stranger made this fabulous stuff for you, for nothing. Makers of fic inhabit a very special place. Be proud of your spot in it.
So for now just concentrate on sitting down as regularly as you can (the write-every-day thing isn't workable for some people, and maybe not for you: find your own rhythm) and let it slide out at its own speed. I'll be fine.
...Now. Re: medicine in Trek: what I do, mostly, is look at what's cutting edge right now, and then go further. Then I think a little about whatever I've created so far, and think about how to go further than that. And then write about it as if it's not merely casual, but a bit boring.
For example, as off this news story: McCoy shrugging and saying casually, “Well, we can handle this a couple of ways. We’ll either turn their pancreas back on, or print them a new one.” And then adding, “So what’ll we do after lunch?”
Just be bold in creating new approaches, because even now things are starting to look more wildly interesting than usual.
Hope this helps!
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witchyafterdark · 1 month
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— Ominis Gaunt Headcanons; pt. 3
• The Pros and Cons of being with him •
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This post has been sitting in my drafts for a very long time now, and was supposed to be the second installment of my previous post about Sebastian! Nevertheless, here it is. I've thought about this one a little bit harder than the other since it's my boy Ominis. All photos used are not mine, and all credits to their respective owners.
・❥・ PROS
He is the most empathetic, compassionate, thoughtful, and caring man you'll ever be with.
Most people need to be taught how to have compassion towards others, or that an example needed to be shown in order for them to learn. But with Ominis, this is something inborn. Empathy is nestled deep inside his bones, and it will be very difficult for anyone to make him act out of alignment from his true caring nature.
He is tremendously protective of you, and by extension, those you consider very close to you.
One of the many ways he demonstrates his devotion to you is by means of providing you with protection. Understandably, he knows that you aren't some damsel who needs help all the time. That's why he discreetly protects you when you need it the most; which are during the times you do not see the danger you're about to encounter, or are already in the midst of.
Quite ironic, he sees certain social situations leagues ahead of you, given his aristocratic upbringing, and can definitely read between the lines of people's intentions toward you. He will immediately step in — with practiced grace mixed with lethality — and eradicate any threat that looms over you before you even begin to notice anything amiss.
By extension, he is also very attuned to your emotional states, physical needs, and mental processes.
You wouldn't have to worry about being with someone who doesn't know how to understand you in ways you want to be understood because that couldn't be further from the truth with Ominis. One of the factors that make him a good partner is that he would actually get to know you before being with you. He took the time to learn your patterns and behaviors, and he genuinely studied you thoroughly in hopes of doing right by you.
Therefore, being in a relationship with him means he truly knows he can be a good match for you, as he doesn't want to waste both of your time. He understands when you're stressed, and would do anything in his power to alleviate your pains. And he knows when to step back and give you your personal space to figure things out by yourself.
Surprisingly, he has a mischievous and adventurous spirit in his heart, and he knows how to keep the fun alive between you two.
Being born blind, he has been told endlessly by his punitive family that he would most likely amount to nothing in his life without their illustrious influence and infamous reputation. But ever the rebel, Ominis wanted to prove to himself that their words hold no significance in his ability to live life to the fullest. To your pleasant surprise, he is much more lively and playful once you truly get to know him and he lets go of all his defenses! He isn't Anne and Sebastian's oldest friend for nothing; he knows a plethora of ways to rebel, bask in the moments of fun and adventure, and get into the occasional mischief to feed the need for a little adrenaline rush. Most people would probably consider him a boring and rigid person to be with, but he's just waiting for the right one to share the joy and happiness with.
Ominis is one of the bravest and most loyal people you'll ever get the chance to be with, whether for friendship or romantic relationship. You'll get to enjoy certain... perks of being with him. And he's more than willing to ensure your comfort and satisfaction as his partner.
Simply put, he has no qualms in waving his family name around to protect and preserve the peace around him — and that includes making sure you're safe, unbothered, and given the same special privileges as he has. Rest assured that once he made up his mind that he wants to be with you, you wouldn't have to worry if he's thinking of anybody else besides you. Everyone will know that he is yours, but most importantly, everyone will know you're his. and he's not embarrassed to say he is with you. In fact, he revels in it; albeit, more privately. While he does want people to know that he is off the market, he loathes the notion of people getting to know what goes on with your relationship with him. He's still a private person at the end of the day.
Behind closed doors, he is the most affectionate, touchy, and loving man you'll ever know.
Ominis is the kind of person that is sensitive to the energies of other people. He is sensitive like that, and for good reason. He can "read" the room perfectly without the need for sight. And so, he would definitely know simply by the sound of your heavy footsteps that you've had a tiring, rough day. Wordlessly, he would have the initiative to cook dinner for you, prepare you a hot bath, not forgetting to lay your night clothes on your bed, and caressing your hair to send you to sleep as you lay secure in his warm embrace at night. He also knows when you just need time alone to be by yourself, and tend to your own needs without him in the picture.
Nevertheless, you wouldn't even think of him as someone that needs to be "coached" into being a good partner — he has that naturally built into his personality.
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・❥・ CONS
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Due to his unstable upbringing, he is actually the most possessive person you've ever met... worse that Sebastian.
It is known that Ominis is a very closed-off person. He is very difficult to win over, let alone befriend and to romance. When he was a child, every family connection his father had made was exploited to the bone. Those people would unwittingly feel honored to be acquainted to the Gaunts that they would most likely do anything to win their favor. Ominis' father once taught him that the people around him was supposed to obey him out of respect for their ancient, noble lineage.
Therefore, once Ominis lets you into his life, he unconsciously views you as his possession; someone that must remain in his life, unless he deems otherwise.
During arguments, he would not back down, and would sound punitive at times.
Having to fight for his life — quite literally — at the hands of his cruel family, Ominis has learned that using his words can equally be as destructive as combative magic. His usual sarcastic quips are one of his normal defense mechanisms. But if you're engaged in an argument with him, especially when he knows he is right, best believe he will not hold back. You will get your feelings and pride and dignity hurt. He will lay out the truth no holds barred. He will make you understand why he knows best, and that you should just listen.
After what happened during fifth year with Sebastian, he's had absolutely enough with giving people the benefit of the doubt. Once he made up his mind about a certain topic, good luck trying to change his mind now.
If you are rumored to have been getting closer to another man, best believe he will be taken care of as soon as possible. You won't see that man ever again. (He isn't a Gaunt for nothing).
As far as he's concerned, the only type of friends you need in your life are those he knows of; Poppy Sweeting, Natsai Onai, and perhaps even Imelda Reyes. Sebastian can be part of your circle but even that he is wary of. But if he so hears about other men trying to be close to you (even as your relationship with him is already public knowledge), or you're in the process of entertaining the possibility of being with other men, he will get them out of the picture by the end of the week.
He is not afraid of twisting the truth, fabricating lies and offenses that those men seemingly committed, and falsifying being a witness to a breach of magical protocol just to send them on their merry way. You'll be confused as to how and why these men just keep on getting questioned by magical authorities but you'll be none the wiser about his involvement.
Speaking of, no matter how hard he tries to undo all the conditioning he was put through as a child, his Gaunt tendencies tend to rear its ugly head when he feels out of control, or threatened in any way.
This one is something he does not want you to know. It's one of his deepest, darkest secrets that he tries to bury underneath his caring and compassionate efforts of becoming a better man. Some days, it truly gets the best of him, especially when he perceives that he is not being taken seriously, or that things around him are getting out of control. Being someone without sight (that is also a Gaunt), having absolute control of his surroundings is something he needs to feel safe and secure. Without it, it's as if he is wandless — holding his hands up in front of him like when he was a helpless child.
And so, if he perceives petulance on your part, in spite of him exercising patience, he will resort to intimidation and manipulation. He doesn't need to exert physical force to make you understand exactly what he is capable of if you keep up with your actions.
(There's a reason why Dominis is a thing to begin with. People know he is capable of it!)
Once you're with him, there's no backing out. He won't allow it. You are his.
When you agreed to accept his courtship, he understood it as a mutual agreement that this is not something casual in nature. You are not with him to waste his time, as he wouldn't want to waste yours. The decision to court you was not made on a whim. He realizes the potential of a great and fruitful romantic partnership with you. Therefore, in his mind, you need to validate his assumptions about you. You need to prove that he was right about you.
Of course, he will subtly guide you through the stages of your relationship in order to fit his narrative as he intended. He will mold you to be the person of his dreams, and will give you whatever you want that is within his power. You'd do well to be grateful and acknowledge that through your cooperation.
And if you ever break his heart by being with someone else behind his back, he will make sure you will pay for it... one way or another.
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So, do the pros outweigh the cons for you?
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Rewatching Hazbin is fun because it ALWAYS gets the creative juices flowing~~~
❤️ Alastor x Reader ❤️
How would Alastor react if someone he is quite fond of challenges him, even after he give them a warning?
CW: Brat taming, Sub/Dom, Degradation, Dacryphilia, Masturbation, Finger Sucking, Implied Oral Sex
[NSFW under the cut, MDI 🔞]
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Alastor's immediate reaction really would depend on who's watching:
If there were others around, his eyes would only narrow, and his tone would sharpen as he responds to your blatent defiance.
"Would you care to repeat that?" He'd ask with the sound of static creeping in his voice. He's giving you a clear chance to back down, a chance to redeem yourself. This is less for your sake however, and more so for upholding appearances.
When you hold your ground, he stalks closer to you with a wild look in his eyes. His form begins to grow and tower over you, making you take a step back in fear. It isn't until Charlie steps in between you both in an attempt to de-escalate the situation.
"Whoa whoa whoa! This is a huge misunderstanding! They didn't mean it like that, Alastor!" She'd turn to you with an earnest smile, "right?" And you'd let out a frustrated sigh, turning to the side with crossed arms. Your delay of a response has her holding her hands up in Alastor's direction, still trying to keep things from getting worse. A pleading sound of your name makes you roll your eyes and swallow your pride. "Right. I didn't mean it...sorry.." you finally back down.
Alastor quickly shrinks down to his normal form and lifts his chin in a daring motion before leaving the room. "That's what I thought you said."
But don't think for one second that this is the end of it. How he deals with this little incident later on would be the same as if he was reacting to your comments if it were just you and him alone...
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When you express your opinion on the matter, he very quickly lets it be known that the conversation is nonnegotiable.
"Hm, I don't remember asking for your commentary, did I?" He'd say in a mocking tone, completely disregarding you. "You should know better. Or do you need a reminder on how to stay in your place?"
The heat that grows on your cheeks is clearly evident as he talks down to you, and before you know it, you approach him with a finger pointed at his chest. "I don't appreciate being talked to like that, all I did wa-"
He doesn't even let you finish before you find yourself backed up against the bed in your shared room, quickly falling to sit down as you lose balance. He looks down at you, amused by the shock and embarrassment that comes across your face. You huff and look away.
"Allow me to rephrase my statement," His hand comes underneath your chin to force you to look into his eyes. "I did not ask for your opinion, and I don't appreciate you questioning my authority." Your mouth opens still in defiance, "I didn’t-"
He cuts you off yet again, this time squeezing your cheeks between his fingers. He leans in closer to your face, speaking to you harshly. "That's quite enough. Obviously, it seems as if you do require more instruction, especially with these... 'outbursts.' Truthfully, I thought you were smarter than this, but it seems you didn't learn your lesson after last time..."
His grip tightens against you as he pulls you forward by your cheeks onto the floor. You gasp in surprise and reach up to hold onto his wrist, whining his name. "Alastor, I'm sorry.. I didn't mean to question you, I wasn't thinking, I promise. I j-just..."
He removes his hand, shaking off yours in the process, and quickly slides two fingers deep into your mouth. You attempt to jerk away in surprise, but his other hand comes to the back of your neck to hold you still. His fingers then lazily slide in and out of your mouth, watching the spit collect and drip down the sides of your lips.
Your eyes begin to water as you fight the urge to retaliate, knowing well that he would react much more to your pushback. He looks at you with a knowing expression as the bold defiance slowly leaves your eyes, being replaced by total submission as they flutter closed. It isn't until he feels your tongue searching for his fingers, mouth sucking them back in that he speaks again.
"Ah, that's much better." He takes his fingers out of your mouth, sighing as you try to chase his fingers for more. "Now now, patience is a virtue after all..." His hand reaches for the buckle on his pants, taking his time to pull his hardening member out. He gives himself an experimental stroke and revels in how quickly you give up on fighting with him, instead now focused on his cock instead.
Under normal circumstances, he would prefer not to touch himself, opting to use your assistance when the need strikes itself. But when you get like this? Where he has to put you in your place to make you become perfectly submissive and needy for him? He uses it as a learning opportunity.
He groans as his fingers brush over his sensitive tip, and his hand glides deliciously along his length. Of course, his own touch feels nice, but the desperation on your face has him feeling so much harder in his palm. Especially in the moment you realize he's not looking for your assistance.
You immediately start begging for permission to touch him, and he merely continues stroking himself, watching you work yourself up below him. "Alastor, please! I said I was sorry!" He lets you continue on babbling apologies, and at some point, the tears that were building up earlier begin to fall steadily down your cheeks. Eventually, though, you quiet down, silently watching with the quiet occasional sniff.
Alastor rewards you by placing his hand on your cheek, then running his thumb along your trembling bottom lip. "Oh darling, you should be thankful I'm feeling generous today..." he starts, looking at you fondly. You lean into his hand, opening your mouth as he brings the tip of his cock to rest on your lips. "Are you ready to show me how well you know how to behave...?"
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haxkattpress · 7 months
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The Bolthole by aideomai, Tepre, and GallaPlacidia
I'm absolutely thrilled to finally share my first fic bind here on Tumblr! I completed this bind back in November, and it introduced me to so many wonderful people.
You can find pictures and detailed explanations of my process under the cut.
This is "The Bolthole" by Aideomai, Tepre, and (formerly) GallaPlacidia on Ao3. The cover design is adapted from "The Little Brother" (1902) by Josiah Flynt. The typeset is my own.
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I fell in love with this cover the moment I saw it, and wanted to try to recreate it with book cloth. As a hobbyist book binder, I like to try to revitalize older designs from the public domain. There are so few copies of this book left in the world, so I thought it would be fun to give it new life as the cover of a contemporary story.
The cover is made out of three different colors of book cloth from the Allure and Verona lines. The book cloth and endpapers were bought from Hollander's.
I used my Cameo 4 and a strong tack mat to cut the design out of each color of book cloth. I then assembled the pattern like a puzzle. It was MUCH harder than it sounds! Some of the pieces were incredibly thin and fragile, and they were difficult to keep track of.
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For the foiling, I used my Cameo 4 and the We R Memory Keepers fine tip foil quill for everything but the spine, which I did by hand. I foiled immediately after I cut, without removing my mat from the machine. This helped me line everything up. It did not, however, prevent me from sweating bullets as my machine worked.
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This method was, frankly, torture, but I'm really glad that I tried it. Now that I've had a nice long break, I'd like to try it again soon. I love running my hands over this book, and the texture of the book cloth feels wonderful under my fingertips. I do, however, have a few words of caution. Do not try this out unless you have book cloth to burn! Here are some pictures of just a few of my failures.
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The Cameo 4 is not your friend. Your cut-outs can and will get fucked up for no reason. If the mat isn't sticky enough, or the blade isn't sharp enough, or the fabric doesn't adhere properly, your design could get completely shredded. I strongly recommend that you avoid Verona book cloth, or anything with a paper backing and loose fibers. It was absolute hell to work with. When it wasn't shredded by the machine, it was fraying like crazy. Acrylic coated cloth is the way to go if you want clean lines. And, you know, your sanity intact.
This was my most challenging bind to date, but I learned a lot! Aside from experimenting with book cloth, automated foiling, and my Cameo 4, it was also my first time formatting, printing, and sewing a text block. I'm incredibly grateful for all of the online tutorials and wonderful people who helped me make this bind a reality!
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hotdaemondtargaryen · 3 months
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OLIVIA COOKE IN THE INTERVIEW FOR ELLE MAGAZINE.
TALKING ABOUT ALICENT'S RELATIONSHIP WITH HER CHILDREN IN S2.
She must handle her sons “as the power goes to their head and they see her as irrelevant.”
“She’s terrified of Aemond and what he’s become, and she can’t access Helaena.”
As Alicent slowly becomes invisible, it’s also strangely liberating, “because all of a sudden eyes aren’t on her and she can sort of do whatever she wants.”
ABOUT FILMING THE SEX SCENES IN S2.
When it came to sex scenes, Cooke worked closely with House of the Dragon’s intimacy coordinator, Vanessa Coffey. Given Game of Thrones’ reputation for nudity, she had originally braced herself.
“I thought there’d be way more, and so I’m relieved that when it has been used for me, it’s showing Alicent being pleasured, which is amazing and doesn’t feel gratuitous.”
“It feels like we’re telling a story.”
She recalls one bedroom scene she filmed that was cut: “It was messy as fuck. It wasn’t beautiful, and that was really fun to do.”
It was “carnal” and even “animalistic.”
“I think Ryan [Condal, the showrunner] said we weren’t learning any more about the characters, which I disagree with slightly, but it’s okay. It’s his show,” she adds, with no hard feelings."
"Maybe we’ll see it in the bloopers, she says, laughing."
ABOUT THE CAST OF HOTD.
OLIVIA COOKE:
“They’re like my family, and we adore each other.”
TOM GLYNN-CARNEY:
“We put the wigs on and the costumes on, and all hell breaks loose.”
TEAM GREEN TALKING ABOUT OLIVIA COOKE.
FABIEN FRANKEL:
“She’s a dear friend and a great giggler.”
PHIA SABAN:
Who shared many scenes with Cooke this season as Alicent’s daughter Helaena, remembers their antics while filming an otherwise somber procession scene.
“We just got really hyper, and it became a little bit of a chamber of music actually.”
“Lots of singing.”
EWAN MITCHELL:
“I think Liv’s performance this year is one for the gods.”
TALKING ABOUT RHAENICENT.
“They practiced proper adult relationships on each other” Cooke says of the severed friendship.
“When you break up with a friend, it’s so much more heartbreaking than breaking up with a lover a lot of the time, because they know every single part of you and it’s so much more vulnerable.”
And of course, parts of the fandom ship Rhaenicent, a.k.a. Rhaenyra and Alicent as a couple.
“Don’t they ship everyone together, though?” Cooke asks when I bring up the imagined romance.
A fair point, but wouldn’t things be better if the old pals just made up and ruled the kingdom together?
Cooke humors me. “Absolutely. Matriarchy now, please.”
EMMA D'ARCY TALKING ABOUT HER FRIENDSHIP WITH OLIVIA COOKE.
“It’s funny to talk about a friendship that is so fundamental in your life.”
“The thing I find strange is to realize that I suppose we haven’t known each other that long in broad terms, but she’s a pillar in my life."
"I would have found this a challenging experience if Liv was not on it.”
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heartfullofleeches · 1 year
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Oblivious healer entity reader that finds joy and endless happiness every day living in a town that's basically hell on earth for its human residents
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To live in this place is to know true suffering. Life is meaningless, flesh is expendable. Few bother to make friends with their neighbors or check in relatives as tomorrow is never a guarantee. Creatures from the unknown, unexplainable disappearances, those who lost themselves and craved the same violence thrust unto them, false prophets. Those who attempted to flee often faced the worse kinds of punishment. There was truly no end to their torment.
Dazed and on the verge of collapsing, a new arrival in town found itself roaming the near empty shelves of a convenience store in ruin. Glass stabbed at its outer layer flesh, reflecting the strange clawing sensation in the lower regions of its stomach. It would later learn these feelings to be the pains of hunger, one it was not as fond of as others. The newcomer had learned so much in such a short time residing in this new town and body. It wanted to learn more - like what would happen if it stuffed those odd, brightly colored shapes into the singular hole it called a mouth. They were sweet, they were sour, they were savory- flavors and descriptions foreign til taught by those who cared for it later on.
The newcomer comes across the owner of the store laying motionless behind the counter. The syrup surrounding them is not as sweet as what it sampled from bottles in the cold storage spaces. Poking at the owner garners no response. It's then that the newcomer realizes their faults. It hadn't offered currency before eating like it'd seen others do. It didn't have those papers or coins or even those rectangular bits of plastic. It deciding the next best thing to give as payment was to fix that large hole in their face. None of the humans it came across before had one of those, so it must need fixing.
The store owner finally responded to its questions once it had repaired the hole. If the newcomer had anyway to describe the process it was like playing with clay. The store owner only answered in screams of terror until the newcomer was able to calm them enough to tell them how they had fixed them - and eaten the rest of their stock. They weren't upset by that second thought as the newcomer had thought, and even gave them a supply of their favorite treat before calling the police.
The newcomer wondered if it helped more people it would get more treats or be invited to come back anytime as the store owner had generously offered. It was having so much fun in this new form. Its powered had been limited, but the feel of warm sunlight on their skin was worth the loss. It couldn't understand why everyone around it was so unhappy when they get to wake up everyday and welcome the morning sun. It wants to fix people, it wants them to be happy. Many reject them for fear of the unknown, but those who accept cling onto them like a lifeline. Without the newcomer around they are plunged in darkness as it has become the source of light for them it speaks so highly of. The newcomer is oblivious to their devotion as it reads books about the new world and takes light of its tragedies as it takes glee I'm all its pleasures.
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Yan: Let me get this straight - you just repaired my kidneys and all you want is a hamburger?
Entity Reader: .... Two?
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Yan: There is no point in waking anymore. When I'm asleep i hear the crying of my dead mother. When I'm waking she's standing over my bed. I can't think, I can't breathe. Make it stop, make it stop- There is no reason to keep existing- I should just let my cannibal neighbor eat me
Entity Reader: ...They gave me eleven nuggets instead of ten. I am very happy right now. Want the extra? :D
Yan: ..I have never been more mentally stable than I am in this current moment, if you leave me I will die.
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[Entity Reader walks in on a friend about to be sawed in half by a masked maniac. The two share a glance before Reader throws their arms up]
Entity Reader: Frankie!! :D
[The machine rips the saw out of their victim's abdomen and rushes reader - hugging them and spinning them around as the victim fights to keep their intensities in their body]
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boujiestpoet · 11 days
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STARCROSSED (charles leclerc x oc)
SOCIAL MEDIA/NEWS CHAPTER 2
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PREVIOUS CHAPTER NEXT CHAPTER
MASTERLIST
Summary: Is it a pr suicide to post criptic messages
FACECLAIM: The extraordinary Tems
THIS IS A WORK OF FICTION. THE BEHAVIOUR OF THE CHARACTERS DOES NOT REFLECT THE REAL PERSONALITIES OF THE INDIVIDUAL UPON WHOM THEY ARE BASED. I AM MERELY BORROWING THEIR PHYSICAL LIKENESS AND THE PROFESSION THEY HAVE FOR THE SAKE OF THIS NARRATIVE
TW: Cringiness from the writer, grammatical errors (have mercy english is my semi firsr language)
renee_bennett
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like by reneerapp, normani, cocojones and others
renee_bennett: I justcame back from Norway as promised, here's the first part of the photo dump
This users have deactivated the comments.........
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charles_leclerc
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like by ferrari and others
"Hey everyone, I wish I didn't have to write this, but I owe it to you, my amazing fans, to be honest about something personal. It’s with a heavy heart that I need to share some news. After a lot of thought, Leah and I have decided to end our relationship. This isn’t something I ever imagined saying, and it’s not easy.
Many of you know how much I cared for Leah. We shared so many memories, laughs, and incredible moments together. But sometimes, life takes unexpected turns, and I’ve learned some things that left me blindsided. I found out that Leah had been seeing someone else behind my back – a model named Ben Fields. To say I was shocked would be an understatement.
I never saw this coming, and it’s been one of the hardest things I’ve ever faced. As much as it hurts, I’m trying to move forward with dignity, staying focused on my career and the people who have always had my back. Trust is something I value deeply, and it’s something I’ll never compromise on.
I just want to say thank you to all of you who have shown us support over the years. I ask for privacy as I try to heal and process everything. I’ll always be grateful for your love, and I promise to keep giving my best on and off the track.
Stay kind. Stay true. And keep racing. 💔
This users have deactivated the comments.........
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Author's Note: I'm back with another chapter I saw that in the real life chapter is not getting alot of views, that's fine, I'm having fun. So probably I will blend smau chapter with the irl chapter. If you guys have any advice, advice is welcomed.
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butterflydm · 5 months
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The Queen of Attolia (plus some WoT comparisons)
Haha, it's been a few months but I got my chance to read the next book in the Queen's Thief series and it was so good! I am going to have two sections in this review -- my overall thoughts and then some specific thoughts that are mostly for @markantonys due to the series being her recommendation and I have a lot of thoughts about the comparisons between the Queen of Attolia x Eugenides and Mat Cauthon x Fortuona, because you can really do a point by point comparison, though I don't think it was intentional -- I think that Megan Whalen Turner and Robert Jordan were both going for the same idea but Turner was, imo, wildly more successful than Jordan at it.
But first, thoughts that don't particularly relate to The Wheel of Time:
We open with a tense cat and mouse chase between The Thief and the Queen's guardmen and that is really the heart of this book when it comes down to it -- a cat and mouse game between two extremely complicated people, and how they have to navigate in the world that they share.
Turner is really good at writing these fun action scenes where you're very much in the PoV of the character.
The (apparent) foundation that is laid here (that later gets overturned because Gen got to me again and he was once again acting on personal information that he kept from me for the majority of the book, lol, love him for it) - is very much beginning as enemies who have respect for each other's skills. At this point in the book, I knew that they would end up married due to spoilers and I know that it's considered a good romance, so I was really looking forward to seeing the journey, especially since I did get spoiled about the huge upcoming traumatic event.
But we start from this strong narrative place where they are aware of each other and have respect for each other but they belong to two separate counties that have some political tensions and they are both important parts of those countries and can't set that aside.
Because of how bold Gen is, Attolia has been backed into a corner by his actions and we actually see this affirmed by Gen's cousin (the Queen of Eddis) and her thoughts on the matter -- she is aware that Gen going into Attolia's country to spy on her is a dangerous thing for him to do.
And then the cutting off of his hand. This is brutal, and it feels brutal, and then we also get these hints of Attolia's reaction afterwards (that we get into more later) but especially her reaction when he begs her not to hurt him anymore and you can really see her feel the impact of what she did. She doesn't allow herself to show her remorse but even this early on, we're getting hints of it as readers.
Then when Gen goes home, we actually see that the Queen of Eddis also maintains a mask in public, just like Attolia does, so we see another hint here that Gen understands that kind of masking. Eddis looks just as cold and impenetrable to Attolia's guards who return Gen to her, as Attolia looks to everyone else.
I really appreciated how long the recovery time was after the loss of Gen's hand and how much time we spent with him to feel him get used to the changes (and how economically Turner is able to pass that time). We get these tiny looks at Attolia as well, and her difficultly sleeping at night, which we expand on later.
Then we get the return of the Magus from Sounis! It was really nice to see him again, dropping in to visit Gen, but he's also here to give us that continuation of the division between personal and political -- as a person who genuinely likes Gen, the Magus was upset about what Attolia did to him, but as the advisor to the king of Sounis, he knew that they would be able to use Eddis's reaction to Attolia's act on the political stage.
But what a way to learn that the two countries are at war!
It takes some time for Gen to really believe that Eddis went to war over him, and we see him processing that over the course of the book as well, and they talk about it more. I do think that Gen does not always realize how deeply other people care about him.
Turner really is so good at giving us these pieces of information that reframe the earlier story -- now we know that during all those snippets of Attolia that we had earlier, she was also dealing with realizing that her actions with Gen led to the war that she's currently embroiled in.
The progression of the war was really well done (again, Turner is very economical with her narrative here), with what details she chooses to focus in on, and we see that Gen, even though he has gained more of an ability to have that cold and impassive mask like Attolia has, still does things like make sure that no one is on the ships that he's destroying, because he doesn't like getting people killed.
Turner also does a really good job showing how destabilizing the war is to all three countries involved, and how the war is hurting everything.
We take a little mythology story break here in the narrative, which was a fun story about love and choice, both of which are very relevant. This story definitely does end up applying pretty heavily to Gen and Attolia in the themes, and I like the style that Turner tells these stories.
I love how perceptive Gen is once he's been apprised of the situation and we get to see the thought process that leads to him blaming the emperor's ambassador more for the loss of his hand than he does Attolia herself, because he sees that ambassador understood that seeing Gen maimed and returned to Eddis would be more like to spark a war than just killing him would, and a war is exactly what he needs in order to try to justify getting his troops onto Attolia's land. All the politics here are pretty complex but I feel like the book does a good job explaining the reasoning.
And this is also the point where it's really confirmed that Attolia knows that the ambassador is underestimating her, and that she also understands a lot of the things that he thinks that he's pulling over on her. But because of the fragile position that she's in, she needs to entertain the ambassador's advice and his attempts to sidle in on her country.
Quote about Gen: "It was like him that if he had to have a thing, to have the fanciest thing of its kind."
I really like all this about the cost of war; the price of war; and why this outside party has been trying to urge war on the three countries.
We also get Eddis admitting to Gen that she thinks that she could have possibly controlled herself and not started a war if he had only been killed, rather than treated in a way that she finds so insulting, and that it made her so angry that she made a choice that had now brought a lot of damage to their own country that she wishes could be avoided. And Gen can see, basically, that the ambassador of Medes is the one who put both Eddis and Attolia in this trap, and he was used as the tool to start this war.
We really move into Attolia's PoV and we get the story of the broken amphora (she thought about it when she saw Gen after she'd had his hand cut off) -- it was, essentially, the moment that marked when her life changed and she couldn't be a young girl anymore.
This really is a heartbreaking story -- how after her brothers died and she was the heir, her father essentially sold her off to be married, and her fiance was actively plotting against her father and how to suck her country dry for his own benefit after they were married. And how she kept herself quiet and small and just listened, but then poisoned him at their wedding feast, also having her captain of the guard kill the next man who tried to force her to marry him. We also see here that she only trusts loyalty that she can buy in gold (because every other kind of loyalty failed her).
Then we finally get the big reunion! This scene is so tense, with both Attolia and Gen wearing these cold masks (we later realize that Gen has pretty much directly modeled his mask on Attolia's) and we get this private negotiation that is only for the two of them. And this moment when it is literally just them, together on a boat, with no one else to interrupt them... just exquisitely done.
It's been implied before, but this is where we get our confirmation that Attolia has been just as haunted by Gen this entire book as he's been haunted by her. They've been separated for most of the book but constantly haunted by each other. I gotta share the quote:
"He was too young to have bones that ached. No matter what he thought of himself, he was hardly more than a boy. A boy without one hand. She reached up to push the wet hair out of her face, wondering when she had sunk so low that she had begun torturing boys. It was a question she had asked herself night after night, lying awake in her bed or sitting in a chair by the window watching the stars slowly move across the sky."
We've been seeing her do those things the entire book, but this is the first moment when we're told what she was thinking about in those moments.
We also get our Big Revelation here that Gen has had feelings for Attolia since before the events of The Thief! How does he hide these things from us so well! Gen! We learn here (and we get even more detail later) that he's been feeling drawn to her for literal years. That part of the reason that he made those trips that she thought were mockery was because he wanted to be close to her and get a look at her and see if she really was the monster that their spies reported that she was, or if she was just a woman who was being forced to make difficult, maybe impossible choices.
And then we get our story reversal where Attolia gets 'rescued' by the ambassador and his people, and we get to see how she behaves in these circumstances where she doesn't believe that she can trust Gen (sure, he said he loves her, but she cut his hand off! And he's a known liar! how can she trust him?) vs this dude that she knows beyond a shadow of a doubt that she absolutely cannot trust.
The moment when she tells her handmaidens not to put on her golden bee earrings, I knew exactly what she'd done, especially when we got Gen's reaction. The writing doesn't have to tell us in the moment what's occurring (that she put on the earrings that he left for her one time and that she said she would only wear if she'd decided to marry him) for us to know, and I love that. This coded sign that only he will understand.
It's the most unique and fascinating marriage proposal I've ever read. Well done. Haha, and I did guess that the gray-haired man that he fought so well with was his father. <3
Love the moment when we see him process that marrying the Queen of Attolia is going to mean... that he'll be the King of Attolia. He just wanted to marry her because he liked her! <3 <3
And everything after that was just so delightful. Working together for the double-cross and then the process of Eddis and Attolia working out the treaty and Eddis trying to convince Gen that they can have the treaty without the marriage, and his rejection of that, and then essentially testing Attolia with that offer as well.
I also really like one of the moments when Attolia realizes that she can trust Gen, which is when Eddis tells her that of course Gen also lies to her. Constantly. And I feel like that reframed a lot of her interactions with Gen for Attolia. Realizing that Gen wasn't being maliciously deceitful towards her; he's just Like That With Everyone. Plus, I can't forget the moment when, after the battle is won, Attolia and Eddis return to where Gen is being held and Attolia believes for a moment that he's been poisoned as a parting shot by the Medes ambassador and we can literally watch as her heart completely shatters and she is completely undone and devastated in her head and even shaken where people can see her. It's beautifully written.
And we get the moment with the gods (who are very real in this series but very carefully choose how they interfere) and it's just as well done as it was in the first book. The windows in the palace shattering as the goddess responds to Gen's sacrifice! And basically laying out to him that his suffering was required to reach this ending and would he trade it back if he could -- if it meant that Attolia would have been forced to make that deal with the Medes ambassador. And Gen would rather have Attolia in his life and wanting to marry him than have his hand back.
Just that whole final section that leads up to the ending of the book, with Attolia really being able to believe Gen when he says that he loves her... it's so good. How the narrative (and Eddis and Gen) are able to tease out Attolia's feelings for Gen, and how we end on that final quiet moment between the two of them. Really powerful ending.
It's a really good book and it's a really good romance. Gen and Attolia are both fantastic characters and even with all the twists and turns and revelations, their relationship felt incredibly captivating and believable. I really believe that Gen wants to break through Attolia's walls and, just as important, I feel like there's a person on the other side of those walls who is worth being loyal to and loving. You understand why Gen wants to be Attolia's husband, even after she ordered his hand cut off, which is very impressive storytelling.
Hopefully I'll get the chance to read the The King of Attolia soonish, and not in, like, four months.
*
And now onto the Wheel of Time/Mat & Tuon comparison section of the review for @markantonys 💖
It really does feel like a point-by-point improvement on Mat & Tuon, though I suspected unintentionally (it looks like this book came out 3 years before CoT).
Starting with the characters: wow, Attolia really is so much the person that I would have wanted Tuon to be. And she feels like the person that Jordan wanted readers to believe that Tuon was. Every place where I was going through my WoT reread and going "footage not found!" about something the narrative tried to claim about Tuon is something where the footage is very much found for Attolia. While Tuon's potentially heartbreaking backstory really is just backstory and ends up have zero impact on her active storyline, Attolia's tragic backstory is the entire spine of what her character is going through and what Gen can help her with.
We get to see and really experience Attolia's context, which is not something that we got with Tuon. Jordan makes an attempt, I guess, with Karade's sob story about Tuon and the doll, but he made the bizarre choice to frame this story in Karade's PoV (Tuon's slave), not from Tuon's PoV. For whatever reason, Jordan always insisted on making Tuon the most insufferably smug person in the world in her own PoVs.
With Attolia, we get those breaks in her mask that I kept desperately wanting us to get with Tuon but we never did. Again, this is mostly only for the reader, not even for Gen -- the reader gets to see behind Attolia's mask. And so Attolia is captivating and fascinating and I understand why she felt like she had to do these horrible things.
With Attolia, we actually get her being removed from her power base and feeling helpless, which Jordan never had the guts to do with Tuon (when Mat kidnaps Tuon, he lets her take her slave along with her, and then some of his allies decide to support Tuon over him despite having zero narrative or character-based reason to do so), which means that when Attolia regains her power, it has a much bigger impact on the narrative, while it felt like Tuon never really lost hers. Attolia and Gen both manage to be scrappy underdogs, in their own way, and that's something that Tuon never was.
Both Attolia and Tuon commit horrific acts, but while we see Attolia's remorse and how it torments her, Tuon always seems to shrug off the horrible shit that she does. It doesn't ever affect her emotionally and she never seems to think past it after it's done. She is a character without remorse or reflection (I think she vaguely thinks that it's a shame one time when she's pondering how she will break Mat's spirit but that's about it). And Attolia has those two qualities in spades. Attolia feels like a real woman to me in a way that Tuon never did. We see the brave face that she puts on, we see her regret and remorse, we see her loneliness, we see her jealousy over the Queen of Eddis, who is able to trust the members of her court in a way that Attolia has never felt she could trust her own. Tuon just feels really shallow in comparison to Attolia.
Even in the first cat and mouse scene with Attolia and Gen in this book, you can see the push and pull and the narrative equality of the characters. Gen has been in and out of four different strongholds of hers, and she feels that he's pretty much taunting her with his abilities. There's a mutual respect for the other person which was one of the big things that was missing for me with Mat and Tuon. In her final PoV in KoD, we learn that she has not had an ounce of respect for him during this entire journey -- it's not until she sees how the Band respects him that she considers whether or not there may be more to him than just being a pretty and dumb sextoy. And the big problem with that is that was the period when the 'romance' was being developed. During the time when she didn't have any respect for him as a person. And that makes it very difficult to find their relationship compelling, even apart from the fact that I found Mat himself profoundly unlikable in CoT & KoD.
Now, Mat being a terrible person (in CoT & KoD) and Tuon being a terrible person (always and forever) are not things that would stop me from shipping them in general. I am capable of finding Awful4Awful pairings compelling (like Louis and Lestat from Interview with the Vampire). They don't have to be good people, but there has to be something in the relationship that grabs onto me at any level, and that's where Mat and Tuon failed.
We can see in Attolia's thoughts that she envies the relationship that Gen has with the Queen of Eddis -- she envies that loyalty and wishes she could have something like that of her own. That sort of envy was also missing from CoT & KoD (I am going to mention, briefly, that some of these elements were present in the Mat & Tuon relationship in AMoL but at that point, it was just too late for me to give a shit about their relationship, because CoT & KoD thoroughly killed any interest that I had in them). Whether because of his own personal kinks or because of the plans that Jordan had for the Outriggers, Jordan made Tuon too much of an island; too much of an wall. The way he wrote her made me feel like nothing Mat could do would ever really matter to her in any way; that she was content to use him up and then throw him out and that's just not my thing. It may have been Jordan's kink but it is not mine.
So I definitely understand @markantonys's point about this feeling like a well-written version of Mat and Tuon! It really does feel like this is the sort of relationship that Jordan wanted to write with Mat and Tuon but didn't have the skill at romance writing to pull off. Something like Mat and Tuon is Hard Mode Romance and Jordan wasn't even always good at Easy Mode Romance.
Two of the key elements that really makes Attolia and Gen work for me is just getting to sit and exist in Attolia's emotional reactions to the wrong that she has done to Gen; and Gen acknowledging and processing the harm that she'd done. And both of those things were desperately needed with Mat and Tuon, both as characters and as a romance.
A major major part of why Mat and Tuon failed for me is because I didn't feel like Mat was actually reacting to her realistically for the vast majority of their page time together; she threatens to invade a city and he laughs it off, she assaults his companions that he freed from slavery and he thinks it's hot?!?, she talks about how she likes to torture women and he ignores it.
If Tuon had cut off Mat's hand, the way that Attolia cut off Gen's, it feels like Jordan would have just had Mat shrug it off and then buy her a puppy as a reward or something as his response. Here, we get Gen begging Attolia "please don't hurt me again" after she cuts off his hand and then we have months of separation and recovery and processing before the narrative takes him anywhere near her again. And Attolia is forced to reckon with what she did, first by being haunted by the memories of him crying from the pain and loss, and then she has to face it directly by seeing his stump, seeing the pain that he's still in (because of her). She has to admit (not just to herself but to him) the damage that she did before they can move forward together. This is something that Tuon never shows herself capable of on any level. Tuon is never allowed to grow as a person the way that Attolia is, or to be vulnerable with the audience or with Mat.
I definitely still really felt the Mat-Gen comparison in this book too. Lots of places, but there's a great moment in the meadow with him, Eddis, and the Magus, where Eddis explains that Gen has deliberately made people believe that he can't fight but he also still gets miffed sometimes if people fall for his carefully constructed facade.
And the moment when Gen tells Eddis that he plans to steal the Queen of Attolia. It really feels, again, like this is the sort of vibe that Jordan wanted us to believe existed between Mat and Tuon: "She may be a fiend from hell to make me feel this way but even if I've got to hate myself for the rest of my life, this is what I want. I dream about her at night." This intense draw and this pull that he feels towards her. Jordan appears to want us to believe that Mat feels this kind of draw towards Tuon at the end of KoD but has not created any kind of foundation in Mat's characterization as to why.
We also got the long separation between Attolia and Gen where they are haunting each other with their absence. Attolia and Gen just get the time that is needed to develop this relationship in a way that's believable. Time in the story, not page time. This book is shorter than CoT & KoD, and probably shorter than if you made a "Mat and Tuon" novella out of their scenes in those books. It's the actual 'in world' time that matters, that gives Attolia and Gen time to think about each other and miss each other in a genuine way.
For another comparison -- Gen 'steals' Attolia to marry her like Mat kidnaps Tuon, but the context is so incredibly different on every level. Mat gets, essentially, tricked into kidnapping Tuon by the 'finn (it never would have happened if he hadn't heard that prophecy) while Gen acts with intention the whole way through. Technically, in both cases, Gen and Mat are 'saving' Attolia and Tuon by kidnapping them, but we feel the weight of it with Gen and Attolia in a way that we don't with Mat and Tuon. And a lot of that is because the bulk of Gen and Attolia's build-up happens before the kidnapping, during the times when they're separated and haunted by each other. So once the kidnapping happens, it's quick-paced and moves the plot forward rather than, you know, just fucking around with a circus for a month.
We also know that Attolia has complicated feelings about Gen already. I talked about this with @markantonys but that really is something that needed to happen with Tuon so much sooner than it does in the books (there are two big Mat & Tuon scenes in AMoL that desperately needed to happen back in CoT, imo -- Tuon trusting that Mat isn't trying to kill her; and Tuon going wild trying to protect Mat in the command tent).
Attolia and Gen also genuinely have things that they can each offer the other person, while with Mat and Tuon, none of the things that Tuon offers are things that Mat actually wants (slaves bowing to him; being dressed up like one of the Blood; being formal at all times - these are things that some of Mat's fans want for him, but not things he wants for himself) and she just feels like this ravenous black hole that constantly takes and takes and takes and gives back nothing of value. When Gen is startled at the realization that marrying the Queen of Attolia makes him the King and he'll have to actually be a king, it's this incredibly sweet moment, because it illustrates so clearly that he wants Attolia for herself and not her country. When Mat reacts against the idea that marrying Tuon makes him royalty, it just kinda makes him look dumb, because we've been given nothing of value in Tuon herself as a person, and no reason for Mat to care about her.
With Tuon, Mat talks about how she's better than other nobles, but nothing she actually does on the page is better than any other Seanchan noble. It's all 'footage not found'. By contrast, every single positive thing that Gen says about Attolia is backed up by the text and we even get shown additional positive qualities that no one needs to talk about because it's right there in the text.
With Tuon, it feels like Mat is attempting to gaslight me (and himself?) into believing that an interesting character exists there despite all the evidence against it, while Attolia simply is a compelling character based on what happens on the page.
That fact that there are so many raw similarities between the two pairings, but my reaction to them are so different really does illustrate the importance of execution, imo. Attolia and Gen's romance manages to travel so much further than Mat and Tuon's, while also being considerably more economical with how many pages it took to get us there.
The point-by-point comparison (aka WoT's failure of execution):
Tuon's interior life is poorly illustrated in comparison to Attolia's; because she starts off as an even worse person than Attolia but so much less character work is done on her than on Attolia, who is haunted this entire book by how she has "sunk so low as to torture boys" (on that note, Turner's choice to make Gen the younger and more openly vulnerable one really works here).
Seeing that Attolia's handmaidens are genuinely affectionate and protective of her at the end of this book is so incredibly touching, because she had no expectation of their loyalty (she believes in the loyalty of gold, and gold alone, for the most part). Tuon, otoh, has slaves that she expects to be subservient and loyal unto death, so her slaves' affection for her (that was trained into them) is something that completely fails to move me. This difference in the expectations of the character also makes a huge difference in how their PoVs come off -- Attolia's walls are due to her internal vulnerability and we get to see that vulnerability in her PoVs; while Tuon comes across as full of herself and incredibly arrogant, taking everyone around her for granted.
We're told that Tuon is smart and perceptive but rarely get any evidence; while Turner shows us Attolia's intelligence and how she sees a lot more than people like the Medes ambassador believe that she does. We get to see Attolia's intelligence in how she tricks the Medes ambassador into believing that she's so much less perceptive and intelligent than she truly is. This is another place where Jordan's unwillingness to ever place Tuon into a genuinely vulnerable position really hurt the character. Turner wasn't afraid to make Attolia the underdog and knew that it wouldn't undermine her as a character, it would strengthen her, because we would get to see who she was in adversity. The set-up of Crossroads of Twilight should have led to us seeing Tuon in adversity but Jordan was allergic to allowing her to be truly vulnerable, and gave her people to hide behind (Selucia & Setalle Anan) the entire time.
Mat as an agent of chaos is wildly downplayed in comparison to Gen as an agent of chaos. The Seanchan end up getting spared the chaos that the end of the Age brought to pretty much every other society, even though Mat seems clearly positioned to bring their society crashing down even as late as Winter's Heart. Gen's actions, otoh, are constantly throwing other people's plans off.
Mat does not behave realistically to the horrible things that Tuon says and does -- with Gen, even though we find out towards the last third of the book that he was already in love with Attolia before the book begins, we still get his raw reactions to her doing things that hurt him. He has nightmares after she orders his hand cut off, his pained begging of her not to hurt him again, and how he develops his own mask of impassiveness that is modeled on her own. Gen also never throws away his moral code in order to try to force himself to be at peace with the relationship -- he grows and changes as a character as a result of his trauma, but he stays himself at the core.
Something else that Jordan could have used more in the books that would have helped develop an understanding of why Mat believes that something exists beyond Tuon's 'cold Empress mask' would have been to make the comparison between Rand's mask and Tuon's mask more clear in the narrative. Because there's too much separation in time between Rand and Mat's interactions with Mat and Tuon's interactions. In this book, seeing that Eddis also needs to put up a queenly mask of not caring about Gen at first (in front of the Attolian guards when they return him to her after his hand has been cut off) helps illustrate why Attolia needs the mask that she uses -- Eddis doesn't trust the Attolians, but Attolia feels like she can trust absolutely no one, and so she always needs the mask and feels like she can never take it off. That's compelling! It could have been compelling in Tuon too, if it had been written better.
On that note: Turner personalizes the damage that Attolia's cold mask and her ruthless defense of herself/her country is doing by having her hurt Gen directly, and that being something that she struggles with over the course of the book. With WoT, Jordan basically did everything he could to hide away the damage that Tuon/the Seanchan were doing from Mat in order to try to justify why he could ~fall in love~ with her (was it intentional? to set their relationship up for a fall later in the Outriggers? we'll never know) without ever actually changing Tuon/the Seanchan for the better, which also meant giving Tuon no reason to have any internal struggles over the choices that she's made.
Gen and Attolia get another thing that Mat and Tuon desperately needed but that Jordan refused to give them: privacy. They negotiate getting married (after Gen has kidnapped Attolia in a much more narratively satisfying kidnapping than Mat and Tuon's!) in privacy, just between the two of them; when we get the conversation about their feelings at the end, again it happens in private. That makes a huge difference. Jordan being unwilling to ever actually yank Tuon away from her full power base and her slaves was a huge hindrance to ever allowing her to be vulnerable. And I do chalk this up to unwillingness and not failures due to plot set-up because there is no good reason to have Selucia tag along on the kidnapping and then it's even more bizarre in CoT & KoD, when the character of Setalle Anan goes from being fond of Mat to all of a sudden acting like he's the worst person in the world and she must protect poor helpless baby girl Tuon from him.
Both Attolia and Tuon get tricked by their respective love interests about who they are as a person because of the facade that they put up, but Attolia still has respect for Gen and his skills, even as she doubts his character, and it is Gen's own actions that show her who he really is and make her believe in him; while with Tuon and Mat, she spends over a month with him and still refuses to look past his surface until she literally has her face rubbed into it by seeing the Band's reactions to him. This difference is a key one in making Attolia's failure to see Gen as a failure due to the protective walls that she has up; while Tuon's failure comes across as her just not being very perceptive or intelligent. And the fact that we don't get the moment when Tuon begins to have even the faintest shred of respect for Mat until the end of Knife of Dreams just meant that I felt even more like all the pages time that Jordan spent on the two of them in CoT & KoD was a complete waste of my time.
We got to have genuine reactions from all of Gen's loved ones about the relationship! This is a huge place where, I guess, Sanderson is the one who failed for a change instead of Jordan because wtf was Perrin's "lol you married now bro? haha" reaction to Mat being married to a slaver? Though Jordan also does this to a certain extent with Thom, who we are supposed to believe is in love with Moiraine, and yet who never calls Mat out on courting a woman who would enslave and torture Moiraine if she had the chance. By contrast, Eddis is genuinely hesitant and worried because of everything they've heard about how cold Attolia is, and because she's the reason that Gen's hand was cut off.
We get to see Attolia and Gen develop a shared language and see behind each other's walls. The moment when she wears the earrings that he left for her, and he knows that it means she's chosen to marry him of her own free will is such a huge and impactful moment, and the only people who are aware of what it means are Attolia and Gen! This is really a failure that happens based on earlier failures of execution: because Mat and Tuon are never allowed to be alone together, it's impossible for them to develop this kind of shared coding and shared language.
12. We also have the 'footage not found' issue, where one of the characters (mostly Mat) tries to tell me something about Tuon but the narrative completely fails to back it up: this is the case with Tuon being intelligent and perceptive (in the narrative shown to us, she never picks up on anything until her nose is forcibly rubbed in it); and this is case with Mat thinking near the end of Knife of Dreams that Tuon belongs in the same 'better than other nobles' bucket as Talmanes when she has never shown herself to be willing to make better choices than other Seanchan nobles: he is still, at this point, worrying that she might enslave him and turn him into her cupbearer; she has not only threatened but actually assaulted his companions; whenever she's placed in a position of power over other people, she takes advantage of it and them. We're told that she's not a child but she also throws a tantrum (and pottery) at Mat at the start of Crossroads of Twilight. This could have worked if Jordan had leaned into the fact that Mat is deliberately lying to himself in order to make his marriage bearable, but that's where things like randomly having Setalle Anan go over to Tuon's side messes with that narrative.
13. When Jordan has Mat think about how Tuon dying would be a deep loss to him, it's just baffling because she has not done a single thing the entire 'courtship' that has shown why in the world Mat would feel that way. All of the attempts at reaching out during the courtship are Mat's, while Tuon just smugly accepts it as her due. Because Attolia doesn't just accept Gen's love as her due, because she actually doesn't believe him and challenges him on it, we get to hear his justification of it and why he feels that way, and then we also get to see her reciprocation. The relationship is a two-way street in The Queen of Attolia.
14. Which ties into the fact that Jordan chose to make Tuon not just a slaver but an enthusiastic slaver who enjoys the slave-breaking process and that is an incredibly dark place to start a character but it could have worked if it had been the beginning of Tuon's character arc and we'd actually watched her change and grow from that position. And she had the narrative set up for it! In her very first chapter, the reader learns that Tuon has the ability to learn to channel! She was created with the narrative juice to have a compelling arc about accepting the truth about herself and her people. And then Jordan gave that arc to Bethamin instead, lol.
15. In both of these stories 'fate' does kinda serve up Gen/Mat to Attolia/Tuon on a silver platter, but the execution of the storylines makes the reveal that fate was acting to push the two of them together so much more effective in The Queen of Attolia. Choice is a much larger consideration in Attolia and Gen's relationship than it is in Mat and Tuon's. There are elements of the higher powers of the world at work in both relationships, but Attolia and Gen have to put in the work themselves and have to face hard emotional truths in order to get us to the satisfying ending. I get the impression that Tuon wouldn't know an emotional truth if it spit in her eye. We actively see both Gen and Attolia consider and reject the idea of solving their main problem (about the war) without needing to get married; we see them choose their marriage and each other.
With Mat and Tuon, this is a lot more muddled. Fate/the Pattern/the 'finn want them to marry each other but we never get any kind of payoff as to why, and this is primarily because of Jordan's other storylines imo. He should not have had Rand already willing to make peace with the Seanchan in his separate storyline. Convincing Rand to be willing should have been Mat's job (because that also would mean that Mat would need to make the arguments to convince the readers). Jordan showing at the end of KoD that Rand is willing to make a deal with the Seanchan, even at the cost of giving in on the matter of slavery, basically completely voided any narrative reason for Mat and Tuon to get married, but without the satisfaction of seeing the two of them grow to a place where they would actively make that choice rather than being motivated by what they believe is necessary (due to prophecy).
There really were the bones of a potentially compelling story with Mat and Tuon, and I really do hope that the show (when we get there) is able to take those bones and turn it into a genuinely compelling story.
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bokettochild · 2 months
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Sorry this is like 600 words instead of 500, but this is one of my favorite interpretations of Twilight's backstory ever, and I would love to hear more (given I've understood the prompt right, which I hope that I have). This is from Rope Burns.  “I grew up on a military base,” Twilight snorts, “trust me, soldiers are as dumb as rocks.” 
  And well, Legend having a family isn’t that crazy in comparison to that. 
  Warriors starts, staring at the rancher, blinking slowly as though still trying to process the words of the other. “I’m sorry- you what?” 
  “I thought you grew up in Ordon?” Wild questions, turning to his mentor, confusion on clear display. 
  Yeah, Wind has a feeling that Wild’s story is well and truly over now, but he supposes it’s worth it. Learning something about their rancher is, he supposes, better than hearing the rest of the story the cook had already spoiled the ending too, especially as the limit of their knowledge about the rancher at this point is that he’s from Ordon, used to work as a ranch hand, and is descended from Time and Malon somehow. The fact that he’s a hero goes without saying, but the ranch hand nearly never shares anything about himself, even though he seems to love talking about his hometown and all the people in it, to the point where some of them feel they know the village and its residents already, despite still not having been there yet. 
  Yet, the rancher is grinning as he leans back, the sprig of hylian rice between his teeth bouncing some as he flashes a wolfish grin at them. “Well, yeah, sort of.” 
  “Sort of?” Time nudges his pup, looking thoroughly unimpressed. Their leader isn’t keen on them being cryptic with him, even though he frequently does so himself. The hypocrite. “Explain.” 
  The rancher chuckles, a nervous little thing, but obediently pulls himself up, resting his weight over his knees as he looks around the fire at all of them, eyes glinting slightly. “Well, y’see, I a’tually grew up in a citadel on the edge of Hyrule.” 
  Warriors jaw drops so fast. “Holy Hylia you’re a military brat.” 
 He can’t help it; he bursts into laughter. Yes, objectively, it’s funny to see Warriors so shocked, but from an outsider's perspective it is so, so much funnier because he’s met Warriors parents and sisters, and he’s seen for himself the proof that the captain is anything but the sissy city boy Twilight likes to accuse him of being. No, the captain was born in Hebra, so far out from cities that he thought Kakariko was huge. Meanwhile, it turns out their “country boy” actually grew up in a military base? Not the country? It turns out Twilight is the military brat and Warriors was the hill-billy? How the turn tables have turned! 
  The rest of the heroes stare at him, confused, but the captain just rolls blue eyes, pinching the tip of his ear to make him shut up. “Ignore him.” 
  Twilight’s dark gaze flicks between them, but apparently, he determines to listen to the captain for once. “Right, so, my dad was a’tually a knight from some family o’ knights or summat, an’ my mom comes from desert folk, so I grew up on the border studyin’ with other knights’ kids to take on our fathers’ duties ’n protect Hyrule one day.” 
 The stares are very, very evident by now, although Legend’s in particular is strangely intense, studying the other with his mouth half open like he’s got a question about the rancher’s words.  
 Broad shoulders shrug, a bit awkward as the rancher grins at them. “My friends growin’ up were dumber’n rocks, an’ every knight I’ve met since is the same, so yeah. Knights ‘re stupid.”
Ooh, this one will be fun!
So, I actually was taught, coming into the LU fandom, that Twilight was basically raised in Ordon, with some people saying he came as a small child, mayb Rusl found him as a baby, all aloe and needing care, or maybe he was brought there by the hero's shade when he was still small, but nearly every source I looked to in the fandom said Twilight was young when he, the only Hylian in the village, cae to Ordon.
But then I read the Twilight Princess Manga! Chapter 6 of the manga, aptly titled "Link's Past" shows us him as a young boy, about nine or ten, living, as Twi says in your selection, in a citadel on the hylian border. Twilight's explanation (telling his story to Rusl) in manga goes thus:
"As it bordered the desert, my old home town was responsible for frontier security. It was ruled by the Rufflio, a family of noble ancestry. Upon becoming adults, we were to protect the frontiers of Hyrule. The young boys, holding onto the pride of that duty, spent their days training in the ways of the sword." (Twilight Princess, Volume One, Chapter 6, by Akira Himekawa)
In the past, I've never had an opportunity to address that. if you follow my works, then you know I draw heavily on the manga in regards to Legend's history and past, but I write Twilight much less than legend (understatement of the year). That said, their manga's definitely give me a better take on their characters, whereas Four Swords and Minish Cap were more fun than informative, and Ocarina of Time just made me think Time was a pain in the ass and a freaking weird kid (I have not finished the manga yet for that reason, despite owning it).
I wasn't really planning on talking about Twilight's past here at all, but it sort of sprung upon me in an inspired fit and I decided, what the heck? Why not!
The references to his mother being of the "desert folk" is in reference to how some people like to headcannon that twilight is part Gerudo, which I thoroughly enjoy and support! So, for fun, his mom is Gerudo.
His dad though? Well, you see, that comes up in the manga too! Not his dad specifically, but actually, Ashei's! The TP manga actually has Ashei tell Twilight that she is one of the last descendants of the Knights of Hylia (also known as the Knights of Hyrule, depending on the translation/game version), and that Snowpeak fortress is actually their ancestral home!
Now, you may be saying "Ketto, I've heard of the Knights of Hylia before, or at least, I think I have?" and if you've been around my blog/fics enough, you sure as sugar have! the Knights of Hylia are, famously, the group of knights who worked beside the sages mentioned in A Link to the Past to seal Ganon away! More importantly though, they're the descendants and carriers of the legacy of the Hero of Time!
So, if Twilight is cannonically Time's descendant, that would mean that one of his parents was likely from the families that made of the Knights of Hylia! Mystery solved!
Additionally, this would make him and Ashei very distant cousins. And for extra kicks, since Legend is also, famously, descended from the same line of knights (albeit in another timeline) he would also be their cousin! I've been tempted to address that for forever, especially with the Snowpeak detail, because honestly, I get a kind of Kaer Morhen vibe from it and SO want to play with that, but I digress!
Twilight's ancestry is part Gerudo, for fun, and descended from Time, which is fun I don't have to create because it's cannon! He grew up on the edges of Hyrule for the most part, and when he talks aout being picked on by the other kids in this fic, it's because they are sort of aggressie to him in the flashbacks he has in the manga. Granted they're a bunch of boys aged 10-13, so they're all a bit aggressive to each other, but I imagine, being probably the only part Gerudo among them, he did get picked on at least a bit, hence the premise of this fic :)
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Bonus! Legend's staring is, in fact, because he really, really, really wants to ask twilight which Knight Family he hails from. He is making a connection and he's not sure what to think about it LOL
Warriors on the other hand, who I fervently headcanon as Celtic, is, like Wind, realizing that a reverse-uno has been played here. He, a peasant from the far north and abject poverty, is traveling with the descendant of a famed family of well respected knights who was likely living in a major trading town (thus likely rather well off) and yet somehow, he's the one who get's labeled the stuck up city kid, and Twilight is believed to be the home grown honest backwoods farmer fella. I actually posted a few things about that while writing this thing, and I may or may not visit that idea more fully in a fic one day, but yeah, that's what's going on for our vet and captain right here.
Thanks for choosing this one! I actually had a lot I wanted to share about it and hadn't been able to before! And the fact that this is a recent one I can actually remember working on definitely helps LOL
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fl3shm4id3n · 2 years
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𝓦𝓪𝓽𝓮𝓻 𝓪𝓷𝓭 𝓢𝓽𝓪𝓻𝓼
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𝐒𝐮𝐦𝐦𝐚𝐫𝐲: 𝐓𝐡𝐞 𝐟𝐨𝐫𝐞𝐬𝐭 𝐛𝐨𝐲 𝐲𝐨𝐮 𝐡𝐚𝐝 𝐟𝐚𝐥𝐥𝐞𝐧 𝐟𝐨𝐫 𝐡𝐚𝐝 𝐚 𝐜𝐡𝐚𝐧𝐜𝐞 𝐭𝐨 𝐠𝐞𝐭 𝐭𝐨 𝐤𝐧𝐨𝐰 𝐲𝐨𝐮 𝐚𝐧𝐝 𝐲𝐨𝐮 𝐤𝐧𝐨𝐰 𝐡𝐢𝐦. 𝐖𝐡𝐨 𝐰𝐨𝐮𝐥𝐝 𝐨𝐟 𝐭𝐡𝐨𝐮𝐠𝐡𝐭 𝐲𝐨𝐮 𝐰𝐨𝐮𝐥𝐝 𝐟𝐚𝐥𝐥 𝐟𝐨𝐫 𝐡𝐢𝐦 𝐞𝐯𝐞𝐧 𝐦𝐨𝐫𝐞.
ᴘᴀɪʀɪɴɢ: ɴᴇᴛᴇʏᴀᴍ x ʜᴜᴍᴀɴ! ꜰᴇᴍ! ʀᴇᴀᴅᴇʀ
ꜱᴏɴɢ: ʟᴀɴᴀ ᴅᴇʟ ʀᴇʏ- ʏᴇꜱ ᴛᴏ ʜᴇᴀᴠᴇɴ
Tw: not much spoilers but teens being teens, mentions of bullying, nudity because of bathing. reader is a mama’s girl, Flashback
Author’s note: You guys wanted a part two, so I give you a part two :3 I stayed up late because I couldn’t sleep plus I had a lot of Ideas in mind that I could not wait to write the next morning. I know nothing of na’vi hygiene so I made stuff up. I like reading the comments even though I can’t respond to them, leave as many comments as you want ^^ if you wish to be added in the taglist just comment and ill ad you on my up coming work. 
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When you return back home, you saw your brother, who had some bruises on his face and body. You asked “What happened?” you sat your bag down on the small table. “Your brother made fun of the Sully’s and got a beat” your father said as you looked at your brother disappointedly at him. “Oh Ao’nung” you said as you sat next to him as your mother had served everyone there dinner and sat down to eat.
You all talked about your day along with the process of the Sullys. After dinner, you helped clean up and went to bed with your sister in your shared room. That night you fell asleep, you had dreamed about water with stars in them, you weren’t sure if that was some kind of vision or just another dream but you felt as if it shouldn’t go ignored.
Ronal was holding the human infant in her arms, she had never cared for a human baby, she assumed it would be difficult but surprisingly not. Y/n was just like a regular Na’vi baby but smaller and different features. Ronal couldn’t help but be very protective of the infant, though the baby wasn’t her blood she still felt as if she needed to care for the child. 
Tonowari had grown a soft spot for the human baby, he has never seen such a small creature in his life except for his daughter Tsiyera when she was still a baby, now a toddler learning how to talk and walk on her own. Like his mate he thought raising a dreamwalker child would be hard but the baby was just a baby.
Tonowari and Ronal had been teaching both Tsireya and y/n how to swim underwater, they had to teach them at a young age so that they could develop faster later. Ronal was worried that y/n would drown due to how small she was but surprisingly the infant had managed to swim in the water. “You did wonderful Y/n” Ronal praised the human infant lifting her up in the air causing the baby to giggle. Tonowari looked over at his mate seeing her interact with the infant while he has Tsireya on his shoulders. It warmed his heart seeing this.
A bit much later, Ronal had fallen pregnant again, Tsireya was now 4 years old and y/n was 3 years old. While Ronal was teaching Tsireya how to free-dive, Tonowari was teaching you how to hold a spear along with how to use it. He believed that since she was smaller, he would teach her how to be strong. He had let you hold his spear which was heavier then the smaller one that he made for you. “Okay y/n, be focused” the male said to the small child as she continued to held the spear with both hands. The little girl was slightly shaking do to the heaviness of the spear “now, throw it as hard as you can” he said as the girl did what she was told, though the spear didn’t go that far, it felt flat on the sand missing the target which was accouple feet away. “I missed” she said looking up at her father. “That’s fine, that why we’ll practice until you get it.” He said ruffling her hair. 
The next morning, you woke up really early to go bathe with your mother and sister. You gathered some things such as your comb, some beads, wooden tin cylinders that contained both shampoo and conditioner, a bar of flower scented soap, another wooden tin that contained seaweed slime and a change of clothes. 
Once you were ready to go, you left to the hot spring. The hot spring was surrounded by trees as a form of privacy, this was the women’s hot spring while the one for male’s was a bit further. As you all walked towards the hot spring some women stepped out while others went in. 
When in the hot spring you greeted the women were there either bathing, talking or relaxing in the hot water. Some were helping their children bath and others were playing in the hot water. Some girls your age were in a small group talking, they were probably gossiping or talking about boys.
You had stripped from your clothes and stepped in the hot water. You and your sister helped your mother into the hot water, along with carefully getting her to sit. Your sister helped you take your hair down and wash it, she enjoyed washing your hair like you do hers. When she was done with your hair you then turned to her and also wash plus conditioned her long hair. 
Then you moved to washing your body with the bar of soap, removing the scent of salt water, you’ll probably smell like sea salt later but you didn’t mind. Once you had removed the soap from your body you heard your mother “y/n come here” she said as she had finished with Tsireya’s hair, she had styled it the same like yesterday. You sat on her lap as she then began to comb your hair out. “How do you want it?” She asked as she began to apply aloe on your hair. “Anything is fine” you said as she began to work on your hair. Her hands were very gentle on your scalp, it felt like when you got your tattoo, at first you were afraid because the tattoo would hurt but she manage to make it feel as if a feather was going across your face.
You sat on her lap for a little bit as Ronal continued with your hair, meanwhile you were playing with the water in front of you, while your sister was now getting dressed. Whenever your mother did your hair you felt like a child again, even though you were of age, you would always be your mother’s baby. “Done” your mother said as you reached up and touched your hair feelings six sets of braids on your head with beads, while the rest of your hair was down reaching your mid back. “Thank you mother” you said turning to smile at her, she smiled at you and kissed your small forehead. She may be harsh and stoic around others but in private, she was a loving mother who wants the best for her children.
Then you stepped out of the hot spring and got dressed, you wore a pale colored top that was made with both thin rope and white pearls, the top was a gift from your mother, she made it herself. As for the bottom you wore a hip scarf that was the same color of your top with shells. When you were done you took a the wooden tin with seaweed slime and began to apply it on your skin, to keep it moisturized, the others didn’t really need it but you did since your skin was different. 
Once you were done you and your sister began walking back to the village to find the Sully’s. “So, where were you last night?” Tsireya broke the silence as you looked up at her “oh, I was out...” you said feeling your face go hot then you saw your sister smile at you “are you interested in any one?” She asked the smile growing wider, making you nearly trip “I’m not sure... maybe?” you said shyly as she giggled at your shyness. “Its okay, I am also into a boy” she said making you gasp and turn to her. “Really?! Who is it?!” you wanted to know who it was but she just smiled at you, leaving you to wonder who her crush was.
That morning you had went swimming before meeting with the Sully’s, you swan where you normally swan. Seeing that the fish had woken up and went on to swim around, it made you happy seeing the schools of fish swimming around you, sometimes even swimming through your fingers or hair. Once you swam up to the surface to catch your breath, you saw your sister, brother, Rotxo, Lo’ak, Kiri, Tuk and lastly Neteyam. You smiled and greeted them “Good morning, how was your sleep?” you asked 
“It was alright, thought Lo’ak snored all night” Kiri complained causing her brother to whine “No I didn’t that was Neyetam” he defended himself, which made your sister giggle at him. You noticed how when Tsireya would look at Lo’ak her eyes dilated, she also smiled more than usual, this caught your attention. 
The small group of teens and child swan around the reef, Tsireya had been showing them places which contained beautiful plants along with other kind of fish to see. Mean while, Neyetam stayed close to you. Sometimes he’d need ‘help’ moving around by grabbing your small hand and let you guide him around. The evening was fun, no one was fighting, everyone was getting along. It made you smile, seeing that everyone was laughing and having fun with one another.
After that evening, Kiri and Tuk went home, Ao’nung and Rotxo went to find their other friends, Tsireya and Lo’ak went on their own way, suspiciously together. Leaving you and Neteyam. You were both sitting on the beach, watching the other villagers doing their daily tasks. 
You then began to have a conversation about the things you liked such as food, weapon of choice and other stuff. You noticed how the forest na’vi paid close attention to you talk while you did the same. He told you about his adventures in his old home, he seemed to really miss his home. You wanted to be in his place, you wanted to know how he felt due to being in a place that wasn’t his original home. 
Neteyam had all his attention on you, he looked at every small detail of yours. How you had a small scar on your lip along little ones on your hands,they must of been your hunts or fishing. He also noticed how you were a bit muscular. What caught his attention more was how when the sun reflected on you, you glowed like those fishes under water, beautiful. He had to contain himself when asking other questions, he didn’t want to offend you with a question he had been thinking since the day he saw you.
“Could I ask a question?” Neteyam asked shyly as you nodded, looking into his eyes. “Do you ever feel out of place? Since you’re different than the rest?” He ask. You nodded “yeah, in a way... I always wondered why I didn’t have the same skin like everyone, or tail, same with eyes and height. I would ask mother and father about it, but they’ve told me that Eywa has put me in their path for a reason.”
You answered honestly, your parents were fully honest with you. It was obvious that you were not their flesh and blood, but they love you as if you were. “My mother may not have given birth to me but she is still my mother, she was the one that raised me along with father, he took care and protected me like father does to a child.” You said as Neteyam listened closely, he did not want to miss any details. “Do you ever wonder who your parents are?” he asked as you then responded “sometimes, but I know that they had made the right choice in leaving me in good hands, I have two wonderful parents and siblings, another one coming on its way” you said happily, you loved talking about your family since you loved them dearly.
Neteyam couldn’t help but smile, he had already fallen in love with that lovely smile of yours. For a moment locked eyes with him again, those wide beautiful yellow orbs reminded you of the sun, you had noticed how he looked a lot like his mother, from his eyes, nose, fangs and hair, he was a carbon copy of her. But he also had his father’s features. That was the thing that you dearly wished to have, to look like both your parents like your siblings.
Tsireya looked a lot like father, but more gentle and feminine while Ao’nung looked like a carbon copy of your mother but masculine, but yet, they also had other features from both parents. 
Just like yesterday, at night you both went for a swim, you worried he’d get in trouble but he told you not to worry. You both swam and played in the water for a what felt like a while. You both were playing a game of hide and seek under water. Neteyam had a heard time finding you since you were small and could fit anywhere. You’d normally jump out and surprise him causing to laugh. You had also noticed how his little spots on his face would glow, like stars in the water, he looked so heavenly under the water.
Afterwards he walked you home, as you walked towards your mauri, you both were joking each other quietly, not wanting to disturb the now sleeping villagers. Once you arrived you stopped to thank him. “I guess I’ll see you tomorrow” you said shyly, staring at him. Neteyam nodded smiling, finding your shyness adorable “yeah, have a good night” he said as he gave you one final smile and began to walk away. You watched him walk away, you continued to watch him until he was gone. You felt fish swimming in your stomach, he was the one, you just knew he was the one. That night when you laid in bed, you practically begged Eywa to destine you and Neyetam on being mates.
Taglist: @byunpum​ @moony-artemis​ @somewereinthegalaxi​ 
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xnoctifers-eveningx · 4 months
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Death Work: Animal Remains
In my practice, I use remains, mainly animal bones, to connect with spirits, connect with Death, and in magical workings. Just recently, I’ve taken 3 more animals under my wing, and I thought it would be nice to detail my process of finding, handling, and working with remains as I actually initiate that process. Beginning first with finding remains and initial contact. As a death worker, I strive to honor the deceased and aid them in their transition, as well as bond with Death and use death and decay in magical practices. I have been doing spirit work for as long as I can remember and have begun learning under a few entities how to properly assist and tend to The Dead. As such this is not a “how-to”, just me sharing my beliefs but I’m open to questions and discussion :)
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Finding Remains
If setting out with the intention of finding remains, it’s important to be prepared. It’s not a fun experience finding something and not being able to take it then, only to come back and it’s gone. Nor is it a good idea to grab things barehanded. I always have a bag with me packed with disposable gloves, trash bags/old shopping bags, and a mask (death reeks!). And if you don’t end up finding anything you can pick up any trash you come across !! I also make sure to bring offerings so I can leave them where I find remains, as well as personal ritual items used in funerary rituals. A hagstone has also always seemed to bring me luck on my searches :)
Where animals live, animals will die. Forests, wooded areas, creeks, wetlands, large areas without much human activity. You typically won’t find much in areas with heavy foot traffic or human presence. It’s good to find areas with lots of game trials, typically I find remains a little bit off from them. If the area has a lot of deadfall, fallen leaves, or snow, it’ll be a lot harder to spot remains. I’ve also had a lot of luck finding small bones and fossils on the banks of rivers, ponds, and lakes. Be wary of fresh or actively decaying corpses, there is a lot of bacteria and the animal itself can be carrying diseases. Always use protective gear when handling remains until they are completely sanitized.
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Code of Conduct
While everyone holds varying ethical and moral beliefs, there are a few important issues I believe people should be aware of.
It's important to try you're best to not disturb other animals while searching. Respect the living as well as the dead. Personally, I don't hunt or otherwise intentionally kill animals but I understand the use. However, I do believe that the whole animal should be put to use and not left to waste. In death work, more often finding animals dead than not, this translates as never taking things that animals/bugs could eat or that you will not use. Nothing should be thrown away in the trash, I believe it is really disrespectful to chuck something like that into a garbage bag when leaving it outside would require minimally more effort. The nutrients of every organism deserve to go back to the soil.
Laws
Many places have laws that protect certain species. For example, the remains of native birds are usually legally protected in the US. Many endangered and at-risk animals are also protected. Even retrieving roadkill is illegal in some places! However, many places fail to impose proper protections on many animals that desperately need it. Always do your research on your local laws and the status of species in your area. Do not trophy hunt irl or online!
Sourcing
I haven't ever bought remains and don't plan to any time soon. I believe that if I'm meant to find it, it'll find me one way or another. Purchasing remains can be fine and ethical, but there are many situations in which it is not. A lot of remains, especially bones and furs, are not ethically sourced. Meaning mass farming, mass trapping, poaching, and cruel killing methods. It's important to know how remains were sourced, especially if one intends to bond with the spirit. Foxes, reptiles, cats, dogs, and skulls (in general) can be easily found on sites like Etsy, The Bone Room (avoid this site!!), and many real-life oddity expos where they 100000% source remains in either illegal or highly unethical ways. If a site sells illegal or endangered animals (bats, wolves, native birds, etc), cheap animals in bulk, or human remains then it is probably best to steer clear! Some Etsy shops will even title their listings as things like “man’s best friend” to try to get around the legality of selling dog remains among other species.
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Initial Contact
After first finding remains I intend to collect, I introduce myself and state my intentions. I then leave offerings and ask to relocate/remove their remains. I approach this in a sorrowful, empathetic manner until giving them a burial and cleaning the remains.
I feel it's very important to ask the spirit before doing anything with the remains. However, if it's roadkill or in a vulnerable area with lots of people, then it's more respectful to relocate it to a quieter place. After doing spirit work for a while, instead of verbally asking and then divining, it’s more of a vibe check for me. When asking a spirit to take their remains, you should state your intentions whether that be art, bonding with them, or magical workings. I do not believe that the shade of an individual is permanently attached to its remains, nor do I believe that the shade is trapped wherever its remains are. However, I also believe that every being should have the opportunity to rest undisturbed if it so pleases. If a spirit truly does not want you fucking with its remains, I believe it will let you know through nightmares, bad luck, illness, and reoccurring thoughts of guilt among other things. You should be willing to leave the decreased alone if it comes to that, but in my experience, there have been few times in which a spirit is both still “connected” to its remains and dislikes the idea of me possessing them. I reckon that animals hold little use to their physical remains after passing, dissimilar to humans who tend to still want autonomy. There have, however, been times when I’ve forgotten about remains (either waiting to be processed in bags or actively processing in a bucket) and get a wave of guilt and think “oh fuck I should pull the deer out of the tub.”
I believe it is very important to leave offerings for The Dead, especially if you are disturbing their remains. Offerings act as both an honoring act for the deceased and payment for the remains. Offerings left out in nature should always be biodegradable and should not be anything that could harm any creature that comes across it. Typically, I make small bundle-type offerings from rocks, shells, plants, and sticks. They can also be food/drink (that is commonly safe for the deceased animal you are offering to), written poetry, or drawn art (on safe paper with graphite).
In addition, I always promise The Dead a burial. A burial does not have to be a grave 6 feet deep, but in some fashion, a piece of the deceased should be given a quiet and safe resting place away from humans. Even if the shade isn’t “contained” in the remains, I hold the belief that it can act as a tether for a part of the soul (hence using remains for spirit communication), and the individual should have the option to rest in a quiet place rather than sitting on a shelf. A burial also ensures that the nutrients contained in the remains are given back to the Earth. Life is a gift that must be returned to where it came from for the cycle to continue – thou art dust and to dust thou shalt return. Along this line of thought, no part of a being should be wasted. Meaning returning unused skin, fur/feathers, bones/fragments, guts, and anything you have no use for. Even with water maceration, the nutrients in the water can be returned to the soil and eaten by bugs. The location of the burial should be somewhere in nature, away from human activity and off footpaths. They don't necessarily need to be buried, they could be placed in high grass or in thickets. Scavengers, bugs, and fungi will take it from there. Death and decay remain important aspects of nature that continue to nurture other critters and the soil itself.
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Cleaning Remains
Cleaning is a devotional act really. I won’t go into the actual cleaning process here because it’s long and varied, but another time maybe (I mainly use water maceration). During cleaning, I follow several rules to ensure respect for the deceased. Most importantly, I don’t treat remains as a toy or something to gawk at. At one point, these were living individuals and my respect for them doesn’t stop as soon as their heart stops pumping. The remains are cleaned thoroughly and well taken care of to prevent damage. I make an effort to never mix bones from different individuals to maintain a level of autonomy and the practical reason of being able to keep track of who's who. With displaying, I try to give everything its own space. My twin fish are kept together in a jar (they r in luv) that serves as their spirit home, sometimes I will set offerings or candles beside it. TOO, I find it important to spend time with the remains if one aims to form a relationship with the spirits. Just a few days ago I took a few armadillo bones out with me for a walk in the rain, which may sound a little crazy to some but I can only hope that I can feel the rain and hear the thunder after I've passed.
The cleaning process is a long and hard one, it's a good time to bond with the remains. As you hold them in your hands, feel every inch of it. Feel the grooves, the textures, the weight, the temperature. Does it feel cold and hollow? Does it feel like a pit is forming in your stomach? Does it feel like a bright light is radiating off it? Do any memories, thoughts, or emotions arise? It is a good way to get to know the spirit/energy of the remains.
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Working with Remains
I don't work with the spirit of every bone I find. That would be very difficult, and many don't have spirits attached to them much anymore. Remains can be used in magic, divination, offerings, and art. If I'm using remains as ritual tools, I will first bond with them, consecrate, and then continuously feed them. Just some of the ways remains can be used in death work and magic;
Connecting with Death
Connecting with the individual spirit or species archetype
Conjuring The Dead: I find that bones can be excellent wands used to call upon spirits. They can be really good tools for directing energy, especially for the earthly deceased.
Offerings to Chthonic / death associated entities: many of the bones I have, I've put on my altars for Hades, Hekate, and Lucifer. Not only because they represent death and are aesthetically fitting, but to place the deceased under the protection of those entities.
Bindings: I believe a hollow bone could be used for a good binding by placing taglocks and ritual ingredients into the hollowed center and sealing it up tight. Bones are strong and hard to break, whatever you put in them will have a hard time finding their way out. They take a very long time to decay, so if you buried it after binding someone, I reckon they'd be there for a long time. Bones are a physical representation of death so there could also be an opportunity for some nasty effects.
Spirit vessels: in a similar line of thought as bindings, bones are excellent for containing or homing spirits. Typically these are entities associated with the species the remains belong to.
Ritual tools and instruments: bone athames, wands, offering dishes, flutes, whistles, drums, containers, osteomancy sets, the list goes on.
Additionally, specific parts can represent certain things and can be useful in certain workings.
Teeth: teeth from predators/carnivores represent power, defense, and protection. They are well suited for protection talismans, wards, and asserting dominance over others.
Claws: similar to teeth, claws can be used as strong protection charms.
Skulls: I would say the skull is the defining bone of an individual. The seat of the mind, consciousness, and all perception. Skulls can be used to bond with spirits or keep away spirits, similar to how a jack-o-lantern works.
Rabbit feet: rabbit feet are popularly considered lucky charms. You can also use them to help you navigate situations quickly and bring about fertility and abundance.
Chicken feet: chicken feet are commonly turned into protective amulets. They usually have long, sharp claws perfect for scratching back at anyone who tries to harm you.
Tongues/eyes/ears/brains: these structures supply us with our sensory perception and are vital parts of most species. They can be used to draw upon psychic abilities (eyes for clairvoyance or visions, brains for claircognizance). They can also be used to dampen the senses, such as tying, binding, or pinning a tongue to shut someone up.
Heart: often used to represent emotions like love. Can be used in love spells or to hurt someone emotionally.
Liver: a common form of divination in the ancient world was to slaughter an animal and then interpret patterns and markings on its liver. This is actually something I find fascinating, look into Mesopotamian liver divination and hepatoscopy!!
Shed skin: shed skin from snakes, reptiles, and bugs can be used to represent change, renewal, enlightenment, and letting go by "shedding your old skin".
Antlers: antlers often represent strength and power as animals will use them to fight with each other and assert their dominance over their territory. Small ones could be fastened to bags and be used as protective charms. They can also be made into wands or protective pendants.
Shells: I've always associated shells with protection since that is their purpose. I often use a powder made from ground shells to pour along the edges of rooms or windowsills.
Scapula: Interestingly, used in many belief systems and cultures for divination. Scapulimancy is the divinatory use of scapulae by interpreting post-mortem markings, or markings/cracks on the bone made by holding it over a flame. Another divinatory use found in old necromantic manuals, specifically the Munich Manual, is using the scapula as a scrying mirror by anointing it with magical oils and conjuring spirits in the reflection.
Turtle plastron: used alongside scapulae in Chinese divination, the querent would paint or carve their question into the bone, drill evenly spaced holes, and then hold it over a flame and interpret the cracks or burn marks.
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