#author process

[tamberella]

Congratulations on your author debut, I'm so excited for your book!! 😇💕

Would you consider talking about the whole process of becoming a book illustrator /children's book author?

Thank you so much, I really appreciate it!! And I'd be happy to share the process!

It all started for me with my 3dTotal artbook. 3dTotal is a small publisher in the UK, and they mainly focus on collections of artists' work. They use Kickstarter to fund each book, and my agent (the amazing Seth Fishman at Gernert) discovered me through the Kickstarter for my artbook Windows to Worlds!

He asked if I had any interest in working on graphic novels or picture books, and I had already been thinking about picture books! He found me my first picture book project with Penguin Workshop, Mother of Sharks, written by the awesome Melissa Cristina Márquez, which came out last year!

While I was working on Mother of Sharks, I was also talking with him about developing The Bakery Dragon, based of course on this painting, which was (and is) one of my proudest artistic moments.

For a little background on the painting, I painted it right after a really challenging couple of months medically - I was dealing with medical complications from my chronic illness for about 6 months, and I wasn't able to finish a single painting the whole time, I was just too exhausted from hospital visits and being in pain. That painting was the first piece I was able to actually complete (both emotionally and literally) in about half a year. So it always held a really special place in my heart, and I really wanted to keep living in that little world. I think there's something in it that is very special to me, about being outside in the cold, seeing warmth and love through a glass barrier, and wanting desperately to reach it.

With Seth's guidance, over a couple months, I developed a pitch for it. The script developed slowly alongside the designs for characters, locations, etc.

(Early version of Ember above! He has changed a bit!)

I thought I had already read a lot of picture books, I've always loved them, but I read hundreds and hundreds during this process. There is something uniquely fun and challenging about telling a complete narrative in 48 pages (which is already a long picture book, many are 32!) My book also pulls some elements from comics, such as speech bubbles, which I found to be incredible assets for humor and character development.

My pitch included designs, some early example spreads, and a rough script with story beats and jokes! My agent took it out into the world, and the publisher we ended up going forward with was Knopf, an imprint of Penguin Random House! I absolutely love the Knopf team and the beautiful books they put out! My editor, Katherine Harrison, really understood what I wanted to accomplish and has been so incredibly helpful in her guidance!

And from there... through rewrites, dialog adjustments, and lots and lots of drawings, it became a book! I'm happy to answer questions about the process! I'll leave you guys with a little preview from the interior of the book! (And of course you can pre-order it here, gotta learn the author skill of always including that link haha!)

[lannegarrett]

Writing Advice:

1. Write what's in your heart

2. Wait, hold up

3. THIS is what's in your heart?

4. Dear god

5. Your poor characters.

6. Why is there so much blood and death?

[writers-potion]

Structuring Your Fight Scene

adapted from <Writer's Craft> by Rayne Hall

Suspense

Show your characters gearing up, readying themselves.

The pace is slow, the suspense is high (use suspense techniques)

Provide information about terrain, numbers, equipment, weapons, weather.

May have dialogue as the opponents taunt each other, hurl accusations, or make one final effort to avoid the slaughter.

Don't start too early - we don't need to see the hero getting out of bed, taking a shower and having tea.

2. Start

Fighters get into fight stance: knees slightly bent, one leg forward, abdominal muscles tensing, body turned diagonally, weapons at the ready.

Each side will usually try to be the first to strike, as this will give them advantage.

The movements in this section need to be specific and technically correct.

3. Action

This section may be quick or prolonged. If prolonged, no blow-by-blow descriptions are needed.

Focus on the overall direction of the fight

Make use of the location to make characters jump, leap, duck, hide, fall, etc.

Mention sounds of weapons

4. Surprise

Something unexpected happens: building catches fire, a downpour, relief force arrives, staircase collapses, bullet smashes into the only lightbulb and everything goes dark, hero losses his weapon, etc.

Add excitement, raise the stakes.

5. Climax

Both sides are tired and wounded

The hero is close to giving up, but is revived with passion

Move to the terrain's most dangerous spot: narrow swining rope-bridge, a roof-edge, sinking ship, etc.

Don't rush the climax! Hold the tension

6. Aftermath

The fight is over: bes buddies lying dead, bandaging, reverberating pain, etc.

Use sense of sight and smell

The hero may experience nausea, shaking, tearfulness or get sexually horny

Fight scene length

Historical/adventure/fantasy: 700-1000w

Romance: 400-700w

[authorsprocess]

BTS -2: Accountability

     Accountability is important in all things but when you write for yourself it’s a harder feat to hold yourself accountable. You wake up in the morning and there are a million things that seem more urgent than you writing. Many of them will be, but that doesn’t mean that you should just ignore what your goals are. Crazy I know right? Going for your goals and holding yourself accountable? In this economy? But I digress. I think in some ways putting my whole writing process on Medium is a good way to be transparent and also hold myself accountable.      There’s a bit of a learning curve, and I’m not really the biggest fan of medium’s word processors… let’s call them quirks. I write and I cannot format what I wrote in the way I want, but these are problems that all writers have to contend with in the 21st century. You could write up an amazing-looking manuscript, and then when you transport it to show it to an editor or to throw it online it boom! You look like a child who tried to write a book with Play-Doh. Everything is all over the place, there are random spaces and indents. No paragraph start where there was in the original and you feel like your brain is about to explode.     It’s rough. Well, it’s not just you. It’s all of us. It’s by design. Every company wants to have a different UI (user interface) and be the sole program that you use to write, so they make it just a little infuriating for you to switch to something else. Their way of further cementing in your mind is that they are the superior way to write. I have news for you, it doesn’t matter what program you use. What matters is you. That you are writing and continuing the story. Whatever you are most comfortable with is what you should use. That doesn’t mean that you shouldn’t test out other methods. I often try different programs and even take breaks from the digital all-together and write in notebooks and journals. Do what’s best for you.      Above all else, hold yourself accountable to the work and getting it finished, because an unfinished story doesn’t do anyone any good.

[catladyghost]

Maybe we’re not finishing our stories because we don’t want them to end.

[joseefinwrites]

Ultimate "Know Your Character Inside Out" Template

The ultimate template for creating a character, without losing your mind, while you're at it.

Character Background Template ... (open)

1. Name:

2. Age:

3. Gender & Pronouns:

4. Physical Appearance:

   - Hair color:

   - Eye color:

   - Height:

   - Build:

   - Distinguishing features (scars, tattoos, etc.):

5. Background and Upbringing:

   - Where were they born and raised?

   - What was their family structure like (parents, siblings)?

   - Describe their childhood environment and upbringing.

   - Were there any significant events or traumas in their past?

6. Education and Skills:

   - What level of education did they receive?

   - Did they excel in any particular subjects or skills?

   - Have they pursued any additional training or education since then?

7. Personality Traits:

   - Describe their personality in a few words.

   - What are their strengths and weaknesses?

   - How do they typically react under stress or pressure?

8. Motivations and Goals:

   - What are their short-term and long-term goals?

   - What drives them to pursue these goals?

   - Are there any fears or insecurities that motivate or hinder them?

9. Relationships:

   - Who are the most important people in their life?

   - How do they interact with family, friends, and acquaintances?

   - Do they have any romantic interests or significant relationships?

10. Past Experiences:

    - Have they faced any major challenges or setbacks in the past?

    - How have these experiences shaped their beliefs and values?

    - Have they experienced any significant losses or tragedies?

11. Worldview and Beliefs:

    - What are their core beliefs and values?

    - How do they view the world around them?

    - Are there any cultural, religious, or philosophical influences in their life?

12. Inner Conflict:

    - What internal struggles do they face?

    - Are there any unresolved issues from their past that continue to affect them?

    - How do these inner conflicts impact their decisions and actions?

13. Connection to Outer Conflict/Plot:

    - How does their personal journey intersect with the main plot or external conflict?

    - What stakes are involved for the character in the larger story?

    - How do their goals and motivations align (or conflict) with the central conflict?

 

(Shorter) Knowing Your Character Inside Out Checklist

Personality Traits:

   - Introverted/Extroverted

   - Optimistic/Pessimistic

   - Assertive/Passive

   - Empathetic/Self-centered

   - Logical/Emotional

   - Adventurous/Cautious

   - Honest/Dishonest

   - Ambitious/Content

Beliefs and Values:

   - Religious beliefs (if any)

   - Moral code

   - Political beliefs

   - Views on relationships

   - Attitude towards authority

Fears and Insecurities:

   - Common fears (spiders, heights, etc.)

   - Deep-seated insecurities (failure, rejection, etc.)

   - Traumatic experiences (if applicable)

Desires and Goals:

   - Short-term goals

   - Long-term aspirations

   - What motivates them to pursue these goals?

Strengths:

   - Intellectual strengths

   - Physical abilities

   - Emotional resilience

   - Social skills

   - Unique talents or abilities

Weaknesses:

   - Personal flaws

   - Areas of vulnerability

   - Bad habits

   - Limiting beliefs

Backstory:

    - Family background

    - Childhood experiences

    - Significant life events that shaped their identity

    - Education and career path

    - Previous relationships

-Josie

[novlr]

“The fact is, I don’t know where my ideas come from. Nor does any writer. The only real answer is to drink way too much coffee and buy yourself a desk that doesn’t collapse when you beat your head against it.” ― Douglas Adams

[disgracefulthings]

Shen Yuan: Oh you're a hater?

Shen Yuan: Answer me this then. Have you ever hated something so much that it killed you?

Shen Yuan: That's what I fucking thought

Shen Yuan: Bitch

[veryrealauthorthings]

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[char-writes]

3AM writing brain: We came up with so many ideas today!

Daytime writing brain: You put twelve unconnected words into a note app and there is not a single complete sentence to be found

3AM writing brain:

[erythriina]

I thought I could not get more excited for Absolution but I was wrong, I cannot wait to find out what the FUCK this means

[lannegarrett]

Me to my characters whenever I'm writing a new story:

[writers-potion]

Writing Male Fighters

Body Language

Before they start fighting, they will communicate a lot through body language, either conscious or subconscious.

Standing with legs apart, elbows out to the side, shoulders aquared, chin thrust forward and up, hcest inflated and turned full front to his opponent, piercing stare. These cures are intended to make him bigger.

He may hook his hands into his belt, framing his genitals.

Subtly stretching his neck or spine.

Stepping close up to the other, invading the other person's personal space. The one who steps back will "lose" - when this happens, we know that fists will be flying soon.

Skills

When writing a scene from a male point of view, don't make the mistake of writing a detail about basic fighting skills (like landing a fist in the opponent's jaw). For a man (on average) who probably learnt to box in his playground days - it would be better to let the moves come naturally.

For fancier skills (like weapons handling or martial arts), you may explain in fuller detail so that your readers can follow what's happening.

Weapons

Men often have a special relationship with their weapon: very personal, almost intimate. The weapon may serve as a symbol of his power, masculinity and reflect his self-image, even.

The hero may be seen cleaning, repairing, oiling his weapon, bragging about it or comparing it with others'.

Men Against Women

Most men are reluctant to hurt a woman. This instinct is often hard-wired into them, even in martial arts school that pride themselves on gender equality.

While there is no biological reason for sparing a a female fighter - only the sense of good old chivalry - you can show your villain hesitate for a second or hit less hard when a see a woman coming for him.

If you like my blog, buy me a coffee☕ and find me on instagram! 📸

[authorsprocess]

BTS  1 — No edits with first postings

BTS (Behind the Scenes) 1 — No edits with first postings

I struggled with what version I would post the parts of the story up in. Edited or unedited. I decided on unedited. It’s a choice to be sure, it may be flawed (well it will be flawed) but it is the natural version of what I wrote. There in all its glory and stank.

I did some minor proofreading and spelling checks but outside of that, it’s all a seat of the pants writing in part 1. Scheduled to be published on Thursday. Meanwhile, I have the whole week to stress out about how it is going to work out, and what to publish in the meantime. So that’s why I’m here now. I’m writing about how the process goes. Step 1. Get excited by some new idea. Step 2. Write by the seat of your pants. Step 3. Stress. Obviously, this isn’t every single time but it's where I am now putting my whole process out there for the world to see.

I also need to admit that this whole process is different than my normal process by default because I’m putting it out there as serial fiction. This means I need to figure out good ways to break up the story for postings. I’m also struggling with the word count. I find myself asking how long should it be. Should I make it longer or shorter? I hope that the answers to these questions come naturally to me over time. But the first posting is only 1k, a super short read.

[catladyghost]

So far I've successfully convinced myself that my plot is the shit. Then successfully convinced myself that it is shit.

Haven't written a page.