#just some thoughts on their relationship as portrayed in the show

[violent-viscera]

my true (respectful) thoughts of arcane s2

so much of the promotional material promised so much in the way of vi and jinx/powder and their sisterly relationship, but i feel like with the amount of storylines/plotlines they did in this season, it was just too busy to focus on anyone–let alone the two supposed protagonists of the show. i think the best way for me to articulate how i feel about the writing of this show is that it fell flat, lost its heart, and emotional impact of the first season.

i would have been okay with them straying from my personal favourite focus if:

the storylines had been fleshed out better

the decisions the characters made actually made sense

main characters didn't become plot devices (vi)

new additions of the show weren't just plot devices (isha, loris, maddie, etc.)

motivations of characters made sense

characters had even small lines/dialogue to articulate their intentions/ideas

less time spent on off-screen development

and the thing is with the amount of plot lines they were ambitiously aiming to see out to fruition, its really hard to also set up all these new facets or opposing characteristics in former characters–plus adding new ones too. for example:

caitlyn's facist arc that didn't really have much meaning or attention

jinx's s1 mental collapse which changed abruptly into her redemption arc via isha (plot device)

jinx's revolutionist arc (first, reluctantly and then, willingly w ekko)

vi's pitfighter/brawler arc which was literally just one clip (which ended up being a teaser that showed everything)

im almost grateful to the minimal screen time ekko got bc they didn't try to change the core and essence of who he was in s1: he stayed true to himself. he's just a boy with a huge heart and love for his people that chose to leave his happy ending in an alternate timeline to return to the ppl who needed him where he is almost guaranteed heartbreak in some way or another.

i think the main reason so many ppl loved the first season was bc the characters were relatable in one way or another and they became so multidimensional when you explored how their environment/circumstances shaped them. but this season bc it was so purely focused on the endgame instead of HOW everyone got there, the characters fell flatter, they lost a soul and heart, and i felt the show lost its charm.

i know we all have our favourite characters and storylines we want the show to focus on and i would have been okay if i didn't get my way. if the show didn't focus on jinx and vi, i would've lived (although the promotional material was unfairly misleading) if the storylines, characters, and everything else made sense to me.

of course, the animation was lovely and the music was catchy/heartbreaking. i dont regret watching the show out to its final episode. it was one of the most beautiful visual experiences of my entire life. i still love the characters and will never regret staying on board until the final moments.

but i cant lie and say im not a little sad at how it ended too.

edited add-on:

also, the voice actors did phenomenally. ella purnell just absolutely nails the delivery for every line and reed shannon also hurt me with how he portrayed ekko. so on and so forth.

but that being said, i also felt the dialogue and lines of each character felt much less impactful this season (again, writing.)

i liked viktor’s monologue at the end of act 2. that was compellingly well written

but the lines this season weren’t the same quality as silco’s monologue about drowning, jinx’s speech at the beginning of the doomed tea party, etc. everything just felt so flat and shallow this season overall.

[disheveledtranquility]

A little Eddie whump character analysis deep dive.

And defending symbrock while I'm at it and why I think movie Eddie was actually well thought out as a character and not just because "the stereotypical macho blonde asshole would not have been popular."

I'm exhausted so hopefully I didn't mess up the details too bad. Been a while since I read the comics.

Sprinkle in some of my ADHD so expect a bit of rambling. I added some gifs because I do love a picture book.

It's canon that Eddie Brock was abused by his father growing up. And the abuse was mostly emotional, lack of love, and lack of concern.

And gentle reminder that not everyone handles trauma the same, no matter which kind, and I feel like the way they wrote Eddie for the movies showcases another side to that trauma versus the comics. There's so many little details that even if it's just Tom being the amazing actor that he is portraying that side and not actually having those details written for him, it's still amazing.

Because Eddie's father was cold and emotionless after he lost his wife during childbirth. And of course Eddie tried everything to gain that love, just to be constantly subpar and never good enough for even a second glance.

After an accident involving drunk driving where Eddie hit a child, their relationship only got worse. And later in the comics, he disowns Eddie completely after he loses his job.

The movie version of Eddie is the broken version of that trauma.

He tends to shy away from situations where you'd assume he'd rush in to, like saving Mrs. Chen.

Trying to help or inquiring when he notices Maria missing. Anything that involves complex emotions. He's a reporter, yes, and he's cordial when he needs to be, but he seems to stick to his job and otherwise keep to himself. They don't exactly show that he has any friends, just Anne. So he's probably introverted because of the years of abuse and having to feel like he has to do everything alone with little to no strings attached.

Even simple things like getting into Anne's emails can be misunderstood. It's not malicious, but more misguided. He loved Anne. He didn't do what he did with intent to get her in trouble. But his poor decision making is probably also a part of not actually being raised and not knowing how to handle certain situations such as actually talking to your partner before you do things on your own? So much could have been avoided. And Eddie had good intentions of getting rid of Carlton Drake, but ruined his own life and Anne's as well because he didn't think things through.

He can't handle his emotions well (might also tie into the noises issue he seems to have that are not related to Venom, a possible trigger for him).

He has a lot of nervous ticks that also tie in with someone growing up in an abusive household. Emotionally stunted ticks. Like holding eye contact when someone he cares about is upset with him and he doesn't know how to fix it (because everything he does is wrong).

Even something you might think is simple, like apologizing, have had negative consequences as a child and might be why even though he's no longer in that situation, his brain isn't used to connecting any good emotions between them. He's probably not used to apologizing sincerely because doing so never meant it would change the outcome.

His mannerisms get worse when he's particularly anxious, like when he might have thought Venom didn't want to come back just as Anne when she left and never wanted to come back.

Again, because he pushed them away, just like Anne. Again, because he messed it up. And again, because he didn't know how he was supposed to fix it.

Because Eddie cares so much even though his head is always such a mess. Makes me think his dad had a say or two about Eddie constantly groveling for his attention and the way it might have made him seem weak, and Eddie in turn stopped himself from letting himself be so open and able to talk about these issues because of it.

His inability to form and/or hold any kind of positive relationship is a good telling sign.

He grew up vying for love without success. He doesn't know what a healthy relationship is supposed to look or feel like long term, even though he tries.

He probably just looks for some level on comfortable routine in his day to day with someone, assumes that's the best he's going to get, and hopes for the best. Any change and it throws him completely off center. He's not used to communicating in a relationship when he grew up talking to a wall.

Also why I think he handles being with Venom so badly. It's not the eating heads and it's not the whole 'alien living in my body' ordeal.

If something isn't obviously positive it feels negative to him in his mind, which makes everything worse. He's selfish in needing to keep his mental state positive. It no doubt contributed to his alcoholism.

He became a people pleaser. Not in the way of gaining attention, but because he's constantly trying to avoid any negative sentiments directed his way. He's already damaged. He doesn't want to have to feel worse.

Eddie is in constant fight or flight with Venom without knowing what the symbiote will do next and how he, Eddie, will be perceived. He becomes very anxious, and later, angry. He's always walking on eggshells.

But the relationship is different with the symbiote than it is with Anne. Even if Eddie doesn't explicitly say it, he feels safe with Venom. More able to let that rage out that he couldn't before. And because he doesn't feel like the symbiote is going to actually hurt him, when his stress gets to him he tends to lash out at it. It's a lovely little cycle of abuse and Eddie really needs therapy.

Venom didn't fully understand the layers of Eddie's traumatized mind yet in LTBC, which is why I think it lashed out as well. Like Anne had with Eddie. Again, it's different though. Venom understands enough to see through that mess and see that Eddie doesn't mean anything with what he says.

It never does damage with malicious intent to Eddie, comedic acts aside. Not even with the fight between them in LTBC. It breaks Eddie's nose twice just to heal it immediately twice, and doesn't leave him with any lasting damage at all.

Because it cares about Eddie. And because it was never meant to harbor emotions, it's probably going through the damn gambit having to feel everything through Eddie and feeling just as hurt by him.

This is also why I think Eddie is constantly complaining in TLD. He's again in constant fight or flight and too comfortable with Venom, so he's just lashing out. But you can tell the symbiote takes none of it to heart, sometimes even seeming to ignore his remarks completely.

Maybe after a year with Eddie it finally understands the pain underneath all that stunted emotion, anxiety, and anger. That, and Eddie no longer drinks his negative emotions away, which means he has less ways to calm himself when he gets too stressed.

Through everything, Venom is the only one who has the ability to see the issues that are deeper. It stayed through all that mess and decided that what was under the baggage was worth holding on to, without Eddie having to try and explain why he is the way that he is.

[marriedtosuku]

Posion Poison

An: Part II to Swim

WC: idk but it isn’t long

It has been a couple weeks since that unfaithful day at Jujutsu High. The scar on my battered heart freshly bruised by Gojo’s declaration. We were over. No explanation, sympathy, or apologizes- I wish I could denigrate his character, portraying him as some narcissist who only thought about himself whenever we went out for drinks or the same man who also forgot birthdays and anniversaries.

I sip on my lukewarm beverage from my favorite cafe as I stare out of the frosted windows. It was getting cooler outside and my iced coffee did little to provide temperateness, but it was the only thing giving me sameness. Everything was rapidly changing and nothing I do halts it.

‘Hey, you still drinkin that? We’re closing’ the barista, a pink haired, gruffy man, asked while sporting an apron way too tight for his muscular frame.

‘sorry, lost track of time.’

I peeked at my smart watch.

He grunts. ‘ bad day?’

‘something like that. my boyfriend broke up with me and I have no idea why.”

‘you stopped sucking his dick or sumn?’

I choke a little. “wha?”

‘kiddin, but-’ he sits down across from me. ‘is he really worth you moppin over? I mean I’m no relationship expert, but I know no man should make his girl feel like this.’

“Ex,”

“Same shit to me.”

‘You’re always proving customers with dating advice or am I special ?”

He smirks a little, showing off a tiny tooth gem‘ don’t like seeing a pretty woman upset.”

‘charming,”

While Ryomen, as he informed me, and I settled into a casual conversation, the bell rang. Gojo’s slender frame stood at the register, his hard eyes grazed upon the two of us with a form of bitterness oozing out of him.

“we’re closed.” Ryomen voice boomed

“Clearly,” he gestures towards us.

Ryo stood. His height almost similar to Satoru’s. The apron did little to deter his intimidating glower as he sized up my ex-boyfriend.

‘I was just leaving. Thank you for listening, Ryomen.” I placed my hand on his chest to separate the two impending egos from clashing. ‘ I’ll see you later, okay.’

And with that I walked out with two pair of eyes staring at me.

[bawmbo]

hi, thank you. youve opened a can of worms that cannot be closed

killer is such an interesting character to me. i realized that im not actually too sure where to start but ill start with his timeline;

the idea of a character whose home was slowly destroyed for reasons outside of their control and beyond what they couldve ever thought was real is an incredibly interesting concept to me. i also love psychological horror and reality breaking type of things in relation to it.

to be transformed into something outside of the bounds of definition, and live with the consequences of that, of your loss of autonomy is terrifying. to be named under that total loss is horrifying. to know that everybody will only know your name and never what you went through to get there, that no one would even really care. not that you could get yourself to. theres so much potential with the idea of someone who wants to drain your world of everything for entertainment, and they can forcefully recode it, and they do not care about you because you are just a game character to them. and you are the only one aware of this. and when youre taken out of the timeline by a strange man who can also forcefully shift your control of your situation, everyone will only know you as just as bad as him. as a murderer with no reason. and every time you look at this man (nightmare) all you can feel is the same hatred you feel for yourself. you cant help but feel like youre the same. but this isnt about nightmare as much as i really do love him and writing his character (also super passionate about him)

i have a lot of problems in general with his fandom portrayal and the fact that we either see him as portrayed as either incredibly childish, dumb, very sexualized, etc. and its okay to want to write him how you want to write him, have fun, just not our cup of tea

to us, hes incredibly agile, quiet. hes eerie and incredibly smart and much more aware of whats going on than he lets on. he has lost all respect for anyone who claims theyre more powerful than him, and the way he taunts is by bringing them back to his level (or just doing things he knows pisses them off but not enough to get him killed for it. massive staring problem and wont elaborate on it). and while he can be flirty, where i understand the sexualization comes from.

i think i just crave more in depth characterization from him. how terrifying he is during battles, how he knows the knives he fights with better than the air he breathes and the placement of his feet just as much. how he could be using his magic but its difficult to fight him even without it. the absence of what he could be doing and the presence of how difficult what he is doing showing through. his disconnection from the world around him and how hard it is to realize that everything around you is just codes. that everything is malleable in the wrong hands and everyone lives their lives blissfully unaware of how quickly things can change. and how he could be deeply angry by this but never actually feel it well in his chest like he sees with others. he isnt indifferent, and at some point, somewhere he might express that care. but he cant. and this is it. and he doesnt know how to move on from that.

maybe when he gets close to people his relationships end up showing slow signs of trust. when he does trust people is he surprised if they leave? how scared is he to depend on anyone when no one was ever there to? maybe one day he finally learns to sleep with his chest or back exposed and around people. and his version of hanging out is going "hey i know a spot" and its a 50 minute walk through a closed off forest but its beautiful. and youll probably get some diseases, just gotta hope you dont. the next place is probably a feral cat colony hiding in the sewers hes been feeding and slowly gaining the trust of. hes weird.

in general i really do love complex characters and think about them a lot. and i love seeing how complex characters can be written. i love exploring the possibilities with him and i find that when we either write him or collab stories where we write characters interacting with him, we have a lot of fun and end up thinking about him a lot.

my friend @nullandvalid is a big killer enthusiast too and if you send him an ask you could probably get a big rant too. (also @thaltro. both him and null write killer super well imo. been incredibly fun to listen to them talk about how they write him and engage in writing stories with them) thank you for giving me time to yap about it, ill probably be thinking of more in the meantime but this is all i have atm fhahaha

another one for fun, pretty experimental. this one was one of those "draw regardless of whether or not you think it looks good" things. swore to myself the next utmv character i drew and posted was gonna be fell but here we are. gonna try to get used to posting things that i dont consider my best work. hi killer love you dude

[n0ne0ftheab0ve]

the thing is. lestat loves louis's worst self.

and like. how utterly painfully scorchingly romantic. someone who loves the darkest parts of you, will never recoil from your worst impulses, will never deny you comfort shelter love for even the worst thing you could do.

but. how do you build an actual relationship with someone who doesn't care about your self-improvement? who doesn't support you growing and becoming your best self, who actively denigrates you for attempts at kindness and empathy? how do you navigate on the day to day with someone who wants nothing more than for you to behave monstrously?

and for louis, his entire life he feels he's been loved/accepted only conditionally. loved by his family only for his good deeds, for managing the household and taking care of his siblings. loved romantically only for fleeting moments, stolen away from the everpresent watchful eye of a homophobic society. loved in spite of the omnipresent racism pressing in on his every breath. so of course the deeply encompassing love lestat is offering him is enticing.

but i always say, for me, love is someone doing the dishes for you. doing a mundane, annoying, everyday task just so that your beloved doesn't have to do it. doing it consistently. it's fine to be swept off your feet by someone, but most of life involves being on your feet. love means being able to build a life with someone. and life is full of mundane annoyances. so your love must be able to deal with mundane annoyance.

and lestat has no intention of doing the dishes for louis.

[i-dreamed-i-had-a-son]

Broke (2016): BBC Sherlock is a phenomenal piece of media and anything that seems like a flaw just hasn't been fully explored yet

Woke (2020): BBC Sherlock is an incredibly flawed series run by an egotistical writer, it never deserved the hype and is actively bad on so many fronts (especially representation)

Bespoke (2024): BBC Sherlock is flawed and bogged down by increasingly poor writing, which many fans refused to see while it was airing, leading to hugely misplaced expectations (particularly for the final series), AND it has the seeds of some compelling characterizations and portrayals, some genuinely solid performances, and touches--albeit imperfectly--on complexities that are still being discussed today (particularly as it relates to the relationship between Sherlock and John). The huge cultural impact of the show has created a massive pendulum effect in its public perception, leading to most people today remembering a caricature of the show (whether positive or negative) rather than appreciating its nuanced merits and failings...that being said Season 4 sucked

[jalluzas-ferney]

I don’t think this is an unpopular opinions but lowkey fannon kailor is sm better than cannon kailor.

(Read the tags)

[perseus-oh-my-perseus]

Exactly My Thoughts [Mostly Directed At The Tags & Comments :))] So Here’s Some Book Thoughts/Ideas I’m Having For My Myth of Perseus Book

It’s not going to be a retelling because I know far too many people who hold these myths dear—including myself to Lord Perseus—and the general idea that surrounds the modern interpretation of this whole situation that it feels wrong to “pin it down” to one thing. Instead, it’s going to be an AU of sorts that will help pin down all the thought-invoking questions Ovid’s Medusa brings with how women are treated and their stories.

The “AU”s gonna be Blind!Danae who was blinded at some point during her pregnancy & Perseus’s childhood—perhaps through some sort of illness she suffered during one of the many tragedies of her life. With this AU, it will be able to emphasis Perseus’s “momma’s boy” characteristics along with being the “man of the house” once they’re on their quest and he is left taking care of the both of them. It will allow for a lot more of the story to be shown of their dynamic because it is such an intimate thing that even showing Perseus’s yearning for alone couldn’t properly show. It will allow for their culture to show through Danae telling Perseus stories as they made camp, and her struggling with the fact that it’s not her taking care of him anymore, it’s him taking care of her out there. It will also lead up to an intense or perhaps quiet scene with Medusa and Perseus trying to protect his mother but also being in mortal peril.

Pertaining to what we’re actually talking about, Medusa would probably adopt the two and travel home with them, Danae telling embarrassing stories while Perseus acts like the teenager he is trying to make his mother not tell them how he ran across the entire beach naked before someone could catch him. Poseidon already has a relationship with the two of them, and so there will be some fond moments of him being referenced and sprinkled in there as Medusa rolled her eyes as his dramatics because she’s entirely fond of him.

Them picking up Andromeda bc Perseus needs his arc again /lh. But it shows once again his need for helping others which stems from always being with his mom. Even with the fisherman—Polyductes, right? Or is that the asshole—, it was still always just him and her, at the core of it. Perseus and Andromeda having their cute awkward teens falling in love while they probably pick up other stragglers on the way back to kill the king

The gods are going to be portrayed a lot more through their Worshipped Aspects than their Storytelling/Myth Aspects like we see in a lot of other media. Such as the help of Athene and Hermes being shown through Altars and Signs rather than them appearing to also show another beautiful aspect of mythology that is rarely portrayed which is the Gods as they are worshipped

And a bunch of other stuff that are definitely more clear than this but I wanted to get over the awkward phase of knowing if ya’ll actually care or not, and then I’ll put effort into organizing and rambling, but yeah. My Myth of Perseus Book thoughts :))

Okay but when am I getting my non-Ovidian Medusa/Poseidon retelling huh

[inthewychelm]

i think if any one was to write a steddie/vampire chronicles au, steve should be louis and eddie as lestat, the parallels dont need to be explained you get it

and if someone wrote it, i feel they should base it off of the queen of the damned novel, it could be an au retelling the story with steddie as the characters instead of loustat or even an canon divergent au where eddie becomes an vampire after the upside down scenario in the '86, i definitely think it works with the book arc the best, not the movie version

like you get eddie becoming a vampire rockstar for the bit, part of lestats whole motivation was to reach out to louis to warn him about akasha awakening, and lets not forget the reunion after the final concert performance, imagine eddie performing, trying to get out a message for steve 40 years later, then they reunite and its like they never separated, then you have them getting the party back together for a final showdown be it vecna or some other upsidedown entity, i just think itd be so fun

[severepink]

Observing Adam

Where I go way too deep into something that probably isn't that deep. It's long, it's long as hell.

Okay, so you'd think with how Adam talks he's just a typical misogynist, right?

This man worships pussy. So much so, he's named a whole ass angel, one of his best, Vagina. You'd say that he objectifies them and thinks of them as being lesser, but I don't think that's the whole story. In fact, I think he might be the original simp.

All of these exorcists so far have been women. All of them. He refers to them as ladies or bitches interchangeably, he sees them as being completely capable of absolutely decimating leagues of some of the most vile beings who have ever existed, and they have, to the point it was only after thousands of years that there's been a risk to this hierarchy.

He's a self-centered, egotistical, loud-mouthed, arrogant asshole, no doubt about it, but I'm beginning to suspect something now.

If Adam and Lilith were created from the same dust, if they were created as equals, I am more than willing to bet... Lilith is also a self-centered, egotistical, arrogant asshole. But, she's likely far more intelligent, composed, and duplicitous.

Lilith was allowed to refuse Adam and leave of her own free will and garnered her own independence. A new wife was created for Adam, she was replaced. My guess, is she thought Adam wouldn't be able to live without her, to come back and find herself replaced entirely, she was enraged.

I believe both Adam and Lilith were both incredibly dominant individuals who fought over ideas, thoughts, and ultimately in the bedroom as well, if we take into account the creationist stories.

I'm willing to bet she likely manipulated Lucifer into twisting humanity against its original concept. What if Lucifer's intention truly was to just spark something within Eve, like independence and thought and creation, but it was Lilith's poison within the fruit that tainted her, then subsequently Adam, with sin.

Lilith thrived in hell, while Lucifer's dreams of creation were dashed. She didn't suffer as he did, instead the power of her voice grew with hell. Her voice grew so powerful that heaven found it to be a threat, her actions instigated the beginning of exterminations.

Charlie said that when she was a little girl, she didn't know Lucifer at all. I don't think this was because of Lucifer, he's seen here, picking her up, inviting her to share in his thoughts and dreams, showing her something wonderful. Something she could see within herself.

Charlie says that it's this moment that sparked her will to fight for her dreams. Which is strange, because at the very beginning of the story, Charlie says it was her mother's dream that was passed down to her.

Lilith took Charlie away. In this scene, Lucifer wasn't done showing Charlie his thoughts and dreams, he's still yearning to show his daughter these things at this point.

Lucifer loves his daughter. He loves Charlie so, so, so much. So why wasn't he allowed to build a relationship with his daughter for the longest time? He was waiting for the opportunity to get to know her, but with how much he adores her why didn't he do it sooner? He didn't comment on 'It took you a while-' he just said he missed her smile. They don't want to be pulled apart, again.

Now, we know Vivziepop has said that Lucifer and Lilith love each other, but Lilith 'wears the pants' in the relationship. We see all of the pictures all over the walls of a supposedly happy family. I don't think the relationship was as loving as originally portrayed and Lilith is a woman who desires control above all else. She likely tried to mitigate what influence Lucifer had over their daughter when she thought his angelic thoughts and behaviors became more than what she approved of.

Lets take it back to Adam and Lute for a moment. Again, Adam is a loud mouthed idiot, he's a jerk. The moment he realizes there are demons in heaven, he's ready to go on the attack. It's only because of Lute that he didn't end up doing something absolutely idiotic.

I gotta say, Lute and Adam's relationship is an absolutely fascinating one. He's a disrespectful dick head in how he talks, but how he acts is a different story. He allows Lute to man-handle him. He does listen to her, even if he's a whiny bitch about it.

Look at him, this is the face of a man listening, a dumb one, but a dude listening all the same. He doesn't manhandle her back, he doesn't even pull away until she lets go of his collar. Of all the shit he complained about, between being grabbed and being told what to do, his biggest complaint is that she's telling him to shush.

We know that Adam is the one who suggested the exterminations to begin with, so Sera says, and this was because of the power that Lilith was amassing. To him, Lilith is a threat. Even when he was willing to move on, to go to another wife when Lilith didn't want him or want to submit to him (fair babe, he's a bit of an idiot), she came back with an angel and proceeded to manipulate his new wife Eve. This is the supposed progenitor of man-kind, the original dick (hilariously enough), the reason civilization even exists at all. He and Eve had to fight for their lives after being tempted with the fruit. They had immortality, they had no ideas of shame, they were supposedly 'innocent' creatures before Lilith and Lucifer came along. He and Eve had to fight tooth and nail to survive after being cast from Eden. I think it shows in how willing and ready he is to take lead and do what he believes needs to be done, now out of a need for entertainment rather than a need to defend or protect. But, he still stopped to listen to Lute's advice. In the mythological story of Adam and Eve, Adam is the one who has to tell Eve that god said don't eat the fruit. Eve never heard god speak to her, so she was vulnerable to the snake's manipulations. She will now die because she ate it, and because she did not want Adam to take another wife, convinced him to eat it unknowingly. Funnily enough, Adam tried to explain to god that 'she lied to me and gave me the fruit' and in this actual mythology, Adam was punished for listening to his wife. Even without mentioning Lilith in the original mythology, Eve didn't want Adam to take another wife, so when we consider it within the context of Hazbin Hotel, it may be likely that's how it went down. Eve knew of Lilith, knew that she could be replaced, and decided that she would take Adam with her.

I believe that Adam does and did rely on the women in his life to help him with direction. I think Adam knows he can be an idiot and is willing to listen, even if he doesn't agree with what he's hearing. He did listen to Charlie in the beginning, he just didn't believe in her, like everyone else and he, out of anyone there, probably had the most reason not to. Cain and Abel were his and Eve's sons, his own child became the first murderer. Out of jealousy, the same kind of jealousy that no doubt has caused Lilith to act how she did. Adam isn't going to have empathy for sinners. His family, his legacy, were filled with the original sinners. He probably had to kill his son Cain in hell during the first exterminations. What do you think he would have had to feel, if it came to be a fact that sinners could be redeemed? That maybe his son, could've been redeemed? Or any of his progeny for that matter? How did it feel when his sons, his progeny, weren't given the same mercy as the Hellborn that Lucifer managed to keep protected through some deal with the angels or god? Not to mention that Charlie could've been his daughter. Charlie is the product of the people who completely and totally destroyed the paradise he'd been born into. She's the daughter who is protected and immune from the slaughter while all of his sons and daughters are judged and killed. I believe, even though he was a dickish prankster to Charlie, he was surprisingly patient and even somewhat amicable, willing to even ask her how her weekend was like he was just trying to get to know her.

Adam could just see all of the angels under his employ as being disposable. He doesn't have to name them, or think about them in any individual fashion. But, he knows Vaggie, recognized her instantly. Thought she was badass. Lute's the one who saw her, tore her wings off, and walked away. I'm surprised they even let her live, because this just goes against everything they're doing. They're an army and they saw one of their own showing empathy to the enemy.

Look at this dumb ass. He's being a shit-head, a dick, a bastard. But, he admires Vaggie's ability to pull Charlie, congratulates her, this dude isn't even judging her for being a lesbian. I don't think it's because he objectifies women, this dude loves women, he just does. He respects fellow vagina lovers. I don't think he respects liars in the slightest though. He's being underhanded, he's trying to be manipulative (he's not very good at it). I think he's brutally open and honest about everything and that's probably one of the reasons he's such a bastard anyways, because sometimes you just need to shut-up and he's not good at that.

I don't think he respects Sera for that either, he's more than willing to let others know what the hell he's doing, but under Sera's lead, he can't be open about it. I don't think it's his jam to act this way, it's why he sucks so bad at it and I think that's why Lilith is so antithetical to him. I also think that's why he's possibly even being manipulated.

It's kind of crazy that Adam is the only one who tries to come up with what allows someone to get into heaven. So here's his list: 1. Act Selfless: Maybe at one point he was! He had to have been, to be one of the progenitors of mankind, he would have had to work, sacrifice, and give to his wife and children for them all to survive. Eve would have had to do the same, no doubt. He may not seem selfless, due to his raunchy behavior, but he's served heaven since he's been there. He's served humanity in some kind of facet. 2. Don't Steal: Considering the only other humans are his spawn, he likely had to try and get them to not steal from one another for them all to have an equal opportunity of survival. He and Eve likely both knew they would need to work together to survive.

3. Stick it to the man: This, however, is interesting. Who is 'The Man' he speaks of? God? The only other people over him or were equal to him were women. He speaks like a rocker, and I think in this case he's using the term 'The Man' in a gender neutral way. I think he allowed some amount of Authority to Lilith when they were supposed to be seen as equals, it comes so naturally to him as a character when it comes to the other women he's been interacting with. I think she is the 'man' that he's been sticking it to- Pun somewhat intended. ((This third one may also simply be a tongue in cheek reference to when Alex Brightman played Dewey in School of Rock on Broadway! Thank you to the user who brought this to my attention!))

Adam is a bit of a hypocrite, isn't he? He likes to fuck, he's made that abundantly clear. Full of lust you could say. It was his original purpose after all, and he is judging Angel Dust for something he probably would've done himself at one point or has considered doing (maybe not the having sex with men part). Angel Dust does all of these things, Adam doesn't even deny it. He even looks nervous. He's angry, but doesn't deny that Angel has done those things. He doesn't explain it away or try to lie or move the goal posts, he's just asking what is an actually very valid question.

Why isn't Angel Dust there if he can do things equal to what Adam himself hasn't done? Serenity continues that line of thought. It isn't until Charlie is realizing no one knows what it takes to get into heaven.

Adam is more than willing to let Lute take the lead here, he's willing to give her the stage to clap back, he's giving her back-up antics. By all means, they could be pushing and fighting one another, there could easily be body language expressing something other than their general comfort around one another. They aren't fighting for a spotlight like you'd expect Adam to try and do considering his egotistical attitude.

Adam fucking sucks at keeping his mouth shut and he sucks at lying. He nearly blew the secret out of the bag once, this time, Sera is the only one who tries to stop him and to be honest? Lute looks a bit too thrilled at it. He knows he fucked up, but he doesn't think it's a big deal that anyone would know. For fucks sake, they've already condemned souls, his progeny, to suffer. What's the big deal if he kills them?

I have to re-iterate what's happening here. Charlie is proud she caused this chaos, that she caused these angels to fight amongst themselves, even if in this case it's a good thing. But, this is like history repeating itself to Adam, the reflection of his ex-wife, entering his domain, causing strife among his people, being happy about it.

And the venom he expresses when it comes to the 'liar' portion, god Alex Brightman destroyed when he got to this portion specifically. There is some vehement disgust in his tone when he says liar.

Adam isn't a good person now. But, I think he used to be a good person. By all means, Adam himself could've been the first murderer when his wife made her mistake. He, at one point in time, had to have been good enough to foster civilization itself with Eve. Both good and bad. Adam's original purpose was to be fruitful and multiply. Ordained by god (or maybe just angels) himself, divine power directed and created him to fuck. He didn't chase his ex-wife down, he was given a new one, Lilith was allowed to leave. When he left things alone, when he tried to move on, his ex-wife and a scorned angel destroyed the paradise he was in with Eve. He had to struggle and toil, he had to feel shame in his own body. He had to find out his first born son was the first murderer. His second son killed. We don't know if this is going to be canon in the story, a lot has changed, and if Adam is the first soul who reached heaven, then what did happen to Abel? Was Abel considered a sinner? Or did Cain kill Abel after Adam had passed? Either way, he had to witness his children kill, he had to watch his descendants behave in a range from saints and monsters. He's seen genocides, he's seen famine, war. Adam is desensitized to the plights of his descendants. Maybe he even saw it as a duty to cleanse the universe of their existence at one point, because they were his responsibility.

At the end of this episode, he is properly scolded by Sera and does seem ashamed of himself. He isn't huffy, he is reminded that he should be ashamed of acting that way.

I love Lute's enthusiasm, she's absolutely brutal when talking about Vaggie and with how she handled Vaggie. I think it's funny that Lute is so brutal she's even made Adam uncomfortable. It's cute that he's made uncomfortable by the excitement and all he does is tell Lute, the premier hype woman over here, to chill. She's so proud of herself too, look at her.

He fully expects these exorcist bad bitches to go in there and fuck shit up. But, you know it's hilarious that he's throwing horns? This dude, this angel. First human soul in heaven, loving rock n' roll, the devil's music, and throwing motherfucking horns. It's poetic really. I think we can probably assume where things are going.

Now, this is the first point we've seen Adam being a real piece of shit to Lute. I don't think Adam likes it when people think he's too dumb to notice something, especially something so damn obvious. This is such a drastic moment of vitriolic, uncontrolled anger directed towards Lute. Adam knows he isn't the brightest tool in the shed. He likely knows he's obtuse and misses shit. It's why he sucks at lying, he knows he's not smart. That is why I think he's afforded women opportunities to direct him without fighting back against their advice and their choices. I'm sure Lilith made it obvious how dumb she thinks Adam is. I'm wondering if this might be where their ground breaking fight might've come from. Who's to say he didn't allow Lilith to take the lead, or listen to her like he's done with Lute here and now? Perhaps to an even greater point? He listened to Eve and ate from the fruit of knowledge and he was punished for it. Being seen as so dumb he can't formulate a simple fact is a sore spot for him.

Adam is incredibly powerful. It took a bit out of him to exercise that power, probably because he's out of practice just like Lucifer said. At one point, he probably wasn't so sloppy and weak willed. He's gotten lazy. Sloth like.

I think it got real personal here. How viscerally and personally he attacked Charlie. No one but Charlie truly thought sinners could be redeemed, or that they were even worth it. Not even one of the original sinners. Maybe he never considered the possibility, maybe what happened really did make him see the world as black and white to cope with that happened to him, his wife, his children. Charlie's desire to fight this idea would destroy the foundation for all of his coping through the years. He stopped seeing them as family, even though he's grandiose about his founding role in humanity. Does that itch the guilt that may lurk under the surface?

I don't think Adam thought much of Charlie at all. I don't think he had any intention of coming to kill her in the beginning, despite seeing her, despite who her parents were. But, I think with the constant push, with how eager she was to disrupt the pre-conceived idea of order, it reminded Adam and reflected her parents so much, he was eager to kill her for revenge against them. I think this electrical interference on the mask is a direct reflection of sin. Namely, wrath, in this moment.

Now, this. THIS. Is something that made me want to write this whole fucking essay. Is Lucifer implying that he not only gave Eve the Fruit from the tree of knowledge, but FUCKED HER TOO? Homies, I'm sorry but holy shit. That is some hydrating tea. I'd be pretty pissed too, fucked over twice by women who were supposed to be literal soul mates, who you were made for, who were made for you?

I knew he would have a goatee, I could almost hear it. I gotta say, I'm a sucker for how he looks. I think he's hot. He is a bastard, but so are a lot of the hot dudes in this show. It's just a theme.

This exact series of lines prompted so many of the thoughts that I had about Adam and why he thinks or acts the way he does. At one point, Adam did have to work himself to the bone and learn to survive from scratch alongside Eve. He isn't entirely without cause to not think that he deserves some respect or recognition from his descendants.

But, that doesn't give him the right to act like god himself. It's... well... Blasphemous. Isn't it? One of the worst sins is to think yourself to be worthy of worship, as if you're a god.

This is the moment that gave me empathy for them both. You could probably see the kind of loving person Adam could have been at one point with how he looks at Lute, even as he's laying there, dying. He's not crying like a bitch, just looking at Lute softly. Lute screaming for him, screaming his name. They cared for each other deeply.

And this... and this.... and this. WHAT DEAL DID YOU MAKE, LILITH? Did you make it with Sera? Did you make it with Adam? Did you make it with Lute? Did you really just want a little 'vacay' away from the hell you helped create? Left her husband, depressed and lonely. Left her daughter without any care or guidance. Maybe Alastor was sent in her place, perhaps? Seven years since he was seen after all, but why wouldn't he show up sooner if Lilith did care? Did she make a deal with Lute and Adam? Did she let Adam smash it so she could stay in heaven? Did Lute let her stay in exchange for getting Adam out of a position of power? Or was it maybe Sera who commissioned Lilith with a deal? Either way, I'm in full belief that it wasn't Adam's idea to move the extermination day up. I think he's a patsy, a scapegoat. I think Lute may have been manipulated, potentially, into manipulating Adam into this position. Was it even really Adam who came up with the idea to do the exterminations? Or was he the one who simply decided to fight originally because he was told heaven was at risk due to Lilith's rising power? The Road to Hell is Paved with Good Intentions. I think it could be any number of these. Either way, Lute certainly does think she had authority over Lilith. Is it Lute just having hubris? Or is Lilith truly bound, just like Alastor, Husk, and Angel Dust?

Of course, now that we know a soul can be redeemed... and we certainly know that angels can fall. I don't think this will be the last we see of Adam.

[neonsbian]

watched ep 10 of 10yt, all i have to say is that post abt fictional women not getting an abortion

[idiotsonlyevent]

it is completely understandable to be uncomfortable with the sexual assault in dandadan. it's important to discuss how it's framed, whether it's handled poorly, or if it could be been portrayed better. but the number of people - even fans - stating that it is only fanservice, irrelevant, or could be removed is frankly bizarre to for SO many reasons, starting with the fact that this parallel exists.

the anime made it even more obvious by interpolating cuts from the first scene into the second one.

i thought this scene showed that momo gaining her powers by believing in her relationship with her grandmother gives her the strength to fight back against what is basically a horrific, much more aggressive and abstract (maybe even absurd?) representation of her shitty gross ex - who was demanding she 'put out' and pay for the love hotel in very first scene.

while the escalation from one scene to the next is surprising, it's not something that comes out of nowhere. this first scene is meant to be a set-up to what will happen later. it sets the tone, though significantly more lighthearted at this point. it tells you that sex, sexuality, etc. is something dandadan will touch on - though you don't know what the scope and depth will be until later in the chapter.

i cannot recommend this video enough, as it discusses some interesting interpretations of what the serpoians and turbo granny represent in their respective assault scenes, as well as how right now the treatment of both scenes is unfortunately uneven.

more notes about plot and thematic relevance below the cut. spoilers for anime-onlies (up to chapter 8, will probably be covered in episodes 4/5).

momo was assaulted, and almost cut up by the serpoians, much like the other victims turbo granny appeared around. this is an intentional parallel. turbo granny goes to momo because that is what she does. again, SUPER unclear how that factors into turbo granny's assault of ken, but if we keep the video's interpretation of cynicism in mind, it could be related to that; maybe turbo granny has a cynicism toward men - similar to momo in chapter/episode 1 - and this is why she chose to attack ken. unfortunately, it's still too early to really understand and explain a lot of her motivations.

again, completely understandable to not like how the sexual assault was handled or portrayed, and it's important to keep discussing it. but this is what dandadan does for many different types of trauma and difficult life experiences. this is a huge part of dandadan's identity. if you don't like it, that is fine, but calling the sexual assault 'just fan service' is blatantly untrue.

[starkwlkr]

Omfg I need like early on in the relationship between Hugh and marvel!reader where their relationship isn’t public and their papparazzi of them on set together coz they’re visiting eachother and everyone’s thinking xmen X mcu when in reality it’s just them together dating

no spoilers! | hugh jackman

an: ok since their first son was born in 2000 (it’s canon idk what date but it’s canon now lol) and the mcu started in 2008 I’m going to change a few things JUST TINY THINGS like the mcu being in development early on and marvel actress!reader being casted in the early 2000s. does that make sense?? idk this is fanfiction

2005

Getting a call from Marvel was something you never expected. Like many people, you grew up reading the comics and watching the tv shows. But now you had the chance of a lifetime. You were being offered a role in the first movie in the Marvel cinematic universe.

After having a meeting with the marvel executives and your manager, you were asked to keep the news of your casting a secret. The media was already wondering who was going to portray what heroes on the big screen and your name was being thrown around.

While your relationship was still a secret, you often visited Hugh on set of X-Men with Alex and Reese. You tried to keep your little family from the media as much a possible. You would watch Hugh get into his costume and do his stunts. You were always amazed at how much fun it would be to portray a superhero and now you were finally going to be able to.

A few months after you met with Marvel, you found out you were pregnant with your third baby. A girl. Thankfully you weren’t set to film yet since the film was still in development. When it was finally time to film ‘Iron Man’, you were more than ready. Your kids were a bit older so they finally got to watch you beat up bad guys like their dad did.

It was during the filming of ‘Iron Man 2’ when your secret was finally revealed to the world. You didn’t really know how it even happened . . . Your guess was that paparazzi somehow snuck in. Hugh was always careful when visiting you on set. Rumors were already circulating on the internet about a potential X-Men and Avengers team up. It didn’t help that Hugh was sporting his signature Wolverine hair when he visited the set. At least the kids weren’t with you.

“You look much better than me,” Hugh looked at your costume. He couldn’t stop staring, it was starting to make you weak in the knees. “at least you get comfortable suits. Remember the black suits from X-Men? The most uncomfortable shit ever.”

“The kids thought you looked cool.” You reminded him.

“Okay, that makes me feel better.”

As you and Hugh talked, some paparazzi were secretly taking photos. All they could think about was how well they were going to get paid for the exclusive photos. The X-Men joining the mcu? That was big news!

When the photos were published on every magazine, you couldn’t help but laugh. What a way to reveal your relationship. You definitely didn’t want to share the news this way, but you also didn’t want to lose your job.

“Maybe in a few years it’ll come true. You, me, X-Men and the Avengers.” He told you, giving you your morning coffee. The kids were still sleeping so you and Hugh took advantage of the quiet morning. You set the magazine down on the table and drank the coffee.

“It would be nice. Imagine what the kids will think. Mom and dad beating up the bad guys together,” you smiled at him. He took the opportunity to give you a kiss. As he pulled away, you whispered to him. “or it could be me kicking the wolverine’s ass.”

You and Hugh’s characters wouldn’t share the screen until 2024 when Deadpool & Wolverine premiered. Your kids were more than excited to see their parents fighting together.

@kellyxo1 @barnes70stark @ru-kru @flyestvenustrap @evasmlp

[maybe-boys-do-love]

Mix Sahaphap gets to perform (and has the performance chops to perform) in a style that I’ve never seen any other male actor get to embody. Mix gets to unironically play the #strongfemalecharacter. The Beatrice, the Elizabeth Bennett, the Jo March. Strong-willed, emotional, kind-hearted.

Not only do the plot points line up, but Mix, more than any BL actor I’ve seen, fully leans into the embodiment of this archetype. In his roles, he rolls his eyes, pouts, banters flirtatiously, softens his posture and expression at small details. He doesn’t over-exaggerate and imposition other characters but his face also doesn’t hold back his character’s thoughts and judgments. And when the moments arrive, he lets all the hurt and anguish pour out in shatters of tears and visible heartbreak—the star-counting scene, anyone????—in a way that harkens to the operatic emotionality of well-done melodramas, soap-operas, and their contemporary Thai equivalent of Lakorn. It’s only that these have never been men’s roles in those.

It’s no surprise that one of Mix’s roles—Cupid’s Last Wish—is explicitly a gender body-swap, and Tian in A Tale of Thousand Stars is (albeit explicitly denied within the show) heavily connected to gender body-swapping. What Mix specializes in as an actor, and does exceptionally well, has been defined as feminine. To depict a kind of queer expression in this style is novel because it’s not camp, it’s not okama, it’s not a soft or femboy, it’s not a BL twink (Mix has been mostly excluded from the schoolyards and quads of the BL universe except for a role as a senior crush in Fish Upon the Sky). It’s too sincere and too adult for any of that.

In Moonlight Chicken we get to see, without the pretense of gendered mysticism, this performance style’s seduction, warmth, wit, and explosiveness within the framework of a general gay form of expression. It says that this kind of femininity might just be a gay thing. Not all gay men exhibit it, obviously—queer men aren’t a monolith. Still, it gives us something to consider about how we observe performance of queerness on screen, especially in front of an audience that puts so much more emphasis on ships, heat, and pairing chemistry to assess how well they perform a BL role. Could we look for other features to judge performance of queerness instead of how well they kiss?

Seme and uke roles would be the major performance style categories loyal BL fans assess actors with, yet even within the archetype his character’s fill within BL narratives, Mix’s performances differ from the typical uke depiction in BL because he really doesn’t perform them as passive. Rather, Mix’s characters and his portrayal of them are dynamic and demanding. It certainly fits certain stereotypes of ukes (Gilbert!) and their gay stereotype equivalent of bottoms as pillow princesses and brats. Mix’s characters, though, have more drive, agency, and compassion than that, and he plays them with all of those currents running underneath.

We certainly have openly gay writer/director Aof Noppharnach to thank for writing this kind of queer character for Mix to play in Tian and Wen. But for Mix’s specific commitment to the performance starting off with his (debut!?) role in ATOTS, we first have Earth to thank for believing in Mix’s ability and recommending him to portray the role of Tian, and then Aof’s acceptance despite his differing initial expectations for the character. Mix, Earth, and Aof have all been open about how Mix in his personal life and nature holds a lot of similarities to both his role as Tian in ATOTS and Wen in Moonlight Chicken. Some people might knock points off his performances because he’s like them. But his relationship to the characters, rather than dampening my enthusiasm for Mix’s performances, helps me appreciate his willingness to give an authentic performance in a style that hasn’t been encouraged on screens previously. It’s made more impactful that he chose to risk vulnerability to bring something personal that had previously been excluded from screens because of its gender deviance (and in broader society explicitly condemned). This doesn’t make a claim on Mix’s actual identity, but simply shows his willingness to understand and perform the expressions of his queer characters with an effort at empathy that many other actors would feel challenged to bring.

Some actors are chameleons, but some actors have a gift of a type within which they can explore depths and range that no one else can best. For me, that’s what Mix does in his work when directors and casting understands his talent. There’s a BTS video of Mix actually fainting during a scene while in Earth/Phupa’s embrace on the mountain that immediately brought to mind the wildly famous final scene in the film Camille where Greta Garbo as Marguerite dies in her lover’s arms.

For Mix, it was a serious incident due to regrettably extreme conditions and requiring the on-set paramedics, but these levels of theatrics, for me, are emblematic of what Mix is capable of as a performer, as well. After all, he had to faint in Phupa’s arms multiple times on purpose. It’s the kinds of Old Hollywood and heightened sentimental romance realms Mix takes his performances to! Then he can turn around and make it look easy to take that same character into grounded quips or dedicated everyday tasks. It only takes writers, directors, and audiences willing to see that men can feel this way and act this way. Mix has paved the way.

[thewriteadviceforwriters]

Crafting Compelling Morally Gray Characters: A Guide for Fiction Writers

In literature, there is often a clear distinction between good and evil. Heroes are portrayed as virtuous and villains as wicked. However, in recent years, there has been a rise in the popularity of morally gray characters - those who do not fit neatly into the categories of good or evil. These characters are complex, flawed, and often make decisions that challenge the reader's moral compass. In this guide, I'll help you explore the art of crafting compelling morally gray characters and how to make them stand out in your fiction writing.

What Are Morally Gray Characters?

Morally gray characters, also known as morally ambiguous characters, are those who do not conform to traditional notions of good or evil. They may have both positive and negative traits, and their actions may be motivated by a mix of good and bad intentions. These characters often blur the lines between right and wrong, making them more relatable and intriguing to readers.

Examples of Morally Gray Characters

Some well-known examples of morally gray characters include:

Severus Snape from the Harry Potter series: Initially portrayed as a villain, Snape's true motivations and actions are revealed to be more complex and morally ambiguous.

Jaime Lannister from A Song of Ice and Fire series: Known for his arrogance and incestuous relationship with his sister, Jaime's character evolves throughout the series, showcasing his internal struggle between his duty and his personal desires.

Walter White from Breaking Bad: A high school chemistry teacher turned methamphetamine producer, Walter's character is constantly torn between his desire for power and his moral compass.

Why Are Morally Gray Characters Compelling?

Morally gray characters are compelling because they challenge the reader's perceptions of right and wrong. They are not easily categorized as heroes or villains, making them more relatable and human. These characters also add depth and complexity to a story, making it more interesting and thought-provoking.

The Power of Relatability

One of the main reasons morally gray characters are so compelling is because they are relatable. They are not perfect, and they make mistakes, just like real people. This makes them more human and allows readers to connect with them on a deeper level. When readers can see themselves in a character, it creates a stronger emotional connection to the story.

The Element of Surprise

Morally gray characters also add an element of surprise to a story. Their actions and decisions may not always align with what the reader expects, keeping them on the edge of their seat. This unpredictability makes the story more engaging and can lead to unexpected plot twists.

The Exploration of Morality

Morally gray characters also allow for a deeper exploration of morality in a story. By challenging traditional notions of good and evil, these characters force readers to question their own moral compass and consider the gray areas of morality. This can lead to thought-provoking discussions and a deeper understanding of complex moral issues.

How to Craft Morally Gray Characters

Crafting morally gray characters requires a delicate balance of positive and negative traits, as well as a deep understanding of their motivations and internal struggles. Here are some tips for creating compelling morally gray characters in your writing.

Give Them a Strong Motivation

Every character, regardless of their moral alignment, should have a strong motivation for their actions. For morally gray characters, this motivation should be complex and not easily defined as purely good or evil. It could be a desire for power, revenge, or even a sense of duty. This motivation will drive their decisions and actions throughout the story.

Show Their Flaws and Vulnerabilities

Morally gray characters are not perfect, and they should not be portrayed as such. They should have flaws and vulnerabilities that make them more relatable and human. These flaws could be physical, emotional, or moral, and they should play a role in the character's development and decisions.

Create Internal Conflict

One of the defining characteristics of morally gray characters is their internal conflict. They are torn between their good and bad tendencies, and this struggle should be evident in their thoughts and actions. This internal conflict adds depth to the character and makes them more relatable to readers.

Avoid Stereotypes

When crafting morally gray characters, it's important to avoid falling into stereotypes. These characters should not be one-dimensional or defined solely by their moral ambiguity. They should have unique personalities, backgrounds, and motivations that make them stand out as individuals.

Show Their Growth and Development

As with any well-written character, morally gray characters should experience growth and development throughout the story. They should learn from their mistakes and make decisions that challenge their moral compass. This growth and development will make them more dynamic and interesting to readers.

How to Make Morally Gray Characters Stand Out

With the rise in popularity of morally gray characters, it's important to make yours stand out in a sea of similar characters. Here are some tips for making your morally gray characters unique and memorable.

Give Them a Distinctive Voice

A character's voice is an essential part of their identity. It should be unique and reflective of their personality and motivations. For morally gray characters, their voice should reflect their internal conflict and the complexity of their moral alignment.

Create a Strong Backstory

A character's backstory can provide valuable insight into their motivations and actions. For morally gray characters, a strong backstory can help explain their moral ambiguity and add depth to their character. It can also create empathy and understanding for their decisions.

Use Foils to Highlight Their Morality

Foils are characters who contrast with the main character, highlighting their strengths and weaknesses. For morally gray characters, foils can be used to showcase their moral ambiguity and challenge their beliefs. This can add depth to the character and create interesting dynamics between them and other characters.

Morally gray characters add depth, complexity, and relatability to a story. By challenging traditional notions of good and evil, these characters force readers to question their own moral compass and consider the gray areas of morality.

[alotofpockets]

Confidence | 18+ MDNI

Pairing: Reneé Rapp x Reader

Summary: Reneé asks you to come to her first day off shooting Mean Girls to give her the confidence she needs to play Regina George. (based on this scene)

Warnings: 18+ MDNI, smut

Reneé Rapp Masterlist | Words: 1.2k

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Reneé usually didn’t have a problem with showing off her body, she was proud of the way she looked, and often showed the world her confident side. She wore revealing outfits all the time, and never really gave a care in the world what others thought about her appearance. However, as the first day of shooting Mean Girls came closer, she started getting more and more nervous about portraying this confident character in front of the cameras.

Of course, Reneé had played Regina before, and knew the character well, but in front of the cameras it was different. On stage she got into character and played the part in front of a lot of people, but they were all sitting at a distance, and observed not only her but also the rest of the set around her. On set the cameras and the crew would be focussed on her playing the character the way they had envisioned her, of course they did the same for the other actors there, but the scene she was most worried about was Regina’s opening scene. 

It didn’t take much convincing on your girlfriend’s end to get you to join her on set for the first day of shooting. You loved supporting her in person whenever you were able to. Supporting her didn’t just mean her music and her acting, you supported her in every aspect of life, and she did the same for you, that is why your relationship worked so well. 

While it was an early call, Reneé still took some time to show you around the set. You hadn’t been to the Mean Girls set yet, and were looking at everything full of amusement. When you were younger, you had watched the original, and you always loved the movie, so seeing the set of the remake made you feel very nostalgic.

You sat to the side as Reneé was getting ready in the hair and make-up trailer, talking with her costars and the hair and make-up team. It was nice getting to know the girls she’d be working with for the next couple of months. 

Before you headed to the set they’d be shooting at this morning, you took Reneé to the side. “I just wanted to say that you are amazing, and you look incredible. You are going to crush this scene, and every scene after. You are the perfect Regina George, and I cannot wait to see the lines we rehearsed together come to life. I love you, baby. Have fun out there, and I will be right behind the crew supporting you.” Reneé pecked your lips, “You’re the best, but shush now or you’re going to make me cry.” You both laugh, and head into the hall the scene would be shot in. 

They were shooting the scene where Cady met Regina for the first time to the song ‘Meet the Plastics’. It included a close up shot of Reneé signing the song, while the camera slowly panned out, revealing more of her. It took a few takes to get the close up right, but when the crew was happy with the results, they moved on to the part that Reneé was most nervous about. It was a shot where she would sensually open her leather jacket and show off her boobs.

The first few takes were cut, “Reneé can you give us a try with some more confidence please?” The director asked and she nodded in response. Reneé looked up to you for some reassurance, and found you clenching your thighs together. You hid it well, no one else around you would notice, but Reneé knew. That familiar look in your eyes, and the subtle movements, she knew all too well. That sight alone gave her the confidence she needed to act the scene exactly how the directors had in mind. 

Once the scene was done, and Reneé had quickly said bye to her co-workers she walked up to you, “I knew having you here would do the trick. Wanna head back to my trailer?” Reneé wouldn’t be in the next couple of scenes they were shooting, so she had some free time. She knew just the way she wanted to spend that free time. 

After entering the trailer door behind you, Reneé pressed you up against it. Your breath hitched at the sudden movement, but a smirk started playing on your lips once you saw the look in your girlfriend’s eyes. “I told you you looked incredible.” You tease, letting your hand drag over her chest. When your hands found the zipper, you undid it the rest of the way, and took off the jacket. Your hands moved up her arms slowly until they reached the nap of her neck. “You are so beautiful, baby.” You tell her before she crashes her lips onto yours.

The kiss was instantly heated, you were very turned on from watching the scene Reneé acted in, so every small touch of your girlfriend letting her hands explore your body sent electricity throughout your body. Her lips made their way down your neck, kissing, sucking, and licking the spots you knew were going to have small bruises later. Your soft moans filled the trailer.

Reneé pulled you towards the bed in the back of the trailer. Only breaking the kiss, once you made it to the bed, so she could take off your shirt, and your bra. “So pretty.” She said before taking one of your nipples into her mouth, and swirling her tongue around the hardened bud. With one of your hands behind her back to pull her closer, and the other massaging her breasts, you fell back onto the bed. 

It didn’t take long for both of your clothes to be thrown onto the ground, and your moans filled the trailer once more, as Reneé drags her finger through your folds. “Fuck, you’re so wet baby.” Between moans you manage to say, “I told you, you looked incredible.” Reneé chuckled, “Once again proving that you are a boob girl.” Her comment made you laugh, but it got caught short as she entered one of her fingers into you, and started fucking you at a fast pace right away. 

Your moans start to get so loud that you’re afraid that someone will hear you, so you pull Reneé closer and crash your lips together to muffle the noises. You felt yourself nearing your high fast, as she entered a second finger, and used her thumb to run circles around your clit. “Baby, I-” Reneé’s darkened eyes meet yours, “Fuck, I’m close.” Reneé fastens her pace even more, loving the way she can feel you tighten around her fingers. “Come for me, baby.” Her sultry voice brings you over the edge. You moan her name loudly, no longer being able to control yourself as she fucks you through your orgasm. 

You let your head fall back onto the bed, while you come down from your high with a heaving chest. Reneé cleans off her fingers on the sheets, before she places soft kisses all over your face. “You did so great, baby. I should take you to set with me more often.” She says smiling down at you, admiring the way your sensitive body reacts to her soft touches. 

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