#just in case I mean these came out in like 2011 but

[ilovebeingaturtle]

So are the IDW turtles different ages? Or how does these reincarnation thing work?

[alexcabotgf]

not to be true crime posting on main but i think i'm falling down the wm3 rabbit hole again

[elletromil]

The great thing about being a 'let's put the same song on repeat for the next 3 months without listening to any other song on the album' type of music enjoyer, is that sometime when i grow into despair because i feel myself moving on from said song and i just know none of the 1423 songs in my likes are gonna do it, sometime i get to go 'you know that song from 2006 i still have in my rotation now? I dont think i've ever listened to any other song from that band'

And then i go listen to all their discography and go 'hot damn, so many new songs to put on repeat over the next few months :D'

[beanarie]

of course

in which the helicopter crashed with both our guys inside. inspired by this awesome post by @mooshkat

(tw: vomiting, heart issues, near death angst, biphobia mention)

~

Once the wave of agony subsides, and Tommy is reasonably sure he's done vomiting into the dirt, he blinks over at Evan appraisingly. "Is your arm broken or did your shoulder go out again?"

Evan grimaces and finishes tying off Tommy's splint. "Shoulder. And my hip's not feeling great. Cracked rib, maybe two. But of course you had to outdo me."

"Didn't do it on purpose." Tommy glares at the spot where his tibia poked through the skin, like he can intimidate the pain away. "Anyway you've got me on quantity."

"There's nothing else?"

"My head hurts," Tommy admits, "but there's not much we can do for that right now."

Evan leans in to compare his pupils. Tommy is very proud of himself for not flinching. "Dispatch had our location?" Evan asks, and instead of reminding him that he was there when they confirmed it, Tommy nods.

He knows he can't go to sleep, even if the leg would allow him. He finds a stick and starts tic tac toe. Evan chuckles and joins in.

He wins the next two games. Tommy blames his probable concussion.

Evan holds his bad arm tight around his midsection, but his eyes seem stormy for a different reason. "These people who hurt you in the past, what- what are their names?"

"Huh?" Tommy gives up on the game, scratching it out of the dirt. "You want a full list of legal names or just what I called them?"

"Was it Evan, for any of them?"

God, he's so transparent. Tommy laughs.

"Do you- do you judge everyone by who came before? Is that just what you do in a-all situations? One barista spilled coffee on you in 2011 and you pay for Starbucks with one of those grabby reacher things ever since?"

"Fuck's sake." Tommy doesn't even like Starbucks, but he doesn't say that.

Evan sort of shrugs before he remembers his shoulder with a wince. "It's not generally considered a sign of maturity. Ironic, I guess."

"Yeah, call me old. See where it gets you."

Evan brightens. "You're talking to me. I like my results so far."

There's something indefatigable about this man. Tommy can't help but surrender in the face of it, just a little. "How did you know I'd have to pinch hit for this fly along?"

"I didn't. I just hoped." His grin is just the slightest bit abashed. "Worst case scenario, get out of the engine for a day and I pump one of your coworkers for info."

"They have very little to pump," Tommy says. Evan and the codependent 118 are the aberration, and they're well aware of that. Tommy has great coworkers. They do their jobs and leave, with the exception of drinks once or twice a month. None of them gave him shit after the breakup. Few of them noticed. This is how most teams operate. Evan, however, looks surprised and a little sad. "What were you hoping to hear?"

"I don't know." Evan looks away, suddenly self conscious. "That you messed yourself up at least half as much as you did me."

Tommy rubs at his face. "I didn't mean to mess you up, Buck. Truly. We- It just ran its course. It doesn't reflect badly on you, or me. This just happens."

He looks upset at first, then calculating. "What if I hooked up with those Not-Evans?"

Tommy looks behind him, searching for something that makes sense. "What if you moved to the moon? I have no idea what you're getting at right now."

"Would I be experienced enough for you if I let them have a go? They were terrible for you, so it stands to reason they'll be terrible for me, too." He lifts a finger, his eyes lighting up in a way that turns Tommy's stomach. "Oh, I guess one or two of those might be women. They don't count. Some might be bi and married to women. Do they count as half? If I bag a threesome, is that like seventy-five percent? Do you give points for polyamory?"

Tommy feels about eighty years old, and not a fit eighty. "When did I say even one of those things?"

"The implications were pretty clear, Tommy. 'You're just young and excited. You don't know what you're feeling or how to interpret anything going on in front of you.'"

Tommy doesn't know what to say to that. It's not remotely what he meant, but he's never been good at communicating through panic.

"Did you love me?" Evan asks quietly. Tommy can't look him in the face. "It felt like you- like you did, but when you let me go like that, like chopping off the top bit of a carrot, it made me re- reevaluate everything I thought I knew about us."

The note of devastation in his voice almost tips him over, but ultimately what does it is the implication that Tommy made Evan lose faith in himself. He can't abide being responsible for that. "Of course I love you, Evan. How could I not?"

The tightness in his chest, that felt so much like raw emotion, intensifies, growing sharper. It's hard to breathe now, like sucking a milkshake through a coffee stirrer, and he realizes, something is very wrong. About as wrong as it could possibly be.

"Oh," he says. An attempt to inflate his lungs all the way makes his vision go sparkly at the edges.

"Tommy?"

Tommy drags his eyes up to meet Evan's. "S- Sorry, I-" I wouldn't have said any of those things if I knew. "Sorry. Evan." You deserve better than a fucking deathbed love confession.

A rough hand grasps his neck, slowing his descent to the ground. "No, hey. Hey hey hey. Tommy, we'll figure this out." Evan sniffles and tries to smile. His tears are falling everywhere. "You're okay. You're fine. Just keep- keep breathing."

The coffee stirrer is about a millimeter wide. Tommy can feel the muscles in his neck straining like he's deadlifting his own weight. Evan rips Tommy's shirt open and he swears floridly, miserably. They both know what this is; they've seen it in a hundred MVAs. Cardiac tamponade. When his heart gives out from the strain of all the blood surrounding it, chest compressions can be worse than useless. They could punch his ticket that much faster.

"Tommy," Evan says, pulling Tommy into his lap. The complaints from his splinted leg are distant, belonging to someone else entirely. Evan's voice is a ragged mess trying to piece itself together. His shoulder and ribs are probably killing him. "Don't run out again. You need to stay. Breathe."

Half a millimeter.

One quarter.

Tommy can't remember what comes after millimeter.

"That's it. I know it's hard, but keep trying. That's all I ask. Just try, okay? Look at me."

Micrometer? Is that it?

Evan's face is shadowed by the sun cresting over his shoulder. Tommy closes his eyes against the glare and is rewarded with a shake.

"Keep your eyes open. Stay with me. Just a little- little bit longer, please."

Fingers are running through his hair, lips are pressing against his forehead, and he thinks he can hear... sirens.

[celaenaeiln]

i mean this in the most neutral tone, but, im genuinely confused with this eldest daughter syndrome dick thing? as far as i know, he never lives in the manor with other batsiblings and personally take care of them except damian, and just "yeets" from any possible trouble or tension within the siblings or when they have issues with bruce

No worries I totally get it! And I'm here to deliver!

First, to be fair to Dick, no one lives in the manor aside from Damian and sometimes Tim.

Dick lives in Bludhaven, Steph lives in Gotham U? She's been in and out of comics but otherwise her own house. Cass lives in Leslie's clinic, Tim alternates between the Titans and the manor, Jason lives anywhere that doesn't have Bruce, and Duke lives with his uncle.

However that doesn't mean they don't all rely on him.

I think the confusion comes from scenes like this-

Batman: Urban Legends Issue #10

Where it seems like Dick just left Tim to deal with Bruce on his own. But-

Batman: Urban Legends Issue #10

Dick called him. When Tim when to him for advice, he gave him advice but also knew it couldn't just stop there. So he called Bruce to get it through his thick head that he's allowed to be happy. If there's anyone that can change Bruce's mind on anything it's Dick.

Which brings me to my next instance of Dick acting as the mediator and emotional burden lifter of his family. When each batkid dies (or almost dies in Dick's case), Bruce grieves in a different way. With Jason he took it out on criminals, with Tim he took it out on himself, with Dick he took it out on criminals and heroes, and with Damian, he wanted to undo what happened. He torments Jason about it, goes too hard on the criminals, gets worsened by Barbara, gets helped a little by Selina but also feels a billion times worse about Damian's death so-

Batman and Robin (2011) Issue #23

He locks himself in a simulator for days trying to see and fix where he went from when Heretic killed Damian. Nothing gets through to him so Alfred pulls out the Big Guns - he calls in Dick.

Batman and Robin (2011) Issue #23

"Richard just came in from Chicago to--"

"Talk some sense into me?"

"Yes, I've implored you to shut this...thing off and join the living, but you have turned a deaf ear for days."

"This calling in the cavalry routine is getting old, Alfred."

Since the dawn of Batman and Robin, Dick has always acted as the mediator for Bruce and the family. Always.

With Dick's help, finally, after days, Damian's saved.

Batman and Robin (2011) Issue #23

And Dick finally brings Bruce back to life.

Batman and Robin (2011) Issue #23

He took a destructive, dead-man-walking and breathed life and hope back into him to stop him from taking his grief and anger out on his family and criminals.

Also-

LOOK AT THE WAY THEY'RE SEATED. DICK IS LITERALLY BRUCE'S THERAPIST.

Batman and Robin (2011) Issue #23

Calling in the cavalry always works.

Of course there's times when Dick doesn't help mediate. But the issue is not that he doesn't want to or he pushes it off, it's that he can't. What the hell are you supposed to do when the mediator who mediates all your problems is themself broken?

Dick really wants to help Tim but he can't. He can't find it in himself to barely live right now because Donna-his platonic soulmate-is dead.

Teen Titans/Outsiders Secret Files

He really can't.

Teen Titans/Outsiders Secret Files

She was his sister too. Pretty much blood.

I actually think the fact that Dick doesn't live in the manor makes the fact that he still takes care of all his siblings and their problems with Bruce even more important. To calm and rationalize down Bruce and take care of his siblings, he's constantly flying or driving back and forth between different cities, dropping his cases and work, ignoring his problems, just to be there for them.

For another example, when Dick hears that the newest Batman is causing problems in Gotham and Bruce just abandoned Tim to deal with everything and Tim nearly got hurt, he comes all the way back to Gotham to rail Bruce out for doing that to him.

Robin (1993) Issue #8

When Bruce teams with Damian their relationship so tumultuous but once again Dick steps in.

Batman: The Return

"I need a partner who can stay focused and keep up."

"Bruce, come on! I made a career out of not doing anything I was told when I was Robin. He gave up everything for this. You can't just take it away...you can't cut him out."

He keeps Robin from being fired and continues being Damian's support system.

It's not just mediating though, Dick fully steps in to take care of the batfamily whenever Bruce absconds or there's trouble.

Batman and Robin Eternal Issue #24

He's like the command center of the family.

This picture just embodies his role.

Batman (2011) Issue #15

And as Bruce once said-

Batman: Urban Legends Issue #22

He's really the eldest daughter and caretaker.

[sophistopheles]

hey!! ty for posting about the article talking about continuation of aa. I don’t know as much about the production of aa5 and 6 but you mentioned a person names Eshiro being responsible for the “no spoilers” rule being replaced. what/who is that? just in general giving u the floor to rant about aa5 and 6 beyond what u were able to say in that post and ur hopes for the future 💙✨ ok bye! :)

hiya!! (post here)

So, the story of why aa5 and aa6 are so different to aa4 basically boils down to a change in the team making it (and Eshiro was part of this).

Most people know Shu Takumi wrote and directed the original trilogy of Phoenix Wright games and then worked on Apollo Justice (although the director was technically Mitsuru Endo, people tend to think of AJ as the last "Takumi" mainline game). After that, he left the Ace Attorney team to complete and release Ghost Trick in 2010, and then he became involved in the development of Professor Layton vs Phoenix Wright, which released in 2012.

While he was doing all of this, a "secondary" Ace Attorney team had arisen to keep working on the franchise - they had almost all worked on previous AA games and in 2009 and 2011 they were able to release the two Ace Attorney Investigations games.

The two most well-known members of this "team" are the producer Motohide Eshiro and the director Takeshi Yamazaki, and the fact that AAI2 is so beloved shows that they are by no means unable to make really, really good Ace Attorney games. But, with Takumi still busy with his other projects, and a good few years having passed since AA4, this team was asked to create a fifth Ace Attorney game in his absence.

This was, obviously, a challenge, and Capcom were likely in quite a rush to get a new mainline game out soon. Additionally, initial fan reception of AA4 was really not that good - many people hated the decision to disbar Phoenix in particular - and the game itself had many loose ends.

Eshiro, as the producer, decided that for AA5 it was better for the writers to not be held back by previous games, which manifested in what people think of now as the "no spoilers rule". This is why AA5 does not follow up on AA4, and likewise for AA6. Nowadays this decision is widely regarded as a very bad move, but on some level I empathise with it - AA has always been kind of reluctant to spoil past games, and you were always operating with the presumption that the player might be new to the series and wanted to go back to the previous games. Writing a follow-up that addressed AA4, while being acceptable to newcomers and not spoiling almost all of AA4's biggest twists, without the guy who originally came up with the story, would prove really difficult.

So they wrote Dual Destinies as a new story which followed AA4 but didn't really address it, and indulged in fanservice to try and restore the series status quo. It seems like the scenario changed a lot during development and they were pretty crunched for time, too - the final villain's models are apparently called FINALBOSS in the game files and completely broken if you look at them from any other angle.

After working on AA5, Yamazaki was apparently exhausted and didn't really want to make another Ace Attorney. Unfortunately for him, Shu Takumi was still off on his Sherlock & Souseki Victorian-Meiji Adventure, writing the Great Ace Attorney duology, and he wouldn't get done until 2017 when DGS2 came out.

Eshiro managed to persuade Yamazaki to work on AA6 by bringing him to conventions, and having seen the passion and overjoyed reactions from fans after AA5 came out, Yamazaki agreed to direct the sixth game, with Takuro Fuse (AA5 and 6's main artist) acting as co-director to ease the load. Some of AA6's cases were also created by guest writers; the SOJ artbook mentions a struggle for ideas, which explains the outlandish setting of Khura'in.

To the best of my knowledge (and I'm not sure this account is 100% accurate so anyone please feel free to correct me) this is why AA5 and AA6 are the way they are. Nobody is particularly to blame for how things turned out; there were just a couple of bad decisions along the way which has resulted in the games being looked back on by a lot of people with some contempt. Given the circumstances, I'm actually pretty impressed with how enjoyable Dual Destinies and Spirit of Justice are, even if they don't reach the heights of the trilogy.

Yamazaki left Capcom in 2019. Eshiro went on to produce Dai Gyakuten Saiban 2, and I'm pretty sure he's still at Capcom.

What all of this means for the next Ace Attorney title is completely speculation, but the short version of the story is that Shu Takumi has finally come back from getting milk Herlock Sholmes Jail writing other games, and seems to be getting hyped up by capcom as the "Director of the Ace Attorney Series". This makes it very likely he will direct and write the next Ace Attorney game. At present we have no idea what this means - he could follow up on AA4's story as well as he's able, he could write another Phoenix game, he might go rogue and write an Athena game, he might do something completely different. But the next AA game will likely be around the quality of AA1-2-3-4 and DGS, not another AA5/6 situation.

As for the producer, this comes from the November 2020 leaks (which was very real - it's where we first got the TGAA localisation confirmed), but the only thing we heard about their projected AA7 was that it would be produced by a guy called Yasayuki Makino. He also produced The Great Ace Attorney collection, and if you read his dev blogs from that release, he credits AA4 for getting him into the series initially, and generally seems to be a huge Ace Attorney fan himself, pushing hard for TGAA to get a worldwide re-release after its unimpressive initial sales (and look how well that's worked out...!)

That's basically the story. I think AA7 will be great, actually, but at this point I will literally take anything, Capcom please my family is starving

[epickiya722]

"How is Horikoshi going to wrap up everything on five chapters?"

I don't know, you don't know. We just know Horikoshi and his team have a plan and they know how MHA is going to be wrapped up in five chapters.

They got it, they'll handle this. At the end of the day, this is Kohei Horikoshi's story.

Regardless, I feel like this is the case with some of you.

You're afraid of being disappointed. You're afraid of being disappointed because you have these expectations set so high. With that kind of standard, you're never going to be satisfied with anything.

So stuck on "this must satisfy me and only me" that you forget that that story not written by you is a story that is just being shared with you. Not given to you because you're special and you're not.

On top of that, some of you just crave for more, more, more. And more. And more. Even more.

You want nonstop content being pushed out while being impatient about it (looking at you, 'how dare we not get a new chapter this week' folks).

Just because one manga had been going on for longer than another, maybe even came out before that one, doesn't mean every manga is meant to last for a long time. Manga, anime, TV show, comic book, novel series, etc.

Fun fact, Horikoshi's previous works didn't last for ten years. His last one, Oumagadoki Zoo, lasted little less than a year. From July 2010 to April 2011.

Three years it ended before My Hero Academia came into the picture. And I'll be honest, I doubt Horikoshi even planned for MHA to last this long because he didn't have the experience before.

Once it got to a certain point, I doubt he even wants for MHA to go even longer.

Hell, that's something I know all too well as someone who writes. And from what I remember, stories have a beginning, a middle and an end.

Stories aren't meant to keep going on forever. They're meant to be read, to be told, to be understood, to be enjoyed.

Not be graded like some college report and not ongoing like the people who create those stories are damn machines.

Something that it's very clear to me that some of you forgotten that. Or even care, let's be real.

Some of you want perfection so bad and yet can't even write your own damn story.

Who even wants a perfect story anyways? I don't know about the rest of you, but a story with flaws is a story that could be learned from. Stories can guide you, too, in more ways than one.

Horikoshi's writing to me, at least, isn't perfect. It's entertaining. I got into MHA because I was entertained by the concept. I got interested into it because of a meme I saw. You think I wouldn't want to seek it out and see if it will entertain me?

Yes, there are some points of the story where I wanted to pull my hair out and I don't doubt that a future part may make that feeling return.

But at the same time, what if... that's the point? Maybe you were meant to feel that emotion? Maybe that's what the writer was going for?

Are you understanding me?

Maybe, example, with the end we got for Tomura was meant to upset you? Sadden you, anger you even? Stories work like that sometimes!

But I doubt the writer should be condemned for it because at the end of the day, it is just a piece of fiction. My Hero Academia is the same story where a woman can grow to the size of a building and a kid has a speech bubble for a head.

Now does that sound like a story that you should be acting like a complete fool over? Wishing harm towards and arguing with others over? Huh? Does it?

Honestly, after MHA ends, if you choose to move onto the next manga, anime, whatever how about stop expecting so much?

How about stop having this entitlement that the story must go your way and your way only?

How about remembering that eventually that story will end?

[emjee]

hiiiiiiiiii I've had three glasses of wine and here's a WIP preview of the fic I'm calling "Mister Rogers' Neighborhood (Library)" (aka Steve Rogers gets a library card circa 2011 and quickly learns about Librarians Vs. The PATRIOT Act)

“I can help who’s next.”

The next man in line at the reference desk of the Brooklyn Public Library was so handsome that Marian’s brain quickly supplied a list of five potential nicknames for him that the staff could use among themselves if he became a regular.

“Hi, I was uh, wondering about getting a library card?”

“Sure, I can help you with that! Are you a Brooklyn resident?”

“For a long time.”

“Have you had a card with us before? If you have I’ll check and see if you’re still in our system.”

“I did, but it was a very long time ago.” Neighborhood kid, she wondered, maybe just moved back to the old stomping grounds?

“Well, we keep the records for a couple of years, and we do like to check so we avoid duplicates. What would the name on file have been?”

“Is there something else you can search by?”

“If it’s under a name you don’t use we can try address and date of birth.”

“My birthday’s July 4th.”

A year would have been helpful, but they could circle back to that. “What’s it like sharing a birthday with a country?” she asked as she started typing.

“Well, the fireworks always made me feel special when I was a kid.”

“I’m sure. Do you remember what address we might have had on file?”

He took a moment to reply, and when he did his voice was calm, but soft enough that she had to learn forward to hear him. “I don’t think it’s there anymore.”

House fire? Gentrification?

This sort of thing happened from time to time—a patron came in who clearly had a story that made getting them what they needed less straightforward that it might otherwise have been. That wasn’t a problem; sorting that sort of thing was literally what the fine people of Brooklyn paid her for, but she was always curious about people’s stories. Sometimes they told you, sometimes they didn’t. She wasn’t going to ask, though. Curiosity or no, it was ultimately none of her business.

“None of that’s a problem,” she assured him. “I can make you a new card right now, if you have an ID and proof of address. Driver’s license would work for both, or a passport, state ID, student ID plus a piece of mail…”

“This is going to sound like a silly question, probably…” He looked at the ceiling, like he was trying to figure out how to phrase it.

“No such thing,” she said lightly. “Besides, we’ve probably heard it before. Probably ten times a day.”

“If I do get a card, does anyone…know? Besides you all, I mean.”

Marian sat straighter in her chair and immediately became all business. “Not a silly question at all. Any record that identifies you by name is confidential under New York state law. We don’t even let law enforcement have it.”

A genuine grin dawned  on his face and she immediately thought of three more possible nicknames. “Seriously?”

“Not unless they’ve got a warrant or a subpoena.”

“Huh. But it would have to be under my legal name?”

“We do need to have it on file, but if you have a name you’d rather use, we can make a note in the record. That’s the name your mail would come addressed to, and what the staff would call you.”

She watched him glance down, smile, and put a hand in his pocket.

“Yeah,” he said, producing his wallet and handing her his ID. “In that case.”

She set the ID on the counter in front of her while she opened a new card registration form and didn’t give it a proper look until she had her hands on the keyboard.

Well. That certainly explained a lot.

After entering ROGERS STEVEN GRANT into the record in a rapid clatter of keyboard strokes, she glanced back up at him and said, “What would you like me to put in the preferred name field.”

He gave it a moment’s thought. “Fred.”

She couldn’t suppress a smirk. “Excellent choice. Same last name?”

“Joke’s not as good if I change it.”

“Fair point.” She grabbed a fresh card from the drawer and scanned the barcode into the system, then saved the record. “Welcome to the Brooklyn Public Library, Mr. Rogers.”

[condensed-ink]

I've been thinking a lot about #FixTF2 and I know that some might have their doubts about the movement, however, I've realized that, even if it does not succeed in getting Valve's attention, it will end up contributing towards an important development in recent years - the shift in the public perception of Valve.

If you are person who was growing up in the early 2010's then you obviously remember how Valve games were essentially the cultural zeitgeist of the time, how you would see pictures of King Gaben on every meme/YouTube thumbnail during a Steam Summer Sale. As I understand it, Valve essentially rode this wave of good will throughout the 2010's. Even when everyone was getting frustrated with the lack of sequels for games such as HL2 and L4D2, some people would just excuse it with "ah y'know Valve, not communicating and not doing anything is just their style, this is just probably part of Gaben's 5D chess - tier master plan". However, the cracks in this image have been slowly showing up for a long time:

Portal fans haven't had anything since Portal 2's release back in 2011. We have had some small VR titles but that's hardly any consolation.

Left for Dead 2 came out all the way back in 2009 with nothing afterwards. As of June of 2024, the game still has more than 10 thousand concurrent players yet it is also unplayable for a significant amount of people due to reported DDos attacks.

The suffering of Half - life fans at this point is a meme in itself. The only thing we got was HL:Alyx back in 2020 and, even though it's a very good game, it was inaccessible to a lot of people at launch due the costs and lack of VR hardware. We were left on a cliff-hanger AGAIN and four years later we have no news of any follow-up.

In my opinion, Valve to some extent could ignore these fandoms since they were smaller compared to their big earners. But it is the recent issues with these bigger titles that have started to test everyone's patience and tolerance for Valve's bullshit:

Team Fortress 2 - I mean what else is there to say: rampant cheating and idle bots, bot hosters doxxing and swatting people. The bots crisis has been destroying the game for the past 5 years. If we remember the original SaveTF2 movement, it had a more positive tone, i. e., people talking about how much they love the game and pleading Valve to fix it. Well, one shitty tweet and two years later the tone has gone from "Please fix the game" to "FIX THE FUCKING GAME YOU ASSHOLES" and rightfully so.

CS2 also has a myriad of issues. CS:GO became CS2 after the game jumped to the Source 2 engine, but the resulting game, by many accounts, is a downgrade. A lot of game modes and maps from the original game were not included and are still not present as of June of 2024. Cheaters are rampant. To what degree I cannot say but it is to an extent where a significant enough portion of the player base is affected. Also, the game hasn't had an operation (major content update) since 2021. The player count is still high, but a lot voices in the community have been chewing out Valve for this level of incompetence.

With DOTA 2 I cannot say for sure. Some people talk about neglect whilst others say the game is in a decent state considering the game still gets frequent updates and patches. At most I can say that there is a portion of players that are dissatisfied with the state of the game but most likely to a much lesser extent than in the previous cases.

HOWEVER

All of that is just one part of the double whammy, the second part is probably is much worse than the first - a lack of continuity for Valve's legacy.

I mean, let's think about it for a second here: most of us who grew with the Valve classics are probably in our mid-to late twenties at this point. Of course, I'm not saying that there aren't any younger fans but the bulk is the old guard. I'm pretty sure a lot of kids and teenagers don't even know a lot about these games and it's not their fault, they weren't old enough to experience them. The blame lies SOLELY with Valve because they have done NOTHING to boost the visibility of their older series due to the fact that they haven't bothered to make a single proper sequel for any of them.

And speaking of visibility, Valve's advertising strategy is non - existent and downright insulting . They really have this holier-than-thou perception of themselves, where they think "I am THE Valve softworks, makers of TF2 and Half-Life! How could you NOT know of us?!?!" and then expect everyone else to spread news of their games through word-of-mouth. Like, I'm sorry, Gabe, but we don't owe you shit. I'm not gonna advertise your shitty card-game and upcoming mediocre 5v5 hero shooter just because I had fun playing TF2 back in high school. Like, it's no surprise that you're not gaining any new fans when this has been your modus operandi for the past 10 years.

TO CONCLUDE

This is where we are right now: the old guard is either apathetic or straight-up hates Valve for their negligence, the younger generation barely knows about most of Valve's OG game series due to the lack of any meaningful output. At the end of the day, Valve isn't going to bankrupt, they're gonna keep taking their 30% cut from Steam and peddling gambling addictions to kids via cases. However, the era of good will is over, nobody is cutting them any slack anymore and, frankly, they deserve all the shit that's going to get thrown at them.

[abby118]

I followed you when I came back to the loki fandom in 2021 and then was promptly heartbroken by the show, utterly disappointed and all that. And then i came here to find if anyone else was similarly disillusioned with the show and I did find a lot of us. That's when I found you too. But I also found a lot of these blogs very loudly bashing other fans centred around the new show, and I get where it comes from because I have seen the other side too. But I didn't really vibe with all that. I deny the existence of that show but the active hating is not really my scene. You were and still are one of the chill blogs who also gets why we don't like the show but you aren't overt about attacking the other side of this fandom.

Hmm interesting. I see what you mean but while I do not condone bullying of any sort, I am very critical of the series fans, just like the series critical blogs.

As I've mentioned in an ask earlier, I wanted a blog similar to what I remembered from the Tumblr before Ragnarok. This is just a by product of that - not much critique. We have series critical blogs who have written their posts and they've done so well; I simply prioritise preserving the good that we had (as well as my sanity) instead of adding to that pile (not because I wouldn't see it as important, but because I've only got so much energy and I don't have any interest in torturing myself with that show). Someone had to do it, otherwise we'd have empty tags.

I do not, and won't ever understand how someone who claims to have watched and enjoyed the movies could ever, not just accept, but like the series so I don't understand the other side. The fans are everything wrong with the fandom nowadays and I stand by that. If someone's able to even remotely enjoy that series, I genuinely don't believe they paid attention to the original movies, or understood them. Why would you simultaneously claim to be a fan of something to the point of joining the fanbase for it and support its disrespectful destruction? (Because that wasn't just a case of unfortunate writing, it was a complete out of character, out of logic, reboot that changed everything that had any dept to it including things like the universe's history and the character's personalities, speech, demeanour, the genre, you name it.)

That's not even touching on the fact how the fans reflect the series and the series reflects its fanbase. I've been a part of this fandom since 2011, as well as other fandoms, of course, and never in all of my years on this site have I seen people (full grown adults, mind you) be so childish and hostile towards not just the original fans but everyone, really. It's not normal to be getting death threats or suicide bait or asks in which they pretend to be the people you know or be sending asks (to themselves) in which they pretend to be you to cause drama. Saying this again - who would introduce themselves on anon? Just think about it.

I will not "attack" anyone for being a fan of the series, neither will I write critique about them (not unless they directly choose to interact with me) but I am very critical of them and I do judge them.

[yonderghostshistories]

HAPPY 13TH ANNIVERSARY TO “HOLY FLYING CIRCUS” (2011) 🥳🎉🎊🎂🎈

(Aka the best Monty Python biopic imho)

It’s been 13 BLOODY years since HFC aired on this day (19th October) at 9:00pm on BBC 4 in the year of our lord 2011, but it’s only been a few months since I (and many other of my mutuals) watched and rewatched it this year, and I will always treasure the times that I have seen this wonderful movie!

I remember when I was a newly fresh faced MP fan in 2023 and was slowly and gradually getting into them, and that I was wondering if there was ever a biopic made about Monty Python? I mean, it would be kinda weird that there wasn’t a biopic made about Monty Python, ya’know considering that they were very much influential in the world of comedy and beyond, that it would obviously be a missed opportunity to NOT make a biopic about them.

I then went and logged on into one of the school computers at my secondary school to look up if there was a Monty Python Biopic, in which I googled smth along the lines of “Monty Python Biopic”, and LO and behold, HFC was (iirc) the first result that came up!

I was IMMEDIATELY intrigued to see what HFC was all about, and so I looked at and read the plot synopsis for HFC on IMDb. At the time, it was honestly really cool and interesting fr! Then I looked at the cast and…well. I wasn’t immediately put off by the fact that the cast for the HFC Pythons weren’t exactly 100% identical to the irl Pythons, like they were similar to them but JUST different enough to have a sorta distinct, uncanny feeling to them. But ngl, at the time when I saw photos of the cast, I did have a feeling that was like “ughh….this is soooo obviously cheap, why couldn’t they have gotten a bigger budget for this?”, and now looking back, I do recognise that HFC was, well, made on a BBC 4 budget (aka a low budget, at least for BBC 4) and that the cast and crew had to work with what they had (both in terms costumes and hair) and tbh I was kinda a bit mean on them at that time and that do I regret it. I mean, I still don’t forgive some of the HFC Pythons’ hair cuz OMG Steve Punt/Eric and Phil Nichol/Terry G’s hair is still kinda not good lol 😂 but I do understand why it is what it is.

Anyway, I digress!

It was because of this (plus looking at some rather quite negative reviews of HFC) that I STILL wanted to check out HFC and see what it’s about, but I had INCREDIBLY low expectations for it. At best thinking that HFC would be at least kinda decent, but at worst thinking that it would be kinda mediocre and not the worst but definitely not the best. So, for Christmas 2023, I asked my Dad (iirc) to buy me the DVD for HFC (as well as some other DVDs, those being “A Liar’s Autobiography” the book, the animated film adaptation “A Liar’s Autobiography” (2012), “Remember Me” (2014) starring Michael Palin, “A Field in England” (2013) and “In the Earth” (2021), the latter 2 cuz I was really into the League of Gentlemen/Inside No. 9/Reece Shearsmith at the time and also cuz I love me a bit of horror!). Then came January/February 2024, and I got my DVDs by that time!

(Here’s a crappy looking (affectionate) picture I took of them back in February when I still used my Android phone to take pictures of stuff)

Then I…..didn’t watch them (and in this case HFC) for a couple months after I got them (mostly due to school and exams and shit which made me kinda exhausted and so I didn’t watch much stuff during that time cuz of it), BUT! BUT BUT BUT!!

It was on a somewhat regular day on the 20th of May 2024, when I finally, FINALLY AFTER ALL THIS TIME OF LAYING IT OFF AGAIN AND AGAIN (again due to the exams and studying for said exams and shit) that I decided to finally get the courage to watch HFC in its entirety!! Also cuz I needed to give myself a bit of stress relief and also a lil reward for studying too much lol.

I got the HFC DVD from my living room shelf, I took the HFC DVD out from the plastic cover, I then got my DVD player and carefully inserted the HFC DVD into the DVD player so as to NOT potentially break it, and then…..I finally watched it.

It was…..quite the experience (and I mean this in the most positive way ever!)

Watching the film for the first time genuinely, like GENUINELY, floored my previously low expectations of it. Like, fr IT WAS CRAZY. AND AMAZING. AND WONDERFUL. AND SURREAL. AND FUNNY. Like, it was honestly the best thing I ever watched at that time!!

The HFC Python cast, who I thought was not gonna be the best, was actually fr incredible! Not only did they all get their respective irl Pythons’ mannerisms and expressions on point, but their unique take on each Python was genuinely charming and interesting fr! Especially Charles Edwards/Michael and Darren Boyd/John and their relationship between each other in the film was indeed very captivating to watch (and a lil gay and fan service-y, to which I also love it for that <33).

Speaking of which, Charles Edwards as Michael Palin was unironically the best thing about this film, not only for his voice and mannerisms but his character as well!! Like fr CHARLIE EDWARDS FR LOOKS LIKE ACTUAL MICHAEL PALIN LIKE WHAT?!!?!!

Darren Boyd as John Cleese was also quite great too, like, even if he portrayed him as the “Basil Fawlty Persona” version of John, I felt like it was still pretty much like John’s character, and Darren Boyd/John does show little moments of genuine vulnerability, which make it really more profound imo!

Rufus Jones as Terry Jones, Phil Nichol as Terry Gilliam, Steve Punt as Eric Idle and Tom Fisher as Graham Chapman were also pretty great in this as well! But ESPECIALLY Tom Fisher/Gray as HE ABSOLUTELY STOLE THE SHOW IN THIS MOVIE FR, AND THAT HE ABSOLUTELY SLAYED AS GRAY AND I LOVE HIS JACKETS, HIS SEXINESS, HIS QUOTES, HIS GAYNESS, HIS WISENESS, HIS EVERYTHING AGHHHHH (also he’s really beautiful imo). Like with Charles Edwards/Michael and Darren Boyd/John, their performances as their each respective Python was really amazing, such as Phil Nichol exhibiting Terry G’s childlike craziness and goblin-like energy, to Rufus Jones/Jonesy also acting/double role-ing as Michael’s Wife (in a loving homage to Jonesy playing most of the female characters in MPFC and the films with absolute PERFECTION) to Steve Punt/Eric being very much onto the business side of Python (in which he’s referred to as a “money grabbing bastard”, which I almost quote all the time haha).

Also shoutout to the supporting cast of HFC, they also carried the movie too! My personal favourites being Jason Thorpe as the rude and annoying and obnoxious boss (and very funny) Alan Dick and the LoB obsessed but with good intentions Christian with a stutter Desmond Lovely, Simon Greenall as the Pythons’ Manager/Film Distributor Barry, Paul Chahidi as the meek and trying to make things go well Harry Balls, and Stephen Fry as God (cuz Stephen Fry is an absolute ⚡️✨ ICON ✨⚡️fr)!

Oh yeah, also, I LOVE THE ANIMATIONS AHHHH THEYRE SO AMAZEBALLS FRRR!!!! AND I ABSOLUTELY LOVE LOVE LOVE THE MUSIC TOOO!!!! SHOUTOUT TO THE ANIMATION TEAM AND MUSIC COMPOSER FOR HFC, THEY DESERVE IT FR AND DESERVE ALOT OF APPRECIATION!!!

Also, this movie is fr so funny frfr, have I mentioned that it’s really funny? Cuz it’s really funny! It’s also (like Holy Grail) very quotable indeed, and there’s a lot like ALOT of quotes from HFC that live in my head rent free! My personal favourites among them are:

-“It’s Half Logical, Half Silly!”

-“Eric is a Money Grabbing Bastard!”

-“Glass of Cordial? S P O T O F S O U P ?”

-“Are you Willy waving at Jesus?”

-“Well, I am Gay, I like Neeews, it’s very good for film reviieeewwws 😌😏”

The ways this movie have changed my life for the better (and for the sillier) is that I’ve gone through the rabbit hole and have discovered many, MANY amazing shows and films starring each of the HFC Python actors, for example; “Treacle Jr” (2010) and “The Nine Lives of Tomas Katz” (2000) (both films starring Tom Fisher) are genuinely pretty great and I do recommend you watch them if you can! Plus I bought them and other projects starring each HFC Python on DVD cuz it shows how much I’m THAT dedicated to this movie (HFC) fr, and that I’m fr grateful for discovering this little BBC 4 Pythonesque comedy drama from 2011, cuz if i hadn’t, I’d have missed out on some real great stuff!

I will always love “Holy Flying Circus” (2011) for the rest of my life, and I will always appreciate and treasure it with my entire heart 🫶❤️, and I will continue watching and rewatching it and continue fanning about it into the future! I’m very lucky that HFC came into my life and that I watched it, and that I don’t think I’d be quite the same if I hadn’t the courage to watch the film on the 20th May 2024.

It’ll soon be almost 1 hour to the time (that being 9:00pm) when HFC aired on the 19th of October in 2011 by the time I’m writing this, so I’d like to quickly wrap up by saying:

Thank you “Holy Flying Circus” (2011). Just, thank you ☺️🫶❤️…..

And remember:

“Eric is a Money Grabbing Bastard”.

[thommi-tomate]

Interview with Thomas (January 9, 2011)

By: Andreas Burkert for Süddeutsche Zeitung

Mr. Müller, where is the Golden Shoe for the best World Cup shooter?

At home, in my games room, where the dartboard and Play Station are. Everything that has now accumulated is on the windowsill. Before it gets dusty in the boxes, I'd rather put it outside.

The reason for your award, Germany's World Cup performance in South Africa, was part of every annual review. Did you watch it when this Müller suddenly walks through the picture?

Of course I've also seen Müller in a few previews. But I don't necessarily have to watch the whole thing. The year went really well and I'm always reminded of that, even if I forget about it; I can't avoid it anymore. But it's over now. I can't buy anything for it anymore. Now I have to prove myself again.

What came up in your personal review of 2010 on New Year's Eve?

It was the World Cup. But there wasn't just one moment for me, there were so many great moments.

You only made your debut for the national team just under ten months ago, in Munich against Argentina.

Yes, that was special. When I heard the national anthem, I thought: Now I've made it, now I'm really where I want to be - (A German tourist of an older age approaches the table and wants an autograph. Müller asks for her understanding that he can't now, but will be happy to do so later) - Well, since the World Cup, even those who don't know much about soccer recognize you.

Just older ladies?

Nah, nah, all the age-group are already there.

Does at least your grandma, who you greeted on TV after the round of 16 against England, have some peace now?

In the meantime, yes. The problem was that my parents, my grandma and the people here in Pähl didn't have a media manager like we did at Bayern or the DFB. But I was back home over the Christmas period and everything was nice and quiet.

People who know you well say: Müller, he doesn't take off, not even now, he doesn't drive a Ferrari yet. Don't you have a quirk? And how do you reward yourself after a year like that?

I once asked myself the same question. We have a great sponsor, so I don't need a new car. But I do sometimes walk past watch stores, but then I see that they are sometimes really expensive. Then I'd rather not, it's not worth it to me. I'm also not a bird of paradise who dyes her hair. My wife rides, which has now become important for us. Apart from that, I really do have everything. I'd have to make my own problems if I wanted to have any.

Do you ride yourself?

I tried it out a year and a half ago. Well, I didn't fall off directly, but I felt sorry for the horse afterwards. The risk is too big for me and the horse.

2011 has started for you with the loss of a title: You no longer have the thinnest legs.

You mean because of Luiz Gustavo? Well, we haven't measured his thighs yet, but it's possible. People always joke about my legs, I know they always have. But don't worry, my mother has already noticed that they don't break much. They were never a problem for me, in fact I think they helped me, even when I was younger. Because if you don't just have your body to fight back with, you also have to use your brain to run certain routes to avoid direct duels.

Is that how this urge came about? Müller goes up top, to where the ball suddenly appears?

Certain things are certainly trained automatisms. But often it's a certain instinct, a feeling for the spaces. I'm glad to have this ability.

In any case, it's difficult to compare your style with another player. Do you perhaps know one?

No, I am somehow unique. There are dribblers who are pretty similar, strikers too, but what am I actually?

Yes, what is Müller?

Hm. Well, what am I? A Raumdeuter (space interpreter) ? Yes, I'm a Raumdeuter. That would be a good title, wouldn't it?

In any case. Because, if I may say so, you do score goals, but particularly beautiful ones are rare. But you are there.

That's true, I'm not known for scoring beautiful goals. But the important thing is when it's in. I've often been accused of being lucky, but if it happens five times in a row at the World Cup, there must be another reason for it

Your former amateur coach Hermann Gerland once said: "Müller can play like shit for 90 minutes - but then he scores a goal.

The statement is correct. I consciously take risks in my game, I often try things on the direct route towards goal that are perhaps great in terms of the idea, but difficult to execute. Mistakes happen, but you have to say to yourself: no more, next time I'll try again. Reviews sometimes say: He tried a lot but didn't succeed. Yes, then it just didn't work out. I try a lot, and there are a lot of rejects. I know that, and that's why I don't drive myself crazy.

Did you get the impression after the World Cup that your opponents adjusted better to your unconventional style?

Not really. The first half of the season was a bit different, I mainly played on the right or left. It just didn't go well for the team overall, no individual player was able to break away from the trend, not even me.

Your roles change frequently. Where would you have Müller play?

I would put Müller behind the front line, which is the position at Bayern that is closer to the opponent's goal and therefore more dangerous. I can penetrate the gaps better from there. You have to be more tactically disciplined on the right and left, and the number seven position in the national team is a different right than at Bayern, because the DFB always swap sides with Mesut Özil. I need a bit of freedom to be able to play on the left or right. That's why I see myself behind the front ten. But I'm versatile and also like to play other roles.

Van Gaal said last season: "Müller always plays for me". Has this confidence made your rise possible?

He didn't even need to make that statement. Because I always had the feeling that he was counting on me.

How did you notice that, his confidence? A year ago it was said that some players were afraid of van Gaal.

Oh, I like talking like him too. He wants to create a certain amount of friction, which is why he prefers his way of talking. I really like his direct manner, we're similar in that respect

You, but also other players, were unusually outspoken in your support of the coach during the critical fall weeks. Out of gratitude?

No, there was no agreement between us, but I think everyone deliberately supported the coach. You could have asked each player individually, independently of each other, and everyone would have told you how convinced they were of him and his philosophy. Of course, in a squad of 25, there is dissatisfaction from players who don't play. But even colleagues like Hamit Altintop or even Martin Demichelis have spoken positively about the coach. And when you see what's happening here in Doha at the training camp, how they're stepping on the gas: This team really enjoys working with this coach.

Were you not worried when President Hoeneß was sharply critical and things were tight with the headstrong coach?

Not really, and after the contract extension I had the feeling that the club management was counting on him. We were all very happy about that, and the coach was also pleased that he had the support of the whole team. That's why there was never any talk of a rift between players and coach.

Then you would actually have to persuade van Gaal to stay as long as you and the others who have now signed such long-term contracts.

I think if push comes to shove, you might be able to do something about it. However, the pressure here in Munich is certainly exhausting and I don't think you can be Bayern coach for ten years without damaging your health.

At 21, you are part of the Lahm/Schweinsteiger generation, which is gradually replacing the Ballack generation. What are the differences?

Football-wise, that's certainly a level. But I think even Michael Ballack experienced different times as a young player when it was more difficult to integrate into teams. There are now many young coaches who bring in their philosophy, with a flatter hierarchy. That perhaps makes it easier for us young players today.

At 21, you've already achieved a lot. What else is there to come?

I want to bite down hard, at a very high level. In ten years' time, I want to say that I've always played at the very top for a decade and my body has endured it, and fortunately so has my head. That's my main goal.

[stinkytrashman]

I've been seeing a lot of hate for dragons rising and the later seasons of ninjago and I have my thoughts. As usual. Im a very thought filled person. So I'm gonna tell you all my very correct and right opinion on the matter. Also it's very long be warned now 🧙‍♂️ (little recap at the very end in case you dont wanna read the whole thingg)

The later seasons of Lego ninjago and the entirety of Dragons Rising is not bad. It's just different.

The first season of lego ninjago came out in 2011.

The expectations for a kids show in 2011 are different than the expectations in 2024. The humor kids like is going to change naturally over the years. The tropes in media that kids like is going to change over the years.

We were the target audience when the show first came out, because we were kids. It's a show aimed for a younger audience. Unfortunately, the intended audience did not change as we got older. The show is still aimed at a younger audience, but guess what? There's new kids. The age range is filled with new people. And to still have their target audience hit, they are obviously going to have to change a few things so the kids nowadays will want to watch the show.

The original seasons had more focus on the character vs character conflics. Of course it dabbled in characters having internal struggles and side plots related to building/destroying relationships, but those were more episode specific and he newer seasons just delve more into it for multiple episodes. There was a focus on the fighting, on the action, on the cool outfits and mech armor. The new seasons are still fighting bad guys, with all of the cool effects, but also fighting feelings. You can do both at once. Shocker, I know. Why is there more focus on emotions? Because that's the standard in well written shows these days.

The humor is less characters making fun of eachother, and more a dead silence filled with a silly sound effect. This is one of the things that irked me, but it's okay. My humor is not the humor of the intended audience. The space is intended for the audience to have the audible laughter/reaction. Quick reminder who the show is intended for. (I hold up a sign saying "new generation of young people with different humor then people my age".)

The characters are not annoying. The characters are not weak, or pitiful, or embarrassing. A character having emotions other than love or anger or happiness is okay. Arin not feeling worthy enough for his team? Guess what? That's an emotion lots of people feel. This character is allowed to have self doubt. Lloyd having panic attacks from his visions? Hey, his visions scared him! Characters are allowed to be scared, and have a reaction to being scared.

Characters are allowed to be replaced. I know, I loved the original elemental masters, and wish they could come back for a cameo now and then. Would love to see Griffin Turner once and a while. But you have to remember in the canon, it's been years. Time passes. Wanna know what happens when time passes? People die, people move on, people come into others lives. The new elemental master of air is fine. She's allowed to exist. Do you honestly expect Morro to show back up and be like "omg hiii >< I'm here I want my power back !!" Be honest with yourselves.

Final thought: who cares if characters are gay. A background character wears a nonbinary flag on their jacket?!?!?!? It must be armageddon!! Come on now. One or two flags in the background isn't the end of the world. Cole and Geo's relationship has no effect on the main plot. Geo could be replaced by any character, or even removed, and the plot would still go forward. Gay people aren't out to get you, or turn your show woke, or indoctrinate your kids. They're just there. Cole is still Cole, and Geo is cool. Another thing about Geo: I will not take Geo slander from lava shippers. He is very sweet and kind and just because Cole is not with Kai doesn't mean yall should hate on him. Also I don't even think Cole and Geo are 100% confirmed. So why is everyone going bananas over it? Very silly behavior if you ask me.

That's all I have to say thank you for coming to my tedtalk 🧙‍♂️

Recap: the target audience is young people, young people are different now then when we were young, they have different humor, it's fine for characters to be emotional, new characters aren't the end of the world, gay people are fine.

[dnpbeats]

See this is what makes me doubt that dnp are still a couple. If Dan was really so deeply closeted and dealing with such extreme internalized homophobia that he wasn't even out to their close friends, then idk how they could have kept their relationship alive. Maybe Phil is just a more patient person than I am, but if my partner felt so ashamed of me that they kept me a secret from everyone in our lives for an entire decade, I would not have stuck around. Especially if I was out to people in my personal life and they weren't. If Dan was really acting like the thought of being with Phil was repulsive online AND pretending to be straight to literally everyone in their personal life while they were still together...then Phil must have had no sense of self worth lol. I don't think that's the case though. I think either they broke up in 2011 or Dan exaggerated how closeted he actually was. I lean towards the latter but what do I know 🤷🏻‍♀️

okay maybe dan and phil are just built different but genuinely idk how they would have been able to stay living together/as close as they are if they broke up. like let's say they split in 2011, they would've had no real reason to keep living together, and frankly at that time no significant reason to even keep working together! like the bbc wanted just phil and he was the one who said he wanted dan to do the radio show with him. also we know from BIG they were still together when they started at the bbc

also while dan was more closeted out of the two, I think that people don't give phil a lot of agency in the situation and act like he was only closeted bc of dan, but imo that isn't the case. frankly if phil wanted to have come out before 2019 he could have. sure it would've made people talk but like that shipped (no pun intended lol) had long since sailed. phil coming out on his own would not have been "proof" of anything so long as dan was still in the closet. also since coming out dan is the one who has been saying things abt their relationship (in BIG + then in his press for YWGTTN and WAD) whereas phil hasn't said jack shit lol! I think that phil is a private person who knows when to shut his mouth

I also agree that d&p must've been out to some people in their lives as a couple (i.e. phil's family, wirrow and bryony, pj and sophie, ian and his wife maybe?). and who knows maybe Adam at some point as I do think they still saw him. but there was a long stretch of time between 2012 when they had just moved to London and were starting out a career with the bbc until when they came out (like im trying to say that just bc I think they weren't out to Adam in 2012 doesn't mean I think they weren't out to anybody ever between that time and 2019)

but I believe that d&p made the decision to be closeted (to most people) together. just because dan was more heavy on the denial I don't think that that indicates that phil wanted to be out and he was just going along with whatever dan was doing. like personally I agree that some of what dan said was a little intense (the grandma comment haunts me), but I don't think it was a situation where he and phil never had a conversation about how they were going to address questions about their relationship and then phil just woke up one day to see all this shit dan had said about him on the internet, yk?

[gilverrwrites]

this isn't really a request but what draws you to hal jordan? i've always been a jason fan but he's been really interesting me lately and i wonder what you like about his character, and how you put that in your writing? sorry if this is weird, but i love how you speak on the characters you write and your writing in general :3

I appreciate you asking this, and I hope you keep looking into Hal because I do think he's an interesting, and very underrated character at least within fandom space. But this seems an odd question to ask me specifically as I've only ever written one headcanon, and a match-up for him. I haven't written about him enough to have a grip on what exactly about him works for me on paper (or screen).

However, I want to write more about him going forward so i’ll try and surmise what I like about him.

Disclaimers: I am hangging out of my ass rn. A lot of my understanding of Hal comes from pre-2011 and obviously this is just my personal view of the character.

As a Hero, I like that he's kinda different in his orgin to most. He didn't choose the lanterns, they chose him and he embraced it, quite willingly, and I thinks because he's:

a) always chased a sense of purpose.

b) good. Something deep inside him craves to do good.

(not saying he was blindly indoctrinated but I think I know which JL member is most likely to unwittingly join a cult.)

He's often billed as being ‘without fear’ but I don't think thats true. He's often shown to be afraid of things and he’s constantly surrounded by peers and foes that are alien, or immortal, or super-powers, but despite the constant reminder of his own mortality, he still runs toward his fears. He’s not without fear but he is exceptionally brave.

He's flawed. I know that most characters are flawed. His bravery is often driven/over shadowed by his recklessness and thrill-seeking which in my cases I've always considered to be a coping mechanism. Its hard to dwell on your unwanted emotions when you're high on adrenalin, drunkenly hurdling through the sky at 100 miles and hour, you know? (or whatever a realistic speed for a plane is idk)

He's quite a prideful character, he likes to show off the things he does well and downplay his mistakes, but when he does do bad, he always eventually take responsibility for his action. Its a big theme of his earlier stories.

He's got a strong personality, you have to in order to fit in amongst the JL and the likes.

He portrays himself very confidently, some would say overconfident, cocky, abrasively so. Which is a kind of character I've always been compelled to. I like a character with bravado, especially if they’re funny and charming too, which tick and tick.

Despite his pride, Hal also knows when its time to buckle down and get a job done.

(About to start muddling canon and my own fanon now) Yet, in his down time he's kind of a loser? I mean, ACAB to start (yes even space cops). But like, in his off time, when he's back on earth, he couch surfs, or finds someone to shack up with then spends most of his days in his boxers, drinking beer, scratching his balls, watching re-runs of MASH and Miami Vice.

Can't keep a job cause he's not really dedicated to anything but the crop (commitment issues ammiright?)

Gets kinda jealous and defensive when he finds out characters like Bruce and Ollie are also just human, like him. Thought he was special, you know?

There's a lot more going on with his character, I'm barely scratching the surface here, but these are just the first things that came to mind for me.

Oh, and if may add one last thing:

[nekropsii]

man what I hate about the fandom excusing the Dave blog with the n word like "it's not IN the comic so it's not canon" is that in THE comic, Hussie was way too obsessed with having Dave rap about segregation and slavery as quips one of the first raps even referenced the slur negro, which textually went over many people's heads (because "it's just "black" in French") when the context was racist white men in segregation-era and how they pronounced that very closely to the well-known slur, pronouncing it with "knee" these types of raps weren't just in Act 1, it was even in Act 3 it's so uncomfortable considering Hussie said "I just type out how I'd talk" when it came to Dave's dialogue, considering his humor and how those raps and the blog came into light it's so annoying how people keep suggesting it's not IN the comic at all- like it's giving "read it once 5 years ago and never freshened up on it while still debating it", y'know?

I'll give as many sources to what you said here as I can, just so people listen more. Wasn't able to track everything down, so some things are more up in the air, but overall, you're on the money.

[Blog of Dave Strider- February 17, 2010.]

I heavily agree and identify with your frustration. Just because it's "not in the comic" doesn't mean Hussie didn't write it and that it's not worth evaluating. This isn't a case where you can disregard it for noncanonicity reasons, like Post Canon. This was written concurrently with canon, and therefore it reflects the political mindset of Hussie during the time of writing Homestuck. That much is valuable information. What I will point out is that the next paragraph here contains yet another phrase that is rather telling of Hussie's... Racial vocabulary.

Definitely not the most comfortable thing in the world, to put it nicely. Haven't personally seen it get mentioned, and I feel like it's apt to bring up here, since this is the closest I've seen Hussie get to the big Hard R. Typically, they default to Soft A, which doesn't make it less racist, but does have a different... Vibe, so to speak. It's more hateful sounding.

Moving on.

[Andrew Hussie's Formspring- Feb 24, 2010 - Mar 7, 2010. Exact date unknown.]

The fact that Dave is a near exact emulation of Hussie themself in speech mannerisms, down to the lifting of entire chatlogs, is telling. As we've seen from Hussie's past work, he was clearly... excessively comfortable with throwing around the N-word, as a white man. Why would Dave be any different? It's hard to argue that Dave's racism is "not indicative of Dave's flaws, but indicative of Hussie's", when Dave as a character is both a product of Hussie's mind and a direct extension of her. You can't truly divorce the two. Dave is racist because Hussie is racist. Dave is an extension of Hussie.

[Homestuck, Act 2, page 294- June 23, 2009.]

I believe this is what you were talking about in reference to that particular version of the N-word being used, as well as the references to slavery. This is in Act 2. I couldn't find much in Dave's other raps, outside of his fixation on the idea of Black presidents as a novel concept... Other than this.

[Homestuck, Act 5 Act 2, page 2825- November 1, 2010.]

Apparently using the term "Urban" to refer to Black people, culture, art, and music is a recurring Hussie-ism, even in Homestuck. Rose also uses this a couple times, notably more than Dave does. It sees more usage in Problem Sleuth as well- unsurprising, considering it is an older work than Homestuck is.

[Homestuck, Act 4, page 1590- March 17, 2010.]

[Homestuck, [o], page 3879- July 2, 2011.]

[Problem Sleuth, page 62- March 15, 2008.]

TL;DR: I don't think there's any real excuse to leave Hussie's racism out of genuine discussion of the contents of his works. It's obvious. The only valid defense for leaving it out of analytical conversations is ignorance, because... Well, some people just aren't that observant. Homestuck does not exist in a vacuum. Hussie did, in fact, write this, and Hussie is, in fact, bigoted. Bigotry shows throughout their works not because they're spinning a grand narrative of overcoming your moral failings, but because they kind of just suck. Dave isn't an exception, and shouldn't be divorced from the context of having been written by Andrew Hussie. There's no debate to be had over the existence of Hussie's bigotry, because contesting such a clear cut fact is pure stupidity. It's like arguing that evolution isn't real because you, personally, do not understand it, or don't find it comforting. Hussie's bigotry is one of the only things we can be 100% sure is a real part of his personhood, rather than another figment of his ironic online persona. The level of "Well, Actually"-ism people will engage in over this is mind-numbing, quite frankly.

Thank you for the ask- people being aware of the racism in Homestuck keep me sane. Have a lovely day.