#just for the next two weeks
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poorly-drawn-mdzs · 6 months ago
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Wrapping up the season with a redraw (Jan 2024)!
Thank you all for these last 6 months, I have loved making so many people laugh from my silly comics B*)
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spielzeugkaiser · 6 months ago
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[MASTERPOST] Being a witcher is not always easy - but what is, really? Still, Geralt feels bad that Jaskier is now living through something he never wanted him to experience again. (What is a spielzeugkaiser post if there isn't hurt/comfort, honestly-)
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storiesoflilies · 13 days ago
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t.w: mentions of violence. if a gifted artist would like to bless us all with fanart inspired by this drabble, just know you will have saved my life.
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thinking about knight!toji fushiguro who has gone completely rogue. he does not care for oaths or honor or justice, not anymore. he takes whatever he wants from whoever has it, with determined grit and merciless steel. who wears armor blacker than the night and rides atop a midnight stallion, its hooves striking the ground like thunder so you knew who was coming for you.
he was a god, a herald of death.
so they say.
but here you are, in his clutches atop his steed, and oh, how you believe everything you’ve ever heard about him.
“so pliant for me,” he hummed, his hand around your throat, bringing the back of your head to rest against his chest. “what a sweet little thing you are.”
you knew better than to try and fight him.
his lips ghosted over your neck, the tip of a fang lightly grazing your skin, and you felt his chest rumble. you shivered, even though his cloak was warm against your shoulders. it sounded like he was pleased, and his strong grip around you tightened. you couldn’t help but glance down at the ground, at the trampled bodies of the men who had tried to corner you, and toji tutted softly. his calloused fingers tilted your chin up, guiding your gaze away from the sight, arching your back against him. his green eyes peered into your very soul, and you had never felt more alive.
“sorry for all that,” he breathed out, chuckling, and you knew he wasn’t sorry at all. “i tend to get carried away.”
you don’t know why you said it, but you did. “it’s okay.”
toji barked out a laugh, burying his face into your neck, messy strands of his hair tickling you. his thighs pressed into yours, like he was trying to meld himself into you. his horse snorted loudly beneath you, impatient, its powerful muscles rippling.
“yes,” he murmured, more to himself than to you. “i think i’ll just have to take you with me, keep you safe.”
and with that, toji sharply spurred his stallion onward, and the both of you disappeared into the shadows of the night.
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©storiesoflilies 2024, all rights reserved. please do not plagiarize, translate, or repost any of my work on other sites! i only post on ao3 and tumblr.
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novelconcepts · 2 months ago
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Obviously next week could prove this all dead-wrong, but I don’t think the trial’s quite over. I don’t believe the end of that episode actually took place, because I’m pretty sure we’re still firmly in the “punish Agatha” phase. Rio’s suddenly gone. Alice seems to be dead by Agatha’s hand, and no one—including Teen, who has always been on her side—seems primed to believe she was out of control. The others have been sucked beneath the power of the surrogate son who not only just told Agatha to fuck off, but went full-Wanda to do it. It just all seems too tailored to cut up any of the character progress Agatha’s made on the Road thus far. Getting harassed by her ghost mother and hearing her son’s voice don’t feel like a complete tear-down. This does. It feels like more trial.
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divineandmajesticinone · 4 months ago
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4 MINUTES (2024) GREAT & TYME I Yin & Yang ☯︎
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kingkatsuki · 10 months ago
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Bakugou being so in love with you but he won’t ever admit it, my beloved.
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Can you imagine Bakugou, who’s been in love with you since the moment he met you, catching you one evening trying to bake cupcakes in the kitchen. And he can see how angry and frustrated you are instantly, even without the evidence of many many failed attempts strewn all over the countertop.
Uneven batter, burnt edges, no rise— each time seems to get worse, even though you’re following the recipe to a T. But it’s late, you’re exhausted, and the only pleasure you have now is eating the leftover cake mix off your wooden spoon as you sit on the counter overlooking the mess you know you’ll have to clean up.
“You’ll get sick eating raw cake batter, dumbass.” Bakugou rolls his eyes as he looks at the mess of burnt cupcake failures strewn across the kitchen, “Why don’t you just buy yourself a cake?”
“Because I wanted to make the cupcakes,” You pout pathetically, dumping the spoon into the sink as you prepare to start the tedious cleanup.
“But you can’t bake for shit.” Bakugou scoffs.
“I know,” You heave a sigh, “But it’s Valentines tomorrow, and I thought—”
You trailed off, not knowing how to explain to Bakugou that the cupcakes were supposed to be for him.
But of course Bakugou doesn’t realise that, however perceptive he thinks he is he can’t see the big, fat crush you’ve had on him for just as long. Trying to ignore the ache in his chest at the thought of you gifting these cupcakes to someone else as he shoulders you out of the way with your dirty bowl, sticking it beneath the warm stream of water as he begins to clean it up.
“You don’t need to do that, Bakugou. I made the mess, I can—”
“Shut up, shitty woman,” He rolls his eyes, trying to mask the pained rasp in his throat, “We’re gonna bake the best fuckin’ cupcakes you’ve ever had.”
And he’s right. The cupcakes that now sit cooling on the counter look perfect, all of them the same shape and consistency as you watch Bakugou hover over them with the piping bag as he swirls the orange mixture onto each one with precision.
He doesn’t say a word when you’re finished, only a gruff grunt as he excuses himself from the kitchen. Cheeks flushed pink from the praise you’d given him, the sweetest words from you.
“Have you got a valentine, Bakugou?”
“Nah, it’s a stupid fuckin’ holiday.” He despised the glow of hurt that flashed through your eyes at that, despised that he was the one to make you feel shitty about trying to do something nice.
When the truth is, he loved that you were trying to bake cupcakes for someone, it showed just how sweet, kind and perfect you really were— he just wished you were baking those stupid cupcakes for him.
If only he knew that you’d wanted them to be perfect because they were for him.
And now you weren’t going to gift them to him because he thought it was a stupid holiday, and it was a stupid idea to think he might actually want them.
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willabee · 1 year ago
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🎄
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anjasitdown · 27 days ago
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TATSUKI FUJIMOTO YOU CAN'T END THE CHAPTER LIKE THIS!!!!
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fawn-tongues · 3 months ago
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Safe Bet
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blindmagdalena · 11 months ago
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Guilty Pleasures
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18+ 3.3k homelander x plus size f!reader. workplace harassment, stalking, voyeurism, masturbation, lite humiliation kink, sublander flavored. nebulously takes place post s1. part 1/4. AO3 link. | Chapter Directory
Homelander is on top of the world. He can say or do whatever the fuck he wants, and the sycophants around him will bend over backwards to make his word law, with few notable exceptions.
He never expected you to be one of them. When you put him in his place after a workplace incident, he becomes fixated on the promise of a firm hand alongside a soft body.
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It’s Thursday, which means Homelander is currently bored to tears less than ten minutes into Vought’s weekly digital marketing meeting. These monotonous discussions of percentages and trending graphics gradually begin to feel like a drill pushing slowly into each of his ears, but they’re a necessary evil if he wants to have input when it comes to his image.
He taps his fingers impatiently on the armrest of his chair. The tapping pauses, however, at the appearance of a new presenter.
You.
You’re a far cry from the dime a dozen jackass in a suit that had been presenting before you. He’s sure he hasn’t seen you before, which means you’re new. His gaze drifts from your round face to the sensible cut of your blouse, the garment buttoned nearly to your throat. Anything less would be considered lewd given the size of your breasts. He wets his lips absently, adjusting himself to sit a little straighter.
He’s completely lost track of what you’re talking about in favor of watching the way your hips sway each time you walk from one end of the board to the other, tactfully engaging each observer. You have a resonant voice, commanding attention without sounding harsh. With a rack like that, you must have to fight to have a word you say heard by anyone with even a passing interest in a good pair of tits.
Not that the cheap fabric of your bra is doing them any favors. Silk would be better. He’s always liked the shine of it. Softer, too. It wouldn’t scrape against your shirt the way he can hear that cotton blend you’re wearing is doing. 
Curious, he focuses his vision to peer through your blouse. Your undergarments are plain and sensible. Boring. Still, it elicits a distinct pang between his legs. His mouth waters slightly. Even from where he is, he can smell you, fresh and clean, slightly sweet smelling–like vanilla. Your clothes may be pedestrian but at least your perfume is nice.
Letting his gaze slide lower, he admires how the curves of your body flow into one another. He can tell just by looking at you how soft you would feel against him, under him. How good you would feel to grip and hold in place, sink into and lose himself in. Your voice has a soothing quality to it that lets him easily imagine you’re breathlessly singing his praises instead of rattling off bullet points in a presentation.
Fuck, he’s getting hard, his cock throbbing lightly against the cup of his suit. It’s the only thing that allows him to fantasize as freely as he does. The best part of it is that he’s fairly certain he can sense something warm and wet throbbing between your thick thighs.
He suspects he’s not the only one fantasizing.
The room is quiet for a second too long, and Homelander abruptly tunes back in to realize you’re staring directly at him, expectancy in your gaze. He pulls a blank, realizing he hasn’t processed anything you’ve said. “Say again?”
There’s a flicker of irritation in your eyes before you tightly school your expression back into polite professionalism. His lips slowly split into a devious smile that he consciously fine-tunes to be more neutral. How close you came to some sort of heated response was kind of… cute. It makes him want to give your proverbial pigtails another tug just to see what else he can evoke.
The thought of pulling your hair is good. The thought of you pulling his hair is better, though.
“I asked if you have any feedback for our campaign leading up to the premiere,” you say, though Homelander finds himself more interested in the flash of your tongue he gets as you run it along your teeth afterwards. Your temperature is up a notch, too. You must not be used to such direct attention from someone like him.
“Nope,” he says glibly, turning on one of his patented knock-out smiles. “Looks good to me.” At that, he pointedly looks you up and down, meeting your gaze with a quick wink. 
Judging by the slight tic at the corner of your mouth, you aren’t charmed by his response. Still, he waits in preemptive satisfaction for you to appease him by returning his smile.
You don’t.
Instead, you say nothing more than a terse “Wonderful,” the singular word barely passing for civil, let alone professional. You move on, and Homelander finds himself taken aback. You don’t meet his eye for the remainder of the presentation, and while that gives him plenty of opportunity to ogle you, it bothers him.
Towards the end of your time, he clears his throat. Everyone looks at him.
Everyone but you.
“Thanks so much for your time,” you say to the committee, smiling, finishing your piece with a small incline of your head. You go sit, and there’s a slightly awkward pause before the next presenter takes center stage.
Homelander sits in stunned silence. The idea that you, some fresh faced nobody, think you’re in any position to blow him off is laughable at best. Who cares if he didn’t pay attention to your little presentation? That’s not his job. You’re lucky he’s even here, lucky that someone like him would think to give you time out of his day.
By the time the meeting concludes, you haven’t spared him so much as a glance. Indignation builds hotly in his chest. He’s had more than enough of being snubbed lately. He’s not going to tolerate it from the likes of you.
You should be on your hands and knees begging for his attention.
He watches a handful of your peers congratulate you on your first presentation, though plenty of others cast him wary glances and decide not to approach you. They know better. They know who’s really in charge around here. Naturally, they all skitter away like roaches when he strides towards you.
“Not bad for your first presentation,” he tells you, his smile toned down into a thin, lopsided smirk.
You look around yourself, no doubt taking note of how the other little insects around you have scattered. Maybe now you’ll realize your mistake.
“Thank you, sir,” you say, your body angled slightly away from him, as if you’re ready to bolt at any second.
“Got a lot on my mind, though, so I don’t think I absorbed as much as I could have,” he says, laying on that boyish charm a little thicker than usual. “Would really appreciate it if you could stick around and run that by me one more time.”
Your gaze flickers away from him–he wishes you would stop doing that–to the others who’re filtering out of the room, slowly leaving the two of you behind. “As I said during the presentation, all the documents will be available online,” you say, finally looking back at him. You actually have the audacity to look annoyed that he’s talking to you.
“I don’t have a computer,” he replies, his own voice beginning to flatten.
“I’m sure someone in IT can help you with that,” you say, undeterred by his attempts to corner you. 
His smile tightens minutely. “Do you have some kind of problem with me?”
Your heart jumps. He finds satisfaction in that, at least.
“No, sir,” you say sharply, a barely discernible hitch in your voice. “What I have are deadlines. If you’ll excuse me, I’d like to meet them.” With that, you manage to squeeze by him. Despite the steady confident tap of your shoes against the floor, your heart races rabbit-like in his ears.
He contemplates you as you go, momentarily stupefied by your flagrant disregard for him. You weren’t entirely unaffected by his presence, though. If you’d had less of an avenue for escape, would you have been so flippant? He continues to focus on the beat of your heart as your steps carry you further from him. It doesn’t slow. You’re still full of adrenaline, the scent of it lingering alongside your perfume. He inhales a slow, deep breath, the leather of his gloves creaking as he curls and uncurls his fist.
Homelander finds himself wondering what your agenda is, what makes you so desperate to break from the norm and catch his attention. It’s clear to him that’s what you want. Why else would you be so stubborn where anyone else would yield? He scoffs to himself. 
God, it’s so obvious in hindsight.
He has no doubt that your brazen attitude would shatter if he pressed in closer, if you felt the heat of his breath on your lips. He could part your soft thighs and paint the face of God on the ceiling above you with his tongue inside you. You couldn’t dismiss him so easily then, could you?
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You’re so determined to be noticed that it’s almost pathetic. He shouldn’t reward this kind of behavior, and yet he feels strangely inclined to commend it. What you’ve done is brave in a way. Insolence and sycophants he can’t abide, but a touch of bravery? Well… That can be rewarded.
Your heart thunders in your ears as you make a beeline for your office. You can feel a terrible burn crawling up your chest and into your cheeks, the reality of what just happened finally allowed to sink in. You had spent all morning preparing yourself for presenting your work in front of not only your new peers at Vought, but in front of the world’s most prolific superhero. You were solid, you were ready.
Until you felt the gravity of his gaze on you. The weight of it made you stutter where you shouldn’t have, lose your train of thought mid-sentence. Every time you dared to look at him, he was looking at you like he was going to swallow you whole. Never have you felt more acutely aware of yourself than you did beneath his stare, feeling the way he was picking you apart as keenly as you would feel his hands undressing you.
It left you as furious as you are flustered.
That arrogant bastard!
You close the door behind you with a rough breath, closing your eyes. You can’t even sit, you have to pace your office instead, shaking your hands out as you walk. You know you weren’t imagining it. He confirmed as much for you when it took a solid eight seconds of silence for him to tear his gaze up from your chest, smiling as wickedly as any devil and caught elbow-deep in the cookie jar.
You couldn’t look him in the eye after that. It was humiliating to be reduced so thoroughly and obviously in front of your peers. Worst of all, he seemed damn pleased by it. 
Though that isn’t the only reason your heart is still racing. You’re not quite ready to address that yet. You’re fairly certain if you’d been forced to speak to him any more than you had, you would have said something that would cause you to lose your job. You just need space to breathe, to collect yourself, to–
There’s a brisk knock at your door. Great. What now?
“Just a m–” You’re stopped dead in your tracks by a familiar flash of red, white and blue as Homelander lets himself into your office, closing the door securely behind him. 
“Howdy,” he greets. He looks cartoonishly wide and brightly colored against the neutral colors of your office, even more larger than life than he’d seemed in the conference room. He has a smile that looks like it belongs in the mouth of a shark about to take a bite of you. It sets you off kilter completely–not that you’d been much on it to begin with.
You gawk a moment before managing to close your mouth. ��Homelander,” you say, your voice curt in your own ears. You have no idea how to address him, still frazzled from not only the presentation, but your interaction that followed it. You should ask him what he needs. 
“What’re you doing here?” That came out ruder than you meant it to. Not that he doesn’t deserve it. Still, you’re trying to keep this job.
“Are you always this pleasant?” He asks, cocking his head slightly as he comes to a stop in front of you, his arms held behind his back beneath his swaying cape. “Or did I catch you on a bad day?”
Is he serious?
“Your conduct today was inappropriate,” you say flatly, settling your hands on your hips.
Homelander scoffs lightly. “Oh, relax. You gonna ‘#Metoo’ me over a wink? Christ, you’re done up tighter than that blouse of yours,” he says, his gaze dipping. A chill rolls up your spine as you watch his tongue roll along his teeth. He’s like an animal anticipating a meal.
Your jaw drops, cold shock settling in your gut alongside that blistering heat. Of all the things you had prepared yourself for before coming to Vought, Homelander being a misogynistic sex-pest hadn’t been on your list.
Well. Not the sex-pest part, anyways.
You point to your office door. “Get out.”
He blinks, zero comprehension in those deceptively charming baby blues. His smile turns incredulous. “I’m starting to think you don’t understand what’s happening here,” he says, his tone taking on a precarious edge. He lets out a breathy, mirthless laugh. “You know, most people in your position would be begging for my attention.”
There it is.
You suck a noise through your teeth, nodding slowly. "Oh, I understand exactly what’s happening here,” you say, shifting your weight like you’re winding up for a pitch. “I know you think you're special because you're famous, or a supe, or both. I know you think I should be grateful that you’d even look at someone like me, but you’re not special, and I’m not grateful. The reality of the matter is I can get dick whenever I want it–good dick–and I can get it without being humiliated at my job.”
The silence in the room is deafening. Homelander looks stupefied, but you decide that you’re not done.
“You're not blessing me by making entitled passes and crude remarks while I'm trying to work. You’re being a nuisance,” you say, your heart beating in your throat. “So please, would you kindly leave?” You ask, voice firm despite the friendlier nature of your phrasing.
Finally, Homelander is the one left gawking. He looks like a fish with the way his mouth keeps opening and closing, but it’s the dismissive, aborted little scoffs he makes in between that really sell his wounded bewilderment. You can see tension lurking just beneath the surface, an anger that skulks in the creak of his leather gloves.
Fear begins to creep up the back of your throat, burning like bile, but you hold steady as he seems to be deciding what he’s going to do with you. The longer the quiet stretches on, your focus entirely on the subtle spasms in his expression, the more sweat begins to prickle at the back of your neck. You refuse to fill the space, you refuse to back down.
For all his power, he’s still just a man.
Eventually, he swallows. “Okie-dokie,” he says, his tone unlike anything you expected. He sounds confused–a little dazed, even. He walks to the door, and after one hesitant look back at you, he leaves.
The door closes with a soft click that still makes you flinch, the sound of it loud in the silence of the room. You blink several times, the abruptness of his departure making the whole encounter feel like some sort of fever dream. 
What the fuck just happened?
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You’re not special.
The impact of those words struck Homelander’s ears like a loud, painful ringing that follows him as he walks out of your office. He feels off balance, each step leaning slightly to the right.
It’s a ludicrous statement. Objectively wrong. Who in the fucking world could be more special than him? He’s a literal god, and you’re no one. A faceless, nameless cog in Vought’s mechanism that hoists him to the top of it all. That’s your job. To elevate him. Worship him.
Instead you spoke to him as if he were nothing. He could have cut you down where you stood for that. He could have put your head through your office window, snapped your neck, held your skull and burned your eyes out of–
He shakes his head sharply, swaying. He all but stumbles into the bathroom, surprising one of the worker drones washing their hands. “Get out,” Homelander says gruffly.
“Uh, sir–”
“Get the fuck out!” He snaps, startling the man so badly he immediately rushes off, fumbling with the door on his way out. Homelander slams it shut and lets out a ragged breath, digging the heels of his palms into his eyes, then his temples as he paces the bathroom. His reflection taunts him from his peripheral vision.
He hasn’t been able to look himself in the eye since he snapped his Doppelganger’s neck while he knelt before him.
That’s what he wants from you, isn’t it? Mindless desperate praise and worship. Why, then, does the thought od it make his stomach churn so violently he can taste the burn of bile? He tugs compulsively at his suit collar, the press of it against his skin uncharacteristically hot and itchy.
“I can get dick whenever I want it–good dick.”
He shamefully palms himself through his suit, confusingly hard amidst a swirling turbulence of contradicting thoughts and feelings. He could be good for you, too, if you’d fucking let him. He knows he could make you crumble, take apart that carefully constructed demeanor of professionalism and make you see him for what he is. He can prove himself to you. He will prove that you’re wrong about him, and then you’ll show him the love respect he deserves.
Hurriedly, he unzips his pants. His eyelashes flutter as he shoves his hand into them, roughly grabbing hold of his cock. He braces his forearm against the bathroom door and lets his head drop forward, watching his crimson glove pump the leaking head of his dick. His mind bounces between scenarios. He imagines himself in your place, fully on display for you to ogle. He imagines you’re watching him even now, staring him down with that unaffected look of indifference, of irritation, of disgust.
He bites back a whine, gritting his teeth. He wants so badly to imagine his face buried in your soft tits while he fucks the plush space between your thighs, but he knows you won’t let him. Not right away. You’d make him earn it, wouldn’t you? You’d make him watch you please yourself before he ever got so much as a taste.
The glassiness in his eyes begins to sizzle, the moisture burning away as crimson light flares up in them. Would you laugh if you could see him now, or would you scold him for touching himself without your permission?
Homelander comes hard, tipping his head back with a loud moan as he paints the bathroom door with ribbon after ribbon of come. He barely manages not to blow a hole through the ceiling, the light of his eyes flaring and softening in time with each euphoric wave of release. He pants through it, head falling forward and thunking lightly against the door, resting there while he catches his breath.
“Fuck,” he exhales eventually, sighing. He wipes his hand on the wall and then carefully tucks himself back into his pants, his mind swirling hazily on the best high he’s had since…
Clearing his throat, he puts himself back together before leaving the bathroom. Clearly, the thing that he’s been missing is a challenge. 
Luckily for him, you’ve kindly volunteered yourself.
( chapter two )
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leqclerc · 6 months ago
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Charles Leclerc wins the Monaco Grand Prix (May 26, 2024)
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poorly-drawn-mdzs · 5 months ago
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Dungeon Meshi: The RPG
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egophiliac · 1 year ago
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Okay so I've been wanting to tell you that you're literally my favourite twst artist 😭🩷
So my question is, how do you manage to come up with these funny comics? CUZ I LOVE THEM SO MUCH
(P.s: Lovin' the art style ✨)
oh geeze, thanks! 💚💚💚 I'm really glad people enjoy my stupid sense of humor; mostly I just draw things to make myself laugh, and if it makes other people laugh too, then bonus points! usually it's just one joke or mental image that gets stuck in my head (every time I saw Fellow spin his cane, all I could think about was him go-go-gadgeting away on it...) and in my quest to justify it, it picks up other jokes and bits along the way and usually doesn't even end up as the main focus anymore. entire narrative arcs have spun out just so I could use a single bad pun in a throwaway line. this is a terrible way to explain it but I'm not sure how else to put it into words!
and sometimes it's just "weird things my sister has said that I make fun of her for"
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aeb-art · 1 month ago
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another batch of @ghostlightfic loop sprites 🥰
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redeemed-wren · 14 days ago
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forever thinking about how in Dipper and Mabel vs the Future, Stan denies the kids the Shack as a party venue. Because sure, he has a semi valid excuse in the zombie uprising thing. And yes, doylist, the plot needs a reason for Mabel to end up at the highschool.
but it seemed odd to me. Because 1) it's a party! A party is a great time to get people into the Shack and maybe buy things, and there's always the option of an entry (or exit) fee. It seemed odd that Stan would pass up the opportunity to make some cash. And 2) by this point in the show, we know Stan is a huge softy. Zombie apocalypse or no, he'd do anything for those kids. Why would he deny them their birthday party?
And then I realized. Stan is operating under Ford's ultimatum at the end of TOTS. Stan expects to be thrown out after summer. Its not Stan's house anymore and he knows that--he can't let the kids throw a party there because it's Ford's house and he doesn't want to damage his brother's property. It also adds another layer to his "I'm going through some stuff" comment earlier in the episode (and more pain to the "at least you'll have your brother. Not everyone is so lucky" comment to Mabel).
Ever since Ford returns, Stan has in the back of his mind the idea that he will be homeless again at the end of summer. And I think that also influences him during Weirdmageddon and is partly why he's so reluctant to help Ford. Sure the world is ending and Ford is captured and Bill is winning. But Stan still has his home. And given a home isn't something he's always reliably had, no wonder he's so distraught about it being torn to pieces to make the Shacktron. No wonder he doesn't want to save Ford if it means he'll be out on the street again.
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sgtpeppers · 2 months ago
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Okay so the quick version of this is: saw Two Of Us today, adored it even more than I adore the film, the choice to keep them in John's building worked really well to further highlight the mental health message the director talks about in his little note in the programme, the rooftop scene is somehow even more intimate and lovely in this version and the ending is even more painful! I'm gonna write down more under the cut about it all:
Playlist: The playlist before the show/during the interval is everything you would want it to be and it includes Monkberry Moon Delight which I feel like I never hear in public! 
The overall experience was also just super wholesome, one thing I always love about Beatles events is the range of people there it just makes you feel like your part of such a special thing, so shout out to all the old women talking about Paul near me, the middle aged men in their Beatles shirts, and the girl behind me who was sooo excited to be there and I hope she got to meet the cast after like she wanted to! ALSO the Beatles drinks are so funny, idk why Ringo’s is just earl grey tea 😭
Performances: OKAY let’s get into it. So one of my only real complaints about the film is that although I think overall Jared Harris and Aiden Quinn do an amazing job but I do find the quality a little inconsistent (especially the accents) but Jay Johnson and Barry Sloane are soooo so good, the accents, the little verbal quirks (which also, kudos to the writer as well) and the physicalities are jarringly good at points, especially Barry Sloane’s John. I also feel like a lot of Get Back was watched in preparation because there were so many little things, like the way John plays with his hair that just took me right back to that. Sometimes with fictional Beatles things I’m constantly thinking about how you’re watching two people try to portray these real people, but I definitely found that they were convincing enough that I wasn’t thinking about it too much. 
Outfits: I did find it kinda weird they went for the Get Back looks rather than how they looked in 76, I feel robbed of the New York City vest tbh but they did look great 
Changes from the film: basically they cut out them going for the walk to the park and to Luigi’s and instead John sets up the table for them like they’re in a restaurant in his kitchen. I think it works really well because they play into John not wanting to leave the building, which just adds into that whole mental health thing, and I think it actually makes the rooftop scene more poignant when they get there, because it feels more like Paul has broken through a bit and coaxed him outside, even if it’s baby steps. Anyway, they still have all the same conversations really the script is just chopped up a bit. 
One interesting thing is that the conversation that happens with the fan in Luigi’s still happens, but John sort of pesters Paul about whether he really thinks silly love songs should be number one, and it’s a nice extra layer to Paul’s insecurity which I enjoyed 
Mental health conversations: I think going into it knowing that the director wanted to make this because of the mental health themes, specifically men’s mental health and how having someone to reach out to is so important, is really interesting. They definitely amped up John’s anxiety from the film, his fidgeting and little moments to himself where he’s trying to get himself together were just so palpable, and Paul talking about his depression after the Beatles broke up was even more raw and upsetting seeing it in front of you. My absolute favourite line in the film is ‘I’m thirty-five years old and I still feel like I’ve done something wrong’ and god, my heart just broke seeing it on stage, I think that’s such a common feeling, just that sense that you’re in trouble for something but you’re not really sure what? Anyway, I just loved Sloane’s delivery of it. 
The Kiss: Okay, look I actually don’t care that much about the kiss in the film, I’m glad it’s in there as a little nod to John’s queerness but it really isn’t anything imo, but I liked it a lot more in this! For one thing rather than coming after a little play fight (which is still cute, don’t get me wrong) they do one of their silly dances where they’re spinning each other round etc, so the scene already feels more tender, and then John just kinda grabs him and it goes on a little longer than in the film. I still think it’s far from one of the most intimate moments in the show, but I do think they made it into something more here. 
Rooftop scene: It’s just. It’s everything. They sit right at the front of the stage, facing each other, cross legged and Paul gives him the whole ‘I see a beautiful baby boy speech’ and it’s PERFECT, this was the moment I was most worried about them screwing up and it was perfectly delivered and they have this lovely big hug after it and it made my heart ache in the best way. And idk, if seeing some guy dressed up as Paul McCartney saying that we should focus on fun and get out our own heads and how we don’t have to stay stuck as the kids who were just scared and trying to survive, doesn’t do something for you, then we’re just very different people. 
SNL scene: okay it’s pretty much the same but the way John is sleeping on Paul was everything, it wasn’t just a head on the shoulder he was fully laying back against Paul!! 
The ending: this is just so brutal because Paul doesn’t leave the flat to get his guitar, he borrows one of John’s and so when Yoko calls and John starts doing the whole ‘I wish you were here, you’re the only one who stops me disappearing’ it’s literally…. In Paul’s face. And it hurts. Then at the very end they cut between John on the phone to Yoko and Paul on the phone to Linda, and so Paul says ‘I love you’ to Linda, then John says ‘I love you too’ to Yoko but it sounds like they said it to each other, and then Here Today plays. The fact most people didn’t appear to be crying baffled me quite frankly. 
Yoko: They decided to have Yoko be the one who actually invited Paul, which felt like an odd choice and didn’t really add anything for me, but there we go 
Okay I’m gonna shut up there because this is way too long and I doubt anyone’s read it but ahhhhhhhhh it was so good and you’re just all lucky I can’t text you because my friends have had much more incoherent versions of all this
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