#Bonnie for less obvious reasons

[fawn-tongues]

Safe Bet

[cowboyshadows]

Soap running into someone he used to babysit a decade later, who also happens to be hellbent on shagging him.

CW: op tries to be funny, age gap (Johnny is in his late twenties, she is twenty), he used to babysit her so he's known her since she was a kid, sex jokes, explicit unprotected and semi-public sex. Nsfw MDNI

The moment you heard it, you knew.

You would recognise that laugh even in death. Loud and raucous, the kind that doesn’t just fill a room—it claims it. It rises—nay, ascends—curling like smoke from a smoldering wick. Then it plunges, heavy and honeyed, dark as the midnight ocean. Exhale sharp as the glinting blade of a knife. Echoes in the hollows of his chest.

He looks different now, of course. Once lanky, now strapping. His hair used to be a dark brown buzzcut, but he’s grown it into a messy mohawk now. Locks fall out of formation on his head. He’s joined the army, last you heard, and he has all these scars now. Stubble that his teenage self could only dream of growing.

But those eyes belong to your John. Cerulean, glimmering, wide. The valiant, responsible fellow your folks had entrusted with your safety. Knight to your princess.

He never made you feel less than. Stupid, childish. Never ridiculed you for your obvious infatuation with him. Never rubbed it in your face that it could never happen.

But it could happen now. Christ, there’s no reason for it not to. You’re both adults now. You’re not the kid in pink frames and blue braces anymore.

“John?” You have nary an air of caution while approaching the group of burly men. One looks old enough to be everyone’s father—what, with his beard that easily covers half his face. The other has a snapback on, and the pearliest teeth you’ve ever seen—pristine, really. There’s one with a mask on and a leering gaze, split lip on display as he throws back a heavy glass of beer dwarfed in his hands.

The older one turns around, perplexed expression soon turning into an amused one.

“Hey, love,” he sidles closer to you from where he’s standing by the bar, more than privy to the anticipation swelling in his mates’ hearts, “know ya from somewhere, do I?”

You knit your brows together. John—your John—is nursing his drink, avoidant gaze plastered on the rugby game overhead.

“No, I meant him,” you gesture. He turns around, near Cheshire grin gracing his features. “John MacTavish?”

Realisation dawns on his face, swift and absolute. “Froggo?”

You chuckle, wholly unbothered now by the pest of a nickname. “Yes!” You grin, all teeth now.

He damn near jumps out of his seat, and you barely realise he’s taken you into his arms before your feet are dangling clean off the ground. Sheer muscle and sinew pressed into your body, sturdy arms holding you up and close.

You pat him on the back in jest, suddenly conscious of the entire pub’s eyes on the commotion. “Put me down!”

He does, and he flashes you the biggest beam. Knocks the breath right out of you.

“Been so long, bonnie. Almost dinnae recognise ya!”

He seems to have lost sight of his friends, gaze roaming over the woman you’ve become. The one you grew into.

From the corner of your eyes, behind him, you can see one of his mates—the one with the mask—make a lewd gesture: he lifts his hands up, holds them right over his chest, eyes widened comically. Maybe your t-shirt was a bit too tight, after all; not that you’d change a thing.

//

He invites you for a drink, since it’s the nice thing to do. And also, he wants to show you off to his friends.

“Cannae believe ah used tae babysit ye,” he starts, beckoning the barkeep over rowdily, “look at ye now! Feckin’ bonnie. All the lads in yer year must be trippin’ over themselves, ah ken.”

You laugh softly, swatting at his arm. You expect soft flesh, maybe a little scrawny—if memory serves you—but instead you find unrelenting, brick-hard muscle.

Oh, you had to have him. There was no more time for questioning.

“No, John, I, uh… I’m in college now.”

His eyes widen, smile dawdling onto his features. “No jokin’! Ah reckon that’s right, ye wouldnae be in the pub otherwise, eh? So, what, yer eighteen now?”

“Nineteen,” you correct, imperceptibly sidling closer to him. Your bare thigh brushes against the straining denim of his.

He nods, and it’s like you can almost see the processing of information in his mind. Cogs turning and all.

So you aren’t off limits.

“Christ. Time really flies.” He gulps as he feels your foot mindlessly swing and touch his ankle, an interaction his mates are in the dark about. “So, ye in town for summer break?”

You nod, leaning forward on the table. You keep your elbows on the wood, arms deliberate in their push together. In his blue eyes stews a tempest of his resolve and desire warring. He shifts uncomfortably in his seat, the slightest bit further from you.

You already know you have him as good as trapped. You aren’t letting go of him just yet.

You mirror his movements in the same direction, with the subtlety of a bagpipe at a funeral. If his mates notice, they keep their mouths zipped for now.

“I’m in town for a couple of weeks,” you continue, looking up at him from your mascara’d eyelashes, “and you? On leave from the army, or…?”

He nods frantically, now almost smushed up against the wall in his effort to not touch you. His grip is white knuckled on the beer glass, and you find yourself wondering what else those fingers could do other than come near to breaking glass.

“On leave, yes. Ah deploy next month.”

//

Johnny isn’t a fool. He knows what you’re doing. He’d known then, what with all those stick figure drawings of him in crayon and all the googly eyes. And he knows now, what with all the touching and the brushing and the laughing. He isn’t even that funny.

He also knows his mates smell blood in the water. And damn it if they aren’t gonna make it worse for him.

“So, Froggo,” Price starts, smiling like he’s won the fucking lottery, “nice to put a body to the name. I mean, face.” He chuckles. “I’m drunk. Anyway, Johnny talks so much about you.”

Johnny groans like he’s been shot. “Dinnae. Start,” he grits out. His jaw is clenched like he’s trying not to grind his teeth into dust. He’s keeping his eyes up—firmly above shoulder level. Because Christ, if he slips, even for a second, they’re never letting him hear the end of it.

Ghost leans back in his chair, slow and assured like a man settling in for a show. Mask pulled up for his mouth to be exposed, barest hint of a smirk twitching at the corner of his lips. “So, you used to babysit her. Interesting.” He faces you, eyes glinting. “Can’t imagine him being anything close to responsible, I tell you.”

Johnny slams his pint down on the table. “Right, we’re done—”

“Oh, John never had any trouble handling me,” you beam, batting your lashes, ever the picture of innocence, leaning closer to him, “right, my wee knight?” Instant kill shot, and you don’t even know. A strangled noise falls from his lips, like something from a man actively dying inside.

You tilt your head, brushing it against his shoulder, and it takes every fibre of his being to not shudder. You adjust your shirt, feigning nonchalance, and Johnny’s eyes dart away like a vampire that’s been flashed a holy relic.

“My wee knight,” Gaz repeats slowly, chest barely containing the full-bodied laugh that’s going to erupt. Ghost has to turn away and Price chokes on his beer. His delighted eyes flick very purposefully between the two of you.

You grin like a fox in a henhouse, and that’s when Johnny shoves his chair and rises to his feet.

“Ah’m gettin’ another drink.”

“Mmh,” Price eggs on, “ya wanna make it a cold one.”

You push your hair back as you gingerly sip at the straw of your drink. Ghost turns to you, popping a fry nonchalantly in his mouth.

“Yer enjoyin’ this way too much.”

You can’t fight off the beam that forms on your face. “I don’t know what you’re talking about.”

//

Johnny’s walking ahead, cool Glasgow air stinging him straight in the face. He’s stiff as a damn board, like if he keeps moving forward at a brisk enough pace, he can somehow outrun the absolute wreckage of his own emotions. But of course, his so-called friends are dragging their feet, taking their sweet time, because they live for this.

Price falls into step beside him, lighting a cigar. He takes a long, thoughtful drag, and says, “never pegged ya for a cradle robber, mate.”

Johnny physically jolts. Stops dead in his tracks. Turns to glare at him like he just kicked his nan’s ashes into the sea. “She’s not that young!”

Gaz smirks, ear to ear, hands behind his head like he’s the cockiest bastard alive. “I don’t know, mate. She probably writes in a diary, still.”

Johnny looks one second away from bodily shoving him into traffic. “She’s not that young,” he repeats, teeth bared, but it only makes it worse. “She’s legal.”

Silence. A beat. Then Gaz cackles, and actually bends over with it.

“That’s not the defence you think it is, mate,” Ghost says, barely restrained huffs escaping through the mask. His body shakes with mirth.

Johnny malfunctions. Brain blue screens. His eye twitches. And in the distance, over the roar of his ruined life, all he hears is their laughter.

He swears, when he goes to sleep that night; Ghost whispers in his ear in the dark, “yer fucked.”

Saints above, he is.

//

The next he sees of you is a couple of days later.

Ghost is bench pressing a weight that Johnny thinks is absolutely ridiculous. He’d say he was just showing off, but unfortunately, he has the build for it.

Damn it. He’s annoyed, and out of breath.

It took a few good reps, but Johnny’s finally put the whole wee knight disaster behind him. Now, he can move on, go to church, be a good Catholic boy, and—

“John!” Your voice sounds out like a gong, everything else falling to a hush. His brain short circuits.

Ghost keeps his barbell down, sitting up immediately. He senses how Johnny’s stiffened, and he's clocked what’s coming before he even sees you.

“What a pleasant surprise,” he muses, grinning like a fool under his mask. He smacks Johnny’s arm.

You sip from your bottle casually, doe eyed as you look up at him. Like you don’t know how his life flashing before his eyes right now. “You’re so muscular now! Big man.” And as if that wasn’t enough to draw a physical flinch from his entire body, your hand lands on his bare bicep. Caressing and squeezing it. He almost whimpers out loud.

Almost.

You’re trying to kill him. He knows it. And his throat? Drier than the bloody Sahara.

Ghost watches on in quiet amusement, never having witnessed something quite this horrible.

“Hey, ask you for a favour? My usual partner couldn’t make it today. Spot me?” Your voice is so innocent, and there’s a sheen of sweat lining your face—you’re glowing under the bad lighting of the gym. Your hair is tied up in the most adorable braids, and the clothes you’re wearing cling to your skin like sin.

Johnny blinks. Opens his mouth. Closes it again. Panic. “Nah,” he blurts out, “I mean—Ghost needs me. Cannae do that to him. Sorry, bonnie.”

Ghost, who has literally never needed Soap’s help with anything in his life, guffaws. “Oh, that’s shite. I don’t need your help. Come on, knight, Froggo needs you. Be a gentleman.”

Johnny glares at the smug bastard, who sits there, arms crossed. Of all the times he’s begged him practically on his knees to be his wingman, he chooses now? Seriously?

You smile, the apples of your flushed cheeks a shimmery and faint pink.

He walks you over to the side where you’d come from, and you hand him your bottle. The whole time, he’s trying to keep his eyes anywhere but the sway of your hips. He shakes his head, in an attempt to will all the lust out of his mind. As if that’ll slow down the oncoming combustion. Aye, he thinks, good luck with that, ya buffoon.

“It’s leg day,” you tell him, settling a bar across your shoulders.

You widen your stance, dropping into a squat with admittedly perfect technique. Soap knows that’s what he should be focusing on, that’s definitely what he’s looking at—

And yet.

His gaze snags on the stretch of your shorts. The way they ride up just a little as you sink lower, hugging every curve—

He swallows hard, gripping your water bottle like a lifeline.

//

He’s never been more rattled in his life. Every corner he turns on a street, he expects to see you. Every person that taps him on the shoulder, he expects to see you.

It quiets down with a week of no interaction, at least.

They’ve run out of beer, so he’s out with Gaz for the restocking. Closest pharmacy to the house they’ve rented.

He’s off in some aisle distracted by mint gum, and that’s when Gaz catches the sight of you. Dressed in short pyjamas like you’re going to bed right after the shopping trip, holding a bucket full of random knickknacks he’s sure you’ve picked up on a whim. Snacks, inhalers, candies.

This is too easy.

He snags up a packet of chips, and a box he’s all too happy to pick out, and prances towards Soap.

Johnny doesn’t suspect a damn thing. He moves up to the checkout line, and queues up behind you. His age lifts when Gaz pats him on the shoulders, and he exhales ragged like it’s physically painful for him to be this close to you.

He’s hoping that if his breath is quiet enough, you won’t notice he’s there.

Leave it to Gaz to incinerate his plans.

“Froggo! Fancy seein’ you here!”

Your head whips around, wide grin forming once you see Johnny. His t-shirt says, I HEART BIG RACKS. He’d bought it as a joke while on holiday in Canada, and while it refers to the deers… it’s not working in his favour right now.

Your eyebrows quirk up. “Big racks, huh?”

He sputters, shaking his head. “No, that’s… it’s the deers.”

Your eyes leer at his shirt unabashedly, corners of your mouth pressing down as if to say not bad. He wishes someone would stab him right now.

Your self-checkout doesn’t take too long, and you linger chatting harmlessly to Gaz when Johnny’s doing his own.

Maybe he pressed too many buttons, or maybe he’s scanned something too many times—the damn machine—but the console starts performing what he can only describe as his worst nightmare.

It starts reading out his order loudly, and everyone in the store goes silent. He’s mortified. His brows are furrowed as he clicks away trying to get the darn thing to stop, but it doesn’t.

“… PLEASE PLACE YOUR XXL ULTRA-RIBBED CONDOMS IN THE BAGGING AREA.”

He freezes. He turns around immediately, to direct a pointed glare towards Gaz. But he’s gone. Vanished. Evaporated. He pulled a full-on Batman disappearing act.

Johnny can hear distant wheezing from an aisle all the way in the back. He’s red faced, white hot shame pricking at his skin. He can hear the faint tut from an older lady in the queue, and the petulant voice of a kid asking his mum what that means.

Your eyes are wide, lips smacking in a grin. They roam shamelessly over his body, the sleeves of his t-shirt straining over the swell of his arms. You shrug. Then, voice lowered in a way that he can only classify as lethal, you say, “checks out.”

His brain? Blue screen of death.

//

He isn’t surprised in the least when he sees you at the beach. All he wanted, was a nice day to turn red at the beach with his mates, relax and unwind. Get away from all this wee knight business.

But he can’t escape you. Not in this small town, anyway. He just has to go with it.

He lays on the blanket, silently hoping the ground will swallow him whole, as you greet all of his mates.

You sit next to him, tits dangling right above his head.

Christ, bonnie.

“Hey, wake up,” you chirp. Little too eager to be carrying out a murder like you are right now. “I need you to apply sunscreen for me.”

He slowly takes his sunglasses off, only to be met with the sight of his mates chortling away to themselves in the background. You look expectantly at him, tube of sunscreen in hand.

He sighs, steeling himself. How could it get worse? “Alright.”

You lay down, flat on your belly. His breath hitches at the sight of your ass. You’ve pulled on a string of cloth and called it a bikini.

He curses under his breath as the tube spurts out the white cream onto his palm. He rubs it into the skin of your back meticulously, and you ask him to untie the string of your bra.

“No, I can get underneath,” he pleads, voice cracking.

You untie it anyway.

Now he can see, from the sides, the sight of your tits smushed up against the blanket. He circles the suncream into you, and every time he applies a little pressure, you let out that damn sound. A soft moan. He regrets agreeing to this. He could’ve said no.

“All done,” he announces, hastily wiping his hands off on his shorts.

“No, you’re not,” you contest, remaining still, “you only did my back. What about my ass?”

His jaw falls open, damn near unhinges at that. He’s not making it out alive of this.

His hands roam the swell of your ass, barely covered by this thing you call a swimsuit. It’s like he can’t stop himself once he’s here. His thumb brushes against the gusset at least more than once, which only serves to draw your thighs closer.

He presses his eyes shut as he finishes rubbing the sunscreen onto your ass, which had taken a little longer than perhaps needed.

You sit up then, peering at him from above the frames of your sunglasses. You lean closer, breath warm on his neck.

“Didn’t think you’d have this much self control, John.” That’s it. That’s the final blow.

His chest rises and falls with the heavy, sharp breaths he takes. He takes a quick look around, and grabs you by the wrist.

//

The next thing you know, he’s dragged you inside a changing room. It’s a small area, made even smaller by the sheer size of him compared to you. He dwarfs you.

“Ye dinnae think ah ken exactly what yer doin’?”

You chuckle, innocuous as the day is bright. “What are you talking about?”

“Hen, please, ah’m… ah’m dyin’ here.” He pinches his temples. “Ye cannae do all this to a man. What do ye want from me?”

You narrow your eyes, innocence slipping away faster than sand in a hand. “Fuck me.”

He releases a breath, anguished as it is shaky, looking away. “No. No, absolutely not.”

You purse your lips, hollowing your cheeks. “Why not, John?” Your voice is dripping with sweet, tooth-rotting and saccharine. “You don’t think I’m pretty?”

He inhales sharply. “Christ, ye ken it isnae tha’!”

You smile, eyes glinting mischievously. “Then fuck me. Please, John. Pretty please.”

His hand slides over his face as he looks at you, a storm brewing in his being.

You can see the resolve melting away, slow and deliberate, like plastic.

You inch closer, hands boldly tracing the shape of his muscles. “I know you want to.” Your voice is smaller now, almost a whisper. “Just give in to me.”

And just like that, he swivels you around and pins you against the wall. You squeal softly, and his face is buried in your neck.

“Ah’m tae never see ye again after this, is tha’ understood?”

You giggle, nodding. “Yes, sergeant.”

He groans, large body pressing against yours. You can feel him entirely now, throbbing and stiff.

“Fuck, ah want tae bloody fuck the lights out of ye.”

You release a wanton sound at that, body reacting of its own accord as you rut your ass against him.

He makes quick work of discarding his swim shorts, pulling his cock out. You untie the little bows to your underwear, letting it fall to the floor. You push your ass out, arching your back.

He rubs the head of his cock along your slick folds, face nestled in the curve of your shoulder and neck. “This what ye want, huh? Me tae fuck ye like a little whore?”

You nod, nails clawing at the walls as he pushes into you. He releases a low growl at the sensation, and your head dips low. He’s stretching you so deliciously. Every vein, every curve of his shaft drags along the inside of your velvety walls, spongy hilt taking the brunt of the ram. A choked moan falls from your lips, his hand clapping against your mouth to keep you quiet.

“Fuck, yer so— steamin’ Jesus,” he pants, once he’s bottomed out inside you. The two of you breathe in sync, bodies heaving with effort and restraint. He pulls out slightly, only to slam back into you. Your moans are muffled by his large hand, a string of curses escaping you.

“Keep squeezin’ me like that, bonnie,” he breathes, voice huskier, “and ah willnae last long.”

He releases his hand from your mouth to grab your hips, pistoning his cock into you with reckless abandon. The lewd sounds of skin slapping against skin echo out through the small confine you’re in, your barely concealed moans slipping through.

“Fuck, come in me, John,” you cry out, knees threatening to buckle with the sheer intensity of his actions. The way he absolutely ravishes your cunt.

He shudders, thrusts growing sloppier, more erratic as he finally spills inside you. His release is warm inside you, and your expression assumes a dazed, lazy smile.

He stays there, pressed up against you, body limp in the aftermath of his pleasure.

“Yer gonna be the death of me, Froggo.”

You walk out of the room first, trying your best to hide your limp and stilted gait. You catch his mates staring at you. Price—the other John—is watching on, a little too pleased with himself. Gaz’s mouth lolls open, like he didn’t think Soap would actually do it. Ghost just stands there, ominously popping crips into his mouth.

Soap walks out next, inconspicuous and nonchalant to everyone but his best mates. Gaz whistles low.

“Didn’t think you had it in you, mate.”

Soap glares, rubbing a hand over his face. “Piss off.”

Price chimes in, smirking, “She gonna write a Yelp review, or…?”

Soap groans. “For fuck’s sake.”

Ghost just tosses another crisp in his mouth, watching the whole thing unfold like it’s the best entertainment he’s had all year.

[lovelycrawfishy]

BOTW x ISAT crossover Mirabelle and partially Siffrin because!! I can!! I might finish Sifs later (Concept Ideas below images!!)

SO. As of now these are each of the characters

Mirabelle: Zelda/Mipha

Siffrin: Link

Loop: Dark Link (Also, Ben drowned /j (Courtesy of Amaya))

Bonnie: Tulin

Odile: Purah

Isabeau: Sidon/Yunobo (can’t decide between those two <\3)

Euphrasie: Zelda/Mipha/King Rhoam/The Goddess Hylia (So many choices that could fit..)

The King: Ganondorf

I think either Mirabelle or Euphrasie could be Zelda, I just drew Mirabelle as Zelda for this one!! I think she could also be Mipha

I LOVE HAVING A COMBO OF THESE TWO GAMES because I think both can be seen as including time loops in some regard (Althoguh with LOZ it’s less prominent)

Anyways, Siffrin’s reallyyy fascinated with Star Fragments for obvious reasons

Bonnie sticks rocks at the end of their arrows even though it makes them short range, hard to shoot, and gets rid of the sharpness. Who’s gonna tell them about carving rocks into arrow heads because it’s sure not gonna be me

[crisis-starter]

HI HELLO!!! CIAS is making me think a lot, and I'm here for it!

Curious as to how Loop would find out that a party member got added to the looping and their whole reaction to each one.

HI! WELCOME TO MY BLOG!

Okay, so I’ll answer this in chronological order.

Bonnie is the first to start looping. And Loop starts thinking about the team (or at least Bonnie) a few loops after the friend quest loop. Mostly because Siffrin their confusion about Bonnie being slightly more touchy with them (like holding hands or just brushing against their hand when giving snacks). An alternative thing (that is a tad earlier) is Siffrin communicating concern about why Bonnie is sad and talking to the others about apologies.

Loop’s reaction to that? 50% worry, 50% confusion.

Next up comes Mirabelle. The signal for this is Mirabelle’s anxiety spiking after the King fight. Like she knows that the end of the loop is near. Siffrin comments that they have to bit of a bigger effort to calm her down before the end in a random conversation with Loop. This happens 2 loops after the “Who Is Phone?” Event. Mirabelle is also the first person Siffrin suspects is looping with them.

Loop starts to ask Siffrin to experiment with these new facts. Which he doesn’t do, because his friends aren’t lab rats.

Isabeau became aware of it 6 to 7 loops later. The signal for this one is a bit less obvious because Isabeau doesn’t make it super known since he wants to figure out more first. The subtle signal for Isabeau is a hint of sadness when Siffrin steps away when Isabeau to touch their shoulder.

Loop puts a pin on the whole “Isabeau looping” thing. They try to reason with Siffrin that maybe he should let Isabeau touch their shoulder, at least once. It’s making him upset after all.

Finally, Odile. Loop finds out Odile knows about the loops on their own through a passing conversation with Odile. After all, this is Act 5. Siffrin’s felt too detached, anxious, and betrayed to even consider communicating with Loop after their first disagreement.

Basically Loop notices that the squad are talking about the loops and their experiences and that confirms their theory that the entire team is aware of at least one of the loops.

Well, this both turned into a ramble and I think me overthinking a simple question. I apologize if it didn’t exactly answer what you asked me.

[drinkabletoxicdishsoap]

I feel like I’ve posted way too much about crossovers but I’m so insane about this one that I HAVE to share it 💔💔

Ok so five nights at Freddy’s/fnaf x Fairly Odd Parents a new wish 😼😼😼 but I have so many alternatives to this au so I’m going to give a summary about each and list them. Pretty sure all of them have some shared parts about them so you might see some information repeated!! Also I know these all play out in the same timeline (except for the movie) but I’m still going to refer to them as universes 😭😭

Also just because I ship the characters doesn’t mean I ship the animatronics they’re based off of!! Please keep that in mind!! Shipping the animatronics is something I’m against (in my personal opinion at least!!)

1. First one is based off the movie universe where Antony is Mike/Michael Schmidt and goes to the pizzeria. The animatronics are most likely Wanda, Cosmo, Peri, and Irep. The Wanda animatronic acts like/ is based off Chica. The Comso animatronic acts like/is Bonnie. The Peri animatronic acts like/based off Freddy. The Irep animatronic acts like/based off Foxy. The animatronic designs are based off of them but have some more designs added to them to make them look less basic. I have no idea where Winn and Jasmine would be, but they would probably befriend her after the events of the movie. There’s also no Garrett either (sorry about that ☹️) but his nightmares are probably about his parents being killed somehow by William. Now, who is William you may be asking? DALE DIMMADOME!! he’s springtrap in all of these but yeah. Same thing happens with him in the movie. Vanessa is Dev (have no idea about whether he would be the same age as Antony or Hazel, your choice. Obviously there’s no shipping him with Antony like with some people do with Mike x Vanessa). His dad is springtrap and he basically acts the same as Vanessa except with his personality 😭 again same events as the movie! The people killed by the animatronics could be just Antony’s bullies.

2. Sister location universe: Dev is Michael for obvious reasons. I feel like he’d enjoy soap operas like Michael as well. Dale is still William. Basically he goes around to all of the locations his dad opens and you know, works the night shift. He goes to sister location! The peri animatronic is possessed by Peri and acts like Circus Baby to Dev. The Wanda animatronic is possessed by Wanda and acts like Ballora. The Cosmo animatronic possessed by Cosmo acts like Lolbit. The Irep animatronic is possessed by Irep and acts like Funtime Freddy. Peri could also be Bon-Bon. It’s up to you!! Hazel, Jasmine, and Winn are either Dev’s friends in this universe OR they’re just animatronics. It’s up to you honestly!! Plot still probably plays the same. (This is so you belong here song coded AHHH)

3. Security Breach universe: I got this idea from my friend and I haven’t seen a full play-through of it or played it so I’m sorry if I get some information wrong!! Hazel could be Cassie and Dev could be Gregory. Peri is Glamrock Freddy and Irep is Roxanne Wolf. Cosmo is the Daycare Attendant and Wanda is Glamrock Chica!! Again I have no idea where Winn and Jasmine would be in the universe but it’s honestly just your choice!! You decide!! Plot still probably plays the same.

4. Basically just Dev working the night shift in the first game. Same thing, the fairies being animatics and possessing them. Again, it’s also your choice on whether Hazel, Jasmine, and Winn are animatronics are just his friends in this one! If they’re friends in this au, I’d like to believe they probably wait outside in a car or something and check the cameras for him when he can’t! They use like walkie-talkies and help him stay alive 😭

5. Some general headcanons that I couldn’t find anywhere to place: Adult Timmy in Channel Chasers ending is Henry for sure!! The puppet is either both of his children or just the girl/Tammy

All of the animatronic designs are based off fairies! That’s probably the whole selling point of Dale’s pizzerias and his animatronics.

If Hazel is one of the missing children, her mom/Angela is definitely the song it’s been so long!! It’s so her and Hazel coded.

Even though a lot of the animatronics are possessed by Hazel, her friends, and the fairies, some of them are possessed by the ppl that worship the ground Dale walks on. He probably lures them all into the room and kills them!

_____________________________________________

Thats all I could think of! Thank you so much for reading this SUPER long yap session! I really really appreciate it <3

If I got any information wrong, please feel free to correct me in either replies or reblogs! Same with if you want to add more ideas to this au!

I hope you have a great day/night!! Again thank you so much for reading. ❤️❤️

[unidentifiedseacreature]

They learn you're insecure

Freddy 🐻

- Believes the best people never realise they are

- Will not hesitate to remind you that you're awesome

- Nothing much changes since he always compliments his superstars

- But he becomes more pushy when you don't accept his compliments

- Lectures you when you insult yourself

- When you make a passing comment about everyone being his superstar, he cuts down on saying it so that you can know you're more special

Monty 🐊

- When you admit it to him, he admits that he is ashamed of his anger issues

- Understands that the last thing insecure people want is to be treated differently

- "That doesn't mean I'll go easy on ya"

- Doesn't bring it up unless you do

- Becomes more touchy when he teases you, to make sure you know he's joking

- Less bitter when you win games against him

- Puts you on his shoulders and calls you 'majesty'

- Makes sure everyone knows when you win something

Chica 🐔

- Encourages you to do things outside of your comfort zone

- Your number 1 fan

- Always adds a compliment when referring to you, such as:

'The incredible Y/N', 'The amazing Y/N' and 'The one and only Y/N'

- Believes people could always do with more of everything. More food, more play, more friends, more fun

- Tries to get you to do exciting things with her on bad days

- The first time you ever saw her insult someone was when you told her about something mean your boss said to you

Roxy 🐺

- The most understanding

- You confide in each other about your insecurities

- Encourages you to do affirmations

- Becomes less competitive around you because she knows you're in the same boat

- "You're amazing"

- "No, you're amazing"

- Feels bad that you're also insecure. You're awesome, you have no reason to feel unworthy.

- "Why do you like Y/N so much?"

- "Because they're the best"

- She says it like it's so obvious and they're an idiot to not know

Bonnie 🐰

- "Hey, don't worry about it. We all feel a little unhappy with ourselves sometimes, it's just that you feel it more"

- Puts more effort into including you and spending time with you

- Acts more goofy to cheer you up on bad days

- Finds it awkward to compliment people but always supportive

- Blames all of your problems on capitalism

Foxy 🦊

- "Thar's no point spending yer whole life dwellin' over yer insecurities. Thar's much better things to do"

- Tells you stories with morals of accepting yourself

- Gets more talkative to distract you on bad days

- "Do you like me?"

- "Thar's no point sailin' with people you can't call yer mates," He leans closer to you and grins. "Also helps that yer my favourite"

Sun ☀️

- "Aww friend, you don't have to worry about that"

- Frequently reminds you of how amazing you are

- Would easily list everything he likes about you

- "Nobody loves me"

- *Sun appears out of nowhere* "I love you!"

- "I have no friends"

- *Sun hangs down from the ceiling* "I'm your friend!"

Moon 🌑

- 'Y/N has so many strengths, the only thing that would make them think they weren't good enough would be if somebody else convinced them'

- Concludes that he must protect you at all costs

- Tries to get you to accept your weaknesses instead of disagreeing

- Gives you facts that you can't argue with

DJ Music Man 🎵

- Makes sure to encourage you more, even though that's usually just an enthusiastic thumbs up when you finish a task

- Glares and shakes his head when you insult yourself

- Plays music to distract you

- Encourages you to dance

- Wishes he could speak to compliment you

[freddy-and-friends-au]

The band’s all here! (WIP)

I still haven’t finished their new endoskeletons yet, but I think I have their suits mostly down!

Feel free to ask any questions you may have in the inbox!

EXTRA INFO AND SCREENSHOTS UNDER THE CUT!!!

At first glance, these are obviously inspired by the traditional Chuck E. Cheese x Rockafire Explosion suits, designing them more like sports mascot costumes and having very little of the endoskeleton showing at all times (say for Foxy, of course). This was not only for more realistic world-building, but also to optimize animation, as we now have less moving parts that are actually showing, and therefore, less to render.

You might be wondering “if you wanted a more realistic approach to the suits, why not take a more realistic approach to the masks, like a more ShowBiz Pizza style?” And to that I say: everyone does that.

Okay, that isn’t entirely the reason. I like the idea of basing the designs more off of the canon models than something that already exists, because I like the idea of FazEnt having their own style of making animatronics. The ShowBiz style isn’t the only way to do animatronic masks, and these masks are how FazEnt would go about making them. Even when FazEnt does use the trademark ShowBiz rubber-face masks on the Junior models, they don’t do it the same way that ShowBiz does it.

Something interesting I want to do with Freddy & Friends is to set narrative moments apart from the moments meant to be passed off as real footage. The designs shown above are for the latter, meanwhile the narrative will use more artistically stylized suits textured to more so resemble a comic book, sort of like Into The Spider-Verse (except instead of going for a generalized comic book feel, the Freddy & Friends style is gonna be more reminiscent of the Batman: Year One comic). The designs will be more reminiscent of how I draw them on paper, as opposed to being faithful to the canon.

Here’s some extra info as to how I came up with the designs, as well as some extra renders and concept art!:

Original concept art from September 30, 2020.

Freddy was a little obvious to design, probably because everyone seems to design him like this when making more cartoonish versions of him. A more defined tuxedo complete with a collar and cuffs with a red stripe around his hat. It just seemed like the right direction to go in.

Bonnie was initially intended to wear a vest, though I was holding out for something else so that he could be differentiated from the evil rabbit (the evil rabbit wears a vest). I asked my friends what I could change it to, and one of them said “Try a cardigan”. Honestly, that fits Bonnie’s personality so much better, both in terms of spirit and cartoon.

You might also notice that Bonnie was supposed to have buck teeth, as well as more squared off teeth. That was originally part of his V1 model, but when I tried applying that to the new models, literally any way I tried to arrange it made Bonnie look like so much like an insufferable asshole that I wanted to punch him in the face. Ultimately, I ended up ditching the buck teeth and just gave him his classic teeth.

Chica was a little hard to do something unique with at first. I initially wasn’t really sure what I wanted to do with her, but when I modeled her V1, her little chef’s hat was a last minute addition to her design. I’m also thinking about changing her bib into an apron, per the toon designs that Henry posted a while back.

Foxy was probably the most fun to design. Obviously, his final model has a lot of details inspired by the FNAF movie, but when I was designing him 4 years ago, I really just wanted to go crazy with his design. I wanted him to have a beard, I wanted him to have a peg leg (I really liked the idea of animating him with a limp). Unfortunately, I don’t know if I’ll keep the peg leg, because it might be a little too hard for Henry to animate with the tech that he has.

As a cheeky little reference to the roots of the FNAF fandom, I wanted Foxy’s hook to resemble the hook seen on the Splinks Foxy model. ;)

Endo01 - Version 4 WIP

I’ve done a few different versions of the endoskeleton. What I’m trying to do for this new one is to assemble him modularly, allowing me to make each component a recognizable component (they’re also actually modeled after real components).

I’m not gonna go into detail about the functionality of this guy, because I eventually plan to make a Freddy & Friends Instructional VHS series centered around being a mechanic for FazEnt. However, what I will say is that these designs are intended to have plausible functionality, especially using the technology of the 1980’s (which is not restricted to pneumatic technology, because making an animatronic walk with pneumatic actuators while maintaining the traditional complexity of animatronic endoskeletons is simply impossible).

EXTRAS:

The original Version 1 designs

My failed attempt at giving Bonnie buck teeth (I wanna punch him so bad…)

Fixed Foxy

???

[klonnieshippersclub]

Not exactly a klonnie centred ask, but I think that TO could’ve done something with Henrik, the dead sibling. It would’ve been interesting to see them navigate a plot of him being alive, even more so if Bonnie was in TO especially since he was an untapped witch.

Is Henrik an untapped witch? I'm not really sure what being an untapped witch is. Is it being from a witch family? Does that make all the Mikaelsons without magic untapped witches? What about the Petrovas? What exactly determines the witch gene is activated? There are no answers. Gee, I wonder why. Like so many things in TVD, the answer is racism. For the vast majority of the early seasons, most of the witches introduced are black (for obvious racist reasons -- see the magical negro trope) and why would racists want to flesh out storylines dealing with black people?

On to Henrik, I like the idea of him being a witch but in a completely different way than you are likely thinking. @mythorhuman has been pitching Henrik being the Original Heretic for so long. Ayana manages to revive Henrik, but keeps his survival a secret for his own protection, since siphons experience great discrimination in TVDU. He would be hunted down for being a magical abomination similar to his Hybrid brother. In adulthood, Henrik would defy Ayana's orders to recreate the spell that created the Originals. Also, I think the Original Hybrid, Original Heretic, and Psychic-Witch Bonnie sound badass as a partnership.

I think it would’ve been cooler and less racist if Henrik turned out to be the Hallow. As another headcanon since we’re discussing Henrik. His family had forgotten about him after a thousand years. He was murdered by wolves (which are now in the family) His remaining witch siblings did not try to revive him. It would bring a full circle to issues that Finn and Kol, had with their family not seeing them as family. Yes, Henrik was dead but the Hallow’s plot took over two seasons with a pretty messy lore. To place a indigenous woman in a role where she’s only seen as angry, deemed and villainized as crazy for wanting power is another one of TVDU’s many signs of racism.

[lookoutjoe]

What’re your favorite CSNY & related bootlegs?

okay here are a few i really like that are easily accessible because i dont want to spend too much time typing

detroit 1969 – actually a compilation of a few different shows from 1969 but definitely worth a listen. some insane drumming from dallas taylor on pre-road downs. david crosby describing neil young as one of his favourite canadians along with joni mitchell, leonard cohen, and pierre trudeau is very endearing.

seattle 1974 – if for whatever reason, you can't get enough of the doom tour after listening to the official 1974 live album AND watching wembley dozens of times, this is the 1974 bootleg to listen to next. it's one of the more unique 1974 setlists, with a full band version of cowgirl in the sand, the sole instance of a man needs a maid, and a really cool segue from what are their names into chicago.

dan lampinski's stills-young band tape – definitely the one must listen stills-young tape. there are a few other ones floating around but this one's the best quality and i think it really illustrates the dynamic of the tour really well which is to say the guitar playing is explosive, stills is awkward and mumbling and probably drinking too much but still very endearing, people are setting off firecrackers for some reason during Neil's acoustic song, they do Suite Judy Blue eyes for some reason

mike millard's 1977 tape – i would say that the two unsung heroes of CSNY bootlegs are Dan Lampinski and Mike Millard. among the only listenable 1977 tour bootlegs, which is a shame, because there are some incredible arrangements. and a rare post-1976 performance of King of The Mountain which is one of my favourite Crosby penned songs

mike millard's shoreline amphitheatre tape, 1982 – another Millard classic. this is a recording of one of the three shows that was hobbled into the Daylight Again concert film and even if you have seen that film it is worth a listen because there's a lot of songs that didn't make the cut in the film. amazing arrangement of The Lee Shore.

arrowhead pond 2000 – honestly, any show from 2000 is pretty good. they more or less have the same setlist, but the arrangements are very good, and there are a few shows where they pull out a few oddballs. this is not one of them, however, it is taped and easily accessible on youtube, it was one of the first CSNY2K shows i watched, and this is also where "don't get too close Neil you'll get pregnant" is from.

these aren't bootlegs, but here are some professionally filmed live performances that are also worth watching. wembley 1974 is too obvious and also a little bit cursed so here are some other ones:

winterland 1973 – very laid back solo stills show that crosby, nash, and later neil young joined in and sang some songs together. also notable for being some of the only footage of neil young performing in 1973. there's also a show from a few days later at the same venue with just crosby stills and nash that's also very cute.

stephen stills capital theatre 1979 – among the only video footage of the california blues band. very interesting stuff. great arrangments, one of the earliest apperances of beloved CSNY side character Michael Finnigan, Bonnie Bramlett doing lead vocals on Love The One You're With, and perhaps the climax of the show, the six minute monologue before Make Love To You.

i have a few more essentials on google drive that i will link in a second post but if you can find a copy of CSNY's performance at the 1989 Bridge School benefit in the meantime, you should absolutely watch it.

[get-rammed]

So I’ve been curious about this for a good bit now

Is there a story or dynamic reason why Monty is the shortest? Is it cause he wasn’t originally a glamrock?

Yep!

Within this AU we yeeted out the hoards of extra endos laying around. Any that do exist, are too broken down for the heavy wear and tear a Glamrock takes. And basically are just spare parts

Monty was originally designed to interact directly with guests, deescalate conflict, golf, and swim. Due to this, he's one of the most expensive animatronics there. To make him obvious, but not too intimidating, they went with a shorter 9 foot tall height and gave him a friendly look. This meant a bit less maintenance as he was smaller, and due to his programming and fine motor skills, he can do some of his maintenence himself if needed

Due to the cost of his whole body, the Fazbear company opted to just reformat his shell, and switch a few parts out vs design and produce a whole new Glamrock endo for him. They weren't 100% sure on how his reception would go and didn't want to spend the money in case he was a failure. This was a fact talked about directly in front of him. Loudly.

Eventually they plan on making him an upgraded Glamrock endo as his reception has gone well, but for the time being he's still considerably shorter and they've just done some work arounds to make it less obvious. They're still trying to figure out a few things in the design and budget for it

Basically for story reasons this is to hammer home he was a last second replacement for Bonnie. Rushed, not well thought out, just done for convince sake. And Monty knows it

[mantisfriendd]

FINAL FNAF MOVIE PREDICTIONS

I have not looked at anything more spoilery then the YouTuber vlogs of the set, I'd like to stay blind to spoilers, so if I say a prediction that has been proven true or false by those types of things, please don't tell me.

first order of business is showing my FNAF movie bingo card that I made even before the first trailer dropped

Other then that here is a more specific set of predictions, based on nothing but gut feelings and a frankly upsetting amount of knowledge of the funny bear game

MIKE:

I think it's pretty obvious at this point, with the information we have that Mike in this movie is not Mike Afton and that he's not related to William at all. I wouldn't be surprised if Blumhouse pulled some gymnastics to hide that fact but it seems unlikely at this juncture. I would be willing to go as far as to say that I don't think Mike Afton , or an equivalent exists in the film universe.I do think Mike has unseen motives for staying more then one night at the haunted pizza restaurant, more then just desperately needing a job that we see with the red slip on his door, and that the motive has something to do with William.

ABBY:

While the baby parallels have been noted by many people, I don't think she will become baby in this film, it might be foreshadowed but I can't imagine that they will show something graphic like that on screen, or even imply it, if she does get baby'd it will be in-between films or off screen. the many scenes we've seen of her with the animatronics we have seen imply that she will be able to befriend them, similar to both the games and books depiction of how the haunted robots work.

VANESSA:

despite what many have been saying, I don't think Vanessa will be a twist villian, or if she is she will have a very quick turn back to the good side. We already have an unnamed female villian we have yet to see anything about, and we see Spring Bonnie choke Vanessa in the final trailer (presumably what lands her in the hospital) so unless William has a bad habit of killing his minions I think it unlikely. I think it's more likely that Vanessa was a relative of one of the missing childrens, which would explain her knowledge and interest in the hauntings and the details of the incident.

REMNANT AND AGONY:

I don't think there will be a mention of either of these strange world mechanics that power the FNAF universe, but I think it is being considered. If the FNAF movie is lucky enough to get the trilogy Scott saw it as on his Reddit post, I think all of the information on how the haunting works will be saved for FNAF 3, where William will explain his reasons for doing what he does. But I do think that there will be hints (The Freddy Face slicing Saw trap being one) Basically I think that if you look in between the lines at the movie you could figure out Remnant, but it's not going to tell you outright till 3

THE ENDING:

I don't see a version of this movie where it ends that doesn't have William Afton getting spring locked in his suit, perhaps after that getting locked in the Safe Room to be uncovered for a potential FNAF 3 movie.

however, even though William has seemingly been delt with, the spirits are not at rest (because he's not really gone)

I think FNAF 2 (if it happens) will be a prequel just like the game, and it will be more or less a retelling of the game, with a greater emphasis on the Puppet

[trapton]

hate to burst people's bubbles but i don't think will stabbed the kids, during the original 5 murders, or any murder before the rentals era, where it no doubt could have gotten more bloody & experimental where the remnant is involved. i think there's a shift that eventually happens, as while the murders are always somewhat for pleasure - they eventually just became somewhat of a science / normality for him. rather than a momentary overpowering and euphoric feeling. he wanted to test what more fear in death and dying could do to the remnant or agony.

though initially when the murders were simply for personal reasons, it would have made more sense to lure them and overpower them before strangling them. i think it's less about feeling the pulse stop beneath his hands, but more about seeing the light fade from their eyes. i think this because there was never any mention of blood on spring bonnie, and such would have made it much more obvious that it was him. being expressly known to wear the suit, which is where the initial suspicion lived from the cops. any blood residue would be detected, especially if blood leaked from the freddy, chica, bonnie or foxy animatronics. there's a lot of blood in a person that would slowly drain out and destroy them, &. when we see those body stuffed withered animatronics (who were eventually refurbished for fnaf 1), they have no blood to be found.

[scover-va]

Oh yeah since ive realized i cant do one big masterpost abt my security breach rewrite like i wanted due to image limit stuff (i did all the art on my phone and trying to get it on desktop is a painful process), im just making lil snippet posts to slowly feed you guys information. As per usual, it’s a long post so all the info will be under the cut

Starting off! Protagonist role is shifted over to Vanessa (Gregory still plays a decently important role story-wise, but he loses his protag rights), the ‘gameplay’ (said like that bc its hypothetical. Im not making a game) being split into two sections: the Dayshift Phase, and the Nightshift Phase.

Dayshift Phase (which is the focus of this post) is very simple in nature, but also the part that I have less specific details for at the moment due to it being less impactful on the overall story.

Essentially, Vanessa spends this phase running a variety of errands and tasks within the Pizzaplex, spread across over the span of a 5 day work week. For obvious reasons. While the majority of tasks come from whoever her higher ups are (the newest ceo of fazent will be revealed in a later post), there are a few oddballs mixed in thanks to the 80’s serial killer that lives inside her head. Because we’re ignoring Mimic in this au. At least for now. William has no physical presence in the rewrite though, he’s moreso haunting the narrative just as much as he’s haunting Vanessa. It’s complicated and I’ll get into the changes in a different posts where I’ll discuss the changes that have been made to the Glitchtrap situation, as well as discuss the other employees mentioned in Help Wanted.

The map itself doesn’t change too much. Glamrock Bonnie gets to live in this au (i needed him alive and present for. Reasons I’ll discuss when I get to the Nightshift Phase) and Glamrock Chica gets an actual, proper attraction, which is a rollerskating rink. Yes this means her feet/talons/whatever-the-term-is double as heelys.

But, to start off, here’s the main gal herself!

Vanessa, obviously, gets the rainbow hair back. Because it was the most iconic part of Vanny before SB came out imo. She’s a bit more of an anxious mess, but I would be too if I was under the psychological influence of a serial killer. Her job pretty much stays the same, now working both dayshift and nightshift at the Pizzaplex. Because in true FazEnt fashion, the employees are not treated fantastically.

She doesn’t like talking about either of the founders for wildly different reasons. William because she’s forced to co-exist with him and he has caused great internal suffering over the past five years (Help Wanted takes place in 2033, whereas Security Breach takes place in 2038, so it’s been a long five years for her), and Henry for reasons I’ve touched up on in the past and will further discuss in a later post.

And without further ado, here is her collection of coworkers! Minus her boss

And essentially all information you see here is all the information I have on them, besides a few minor facts. I won’t state them here partially because it’s an uneven amount of facts between them all and partially because tumblr is now running incredibly slow, however if anyone asks things I can and will answer to the best of my ability. Will I ever figure out the specifics for the dayshift phase’s tasks? Maybe! We’ll see

Anyways that’s all for now, I just wanted to show off the girl of the hour as well as her coworkers before I resumed today’s fnaftober piece because it relates to vanny in the ruin part of the rewrite and giving details for the ruin part before the base game part feels wrong. Alright thats all ty

[thebreakfastgenie]

one 🔥 for mash, one 🔥 for tww

These won't be new because I post my unpopular opinions all the time lol but

MASH:

There is a very obvious "king of repression" in MASH. It's Margaret. Margaret struggles to admitting she's feeling anything or experiencing negative effects from the war to anyone. If there is anyone Sidney is dying to put under a microscope, it's her, although I don't think he sees any of them that way; they're his friends and he likes being able to help them, they're not lab rats. Margaret has an entire conversation with Sidney wherein she's denying feeling anything at all, while expressing sublimated rage, and basically projecting, as she's trying to offer him advice. In fact, rage is one of the few emotions she ever feels comfortable expressing. One of the only people who can get past her walls is Hawkeye, and in Comrades in Arms she even falls back on rage with him.

Margaret's second conversation with Sidney is mostly comic relief and unfortunately dominated by early installment weirdness Charles ship tease, but it goes very similarly. She makes claims about other people while seemingly unaware of her own feelings and behavior, and she yells a lot.

Margaret says she's not a very open person. We see her struggle to form relationships, including with the other nurses, because she is so closed off. She's lonely, but she pushes people away. It's hard for her to admit she wants or needs anything. She hates to show any kind of vulnerability.

And yet we can see Margaret be compassionate! With the other characters in the later seasons, and with the patients throughout. She does acknowledge emotions, just not her own, because that would be too dangerous.

These are all traits you rarely get to see in a female character and I for one owe Loretta Swit my life.

In the spirit of the game, I'll get a little spicy:

I think the reason the fandom devotes so much time to the repressed BJ headcanon--which is just that, a headcanon-when Margaret is right there doing it in canon and gets very little attention is that people struggle to see female characters as complex. Emotional repression in particular tends to be associated with men; we see this all the time in society. This is not a problem specific to this fandom; it's a reflection of how we are taught to view women that manifests in every fandom. I do think Margaret is a prime example of it.

TWW:

I don't like Donna's arc in season 6. I think it loses sight of the foundation of the character, which is my criticism of a lot of seasons 5 and 6. I hate the "shallow girlboss feminism" critique, but if the shoe fits... We're supposed to believe Donna is overqualified for her position and Josh has been unfairly holding her back. This is simply not the case. There wasn't really a ladder for Donna to move up. She was very good at her job, so Josh had every professional reason to keep her.

None of the other assistants are portrayed as being treated unfairly. Mrs. Landingham, Debbie, Bonnie, Ginger, and Carol are all career assistants. That's a real job! Donna also has no formal qualifications and no relevant experience prior to the Bartlet campaign. The whole point of Donna was that this silly, slightly flaky young college dropout is actually extremely smart and capable. Donna not wanting to remain an assistant makes sense, but she wasn't wronged. The job offer she gets in season 4 is lucrative, but it's for a start-up, where formal qualifications are less important than in, say, the White House, and they're more free to emphasize her on-the-job experience. Donna getting as high a position she as she does on the Russell campaign is frankly absurd and in my opinion a product of it being a convenient way to have two main characters handle those campaign scenes.

Once Donna does get successful, she jettisons most of her personality in favor of being Competent and occasionally the only moral one (2162 Votes; Donna is the moral compass of the show but the way that was presented bugged me). And Josh was right, if a bit dramatic, when he said he was the victim. Donna quit without giving notice! That's pretty unprofessional! Donna was so full of shit when she accused him of keeping her in grunt-level servitude, when we've seen the responsibilities she's been given. And like... knowing how he liked his food was part of her job. It's uncomfortable to admit but Josh did give her a career. That doesn't mean she's beholden to him forever, but it happened. In Impact Winter, she never told Josh what the meeting she wanted to have was about or that it was important until the last minute. She also knows better than literally anyone that his meetings get rescheduled all the time because that's the White House, and him not prioritizing her meeting over various urgent situations is not personal. Maybe if the show had done a better job of showing him dismissing her and taking her for granted as an ongoing pattern I would buy it, but they didn't.

Even in the Josh/Donna resolution in season 7, Donna has to be Cool and Right even at the expense of making sense. Josh is the first one who brings up talking (and even indicated he wanted to way back in Election Day, which she ignored), but we're supposed to believe it's a sign that he's panicking about commitment when he doesn't want to do it while badly jet-lagged? It's all the tables have turned, Josh is pining for Donna, until Donna's the one setting deadlines. All in all it made the character much less enjoyable for me and unintentionally sent the message that women can't have personality and success. Iirc, CJ gets a lot less fun material once she becomes chief of staff, too.

[kiss-my-freckle]

Full Episode Commentary

1x3: Friday Night Bites

Most of what you see with Elena in 4x16 can be found in this episode. It opens up on Damon's side of the story because Stefan is keeping half their truth from Elena. He's lying to her by omission. "But then the sun came up and reality set in."

Damon and Caroline are written similar to Katherine and Stefan in their opening scene. While some fans believe he bit her, then they had sex… I believe they had sex, then he bit her. I don't know any woman that would sleep in their bra, and it would likely have blood on it after he bit her, so they put her in a nightie. Fans should expect Caroline to pass out or even fall asleep after Damon fed on her as they show with most of their biting victims. Like Vicki, who was fed on first. She slept the entire time he fed on her friends to the point of their death, then took her to his house. She's still sleeping on his couch before he heals her in 1x6. When Klaus is draining Elena in 3x21, Tyler would've had to carry her because she would've been too weak to stand. That's why I believe Caroline changed into her nightie, but Damon would've needed to help her. While the bite was clearly uncomfortable for her, she looks quite comfortable in her bed at the open. The star tattoo on her foot is adorable af. I have a tattoo of a sun on the top of my foot that my son drew when he was 5. I call it my "Walking on sunshine" tattoo because he's the reason I'm still standing.

Damon has to bury his face into Caroline's pillow to make himself vamp out. Obvious that he has more control over his bloodlust than Stefan. "You were the one who said to go for it." Bonnie's in a bit of a pickle. She was urging Elena to go for Stefan because she wanted to see her friend happy. But then she felt his death when she gave him Elena's phone number. She doesn't know what that means, but she knows something happened to him as she describes it as death. Now she's scared for her friend. She's so much as suggesting Elena play the field while Elena isn't the type. Best to keep this in mind as the writers throw in their football/game theme. Elena pushes the issue because she's desperate. That's what I consider a sad girl needing to be happy... Desperate. While she does listen to Bonnie, she doesn't take her advice. She's basically gonna force Bonnie to accept her new relationship.

Again, Stefan hates being a vampire, but has no problem using his vampirism to impress Elena. He catches the football when Tyler throws it at his head. I consider this a lie by omission.

Matt: Hey, what am I supposed to do, Ty? She made her choice. Tyler: Let her know she made the wrong one.

This bit of conversation plays well in the 4th season. Damon doesn't need to do anything to make Elena know she made the wrong choice. She already knows. You can find several "right" and "wrong" dialogues in seasons 3 and 4 because of it. Like Damon's, "It's right. Just not right now." Or Matt's, "So, you're just gonna let her call the shots? Even if they're wrong?" That's why The Right Kind of Wrong by LeAnn Rimes is a song I'd choose for Delena. Season 4 Stefan parallels season 1 Matt. And as I say this, I've already stated that lying is nothing short of compulsion because the end result is the same. Stefan is taking away Elena's fear by lying. So Damon gets the sire bond in season 4 while Stefan essentially compels his way into her heart in season 1. Damon's dialogue in season 6 supports this fact. "You've compelled enough people to know it's just a way of covering the truth. And no matter how badly you want it done, it doesn't make it any less of a lie, you know." It's up to the fans to decide which is worse, Damon compelling Caroline or Stefan gaslighting Elena. "Gloomy graveyard girl" is quite a reference, considering the very definition of gloomy. As I tell my followers, Elena was always dark. She has been since her parents died because death brings a certain darkness. If not for her parents dying, Stefan wouldn't stand a chance with her. He'd be an Augustine vampire, which I feel was the reason they introduced Damon's Augustine storyline early.

As I said before, most of Bonnie's visions are Damon-related. She had to get closer to Stefan to feel him. I believe this is due to Stefan's direct connection. He's the one that stalked Elena and forced himself into her life, so it makes sense for Bonnie to have visions of the other brother. Again, Stefan hates being a vampire, but uses it to impress Elena. He has a date war with Mr. Tanner. Note the years because Stefan was alive for all of them. Their debate over 1952 or 1953 is their first note to Damon's Augustine storyline. He was abducted in 1953. "Years and years of crossword puzzles. It's a loner thing." This is another lie, and jumps off his opening journal voiceover. Like I said in my pilot post, Stefan's journal fit more to Damon than to him. That's why Elena herself refers to Damon as the lone wolf. He's the loner because he's the one truly alone. He lives as a vampire, doesn't trust anyone, and his family wants nothing to do with him.

It's insane to me how they show Stefan struggle signing up for football because he's a vampire when this is the brother they wrote living one human life after another. Who, if not for Elena, would already be signed up for football. Much like the contradiction that he can't be a doctor because he can't be around the blood, but he can somehow be a paramedic. As I said of Elena, she outwardly admits she's not the type to play the field. Combine this with Damon's comment in 1x4, then throw the football/game theme between them. "It might even the playing field. Football reference. Too soon." Matt is a football player, Elena is a cheerleader. Stefan signs up for football as Elena quits cheerleading. Damon was the one who taught Stefan how to play football to begin with. This is all shown in Katherine flashbacks, so it's doubled for Elena in current timeline.

"I got the other brother. Hope you don't mind." This comment is reversed for Elena in 4x16 and specific to this scene right here. "By all means, Care, just take him out for a spin. He could use it." The two brothers have their "mystery/mysterious" parallels. The perfect color choice for mystery is purple. It's also a good color for Bonnie because she's a witch.

Damon and Elena don't have to say anything to each other. Their body language is insane. It doesn't surprise me that fans shipped them from the very beginning. I didn't start shipping them until 1x20, and I'll note the scene when I get to it. I have no problem with Caroline asking Elena to observe because she's behind in their routines. It's their scene later in the episode that makes me dislike her. Elena shows that she has no interest in cheerleading. She'd rather watch Stefan play football. Stefan tells two lies on the field. His initial lie as he intrudes on Tyler's conversation with Matt, which is the reason he allows them to tackle him. This is done for the sake of fitting in with Elena's friends. The second being his broken pinky finger, which he fixes before they see it. "Maybe I can do it, too. That I can learn to be a non-living living person. Maybe there's hope for both of us." Damon continues to joke about living a human life because he has yet to feel it for himself. He hasn't felt human in a very long time. You can see how his references change once he falls in love with Elena. That's when he actually refers to himself as a non-living living person, and they do this before they have Isobel out him for his feelings. "You know, it doesn't have to be this way, Damon." Damon is being honest in his reply to Stefan as it jumps off his comment to Caroline. "This could have gone a completely different way." Damon is choosing to use Caroline because he's in love with Katherine while Stefan still believes Katherine is dead. That's why Stefan doesn't understand it. "I saw Elena today, BTW. That means "by the way." She was at cheerleading practice. She looked so perky in her little short shorts." Damon goats Stefan a lot. He'll do anything to piss him off or make him fear what he's gonna do next.

This scene of Elena and Bonnie is insane because I consider it a double. "Today I'm obsessed with numbers. 3 numbers. I keep seeing 8, 14, and 22. How weird is that?" From Damon killing Coach Tanner to Elena falling in love with Damon. "Birthday candles." Just as Stefan does with Tyler and Matt, he uses his vampirism to fit in with Bonnie. If he weren't a vampire, he'd know nothing of witches. He speaks to her heritage without telling her how he knows. "Salem witches are heroic examples of individualism and nonconformity." So he's basically using his vampirism to impress her and lying by omission. That's when Damon and Caroline show up. "We're just finishing up." Again, lying by omission in his desire to stop Damon from getting an invite into Elena's house. At the same time, this whole belief he has that he's better than Damon. The same belief he has in the pilot episode. It's okay for him to be back home, but not Damon. It's okay for him to get invited into Elena's house, but not Damon. He belongs, but Damon doesn't. As much as fans talk about how Stefan treats Elena like a broken toy in season 4, fans should know that Stefan has been treating Damon this way since they became vampires. In his eyes, Damon is a broken toy solider. While Damon has no problem accepting the fact that Stefan is the "good" brother, he doesn't like being treated as less than just because he's the "bad" brother. They're both vampires, and because they're both vampires, they both pose an equal threat to Elena. It is their basic nature to feed on humans. For fans choosing to ignore the truth of this matter, Cade blames Stefan because he IS the one to blame. Stefan invited Damon into Elena's life the moment he forced himself into her life. Living as a human doesn't negate his relationship with Damon. They're still brothers, so Damon would've ended up in Elena's life at some point because of Stefan. So while Damon pushed Elena to own the darkest parts of herself, Cade blames Stefan for Damon being in her life to begin with. Because they're both vampires.

More of Damon's alternate meanings. "You can't just sit there and wait for life to come to you. You have to go get it." While watching Damon, even in the first season, it's important to understand that he's carrying on two separate relationships. "I'm sorry, Elena. I know what it's like to lose both your parents." His relationship with Elena should be viewed separately from his relationship with Stefan. "In fact, Stefan and I have watched almost every single person we've ever cared about die." He's being honest with Elena as he apologizes for her loss. "She used to be way more fun." This is Elena's partying scene in 4x16, that's why it comes from Caroline's mouth. She's the one who references Elena having fun without Stefan. Damon knows that Elena isn't a cheerleader anymore. He knows that girl died with her parents four months ago. He can see just by the way it makes her feel. "You know, you don't seem like the cheerleader type, Elena." This doesn't just hit in 4x16, it hits in 3x22 when Dr. Fell heals her with Damon's blood. While Stefan helps Elena move on from the death of her parents, Damon helps Elena move on from the death of herself. That's why she drowns and becomes a vampire with Damon. "God, I don't know how you're ever going to learn the routines. I guess we can put her in the back." This is why I dislike Caroline. It's one thing to put her in the back to have her observe, and another to treat her like she can't learn the routines. Caroline likes being the center of attention. She's treating Elena like crap, and using Elena's need to learn the routines as an excuse to treat her like crap. While Damon's relationship with Elena should be viewed separately from his relationship with Stefan, he makes comments to both when he's speaking to both. That's why he references Katherine. "The last thing I wanted to do was bring her up." While Damon could've easily referenced the death of their mother, it's better that he reference Katherine. Their mother died when Stefan was still human, when he was just 10 years old. Katherine... it would be hard for Stefan to explain his girlfriend dying when he was 17 while he's stuck inside his 17 year old body lol... that's why Damon name-drops Katherine every chance he gets.

And it's not just the fact that Katherine is the vampire that turned them into vampires. It's the fact that they're literal doppelgangers. How insane it would be for Damon to simply rescue Katherine from the tomb just to spring this truth on Elena at the last second. "I find it pretty easy." Jeremy refers to Vicki as a slut. His comment coincides with Caroline's in 1x2. "Ok, it's easy. Boy likes girl, girl likes boy, sex!" He's going through the same pain as Damon in season 2, watching Vicki be happy with Tyler. This love triangle exists with Tyler and Jeremy because of Katherine. Tyler and Jeremy parallel both brothers just as Klaus and Elijah do, it's up to the fans to see their parallels. Matt's response is every bit Jeremy in 3x19 and 3x21, only it's his sister. "What are you doing, Vick?" Damon continues with his alternate meanings while being real with Elena. "I like you. You know how to laugh." He talks to her about Katherine, and at the same time, he's describing himself. "She was also very complicated and selfish and at times not very kind, but very sexy and seductive." It's not until she sees the picture of Katherine in 1x10 that she understands his alternate meanings. "She was beautiful. A lot like you in that department." Elena picks up on some things, but remains blind to other things. Here, she picks up on the fact that both brothers dated Katherine, but is blind to the fact that both brothers are vampires. Damon needs to be there, not only for Elena to learn the whole truth, but for the sake of continuing to get the whole truth because Stefan doesn't stop lying to her. "Ask Stefan. I'm sure his answer differs from mine." This level of honesty is so damn refreshing. Damon opens up to Elena about her cheerleading. Even though he's a vampire, he's speaking to her as a human... as Oscar spoke to him when he considered deserting. "Quit, move on. Problem solved. Ta-da." Yet another theme that continues into seasons 3 and 4 as Damon is quite literally the problem. That's why Elena dies with Damon's blood in her system. It's her way of quitting and moving on. Living true to herself is the only way to truly live. Otherwise she's just existing. Like Damon, merely existing for 145 years while waiting to rescue Katherine from the tomb, Elena is merely existing while denying she fell in love with Damon. She has to drown to solve that problem. 4x1 has their largest number of "problem" dialogues because Elena fell in love with Damon.

This is Damon's parallel to Anna in 1x14. He knows she's being honest, and he responds as he does because she's being honest. She actually cares about his feelings, his loss. This is something he's not used to. In this moment, she makes him feel human. Even though he views Elena as friendship material, he's not ready for a friendship with her. Not yet anyway. He's still busy playing with Stefan. While Damon speaks with Elena, Stefan speaks with Caroline. This is all based on how 1x2 ended. "That's a really nice scarf." Stefan knows exactly why she can't take it off, but he's acting dumb about it, so I consider this a lie by omission. I view compulsions a certain way due to wording and loopholes. Klaus' compulsion on Stefan in 3x5 is all-inclusive. No matter what Klaus tells him to do, Stefan has to do it. Katherine's compulsion on Stefan is strictly relationship-based. They're to continue as they have been, but that doesn't mean they won't break up eventually. Katherine would have to compel Stefan again to get him to feed on her for the sake of making him a vampire. It's made clear that Damon compelled Caroline to keep wearing the scarf, to not take it off. That's why she has no idea why she can't take it off. However, he needs to continue compelling her to do other things, like helping Elena in the kitchen. His compulsion isn't all-inclusive like Klaus'. If fans don't see the lie-compulsion parallel yet, I'll just make it clear right here and now. Caroline's scarf is a parallel to Stefan's vervain necklace. "I'd very much like it if you'd wear it for me, for good luck." This scene pushes into 4x16 as Elena feeds on a cheerleader just like Damon, then hands the cheerleader a scarf just like Damon. "Because that is what is normal to me." Damon speaks true to his existence. He's a vampire. He's simply acting as if his switch is off, as if he doesn't feel. It's because Stefan lives as a human that people aren't there for his amusement, but this exchange is yet another that works as a double for both brothers. Humans are there for Stefan's amusement, for him to feed on when he acts ripper... and Damon will try to stop him when he acts human.

This is the first time Damon speaks true of himself. "Come on. Your brother isn't as bad as you make him out to be..." A truth he wants her to know despite his attempt to kiss her and put himself in her bed. It's also his ability to compel a dream that he knows Elena is wearing vervain rather than consuming it. The reason they show her grabbing the empty water glass when she wakes. Elena lets go of her cheerleader uniform, but understand there's a difference in letting go of the uniform and letting go of the girl. That's why she dies in season 3. Stefan writes in his journal. "There must be a shred of humanity left inside my brother. Somewhere. I keep hoping. But how do I make him see it? And how do I protect her?" This is where Stelena fans have it wrong when it comes to the necklace. The necklace itself is for Damon, the vervain in the necklace is for Elena. Stefan is killing two birds with one stone. The "vervain necklace" is a Delena thing, period. The contents of the necklace is for Elena. "And how do I protect her?" The necklace itself is for Damon. "But how do I make him see it?" If Stefan cared about anyone other than Elena, he would've fed the vervain to Caroline and threw Damon in the cellar in this episode. The necklace itself is a long-game concept. That's why Caroline questions Elena after Stefan gives it to her. He's opting to protect one girl with the vervain, and protecting all girls with the necklace as it's meant to show Damon his humanity.

"No, it's, uh… it's an herb. It's nice, huh?" This is a lie by omission. Stefan has been living on and off as a human since he became a vampire. He's had the necklace since the 20s. "It's something that I've had forever, and uh, I've never wanted to give it to anyone until now." Another lie by omission, but not the point I'm driving here. He's been on the market so to speak since 1935, that's according to his own journals. He's had every chance for relationships with other women, both human and vampire, yet this is the first time he felt the desire to be with someone and she happens to be a human Petrova doppelganger. Apparently, no other human will do for him. She has to look like Katherine. Certainly not a coincidence that Katherine was there when he found the necklace, now he's giving it to Elena while stating he's had it forever. I view this as I view the photo of Katherine in his journal.

Elena: We're a pair. I quit, you start. Stefan: Right. We're a work in progress. 

I not only take offense to this while respecting the hell out of Damon's parallel dialogue in 2x4. "I'm a work in progress." I love it at the same time. I take offense because Stelena is as much a "work in progress" as any other human life Stefan has lived. This is something he's actually quite used to because he's lived one human life after another. I love it because true to the reality of life, they make it clear that they're a work in progress, but they're on separate paths. One is quitting while the other is starting. A sure fire sign that she'll end up with Damon as he talked her into quitting. Not the only thing Stefan isn't clued in on. He still has no idea that Damon and Elena met first, nor does he know that Katherine is still alive. To be honest, I consider Stefan draping Elena's neck with vervain a way of marking his territory. He might as well be a dog marking a tree. "Is that pee that I smell?" Caroline has no idea, she's just as blind as Stefan. "And you're not in uniform because..." That's why it's Stefan and Caroline in 4x16. Why Elena tells Caroline to take Stefan for a spin. Damon sees Elena as he sees himself. She's not that girl anymore. Just as he died when he died, she died when her parents did. Again, Stefan hating his vampirism, but reaping the benefits. "We've got some great new talent tonight starting on the offense, and I'm gonna tell you right now, it has been a long time since I have seen a kid like this with hands like these. Let's give it up for Stefan Salvatore!" imo, Elena wouldn't have looked at Stefan twice if not for his vampirism because he'd have nothing to impress her with but his looks. He'd be an average high school human like Matt. I'm certain that's why Tyler is so bothered by it. "This blows. He can't start, the guy just got here." He's so bothered by it that he starts a fight with Jeremy, which in turn, reveals more of the very reason Stefan is starting. He's a vampire.

"Yeah, you smell fine." Elena with Jeremy is hilarious because she can smell booze and she can smell vervain, but she has no idea what vervain is. "Is that rose that I smell?" Another lie by omission for Stefan. "No, no, no, it's fine. He missed. It's not my blood. See? I'm fine." Again, fan's choice. Is it worse to compel someone or to make them question their own sanity? To make them not believe what they're actually seeing? Every reason why Damon closed the door behind Elena in 1x2. "The door was... open." Elena turns to Bonnie and questions her, and this scene between them is written opposite their shared scene at the open. "When I touched Stefan, it was a feeling. And it vibrated through me, and it was cold, and it… It was death. It's what I imagine death to be like." Elena doesn't know how to take this. Damon catches up to Elena and talks to her about Caroline. "I'm hiding from Caroline. I needed a break. She talks more than I can listen. Well, she's awfully young. I don't see it going anywhere in the bigger picture. I think she'd drive me crazy." I view these four comments as one because it's my opinion that he's not referring to her age, but her maturity. She acts too young for him.

"I'm sorry if I make you uncomfortable. That's not my intention." Damon is being honest, actually. It's his intention to make Stefan uncomfortable while trying to give Elena their truth. Still, I think he enjoys her intelligence as much as I do. She's not completely incapable of picking up on certain things, like his alternate meanings. I've analyzed this scene for someone before. Damon truly believes he's compelling Elena. Not only because he was able to compel her a dream the night before, but because her shock is selling it. Her shock that he's actually trying to kiss her is coming off like she's being compelled. That's the only way I can explain it. The closer his lips get to hers, the more it's gonna hurt when she slaps him. Trust me, he feels the sting lol. I know some of my followers may not know this, but I love it when Bonnie and Elena use violence to ground Damon. While "good" Stefan marks Elena like a dog pissing on a tree with his vervain, Elena smacks Damon because he's being a "bad" dog when they're supposed to be man's best friend lol. I view it the same way I view Rebekah smacking Caroline when she's cutting herself because of Silas. Damon has to be reminded that he still has his humanity even though he's a vampire. What I'd expect for the brother that's been living as a vampire for 145 years. Violence isn't good, but it works for someone like Damon, and it's not like he can't take it. I consider the sting he feels punishment enough for trying to compel her. Yet another instance where Elena doesn't tell Stefan. It's Damon who tells him. "I bet you even dreamed about me." Every bit what I meant about Damon's compulsion coming in two parts. He was using her compelled dream as a prelude to his kiss. "And I don't know what happened in the past, but let's get one thing straight... I am not Katherine." Poor girl has no idea that she very much should know what happened in the past. The point of Damon name-dropping Katherine. They became vampires.

Damon: Where'd you get it? Stefan: Does it matter?

Stefan knows damn well that it matters and why because he knows Damon is the reason vervain hasn't grown in Mystic Falls since 1864. He's simply referring to things in the opposite. Meaning, Zach is gonna pay rather than Elena because it was used to catch Katherine, not protect her. This is why I fault Stefan for Zach's death. He clearly didn't care even though he knew. "Guess I could just seduce her the old-fashioned way." Any fan knowing the truth about vervain would know the truth Damon spits while making this comment. He doesn't need to seduce her the old- fashioned way. He could've kissed her if he wanted to simply by ripping the vervain off her neck. It only burns them when they touch it directly, and the vervain is inside the necklace. That's why Elijah rips it off her neck, tosses it on the floor, then compels her for information in season 2. Coach Tanner is what an impulsive "crime of passion" looks like because it's fueled by emotion. You can see the emotional shift in Damon as Stefan talks to him.

This is the reason Damon kills Coach Tanner. "Katherine is dead. And you hate me because you loved her, and you torture me because you still do." Stefan has no idea that Damon tortures him because Katherine is still alive. If she were dead, Damon would've moved past it by now. He wouldn't still be torturing Stefan. "You're still haunting me. After 145 years." It's an eye for an eye as he believes Katherine has been desiccating in a tomb for 145 years. He can't let Stefan be happy when he's not happy, when at the same time, he blames Stefan for Katherine being caught in the first place. Stefan has no idea that he doomed Damon to more than two lifetimes of misery when he forced him to become a vampire because not only did his love for Katherine become magnified as a vampire, but he was forced to live in a world where he believed she was to desiccate in a tomb until the next comet. Just in believing that she's actually dead, Stefan should've known better than to pull her into their convo. "If that's my humanity... then what's this?" Damon's reply is intentional. It's his vampirism, and Stefan is the reason he's a vampire. "No! I want you to remember who you are!" He shifted from Stefan's vampirism in 1x2 to his own vampirism in this episode. Matt is still so blinded by Stefan that he's defending him against Tyler. "What's beating up the new guy going to prove?" It's gonna prove he's a vampire since vampires heal quickly lol. Matt then finds Coach Tanner's body. Damon left him there to be found because he's not the one pretending to be human, Stefan is. Stefan left him there to be found, and likely because he didn't wanna get caught moving his body.

"It wasn't just for the drugs." I love this scene between Jeremy and Vicki based on their love triangle parallels. I'm referring to their track, Chemical by Kerli. Damon and Elena are themed in the unbreakable. They're what "Til death do us part" truly means. That's why the necklace becomes Damon's before they prove it unbreakable. Why they have multiple tracks speaking to how they're unbreakable. Because Elena doesn't know how to take Bonnie's comment and Damon just killed Coach Tanner, she starts to combine clues while Stefan continues to lie to her.

Elena: What kind of animal could be doing all this? Why would it come out of the woods and attack someone in the middle of town? Stefan: I don't know. I don't know. Elena: I was so sure that you cut your hand. I saw it.

I laugh at Elena's question because I live in a town smaller than Mystic Falls, so I get it. Our wild animals don't leave the woods and head for the school lol. "I thought there was hope that somewhere deep inside, something in Damon was still human, normal. But I was wrong. There's nothing human left in Damon. No good. No kindness. No love. Only a monster Who must be stopped." It's because Stefan has his journal entries backwards... because he has a relationship with Damon separate from Elena's relationship with him that he makes a huge mistake by locking up Damon in an attempt to desiccate him. He has no idea that he already affected his brother.

This was the moment I saw their direction for Damon's character. He's connecting to his humanity, and Stefan has no idea. Fans must understand that this is a necklace scene for Damon, and he very well knows the purpose for the necklace. "No. You're not gonna hurt her, Damon. Because deep down inside, there is a part of you that feels for her." It's about his humanity, period. That's why he's gone when Elena wakes up to turn her light off. "You found it during your darkest time." And the voice of Damon's humanity is created.

[janijams]

Head canons/theories/things I noticed in reference to the new fnaf dlc

(SPOILERS)

All the models are different. Like big different. Roxy's whole face was remodeled (it honestly looks better in dlc), I don't pay attention to monty but there's gotta be some differences there, same with chica, all Freddy models I could find online don't have prototype on the foot like dlc Freddy, etc.

Freddy reminds me of nightmare fredbear with the stomach teeth thing going on

There's no arcade or atrium and we do not see much of the lobby, this is probably due to file size or something

It looked like the blob showed in on that one staircase with the big hole in the wall, though I am unable to confirm

THE DAYCARE ANIMATRONIC.

Has the same inner set of teeth as the mimic.

They have an inner set of teeth! That arent supposed to be seen on them when they're not messed up, which could either be some weird in universe design choice, or part of a past design they didn't wanna take out. Either way it's weird.

Their left eye looks bloodshot and human almost, it looks awesome and there's probably some explanation for it like the led in the eye being messed up with the rest of that side of the face

Their pants have wire in them, meaning the pants are solid, probably so children don't get hurt by the endoskeleton

The wrench socket in the back of their head is dlc only, the sun model (aka both models, moon is just repainted sun) do not have this at all, though there is space for it

Their torso also has wire like the pants do, though its hard to see

Their hands don't have any outer shell on them, or ALL of the paint has chipped away which I don't believe

All animatronic ai is weird, reminds me of before release builds where the ai doesn't update as fast as the player moves, except it's less obvious in the dlc and could be written off as a purposeful thing

The dlc kind of follows the same path as security breach. Enter, start going places, get sidetracked, go to daycare, deal with animatronics one at a time, one technically doesn't die, multiple endings where u have to do certain things to unlock them

The comic pages are interesting, they show pages from different endings which is odd and doesn't make sense in universe unless Gregory drew them and has crazy creativity.

BONNIE IS BLUE OH MY GOD HE'S BLUE

Bonnie is also gay, like why would supossedly nonsentient animatronics have permission to keep very queercoded posters from their bestie.

I'm loving it though

The minigames in the dlc were in the code of security breach unfinished, they probably recycled them since there was no reasonable place them in a main game update

I believe there was an extremely unfinished bowling game, I don't think it was in the dlc which is tragic

The weird glitch in the vanni mask is likely glitchtrap remnants, if it's confirmed I love the (re)design.

The camera system wasn't very useful with distracting animatronics, using it could be easily avoided in most areas (still a very cool mechanic though)

And that is all, I don't think many people will read this far, if at all, but it's nice just to get this all out of my head